Cinema of Ireland

{{Short description|none}}

{{about|film in the Republic of Ireland|film in Northern Ireland|Cinema of Northern Ireland}}

{{Use Hiberno-English|date=May 2024}}

{{use dmy dates|date=September 2024}}

{{Infobox cinema market

| name = Cinema of Ireland

| image =Irishfilmindustry.png

| image_size =

| alt =

| caption =

| screens = 537 (2019){{cite web|title=Table 8: Cinema Infrastructure - Capacity|url=http://stats.uis.unesco.org/unesco/TableViewer/tableView.aspx?ReportId=5542|publisher=UNESCO Institute for Statistics|access-date=5 November 2013|archive-date=5 November 2013|archive-url=https://web.archive.org/web/20131105031441/http://stats.uis.unesco.org/unesco/TableViewer/tableView.aspx?ReportId=5542|url-status=dead}}

| screens_per_capita = 11.0 per 100,000 (2011)

| distributors = {{br separated entries|Warner Bros. 18.4%|Paramount 16.2%|Universal 12.1%}}{{cite web|title=Table 6: Share of Top 3 distributors (Excel)|url=http://stats.uis.unesco.org/unesco/ReportFolders/reportFolders.aspx|publisher=UNESCO Institute for Statistics|access-date=5 November 2013|archive-date=24 December 2018|archive-url=https://web.archive.org/web/20181224225508/http://data.uis.unesco.org/|url-status=dead}}

| produced_year = 2011

| produced_ref = {{cite web|title=Table 1: Feature Film Production - Genre/Method of Shooting|url=http://stats.uis.unesco.org/unesco/TableViewer/tableView.aspx?ReportId=5545|publisher=UNESCO Institute for Statistics|access-date=5 November 2013|archive-date=23 March 2014|archive-url=https://web.archive.org/web/20140323123538/http://stats.uis.unesco.org/unesco/TableViewer/tableView.aspx?ReportId=5545|url-status=dead}}

| produced_total =

| produced_fictional = 20

| produced_animated = 2

| produced_documentary = 10

| admissions_year = 2011

| admissions_ref = {{cite web|title=Table 11: Exhibition - Admissions & Gross Box Office (GBO)|url=http://stats.uis.unesco.org/unesco/TableViewer/tableView.aspx?ReportId=5538|publisher=UNESCO Institute for Statistics|access-date=5 November 2013|archive-date=3 November 2013|archive-url=https://web.archive.org/web/20131103112139/http://stats.uis.unesco.org/unesco/TableViewer/tableView.aspx?ReportId=5538|url-status=dead}}

| admissions_total = 16,350,000

| admissions_per_capita = 3.6 (2010){{cite web|title=Cinema - Admissions per capita |url=http://www.screenaustralia.gov.au/research/statistics/acompadmitper.aspx |publisher=Screen Australia |access-date=9 November 2013 |url-status=dead |archive-url=https://web.archive.org/web/20131109233447/http://www.screenaustralia.gov.au/research/statistics/acompadmitper.aspx |archive-date= 9 November 2013 }}

| admissions_national = 640,000 (3.9%)

| box_office_year = 2011

| box_office_ref =

| box_office_total = €{{Format price|111900000}}

| box_office_national = €{{Format price|4400000}} (3.9%)

}}

The Irish film industry has grown somewhat from the late 20th century, due partly to the promotion of the sector by Fís Éireann/Screen Ireland and the introduction of heavy tax breaks. According to the Irish Audiovisual Content Production Sector Review carried out by the Irish Film Board and PricewaterhouseCoopers in 2008 this sector, has gone from 1,000 people employed six or seven years previously, to well over 6,000 people in that sector by the time of the report. The sector was reportedly valued at over €557.3 million and represented 0.3% of GDP.{{cite web |title=Irish Audiovisual Content Production Sector Review |publisher=Irish Film Board |year=2009 |url=http://www.irishfilmboard.ie/files/Irish%20Audiovisual%20Content%20Production%20Sector%20Review%20jan%2009.pdf |archive-url=https://web.archive.org/web/20120226110706/http://www.irishfilmboard.ie/files/Irish%20Audiovisual%20Content%20Production%20Sector%20Review%20jan%2009.pdf |archive-date=2012-02-26 |url-status=dead }} Most films are produced in English as Ireland is largely Anglophone, though some productions are made in Irish either wholly or partially.

