Eclipse Comics

{{Infobox publisher

| name = Eclipse Comics

| image = EclipseComicsLogo.png

| publications = Comics
Graphic novels
Trading cards

| founded = 1977

| defunct = 1994
(intellectual property acquired by Todd McFarlane in 1996)

| founders = Dean Mullaney
Jan Mullaney

| keypeople = Catherine Yronwode
Fred Burke
Letita Glozer
Beau Smith

| headquarters = Staten Island, New York, then Columbia, Missouri, then Guerneville, California, then Forestville, California

| imprints = Independent Comics Group
4Winds Creative Group
Eclipse International

| url =

}}

Eclipse Comics was an American comic book publisher, one of several independent publishers during the 1980s and early 1990s. In 1978, it published the first graphic novel intended for the newly created comic book specialty store market. It was one of the first to offer royalties and creator ownership of rights.

Creators whose early work appears in Eclipse publications included Scott McCloud, Timothy Truman, Dan Brereton, James Hudnall and Chris Ware, while the publisher also produced creator-owned work by Don McGregor, Mark Evanier, Gene Colan, Alan Moore, Steve Englehart, Steve Gerber and P. Craig Russell.

History

=Foundation=

The company was founded as Eclipse Enterprises by brothers Jan and Dean Mullaney – the sons of early electronica musician Dave Mullaney of the band Hot Butter – in April 1977.{{cite news|last1=Mullaney|first1=Jan|first2=Dean|last2=Mullaney|author-link2=Dean Mullaney|title= A Word from the Publisher | work= Sabre: Slow Fade of an Endangered Species| publisher=Eclipse Enterprises|date=August 1978}}{{cite news|first=Don|last=McGregor|title=Afterword|work= Sabre: Slow Fade of an Endangered Species| publisher=Eclipse Enterprises|date=August 1978}} Dean Mullaney later claimed that he was inspired to create the company after learning of Jerry Siegel and Joe Shuster's struggles to gain recognition for creating Superman in 1968, and that this led him to create a company with an ethos that respected creator ownership and royalty payments over the then-standard industry practice of work-for-hire. Jan Mullaney, a session keyboardist who had toured with the Bee Gees and Bad Company, put up the $2000 starting money.{{cite magazine|date=June 1, 1988|title=Enlarging the Penumbra|author=Bob Hughes|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=142}}

The name was thought up by Sue Pollina, a friend of the Mullaneys, while the company's first logo was designed by Mark Gruenwald.{{cite comic|title=Total Eclipse|issue=#1|date=May 1988|story=Ten Years After!|writer=Mullaney, Dean|publisher=Eclipse Comics}} The company was initially headquartered at 81 Delaware Street, Staten Island, New York.{{cite web|url=https://uspto.report/TM/73634204|website=USPTO Report|title=Eclipse Comics}}

==Early graphic novels==

Eclipse published one of the first original graphic novels, and the first to be sold through the new "direct market" of comic-book stores,{{cite web|url=http://www.milehighcomics.com/interviews/donmcgregor.html |archive-url=https://web.archive.org/web/20110716194521/http://www.milehighcomics.com/interviews/donmcgregor.html |archive-date=July 16, 2011 |year=2001 |title=Interview with Don McGregor |first=Bob |last=Gough |publisher=MileHighComics.com |access-date=September 13, 2011 |url-status=dead }} Sabre: Slow Fade of an Endangered Species by Don McGregor and Paul Gulacy. Published on 30 September 1978 and previewed in Heavy Metal, the book was a success. This led to the Mullaneys being contacted by P. Craig Russell, McGregor's collaborator on Marvel Comics' Amazing Adventures. Eclipse published Russell's experimental Night Music 1 in November 1979, by which time the company had also released a compilation of Fred Hembeck's parody Dateline: @!!?# strips from The Buyer's Guide to Comics Fandom. Russell later created comic adaptations of numerous operas for Eclipse.{{cite news| url = https://www.nytimes.com/1990/04/05/arts/conan-in-comics-yes-hulk-sure-but-fafner-wotan.html |title=Conan in Comics? Yes. Hulk? Sure. But Fafner? Wotan?|first=John |last=Rockwell|work= The New York Times |date= April 5, 1990 | archive-date= April 28, 2015 | archive-url = https://web.archive.org/web/20150428221757/http://www.nytimes.com/1990/04/05/arts/conan-in-comics-yes-hulk-sure-but-fafner-wotan.html | url-status=live}} A more sophisticated logo was also commissioned from Tom Orzechowski; it remained the company's insignia for the rest of its existence, minor alterations aside. The profits earned to date were used to fund publication of McGregor's Detectives, Inc.: A Remembrance of Threatening Green (with artist Marshall Rogers) and Steve Gerber's Stewart the Rat. In 1980, Mullaney moonlighted as co-editor of the brand-new hobbyist publication Comics Feature, produced by Hal Schuster's New Media Publishing, but left after a year to focus on Eclipse.{{cite web |editor-last1=Bails |editor-first1=Jerry |editor-first2=Hames |editor-last2=Ware |url=http://www.bailsprojects.com/bio.aspx?Name=MULLANEY%2c+DEAN|title=Dean Mullaney|work=Who's Who of American Comic Books 1928-1999 |archive-url= https://web.archive.org/web/20070511125517/http://www.bailsprojects.com/(S(4fltw0ymnr4dmf45dkrq1eao))/bio.aspx?Name=MULLANEY%2c+DEAN |archive-date=May 11, 2007 |url-status=live |access-date=November 25, 2020 }}

