Every Sunday
{{Use American English|date=January 2025}}
{{Infobox film
| name = Every Sunday
| image = Every Sunday.png
| caption = Pressbook
| director = Felix E. Feist
| producer =
| writer = Mauri Grashin
| starring = {{Unbulleted list|Judy Garland|Deanna Durbin}}
| music = {{Unbulleted list|Con Conrad|Herb Magidson}}
| cinematography = {{Unbulleted list|Charles G. Clarke|{{small|(uncredited)}}}}
| studio = Metro-Goldwyn-Mayer
| distributor = Metro-Goldwyn-Mayer
| released = {{Film date|1936|11|28}}
| runtime = 11 minutes
| country = United States
| language = English
}}
Every Sunday (sometimes incorrectly listed as Every Sunday Afternoon or Opera vs. Jazz) is a 1936 American musical short film about two adolescent girls and their efforts to save a public concert series threatened by poor attendance.
Directed by Felix E. Feist, the film served as a screen test for, and is the first significant screen appearance of, two adolescent actresses who soon became stars, Judy Garland and Deanna Durbin. Although only lightly reviewed at the time of its release, the film has garnered a generally positive reputation among Garland biographers.
Plot
Small town friends Edna (Deanna Durbin) and Judy (Judy Garland) are upset. Edna's grandfather and his orchestra, who play free Sunday concerts at a local park, have been fired by the town council because the concerts are poorly attended. The girls hit upon the idea of singing at the concerts and set about promoting the next concert. The following Sunday Edna and Judy join Granddad on the bandstand. Edna's operatic style and Judy's swing bring crowds running from all over the park. The event is a huge success and Granddad's concerts are saved.
Production
File:Every Sunday Title Card (1936).jpg
Deanna Durbin and Judy Garland were both under contract to Metro-Goldwyn-Mayer but the studio had not put them to work in films. With their contracts coming up for renewal, feelings among studio executives were that the studio didn't need two girl singers. Every Sunday would serve as an extended screen test to decide which girl's contract would be renewed.{{sfn|Clarke|2001|p=73}}
Durbin recorded the aria Il Bacio for the film. Composers Con Conrad and Herb Magidson wrote a specialty number for Garland, "The Americana."{{sfn|Juneau|1974|p=25}}
Following the screening of the short for MGM executives, opinion was divided on whether Garland or Durbin should be retained. Finally, Louis B. Mayer, upon his return from a European trip, decreed that both girls should be kept.{{sfn|Frank|1975|p=83}} However, Durbin's contract option had expired by then. She was signed by Universal Studios, where her first picture, Three Smart Girls (1936), was so successful that it saved Universal from bankruptcy.{{sfn|Clarke|2001|p=76}}
Critical reception
As a short film that served as a programmer, Every Sunday received scant critical attention upon its release. Durbin's hometown newspaper, the Winnipeg Free Press, did praise the film, lamenting that it was "all too short" and citing Garland as a "girl singer of distinction."{{cite news|title=Radio Flashes: Deanna Again|work=Winnipeg Free Press|date=1937-02-20}}
Garland biographers, when discussing the film in any detail, are generally complimentary both to the film and to Garland. "Unpretentious and fascinating...Every Sunday gives us a marvelous glimpse of Judy's talent in an unrefined state" is a typical comment,{{sfn|Finch|1976|p=98}} with the film "reveal[ing] how accomplished a performer Judy Garland already was at fourteen."{{sfn|Juneau|1974|p=27}} Durbin does not fare quite as well. Although described by one biographer as appearing "relaxed" and "happy" on film{{sfn|Shipman|1992|p=60}} others dismiss her "diffidence"{{sfn|Finch|1976|p=98}} and call her "stiff."{{sfn|Juneau|1974|p=28}}
Notes
{{reflist|1}}
References
- {{cite book|title=Get Happy: The Life of Judy Garland|first=Gerald|last=Clarke|authorlink=Gerald Clarke (author)|publisher=Random House|location=New York|year=2001|isbn=0-375-50378-1}}
- {{cite book|title=Rainbow: The Stormy Life of Judy Garland|first=Christopher|last=Finch|publisher=Ballantine Books|location=New York|year=1976|isbn=0-345-25173-3|url=https://archive.org/details/rainbowstormylif00finc}}
- {{cite book|title=Judy|first=Gerold|last=Frank|publisher=Harper & Row|location=New York|year=1975|isbn=0-06-011337-5|url-access=registration|url=https://archive.org/details/judyfran00fran}}
- {{cite book|title=Judy Garland: A Pyramid Illustrated History of the Movies|first=James|last=Juneau|publisher=Pyramid Publications|location=New York|year=1974|isbn=0-515-03482-7|url=https://archive.org/details/judygarland00june}}
- {{cite book|title=Judy Garland: The Secret Life of an American Legend|first=David|last=Shipman|publisher=Hyperion|location=New York|year=1992|isbn=0-7868-8026-0}}
External links
- {{IMDb title|id=0027585}}
- [http://www.thejudyroom.com/shorts.html The Judy Room Every Sunday" page]
{{Felix E. Feist}}
{{Good article}}
Category:Films directed by Felix E. Feist
Category:Jukebox musical films
Category:Metro-Goldwyn-Mayer short films
Category:American musical films
Category:American black-and-white films