Cartouche (design)

File:Cartouche on the house with number 9, on the Doctor Dimitrie D. Gerota street from Bucharest (Romania).jpg cartouche of Strada Doctor Dimitrie D. Gerota no. 9, Bucharest, Romania, {{circa|1900}}, unknown architect]]

A cartouche (also cartouch) is an oval or oblong design with a slightly convex surface, typically edged with ornamental scrollwork. It is used to hold a painted or low-relief design.

{{cite book

| first= Francis D. K.

| last= Ching

| year= 1995

| title= A Visual Dictionary of Architecture

| edition=

| publisher= John Wiley and Sons

| location= New York

| pages= 183

| isbn= 0-471-28451-3

}}

Since the early 16th century, the cartouche is a scrolling frame device, derived originally from Italian {{wikt-lang|it|cartuccia}}. Such cartouches are characteristically stretched, pierced and scrolling.

Another cartouche figures prominently in the 16th-century title page of Giorgio Vasari's Lives of the Most Excellent Painters, Sculptors, and Architects, framing a minor vignette with a pierced and scrolling papery cartouche.

The engraved trade card of the London clockmaker Percy Webster shows a vignette of the shop in a scrolling cartouche frame of Rococo design that is composed entirely of scrolling devices.

History

=Antiquity=

Cartouches are found on buildings, funerary steles and sarcophagi. The cartouche is generally rectangular, delimited by a molding or one or more incised lines, with two symmetrical trapezoids on the lateral edges.

Ostia, horrea epagathiana 01.JPG|Roman rectangular cartouche on the frieze of the entrance of Horrea Epagathiana et Epaphroditiana, Ostia, Rome, unknown architect, 145-150 AD{{cite book |last1=Fullerton|first1=Mark D.|title=Art & Archaeology of The Roman World|date=2020|publisher=Thames & Hudson|isbn=978-0-500-051931|page=87|language=en}}

Adana Archaeological Museum Roman Era Sarcophagus 3rd AD 0766.jpg|Roman rectangular cartouche on a sarcophagus, 3rd century, marble, Adana Archaeology Museum, Adana, Turkey

Obelisk of theodosius latin inscription.jpg|Roman cartouche on the pedestal of the Obelisk of Theodosius, Hippodrome of Constantinople, Istanbul, Turkey, unknown architect or sculptor, 390{{cite book|last1=Eastmond|first1=Anthony|title=The Glory of Byzantium and early Christendom|date=2013|publisher=Phaidon|isbn=978-0-7148-4810-5|page=46|url=|language=en}}

File:Leaf Symmachi VandA 212-1865 n02.jpg|Roman cartouche on the right leaf of the Symmachi–Nicomachi diptych, {{circa}}400, ivory, Victoria and Albert Museum, London{{cite book|last1=Eastmond|first1=Anthony|title=The Glory of Byzantium and early Christendom|date=2013|publisher=Phaidon|isbn=978-0-7148-4810-5|page=36|url=|language=en}}

=Chinese=

Percival David Collection DSCF3122 16.jpg|Chinese cartouches on a Longquan ware Vase, 14th century, celadon, British Museum, London{{cite web|url=https://www.chineseantiques.co.uk/longquan-ware-vase2/|website=chineseantiques.co.uk|title=Longquan Ware Vase – The Percival David Collection|author=Irv Graham|date=9 August 2012 |access-date=17 September 2023}}

Illustration from L’ornement Polychrome by Albert Racinet from rawpixel’s own original 1888 publication 00058.jpg|Chinese cartouches, illustration from L'Ornement Polychrome, by Albert Racinet, 1888

=From the Renaissance to Art Deco=

The Renaissance brought back elements of Greco-Roman culture, including ornaments like the cartouche. Compared to their ancient ancestors, the ones from the Renaissance are usually much more complex. Cartouches continue to be used in styles that succeed the Renaissance. Most have the usual look of a symmetrical oval with scrolls developed during the Renaissance and Baroque periods, but some are highly stylized, showing the diversity of styles popular over time. They were used constantly, and were one of the main motifs of Rococo and Beaux Arts architecture.

Their use started to fade in Art Deco, a style created as a collective effort of multiple French designers to make a new modern style around 1910. This is because artists of this movement tried to create new ornaments for their time, most often stylizing motifs used before, or coming up with completely new ones. Art Deco also followed the principle of simplicity, another reason for the rarity of complex ornaments like cartouches or mascarons in Art Deco.