According to a 2009 article in Variety magazine spotlighting Irish cinema, up to 1999/2000, Ireland had only two filmmakers "anyone had heard of": Neil Jordan and Jim Sheridan. However, {{as of|2009|lc=yes}}, the Variety article stated that Ireland then had "more than a dozen directors and writers with significant and growing international reputations" and listed directors such as Lenny Abrahamson, Conor McPherson, John Crowley, Martin McDonagh, John Michael McDonagh, John Carney, Kirsten Sheridan, Lance Daly, Paddy Breathnach and Damien O'Donnell and writers such as Mark O'Rowe, Enda Walsh and Mark O'Halloran.{{cite web |last=Dawtry |first=Adam |title=Variety Spotlight: Irish Film Soars Past Old Limitations |publisher=Variety |date=2009-05-15 |url=https://variety.com/2009/film/markets-festivals/irish-film-soars-past-old-limitations-1118003769/ |access-date=2009-08-18 }}

Former Minister for Arts, Sport and Tourism Martin Cullen (2008–2010) said that “the film industry is the cornerstone of a smart and creative digital economy”.{{cite news |last=O'Flanagan |first=Kate |title=Projecting a Positive Image |publisher=Sunday Business Post |date=2009-04-26

|url=http://www.thepost.ie/includes_live/commercialpages/2009_04_26The_irish_film_industry_feature.pdf |access-date=2009-08-18

}}{{dead link|date=January 2018 |bot=InternetArchiveBot |fix-attempted=yes }} In addition to the economic benefit that the Irish film industry brings in by way of cash investment from overseas and the associated VAT, PAYE and PRSI receipts, it was reported in 2009 that there were also "soft benefits" in terms of the development and projection of the Irish culture and the promotion of tourism.{{cite news |title =Lured by the Gift of Storytelling |publisher=Sunday Business Post |date=2009-04-26 |url=http://www.thepost.ie/includes_live/commercialpages/2009_04_26The_irish_film_industry_feature.pdf |access-date=2009-08-18}}{{dead link|date=January 2018 |bot=InternetArchiveBot |fix-attempted=yes }}

Some of the most successful Irish films include The Wind That Shakes the Barley (2006), Intermission (2003), Man About Dog (2004), Michael Collins (1996), Angela's Ashes (1999), The Commitments (1991), Once (2007) and The Quiet Girl (2022). Mrs. Brown's Boys D'Movie (2014) holds the record for the biggest gross on the opening day of an Irish film in Ireland.{{cite news |url=http://bbc.co.uk/news/entertainment-arts-28110580 |title=Mrs Brown's Boys D'Movie buoys UK and Ireland box office |date=1 July 2014 |work=BBC News |access-date=4 July 2014 |archive-date=3 July 2014 |archive-url=https://web.archive.org/web/20140703102102/http://www.bbc.co.uk/news/entertainment-arts-28110580 |url-status=live }}

