Fugazi
{{Short description|American post-hardcore band}}
{{Other uses}}
{{Use mdy dates|date=February 2022}}
{{Infobox musical artist
| name = Fugazi
| background = group_or_band
| image = Fugazi.jpg
| image_size =
| landscape = yes
| caption = Fugazi performing at Emo's in 2002; left to right: Ian MacKaye, Brendan Canty and Guy Picciotto (not pictured: Joe Lally)
| origin = Washington, D.C., U.S.
| genre = {{flatlist|
- Post-hardcore
- art punk
- alternative rock
- {{nowrap|experimental rock}}
}}
| years_active = 1986–2003{{efn|Currently on hiatus}}
| label = *Dischord
| spinoffs = {{flatlist|
}}
| associated_acts = {{flatlist|
- Minor Threat
- Rites of Spring
- One Last Wish
- {{nowrap|Happy Go Licky}}
- {{nowrap|The Messthetics}}
- Coriky
}}
| website = {{URL|https://www.dischord.com/band/fugazi}}
| spinoff_of = {{flatlist|
}}
| current_members =
| past_members = *Ian MacKaye
}}
Fugazi ({{IPAc-en|f|u|ˈ|g|ɑː|z|i}}; {{Respell|foo|GAH|zee}}) is{{efn|The band has been on an indefinite hiatus since 2003}} an American post-hardcore band formed in Washington, D.C., in 1986. The band consists of guitarists and vocalists Ian MacKaye and Guy Picciotto, bassist Joe Lally, and drummer Brendan Canty. They were noted for their style-transcending music, DIY ethical stance, manner of business practice, and contempt for the music industry.
Fugazi performed numerous worldwide tours and produced six studio albums, a film, and a comprehensive live series, gaining the band critical acclaim and success around the world. Highly influential on punk and alternative music, the band has been on an indefinite hiatus since 2003. Although the band currently has no plans to reunite, all four members remain on good terms and have regularly played music together in private since going on hiatus.{{Cite AV media |url=https://www.youtube.com/watch?si=FDTO39L6hj4ZZUOe&t=775&v=1WRVnR3wEWY&feature=youtu.be |title=A Day in DC with Fugazi Drummer Brendan Canty |date=2024-11-20 |last=White Lake Productions |access-date=2025-03-30 |via=YouTube}}
History
=Formation and early years (1986–1989)=
After the hardcore punk group Minor Threat dissolved, MacKaye (vocals and guitar) was active with a few short-lived groups, most notably Embrace. MacKaye realized that he wanted to prioritize making music over being in a band, "because sometimes bands get in the way of music, because you’re so focussed (sic) on making a band that you forget that it should be about music first." MacKaye had gotten to know Joe Lally, who was working as a roadie for the band Beefeater. After learning Lally played bass, MacKaye asked him if he would be interested in playing together. They soon recruited Dag Nasty drummer Colin Sears, and the trio began practicing around August or September of 1986. MacKaye's original concept for Fugazi was akin to "MC5 plus reggae".
In January 1987, Sears returned to Dag Nasty and was replaced by Brendan Canty, formerly of Rites of Spring. One day, Picciotto, Canty's Rites of Spring bandmate, dropped by during a practice session to see how his friend was getting along; he later admitted he secretly harbored the idea of joining the group. But Picciotto was disappointed that there seemed to be no place for him.Azerrad, p. 385.
After some uncertainty from Canty about what he wanted to do with his future, the trio regrouped and booked their first show at the Wilson Center in early September 1987. The group still needed a name, so MacKaye chose the word "fugazi" from Mark Baker's Nam, a compilation of stories of Vietnam War veterans, in there being a slang acronym for "Fucked Up, Got Ambushed, Zipped In [a body bag]".Baker, p. 321.
The band began inviting Picciotto to practices. Inspired by the use of a foil in hip hop, Picciotto sang backup vocals. After his band Happy Go Licky broke up, he became more involved with Fugazi. MacKaye eventually asked Picciotto to become a full member, and he accepted.Azerrad, p. 386.
