Dogrel

{{Music ratings

| ADM = 8.5/10{{cite web|title=Dogrel by Fontaines D.C. reviews|url=http://www.anydecentmusic.com/review/9831/Fontaines-DC-Dogrel.aspx|website=AnyDecentMusic?|accessdate=18 April 2019}}

| MC = 86/100{{cite web|title=Dogrel by Fontaines DC Reviews and Tracks|url=https://www.metacritic.com/music/dogrel/fontaines-dc|website=Metacritic|accessdate=17 April 2019}}

| rev1 = AllMusic

| rev1Score = {{rating|4|5}}{{cite web|last1=Martin|first1=Liam|title=Dogrel – Fontaines D.C.|url=https://www.allmusic.com/album/dogrel-mw0003248275|publisher=AllMusic|accessdate=19 June 2019}}

| rev2 = Clash

| rev2score = 9/10{{cite web|last=Hansen|first=Susan|title=Fontaines D.C. - Dogrel|url=https://www.clashmusic.com/reviews/fontaines-dc-dogrel|website=Clash|date=11 April 2019|accessdate=25 May 2020}}

| rev3 = DIY

| rev3score = {{rating|4.5|5}}{{cite web|last1=Wright|first1=Lisa|title=Fontaines DC – Dogrel|url=http://diymag.com/2019/04/09/fontaines-dc-dogrel-album-review|website=DIY|date=9 April 2019|accessdate=15 April 2019}}

| rev4 = The Guardian

| rev4score = {{rating|5|5}}{{cite web|last1=Beaumont-Thomas|first1=Ben|title=Fontaines DC: Dogrel review – boisterous Irish punks' perfect debut|url=https://www.theguardian.com/music/2019/apr/12/fontaines-dc-dogrel-album-review-irish-punks-debut|website=The Guardian|date=12 April 2019|accessdate=15 April 2019}}

| rev5 = The Irish Times

| rev5score = {{rating|4|5}}{{cite news|last1=Sweeney|first1=Eamon|title=Fontaines DC: Dogrel review – Is this the world-conquering debut Ireland has been waiting for?|url=https://www.irishtimes.com/culture/music/fontaines-dc-dogrel-review-is-this-the-world-conquering-debut-ireland-has-been-waiting-for-1.3845616|newspaper=The Irish Times|date=5 April 2019|accessdate=31 May 2019}}

| rev6 = Mojo

| rev6score = {{rating|4|5}}{{cite journal|last1=Myers|first1=Ben|title=Fontaines D.C.: Dogrel|journal=Mojo|issue=306|date=May 2019|page=89}}

| rev7 = NME

| rev7score = {{rating|5|5}}{{cite web|last1=Connick|first1=Tom|title=Fontaines D.C. – 'Dogrel' review|url=https://www.nme.com/reviews/fontaines-dc-dogrel-album-review-2474751|website=NME|date=11 April 2019|accessdate=28 November 2019}}

| rev8 = Pitchfork

| rev8score = 8.0/10{{cite web|last1=Berman|first1=Stuart|title=Fontaines D.C.: Dogrel|url=https://pitchfork.com/reviews/albums/fontaines-dc-dogrel/|website=Pitchfork|date=17 April 2019|accessdate=18 April 2019}}

| rev9 = Q

| rev9score = {{rating|4|5}}{{cite journal|last1=Catchpole|first1=Chris|title=Dirty Old Town|journal=Q|issue=397|date=May 2019|page=113}}

| rev10 = Uncut

| rev10score = 6/10{{cite journal|last1=Cochrane|first1=Greg|title=Fontaines D.C.: Dogrel|journal=Uncut|issue=264 |date=May 2019|page=29}}

| noprose = yes

}}

Upon its release, Dogrel received universal acclaim from contemporary music critics. On review aggregator website Metacritic, Dogrel has an average weighted rating of 86 out of 100 indicating "universal acclaim" based on 17 critics' reviews. On review aggregator website AnyDecentMusic?, the album has an average rating of 8.5 out of 10.