During the 20th century, a number of films were censored or banned, owing largely to the influence of the Catholic Church with films including The Great Dictator (1940), A Clockwork Orange (1971) and Life of Brian (1979) being banned at various times,[http://irishpost.co.uk/ten-films-that-ireland-banned "Ten films that Ireland banned under the 1923 Censorship Act,"] {{Webarchive|url=https://web.archive.org/web/20171221180437/http://irishpost.co.uk/ten-films-that-ireland-banned |date=21 December 2017 }} The Irish Post, 2015 although virtually no cuts or bans have been issued as of the early 21st century.{{fact|date=October 2024}} The Irish Film Classification Office policy is that of personal choice for the viewer, considering his job to examine and classify films rather than censor them.{{cite web |url=http://www.filmireland.net/98/filmcensor.htm |title=John Kelleher |access-date=2009-10-12 |url-status=dead |archive-url=https://web.archive.org/web/20080821122946/http://www.filmireland.net/98/filmcensor.htm |archive-date=2008-08-21 }}{{cite web |url=http://www.independent.ie/entertainment/film-cinema/censor-calls-cut-on-moral-guardian-role-1259278.html |title=Censor calls 'cut' on moral guardian role |author=Breda Heffernan |date=January 7, 2008 |publisher=The Irish Independent |access-date=12 October 2009 |archive-date=24 July 2012 |archive-url=https://web.archive.org/web/20120724042329/http://www.independent.ie/entertainment/film-cinema/censor-calls-cut-on-moral-guardian-role-1259278.html |url-status=live }}

Ireland as a location

The first fictional film shot in Ireland was Kalem Company's The Lad from Old Ireland (1910), which was also the first American film shot on location outside the United States. It was directed by Sidney Olcott, who returned the next year to shoot over a dozen films primarily in the small village of Beaufort, County Kerry. Olcott intended to start a permanent studio in Beaufort, but the outbreak of World War I prevented him from doing so.{{cite book |last=Flynn |first=Arthur |date=2005 |title=The Story of Irish Film |location=Dublin |publisher=Currach Press |pages=16–18 |isbn=9781856079143}}

The Irish government was one of the first in Europe to see the potential benefit to the exchequer of having a competitive tax incentive for investment in film and television, making use of a revised and improved version of its Section 481 tax incentive in 2015 which gives production companies a tax credit rate of 32% when making certain films.{{cite news |url=https://www.irishtimes.com/special-reports/business-ireland-magazine/entertainment-value-1.3134179 |title=Entertainment value |publisher=Irish Times |access-date=21 March 2018}} Other countries have recognized the success of Ireland's incentive scheme and matched it or introduced a more competitive tax incentive. After a long lobbying process, significant improvements were introduced to the Section 481 relief for investment in film projects in 2009 to boost employment in the industry and help re-establish Ireland as an attractive global location for film and television production.

Kevin Moriarty, managing director of Ardmore Studios in County Wicklow, has described Ireland as an "attractive film location" that is recognised for the "quality of the output of the Irish film industry and a perception that Ireland is a viable film destination".

Notable films that have been filmed in Ireland include The Quiet Man (1952), Ten Little Indians (1965), The Spy Who Came In from the Cold (1965), The Lion in Winter (1968), The First Great Train Robbery (1979), Excalibur (1981), The Fantasist (1986), Braveheart (1995), Reign of Fire (2002), King Arthur (2004), The Guard (2011), Star Wars: The Force Awakens (2015), and Star Wars: The Last Jedi (2017).{{fact|date=October 2024}}

Cinemas in Ireland

File:The Ambassador Cinema - Dublin (2812568574).jpg was in use, on and off, as a cinema from about 1910 to 1999, and is now a music venue at the top of O'Connell Street, Dublin.]]

The first cinema in Ireland, the Volta, was opened at 45 Mary Street, Dublin, in 1909 by the novelist James Joyce.{{cite book |last=Rockett |first=Kevin |title=Cinema and Ireland |year=1987 |publisher=Taylor & Francis |isbn=9780709942160 |pages=5 |url=https://books.google.com/books?id=N98OAAAAQAAJ&pg=PA5 |author2=Luke Gibbons |author3=John Hill }}

Ireland has a relatively high rate of cinema attendance, and had the highest rate in Europe in 2017.{{cite web|url = https://www.scannain.com/irish/ireland-highest-cinema-attendance-2017/ | website = scannain.com | title = Ireland's love-affair with cinema continues as nation ranks #1 in Europe for attendance | date = 19 June 2017 }}

There are several cinema chains operating in Ireland. Among them are ODEON Cinemas (formerly UCI/Storm Cinemas), Omniplex, IMC Cinemas (Both Omniplex and IMC are owned by the Ward Anderson group), Cineworld, Vue and Movies@Cinemas.

