Durium Records
{{Short description|Italian record label}}
{{About||the British label of the same name|Durium Records (UK)|the synthetic resin|Durium}}
{{more citations needed|date=March 2019}}
{{Use dmy dates|date=March 2018}}
{{Infobox record label
| name = Durium Records
| image =
| image_size =
| caption =
| founded = {{start date|1935}}
| founder = Alberto Aroldi
| defunct = {{end date|1989}}
| genre = Pop
| country = {{ITA}}
| location = Milan
}}
Durium was an Italian record label, active from 1935 to 1989. Part of the catalogue and the brand were subsequently taken over by Ricordi, who used it for some reissues. Its initial trademark consisted of the writing Durium in block letters, surmounted by the stylisation of three trumpets and an eagle. Immediately after the war, this logo was abandoned to move to the stylisation of a disk with three internal rays crossed by the writing Durium in italics.
History
= Early years =
Durium SA was founded in 1935 in Milan (originally as Durium La Voce dell'Impero) by a group of Milanese entrepreneurs including Martinengo and Alberto Airoldi, who became its president. The headquarters were in Corso Garibaldi in Milan and production covered both discs and sound producers.
The first records released were recitations of tales for children, and other productions aimed at emigrants and troops abroad. In the years 1935/1936 - lacking the material for the production - discs were also published on cardboard supports, containing language courses, technical courses, and propaganda. With the outbreak of war the offices and some recording studios were transferred from Milan to Erba.
= Development =
At the end of the Second World War after the return to Milan in the new headquarters in the passage of the Osii 2 the company, meanwhile become Durium, moves the administrative and representation offices in via Manzoni. The core of what will be the burning and printing remains in Erba.
It is a period of economic difficulties linked to the still immature Italian discography; the financial position stabilizes in 1948 with the entry into the society of the Armenian-born entrepreneur Krikor Mintanjan (whose surname is sometimes Italianized in Mintangian) who nominates his wife Elisabel responsible director and assumes as artistic director the nephew of the co-founder Alberto, Aurelio Airoldi, who will remain in the company until 1987, and the pianist, arranger, and composer Franco Cassano, who will remain at the direction until 1986.
In addition to directing the record company, Cassano publishes several albums for the label as a pianist and writes several hits for their artists such as Sei divent nera for Los Marcellos Ferial, also recorded in Chinese, Melodia for Jimmy Fontana, brought to success in the Kingdom Engaged by Engelbert Humperdinck with the title The Way It Used to Be and which will be engraved in the world in several other languages.
It is above all the scouting activity of new artists, as well as the development of new promotion and sales strategies, to relaunch the label. In the fifties, while the Italian discography has its own identity with the birth of record companies such as RCA Italiana and CGD, new artists are produced such as Aurelio Fierro, Flo Sandon's, Roberto Murolo and Marino Marini, giving a great boost to the activity in light music.
In the sixties are promoted characters like Little Tony, Los Marcellos Ferial, Rocky Roberts, Bruno Venturini, Le Snobs, Wess, Dori Ghezzi, Fausto Papetti, Passengers, Camaleonti, Nini Rosso, I Vianella; artists who enjoy a strong support thanks to the director of the press office of the record company Luciano Giacotto who in the same years is also director of the youth music magazine Ciao Amici, as well as producer.
The Durium sensed since the fifties the importance of distributing licensed foreign music using its increasingly advanced factory in Erba; here is the distribution of international artists such as Al Caiola, Don Costa, James Brown, Paul Anka, Mouth & MacNeal, Donna Summer, Ferrante & Teicher, Dee D. Jackson, Steve Lawrence, Eydie Gormé, Don McLean, Shirley Bassey, Plastic Bertrand, Telex and many others.
In 1977 Durium reached its peak with a net sales increase of 35% compared to the previous year, for a total of 6.25 million dollars at the time.
= Corporate structure =
In a short time Durium became a leading company in the Italian recording world; even in advance of many multinational companies, already in the first post-war period he began to create a complete system dedicated to artists: from recording albums to their distribution, also managing printing and promotion.
Regarding the registration, in via Troya (near Piazza Napoli) was set up a well-equipped recording studio kept continuously updated.
At Erba, in via Trieste, the production plant where long-playing was printed and the music cassettes under the responsibility of Valsecchi and then Mario Cvek had been left since the post-war period. The modernization proceeded seamlessly with continuous investments, to the point that in 1977 the plant was distinguished in the Italian landscape for the modernity of the plants and for the quality of work. Throughout the era of vinyl and audio cassettes, a good part the activity was carried out on behalf of third parties for the most famous and important Italian record companies.
= Failure =
In 1981 Durium celebrated its fiftieth anniversary in advance, but sales, thanks to the diffusion of recordable audiocassettes and the spread of music through free radio stations, are already falling sharply: from 800,000 copies a few years earlier, a hit by a number one it can not sell more than 400 000 copies.
The crisis worsens in the second half of the eighties, coinciding with the diffusion of CDs and at the same time with many record companies: in 1986 Krikor Mintanjan abandoned the company, taken over by Luca Rinaldi, who subsequently sold it to Enrico Rovelli; the same man who also bought Ariston Records in the same period.
Despite this in the eighties continues the activity of scouting leading to the success of many artists, including Vanadium, one of the first Italian heavy metal bands, and a young Fiordaliso that launches at the Sanremo Festival hits like Una Dirty Poetry, Oramai and I do not want not the moon.
Rovelli then tries to restructure the company, which involves the abandonment of production and printing, that is the now too expensive Erba plant, and the outsourcing of recording and mixing of disks, thus also abandoning the studies in Piazza Napoli.
The same Rovelli tries to establish a company, Kono Records, with the intention of merging the catalogues of Durium and Ariston, but because of the liabilities accumulated by the two companies the operation is not successful.
The Kono therefore born as an independent record company incorporating some artists of the Ariston and Durium, which both cease all operations in 1989. The offices of the registered office, in via Manzoni, are also abandoned.
= Durium catalogue =
While Rovelli will continue his career as a manager of many artists, including Vasco Rossi, the catalogs of Durium and Ariston will be at the center of legal disputes, being then sold to Ricordi and subsequently merging into the patrimony of the purchaser BMG. The same Durium brand is acquired by these companies and, although not formally renewed, has been used occasionally to reprint the records of some artists.
= Sub-labels =
Like many other record companies, Durium also gave birth to some sub-labels of which the best known is the Italian Targa, which has also released some albums and 45 rpm of Vasco Rossi; in addition, Durium distributed other labels such as Sprint, Titanus and Karim.
The Durium, in addition to having recorded and printed for years respectively artists and media for other companies without factories, has also taken care of the distribution for other record companies. For example, for some years it has been involved in the distribution of the PDU, the record company founded by Mina.
Releases
Dates below are based on the disc label, or on the vinyl or, finally, on the cover; if none of these elements had a date, on the numbering of the catalogue; if existing, the month and the day are shown over the year.
