Draft:Francesco Pelleschi

{{AFC submission|||u=Celeste1971|ns=118|ts=20250512073328}}

{{AFC comment|1=Pointless "references" that aren't. A sample: "{{Olive|That same year, Jean Audigier, Professor of Art History at the University of San Francisco’s Department of Fine and Performing Arts, interviewed Pelleschi in his studio, within the Amedeo Modigliani Birthplace Museum:[53][54][55]}}". I was surprised that it was necessary to provide three sources for an assertion as humdrum as this, and so I thought I'd check. One reference is to a book, and I can believe that the book does indeed confirm this. Another is to a page about Audigier that doesn't mention Pelleschi. The third times out, and thus I can't view it; however, as its URL is [https://cultura.gov.it/luogo/casa-natale-amedeo-modigliani cultura.gov.it/luogo/casa-natale-amedeo-modigliani] I have trouble believing that it would say that a studio within it is where Audigier once interviewed Pelleschi. So two of the three references are superfluous. If the sheer number of reference index numbers is intended to create an aura of authoritativeness, this fails. Throughout this draft (and not just in this one place), please remove "references" that don't back up the assertions that precede them. Hoary (talk) 22:59, 16 May 2025 (UTC)}}

{{AFC comment|1=In accordance with Wikipedia's Conflict of interest policy, I disclose that I have a conflict of interest regarding the subject of this article. Celeste1971 (talk) 20:25, 9 May 2025 (UTC)}}

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{{Short description|Italian artist}}

{{Draft topics|biography|visual-arts|southern-europe}}

{{AfC topic|blp}}

{{Infobox artist

| name = Francesco Pelleschi

| image = Francesco Pelleschi.jpg

| caption = Francesco Pelleschi, Amedeo Modigliani Birth House (1993).

| nationality = Italian

| known_for = Painter

| website = https://francescopelleschi.com/

| birth_date = 1946

| birth_place = Collesalvetti, Italy

| image_size = 280px

}}

Francesco Pelleschi (born 1946, in Collesalvetti, Livorno, Tuscany) is an Italian painter.{{sfn|Audigier|2000|p=179}} His works are included in private collections as well as public institutions, such as the Museo Italo Americano in San Francisco,{{Cite web |title=Pelleschi, Francesco – Raggio di Sole (Ray of Sunlight) |url=https://sfmuseo.org/artwork/pelleschi-francesco-raggio-di-sole-ray-of-sunlight/ |access-date=2025-05-09 |website=Museo Italo Americano |language=en-US}} the John D. Calandra Italian American Institute in New York,{{Cite web |title=Artist Pelleschi / Galerie Elektra | url = https://www.galerieelektra.com/pelleschi |archive-url=https://web.archive.org/web/20250420162918/https://www.galerieelektra.com/pelleschi |archive-date=April 20, 2025 |access-date=2025-05-09 |website=galerie-elektra-art |language=en}} the Museum Palazzo Blu in Pisa,{{sfn|Blu Palazzo d'Arte e Cultura|2010|p=206}}{{Cite web |title=Sintesi di paesaggio toscano, olio su tavola |url=https://palazzoblu.it/artwork/sintesi-di-paesaggio-toscano-olio-su-tavola/ |access-date=2025-05-09 |website=Palazzo Blu |language=it-IT}}{{Cite web |last= |title=Paesaggio toscano veduta dipinto 1950–1999 |url=https://www.catalogo.beniculturali.it/detail/HistoricOrArtisticProperty/0900532070 |access-date=2025-05-11 |website=www.catalogo.beniculturali.it |language=italian |quote=General Catalogue of Cultural Heritage (Italian Minister of Cultural Heritage)}} the Museo Civico Giovanni Fattori in Livorno,{{Cite book |first= |title=Veduta di Castel Sonnino: dipinto (1987) |date=1987 |url=https://opacsol.comune.livorno.it/SebinaOpac/resource/veduta-di-castel-sonnino-dipinto/LIA00789665 |quote=In 1987, the oil painting Veduta di Castel Sonnino was acquired by the municipality of Livorno and added to the permanent collection of Museo Civico Giovanni Fattori (see also the section "Scheda").}} and the Carlo Pepi Collection Home Museum in Crespina Lorenzana. His work has been featured in international art magazines including Art in America and Art & Antiques.{{sfn|Art in America|2008|p=96}}{{sfn|Art in America|2003|p=90}}{{sfn|Art & Antiques|2000|p=49}}{{sfn|Art & Antiques|2004|p=73}}{{sfn|Art & Antiques|2004b|pp=42-44}}