==Ongoing titles==

Not wanting to limit the company to graphic novels alone, the brothers devised Eclipse, the Magazine, a 68-page bi-monthly black-and-white anthology title with a rotating group of creator-owned characters. The first issue, dated May 1981, introduced the hard-boiled female detective Ms. Tree by Max Allan Collins and Steve Ditko's Static. The title later introduced Steve Englehart's Coyote, Trina Robbins' adaptation of Sax Rohmer's Dope, McGregor and Colan's Ragamuffins (which Mullaney later described as "perhaps the finest thing we ever published") and B.C. Boyer's Masked Man. October 1981 saw the publication of Jim Starlin's Dreadstar graphic novel The Price when the writer-artist was having contractual issues with Marvel. The success of the volume enabled Starlin to leverage a better deal with Marvel, and led to the creation of Marvel's Epic Comics imprint in 1982. Dean Mullaney later claimed Epic's name was purposefully picked to cause confusion with Eclipse. Another disgruntled Marvel creator to work for Eclipse was Gerber; Eclipse commissioned his Destroyer Duck series. Another anthology, it was partly motivated to allow Gerber to raise funds to sue Marvel over the ownership of Howard the Duck. The first issue of Destroyer Duck sold 80,000 copies and proved to the Mullaneys that colour ongoing comics were viable; a Saber series started in 1982 and ran for 14 issues.

In December 1981 production of Destroyer Duck introduced Dean Mullaney to Cat Yronwode, then news reporter for Comics Buyer's Guide.{{cite comic|title=Total Eclipse|issue=#2|date=August 1988|story=Kingston, Youngstown, San Bernandino?|writer=Mullaney, Dean|publisher=Eclipse Comics}} At the time, Yronwode was working as an archivist for Will Eisner. Yronwode recalled that Eisner and his wife Ann "hosted a party for me with all these comic book men I was flirting with. All these men came up; they all wanted to meet Will. One of them was Dean Mullaney, the co-owner of Eclipse Comics, a small independent publishing house. He was the most flirtatious."{{cite book|first=Bob|last=Andelman|title=Will Eisner: A Spirited Life|publisher=M Press|location=Milwaukie, Oregon|year=2005|isbn=1-59582-011-6|page=[https://archive.org/details/willeisner00boba/page/220 220]|url-access=registration|url=https://archive.org/details/willeisner00boba/page/220}} The pair began a personal and professional relationship, though the former aspect was initially kept private. Yronwode rapidly became Eclipse's de facto editor-in-chief.{{cite magazine|date=May 15, 1988|title=Cat Yronwode - Editor in Chief|author=Heidi MacDonald|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=141}}

=Expansion=

File:Cat Yronwode and Dean Mullaney (1117251059).jpg

While Jan Mullaney remained based in New York to handle the economic side of the business, Dean Mullaney focused on the role of publisher and Yronwode that of editor-in-chief for Eclipse's growing number of titles, and the pair briefly relocated to Columbia, Missouri. After meeting Mark Evanier and Will Meugniot Eclipse published their first superhero regular series, The DNAgents. It was joined by Eclipse Monthly, a colour successor to Eclipse, the Magazine that continued Static, Dope and Masked Man as well as introducing further characters. Ms. Tree was spun off into its own title, while Yronwode rediscovered Will Eisner's lost 1948 story John Law, which was published for the first time.{{cite web |last1=Markstein |first1=Don |website=Don Markstein's Toonopedia|url=http://www.toonopedia.com/johnlaw.htm |title=John Law}} After the stopover in Missouri, Dean Mullaney and Yronwode established Eclipse's main offices in the small town of Guerneville in July 1983.{{cite comic|title=Total Eclipse|issue=#3|date=November 1988|story=In Chicago Even Beans Do It!|writer=Mullaney, Dean|publisher=Eclipse Comics}} In October 1984 Jan Mullaney opted to discontinue his involvement in order to focus on his music career, leaving his brother as sole publisher and Yronwode officially promoted to editor-in-chief. Eclipse's advertising copy flagged their stance on creator ownership,{{cite magazine|date=January 1, 1985|title=This guy is totally bored with comics! (advertisement)|magazine=Amazing Heroes|publisher=Redbeard, Inc|number=62/1985 Preview Issue}} the maturity of the material{{cite magazine|date=March 1, 1985|title=I grew up! (advertisement)|magazine=Amazing Heroes|publisher=Redbeard, Inc|number=66}} and the individuality of the output{{cite magazine|date=March 15, 1985|title=The Eclipse Formula (advertisement)|magazine=Amazing Heroes|publisher=Fantagraphics|number=67}}