File:Piazza degli strozzi 6 angolo via degli strozzi e via tornabuoni 14, palazzo strozzi, finestra del primo piano con stemma strozzi.jpg|Renaissance cartouche in a laurel crown with ribbons, above a bifora of the Palazzo Strozzi, Florence, Italy, by Benedetto da Maiano, 1489-1538

File:Italia centrale, cassone con teste di gorgoni, xvi sec. 02.JPG|Renaissance cartouche on a cassone, 16th century, most probably walnut, Villa medicea di Cerreto Guidi, Cerreto Guidi, Italy

File:Bottega fiorentina, forziere in noce, xvi sec 01.JPG|Renaissance cartouche on a chest, 16th century, walnut, Palazzo Davanzati, Florence, Italy

File:Fontainebleau - Le château - PA00086975 - 056.jpg|Renaissance stucco cartouche on a wall in the Gallery of Francis I, Palace of Fontainebleau, Fontainebleau, France, by Rosso Fiorentino, designed in 1532{{cite book|last1=Robertson|first1=Hutton|title=The History of Art - From Prehistory to Presentday - A Global View|date=2022|publisher=Thames & Hudson|isbn=978-0-500-02236-8|page=784|url=|language=en}}

Basilique Saint-Denis Francois Ier monument coeur.jpg|Renaissance cartouches on the Monument for the heart of Francis I, Basilica of Saint-Denis, Saint-Denis, France, by Pierre Bontemps, 1556{{cite web|url=https://www.pop.culture.gouv.fr/notice/palissy/PM93000173|website=pop.culture.gouv.fr|title=Tombeau du coeur de François Ier, roi de France|author=|access-date=13 September 2023}}

Dijon - Hôtel Bénigne Le Compasseur -4.jpg|Renaissance cartouche on the Hôtel Bénigne Le Compasseur (Rue Vannerie no. 64), Dijon, France, unknown architect, 1570{{cite web|url=https://www.pop.culture.gouv.fr/notice/merimee/PA00112421|website=pop.culture.gouv.fr|title=Maison|author=|access-date=13 September 2023}}

Alexander de Grote als een van de negen helden De negen helden (serietitel), RP-P-1890-A-15504.jpg|Two Renaissance cartouches, a big one with Alexander the Great and a smaller one with an inscription, by Crispijn van de Passe the Elder, 1574-1637, engraving on paper, Rijksmuseum, Amsterdam, the Netherlands

Pediment war cour Carree Louvre.jpg|Renaissance cartouche in a pediment of the west facade of the Cour Carrée of the Louvre Palace, Paris, designed by Pierre Lescot, 16th century{{cite book|last1=Bresc-Bautier|first1=Geneviève|title=The Louvre, a Tale of a Palace|date=2008|publisher=Musée du Louvre Éditions|isbn=978-2-7572-0177-0|page=28|url=|language=en}}

File:Anatomisch theater Andreae Vesalii Bruxellensis, invictissimi Caroli V. Imperatoris medici, de Humani corporis fabrica Libri septem (titel op object) Titelpagina voor Andreas Vesalius, De humani corporis fabrica, 1555, RP-P-2016-1796.jpg|Three Renaissance cartouches (two at the top and one at the bottom) on the frontispiece from On The Fabric of the Human Body, by Andreas Vesalius, 1555, woodcut on paper, Rijksmuseum

Illustration from L’ornement Polychrome by Albert Racinet from rawpixel’s own original 1888 publication 00234.jpg|16th and 17th century Renaissance cartouches from L'Ornement Polychrome, by Albert Racinet, 1888

File:CoA Pius VI Saint Peter's Basilica Vatican City.jpg|Baroque cartouche at the entrance of St. Peter's Basilica, Rome, unknown architect or blacksmith, {{circa}}1615

Stefano Della Bella - New Model for a Cartouche - 1972.137.2 - Cleveland Museum of Art.tif|Design of a Baroque cartouche, by Stefano della Bella, 1647, etching on paper, Cleveland Museum of Art, Cleveland, US

Charlottenburg Palace, 1695-1746, Berlin (20) (40185455721).jpg|Baroque cartouche with putti, above a mirror in the bedchamber of the Mecklenburg Apartment, Charlottenburg Palace, Berlin, unknown architect, 17th century