Biography

= Early career (1960s–1970s) =

A self-taught artist, Francesco Pelleschi became involved in the art world from a young age, receiving letters of encouragement and appreciation from established post-Macchiaioli painters of the time, including Renato Natali and Giovanni March.{{Cite news |date=February 8, 1997 |title=Pelleschi, oltre la macchia |trans-title=Pelleschi, beyond the Macchia |work=La Nazione |language=it |id= [https://opac.sbn.it/en/risultati-ricerca-avanzata/-/opac-adv/detail/CFI0416575 SBN CFI0416575]}} His first public recognition came in 1968, when he was awarded joint first prize at the 14th Premio Nazionale di Pittura "Il lavoro nei Campi" in Vinci, among 98 participants, for his painting Vicolo Notturno.{{Cite news |date=November 3, 1968 |title=A Pogni e Pelleschi il premio di pittura a Vinci |trans-title=Painting Prize in Vinci Awarded to Pogni and Pelleschi |url=http://periodici.comune.livorno.it/ImageViewer/servlet/ImageViewer?idr=TECA00000123354&keyworks=il%20telegrafo#page/6/mode/2up |publisher=" Il Telegrafo" |page=3 | language=it}} As a result, he was invited the following year, at age 23, to exhibit in the biennial exhibition La Gioconda at the Conti Guidi Castle (home to the Museo Leonardiano), alongside artists such as Xavier Bueno, Renato Guttuso, Bruno Saetti, Ernesto Treccani, and Corrado Cagli.{{sfn|Allegri|De Grada|Nocentini|1969|pp=6–7 and 47–50}}{{Cite news |date=April 17, 1969 |title=Pieno successo a Vinci della prima biennale di pittura |trans-title=Great Success in Vinci for the First Painting Biennial |work=La Nazione | page=3 |language=it |id= [https://opac.sbn.it/en/risultati-ricerca-avanzata/-/opac-adv/detail/CFI0416575 SBN CFI0416575]}} The jury included Giovanni Previtali, Mario Soldati, and Raffaele De Grada, who would curate Pelleschi’s solo exhibition in Milan 27 years later.{{sfn|Guastalla|Guastalla|1996b}} Also in 1969, he won the 4th Premio di Pittura "Silvestro Lega" and received a visit from Senator Giovanni Gronchi.{{Cite news |date=June 15, 1969 |title=Notiziario |trans-title= News |work= Notiziario Arte Contemporanea (NAC) |language=it | url = https://www.notiziarioartecontemporanea.it/pdf/viewer/?nac=17&cartella=1968-1970=32 | location= Milan | page=32 | volume = 17 |id= [https://opac.sbn.it/en/risultati-ricerca-avanzata/-/opac-adv/detail/SBL0100787 SBN SBL0100787]}}{{Cite news |date=May 18, 1969 |title=Pittori toscani premiati al Gabbro. Oggi il senatore Gronchi visiterà la mostra |trans-title=Tuscan Painters Awarded in Gabbro; Senator Gronchi to Visit the Exhibition Today |url=http://periodici.comune.livorno.it/ImageViewer/servlet/ImageViewer?idr=TECA00000123354&keyworks=il%20telegrafo#page/6/mode/2up |publisher=" Il Telegrafo" |page=7 | language=it}}