Studios

Ardmore Studios was the first Irish studio, opening in 1958 in Bray, County Wicklow.

Animated films

{{Unreferenced section|date=August 2012}}

Ireland has been home to several producers of animated films. Sullivan Bluth Studios was opened in 1979 as Don Bluth Productions, with its primary location in Dublin, to produce animated films by director Don Bluth and producer Morris Sullivan. Some films produced at Sullivan Bluth's Irish studio include 1988's The Land Before Time, 1989's All Dogs Go to Heaven (co-produced with UK-based Goldcrest Films) and 1991's Rock-a-Doodle. Many of these films competed favourably with productions by Walt Disney Pictures at the time. However, following a number of box-office flops in the early to mid-1990s, including 1994's Thumbelina and A Troll in Central Park and 1995's The Pebble and the Penguin, the studio soon declared bankruptcy and was closed in 1995.

Today, Ireland has a number of animation studios that produce television and commercial animation, as well as feature films and co-productions. Cartoon Saloon, founded in 1999 by Paul Young and Tomm Moore, is among the most prolific. It has produced the award-winning TV series Skunk Fu! as well as a feature film, 2009's The Secret of Kells, animated primarily with Traditional paper and pencil hand drawn animation and detailing a fictitious account of the creation of the Book of Kells. The film was nominated at the 82nd Academy Awards for Best Animated Feature. Since then, Cartoon Saloon had released a slate of critically acclaimed animated films such as Song of the Sea, released in 2014.,{{cite web |url=https://www.imdb.com/title/tt1865505/?ref_=fn_al_tt_1 |title="Song of the Sea" (2014) |website=IMDb |access-date=13 October 2015 |archive-date=15 January 2016 |archive-url=https://web.archive.org/web/20160115014345/http://www.imdb.com/title/tt1865505/?ref_=fn_al_tt_1 |url-status=live }} The Breadwinner released in 2017{{cite web |url=https://www.imdb.com/title/tt3901826/ |title="The Breadwinner" (2017) |website=IMDb |access-date=6 September 2021 |archive-date=2 September 2021 |archive-url=https://web.archive.org/web/20210902003038/https://www.imdb.com/title/tt3901826/ |url-status=live }} and Wolfwalkers in 2020.{{cite web |url=https://www.imdb.com/title/tt5198068/ |title="Wolfwalkers" (2020) |website=IMDb |access-date=6 September 2021 |archive-date=19 August 2021 |archive-url=https://web.archive.org/web/20210819233445/https://www.imdb.com/title/tt5198068/ |url-status=live }}

Legislation

{{Unreferenced section|date=September 2011}}

File:PILOTS RICHTHOFEN & BROWN 1970.jpg, 1970. Lynn Garrison second from right, front row]]

The Film Act of 1980 set the foundation for an expanding Irish-based film industry. It provided, among other things, very advantageous tax advantages for film productions and resident foreign creative individuals. A number of world-renowned writers, including Len Deighton, Frederick Forsyth, and Richard Condon took advantage of the allowances, residing in Ireland for a number of years. The Film Act was the result of an initial collaboration between the Taoiseach, Jack Lynch, and Lynn Garrison, an aerial film director who shared a semi-detached house with Lynch. The Film Act became the basis for other national film acts throughout Europe and America.

Irish Film Board

Bord Scannán na hÉireann/the Irish Film Board (IFB) is the national development agency for the Irish film industry investing in talent, creativity and enterprise. The agency supports and promotes the Irish film industry and the use of Ireland as a location for international production.{{cite web |title=About the Irish Film Board |publisher=Irish Film Board |url=http://www.irishfilmboard.ie/about/About_Us/1 |access-date=2009-08-18 |archive-url=https://web.archive.org/web/20090701080752/http://irishfilmboard.ie/about/About_Us/1 |archive-date=2009-07-01 |url-status=dead }}