= 78 rpm =
| class="wikitable" style="width:100%;margin:auto;clear:both;" |
| bgcolor="#EFEFEF"
! Catalogue No. ! Year ! Performer ! Title |
| A 9127
| 9 October 1946 |
| A 9162
| 20 May 1947 | Amado mio/Put the blame on mame (Non v'innamorate) dal film Gilda |
| A 9269
| 17 September 1948 |
| A 9311
| 1949 |
| A 9328
| 1949 |
| A 9336
| 16 March 1949 |
| A 9337
| 21 March 1949 |
| A 9338
| 15 March 1949 |
| A 9362
| 1949 | Flo Sandon's (sul lato A)/Bruno Rosettani (sul lato B) |
| A 9468
| 1949 |
| A 9474
| 1949 | Special Starmaker Hot, sax tenore solista Tullio Mobiglia |
| A 9477
| 1949 |
| A 9505
| 1950 | Flo Sandon's col Complesso Gambarelli (sul lato A)/Complesso Gambarelli (sul lato B) |
| A 9709
| 27 January 1951 |
| A 9754
| 1951 |
| A 9870
| 1951 |
| A 9941
| 1952 |
| A 9942
| 1952 |
| A 9970
| 1952 |
| A 9996
| 1952 |
| A 10040
| 23 September 1952 | Flo Sandon's (sul lato A)/Flo Sandon's e Quartetto Vocale Radars (sul lato B) |
| M 10094
| 1952 |
| M 10095
| 1952 |
| M 10096
| 1952 |
| M 10097
| 1952 |
| A 10121
| 14 January 1953 |
| A 10122
| 1953 |
| A 10124
| 1953 |
| A 10128
| 30 March 1953 |
| A 10134
| 1953 |
| M 10164
| 1953 |
| A 10179
| 1953 |
| A 10187
| 12 May 1953 |
| M 10196
| 1953 |
| A 10198
| 13 July 1953 | Flo Sandon's (sul lato A)/Flo Sandon's e Bruno Rosettani (sul lato B) |
| A 10217
| 1953 |
| A 10238
| 28 September 1953 |
| A 10278
| 10 November 1953 |
| M 10282
| 1953 |
| M 10283
| 1953 |
| M 10284
| 1953 |
| A 10288
| 1953 | Flo Sandon's, Bruno Rosettani e Duo Blengio (sul lato A)/Bruno Rosettani e Duo Blengio (sul lato B) |
| A 10289
| 22 December 1953 | Flo Sandon's (sul lato A)/Flo Sandon's, Bruno Rosettani e Duo Blengio (sul lato B) |
| A 10292
| 22 December 1953 |
| A 10311
| 1954 | Flo Sandon's e Bruno Rosettani (sul lato A)/Flo Sandon's e Bruno Rosettani e Coro (sul lato B) |
| A 10314
| 1954 | Bruno Rosettani (sul lato A)/Flo Sandon's e Bruno Rosettani (sul lato B) |
| A 10351
| 1954 |
| M 10368
| 1954 |
| A 10384
| August 1954 |
| A 10385
| August 1954 |
| A 10386
| August 1954 |
| A 10409
| 14 September 1954 |
| A 10410
| 15 September 1954 |
| A 10411
| 15 September 1954 |
| A 10412
| 16 September 1954 |
| A 10413
| 16 September 1954 |
| A 10448
| 1954 |
| A 10453
| 8–10 November 1954 | Flo Sandon's e Trio Joice (sul lato A)/Flo Sandon's e Quartetto Vocale (sul lato B) | That's amore (Questo è amore)/The Deadwood Stage (Postiglione va !) |
| A 10482
| 13 December 1954 | Flo Sandon's e Quartetto Langosz (sul lato A)/Flo Sandon's e Trio Joice (sul lato B) |
| A 10505
| 1955 |
| A 10507
| 15–18 January 1955 | Aurelio Fierro (sul lato A)/Flo Sandon's e Trio Joice (sul lato B) |
| A 10571
| 20 May 1955 |
| A 10572
| 1955 |
| A 10573
| 1955 |
| A 10696
| 1956 |
| A 10698
| 9–14 January 1956 |
| A 10722
| 1956 |
| A 10799
| 1956 |
| A 10855
| 3 October 1956 |
| A 10975
| 14 September 1957 |
| A 11026
| 22 July 1957 |
| A 11071
| 1957 |
| A 11108
| 1958 |
| A 11109
| 1958 |
| A 11110
| 1958 |
| A 11111
| 1958 |
| A 11112
| 1958 |
| A 11113
| 1958 |
| A 11114
| 1958 |
| A 11115
| 20 January 1958 | Aurelio Fierro e Trio Joice (sul lato A)/ Aurelio Fierro (sul lato B) |
| A 11116
| 1958 | Nel blu dipinto di blu/Timida serenata |
| A 11117
| 1958 |
| A 11118
| 1958 | Flo Sandon's e Quartetto Radar (sul lato B) |
| A 11119
| 1958 |
| A 11120
| 1958 |
| A 11259
| 19 January 1959 |
| A 11260
| 1959 |
= 33 rpm =
== 25 cm ==
| class="wikitable" style="width:100%;margin:auto;clear:both;" |
| bgcolor="#EFEFEF"
! Catalogue No. ! Year ! Performer ! Title |
| ms Al 501
| 1955 |
| ms Al 502
| 1955 |
| ms Al 503
| 1955 |
| ms Al 504
| 1955 |
| ms Al 505
| 1955 | Ballando con Edoardo Lucchina - Prima raccolta di successi |
| ms Al 506
| 1955 |
| ms Al 507
| 1955 |
| ms Al 508
| 1955 |
| ms Al 509
| 1955 |
| ms A 510
| 1955 |
| ms Al 511
| 1955 |
| ms Al 512
| 1955 |
| ms A 513
| 1955 |
| ms Al 514
| 1955 |
| ms Al 515
| 1955 |
| ms Al 516
| 1955 |
| ms Al 517
| 1955 |
| ms A 518
| 1955 |
| ms Al 519
| 1955 | AA.VV. | Danze folcloristiche con i complessi di A,Aiello, A.Casella, E.Lucchina, L.Marcheselli, A.Rota |
| ms Al 520
| 1955 |
| ms A 521
| 1956 |
| ms A 522
| 1956 | Dante Perduca e il suo Quartetto all'italiana |
| ms A 523
| 1956 |
| ms A 524
| 1956 |
| ms A 525
| 1956 | Ballando con Edoardo Lucchina - Terza raccolta di successi (Motivi del tempo passato) |
| ms A 526
| 1956 |
| ms A 527
| 1956 | Sergio Centi e la sua chitarra |
| ms A 528
| 1956 | Gian Franco Intra e la sua orchestra |
| ms A 529
| 1956 | Dante Perduca e il suo Sestetto all'italiana |
| ms A 530
| 1956 |
| ms Al 531
| 1956 | La chitarra di Manuel Diaz Cano |
| ms A 532
| 1956 |
| ms Al 533
| 1956 |
| ms A 534
| 1956 | Gian Franco Intra quartetto |
| ms A 535
| 1956 | Marino Marini e il suo quartetto |
| ms Al 536
| 1956 | Luciano Sangiorgi pianoforte e ritmi |
| ms A 537
| 1956 | Federico Bergamini, Gian Franco Intra, Edoardo Lucchina, Tullio Mobiglia, Carlo Savina |
| ms M 538
| 1956 |
| ms A 539
| 1956 |
| ms A 541
| 1956 | Sergio Centi e la sua chitarra |
| ms A 542
| 1956 | Marino Marini e il suo quartetto |
| ms A 544
| 1956 |
| ms Al 545
| 17 February 1956 | Roberto Murolo e la sua chitarra |
| ms A 546
| 1956 |
| ms Al 547
| 1956 |
| ms A 548