File:Palazzo davanzati, stemma davanzati in facciata.JPG|Baroque cartouche with the coat of arms of the Davanzati Family on the Palazzo Davanzati, Florence, unknown sculptor, late 17th century

File:Pierre legros, gloria di san luigi gonzaga, 1697-99, 01, altare con colonne di verde antico (cropped pediments and cartouche).jpg|Baroque cartouche and pediments on the Altar of Saint Aloysius Gonzaga, Sant'Ignazio, Rome, by Pierre Le Gros the Younger, 1697-1699

Stone in the courtyard of the Antim Monastery 19.jpg|Brâncovenesc cartouche on a damaged stone in the courtyard of Antim Monastery, Bucharest, Romania, unknown sculptor, late 17th-early 18th century

Frontispiece for 'Figures French and comic' (Figures francoises et comiques) MET DP834139.jpg|Baroque cartouche of the frontispiece for Figures françoises et comiques by Robert Hecquet, possibly 1702, etching in paper, Metropolitan Museum of Art, New York City

Print (France) (CH 18264721).jpg|Baroque cartouche, unknown date, etching on paper, Cooper Hewitt, Smithsonian Design Museum, New York

File:P1180356 Paris Ier rue de l'Arbre-Sec n52 rwk.jpg|Baroque cartouche-shaped corbels on the facade of the Hôtel d'Eynaud (Rue de l'Arbre-Sec no, 52), Paris, unknown architect, 1721

File:Les Astronomes, de la première tenture chinoise - Manufacture de Beauvais - Musée du Louvre Objets d'art OA 12544.jpg|Baroque cartouche on the edges and corners of The Astronomers, designed by Guy-Louis Vernansal, 1722-1724, wool, silk and tapestry weaving, Louvre

Illustration from L’ornement Polychrome by Albert Racinet from rawpixel’s own original 1888 publication 00269.jpg|18th century Rococo cartouches from L'Ornement Polychrome, by Albert Racinet, 1888

Saint-Germain-en-Laye Hôtel de Conti 2011 05.jpg|Rococo cartouche of the Hôtel de Conti (Place du Château no. 14), Saint-Germain-en-Laye, France, unknown architect, 18th century

Cartouche bekroond met drietand Second livre de cartouches (serietitel op object), RP-P-2011-164-8.jpg|Rococo cartouche from the Second Livre de Cartouches, {{circa}}1710–1772, Rijksmuseum

Rome Piazza della Rotonda fountain 5.jpg|Baroque cartouche on the Fontana del Pantheon, Rome, by Filippo Barigioni, 1711

file:Toledo39.jpg|Baroque cartouche of the El Transparente altarpiece, Toledo Cathedral, Toledo, Spain, designed and made by Narciso Tomé, 1729-1732{{sfn|Hopkins|2014|p=82}}

Plan de Versailles - Gesamtplan von Delagrife 1746 (cropped cartouche).jpg|Rococo cartouche in the corner of a Versailles plan, by Jean Delagrive, 1746, engraving on paper, Bibliothèque nationale de France, Paris{{cite book|last1=Robertson|first1=Hutton|title=The History of Art - From Prehistory to Presentday - A Global View|date=2022|publisher=Thames & Hudson|isbn=978-0-500-02236-8|page=870|url=|language=en}}

Coat of arms - Cuvilliés-Theater - Residenz - Munich - Germany 2017.jpg|Rococo cartouche in the Cuvilliés Theatre, Munich, Germany, by François de Cuvilliés, 1751-1753{{cite book|last1=Irving|first1=Mark|title=1001 BUILDINGS You Must See Before You Die|date=2019|publisher=Cassel Illustrated|isbn=978-1-78840-176-0|page=217|url=|language=en}}

Tureen MET DP119080.jpg|Rococo cartouche on a tureen, by the Sèvres porcelain factory, 1757–1758, soft-paste porcelain, Metropolitan Museum of Art

PercyWebsterTradecard.jpg|Rococo engraved tradecard of Percy Webster, clockmaker from London, {{circa}}1760, engraving, unknown location

