Don't Shoot Me I'm Only the Piano Player

The album was recorded in France, at Château d'Hérouville, also known at the time as "Strawberry Studios", which was how the studio was credited in the album's sleeve; Honky Château, the previous Elton John album, had been recorded there.{{cite news | last=Willsher | first=Kim | date=4 August 2013 | title=For sale: 'honky château' where Elton and Bowie recorded classic hits | work=The Guardian | url=https://www.theguardian.com/music/2013/aug/04/honky-chateau-recording-studio-for-sale | access-date=January 17, 2018}}

The album featured horns arranged by producer Gus Dudgeon on "Elderberry Wine" (the B-side to "Crocodile Rock"), "Midnight Creeper" and "I'm Going to Be a Teenage Idol", the latter of which was inspired by John's friend, T. Rex frontman Marc Bolan. The horn players were the same ones who were used on Honky Château. Paul Buckmaster returned to add strings on "Blues for Baby and Me" and "Have Mercy on the Criminal". During his Australian concerts with the Melbourne Symphony Orchestra in 1986, John lauded Buckmaster's work on songs such as "Have Mercy on the Criminal", calling the string arrangements "revolutionary".

It is one of only three albums to feature just the core band of John on pianos and keyboards, Davey Johnstone on guitars, Dee Murray on bass and Nigel Olsson on drums, without percussionist Ray Cooper. The other two are Honky Château (1972) (bar a performance by Cooper on congas on the song "Amy") and Breaking Hearts (1984).

An outtake of note was a re-recording of "Skyline Pigeon", which became the B-side to the single of "Daniel".

John toured Australia during 1971 and was so inspired by Daddy Cool's hit single "Eagle Rock" that, with lyricist Bernie Taupin, he wrote "Crocodile Rock". The lyrics booklet of this album has a photo of Taupin wearing a "Daddy Who?" promotional badge. Other photos contain shots of the band. One photo has Elton wearing a Donald Duck badge, making it the first time Elton wore clothing featuring Donald Duck, the second being the Bob Mackie designed costume during his concert in Central Park in September 1980, and a photo of the hat used on the cover of the 1988 album Reg Strikes Back.

Don't Shoot Me... was also, according to John, the first album during which he felt comfortable experimenting with his vocal performances and style.

The album's title came from an incident with legendary comedian Groucho Marx. John was playing the piano at a party at Marx's home; Marx, after an evening of constant ribbing (he referred to Elton John as 'John Elton'), held out his middle and index finger in the style of a pistol, pointed at John. John then raised his hands and said "Don't shoot me, I'm only the piano player" at Marx's gun imitation.{{cite web | url=https://ustoday.news/elton-johns-magic-year/ | title=Elton John's Magic Year - US Today News | date=July 2023 }}{{cite book |last=Buckley |first=David |date=2007 |title=Elton The Biography |url=https://books.google.com/books?id=rVXrl8aZP0kC&q=marx+%22don%27t+shoot+me+i%27m+only+the+piano+player%22&pg=PA144

|publisher=Chicago Review Press |isbn=978-1556527135}}

The title is also a play on the 1960 François Truffaut film Shoot the Piano Player and the original Oscar Wilde quote "Don't shoot the piano player, he's doing his best", which Wilde said he saw in a saloon on a visit to the U.S. in 1882.{{cite web|url=https://quoteinvestigator.com/2017/06/17/pianist/|title=Please Do Not Shoot the Pianist. He Is Doing His Best – Quote Investigator|date=17 June 2017 }}

The album's cover photograph, which shows a young couple outside a movie theatre whose marquee reads: Don't Shoot Me I'm Only The Piano Player starring Elton John; on the wall is a movie poster advertising the Marx Brothers' 1940 film Go West as a tribute to Groucho Marx. In keeping with the late-1950s theme, the photograph includes the tail end of a 1959 Plymouth Fury, a popular Chrysler Corporation family car in North America at the time.

The album was a huge hit on both sides of the Atlantic, topping the UK Albums Chart and US Billboard 200 album chart.

Critics at the time called some of the performances, especially "Crocodile Rock", derivative, which John freely acknowledged years later. In His Song: The Musical Journey of Elton John by author Elizabeth Rosenthal, John said "Crocodile Rock" was written as an overt homage to '50s records, and his vocal intentionally mimicked singer Bobby Vee. "High Flying Bird" was intended to sound like a Van Morrison record, and "Midnight Creeper" was a tip of the hat to the Rolling Stones.