| 1956 |
| ms A 549
| 1956 | Rino Salviati e la sua chitarra |
| ms A 550
| 1956 | Rino Salviati e la sua chitarra |
| ms Al 551
| 1956 | Luciano Sangiorgi pianoforte e ritmi |
| ms A 552
| 1956 |
| ms A 553
| 1956 | Marino Marini e il suo quartetto |
| ms A 554
| 1956 |
| ms Al 555
| 1956 | Roberto Murolo e la sua chitarra |
| ms A 556
| 1956 | AA.VV. |
| ms M 557
| 1956 | Edoardo Lucchina organo Hammond, piano e ritmi |
| ms Al 558
| 1956 |
| ms A 559
| 1956 | Marino Marini e il suo quartetto |
| ms Al 560
| 1956 |
| ms Al 561
| 1956 |
| ms A 562
| 12 June 1956 |
| ms Al 563
| 1956 |
| ms M 564
| 1956 |
| ms A 565
| 1956 |
| ms Al 566
| 1956 | Roberto Murolo e la sua chitarra |
| ms A 568
| 1956 |
| ms A 569
| 1957 |
| ms A 571
| 1957 |
| ms A 572
| 1957 | AA.VV. |
| ms Al 576
| 1957 | Roberto Murolo e la sua chitarra |
| ms Al 577
| 1957 |
| ms A 578
| 1957 |
| ms A 579
| 1957 |
| ms A 580
| 1957 |
| ms A 581
| 1957 |
| ms A 582
| 1957 |
| ms A 583
| 1957 |
| ms A 584
| 1957 |
| ms A 585
| 1957 | Mario Pezzotta e la sua orchestra |
| ms A 586
| 1957 | AA.VV. |
| ms A 587
| 1957 |
| ms A 588
| 1958 | AA.VV. | Le dieci canzoni finaliste dell'8º Festival di Sanremo - 1958 |
| ms A 589
| 1958 | AA.VV. (Isa Di Marzio, Bruno Rosettani, Duo Blengio, Nella Colombo e altri) |
| ms A 590
| 1958 |
| ms A 591
| 1958 | Quartetto Radar, Vickie Henderson, Flo Sandon's e Marino Marini |
| ms A 594
| 1958 |
| ms Al 595
| 1958 | Roberto Murolo e la sua chitarra |
| ms A 596
| 1958 |
| ms A 598
| 1958 |
| ms A 602
| 1959 | Marino Marini e il suo quartetto (Piove! ciao, ciao bambina) |
| ms A 604
| 1959 |
| ms Al 605
| 1959 | Roberto Murolo e la sua chitarra |
| ms Al 606
| 1959 | Roberto Murolo e la sua chitarra |
| ms Al 607
| 1959 | Roberto Murolo e la sua chitarra |
| ms M 609
| 1959 |
| ms A 611
| 1959 |
| ms AI 612
| 13 March 1963 |
== 30 cm ==
| class="wikitable" style="width:100%;margin:auto;clear:both;" |
| bgcolor="#EFEFEF"
! Catalogue No. ! Year ! Performer ! Title |
| ms A 77001
| 1959 | Marino Marini e il suo quartetto |
| ms A 77002
| 1959 |
| ms A 77003
| 30 October 1957 | AA.VV. | Vacanze in Italia N° 1 - Raccolta di ballabili cantati |
| ms A 77004
| 1959 | Voci di Alighiero Noschese e Maria Virginia Benati con l'orchestra di Mario Migliardi |
| ms A 77005
| 1959 | AA.VV. |
| ms A 77006
| 1959 |
| ms A 77008
| 3 April 1958 | AA.VV. | Vacanze in Italia N° 2 - Raccolta di ballabili cantati |
| ms A 77009
| 1959 |
| ms A 77011
| 1959 |
| ms A 77012
| 27 September 1958 | AA.VV. | Vacanze in Italia N° 3 - Raccolta di ballabili cantati |
| ms A 77013
| 1959 |
| ms A 77014
| 1959 | AA.VV. |
| ms A 77015
| 1959 | AA.VV. |
| ms A 77016
| 1959 |
| ms A 77017
| 1959 | AA.VV. |
| ms A 77018
| 1959 | Luciano Sangiorgi - Pianoforte e ritmi |
| ms A 77019
| 15 April 1959 | AA.VV. |
| ms A 77020
| 1959 | AA.VV. |
| ms A 77021
| 1959 |
| ms A 77022
| 1959 | AA.VV. | Vacanze in Italia N° 4 - Raccolta di ballabili cantati |
| ms A 77023
| 1959 | AA.VV. | Hi-fi Club - Raccolta di ballabili cantati |
| ms A 77024
| 1959 | Little Tony and his brothers |
| ms A 77027
| 1960 | AA.VV. |
| ms A 77028 (ristampa di ms A 518)
| 1960 |
| ms A 77029
| 1960 |
| ms A 77033
| 1960 |
| ms A 77035
| 1960 | AA.VV. |
| ms A 77036
| 1960 | AA.VV. |
| ms A 77037
| 1960 |
| ms A 77039
| 1960 | AA.VV. | Vacanze in Italia N° 6 - Raccolta di ballabili cantati |
| ms A 77040
| 1960 | AA.VV. |
| ms A 77041
| 1960 |
| ms AI 77042
| 1960 | Raccolta |
| ms A 77047 (ristampa di ms A 548)
| 1960 |
| ms AI 77051
| 1961 |
| ms A 77058 (ristampa di ms A 562)
| 1961 |
| ms A 77064
| 1962 |
| ms A 77065
| 1963 |
| ms Al 77069
| 1963 | Napoletana. Antologia cronologica della canzone partenopea - Primo volume (dal 1200 al 1700) |
| ms Al 77070
| 1963 | Napoletana. Antologia cronologica della canzone partenopea - Secondo volume (dal 1700 al 1820) |
| ms Al 77071
| 1963 | Napoletana. Antologia cronologica della canzone partenopea - Terzo volume (dal 1820 al 1880) |
| ms Al 77072
| 1964 | Napoletana. Antologia cronologica della canzone partenopea - Quarto volume (dal 1880 al 1897) |
| ms Al 77073
| 10 March 1964 | Napoletana. Antologia cronologica della canzone partenopea - Quinto volume (dal 1897 al 1909) |
| ms Al 77074
| 1964 | Napoletana. Antologia cronologica della canzone partenopea - Sesto volume (dal 1909 al 1915) |
| ms Al 77075
| 1964 | Napoletana. Antologia cronologica della canzone partenopea - Settimo volume (dal 1916 al 1925) |
| ms Al 77076
| 1964 | Napoletana. Antologia cronologica della canzone partenopea - Ottavo volume (dal 1925 al 1938) |
| ms Al 77077
| 1964 | Leonildo Marcheselli e il suo quintetto folkloristico |
| ms A 77080
| 1964 |
| ms M 77082
| 1964 |
| ms A 77091
| 1965 |
| ms Al 77094
| 1965 |
| ms Pr 77096
| 1965 | Edoardo Lucchina e la sua Orchestra |
| ms Al 77101
| 6 May 1965 | Napoletana. Antologia cronologica della canzone partenopea - Nono volume (dal 1940 al 1950) |
| ms Al 77102
| 1965 | Napoletana. Antologia cronologica della canzone partenopea - Decimo volume (dal 1950 al 1954) |
| ms Al 77103
| 1965 | Napoletana. Antologia cronologica della canzone partenopea - Undicesimo volume (dal 1954 al 1956) |
| ms Al 77104