In 1971, he won first prize at the seventh Premio Nazionale di Pittura "Uliveto Terme", among 193 participants.{{Cite news |date=September 25, 1971 |title=L'esito a Uliveto Terme del 7° premio di pittura |trans-title=Results of the 7th Painting Prize in Uliveto Terme |work=La Nazione |language=it |id= [https://opac.sbn.it/en/risultati-ricerca-avanzata/-/opac-adv/detail/CFI0416575 SBN CFI0416575] | page =9}}{{Cite news |date=September 22, 1971 |title= A Pelleschi il Premio Uliveto |trans-title=Pelleschi Awarded the Uliveto Prize |url=http://periodici.comune.livorno.it/ImageViewer/servlet/ImageViewer?idr=TECA00000123354&keyworks=il%20telegrafo#page/6/mode/2up |publisher=" Il Telegrafo" |page=3 | language=it}} That same year, he exhibited at the Palazzo delle Esposizioni in Rome.{{sfn|Audigier|2000|pp=179 and 183}} In 1972, he received joint first prize at the national painting competition Valle dei Fiori in Pescia, among 170 participants; the event was sponsored by the Italian Ministry of Public Education.{{Cite news |date= May 28, 1972 |title= Inaugurata a Pescia la mostra nazionale di pittura |trans-title=National Painting Exhibition Inaugurated in Pescia |work=La Nazione |language=it |id= [https://opac.sbn.it/en/risultati-ricerca-avanzata/-/opac-adv/detail/CFI0416575 SBN CFI0416575] | page=10}}{{Cite news |date=June 16, 1972 |title= Vetrina dell'arte |trans-title=Showcase of Art |url=http://periodici.comune.livorno.it/ImageViewer/servlet/ImageViewer?idr=TECA00000123354&keyworks=il%20telegrafo#page/6/mode/2up |publisher=" Il Telegrafo" |page=5 | language=it}} He also exhibited in Genoa, Trieste, Lucca (Palazzo Sani), and Florence (Dante's House Museum).{{sfn|Audigier|2000|p=183}}{{Cite news |date=March 1973 |title=Francesco Pelleschi |work=Darsena Toscana |language=it |id=[https://opac.sbn.it/en/risultati-ricerca-avanzata/-/opac-adv/detail/LIA0962297 SBN LIA0962297]}} On 16 May 1973, he won first prize at the national painting competition held during the 25th national conference of I.P.A.S. at the Palazzo dei Congressi, EUR, in Rome, selected from over 300 artists from across Italy.{{Cite news |date=May 22, 1973 |title= Vetrina dell'arte: A Pelleschi il Premio IPAS |trans-title=Showcase of Art: IPAS Prize Awarded to Pelleschi |url=http://periodici.comune.livorno.it/ImageViewer/servlet/ImageViewer?idr=TECA00000123354&keyworks=il%20telegrafo#page/6/mode/2up |publisher=" Il Telegrafo" |page=6 | language=it}} He received the award for his painting Umanità.{{Cite news |date= May 15, 1973 |title= 25° I.P.A.S. Convegno Nazionale di Studio |trans-title=25th I.P.A.S. National Study Conference |work=Il comprensorio: un territorio omogeneo, una comunità attiva, un potere gestito democraticamente |language=it |id= [https://opac.sbn.it/en/risultati-ricerca-avanzata/-/opac-adv/detail/UM10010127 SBN UM10010127] | pages=11, 14–15}} The prize was supported by several institutions, including the Prime Minister’s Office, nine government ministers, and the Pope.

