B-flat major
{{more citations needed|date=May 2025}}
{{Short description|Music scale based on B-flat}}
{{Infobox musical scale
| name=B-flat major
| relative=G minor
| parallel=B-flat minor
| dominant=F major
| subdominant=E-flat major
| first_pitch=B{{music|flat}}
| second_pitch=C
| third_pitch=D
| fourth_pitch=E{{music|flat}}
| fifth_pitch=F
| sixth_pitch=G
| seventh_pitch=A
}}
B-flat major is a major scale based on B♭ (musical note), with pitches B{{music|flat}}, C, D, E♭ (musical note), F, G, and A. Its key signature has two flats. Its relative minor is G minor and its parallel minor is B-flat minor.
The B-flat major scale is:
{{block indent|
\header { tagline = ##f }
scale = \relative b { \key bes \major \omit Score.TimeSignature
bes^"B♭ natural major scale" c d es f g a bes a g f es d c bes2 \clef F \key bes \major }
\score { { << \cadenzaOn \scale \context NoteNames \scale >> } \layout { } \midi { } }
}}
Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B-flat harmonic major and melodic major scales are:
{{block indent|
\header { tagline = ##f }
scale = \relative b { \key bes \major \omit Score.TimeSignature
bes^"B♭ harmonic major scale" c d es f ges a bes a ges f es d c bes2 \clef F \key bes \major }
\score { { << \cadenzaOn \scale \context NoteNames \scale >> } \layout { } \midi { } }
}}
{{block indent|
\header { tagline = ##f }
scale = \relative b { \key bes \major \omit Score.TimeSignature
bes^"B♭ melodic major scale (ascending and descending)" c d es f g a bes as ges f es d c bes2 \clef F \key bes \major }
\score { { << \cadenzaOn \scale \context NoteNames \scale >> } \layout { } \midi { } }
}}
Many transposing instruments are pitched in B-flat major, including the clarinet, trumpet, tenor saxophone, and soprano saxophone. As a result, B-flat major is one of the most popular keys for concert band compositions.
Scale degree chords
The scale degree chords of B-flat major are:
- Tonic – B-flat major
- Supertonic – C minor
- Mediant – D minor
- Subdominant – E-flat major
- Dominant – F major
- Submediant – G minor
- Leading-tone – A diminished
History
Joseph Haydn's Symphony No. 98 is often credited as the first symphony written in that key, including trumpet and timpani parts. However, his brother Michael Haydn wrote one such symphony earlier, No. 36. Nonetheless, Joseph Haydn still gets credit for writing the timpani part at actual pitch with an F major key signature (instead of transposing with a C major key signature), a procedure that made sense since he limited that instrument to the tonic and dominant pitches.H. C. Robbins Landon, Haydn Symphonies, London: British Broadcasting Corporation (1966): 57 Many editions of the work use no key signature and specify the instrument as "Timpani in B{{music|flat}}–F".
Notable classical compositions
{{See also|List of symphonies in B-flat major}}
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- François Couperin
- Les Barricades Mystérieuses
- Johann Sebastian Bach
- Brandenburg Concerto No. 6
- Luigi Boccherini
- Cello Concerto No. 9, G. 482
- Joseph Haydn
- Symphony No. 85 (La Reine)
- Symphony No. 98
- Symphony No. 102
- Sinfonia Concertante for Violin, Cello, Oboe and Bassoon
- String Quartet Op. 76 No. 4 (Sunrise)
- Wolfgang Amadeus Mozart
- Symphony No. 2
- Symphony No. 5
- Symphony No. 24
- Symphony No. 33
- Piano Concerto No. 6
- Piano Concerto No. 15
- Piano Concerto No. 18
- Piano Concerto No. 27
- String Quintet No. 1
- String Quartet No. 17 (Hunt)
- Violin Sonata No. 32
- Piano Sonata No. 3
- Piano Sonata No. 13 (Linz)
- Piano Sonata No. 17
- Ludwig van Beethoven
- Piano Concerto No. 2
- Symphony No. 4
- String Quartet No. 6
- String Quartet No. 13
- Große Fuge
- Piano Sonata No. 11
- Piano Sonata No. 29 (Hammerklavier)
- Piano Trio, Op. 97 (Archduke)
- Franz Schubert
- Impromptu No. 3, Op. 142
- Mass No. 3
- Der Hirt auf dem Felsen, D. 965
- Piano Sonata No. 21, D. 960
- Piano Trio No. 1, D. 898
- Symphony No. 2
- Symphony No. 5
- Felix Mendelssohn
- Symphony No. 2 (Lobgesang)
- String Quintet No. 2
- Cello Sonata No. 1
- Frédéric Chopin
- Variations on "Là ci darem la mano" for piano and orchestra, Op. 2
- Mazurka Op. 7, No. 1
- Prelude Op. 28, No. 21 "Sunday"
- Polonaise Op. 71, No. 2
- Robert Schumann
- Symphony No. 1, Op. 38, (Frühling)
- The second, fourth and sixth movement of Kreisleriana, Op. 16
- Humoreske for piano, Op. 20
- Faschingsschwank aus Wien for piano, Op. 26
- Franz Liszt
- Transcendental Étude No. 5 (Feux follets) from Transcendental Études
- Anton Bruckner
- Symphony No. 5
- Johannes Brahms
- Piano Concerto No. 2
- String Quartet No. 3
- String Sextet No. 1
- Variations and Fugue on a Theme by Handel
- Variations on a Theme by Haydn
- Bohuslav Martinů
- Symphony no. 1
- Sergei Prokofiev
- Symphony No. 5
- Piano Concerto No. 4
- Piano Sonata No. 7
- Piano Sonata No. 8
- Dmitri Shostakovich
- String Quartet No. 5
- Modest Mussorgsky
- "Promenade" from Pictures at an Exhibition
- Ottorino Respighi
- "The Pines of the Villa Borghese" from Pines of Rome
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References
{{reflist}}
External links
- {{Commons category-inline|B-flat major}}
{{Circle of fifths}}