The Irish Film Board was set up in 1981 to boost the local industry, and one of its earliest supported projects was The Outcasts in 1982.{{cite web |url=http://www.robertwynne-simmons.co.uk/outcasts.html |title=The Outcasts, a film from Irish Folklore and Myth |first=Derek |last=Brown |website=www.robertwynne-simmons.co.uk |access-date=21 March 2018 |archive-date=25 November 2018 |archive-url=https://web.archive.org/web/20181125020354/http://www.robertwynne-simmons.co.uk/outcasts.html |url-status=dead }} After the infamous closure of the Irish Film Board in 1987, Irish stories and filmmakers continued to break through with considerable international success My Left Foot (Jim Sheridan), The Crying Game (Neil Jordan), The Commitments (Alan Parker) all made with non-Irish finance. The success of these projects coupled with intensive local lobbying led to the re-establishment of the Irish Film Board in 1993.

Many film critics{{who?|date=October 2024}} point to the fact that the Irish Film Board's output has been poor, as most films which are chosen for funding do little or no business outside of the country, and are rarely popular in Ireland. However, IFB funded films like Intermission, I Went Down, Man About Dog, The Wind That Shakes The Barley, and Adam & Paul proved popular with domestic audiences and had "respectable" box office performance in Irish cinemas.{{cite web |title =Distribution is Key to Success |publisher=Sunday Business Post| date =2009-04-26 |url=http://www.thepost.ie/includes_live/commercialpages/2009_04_26The_irish_film_industry_feature.pdf |access-date=2009-08-18}}{{dead link|date=January 2018 |bot=InternetArchiveBot |fix-attempted=yes }}

Both the Oscar-winning film Once and the Palme d'Or winner The Wind That Shakes the Barley experienced international success in the early 21st century. Once, which was made on a shoestring budget, took over $10 million at the US box office and over $20 million in worldwide ticket sales, while The Wind That Shakes the Barley was distributed theatrically in 40 territories worldwide.{{cite web |title=Irish Film Industry Review 2005-2009 |publisher=Irish Film Board |date=2009-04-26 |url=http://www.irishfilmboard.ie/files/reports/IFB_Review_Web.pdf |access-date=2009-08-18 |archive-url=https://web.archive.org/web/20100602030650/http://www.irishfilmboard.ie/files/reports/IFB_Review_Web.pdf |archive-date=2010-06-02 |url-status=dead }}

Over the last four years,{{when?|date=October 2024}} Irish films have screened and won awards at several international film festivals including Cannes, Sundance, Berlin, Toronto, Venice, London, Tribeca, Edinburgh and Pusan.

The Wind That Shakes The Barley won the prestigious Palme d'Or award for Best Film at the Cannes Film Festival in 2006, while Garage, directed by Lenny Abrahamson, picked up the CICEA Award at the Directors Fortnight at the festival in 2007. After winning the Audience Award at the Sundance Film Festival in 2007, Once went on to win the Best Foreign Film prize at the Independent Spirit Awards in 2008 and an Academy Award for Best Original Song. The Irish short film Six Shooter won the Academy Award for Best Short Film in 2006 while the short film New Boy was nominated for the same award in 2009.

In 2009 a record seven IFB funded films (Ondine, Perrier’s Bounty, Triage, A Shine of Rainbows, Eamon, Cracks, and Colony) were selected for the Toronto International Film Festival.{{cite news |last=Battles |first=Jan |title=Record Number of Irish Films at Festival |publisher=Sunday Times |date=2009-08-16 |url=http://www.timesonline.co.uk/tol/news/world/ireland/article6797916.ece |access-date=2009-08-18 |location=London}}{{dead link|date=September 2024|bot=medic}}{{cbignore|bot=medic}}

