Academy Scientific and Technical Award

|+Sci-Tech Award of Merit Recipients {{Cite web|url=http://awardsdatabase.oscars.org|title=AMPAS database|access-date=2015-03-05|archive-url=https://web.archive.org/web/20090227145302/http://awardsdatabase.oscars.org/|archive-date=2009-02-27|url-status=dead}}

!Year

!Recipient(s)

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• To Electrical Research Products, Inc., RCA-Photophone, Inc., and RKO Radio Pictures, Inc., for noise reduction recording equipment
• To Dupont Film Manufacturing Corp., and Eastman Kodak Company for super-sensitive panchromatic film

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• To Douglas Shearer and the MGM Studio Sound Department "for the development of a practical two-way horn system and a biased Class A push-pull recording system"

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• To Agfa Ansco Corporation for Agfa Supreme and Agfa Ultra Speed pan motion picture negatives

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• To 20th Century-Fox Film Corp. for the design and construction of the 20th Century Silenced Camera, developed by Daniel Clark, Grover Laube, Charles Miller, and Robert W. Stephens

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• To Eastman Kodak Company "for the development and introduction of an improved safety base motion picture film"

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• To Eastman Kodak Company for the introduction of Eastman color negative and Eastman color print film
• To Ansco Film Division of General Aniline and Film Corporation for the introduction of Ansco color negative and Ansco color print film

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• To Professor Henri Chretien and Earl Sponable, Sol Halprin, Lorin Grignon, Herbert Bragg, and Carl Faulkner of 20th Century Fox-Studios "for creating, developing, and engineering the equipment, processes, and techniques known as CinemaScope"
• To Fred Waller "for designing and developing the multiple photographic and projection systems which culminated in Cinerama"

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• To Paramount Pictures, Inc., Loren L. Ryder, John R. Bishop, "and all the members of the technical and engineering staff for developing a method of producing and exhibiting motion pictures known as VistaVision"

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• To the National Carbon Co. "for the development and production of a high efficiency yellow flame carbon for motion picture color photography"

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• To the Todd-AO Corp. and Westrex Corp. "for developing a method of producing and exhibiting wide-film motion pictures known as the Todd-AO system"
• To the Motion Picture Research Council "for the design and development of a high efficiency projection screen for drive-in theaters"

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• To Petro Vlahos, Wadsworth E. Pohl, and Ub Iwerks "for the conception and perfection of techniques for Color Traveling Matte Composite Cinematography"

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• To Philip V. Palmquist of Minnesota Mining and Manufacture Co., to Herbert Meyer of the Motion Picture and Television Research Center, and to Charles D. Staffell of the Rank Organization "for the development of a successful embodiment of the reflex background projection system for composite cinematography"
• To Eastman Kodak Company "for the development and introduction of a color reversal intermediate film for motion pictures"

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• To Garrett Brown and the Cinema Products Corporation Engineering Staff "under the supervision of John Jurgens for the invention and development of Steadicam"

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• To Eastman Kodak Company "for the research and development of a Duplicating Color Film for motion pictures"
• To Stefan Kudelski of Nagra Magnetic Recorders, Incorporated, "for the continuing research, design, and development of the Nagra Production Sound Recorder for Motion Pictures"
• To Panavision, Incorporated, "and its engineering staff under the direction of Robert E. Gottschalk, for the concept, design, and continuous development of the Panaflex Motion Picture Camera System"

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• To Mark Serrurier "for the progressive development of the Moviola from the 1924 invention of his father, Iwan Serrurier, to the present Series 20 sophisticated film editing equipment"

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• To Linwood G. Dunn, Cecil D. Love, and AcmeTool and Manufacturing Company "for the concept, engineering, and development of the Acme-Dunn Optical Printer for motion picture special effects"

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• To Fuji Film Photo Company, Ltd. "for the research, development, and introduction of a new Ultra-high-speed color negative film for motion pictures"

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• To August Arnold and Erich Kastner of Arnold & Richter, GmbH, "for the concept and engineering of the first operation 35mm, hand-held, spinning-mirror reflex, motion picture camera"

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• To Kurt Larche of Osram GmbH "for the research and development of xenon short-arc discharge lamps for motion picture projection"

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• To Bernard Kuhl, and Werner Block, and to the Osram GmbH Research and Development Department "for the invention and continuing improvement of the Osram HMI light source for motion picture photography"

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• To Ray Dolby and Ioan Allen of Dolby Laboratories Incorporated "for their continuous contributions to motion picture sound through the research and development programs of Dolby Laboratories"

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• To Eastman Kodak Company "for the development of T-Grain technology and the introduction of EXR color negative films which utilize this technology"

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• To Chadwell O’Connor of the O'Connor Engineering Laboratories "for the concept and engineering of the fluid-damped camera head for motion picture photography"

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• To Panavision for the Auto Panatar anamorphic photographic lens
• To Manfred G. Michelson of Technical Film Systems, Incorporated, "for the design and development of the first sprocket-driven film transport system for color print film processors which permits transport speeds in excess of 600 feet per minute"

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• To Petro Vlahos and Paul Vlahos "for the conception and development of the Ultimatte Electronic Blue Screen Compositing Process for motion pictures
• To the Eastman Kodak Company for the development of the Eastman EXR Color Intermediate Film 5244"

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• To IMAX Corporation "for the method of filming and exhibiting high-fidelity, large-format, wide-angle motion pictures"

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• To Gunnar P. Michelson "for the engineering and development of an improved, electronic, high-speed, precision light valve for use in motion picture printing machines"

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• To Avid Technology, Inc., "for the concept, system design, and engineering of the Avid Film Composer for motion picture editing"

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• To Rob Cook, Loren Carpenter, and Ed Catmull "for their significant advancements to the field of motion picture rendering exemplified in Pixar’s Renderman" [https://spectrum.ieee.org/and-the-oscar-goes-to And the Oscar goes to...], IEEE Spectrum, 2 April 2001.

