Ekādaśamukha
{{Short description|Form of Buddhist bodhisattva Avalokitesvara}}
{{Infobox Buddha
| name = Ekādaśamukha
(Eleven-Faced Avalokiteśvara)
| image = Clevelandart 1959.129.jpg
|image caption =
| sanskrit_name = एकादशमुख
(IAST) Ekādaśamukha
| burmese_name =
| chinese_name = (Traditional)
十一面觀音(菩薩)
(Simplified)
十一面观音(菩萨)
(Pinyin: Shíyīmiàn Guānyīn (Púsà))
| japanese_name = {{ruby-ja|十一面観音(菩薩)|じゅういちめんかんのんぼさつ}}
(romaji: Jūichimen Kannon (Bosatsu))
| karen_name =
| khmer_name =
| korean_name = 십일면관음(보살)
(RR: Sibilmyeon Gwaneum (Bosal))
| mongolian_name =
| okinawan_name =
| shan_name =
| thai_name =
| tibetan_name = བཅུ་གཅིག་ཞལ
Wylie: bcu gcig zhal
THL: Chuchik Zhel
| vietnamese_name = Thập Nhất Diện Quan Âm (Bồ Tát)
| sinhalese_name =
| veneration = Mahāyāna, Vajrayāna
|caption=8th century (Tang dynasty) sandstone bust of Ekadaśamukha, currently at the Cleveland Museum of Art}}
In Buddhism, Ekādaśamukha ({{langx|sa|एकादशमुख}}, {{IPA|sa|eːˈkɑːd̪ɐɕɐmukʰɐ|IPA}}, lit. "Eleven-Faced"; Chinese (Traditional): 十一面觀音; Simplified: 十一面观音; pinyin: Shíyīmiàn Guānyīn; Japanese: 十一面観音, Jūichimen Kannon) is a bodhisattva and a manifestation of Avalokiteśvara (known in Chinese as Guanyin), counted as one of six forms of the bodhisattva that represent salvation afforded to beings among the six realms of saṃsāra. Among these incarnations, Ekādaśamukha is believed to save those in the asura realm.{{cite web |title=六観音 七観音 八大観音 |url=http://tobifudo.jp/butuzo/7kanindex.html |website=Flying Deity Tobifudō (Ryūkō-zan Shōbō-in Official Website) |access-date=2022-09-04}}
Ekādaśamukha is sometimes also referred to as Avalokiteśvara of the Universally Shining Great Light (大光普照觀世音; Ch. Dàguāng Pǔzhào Guānshìyīn; Jp. Daikō Fushō Kanzeon).
Overview
=Historical origins=
File:Kanheri Avalokitesvara.jpg, Mumbai, Maharashtra]]
Although usually classified as an Esoteric or Tantric form of the bodhisattva, the eleven-headed (ekādaśamukha) type is thought to be one of the earliest iconographic depictions of Avalokiteśvara to develop, predating the emergence of Vajrayāna Buddhism.{{sfnp|Henmi|1960|p=119}} Its exact origin is unclear,{{cite web |title=Juuichimen Kannon (十一面観音) |url=https://www.aisf.or.jp/~jaanus/deta/j/juuichimenkannon.htm |website=JAANUS (Japanese Architecture and Art Net Users System) |access-date=2022-09-04}} though certain authors such as Lokesh Chandra have associated it with the eleven Rudras of Vedic and Hindu mythology.{{sfnp|Chandra|1988|p=15}}{{sfnp|Neville|1999|pp=5-8}} It is known that certain aspects of the Hindu god Shiva (Rudra) and elements of Shaivism both influenced and were incorporated into Buddhism, playing a role in the development of Avalokiteśvara's cult.{{sfnp|Chandra|1988|p=15}}{{sfnp|Williams|1989|p=233}}
A relief carving of the eleven-headed Avalokiteśvara in Kanheri (Cave 41), dating from the late 5th to early 6th century, is both the earliest extant example of this iconographic type and the only surviving Ekādaśamukha image in India.{{sfnp|Lee|2009|p=67}}{{sfnp|Gokhale|1987|p=371}} Artistic depictions of this form are more numerous in East Asia: it is apparently one of the more popular forms of Avalokiteśvara in Dunhuang, second only to his thousand-armed or Sahasrabhuja form (itself a derivative of the Ekādaśamukha type), judging by the number of paintings of the bodhisattva found there.{{sfnp|Sørensen|2020|pp=99-103}} In Japan, Ekādaśamukha also historiclally enjoyed a high degree of popularity, with images of the bodhisattva being installed as the main focus of veneration (honzon) in many temples.