In 1976, he exhibited a new work, Ipnosi del Progresso, at a contemporary art exhibition at the Fortezza Nuova in his hometown, Livorno, receiving critical acclaim for its "remarkable content and composition, including its material treatment."{{Cite news |author=Arnaldo Graglia |date=May 31, 1976 |title=Nella suggestiva cornice di Fortezza Nuova la mostra annuale del gruppo Livorno Arte |trans-title=Livorno Arte Group's Annual Exhibition Held in the Evocative Setting of Fortezza Nuova |work=Informazione Arte |location=Turin |language=it |id=[https://opac.sbn.it/en/risultati-ricerca-avanzata/-/opac-adv/detail/TO00186184 SBN TO00186184] |page=}} A few months later, he presented the same painting at the 12th Premio Nazionale di Pittura "Uliveto Terme", an edition reserved for previous winners, and was awarded first prize.{{Cite news |date=October 30, 1976 |title=Uliveto Terme: Ipnosi del progresso |work=La Nazione |language=it |id= [https://opac.sbn.it/en/risultati-ricerca-avanzata/-/opac-adv/detail/CFI0416575 SBN CFI0416575] | page=15}} The jury included Dino Carlesi and Piero Pierotti.{{Cite news |date=October 21, 1976 |title= Assegnato al livornese Pelleschi il premio di pittura Uliveto Terme | trans-title = Painting Prize of Uliveto Terme Awarded to Livorno Artist Pelleschi |work=La Nazione |language=it |id= [https://opac.sbn.it/en/risultati-ricerca-avanzata/-/opac-adv/detail/CFI0416575 SBN CFI0416575] | page=9}} In 1977, he was invited to exhibit at the 12th International Prize for Contemporary Art (PIAC), held at the New National Museum of Monaco.{{Cite news |date=January 24, 1978 |title= Riconoscimenti a Pelleschi e Bobo' | trans-title = Recognitions for Pelleschi and Bobò |work=La Nazione |language=it |id= [https://opac.sbn.it/en/risultati-ricerca-avanzata/-/opac-adv/detail/CFI0416575 SBN CFI0416575]}} The invitation-only event featured artists from 54 countries, including 22 from Italy.{{Cite news |date=January 17, 1978 |title= Riconoscimento Bobo' e Pelleschi | trans-title = Recognition for Pelleschi and Bobò |work=Il Tirreno |language=it |id= [https://opac.sbn.it/en/risultati-ricerca-avanzata/-/opac-adv/detail/SBL0583207 SBN SBL0583207]}} The jury was chaired by René Huyghe. He was invited again to participate to the International Prize for Contemporary Art in 1983.{{Cite news |date=December 12, 1982 |title= Mostra di Pelleschi | trans-title = Pelleschi Exhibition |work=Il Tirreno |language=it |id= [https://opac.sbn.it/en/risultati-ricerca-avanzata/-/opac-adv/detail/SBL0583207 SBN SBL0583207]}}

= First American journey: Long Sea Voyage (1978–1987) =

In 1978, Francesco Pelleschi made his first trip to the United States, beginning a new artistic phase influenced by the roots of American Pop Art.{{sfn|Schiavon|2014|p=115}} His work combined photographic transfers, collage, and painting, reflecting a shift in both style and subject matter.{{sfn|Schiavon|2014|p=115}} During those years, he exhibited in Cleveland, Northfield, and at the Will Stone Collection gallery in San Francisco.{{sfn|Schiavon|2014|p=13}} He continued to participate in Italian painting competitions and, in 1980, won the Italian Premio "San Giorgio".{{sfn|Melani|1998|p=VIII}} In 1982, he was invited by the Graphis Arte gallery to exhibit at Artexpo in New York, held at the New York Coliseum. He exhibited his work with Renato Guttuso, Giacomo Manzù, and Raffaele De Rosa. He returned to Artexpo in 1984.{{sfn|Schiavon|2014|p=13}} That same year, he participated in the Premio Rotonda competition, held in honor of Amedeo Modigliani on the centenary of his birth. Pelleschi presented works created during the American period and was awarded first prize.{{sfn|Parisot|1984|p=116}}{{sfn|Monti|1995|pp=46–48}} He won the Premio Rotonda again in 1994, in an edition dedicated to its founder, Mario Borgiotti.{{Cite news |date= August 17, 1994 |title= Il «Borgiotti» a Pelleschi |trans-title=Pelleschi Receives the Borgiotti Prize |work=La Nazione |language=it |id= [https://opac.sbn.it/en/risultati-ricerca-avanzata/-/opac-adv/detail/CFI0416575 SBN CFI0416575]}} In 1985, he received the Premio "San Giorgio" for a second time.{{sfn|Melani|1998|p=VIII}}

