Bhimpalasi

• Aaroha: {{svaraH|'n|S|g|m|P|n|S'|foot=yes}}{{sfn|Bor|Rao|1999}}{{sfn|OEMI:BP}}
• Avaroha: {{svaraH|S'|n|D|P|m|g|R|S|foot=yes}}{{sfn|Bor|Rao|1999}}{{sfn|OEMI:BP}}

The raga has komal Ni and Ga. Rishabh ((re)second) and dhaivat ((Dha)sixth) are skipped in āroha (ascending) passages, but are given due importance when descending (avroha). Since the scale has 5 notes ascending and all 7 descending, the resulting jāti is Audav–Sampūrṇa. It is performed in the early afternoon, from 12:00 P.M. to 3:00 P.M. (the third prahar of the day).{{Cite web |last= |first= |title=Tanarang |url=http://www.tanarang.com/english/bheempalasi_eng.htm |access-date=2023-05-05}}

Use of dhaivat(dha) and rishabh(ray) is symmetrical in that both are approached via the succeeding notes (D from Ṉ, and R from {{SvaraH|g}}).{{SvaraH|g}} is sung with a kaṇ-svara (grace note) of M. Similarly, Ṉ is sung with a kaṇ-svara from S.

• Vadi Swar: {{svaraH|m}}{{sfn|OEMI:BP}}
• Samavadi Swar: {{svaraH|S}}{{sfn|OEMI:BP}}
• Thaat: Kafi{{sfn|OEMI:BP}}
• Pakad or Chalan: {{svaraH|'n|S|m|,|m|g|P|m|,|g|m|g|R|S|foot=yes}}{{sfn|OEMI:BP}}

A bandish is a composition in Hindustani classical music. Both of the following bandishes are examples of Bhimpalasi.

This bandish is set in Teental. Pandit Jasraj is known for having sung this particular bandish; it is also in the repertoire of Sanjeev Abhyankar.

The Bandish Initials(Bandish Name): "Gāo Bajāo Sab Mil Ātā Umaṅg So"

The Bandish is set in tāla Ektal{{Cite book|last=Mathur|first=Dr Neeta|title=Shashtriya Sangeet Ke Surya Acharya Pandit Dr Gokulotsavji Maharaj.|publisher=Radha Publication|year=2011|isbn=978-81-7487-765-9|location=New Delhi|page=88}}

Related/similar ragas:

• Bageshree, Dhanashree, Dhani, Patdeep, Hamsakinkini, Patdeepaki
• In Carnatic music, Karnataka Devagandhari is the most similar raga, falling with Melakarta 22 (Karaharapriya).

The madhyam (fourth) is the most important note. It is also a nyāsa-svara (resting note) with emphasized elaboration around this note - {{SvaraH|S|g|m|,|m|g|m|,|g|m|P|,|m|P|g|m|P|(|m|)|g|(|m|)|g|m|foot=yes}}.

Note that the following songs are composed in Abheri, the equivalent of raga Bhimpalasi in Carnatic music.

• List of film songs based on ragas

{{notelist|30em}}

{{reflist}}

• {{cite book |last1=Bor |first1=Joep |last2=Rao |first2=Suvarnalata |title=The Raga Guide: A Survey of 74 Hindustani Ragas |date=1999 |publisher=Nimbus Records with Rotterdam Conservatory of Music |isbn=9780954397609 |page=40 |url=https://books.google.com/books?id=jCnoMgEACAAJ |language=en }}
• {{cite book |title=Bhimpalāsi Rāga (Hin), The Oxford Encyclopaedia of the Music of India |publisher=Oxford University Press |isbn=9780195650983 |url=http://www.oxfordreference.com/view/10.1093/acref/9780195650983.001.0001/acref-9780195650983-e-0831 |access-date=12 October 2018 |ref={{harvid|OEMI:BP}} |language=en |url-access=subscription }}
• {{cite book | last=Gosvami | first=O. | title=The Story Of Indian Music | publisher=Asia Publishing House | place=Bombay | year=1957}}

• [https://web.archive.org/web/20070721072200/http://sawf.org/Newedit/edit08062001/musicarts.asp SAWF Article on Bhimpalasi and related raags]
• [https://web.archive.org/web/20070927035337/http://www.itcsra.org/sra_raga/sra_raga_that/sra_raga_that_links/raga.asp?raga_id=65 ITC-SRA on Bhimpalasi]
• [https://web.archive.org/web/20070514235610/http://www.itcsra.org/sra_others_samay_index.html SRA on Samay and Ragas]
• [https://web.archive.org/web/20070514234610/http://www.itcsra.org/sra_raga/sra_raga_that/sra_raga_that_index.html SRA on Ragas and Thaats]
• [https://web.archive.org/web/20070510143551/http://www.sawf.org/music/articles.asp?pn=Music Rajan Parrikar on Ragas]
• [http://chandrakantha.com/raga_raag/film_song_raga/bhimpalasi.shtml Film songs in Bhimpalasi]
• [https://web.archive.org/web/20160303215905/http://oceanofragas.com/ocean_htmlpages/Bhimpalasi.html More details about raga Bhimpalasi]

{{Rāgas as per Performance Time}}

Category:Hindustani ragas