| 24 May 1965 | Napoletana. Antologia cronologica della canzone partenopea - Dodicesimo volume (dal 1956 al 1962) |
| ms AI 77115
| 1966 |
| ms AI 77116
| 1966 |
| ms AI 77117
| 1966 |
| ms A 77120
| 1966 |
| ms AI 77123
| 1966 |
| ms A 77130
| 1966 |
| ms A 77132
| 1966 |
| ms A 77136
| 1966 |
| ms A 77141
| 1966 | Riderà |
| ms A 77142
| 1966 |
| ms A 77147
| 1966 |
| ms AI 77154
| 1967 |
| ms AI 77166
| 1967 |
| ms A 77177
| 1967 |
| ms A 77185
| 1967 | Aurorea |
| ms A 77188
| 1967 |
| ms A 77197
| 1968 |
| ms A 77198
| 1968 |
| ms AI 77199
| 1968 | Grido |
| ms A 77200
| 1968 |
| ms A 77204
| 1968 | AA. VV. |
| ms AI 77208
| 1969 |
| ms AI 77214
| 1969 |
| ms A 77220
| 1969 |
| ms A 77225
| 25 July 1969 | Perché? |
| ms AI 77262
| 1970 |
| ms AI 77266
| 1971 |
| ms A 77269
| 1971 |
| ms AI 77270
| 30 April 1971 |
| ms AI 77274
| 1971 |
| ms AI 77275
| June 1971 |
| ms AI 77281
| 1971 |
| ms AI 77282
| 1971 |
| ms AI 77283
| 1971 |
| ms AI 77284
| 1971 |
| ms AI 77287
| 1971 |
| ms AI 77291
| December 1971 |
| ms AI 77296
| 1972 |
| ms AI 77297
| 1972 |
| ms A 77301
| 1972 |
| ms AI 77302
| 1972 |
| ms AI 77306
| 1972 |
| ms AI 77307
| November 1972 | J.E.T. |
| ms AI 77308
| November 1972 |
| ms AI 77309
| November 1972 |
| ms AI 77311
| 1973 |
| ms AI 77314
| 1973 |
| ms M 77318
| 1973 |
| ms A 77319
| 1973 | Onirico |
| ms A 77321
| 1973 |
| ms AI 77322
| 1973 |
| ms AI 77327
| 1973 |
| ms AI 77328
| 1973 |
| ms AI 77330
| 1973 |
| ms AI 77336
| 1973 |
| ms AI 77338
| 1974 |
| ms AI 77345
| 1974 |
| ms AI 77346
| 1974 |
| ms AI 77354
| 1974 |
| ms AI 77357
| 1974 |
| ms AI 77359
| 1974 |
| ms AI 77360
| 1975 | Lapera |
| ms AI 77361
| 1975 |
| ms A 77365
| 1975 |
| ms AI 77366
| 1975 |
| ms AI 77370
| 1975 |
| ms A 77373
| 1975 |
| ms AI 77376
| 1976 |
| ms AI 77382
| 1976 |
| ms AI 77384/385
| 1977 |
| ms AI 77388
| 1977 |
| ms AI 77399
| 1978 |
| ms AI 77403
| 1978 | In due |
| ms AI 77407
| 1979 |
| ms AI 77408
| 1979 |
| ms AI 77409
| 1980 |
| ms AI 77419
| 1980 |
| ms AI 77421
| 30 April 1981 | Autori vari (Mina, Franco Califano e altri) |
| ms AI 77422
| 1981 |
| ms AI 77423
| 1981 | Artigli |
| ms AI 77427
| 21 April 1982 | Autori vari (Mina, Gino Paoli e altri) |
| ms AI 77429
| 1982 | Cantando |
| ms AI 77436
| 1983 | AA.VV., |
| ms AI 77444
| 1984 | AA.VV., |
| ms AI 77455
| 19 March 1985 |
| ms AI 77467
| 1987 |
| ms AI 77470
| 1987 |
| ms AI 77471
| 1987 | Serenata |
= 45 rpm =
== Catalogazione Ld A ==
=== 50s ===
| class="wikitable" style="width:100%;margin:auto;clear:both;" |
| bgcolor="#EFEFEF"
! Catalogue No. ! Year ! Performer ! Title |
| Ld A 6001
| 1955 | Edoardo Lucchina e la sua Orchestra tipica |
| Ld A 6002
| 1955 | Edoardo Lucchina e la sua Orchestra tipica |
| Ld A 6003
| 1955 | Edoardo Lucchina e la sua Orchestra tipica |
| Ld A 6011
| 1955 |
| Ld A 6028
| 1955 | Edoardo Lucchina e la sua Orchestra tipica |
| Ld A 6033
| 1 February 1956 |
| Ld A 6041
| 1956 |
| Ld A 6046
| 1956 | Marino Marini e il suo quartetto |
| Ld A 6057
| 1956 | Marino Marini e il suo quartetto |
| Ld A 6064
| 1956 | Tullio Mobiglia e i suoi solisti, canta Flo Sandon's (lato A) |
| Ld A 6070
| 1956 | Edoardo Lucchina e la sua Orchestra tipica |
| Ld A 6075
| 1957 |
| Ld A 6086
| 1957 |
| Ld A 6102
| 1957 |
| Ld A 6112
| 1957 | Marino Marini e il suo quartetto |
| Ld A 6133
| 1957 | Bruno Martelli e la sua Orchestra tipica |
| Ld A 6134
| 1957 | Bruno Martelli e la sua Orchestra tipica |
| Ld A 6135
| 1957 | Bruno Martelli e la sua Orchestra tipica |
| Ld A 6136
| 1957 | Bruno Martelli e la sua Orchestra tipica |
| Ld A 6137
| 1957 | Quartetto Folkloristico Leonildo Marcheselli |
| Ld A 6143
| 1957 |
| Ld A 6152
| 1957 |
| Ld A 6153
| 1957 |
| Ld A 6154
| 1957 |
| Ld A 6156
| 1957 |
| Ld A 6167
| 1957 | Flo Sandon's col Quartetto Radar |
| Ld A 6176
| 1957 | Flo Sandon's col Quartetto Radar (lato A)/Quartetto Radar (lato B) |
| Ld A 6197
| 1958 |
| Ld A 6202
| 1958 |
| Ld A 6203
| 1958 |
| Ld A 6204
| 1958 |
| Ld A 6209
| 1958 |
| Ld A 6211
| 1958 |
| Ld A 6214
| 1958 | Nel blu dipinto di blu/Timida serenatae |
| Ld A 6215
| 1958 |
| Ld A 6216
| 1958 |
| Ld A 6217
| 1958 |
| Ld A 6223
| 1958 | Marino Marini e il suo quartetto | Nel blu dipinto di blu/Bebè |
| Ld A 6229
| 1958 |
| Ld A 6231
| 1958 |
| Ld A 6234
| 1958 |
| Ld A 6255
| 1958 |
| Ld A 6258
| 1958 |
| Ld A 6273
| 1958 |
| Ld A 6275
| 1958 |
| Ld A 6276
| 1958 |
| Ld A 6300
| 1958 |
| Ld A 6301
| 16 giugno 1958 |
| Ld A 6302
| 1958 |
| Ld A 6312
| 6 giugno 1958 | Marino Marini e il suo quartetto (canta Ruggero Cori) |
| Ld A 6317
| 1958 | Edoardo Lucchina e i suoi solisti, canta Louis Binder |
| Ld A 6318
| 1958 |
| Ld A 6319
| 23 luglio 1958 |
| Ld A 6320
| 1958 |
| Ld A 6321
| 1958 |
| Ld A 6322
| 1958 |
| Ld A 6324
| 1958 |
| Ld A 6326
| 1958 |
| Ld A 6331
| 1958 |
| Ld A 6363
| 1958 |
| Ld A 6364
| 1958 |
| Ld A 6365
| 1958 |
| Ld A 6369
| 1958 |
| Ld A 6370
| 1958 |
| Ld A 6378
| 1958 |
| Ld A 6379
| 10 settembre 1958 | Peanut vendor (Il venditore di noccioline)/Manhattan Square Dance |
| Ld A 6380
| 1958 |
| Ld A 6381
| 1958 |
| Ld A 6392
| 1958 |
| Ld A 6394
| 1958 |
| Ld M 6407
| 25 ottobre 1958 |
| Ld A 6412
| 1958 |
| Ld A 6413
| 1958 |
| Ld A 6416
| 1958 |
| Ld A 6417
| 1958 |
| Ld A 6427
| 17 novembre 1958 |