=Symbolism=
File:Shrine to a statue of the Eleven-Headed Guanyin (十一面觀音 or 十一面观音; Shiyimian Guanyin) in the Drum Tower (鼓樓 or 鼓楼) of Qita Temple (七塔寺) in Yingzhou, Ningbo, China Picture 3.jpg, Ningbo, China]]
One interpretation of the eleven faces of Ekādaśamukha is that it represents both the ten stages (bhūmis) of the bodhisattva path and buddhahood itself.{{cite web |title=Statue of Eleven-Headed Kannon |url=http://www.shorinji-temple.jp/en/elevenfaced/ |website=Shorin-ji Temple Official Website |access-date=2022-09-04}} Another interpretation meanwhile interprets the eleven heads as symbolizing the eleven kinds of ignorance (avidyā) that plague sentient beings and which the bodhisattva removes.{{sfnp|Henmi|1960|p=115}}
Certain depictions where Ekādaśamukha is shown with a total of twelve heads rather than eleven (i.e. his main head is not counted among the eleven heads) are meanwhile taken to symbolize the twelve links (nidānas) of dependent origination.{{sfnp|Henmi|1960|p=119}}
=Stories regarding Ekādaśamukha=
{{see also|Kangiten}}
Buddhist lore offers various explanations as to how Avalokiteśvara obtained eleven heads. One story relates that Avalokiteśvara's head and arms once split into pieces when he discovered the extent of wickedness and suffering in the world and was overcome with grief as a result. The buddha Amitābha, seeing Avalokiteśvara's plight, restored him by giving him eleven heads and a thousand arms with which to aid sentient beings.{{cite web |title=Chenrezig - Avolokiteshvara |url=https://www.yuloling.com/buddhism/more-buddhist-information/22-chenrezig-avolokiteshvara.html |website=Khacho Yulo Ling Buddhist Centre |access-date=2022-09-04}} In another story, Avalokiteśvara is said to have assumed this eleven-headed form to subdue and convert a prideful ten-headed rakshasa demon.{{sfnp|Henmi|1960|p=117}}
File:雙身歡喜天 - Sōshin Kangiten.png (Kangiten in Japanese)]]
Ekādaśamukha is closely associated with the elephant-headed deva Vināyaka, the Buddhist analogue to the Hindu deity Ganesha. Certain stories relate that Vināyaka was originally a malevolent demon king who ruled over a horde of obstructive demons called vināyakas. He was eventually tamed by Avalokiteśvara, who assumed the form of an elephant-headed female demoness and embraced him, thereby causing him to achieve great bliss and abandon his evil ways. These legends serve as the origin myth for the 'Dual-Bodied' image of Vināyaka, which shows two elephant-headed figures (interpreted as Vināyaka and his consort, the incarnation of the eleven-headed Avalokiteśvara) embracing each other.{{sfnp|Sanford|1991|pp=297-299}}{{sfnp|Faure|2015|pp=87, 100-102, 377}}
Iconography
As noted above, Ekādaśamukha may be depicted with either eleven or twelve (i.e. the main head is not counted) heads.
Of the eleven faces, three wear a benevolent, serene expression characteristic of depictions of bodhisattvas, three sport a wrathful countenance, three are grinning with fangs protruding upward from their mouths, one is laughing boisterously, whilst the final, topmost head is that of a buddha, sporting a calm demeanor and a head knob (uṣṇīṣa).