Increased output included Scott McCloud's Zot! (which the writer-artist originally submitted through the mail) and Doug Moench's Aztec Ace. Yronwode effectively became the face of the company, continuing to write her influential Fit to Print comic in Comics Buyer's Guide and from late 1984 penning the Penumbra column printed in most Eclipse titles; it had previously been named Notes from Surf City in reference to the 1963 Jan and Dean song, an in-joke between the similarly named Mullaney brothers. During this time her name was professionally rendered as "cat ⊕ yronwode" in CBG and Eclipse material, though other publishers were less exhaustive. The comic market experienced a downturn in 1984 due to a crowded market but Eclipse were successful enough to weather it; when rival Pacific Comics folded, Mullaney was able to arrange purchasing their titles. This included Dave Stevens' The Rocketeer, Mr. Monster and Somerset Holmes, as well as a recently signed deal for the American rights to Quality Communications' acclaimed British anthology Warrior. They also set up the Independent Comics Group to publish two issues of the anthology Twisted Tales, while Fred Burke also joined the company in 1984. Burke subsequently edited and wrote numerous titles for Eclipse.{{cite comic|title=Total Eclipse|issue=#4|date=January 1989|story=California, Here I Come!|writer=Mullaney, Dean|publisher=Eclipse Comics}}

The inherited deal with Quality was fortuitously timed; Alan Moore had recently taken over writing Saga of the Swamp Thing for DC Comics, triggering the so-called British invasion. The Warrior deal brought in Axel Pressbutton and The Spiral Path, which were coloured by Eclipse and printed in limited series, as well as taking over Peter Milligan's Strange Days anthology, starring Johnny Nemo. The deal also included the acclaimed revival of Marvelman written by Moore, though legal issues – resulting in the book being retitled Miracleman – had to be resolved before Eclipse could run the title.{{cite book|last=Sergi |first=Joe |title=The Law for Comic Book Creators |publisher=McFarland, Incorporated, Publishers| date=2015 |isbn=9780786473601}} Miracleman was originally one of three 75¢ books launched by Eclipse (along with The New Wave and the new-material Laser Eraser and Pressbutton) as part of a short-lived deal with a Finnish printer at the time they were the cheapest direct market full colour comics ever made. However, the results of the printing were severely lacking and the price soon became unviable, with Eclipse reverting the books to their standard 95¢ bracket after the initial printing contract expired. After the Warrior material ran out Moore continued the series at Eclipse. Other new additions around this time were Timothy Truman's Scout, Larry Marder's Tales of the Beanworld and Adolescent Radioactive Black Belt Hamsters, Don Chin's spoof of the already-parodic Teenage Mutant Ninja Turtles, while Russell continued his adaptations with comic versions of the operas Salome and Pelleas and Melisandre under the Night Music banner. Eclipse also produced a series of Murray Ward's indexes to various DC titles, continuing from his deal with Pacific; to avoid the complication of Eclipse's logo appearing on books featuring another publisher's intellectual property, these were published via a sub-label named the Independent Comic Group.

Eclipse attempted to innovate with new publishing models for comics. Among these were so-called "micro-series", limited series of two bi-weekly or even weekly issues; a line of 3-D stereoscopy books in collaboration with Ray Zone (including the official adaptation of Disney Michael Jackson vehicle Captain EO){{cite magazine|date=February 1, 1989|title=An Index to 3-D Comics|author=Valentino|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=158}} and – later – flexi disc records containing theme songs for titles. By this point, Eclipse was selling around half a million comics a month, and was the third largest comics publisher after Marvel Comics and DC Comics.{{cite book| title=Overstreet Comic Book Marketplace Yearbook 2015-2016| first=Robert M. | last= Overstreet| author-link=Robert Overstreet| publisher= Gemstone Publishing |year=2015| isbn= 978-1603601801|page= 77}}

==Flooding==

Eclipse suffered a major setback on February 14, 1986, when the Russian River flooded after heavy rainfall. Eclipse's offices were swamped; the water reached the second floor of their building, as well as Mullaney and Yronwode's homes. Mullaney recalled that Yronwode had to be rescued from her office by a Red Cross canoe; while he was able to save much of the original artwork in the offices by moving it up to the third floor{{cite magazine|date=March 1, 1986|title=Newsflashes|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=90}} It destroyed the company's inventory of back issues, as well as colour separations for planned reprints of Zot! and Yronwode's notes for a non-fiction book about Steve Ditko.{{cite magazine|date=August 15, 1988|title=Top of the News (advertisement)|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=147}} The subject was covered in Fit to Print and Penumbra columns.{{Cite web |url=http://www.luckymojo.com/vishantiprolepsis.html |title=The Lesser Book of the Vishanti: A Companion to the Dr. Strange Comic Books |last1=Yronwode |first1=Catherine |last2=Nagasiva |first2=Nagasiva |year=2002 |publisher=LuckyMojo.com |access-date=September 28, 2010 |archive-url=https://archive.today/20120913190726/http://www.luckymojo.com/vishantiprolepsis.html |archive-date=September 13, 2012 |url-status=live }} The events were alluded to in a tongue-in-cheek framing sequence Yronwode wrote for Miracleman #8.{{Cite comic|writer=Yronwode|artist=Beckum, Chuck|story=(untitled framing sequence)|title=Miracleman|issue=#8|date=June 1986| publisher=Eclipse Comics}} The damage caused was estimated at $200,000.{{cite magazine|date=July 15, 1986|title=New Eclipse Universe|author=John Lustig|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=99}}