| Ld A 6429
| 1958 |
| Ld A 6442
| 1958 |
| Ld A 6455
| 1958 |
| Ld A 6461
| 1959 |
| Ld A 6464
| 1958 |
| Ld A 6469
| 1958 |
| Ld A 6470
| 1958 |
| Ld A 6476
| 1959 |
| Ld A 6477
| 19 gennaio 1959 |
| Ld A 6479
| 1959 |
| Ld A 6480
| 1959 |
| Ld A 6510
| 24 febbraio 1959 |
| Ld A 6521
| 1959 |
| Ld A 6522
| 1959 |
| Ld A 6529
| 1959 |
| Ld A 6533
| 1959 |
| Ld A 6561
| 1959 |
| Ld A 6562
| 1959 |
| Ld A 6563
| 1959 |
| Ld A 6565
| 1959 |
| Ld A 6566
| 1959 |
| Ld A 6567
| 1959 |
| Ld A 6568
| 1959 |
| Ld A 6570
| 1959 |
| Ld A 6582
| 1959 |
| Ld A 6608
| 1959 |
| Ld A 6625
| 29 luglio 1959 |
| Ld A 6634
| 1959 | Quartetto Folkloristico Leonildo Marcheselli |
| Ld A 6642
| 1959 |
| Ld A 6646
| 1959 |
| Ld A 6647
| 1959 |
| Ld A 6648
| 1959 |
| Ld A 6651
| 1959 |
| Ld A 6652
| 1959 |
| Ld A 6662
| 8 luglio 1959 |
| Ld A 6677
| 1959 | Invocazione a Maria Ss.dell'Incoronata di Puglia - 1ª parte/2ª parte |
| Ld A 6679
| 1959 |
| Ld A 6681
| 1959 |
| Ld A 6709
| 1959 |
| Ld A 6710
| 1959 |
| Ld A 6716
| 28 novembre 1959 | Edoardo Lucchina e la sua Orchestra |
| Ld A 6720
| 1959 |
| Ld A 6721
| 1959 |
| Ld A 6730
| 1959 |
| Ld A 6731
| 1959 |
| Ld A 6732
| 1959 |
| Ld A 6733
| 22 dicembre 1959 |
=== 60s ===
| class="wikitable" style="width:100%;margin:auto;clear:both;" |
| bgcolor="#EFEFEF"
! Catalogue No. ! Year ! Performer ! Title |
| Ld A 6738
| 1960 |
| Ld A 6740
| 1960 |
| Ld A 6741
| 1960 |
| Ld A 6742
| 1960 |
| Ld A 6743
| 1960 |
| Ld A 6744
| 1960 |
| Ld A 6746
| 1960 | Marino Marini e il suo quartetto |
| Ld A 6747
| 1960 |
| Ld A 6749
| 1960 |
| Ld A 6762
| 1960 |
| Ld A 6772
| 1960 |
| Ld A 6773
| 1960 |
| Ld A 6777
| 1960 |
| Ld A 6788
| 1960 | Marino Marini e il suo quartetto |
| Ld A 6789
| 1960 | Marino Marini e il suo quartetto |
| Ld A 6790
| 1960 | Marino Marini e il suo quartetto |
| Ld A 6791
| 1960 | Marino Marini e il suo quartetto |
| Ld A 6792
| 1960 |
| Ld A 6793
| 1960 |
| Ld A 6793
| 1960 |
| Ld A 6795
| 1960 |
| Ld A 6798
| 1960 |
| Ld A 6806
| 1960 |
| Ld A 6807
| 1960 |
| Ld A 6808
| 1960 |
| Ld A 6819
| 1960 |
| Ld A 6822
| 1960 |
| Ld A 6832
| 1960 | Flo Sandon's e il quartetto di Marino Marini |
| Ld A 6863
| 1960 |
| Ld M 6881
| 1960 |
| Ld A 6886
| 1960 |
| Ld A 6887
| 1960 |
| Ld A 6888
| 1960 |
| Ld A 6891
| 1960 |
| Ld A 6893
| 1960 |
| Ld A 6901
| 1960 |
| Ld A 6902
| 1960 |
| Ld A 6903
| 1960 |
| Ld A 6904
| 1960 | Marino Marini ed il suo quartetto | Les enfants du Pirée (Uno a me ed uno a te)/Gridalo al mondo |
| Ld A 6912
| 1960 |
| Ld A 6913
| 1960 |
| Ld A 6929
| 1960 |
| Ld A 6930
| 1960 |
| Ld A 6931
| 1960 | Marino Marini ed il suo quartetto |
| Ld A 6940
| 1960 |
| Ld A 6941
|1960 |Edoardo Lucchini ed il suo quintetto |amaro tango / tango assassino |
| Ld A 6944
| 1960 | Pupazzetti/Vorrei volare (2° Zecchino d'Oro - Salone del Bambino 1960) |
| Ld A 6946
| 1960 |
| Ld A 6953
| 1960 |
| Ld A 6955
| 1960 |
| Ld A 6958
|1960 |Carlo Mauri ed il suo quintetto, cantante solista: Cicero |Vicino a te/Dammi la mano e corri |
| Ld A 6974
| 1961 |
| Ld A 6976
| 1961 |
| Ld A 6977
| 1961 | Clem Sacco (sul lato A)/Marisa Rampin (sul lato B) |
| Ld A 6980
| 1961 |
| Ld A 6981
| 1961 |
| Ld A 6984
| 1961 | Marino Marini ed il suo quartetto |
| Ld A 6988
| 1961 |
| Ld A 6993
| 1961 |
| Ld A 6995
| 1961 |
| Ld A 7000
| 1961 | Quartetto Folkloristico Leonildo Marcheselli |
| Ld A 7004
| 1961 |
| Ld A 7005
| 1961 |
| Ld A 7006
| 1961 |
| Ld A 7013
| 1961 |
| Ld A 7014
| 1961 | Adriana Lima (sul lato A)/Guidone (sul lato B) |
| Ld A 7015
| 1961 | Clem Sacco (sul lato A)/Marisa Rampin (sul lato B) |
| Ld A 7017
| 1961 | Edoardo Lucchina, fisarmonica solista e ritmi |
| Ld A 7022
| 1961 |
| Ld A 7023
| 1961 | ''O sole mio/maria Mar' |
| Ld A 7024
| 1961 |
| Ld A 7025
| 1961 |
| Ld A 7026
| 1961 | Calcutta (io parto per Calcutta)/Non sei mai stata così bella |
| Ld A 7027
| 1961 |
| Ld A 7030
| 1961 |
| Ld A 7032
| 1961 |
| Ld A 7039
| 1961 | Loredana |
| Ld A 7051
| 1961 |
| Ld A 7053
| 1961 |
| Ld M 7057
| 30 giugno 1961 | Legata a un granello di sabbia/Tu che mi hai preso il cuorVersione strumentale di Tu che m'hai preso il cuor, di Franz Lehar |
| Ld A 7060
| 1961 |
| Ld A 7073
| 1961 |
| Ld A 7076
| 1961 |
| Ld A 7079
| 7 novembre 1961 |
| Ld A 7080
| 1961 |
| Ld A 7082
| 1961 |
| Ld A 7083
| 1961 |
| Ld A 7084
| 1961 |
| Ld A 7107
| 1961 |
| Ld A 7108
| 1961 |
| Ld A 7115
| 1961 |
| Ld A 7119
| 1961 |
| Ld A 7120
| 1961 |
| Ld A 7126
| 1961 |
| Ld A 7128
| 1961 |
| Ld A 7129
| 1961 |
| Ld A 7130
| 1961 |
| Ld A 7135
| 19 dicembre 1961 |
| Ld A 7143
| 1962 |
| Ld A 7144
| 1962 |
| Ld A 7145
| 1962 |
| Ld A 7146
| 1962 |
| Ld A 7147
| 1962 |
| Ld M 7149
| 1962 |
| Ld A 7170
| 1962 |
| Ld A 7178
| 1962 |
| Ld A 7183
| 1962 |
| Ld A 7184
| 17 maggio 1962 | Marino Marini e il suo quartetto |
| Ld A 7189
| 7 giugno 1962 | Ferma questa notte (Retiens la nuit)/Mai più potrò scordare |
| Ld A 7191
| 1962 |
| Ld A 7194
| 26 maggio 1962 |
| Ld A 7197
| 1962 |
| Ld A 7198
| 1962 |
| Ld A 7202
| 1962 |
| Ld A 7212
| 1962 |
| Ld A 7216
| 1962 |
| Ld A 7217
| 1962 |
| Ld A 7223
| 1962 |
| Ld A 7224
| 1962 |
| Ld A 7245
| 12 novembre 1962 |
| Ld A 7252
| 1962 |
| Ld A 7254
| 1962 |
| Ld A 7255
| 1962 |
| Ld A 7267