Pisanie (Romanian term for plaque above the entrance, with building information) that records the erection of the Wallachian academy, 1776-1779, part of the collection of the Bucharest University Museum, shown in the Bucharest Law (02).jpg|Brâncovenesc cartouche on the pisanie that records the erection of the Wallachian academy in Bucharest, Bucharest University Museum, unknown architect or sculptor, 1776

File:Eventail plié, 1998.89.1(3).jpg|Rococo Revival cartouche on a fan, unknown designer and producer, {{circa}}1850, paper, gouache, gilding, mother-of-pearl, Musée Galliera, Paris

Monogram on a cone-shaped vase, part of a pair, by Nicolas Bugeard?, mid-19th century, hard-paste porcelain, painted and gilded, given by Charles Bastien, 1922, inv. 22766 B, Museum of Decorative Arts, Paris.jpg|Rococo Revival cartouche ob a cone-shaped vase, part of a pair, by Nicolas Bugeard?, mid-19th century, hard-paste porcelain, painted and gilded, Museum of Decorative Arts, Paris

File:Pitcher (England), 1855 (CH 18633373).jpg|Renaissance Revival cartouches on a pitcher decorated with coats of arms, unknown artist or producer, 1855, porcelain, overglaze enameling and gilding, Cooper Hewitt, Smithsonian Design Museum, New York City

File:Vitrine, meuble rotonde, WPPO00097(7).jpg|Renaissance Revival cartouches on a display case, designed by Eugène Prignot and Albert-Ernest Carrier de Belleuse, and sculpted by Bernard, 1867, wood and ivory, Petit Palais, Paris

Siège CL coin.jpg|Beaux Arts cartouche with a caduceus, on the roof of the Crédit Lyonnais headquarters (Boulevard des Italiens no. 17-23), Paris, by William Bouwens van der Boijen, 1876-1883

File:Académie d'agriculture de France, 18 rue de Bellechasse, Paris 7e 2.jpg|Beaux Arts cartouche with a mascaron, above the entrance door of the Académie d'Agriculture de France, Paris, unknown architect, 1878{{cite web|url=https://www.abcsalles.com/lieu/espace-bellechasse|website=abcsalles.com|title=Espace Bellechasse|author=|access-date=27 August 2023}}

File:Numéro 009, Rue des Archives (Paris).jpg|Renaissance Revival cartouche of Rue des Archives no. 9, Paris, unknown architect, {{circa}}1880

Piédestal Monument République Paris 1.jpg|Beaux Arts mascaron on the Monument à la République by Place de la République, Paris, sculpted by Léopold Morice and designed by François-Charles Morice, 1883

Toulon-Barthélemy.jpg|Renaissance Revival polychrome cartouche on the facade of the Toulon Art Museum, designed by Gaudensi Allar and sculpted by Victorien Bastet, {{circa}}1888

45 Strada Nicolae Filipescu, Bucharest (04).jpg|Neoclassical cartouche on a Pompeian style wall in Strada Nicolae Filipescu no. 45, Bucharest, Romania, unknown architect or painter, {{circa}}1890

File:Maison Paul Hankar, rue Defacqz, sgraffite de la façade avec millésime.JPG|Art Nouveau sgraffito cartouche on the Hankar House, Brussels, Belgium, sgraffito by Adolphe Crespin, 1893{{cite book|last1=|first1=|title=Façades Art Nouveau - Les Plus Beaux sgraffites de Bruxelles|date=2005|publisher=[aparté]|isbn=2-930327-13-8|page=133|url=|language=en}}

133 Calea Călărașilor, Bucharest (07).jpg|Neoclassical cartouches in and under a pediment of the Traian Hall (Calea Călărașilor no. 133), Bucharest, by Giulio Magno, 1896

Paris - Le Pont Alexandre III - 220.JPG|Beaux-Arts cartouche of the Pont Alexandre III, Paris, designed by Joseph Cassien-Bernard and Gaston Cousin, 1896-1900

File:4 Bulevardul Lascăr Catargiu, Bucharest (01).jpg|Art Nouveau cartouche on the Alexandru Gr. Ionescu House (Bulevardul Lascăr Catargiu no. 4), Bucharest, by Eduard Romantxo, 1898{{cite book|last1=Marinache|first1=Oana|title=ArhiTur - Bulevardul Colțea - Bulevardul Lascăr Catargiu|date=2019|publisher=Editura Istoria Artei |isbn=|page=21|url=|language=ro}}