The director Tony Keily criticised the board's insistence on funding "uncommercial commercial cinema".{{cite web |title=What do you mean when you say "initiative"? |publisher=Film Ireland |date=2008-02-13 |url=http://www.filmireland.net/104/tonyk.htm |access-date=2008-03-09 |url-status=dead |archive-url=https://web.archive.org/web/20071117083645/http://www.filmireland.net/104/tonyk.htm |archive-date=2007-11-17 }} Paul Melia also criticised the IFB over its slowness in awarding funding.{{cite news |last=Melia |first=Paul |title=Aspiring directors 'not making the cut for funding' |publisher=Irish Independent |date=2005-07-11 |url=http://www.independent.ie/national-news/aspiring-directors-not-making-the-cut-for-funding-249075.html |access-date=2008-03-09 }}

Film polls

In 2005 a Jameson Whiskey-sponsored poll selected the top 10 Irish films. They included:{{cite web |title=Top 10 Best Irish Films of All Time |work=Press release: 2005 Jameson Whiskey poll |publisher=Irish Distillers |date=2005-07-14 |url=http://www.thecommitments.net/pdf_files/best_film.pdf |access-date=2008-03-09 |url-status=usurped |archive-url=https://web.archive.org/web/20051219220507/http://www.thecommitments.net/pdf_files/best_film.pdf |archive-date=2005-12-19 }}

  1. The Commitments (1991)
  2. My Left Foot (1989)
  3. In the Name of the Father (1993)
  4. The Quiet Man (1952)
  5. The Snapper (1993)
  6. Michael Collins (1996)
  7. The Field (1990)
  8. Intermission (2003)
  9. Veronica Guerin (2003)
  10. Inside I'm Dancing (2004)

In 2020, The Irish Times ranked 50 Irish films. The top 10 included:{{cite web |title=The 50 best Irish films ever made, in order |publisher=The Irish Times |date=2020-05-02 |url=https://www.irishtimes.com/culture/film/the-50-best-irish-films-ever-made-in-order-1.4238979 |access-date=2024-10-22 |url-status=live |archive-url=http://web.archive.org/web/20220809021118/https://www.irishtimes.com/culture/film/the-50-best-irish-films-ever-made-in-order-1.4238979 |archive-date=2022-08-09 }}

  1. Barry Lyndon (1975)
  2. The Dead (1987)
  3. Anne Devlin (1984)
  4. Man of Aran (1934)
  5. Hunger (2008)
  6. The Crying Game (1992)
  7. The Quiet Man (1952)
  8. Adam & Paul (2004)
  9. The Wind That Shakes the Barley (2006)
  10. My Left Foot (1989)

In 2023, the Irish Independent published a list of the top 30 Irish films, as voted by 30 film-makers and critics. The top 10 included:{{cite web |title=The best Irish films of all time: the definitive top 30 |publisher=Irish Independent |date=2023-11-11 |url=https://www.independent.ie/entertainment/movies/the-best-irish-films-of-all-time-the-definitive-top-30/a172569609.html |access-date=2024-10-22 |url-status=live |archive-url=http://web.archive.org/web/20231112184549/https://www.independent.ie/entertainment/movies/the-best-irish-films-of-all-time-the-definitive-top-30/a172569609.html |archive-date=2023-11-12 }}

  1. An Cailín Ciúin (The Quiet Girl) (2022)
  2. Adam & Paul (2004)
  3. The Commitments (1991)
  4. Garage (2007)
  5. The Wind That Shakes the Barley (2006)
  6. My Left Foot (1989)
  7. The Butcher Boy (1997 film) (1997)
  8. Michael Collins (1996)
  9. In the Name of the Father (1993)
  10. The Dead (1987)

Irish Film & Television Awards

The Irish Film and Television Awards have been awarded since 1999, and in their current form since 2003. The Best Irish Film award winners have been:

List of highest-grossing Irish-language films

{{list missing criteria|section|reason=What is the inclusion criteria here? Several of the films listed do not include ANY information on how much the "grossed" at the box office. Some have, frankly, quite low numbers ($9,000 at box office? From a $1.2 million budget?). Surely, at the very least, the inclusion criteria here should be SOME kind of verifiable box office takings. Even if as low as 9 grand? |date=October 2024}}

class="wikitable"

|+

!Year

!Name

!Director

!Budget

!Box office

!References

2022

|An Cailín Ciúin

|Colm Bairéad

|€1.2 million

|$6.785 million (worldwide)

|{{Cite news |last1=Carroll |first1=Rory |date=2022-06-12 |title=The Quiet Girl: Irish-language film breaks box office records in Ireland and UK |url=https://www.theguardian.com/world/2022/jun/12/the-quiet-girl-irish-language-film-box-office-ireland-uk-an-cailin-ciuin |access-date=2024-09-29 |work=The Guardian |language=en-GB |issn=0261-3077 |archive-date=3 March 2023 |archive-url=https://web.archive.org/web/20230303231502/https://www.theguardian.com/world/2022/jun/12/the-quiet-girl-irish-language-film-box-office-ireland-uk-an-cailin-ciuin |url-status=live }}

2024

|Kneecap

|Rich Peppiatt

|

|$4.1 million

|{{Cite web |title=Kneecap |url=https://www.boxofficemojo.com/title/tt27367464/?ref_=bo_gr_ti |access-date=2024-09-29 |website=Box Office Mojo |archive-date=1 October 2024 |archive-url=https://web.archive.org/web/20241001013717/https://www.boxofficemojo.com/title/tt27367464/?ref_=bo_gr_ti |url-status=live }}

2021

|Arracht

|Tomás Ó Súilleabháin

| rowspan="2" |€1.2 million

|€164,000

|{{Cite news |last1=Carroll |first1=Rory |date=2021-01-09 |title=Irish film Arracht eschews Brit bashing to tackle famine taboo |url=https://www.theguardian.com/world/2021/jan/09/irish-film-arracht-eschews-brit-bashing-to-tackle-famine-taboo |access-date=2024-09-29 |work=The Guardian |language=en-GB |issn=0261-3077 |archive-date=1 October 2024 |archive-url=https://web.archive.org/web/20241001013715/https://www.theguardian.com/world/2021/jan/09/irish-film-arracht-eschews-brit-bashing-to-tackle-famine-taboo |url-status=live }}

rowspan="2" |2022

|Róise & Frank

|Rachael Moriarty and Peter Murphy

|$80,196

|

Doineann

|Damian McCann

|£435,000

|$12,175

|

2023

|Tarrac

|Declan Recks

| rowspan="2" |€1.2 million

|$10,151

|{{Cite web |title=Tarrac |url=https://www.boxofficemojo.com/title/tt10653008/?ref_=bo_se_r_1 |access-date=2024-09-29 |website=Box Office Mojo |archive-date=1 October 2024 |archive-url=https://web.archive.org/web/20241001013709/https://www.boxofficemojo.com/title/tt10653008/?ref_=bo_se_r_1 |url-status=live }}

2022

|Foscadh

|Seán Breathnach

|$9,643

|{{Cite news |first=Kernan |last=Andrews |date=2022-03-02 |title='Foscadh is a challenging film, in a good sense' |url=https://www.advertiser.ie/galway/article/127939/foscadh-is-a-challenging-film-in-a-good-sense |access-date=2024-09-29 |work=Galway Advertiser |archive-date=13 January 2024 |archive-url=https://web.archive.org/web/20240113122034/https://www.advertiser.ie/galway/article/127939/foscadh-is-a-challenging-film-in-a-good-sense |url-status=live }}{{Cite web |title=Foscadh |url=https://www.boxofficemojo.com/title/tt13448084/?ref_=bo_se_r_1 |access-date=2024-09-29 |website=Box Office Mojo |archive-date=1 October 2024 |archive-url=https://web.archive.org/web/20241001013713/https://www.boxofficemojo.com/title/tt13448084/?ref_=bo_se_r_1 |url-status=live }}

2019

|Finky

|Dathaí Keane

|

|{{fact|date=October 2024}}

|

See also

References

{{reflist}}

Further reading

  • Quinn, Bob (1980), Celtic Cinema and the Irish Experience, in Bold, Christine (ed.), Cencrastus No. 3, Summer 1980, pp. 11 & 12.