{{tracklist

| all_writing = Elton John and Bernie Taupin.

| headline = Side one

| title1 = Daniel

| length1 = 3:55

| title2 = Teacher I Need You

| length2 = 4:10

| title3 = Elderberry Wine

| length3 = 3:34

| title4 = Blues for Baby and Me

| length4 = 5:39

| title5 = Midnight Creeper

| length5 = 3:52

}}

{{tracklist

| headline = Side two

| title6 = Have Mercy on the Criminal

| length6 = 5:58

| title7 = I'm Going to Be a Teenage Idol

| length7 = 3:56

| title8 = Texan Love Song

| length8 = 3:33

| title9 = Crocodile Rock

| length9 = 3:55

| title10 = High Flying Bird

| length10 = 4:12

| total_length = 42:45

}}

{{tracklist

| headline = Bonus tracks (1995 Mercury and 1996 Rocket reissue)

| title11 = Screw You (Young Man's Blues)

| length11 = 4:43

| title12 = Jack Rabbit

| length12 = 1:50

| title13 = Whenever You’re Ready (We’ll Go Steady Again)

| length13 = 2:51

| title14 = Skyline Pigeon

| note14 = Piano version

| length14 = 3:56

| total_length = 56:23

}}

Track numbers refer to CD and digital releases of the album.

• Elton John – vocals, Fender Rhodes (1, 5), mellotron (1, 2), acoustic piano (2–4, 6, 7, 9, 10), Leslie piano (7) harmonium (8), Farfisa organ (9)
• Ken Scott – ARP synthesizer (1)
• Davey Johnstone – acoustic guitar, electric guitar and Leslie guitar (All tracks); banjo (1), backing vocals (2, 7, 10, 12), sitar (4), mandolin (8)
• Dee Murray – bass (All tracks), backing vocals (2, 7, 10, 12)
• Nigel Olsson – drums (All tracks), maracas (1), backing vocals (2, 7, 10, 12)
• Gus Dudgeon – brass arrangements (3, 5, 7)
• Paul Buckmaster – orchestral arrangements (4, 6)
• Jean-Louis Chautemps – saxophone (3, 5, 7)
• Alain Hatot – saxophone (3, 5, 7)
• Jacques Bolognesi – trombone (3, 5, 7)
• Ivan Jullien – trumpet (3, 5, 7)

• Producer – Gus Dudgeon
• Engineer – Ken Scott
• Remixed at Trident Studios (London, UK)
• Coordinator – Steve Brown
• Art direction and sleeve design – David Larkham and Michael Ross
• Cover photo – Ed Caraeff
• Booklet photography – Ed Caraeff, Bryan Forbes, Maxine Taupin and Michael Ross

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{{Certification Table Entry|type=album|relyear=1973|region=Australia|artist=Elton John|title=Honky Château |certyear=1980|award=Platinum|number=3|certref={{cite web |url=https://bid.omegaauctions.co.uk/auction/lot/lot-373---elton-john---australian-award/?lot=30938|date=20 February 2023|title=Elton John Australian Award}}}}

{{Certification Table Entry|type=album|region=United Kingdom|award=Gold|certref={{cite magazine|url=https://worldradiohistory.com/hd2/IDX-Business/Music/Archive-Cash-Box-IDX/70s/1976/Cash-Box-1973-05-19-OCR-Page-0054.pdf|access-date=23 February 2023|title=Golden Moments|magazine=Cash Box|date=19 May 1973|page=54}}|relyear=1973|certyear=1973}}

{{Certification Table Entry|region=United States|artist=Elton John|title=Don't Shoot Me I'm Only the Piano Player|award=Platinum|number=3|type=album|relyear=1973|certyear=1995}}

{{Certification Table Bottom |nosales=true}}

{{reflist|colwidth=30em}}

• {{Discogs master|type=album|30583|name=Don't Shoot Me I'm Only the Piano Player}}

{{Elton John}}

{{UK best-selling albums (by year) 1970–1989}}

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Category:Elton John albums

Category:1973 albums

Category:Albums arranged by Paul Buckmaster

Category:Albums produced by Gus Dudgeon

Category:DJM Records albums

Category:MCA Records albums

Category:Albums recorded at Trident Studios

Category:Albums recorded in a home studio