Despite the material and financial losses, in July 1986 the company launched its first regular bi-weekly title, Airboy. A revival of a defunct Golden Age aviator hero originally published by Hillman Periodicals between 1942 and 1953, the series was written by the prolific Chuck Dixon. The title initially had another unusual format, being a 16-page 50¢ full-colour title initially. While this was eventually dropped, Airboy was a critical and commercial success for Eclipse, and several spin-off titles followed. Superhero series The New Wave also launched using the bi-weekly model before becoming a standard monthly.{{cite magazine|date=September 1, 1986|title=Newsline|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=103}} To deal with the increasing output both Burke and Letita Glozer (Yronwode's half-sister) were added to the full-time editorial staff, while Beau Smith joined as Sales Manager.{{cite comic|title=Total Eclipse|issue=#5|date=April 1989|story=Ten Years Later|writer=Mullaney, Dean|publisher=Eclipse Comics}}

To avoid further flooding the company also relocated to Forestville in Sonoma County, California.{{cite magazine|date=May 1, 1987|title=Top of the News (advertisement)|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=116}} In July 1987, Yronwode used her Fit to Print column to announce her forthcoming marriage to Dean Mullaney, set to take place on August 15 in Forestville; readers were encouraged to write in to receive invitations.{{cite magazine|date=July 1, 1987|title=Top of the News (advertisement)|magazine=*Amazing Heroes|publisher=Fantagraphics Books|number=120}}

= Political comics and trading cards =

In the period 1987–1993, Eclipse became involved with a selection of comics and trading cards on real-world political topics. The early political comics were the results of partnerships with activist groups like Central Committee for Conscientious Objectors, Citizen Soldier, and the Christic Institute.

In 1987, the company published the antiwar comic Real War Stories #1, edited by Joyce Brabner, with work by Mike W. Barr, Steve Bissette, Brian Bolland, Paul Mavrides, Dean Motter, Denny O'Neil and John Totleben (among others).{{cite magazine|title=Being All They Can Be|first=Rich |last=Kreiner|pages= 57-61 |work= The Comics Journal |number=128 |date=Apr 1989}}{{cite magazine|title='Real War Stories' 'Felipe' Believed Captured by Salvadoran Military |pages=14-15 |work= The Comics Journal |number=129 |date=May 1989}} In 1991, Eclipse published Real War Stories #2, the final issue of the series.{{cite web|title=1987: Real War Stories|work=Total Eclipse|date=June 16, 2018|url=https://totaleclipse.blog/2018/06/16/1987-real-war-stories/}}

In 1988 Eclipse had become the first comics company to produce trading cards with the Iran-Contra Scandal Trading Cards, with text written by Paul Brancato and featuring art by Salim Yaqub.{{cite magazine|date=February 15, 1989|title=Top of the News (advertisement)|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=159}}

In 1989, Eclipse co-published (with Warner Books) the graphic novel flip book Brought to Light.{{Cite web |url=http://www.digitalspy.com/comics/news/a342277/brought-to-light-digitally-remastered.html |title='Brought to Light' digitally remastered |last=Armitage |first=Hugh |date=September 26, 2011 |website=Digital Spy}} The comic, by writers Alan Moore and Joyce Brabner and artist Bill Sienkiewicz, dealt in part with the Central Intelligence Agency's involvement in the Iran–Contra affair.

The commercial success of the Iran-Contra Scandal trading cards set led to similar sets on other deliberately provocative subjects – gaining Eclipse considerable mainstream publicity in the process.{{cite web|url=https://www.ranker.com/list/90s-true-crime-trading-cards/jodi-smith|website=Ranker|title=The Beautifully Drawn True Crime Trading Cards From The '90s Were An Instant Outrage}} These included:

Friendly Dictators Trading Cards in 1989 by Dennis Bernstein, Laura Sydell and Bill Sienkiewicz.{{cite magazine|date=January 15, 1989|title=Graphic Novels|author=Sheldon Weibe, Ed Sample & Gil Jordan|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=157/Preview Special}}
Bush League Trading Cards in 1990 by Brancato and Yaqub.
Savings & Loan Scandal Trading Cards in 1991 by Bernstein, Sydell and Stewart Stanyard.{{cite magazine|date=November 1991|title=Newsline|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=196}}Crossen, Judith. "Trading Card Fame for S&L Scoundrels", Reuters via Philadelphia Daily News, September 9, 1991Trausch, Susan. "A Full Deck of Scandals at a Glance", Boston Globe, September 18, 1991"Insider Trading with Keating, Milken", Los Angeles Daily News, October 20, 1991{{cite news|url=http://www.phoenixnewtimes.com/content/printVersion/159491/ | title=Keating Gets Carded: Your Money Might Be Safer in These than in an S&L| first=Paul |last=Rubin|date=August 14, 1991 |work=Phoenix New Times| archive-url = https://web.archive.org/web/20110914012629/http://www.phoenixnewtimes.com/content/printVersion/159491/ | archive-date= September 14, 2011| url-status= live|access-date=September 13, 2011}}
Coup D'Etat – The Assassination of John F. Kennedy Trading Cards in 1991, by Brancato and Sienkiewicz.{{cite magazine|date=May 1990|title=Newsline|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=179}} These benefitted from an increased interest in conspiracy theories about the killing due to Oliver Stone's film JFK bringing it to a wider audience.Jones, Kathryn. "Price tag on JFK intrigue Assassination aficionados spawn cottage industry",The Dallas Morning News, November 22, 1991"Kennedy Assassination is an Industry with Growing Market", Associated Press via The Chronicle-Telegram (Elyria, Ohio), November 28, 1991{{cite magazine|date=February 1991|title=Reviews - Misc|author=Rogers Cadenhead|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=188}}
Crime and Punishment Trading Cards in 1992 by Bruce Carroll and Bill Lignante, featuring excerpts from famous criminal cases such as Sirhan Sirhan and Squeaky Fromme;{{cite web|url=https://totaleclipse.blog/2018/09/22/1992-crime-and-punishment-trading-cards/|website=Total Eclipse|title=1992: Crime and Punishment Trading Cards}} Lignante was a former courtroom sketch artist.{{cite web|url=https://www.latimes.com/archives/la-xpm-1993-01-31-vw-922-story.html|website=Los Angeles Times|title=Where It's Wall-to-Wall Celebrities : An Illustrator Pictorializes Star-Conscious L.A. for Palms' Famous Gallery}}
AIDS Awareness Trading Cards in 1993, which sought to provide a greater awareness of the effects and history of the disease; the set was packaged with a condom"AIDS cards to include condoms", Milwaukee Journal Sentinel (newspaper), September 23, 1992)"AIDS Awareness is in the cards", Dallas Morning News, July 7, 1993"AIDS Activism turns to cards", Dayton Daily News, July 13, 1993"Ban Sought on Cards depicting AIDS victim", Boston Globe, January 15, 1994 and mixed information about the disease with images of both everyday and celebrity victims (including Freddie Mercury, Liberace and Rudolf Nureyev, as well as including a theory that AIDS had been "developed by teams of American and Soviet bio-warfare technicians and tested on people in Africa and Haiti before being introduced to North America's homosexual population"Hutchinson, B. (1993). It’s in the AIDS cards. Alberta Report / Newsmagazine, 20(25), 21

Less sensational trading card sets included The Comedy Channel presents the Rock Bottom Awards by Peggy Gordon and Sienkiewicz; this was a more light-hearted set that mixed political and celebrity targets;{{cite magazine|date=October 1990|title=Newsline|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=184}} as well as cards on baseball bloopers,{{cite magazine|date=May 1991|title=Newsline|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=190}} James Bond, country music, and National Lampoon's Loaded Weapon.{{cite web|url=https://totaleclipse.blog/2018/10/30/trading-card-index/|website=Total Eclipse|title=Trading Cards}}

The company's 1992 trading card set, True Crime by Max Allan Collins, George Hagenauer, Paul Lee, Valarie Jones, Peggy Collier and Jon Bright, covering both mafia and gang figures such as Al Capone and Hymie Weiss to more recent mass killers such as John Wayne Gacy and Jeffrey Dahmer, drew considerable controversy after an Eclipse press release was picked up by Entertainment Tonight, leading to accusations of sensationalism."Ban Urged on Sale of Crime Cards", The Record (Bergen County, New Jersey), April 30, 1992"'True Crime' Cards Thriving Despite Outrage", The New York Times, June 16, 1992"Killer Cards Hit Capital Stores Amid Criticism", Sacramento Bee, June 19, 1992"Killer Cards: Two groups trying to deal fatal blow to criminal cards", The Oregonian, August 18, 1992 The series was also lambasted on The Today Show and The Maury Povich Show, while Michigan senators put forward a resolution to ban the cards before they had even been released, while legislators in Maryland and Arkansas made similar moves. Reporting on the issue, comics industry magazine Amazing Heroes noted that Shel-Tone Publications' similar Bloody Visions set had attracted no such censure when released previously.{{cite magazine|date=July 1992|title=Newsline|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=201}} Yronwode later claimed Eclipse received around 10,000 items of hate mail, and wrote about the controversy when the cards were collected as a pair of albums, True Crime Vol 1 – G-Men & Gangsters and True Crime Vol 2 – Serial Killers & Mass Murderers in 1993.{{cite web|url=https://totaleclipse.blog/2018/10/06/1993-true-crime-trading-card-booklets/|website=Total Eclipse|title=1993: True Crime Trading Card Booklets}}

Following the success of the True Crime trading cards, in 1993 Eclipse published the two-issue series True Crime Comics as well as the True Crime Comics Special.