Bīja and mantra
The bījā or seed syllable used to symbolically represent Ekādaśamukha is {{IAST|ka}} (Siddhaṃ: File:BonjiKa.png; Devanagari: क; traditionally read in Japanese as kya).{{cite web |title=十一面観音 |url=http://tobifudo.jp/butuzo/kannon/11men.html |website=Flying Deity Tobifudō (Ryūkō-zan Shōbō-in Official Website) |access-date=2022-09-04}}
Several mantras and dhāraṇīs are associated with the bodhisattva. The two mantras commonly employed in the Japanese tradition are the following:
class="wikitable"
|+ !Sanskrit (romanized) !Japanese (romanized) |
Oṃ mahākāruṇika svāhā |
Oṃ lokeśvara hrīḥ (svāhā) |
See also
References
=Citations=
{{Reflist|25em}}
=Works cited=
- {{cite book |last1=Chandra |first1=Lokesh |title=The Thousand-armed Avalokiteśvara, Volume 1 |date=1988 |publisher=Abhinav Publications |isbn=9788170172475}}
- {{cite book |last1=Faure |first1=Bernard |title=Protectors and Predators: Gods of Medieval Japan, Volume 2 |date=2015 |publisher=University of Hawaii Press |isbn=978-0-8248-5772-1}}
- {{cite journal |last1=Gokhale |first1=Shobhana |title=Eleven-Headed Avalokiteśvara from Kanheri |journal=Annals of the Bhandarkar Oriental Research Institute |date=1987 |volume=68 |issue=1/4 |pages=371–376 |jstor=41693334 |url=https://www.jstor.org/stable/41693334}}
- {{cite book |last1=Haneda |first1=Shukai |title=あなたの願いを叶える 最強の守護神 聖天さま (Anata no negai o kanaeru saikyō no shugoshin: Shōden-sama) |date=2017 |publisher=Daihōrinkaku |isbn=978-4-8046-1394-9 |language=Japanese}}
- {{cite book |last1=Lee |first1=Kenneth D. |editor1-last=Herman |editor1-first=Phyllis K. |editor2-last=Shimkhada |editor2-first=Deepak |title=The Constant and Changing Faces of the Goddess: Goddess Traditions of Asia |date=2009 |publisher=Cambridge Scholars Publishing |isbn=9781443807029 |pages=65–80 |chapter=Kannon: The Goddess of Compassion in Japan}}
- {{cite book |last1=Henmi |first1=Baiei |title=観音像 (Kannon-zō) |date=1960 |publisher=Seishin Shobō |language=Japanese}}
- {{cite book |last1=Neville |first1=Tove E. |title=Eleven-headed Avalokiteśvara: Chenresigs, Kuan-yin, Or Kannon Bodhisattva: Its Origin and Iconography |date=1999 |publisher=Munshiram Manoharlal Publishers |isbn=9788121504577}}
- {{cite book |last1=Ōmori |first1=Gijō |title=実修真言宗の密教と修行 (Jisshū Shingon-shū no mikkyō to shūgyō) |date=2010 |publisher=Gakken Publishing |url=https://books.google.com/books?id=NcjB_-rTzIUC&pg=PA58|isbn=978-4-0540-4524-8 |language=Japanese}}
- {{cite book| last =Sanford| first = James H. | chapter = Literary Aspects of Japan's Ganesha Cult | editor= Brown, Robert| year = 1991| title =Ganesh: Studies of an Asian God | publication-place =Albany| publisher =State University of New York | isbn =0-7914-0657-1 |url=https://books.google.com/books?id=oF-Hqih3pBAC}}
- {{cite book |last1=Sørensen |first1=Henrik H. |editor1-last=Meinert |editor1-first=Carmen |editor2-last=Sørensen |editor2-first=Henrik H. |title=Buddhism in Central Asia I: Patronage, Legitimation, Sacred Space, and Pilgrimage |date=2020 |publisher=Brill |pages=250–284 |url=https://www.jstor.org/stable/10.1163/j.ctv2gjwt66.12 |chapter=Chapter 4: Donors and Esoteric Buddhism in Dunhuang during the Reign of the Guiyijun|jstor=10.1163/j.ctv2gjwt66.12 }}
- {{cite book |last1=Williams |first1=Paul |title=Mahāyāna Buddhism: The Doctrinal Foundations |date=1989 |publisher=Psychology Press |isbn=9780415025379}}
{{Avalokiteśvara}}
{{Bodhisattvas}}
{{Buddhism topics}}
{{DEFAULTSORT:Ekadasamukha}}