| 1963 | Marino Marini e il suo quartetto (canta Vito Benvenuti) |
| Ld A 7275
| 1963 | Loredana sul lato A / Franco Pisano e la sua Orchestra sul lato B |
| Ld A 7281
| 1963 | Marino Marini e il suo quartetto |
| Ld A 7284
| 1963 |
| Ld A 7285
| 1963 |
| Ld A 7293
| 1963 |
| Ld A 7301
| 1963 | Giobatta |
| Ld A 7302
| 1963 |
| Ld A 7303
| 17 giugno 1963 |
| Ld A 7308
| 1963 | Loredana |
| Ld A 7309
| 1963 |
| Ld A 7310
| 1963 |
| Ld A 7313
| 1963 |
| Ld A 7318
| 1963 |
| Ld A 7319
| 1963 |
| Ld M 7324
| 1963 |
| Ld A 7327
| 1963 |
| Ld A 7330
| 1963 |
| Ld A 7335
| 1963 | Marino Marini e il suo quartetto |
| Ld A 7338
| 1963 |
| Ld A 7337
| 1963 |
| Ld A 7339
| 1963 |
| Ld A 7350
| 1964 | Quando vedrai la mia ragazza/Ti cambierò con una meglio di te |
| Ld A 7361
| 1964 |
| Ld A 7363
| 1964 |
| Ld A 7365
| 1964 |
| Ld A 7367
| 1964 | Loredana |
| Ld A 7370
| 1964 |
| Ld A 7371
| 31 marzo 1964 |
| Ld A 7372
| 1964 |
| Ld A 7376
| 1964 |
| Ld A 7377
| 1964 |
| Ld A 7389
| 1964 |
| Ld A 7391
| 26 ottobre 1964 |
| Ld A 7392
| 1964 |
| Ld Al 7398
| 1964 |
| Ld A 7428
| 1965 |
| Ld A 7459
| 1965 |
| Ld A 7463
| 1966 |
| Ld A 7464
| 1966 |
| Ld A 7472
| 1966 |
| Ld A 7483
| 1966 |
| Ld A 7484
| 1966 |
| Ld A 7494
| 1º novembre 1966 |
| Ld A 7495
| Novembre 1966 |
| Ld A 7499
| Dicembre 1966 |
| Ld A 7500
| 1967 |
| Ld A 7506
| 1967 |
| Ld A 7507
| 1967 |
| Ld A 7508
| 1967 |
| Ld A 7509
| 1967 |
| Ld A 7515
| 1967 |
| Ld A 7516
| 11 aprile 1967 |
| Ld A 7525
| 5 luglio 1967 |
| Ld A 7529
| 1967 |
| Ld A 7535
| 1967 |
| Ld A 7536
| 1967 |
| Ld A 7538
| 1967 |
| Ld A 7544
| 1968 |
| Ld A 7551
| 1968 |
| Ld A 7559
| 1968 |
| Ld A 7571
| 1968 |
| Ld A 7572
| 1968 |
| Ld A 7574
| 1968 |
| Ld A 7575
| 1968 |
| Ld A 7587
| 1968 |
| Ld A 7588
| 1968 |
| Ld A 7589
| 1968 |
| Ld A 7598
| 1968 |
| Ld A 7601
| Novembre 1968 |
| Ld A 7605
| Dicembre 1968 |
| Ld A 7606
| 16 dicembre 1968 |
| Ld A 7608
| 1968 |
| Ld A 7610
| 1969 |
| Ld A 7617
| 1969 |
| Ld A 7618
| 1969 |
| Ld A 7625
| 1969 |
| Ld A 7630
| 1969 |
| Ld A 7631
| 1969 |
| Ld A 7635
| 4 giugno 1969 |
| Ld A 7636
| 1969 |
| Ld A 7644
| 1969 |
| Ld A 7645
| 1969 | Jimmy |
| Ld A 7646
| 1969 |
| Ld A 7651
| 1969 |
| Ld A 7656
| 1969 |
| Ld A 7657
| 1969 |
| Ld A 7658
| 1969 |
| Ld A 7659
| 1969 | Fabienne |
=== 70s ===
| class="wikitable" style="width:100%;margin:auto;clear:both;" |
| bgcolor="#EFEFEF"
! Catalogue No. ! Year ! Performer ! Title |
| Ld A 7668
| 1970 |
| Ld A 7671
| 1970 |
| Ld A 7678
| 1970 |
| Ld A 7685
| 1970 |
| Ld A 7688
| 1970 |
| Ld A 7694
| 1971 |
| Ld A 7701
| 1971 |
| Ld A 7704
| 1971 |
| Ld A 7708
| 1971 |
| Ld A 7709
| 1971 |
| Ld A 7710
| 1971 |
| Ld A 7712
| 4 marzo 1971 | Coccodì coccodà (il gallo è morto)/Socialista che va a Roma |
| Ld A 7714
| 1971 |
| Ld A 7717
| 1971 |
| Ld A 7719
| 1971 |
| Ld A 7732
| 1971 |
| Ld A 7735
| 1971 |
| Ld A 7743
| 1971 |
| Ld A 7749
| 1972 |
| Ld A 7754
| 1972 |
| Ld A 7756
| 1972 | Franco I |
| Ld A 7757
| 1972 |
| Ld A 7763
| 1972 | Fojetta |
| Ld A 7779
| 1972 |
| Ld A 7781
| 1972 |
| Ld A 7798
| 1973 |
| Ld A 7820
| 1973 |
| Ld A 7826
| 1973 |
| Ld A 7846
| 1974 |
| Ld A 7860
| 1974 |
| Ld A 7873
| 1974 |
| Ld A 7879
| 1975 |
| Ld A 7882
| 1975 |
| Ld A 7892
| 1975 |
| Ld A 7896
| 1975 |
| Ld A 7898
| 1975 |
| Ld A 7901
| 1975 |
| Ld A 7911
| 1976 |
| Ld A 7913
| 1976 |
| Ld A 7914
| 1976 |
| Ld A 7921
| 1976 |
| Ld A 7932
| 1976 | Neapolis |
| Ld A 7936
| 1976 |
| Ld A 7938
| 1976 |
| Ld A 7946
| 1976 |
| Ld A 7950
| 1976 |
| Ld A 7958
| 1977 |
| Ld Al 7965
| 1977 |
| Ld Al 7970
| 1977 |
| Ld A 7981
| 1977 |
| Ld AI 7986
| 1977 | Cristine Renà | Elvis/Senso |
| Ld A 7990
| 1977 |
| Ld A 7995
| 1977 | Tony Cucchiara (sul lato A) / Orchestra Cicci Santucci (sul lato B) |
| Ld A 8001
| 14 aprile 1978 |
| Ld A 8009
| 1978 |
| Ld A 8015
| 1978 |
| Ld Al 8018
| 1978 |
| Ld Al 8029
| 1978 |
| Ld A 8034
| 1979 |
| Ld A 8039
| 1979 |
| Ld A 8040
| 1979 | Idea 2 |
| Ld Al 8044
| 1979 |
=== 80s ===
| class="wikitable" style="width:100%;margin:auto;clear:both;" |
| bgcolor="#EFEFEF"
! Catalogue No. ! Year ! Performer ! Title |
| Ld A 8061
| 1980 |
| Ld A 8062
| 1980 |
| Ld A 8066
| 1980 | Idea 2 |
| Ld Al 8072
| 1979 |
| Ld A 8073
| 1979 |
| Ld A 8076
| 1980 |
| Ld A 8083
| 1980 |
| Ld A 8084
| 1980 |
| Ld AI 8097
| 1980 | Roberto Fabiani | Mi mancherà/Viaggio |
| Ld Al 8101
| 1981 |
| Ld A 8115
| 1981 | Gena Gas |
| Ld A 8119
| 1981 |
| Ld Al 8120
| 1981 |
| Ld A 8124
| 1981 |
| Ld A 8125
| 1981 | Non sparate sulla luna/Non dico che morirei ma è meglio quando ci sei |
| Ld Al 8129
| 1981 | Maeva |
| Ld AI 8138
| 1982 |
| Ld AI 8139
| 1982 |
| Ld AI 8148
| 1982 | Corrado |
| Ld Al 8152
| 1981 | Maeva |
| Ld A 8157
| 1982 |
| Ld A 8158
| 1982 |
| Ld A 8190
| 1984 |
| Ld Al 8201
| 1984 |
| Ld Al 8209
| 1985 |
| Ld Al 8214
| 1986 |
| Ld Al 8215
| 1986 | Bombolo |
| Ld A 8224
| 1987 |
| Ld A 8227
| 1987 | Simon Luca con Alessandro Andrei, Franco Arese, Livio Berruti, Gelindo Bordin, Alberto Cova, Maurizio Damilano, Gabriella Dorio, Stefano Mei, Venanzio Ortis e Sara Simeoni |
== Circus - Catalogazione CN A ==
The Circus was a small label distributed by Durium; it was then acquired by the parent company, which continued to publish 45 rpms using the same catalogue number.