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• To Alias/Wavefront "for the development of a 3D animation, dynamics, modeling, and rendering production tool known as Maya"
• To Arnold & Richter Cine Technik and Panavision, Inc., "for their continuing development and innovation in the design and manufacturing of advanced camera systems specifically designed for the motion picture entertainment industry"

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• To Digidesign "for the design, development, and implementation of the ProTools digital audio workstation"
• To Bill Tondreau of Kuper Controls "for his significant advancements in the field of motion picture control technology for motion picture visual effects"

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• To Horst Burbulla "for the invention and continuing development of the Technocrane telescoping camera crane"
• To Jean-Marie Lavalou, Alain Masseron, and David Samuelson "for the engineering and development of the Louma Camera Crane and remote system for motion picture production"

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• To the Eastman Kodak Company "for the development of photographic emulsion technologies incorporated into the Kodak Vision2 family of color negative films"

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• To Franz Kraus. Johannes Steurer, and Wolfgang Riedel "for the design and development of the ARRILASER film recorder"

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• To Cooke Optics Limited "for their continuing innovation in the design, development and manufacture of advanced camera lenses that have helped define the look of motion pictures over the last century."

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• {{anchor|all film laboratories}}To all those who built and operated film laboratories, "for over a century of service to the motion picture industry"

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• To Larry Hornbeck "for the invention of digital micromirror technology as used in DLP cinema projection"

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• To Mark Elendt and SideFX Software for the creation and development of the Houdini visual effects and animation system

|+Scientific and Engineering Award Recipients

!Year

!Recipient(s)

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• To William L. Fredrick and Hal Needham for the design and development of the Shotmaker Elite camera car and crane.

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• To Anatoliy Kokush for the concept and development of the Cascade series of motion picture cranes.
• To Anatoliy Kokush, Oleksiy Zolotarov for the concept and development of the Russian Arm gyro-stabilized camera crane and the Flight Head.
• To David Baraff, Michael Kass, Andy Witkin for their pioneering work in physically based computer-generated techniques used to simulate realistic cloth in motion pictures.
• To Garrett Brown for the original concept of the Skycam flying camera system - the first use of 3D volumetric cable technology for motion picture cinematography.
• To Laurie Frost, Peter Hannan for the development of the remote camera head known as the Hot-Head.
• To David Grober, for the concept and mechanical design of the Perfect Horizon camera stabilization head.
• To Scott Lewallen, for the electronic and software design of the Perfect Horizon camera stabilization head.

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• To Charles Q. Robinson, Nicolas Tsingos, Christophe Chabanne, Mark Vinton and the team of software, hardware and implementation engineers of the Cinema Audio Group at Dolby Laboratories for the creation of the Dolby Atmos Cinema Sound System.
• To Steve Read and Barry Silverstein for their contributions to the design and development of the IMAX Prismless Laser Projector.
• To Peter Janssens, Goran Stojmenovik and Wouter D’Oosterlinck for the design and development of the Barco RGB Laser Projector.
• To Michael Perkins, Gerwin Damberg, Trevor Davies and Martin J. Richards for the design and development of the Christie E3LH Dolby Vision Cinema Projection System, implemented in collaboration between Dolby Cinema and Christie Digital engineering teams.
• To Ken Museth, Peter Cucka and Mihai Aldén for the creation of OpenVDB and its ongoing impact within the motion picture industry.
• To Jaden Oh for the concept and development of the Marvelous Designer clothing creation system.
• To F. Sebastian Grassia, Alex Mohr, Sunya Boonyatera, Brett Levin and Jeremy Cowles for the design and engineering of Pixar’s Universal Scene Description (USD).

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• To Curt O. Schaller for the concept, design and development of the Trinity 2 system{{cite web| url=https://press.oscars.org/news/14-scientific-and-technical-achievements-be-honored-academy-awardsr| title=14 SCIENTIFIC AND TECHNICAL ACHIEVEMENTS TO BE HONORED WITH ACADEMY AWARDS| date=January 27, 2025| publisher=Academy of Motion Picture Arts and Sciences| access-date=January 29, 2025}}{{cite web| url=https://deadline.com/2025/01/oscars-academy-sci-tech-winners-moves-ceremony-april-1236269617/| title=Oscars: Academy Names Sci Tech Winners Including Statuette For Captioning, Moves Fires-Postponed Ceremony To Late April| date=January 27, 2025| publisher=Deadline Hollywood| access-date=January 29, 2025}}
• To Roman Foltyn for the software and hardware design of its motorized stabilized head{{cite web| url=https://press.oscars.org/news/14-scientific-and-technical-achievements-be-honored-academy-awardsr| title=14 SCIENTIFIC AND TECHNICAL ACHIEVEMENTS TO BE HONORED WITH ACADEMY AWARDS| date=January 27, 2025| publisher=Academy of Motion Picture Arts and Sciences| access-date=January 29, 2025}}{{cite web| url=https://deadline.com/2025/01/oscars-academy-sci-tech-winners-moves-ceremony-april-1236269617/| title=Oscars: Academy Names Sci Tech Winners Including Statuette For Captioning, Moves Fires-Postponed Ceremony To Late April| date=January 27, 2025| publisher=Deadline Hollywood| access-date=January 29, 2025}}