=Setbacks=

Eclipse's creator-owned ethos had commercial flaws; as the company owned few of its properties it was dependent on its freelancing creators to keep popular titles going as fill-in issues and spin-offs had to be cleared with the creators, who also had the rights to take their work to other publishers when contracts expired. After losing his lawsuit over Howard the Duck, Gerber wound down Destroyer Duck to return to his former employers Marvel as a freelancer;{{cite journal|last = Shayer|first = Jason|title = Steve Gerber in the Marvel Universe|journal = Back Issue!|issue = #31|pages = 33–40|publisher = TwoMorrows Publishing|date = December 2008|location= Raleigh, North Carolina}} Aztec Ace was cancelled due to the inability to find satisfactory artists;{{cite magazine|date=October 1, 1985|title=Newsflashes|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=80}} Scott McCloud's work on the Creator's Bill of Rights caused delays on the award-winning Zot!;{{cite magazine|date=January 15, 1988|title=Zot!|author=Heidi MacDonald|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=133/Preview Special 6}} Dave Stevens struck a deal with Comico to serialise new Rocketeer material; DNAgents and its spin-off Crossfire were abandoned when Mark Evanier took on work for DC Comics; Ty Templeton abandoned Stig's Inferno soon after transferring it to Eclipse when he received offers to work on Booster Gold;{{cite magazine|date=August 15, 1987|title=Newsline|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=123}} and Miracleman slowed to a point where the bi-monthly title shipped three issues between April 1988 and December 1989 due to artist John Totleben's health issues.{{cite book |last=Khoury |first=George |author-link= |date=2001 |title=Kimota! The Miracleman Companion |location= |publisher=TwoMorrows Publishing |page= |isbn=9781605490274|chapter=Miracleman Index}}

While Airboy and Scout remained solid sellers for the company further attempts to expand into superhero comics, such as The New Wave, Kurt Busiek's The Liberty Project, Tim Truman's The Prowler and Chuck Dixon's Strike! encountered little long-term success. Between 1987 and 1988 Eclipse's share of the market fell from around 8%{{cite magazine|date=September 15, 1987|title=Top of the News (advertisement)|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=125}} to 3.6% (also falling behind First Comics.{{cite magazine|date=March 15, 1989|title=Newsline|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=161}} The successful emergence of Dark Horse Comics (who also took on Mr. Monster) further ate into Eclipse's share. The company began to explore non-fiction; Yronwode and Robbins co-wrote Women and the Comics, a volume on the history of female comic strip and comic book creators. As the first book on this subject, its publication was covered in the mainstream press in addition to the fan press."Women in the Comics: Assertive and Independent Women Make a Comeback" Miami Herald (newspaper), December 1, 1988."Comic Books Are For Adults Too" by William Singleton, Scripps Howard News Service, Chronicle-Telegram (newspaper), January 7, 1988."Funny How Things Change" Daily Herald (newspaper), December 28, 1988.

=Eclipse International=

Attempting to diversify, in 1988 the company created a new division, Eclipse International, to publish material from overseas. One source was Japan, where manga was produced in prodigious amounts; the success of imported anime such as Robotech and Voltron had shown a large potential market for such subject matter. A deal was struck with Shogakukan's subsidiary Viz Communication for some of their titles, which were translated and modified for the American market by Toren Smith's Studio Proteus.{{cite magazine|date=July 1990|title=Inside Studio Proteus - a talk with Toren Smith|author=Darwin McPherson|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=181}} The first titles were Area 88, Kamui and Mai, the Psychic Girl.{{cite magazine|date=May 1, 1987|title=Newsline|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=116}} These were successful and were followed by other similar titles, including Appleseed. However, before Eclipse could publish the heavily advertised Lum * Urusei Yatsura the title was halted due to "circumstances beyond [either party]'s control".{{cite magazine|date=June 1, 1988|title=Newsline|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=142}} In November 1988 Viz chose not to renew their contract with Eclipse, instead setting up their own American publishing wing. Eclipse continued to work with Studio Proteus on other manga imports, including Dominion, What's Michael?, and The Lost Continent. The company also commissioned Adam Warren to create an English-language version of Dirty Pair.{{cite magazine|date=August 1, 1988|title=Newsline|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=146}}

Alongside this, it partnered with the British independent publisher Acme Press to distribute their comics in the American market.{{cite magazine|date=February 29, 1988|title=Newsline|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=136}} Highlights from the relationship included Power Comics, a four-issue superhero title with art by Dave Gibbons and Brian Bolland; Aces, a five-issue black-and-white anthology of serialized Jazz Age genre stories which were originally published in Europe; licensed James Bond materialCurson, Natasha. [https://tashauk.wordpress.com/2010/08/18/acme-take-two-earthquake-pills-and-exit-over-cliff/ "Acme – take two Earthquake Pills and exit over cliff...,"] Natasha Curson blog (August 18, 2010). in the form of the official adaptation of latest film Licence to KillConroy, Mike (2004). 500 Great Comicbook Action Heroes. London: Chrysalis Books Group. {{ISBN|978-1-84411-004-9}}, p. 293. and three issue mini-series James Bond: Permission to Die — the first James Bond comic book storyline not adapted from a previous work — both featuring art from Mike Grell; mini-series Steed and Mrs. Peel (based on television show The Avengers but renamed to avoid confusion with the highly prominent Marvel Comics series of that name) by Grant Morrison and Ian Gibson; and Eddie Campbell's The Complete Alec.Yang, Sam. "A Loaf of Bread, A Jug of Wine and Eddie Campbell," The Comics Journal #145 (Oct. 1991), p. 59. The collection won the 1991 UK Comic Art Award for Best Graphic Novel Collection."British Awards Announced," The Comics Journal #142 (June 1991), p. 17. The deal ended in 1992.