Detail with Rococo Revival stuccos in the room where tickets and souvenirs are sold, inside the George Enescu Museum.jpg|Rococo Revival stucco with cartouches in the corners on a ceiling of the Cantacuzino Palace, Bucharest, by Ion D. Berindey, 1898-1906{{cite book|last1=Mariana Celac, Octavian Carabela and Marius Marcu-Lapadat|title=Bucharest Architecture - an annotated guide|date=2017|publisher=Ordinul Arhitecților din România|isbn=978-973-0-23884-6|page=90|url=|language=en}}

1 Intrarea Costache Negri, Bucharest (01).jpg|Complex Beaux Arts cartouche of Intrarea Costache Negri no. 1, Bucharest, unknown architect, 1899

File:HotelVavasseur-P16-004.jpg|Beaux Arts cartouche above the entrance of the Hôtel Le Vavasseur (Rue Boissière no. 21), Paris, by Ernest Sanson, 1899

File:Saint-Gilles avenue Brugmann 55.jpg|Art Nouveau sgraffito cartouche of the Maison les Hiboux (Avenue Brugmann no. 53), Brussels, by Édouard Pelseneer, 1899

Boulangerie 19 rue Montgallet à Paris le 19 août 2015 - 6.jpg|Beaux Arts cartouche on facade of the Cozette Boulangerie (Rue Montgallet no. 19), Paris, unknown architect or painter, late 19th century{{cite web|url=https://www.pop.culture.gouv.fr/notice/merimee/PA00086563|website=pop.culture.gouv.fr|title=Boulangerie|author=|access-date=17 September 2023}}

File:Portico monumental Jules-Félix Coutan, Paris 6e 20140131 1 (cropped cartouche).jpg|Stylized Beaux Arts cartouche of the Monumental Portico Jules-Félix Coutan in the Square Félix-Desruelles, Paris, by Jules Coutan or Charles-Auguste Risler, before 1900

File:Pałac Dietla 40.JPG|Rococo Revival cartouche in the bathroom of the Dietel Palace, Sosnowiec, Poland, by architect Waligórski, 1900

File:Saint-Gilles 10 Pl.ace Louis Morichar 803.jpg|Art Nouveau sgraffito cartouche on Place Louis Morichar no. 10, Brussels, unknown artist, 1900{{cite book|last1=|first1=|title=Façades Art Nouveau - Les Plus Beaux sgraffites de Bruxelles|date=2005|publisher=[aparté]|isbn=2-930327-13-8|page=58|url=|language=en}}

File:Meuse, Mairie d'Euville 6333.jpg|Stylized Art Nouveau cartouche with the RF monogram (which stands for Republique Française) on a ceiling of the Town Hall of Euville, France, by Henri Gutton, 1901-1909{{cite web|url=https://pop.culture.gouv.fr/notice/merimee/PA00106533|website=pop.culture.gouv.fr|title=Mairie|access-date=2024-07-21}}

File:Pont bir hakeim paris riveteurs.jpg|Beaux Arts cartouche of the Pont de Bir-Hakeim, Paris, by Jean Camille Formigé, Louis Biette and Daydé & Pillé, 1903-1905

File:17 Strada Romulus, Bucharest (03).jpg|Gothic Revival shield-like cartouches on the Hermann I.Rieber carriage factory (Strada Romulus no. 17), Bucharest, by Siegfrid Kofczinsky, 1903{{cite book|last1=Croitoru-Tonciu|first1=Monica|title=Alfred Popper - 1874-1946 - (re)descoperirea unui arhitect|date=2022|publisher=SIMETRIA|isbn=978-973-1872-51-3|page=30|url=|language=ro}}

7 Strada C. A. Rosetti, Bucharest (03).jpg|Gothic Revival cartouche with initial on a door of the Vasile Zottu House (Strada C.A. Rosetti no. 7), Bucharest, unknown architect, 1909{{cite web|url=https://adevarul.ro/blogurile-adevarul/resedinta-zottu-exemplu-al-neoromanescului-2078175.html|author=Oana Marinache|website=adevarul.ro|title=Reşedinţa Zottu, exemplu al neoromânescului oriental|date=19 February 2021 |access-date=5 April 2024}}