| class="wikitable" style="width:100%;margin:auto;clear:both;" |
| bgcolor="#EFEFEF"
! Catalogue No. ! Year ! Performer ! Title |
| CN A 9001
| 1961 |
| CN A 9002
| 1961 |
| CN A 9003
| 1961 |
| CN M 9006
| 1961 |
| CN A 9011
| 1961 |
| CN A 9015
| 1961 |
| CN A 9019
| 1961 | Johnny Mondo con l'orchestra di Edoardo Lucchina |
| CN A 9020
| 1961 | Tania Raggi (lato A)/Daniela Dani (lato B) |
| CN A 9024
| 1961 | Marisa Terzi (sul lato A)/Anna Ranalli (sul lato B) |
| CN A 9026
| 1961 |
| CN A 9036
| 1961 |
| CN A 9037
| 1961 |
| CN A 9038
| 1961 |
| CN A 9045
| 1962 |
| CN A 9048
| 1962 |
| CN A 9052
| 1962 | I Peos |
| CN A 9053
| 1962 | Jo Garsò |
| CN A 9055
| 1962 | Jo Garsò |
| CN A 9057
| 1962 | I Peos |
| CN A 9058
| 1962 |
| CN A 9060
| 1963 | Rodolfo con il complesso di Marcello Minerbi |
| CN A 9061
| 1963 | Angelino con il complesso di Franco Cassano |
| CN A 9063
| 1963 | I Peos |
| CN A 9068
| 1963 | Enrico Ciacci and his guitar |
| CN A 9072
| 1963 |
| CN A 9074
| 1963 |
| CN A 9075
| 1963 |
| CN A 9076
| 1963 | I Peos |
| CN A 9080
| 1963 |
| CN A 9082
| 1963 |
| CN A 9083
| 1963 |
| CN A 9084
| 1963 |
| CN A 9085
| 8 ottobre 1963 |
| CN A 9088
| 1963 |
| CN A 9090
| 1963 |
| CN A 9094
| 1963 |
| CN A 9095
| 10 dicembre 1963 |
| CN A 9108
| 16 marzo 1964 |
| CN A 9112
| 9 aprile 1964 |
| CN A 9113
| 1964 |
| CN A 9117
| 1964 |
| CN A 9121
| 1964 |
| CN A 9128
| 1964 |
| CN A 9134
| 1964 |
| CN A 9137
| 1964 |
| CN A 9141
| 16 dicembre 1964 |
| CN A 9142
| 1964 |
| CN A 9144
| 1965 |
| CN A 9146
| 1965 |
| CN A 9147
| 1965 |
| CN A 9150
| 12 febbraio 1965 |
| CN A 9151
| 1965 |
| CN A 9152
| 1965 |
| CN A 9163
| 1965 |
| CN A 9167
| 1965 |
| CN A 9175
| 1965 |
| CN A 9183
| 1966 |
| CN A 9187
| 1966 | I Kings |
| CN A 9189
| 1966 |
| CN A 9191
| 1966 |
| CN A 9192
| 1966 |
| CN A 9196
| 1966 |
| CN A 9199
| 1966 |
| CN A 9201
| 1966 |
| CN A 9202
| 1966 | Le Snobs | Lettera bruciata (A lover's concerto)/Dicci come finì (Peaches'n cream) |
| CN A 9204
| 1966 |
| CN A 9207
| 1966 |
| CN A 9213
| 1967 |
| CN A 9216
| 1967 |
| CN A 9217
| 1967 |
| CN A 9218
| 1967 |
| CN A 9220
| 1967 |
| CN A 9224
| 1967 | I Kings |
| CN A 9225
| 1967 |
| CN A 9226
| 1967 |
| CN A 9229
| 1967 |
| CN A 9236
| 1967 |
| CN A 9245
| 1967 |
| CN A 9246
| 1967 |
| CN A 9249
| 1967 | Wess & The Airedales |
| CN A 9252
| 1967 |
| CN A 9259
| 1967 | Wess & The Airedales |
| CN A 9260
| 1967 |
| CN A 9267
| 1967 |
| CN A 9268
| 1968 |
| CN A 9271
| 1968 |
| CN A 9273
| 1968 | Virginia |
| CN A 9274
| 1968 |
| CN A 9276
| 1968 |
| CN A 9278
| 1968 |
| CN A 9279
| 1968 |
| CN A 9280
| 1968 |
| CN A 9281
| 1968 | Wess & The Airedales |
| CN A 9282
| 1968 | Paolo & I Crazy Boys |
| CN A 9283
| 1968 |
| CN A 9291
| 1968 |
| CN A 9293
| 1968 |
| CN A 9296
| 1969 |
| CN A 9298
| 1969 | Paolo & I Crazy Boys |
| CN A 9301
| 1969 | Wess & The Airedales |
| CN A 9305
| 1969 |
| CN A 9306
| 1969 |
| CN A 9309
| 1969 |
| CN A 9310
| 1969 | {{ill|Lillian (singer)|lt=Lillian|it|Lillian}} |
| CN A 9311
| 1969 |
| CN A 9312
| 1969 |
| CN A 9313
| 1969 | Wess & The Airedales |
| CN A 9314
| 1969 |
| CN A 9316
| 1969 | Lillian |
| CN A 9318
| 1970 |
| CN A 9319
| 1970 | Wess & The Airedales |
| CN A 9321
| 1970 | Wess & The Airedales |
| CN A 9323
| 1970 | Lillian |
| CN A 9324
| 1970 |
| CN A 9327
| 1970 | Wess & The Airedales |
| CN A 9328
| 1970 | Wess & The Airedales |
| CN A 9331
| 1972 | Wess e Dori Ghezzi / Wess & The Airedales |
| CN A 9332
| 1972 | Wess & The Airedales |
| CN A 9333
| 1973 | Wess |
| CN A 9334
| 1973 | Wess |
| CN A 9335
| 1973 | Wess e Dori Ghezzi |
| CN A 9336
| 1974 | Wess e Dori Ghezzi |
| CN A 9337
| 1974 | Wess |
| CN A 9338
| 1975 | Wess e Dori Ghezzi |
| CN A 9339
| 14 marzo 1975 | Wess e Dori Ghezzi |
| CN A 9340
| 1975 | Wess e Dori Ghezzi |
| CN A 9342
| 1975 | Wess |
| CN A 9343
| 1976 | Wess e Dori Ghezzi | Come stai, con chi sei/Più ti voglio bene, più te ne vorrei |
| CN A 9344
| 1976 | Wess e Dori Ghezzi |
| CN A 9345
| 1977 | Wess |
| CN AI 9350
| 1979 | Wess |
= EP - Dischi Circus =
| class="wikitable" style="width:100%;margin:auto;clear:both;" |
| bgcolor="#EFEFEF"
! Catalogue No. ! Year ! Performer ! Title |
| CEX A 303
| 1961 | Quintetto Andrea Tosi |
= 45 rpm - Durium Marche Estere =
The Durium Marche Estere was a sub-label of the parent company, which in theory would have had to print disks of foreign origin, although in reality this did not always happen: in some cases it printed discs of songs of soundtracks.
The numbering, however, was preceded by the prefix DE, while in the label (which was different from the durium standard, as it had a large "d" corresponding to the disc hole) there was the writing Durium Marche Estere.
| class="wikitable" style="width:100%;margin:auto;clear:both;" |
| bgcolor="#EFEFEF"
! Catalogue No. ! Year ! Performer ! Title |
| DE 2453
| 1962 |
| DE 2459
| 1962 |
| DE 2490
| 1963 |
| DE 2502
| 27 giugno 1963 | Mort Garson and His Orchestra |
| DE 2538
| 1963 |
| DE 2578
| 1964 |
| DE 2594
| 1964 |
| DE 2663
| 1966 |
| DE 2753
| 1971 | Malaika |
| DE 2806
| 1973 | Gino |
| DE 2997
| 1978 |
| DE 3003
| 1978 | Gilla |
| DE 3196
| 1982 |
= 33 rpm - Dischi Adventure =
The Durium distributed (and later took over) also Roman label, Discs Adventure, specializing in launching new artists and publishing of jazz albums. The letter A of the 45 rpm is found in some issues detached from the two letters AV, and in others attached.