=''Total Eclipse''=

As their tenth anniversary approached, Eclipse planned Total Eclipse, a company-wide crossover in the style of DC's blockbuster Crisis on Infinite Earths. Due to most of its characters being creator-owned permission had to be sought from each individually; many acceded.{{cite magazine|date=January 15, 1988|title=Total Eclipse|author=Andy Mangels|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=133/Preview Special 6}} Eclipse put considerable resources into the prestige-format "super series", including hiring Crisis writer Marv Wolfman to script the series and commissioning covers from Bill Sienkiewicz.{{cite magazine|date=February 29, 1988|title=Top of the News (advertisement)|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=136}} Despite promotional stunts such as bespoke plastic bags for comics stores,{{cite magazine|date=April 1, 1988|title=Top of the News (advertisement)|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=138}} Total Eclipse was beset by delays and a commercial and critical failure, nixing any hopes of relaunching the likes of Strike! and The New Wave on the back of its success.{{cite magazine |last=Williams-Pennick|first=Virginia|date=October 15, 1988|title=Comics in Review|url= |magazine=Amazing Heroes|location= |publisher=Fantagraphics|number=151|access-date=}} Soon afterwards production problems saw the stalwart Airboy put on hiatus after 50 issues,{{cite magazine|date=August 1, 1989|title=Airboy|author=Ed Sample|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=170/Preview Special 9}} while Scout likewise stalled before mooted third series Scout: Marauder could begin. At the end of 1989 Eclipse announced they were turning away from mainstream comics to 'special projects'{{cite magazine|date=December 1989|title=Newsline|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=174}} (including their trading card business).

=Decline and closure=

After the failure of Total Eclipse, Eclipse largely discontinued superhero comics bar the ongoing Zot! (which ended in 1991{{cite magazine|date=January 1991|title=Newsline|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=187}}) and Miracleman. Instead, comics output largely focused on literary adaptations, including J. R. R. Tolkien's The Hobbit,{{cite magazine|date=August 1, 1989|title=The Hobbit|author=Ed Sample|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=170/Preview Special 9}} Anne McCaffrey's Dragonflight and several Clive Barker works,{{cite magazine|date=August 1991|title=Newsline|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=193}} either as mini-series, one shots or graphic novels. Otherwise the company focused on collected editions, and only occasional titles – such as Truman's revisiting of pulp hero The Spider{{cite magazine|date=July 1991|title=Newsline|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=192}} or zeitgeist-tapping spoofs such as X-Farce{{cite magazine|date=January 1992|title=Newsline|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=199}} (a satire on Rob Liefeld's X-Force) and Loco vs. Pulverine{{cite magazine|date=July 1992|title=Newsline|magazine=Amazing Heroes|publisher=Fantagraphics Books|number=203}} (based on Lobo and Wolverine)--made any impression on sales charts. Several titles, such as a new Aztec Ace mini-series and several titles under the Eclipse F/X horror label, were announced but failed to reach publication.

By 1991 Eclipse typically held around 1% of the market and had been definitively overtaken by Malibu, Valiant and Image. Having always done most of their business with comic stores rather than larger retailers, Eclipse were one of many small publishers adversely affected by the post-speculator boom contraction of the direct market, and by a problematic contract with the book publisher HarperCollins.{{cite web|publisher= "The Beat" (column), Publishers Weekly |first=Heidi|last= MacDonald|title = Mullaney on Eclipse|date= March 30, 2007|url=http://pwbeat.publishersweekly.com/blog/2007/03/30/mullaney-on-eclipse/#comments|archive-url=https://web.archive.org/web/20070507121435/http://pwbeat.publishersweekly.com/blog/2007/03/30/mullaney-on-eclipse/#comments|url-status=dead|archive-date=May 7, 2007}}

==Bankruptcy==

Problems were exacerbated when Mullaney and Yronwode underwent a messy divorce during 1993;{{cite journal|title=Newswatch: Business News: Eclipse Copes with Divorce and Back Debt|journal= The Comics Journal| number= 165 |date=January 1994|page= 12}} Yronwode later claimed that Mullaney began behaving erratically and emptying Eclipse accounts.{{cite book |last=Khoury |first=George |author-link=George Khoury (author)|date=2001 |title=Kimota! The Miracleman Companion |url= |location= |publisher=TwoMorrows Publishing |page= |isbn=9781605490274|chapter=Miracleman and the Days of Eclipse}} The company was left so low on resources that, despite receiving completed versions of Miracleman #25 and spin-off Miracleman Triumphant #1, no printer would extend them credit to print the comics. Eclipse's last publication was its Spring 1993 catalog, which was a complete bibliography of its publications, and it ceased business in 1994{{cite journal|title=Comics Publishers Suffer Tough Summer: Body Count Rises in Market Shakedown|journal= The Comics Journal| number= 172|date= November 1994|pages= 13–18}} before finally filing for bankruptcy in 1995.{{cite journal|title=Newswatch: Eclipse Files for Bankruptcy|journal= The Comics Journal| number= 174 |date=February 1995|page=25}}