= Return to Italy (1987–1994) =

In 1987, Pelleschi held a solo exhibition at the Guastalla "Fante di Picche" Gallery in Livorno, where he presented artworks produced during the decade in the United States.{{Cite news |date=May 17, 1987 |title=Pelleschi espone al Fante di Picche |trans-title=Pelleschi Exhibits at Fante di Picche |work=Il Tirreno |language=it |id=[https://opac.sbn.it/en/risultati-ricerca-avanzata/-/opac-adv/detail/SBL0583207 SBN SBL0583207] |page=22}} This exhibition concluded a creative phase that emerged following his first visit in 1978.{{sfn|Schiavon|2014|pp=115–116}} The art historian Gianni Pozzi noted that the Pop Art journey had come full circle ("The Long Sea Voyage has been done").{{sfn|Schiavon|2014|p=112}} That same year, he took part in the Premio Rotonda competition and was awarded first prize for his painting Veduta di Castel Sonnino, which was acquired by the municipality of Livorno and added to the permanent collection of the Museo Civico Giovanni Fattori.{{sfn|Monti|1995|p=50}} Several works from this period are also housed in the Carlo Pepi Collection House Museum.{{Cite web |last=Pepi |first=Carlo |date=2013-12-28 |title=Gli artisti |trans-title=The artists |url=https://carlopepi.wordpress.com/gli-artisti-2/ |access-date=2025-05-11 |website=carlo pepi |language=en}}

= Second American phase (1994-present) =

From the 1990s, Francesco Pelleschi took part in group art shows at the Seibu museums in Osaka and Tokyo, organized by Italian partner galleries. In 1995, the art critic Dino Carlesi selected him to represent the painting section of the 3rd Luso–Greek–Italian Festival of Theatre and Culture, Sete Sóis, Sete Luas ("Seven Suns, Seven Moons"), exhibiting at the Municipal Library of Pontedera and the Municipal Gallery in Montemor-o-Novo, Portugal.{{sfn|Carlesi|Vasco|Queiroz|1995}}{{Cite news |date=September 1, 1995 |title= Artes no Sul ao Sol e à Lua | work= Diário de Notícias |language=pt |id= [https://opac.sbn.it/en/risultati-ricerca-avanzata/-/opac-adv/detail/IEI0112164 SBN IEI0112164] | page=35}} (The festival also had sections dedicated to film, theatre, and cultural events, with participants including Eugenio Barba, Bernardo Bertolucci, João Botelho, Pia Engleberth, Rão Kyao, Antonio Tabucchi.{{Cite news |date=September 25, 1995 |title= Sóis e Luas: eclipse parcial | work= Diário de Notícias |language=pt |id= [https://opac.sbn.it/en/risultati-ricerca-avanzata/-/opac-adv/detail/IEI0112164 SBN IEI0112164] | page=48}}) The following year, two solo exhibitions were held: one at Studio G Arte Moderna in Milan and the other at Galleria Guastalla in Livorno, both including critical essays by Raffaele De Grada.{{sfn|Guastalla|Guastalla|1996b}}{{sfn|Guastalla|Guastalla|1996a}} From 1996 to 2000, he exhibited at Arte Fiera in Bologna, represented by Galleria Guastalla of Livorno and Studio G Arte Moderna of Milan.{{sfn|Audigier|2000|p=180}} In 1997, he also participated in MIART, the international art fair in Milan, with Studio G Arte Moderna.{{sfn|Audigier|2000|p=180}} Since 1998, his work has been on permanent display at Galleria Elektra in Sausalito.{{Cite web |date=2012-01-30 |title=Best Impressionist Art in San Francisco |url=https://www.cbsnews.com/sanfrancisco/news/best-impressionist-art-in-san-francisco/ |access-date=2025-05-11 |website=CBS News |language=en-US}} In 2006, the Municipality of San Giovanni d'Asso invited him to exhibit his work in the town's medieval castle.{{Cite web |title=Terra & Cielo |url=https://www.exibart.com/evento-arte/terra-cielo/ |access-date=2025-05-11 |website=exibart.com |language=it-IT}} Over the years, he has also occasionally exhibited in his hometown and has been invited to show his work together with artworks by Benvenuto Benvenuti, Voltolino Fontani, Giovanni March, Renato Natali, and Lorenzo Viani.{{Cite web |last= |title=Dialogo Aperto: Voltolino Fontani tra novecento e contemporaneità |url=https://www.exibart.com/evento-arte/dialogo-aperto-voltolino-fontani-tra-novecento-e-contemporaneita/ |access-date=2025-05-11 |website=exibart.com |language=it}}

Bibliography

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References

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