Ben Beaumont-Thomas, writing for The Guardian, praised the lyricism of the album, stating that "this is the kind of songwriting quality that bands can take years to reach, or never reach at all: brilliant, top to bottom." Tom Connock of NME stated that "the Irish troubadours come good on a debut album that offers both a storyteller's narrative voice and a snarling new vision of youthful disillusionment." Writing for The Skinny, Robin Murray praised the multitude of emotions the album evokes, saying that it "feels both overwhelming and tender, caustic and soothing, a blast of working class rage grown articulate while retaining its primal howl."{{cite web|last1=Murray|first1=Robin|title=Fontaines D.C. – Dogrel|url=https://www.theskinny.co.uk/music/reviews/albums/fontaines-d-c-dogrel|website=The Skinny|date=16 April 2019|accessdate=18 April 2019}}

Writing for Pitchfork, Stuart Berman contrasted both the band and record to contemporary British post-punk outfits, IDLES and Shame, saying that "Fontaines D.C. are fueled by neither IDLES' revolutionary fervor nor Shame's festering disgust. They're not raging against the current state of affairs as much as lamenting the local communities and culture in danger of being steamrolled by the march of modernity." He went on to comment that "their origin story is so quaint and anachronistic, it verges on flaneur cosplay, with the quintet reportedly bonding over a mutual love of Joycean poetry and pub nights spent scribbling out and reciting verses to one another. That old-school approach finds its analog in a raw, robust twin-guitar attack that's more jangly than jagged, nodding to ‘60s garage, surf, and early rock‘n’roll while projecting a confrontational fury. As such, Fontaines D.C. are very much a post-punk band reclaiming a certain pre-punk innocence."

The album was nominated for the 2019 Mercury Prize{{cite web |last1=Savage |first1=Mark |title=Punk and politics collide on Mercury list |url=https://www.bbc.com/news/entertainment-arts-49084867 |website=BBC News |accessdate=17 April 2020 |date=25 July 2019}} and the Choice Music Prize.

All tracks are written and performed by Fontaines D.C.

{{Track listing

| total_length = 39:48

| title1 = Big

| length1 = 1:45

| title2 = Sha Sha Sha

| length2 = 2:30

| title3 = Too Real

| length3 = 4:08

| title4 = Television Screens

| length4 = 4:00

| title5 = Hurricane Laughter

| length5 = 4:50

| title6 = Roy's Tune

| length6 = 3:00

| title7 = The Lotts

| length7 = 4:56

| title8 = Chequeless Reckless

| length8 = 2:15

| title9 = Liberty Belle

| length9 = 2:32

| title10 = Boys in the Better Land

| length10 = 5:00

| title11 = Dublin City Sky

| length11 = 4:52

}}

Credits adapted from the liner notes of Dogrel.{{cite AV media notes|title=Dogrel|others=Fontaines D.C.|year=2019|publisher=Partisan Records}}

Fontaines D.C.

• Grian Chatten – vocals {{small|(1–11)}}, tambourine {{small|(1–11)}}
• Carlos O'Connell – guitar {{small|(1–11)}}, baritone guitar {{small|(1)}}, piano {{small|(3)}}, Buchla Music Easel {{small|(5)}}, backing vocals {{small|(9)}}
• Conor Curley – guitar {{small|(1–11)}}, baritone guitar {{small|(8, 10)}}, Nashville guitar {{small|(4)}}, chord organ {{small|(5)}}, backing vocals {{small|(8, 9)}}
• Tom Coll – drums {{small|(1–11)}}, tambourine {{small|(8, 10)}}, miscellaneous percussion {{small|(2)}}
• Conor Deegan – bass guitar {{small|(1–11)}}, piano {{small|(4)}}, baritone guitar {{small|(5)}}, surf guitar {{small|(8)}}, Jupiter synth {{small|(7)}}, backing vocals {{small|(8)}}

Additional personnel

• Dan Carey – production, mixing, swarmatron {{small|(3, 5, 7)}}, arpeggiator {{small|(7)}}
• Alexis Smith – engineering
• Christina Wright – mastering

Artwork

• Bruce Davidson – photography {{small|(cover)}}
• Richard Dumas – photography {{small|(inner sleeve)}}
• Matt de Jong – design

{{Certification Table Top}}

{{Certification Table Entry|region=United Kingdom|relyear=2019|certyear=2024|title=Dogrel|artist=Fontaines Dc|type=album|award=Gold|id=17294-5632-2|access-date=13 December 2024}}

{{Certification Table Bottom | noshipments=true|nosales=true|streaming=true}}

{{reflist}}

{{Fontaines D.C.}}

{{Authority control}}

Category:2019 debut albums

Category:Fontaines D.C. albums

Category:Partisan Records albums

Category:Albums produced by Dan Carey (record producer)