==Assets==

The company's intellectual property rights were later acquired by Todd McFarlane for a total of $25,000.{{cite journal|title=McFarlane Buys Eclipse Assets at Auction|journal= The Comics Journal| number= 185 | date= March 1996|pages= 14–15}} Due to most of the company's titles being creator-owned this largely consisted of the Airboy characters and trademarks for some of the anthology titles; at the time McFarlane and others involved believed it also included a two-third share in Miracleman.{{cite web|url=http://journal.neilgaiman.com/2004/02/last-legal-post-for-long-time.asp |title=Neil Gaiman's Journal: Last Legal Post for a long time |publisher=Journal.neilgaiman.com |date=2004-02-25 |access-date=2013-10-15}} Eventually it was discovered that Quality Communications, and thus Eclipse, had never correctly licensed the characters from creator Mick Anglo.{{cite web|url=http://www.comicbookresources.com/?page=article&id=22203 |title=CCI: Cup O Joe – Marvelman at Marvel |website=Comic Book Resources |date=2009-07-24 |access-date=2013-10-15}}

Controversies

=Payment of creators=

After their contract with Eclipse ended in 1988, manga translator Toren Smith's Studio Proteus signed with Dark Horse. Finding his income suddenly increasing despite similar sales, Smith instigated an audit of Eclipse's finances, revealing the keeping of two sets of books to avoid paying the agreed royalties. A large judgement was eventually made against Eclipse, the losses from which were a factor in the company's strained finances.{{cite book |last=Khoury |first=George |author-link=George Khoury (author)|date=2001 |title=Kimota! The Miracleman Companion |url= |location= |publisher=TwoMorrows Publishing |page= |isbn=9781605490274|chapter=Ages of Gold, Silver and the Darkness}}

Garry Leach,{{cite book |last=Khoury |first=George |author-link=George Khoury (author)|date=2001 |title=Kimota! The Miracleman Companion |url= |location= |publisher=TwoMorrows Publishing |page= |isbn=9781605490274|chapter=The Architect of Miracleman}} Dez Skinn,{{cite book |last=Khoury |first=George |author-link=George Khoury (author)|date=2001 |title=Kimota! The Miracleman Companion |url= |location= |publisher=TwoMorrows Publishing |page= |isbn=9781605490274|chapter=Reign of the Warrior King}} Alan Davis,{{cite book |last=Khoury |first=George |author-link=George Khoury (author)|date=2001 |title=Kimota! The Miracleman Companion |url= |location= |publisher=TwoMorrows Publishing |page= |isbn=9781605490274|chapter=Magic Words and Marvelmen}} Neil Gaiman, Mark Buckingham,{{cite book |last=Khoury |first=George |author-link=George Khoury (author)|date=2001 |title=Kimota! The Miracleman Companion |url= |location= |publisher=TwoMorrows Publishing |page= |isbn=9781605490274|chapter=Buckingham and An Age of Miracles}} Dave Stevens{{Cite web|url=https://twomorrows.com/comicbookartist/articles/15stevens.html|title=Comic Book Artist Magazine #15 - Dave Stevens Interview - TwoMorrows Publishing|website=twomorrows.com}} and Mike Deodato have all gone on the record to state they were either not paid or not paid correctly for work with Eclipse, while Davis has also stated his work was published without his permission.

=Lawsuits=

In 1992, the convicted serial killer Kenneth Bianchi, one-half of the pair known as the Hillside Stranglers, sued Yronwode for USD$8.5 million for having an image of his face depicted on a trading card; he claimed his face was his trademark. The judge dismissed the case after ruling that, if Bianchi had been using his face as a trademark when he was killing women, he would not have tried to hide it from the police."Serial Killer Sues Trading Card Maker", San Jose Mercury News, December 18, 1992"Card-Carrying Rebels: Two Guerrilla Journalists Turn Crime and Crises into Camp Collectibles" by Kathleen Donnelly, San Jose Mercury News (newspaper), January 10, 1993

Eclipse was also a plaintiff when Nassau County, New York, seized a crime-themed trading card series of theirs under a county ordinance prohibiting sales of certain trading cards to minors."Nassau County Limits Sale of Crime Trading Cards". The New York Times (newspaper), June 16, 1992 The case, in which Yronwode testified and the American Civil Liberties Union provided Eclipse's representation, reached the 2nd Circuit U.S. Court of Appeals. It ruled against the county, overturning the ordinance."Nassau Is Faulted for Law Over Killer Trading Cards", The New York Times (newspaper), October 17, 1995{{cite web|url=http://www.firstamendmentcenter.org/Speech/arts/topic.aspx?topic=comix |title=Arts & First Amendment Issues: Comic Books |publisher=First Amendment Center |access-date=2006-09-26 |url-status=dead |archive-url=http://webarchive.loc.gov/all/20041221024840/http://www.firstamendmentcenter.org/speech/arts/topic.aspx?topic=comix |archive-date=December 21, 2004 |df=mdy }}{{cite web |url= https://caselaw.findlaw.com/us-2nd-circuit/1129335.html |title=ECLIPSE ENTERPRISES INC v. GULOTTA | FindLaw |work=caselaw.findlaw.com |year=2015|access-date=17 October 2015}}