File:60, Bulevardul Dacia, Bucharest (Romania) 1.jpg|Romanian Revival cartouche above a window of the Aurel Mincu House (Bulevardul Dacia no. 60), Bucharest, by Arghir Culina, 1910{{cite book|last1=Woinaroski|first1=Cristina|title=Istorie urbană, Lotizarea și Parcul Ioanid din București în context european|date=2013|publisher=SIMETRIA|isbn=978-973-1872-30-8|page=218|url=|language=ro}}

Paris Plaque Rue Agar.jpg|Highly stylized Art Nouveau cartouche on Rue Jean-de-La-Fontaine no. 21, Paris, by Hector Guimard, {{circa}}1911

4 Strada Polonă, Bucharest (13).jpg|Greek Revival cartouche of a horse tie ring of the Adina and Emil Costinescu House (Strada Polonă no. 4), Bucharest, by Ion D. Berindey, 1911-1915{{cite book|last1=Woinaroski|first1=Cristina|title=Istorie urbană, Lotizarea și Parcul Ioanid din București în context european|date=2013|publisher=SIMETRIA|isbn=978-973-1872-30-8|page=205|url=|language=ro}}

File:Eventail publicitaire Au Bon Marché, 2021.3.4(2).jpg|Art Deco cartouche on a fan, produced by Au Bon Marché, 1920-1925, vellum, stamping, wood, metal, and silver plating, Musée Galliera

File:The National Diet Building 国会議事堂 - panoramio.jpg|Art Deco cartouche above the entrance columns of the National Diet Building, Kyoto, by Fukuzo Watanabe, 1920-1936

PKiN tablica 1955.jpg|Stalinist cartouche of the Palace of Culture and Science, Warsaw, Poland, by Lev Rudnev, 1952-1955

=Postmodernism and Retro resuses=

At the end of the WW2, with the rise in popularity of the International Style, characterized by the complete lack of any ornamentation, led to the complete abandonment of any ornaments, including cartouches.

They reappear later in some Postmodernism, a movement that questioned Modernism (the status quo after WW2), and which promoted the inclusion of elements of historic styles in new designs. An early text questioning Modernism was by architect Robert Venturi, Complexity and Contradiction in Architecture (1966), in which he recommended a revival of the 'presence of the past' in architectural design. He tried to include in his own buildings qualities that he described as 'inclusion, inconsistency, compromise, accommodation, adaptation, superadjacency, equivalence, multiple focus, juxtaposition, or good and bad space.'{{cite book|last1=Watkin|first1=David|title=A History of Western Architecture|date=2022|publisher=Laurence King|isbn=978-1-52942-030-2|page=660|url=|language=en}} Venturi encouraged 'quotation', which means reusing elements of the past in new designs. Part manifesto, part architectural scrapbook accumulated over the previous decade, the book represented the vision for a new generation of architects and designers who had grown up with Modernism but who felt increasingly constrained by its perceived rigidities. Multiple Postmodern architects and designers put simplified reinterpretations of the elements found in Classical decoration on their creations. However, they were in most cases highly simplified, and more reinterpretations than true reuses of the elements intended. Because of their complexity, cartouches were extremely rarely used in Postmodern architecture and design.{{sfn|Hopkins|2014|p=200, 203}}

Cartouches enjoyed more popularity in Retro style of the 21st century, through designs inspired mainly by the 18th and 19th centuries.

File:PiazzaDItalia1990 (cropped mascarons).jpg|Postmodern mascarons in cartouches spilling water in Piazza d'Italia, New Orleans, USA, by Charles Moore, 1978{{sfn|Hodge|2019|p=47}}

File:Art Nouveau-inspired print on a Vans t-shirt.jpg|Cartouche with an Art Nouveau-inspired print on a Vans t-shirt, unknown fashion designer and illustrator, {{circa}}2021, print on textile

Footnotes

=Works cited=

{{cite book |last1=Hodge |first1=Susie |title=The Short Story of Architecture |date=2019 |publisher=Laurence King Publishing |isbn=978-1-7862-7370-3 |language=en}}
{{cite book |last1=Hopkins |first1=Owen |title=Architectural Styles: A Visual Guide |date=2014 |publisher=Laurence King |isbn=978-178067-163-5 |language=en}}

External links

{{Commons category-inline|Cartouches}}

Category:Ornaments

Category:Decorative arts

Category:Architectural elements

Category:Ornaments (architecture)