| class="wikitable" style="width:100%;margin:auto;clear:both;" |
| bgcolor="#EFEFEF"
! Catalogue No. ! Year ! Performer ! Title |
| AV LP 300/001
| 1960 |
= EP - Dischi Adventure =
| class="wikitable" style="width:100%;margin:auto;clear:both;" |
| bgcolor="#EFEFEF"
! Catalogue No. ! Year ! Performer ! Title |
| E 131
| 1961 |
= 45 rpm - Dischi Adventure =
| class="wikitable" style="width:100%;margin:auto;clear:both;" |
| bgcolor="#EFEFEF"
! Catalogue No. ! Year ! Performer ! Title |
| AV A 1117
| 1959 |
| AV NS 1123
| 1960 |
| AV NS 1130
| 1960 |
| AV NS 1132
| 1960 | Stornelli tradizionali (parte 1)/Stornelli tradizionali (parte 2) |
| AV N 1135
| 1960 |
| AV A 1179
| 1961 |
= 33 rpm - Royal series =
As mentioned before, the Royal (whose headquarters was in Via Indipendenza 32 in Naples) was specialized in the launch of new artists, and was shortly after incorporated into the parent company: for this reason the first issues have only the writing Royal, then replaced from Durium - Royal Series, while the numbering of the catalogue continues sequentially and continues with the Royal series. The letter A is found in some issues detached from the two letters QC, and in others attached.
| class="wikitable" style="width:100%;margin:auto;clear:both;" |
| bgcolor="#EFEFEF"
! Catalogue No. ! Year ! Performer ! Title |
| msr M 300/004
| 1961 |
| msr M 300/005
| 1962 | Vinicio |
| msr M 300/006
| 1963 |
| msr M 300/009
| 1963 |
| msr M 300/011
| 1964 | Vinicio |
| msr M 300/012
| 1965 | Vinicio |
| msr M 300/013
| 1965 |
| msr M 300/014
| 1966 |
| msr A 300/014
| 1965 | Arrangiamenti di Marcello Minerbi |
| msr A 300/015
| 1966 |
| msr A 300/016
| 1966 |
| msr M 300/017
| 1966 | Vinicio |
= 45 rpm - Royal series=
| class="wikitable" style="width:100%;margin:auto;clear:both;" |
| bgcolor="#EFEFEF"
! Catalogue No. ! Year ! Performer ! Title |
| QC N 1017
| 1959 |
| QC M 1031
| 1959 | Vinicio |
| QC N 1036
| 1959 |
| QC N 1037
| 1959 |
| QC N 1038
| 1959 |
| QC N 1041
| 1959 |
| QC N 1042
| 1959 |
| QC A 1043
| 1959 | Vinicio |
| QC A 1045
| 1959 |
| QC A 1065
| 1959 |
| QC A 1066
| 1959 |
| QC A 1067
| 1959 |
| QC A 1068
| 1959 |
| QC A 1070
| 1959 |
| QC A 1071
| 1959 |
| QC A 1089
| 1960 |
| QC A 1090
| 1960 |
| QC A 1092
| 1960 |
| QC A 1098
| 1960 |
| QC A 1099
| 1960 |
| QC N 1106
| 1960 |
| QC N 1107
| 1960 |
| QC N 1112
| 1960 |
| QC N 1125
| 1960 |
| QC A 1144
| 1960 |
| QC A 1145
| 1960 |
| QC A 1148
| 1960 |
| QC M 1186
| 1960 |
| QC A 1192
| 1961 |
| QC A 1193
| 1961 |
| QC A 1196
| 1961 |
| QC A 1202
| 1961 | Luisito |
| QC A 1207
| 1961 |
| QC A 1208
| 1961 |
| QC A 1209
| 1961 |
| QC A 1217
| 1961 |
| QC A 1218
| 1961 |
| QC A 1219
| 1961 |
| QC A 1222
| 1961 | Vinicio |
| QC A 1225
| 1962 |
| QC A 1226
| 1962 |
| QC A 1236
| 1962 |
| QC A 1238
| 1962 |
| QC A 1240
| 1962 | Vinicio |
| QC A 1241
| 1962 | Vinicio |
| QC A 1242
| 1962 | Vinicio |
| QC A 1243
| 1962 | Vinicio |
| QC A 1244
| 1962 | Vinicio |
| QC A 1252
| 1962 |
| QC A 1253
| 1962 | Vinicio |
| QC A 1254
| 1962 | Vinicio |
| QC A 1255
| 1962 | Vinicio |
| QC A 1259
| 1963 |
| QC A 1266
| 1963 |
| QC A 1267
| 1963 |
| QC A 1268
| 1963 |
| QC A 1269
| 1963 |
| QC A 1275
| 1963 | Vinicio |
| QC A 1276
| 1963 |
| QC A 1277
| 1963 |
| QC A 1278
| 1963 |
| QC A 1282
| 1963 | Vinicio |
| QC A 1285
| 1963 |
| QC A 1286
| 1963 |
| QC A 1287
| 1963 | Vinicio |
| QC A 1290
| 1963 |
| QC A 1293
| 1963 |
| QC A 1294
| 1963 |
| QC A 1295
| 1963 |
| QC A 1298
| 1963 |
| QC A 1299
| 1963 |
| QC A 1300
| 1963 |
| QC M 1301
| 1963 |
| QC A 1303
| 1963 |
| QC A 1305
| 1963 |
| QC A 1310
| 1963 |
| QC A 1313
| 1964 |
| QC A 1316
| 1964 |
| QC A 1319
| 1964 |
| QC A 1325
| 1964 |
| QC A 1326
| 1964 |
| QC A 1328
| 1964 |
| QC A 1329
| 1964 |
| QC A 1330
| 1964 |
| QC A 1331
| 1964 |
| QC A 1336
| 1965 |
| QC M 1337
| 1965 | Vinicio |
| QC A 1338
| 1965 |
| QC A 1339
| 1965 |
| QC A 1340
| 1965 |
| QC M 1342
| 1965 |
| QC A 1343
| 1965 |
| QC A 1344
| 1965 |
| QC A 1345
| 1965 |
| QC A 1346
| 1965 |
| QC A 1347
| 1965 |
| QC A 1351
| 1965 |
| QC A 1352
| 1965 |
| QC A 1353
| 1965 |
| QC A 1354
| 1965 |
| QC A 1356
| 1966 |
| QC A 1361
| 1966 |
| QC A 1362
| 1966 |
| QC A 1363
| 1966 |
| QC A 1364
| 1966 |
| QC A 1365
| 1966 |
| QC A 1366
| 1966 |
| QC A 1367
| 1966 |
| QC A 1368
| 1966 |
| QC A 1369
| 1966 |
| QC A 1370
| 1966 |
| QC A 1371
| 1966 |
| QC A 1372
| 1966 |
| QC A 1375
| 1966 |
| QC A 1376
| 1966 |
| QC A 1378
| 1966 |
| QC A 1382
| 1967 |
| QC A 1384
| 1967 |
| QC A 1388
| 1968 |
| QC A 1389
| 1968 |
| QC A 1395
| 1967 |
| QC A 1379
| 1967 |
| QC A 1383
| 1967 |
| QC A 1385
| 1968 |
| QC A 1386
| 1968 |
| QC A 1393
| 1968 |
| QC A 1394
| 1969 |
| QC A 1396
| 1969 |
| QC A 1397
| 1969 |
| QC L 1398
| 1969 |
| QC A 1399
| 1969 |
| QC A 1401
| 1970 |
= EP =
= 45 rpm - Promo Juke-Box =
| class="wikitable" style="width:100%;margin:auto;clear:both;" |
| bgcolor="#EFEFEF"
! Catalogue No. ! Year ! Performer ! Title |
| LD A 7504
| 1967 |
| LD A 7513
| 1967 |
See also
{{Portal|music}}
Notes
Bibliography
- The data concerning the recording of the house were taken from phonographic supports issued and stored (like all those published in Italy) at the Discoteca di Stato in Rome.
- Various issues of magazines Music and discs (vintages from 1959 onwards), Il Musichiere (vintages 1959–1960), TV Sorrisi e Canzoni (vintages from 1959 onwards), Ciao 2001, Here youngsters, Big, Music, and many other magazines of musical argument.
- Mario De Luigi, The record industry in Italy, Side Side editions, Rome, 1982
- Mario De Luigi, History of the phonographic industry in Italy, Music and Dischi editions, Milan, 2008
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