=''Fugazi EP'' & ''Margin Walker'' – ''13 Songs'' (1988–1989)=
Fugazi embarked on its first tour in January 1988. In June 1988 the band recorded its debut EP Fugazi with producer Ted Niceley and producer/engineer Don Zientara (who became a longtime collaborator), and shortly afterward embarked on an arduous tour of Europe.Azerrad, p. 396.
At the tour's conclusion in December, the band recorded songs for its intended debut album, but the band was exhausted from touring and found the resulting sessions were unsatisfactory. The track list was cut down to an EP and released as Margin Walker the next year. Both EPs were eventually combined into the 13 Songs release in late 1989.{{cite web|url=http://www.stillinrock.com/2014/03/anachronique-fugazi-war-punk.html |title=Brooklyn based Music Blog: Anachronique: Fugazi (War Punk) |publisher=Still in Rock |date=February 26, 2004 |access-date=April 18, 2014}}Azerrad, p. 398. Upon the band's return from Europe, Picciotto, unsatisfied with singing, began playing guitar too.Azerrad, p. 399.
=''Repeater'' and ''Steady Diet of Nothing'' (1990–1992)=
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With Picciotto playing guitar full-time, Fugazi made the transition into jamming and writing new material as a band as opposed to performing songs composed solely by MacKaye. In addition to working on new material, songs they had been performing live were refined, such as "Merchandise" and "Turnover", for inclusion on their first official full-length studio album.^ a b c d Perlah, Jeff. "The Independent". Guitar World. March 2002.
Released on April 19, 1990, through Dischord Records, Repeater did not initially reach the Billboard 200 charts or become a commercial success. But the band spent most of 1990 and 1991 touring heavily behind Repeater, performing 250 concerts between March 1990 and June 1991, routinely selling out 1,000-plus capacity venues throughout the world. By summer 1991, the album sold more than 300,000 copies, a large number for a label that relied on minimal promotion. Major labels began to court Fugazi, but the band stayed with Dischord. It was critically well received and featured an alternative rock sound that predated significant releases such as Nirvana's Nevermind and Pearl Jam's Ten, which unexpectedly broke the genre into the mainstream.
For Fugazi's second studio album, Steady Diet of Nothing, released in July 1991, the band again asked Ted Niceley to produce. Niceley had become a chef and had to reluctantly turn down the job, so the band decided to produce the record themselves.Azerrad, p. 407. After the success of Repeater and its subsequent world tour, Steady Diet was highly anticipated. Six months before its release Dischord had more than 160,000 pre-orders for the album.*{{cite book |last1=Andersen |first1=Mark |last2=Jenkins |first2=Mark |year=2001 |title=Dance of Days: Two Decades of Punk in the Nation's Capital |location=New York |publisher=Akashic Books |isbn=1-888451-44-0}} p. 304
=''In on the Kill Taker'' and ''Red Medicine'' (1993–1996)=
Fugazi recorded its third album, In on the Kill Taker, in the fall of 1992 with Steve Albini in Chicago, but the results were deemed unsatisfactory and the band rerecorded the album with Niceley and Don Zientara. With the breakthrough of alternative rock in the early 1990s, In on the Kill Taker; released on June 30, 1993, became the group's first record to enter the Billboard album charts, receiving critical praise from Spin, Time and Rolling Stone, and becoming the band's breakthrough album.
By the In on the Kill Taker tour, the group began to sell out large auditoriums and arenas and receive more lucrative major label offers. During its sold-out 3-night stint at New York City's Roseland Ballroom in September 1993, music mogul and Atlantic Records president Ahmet Ertegun met with the band backstage in an attempt to sign them. Ertegun offered the band "anything you want", their own subsidiary label and more than $10 million just to sign with Atlantic. Fugazi declined.Freidman, p. 52. The organizers of Lollapalooza also attempted to recruit the band for a headlining slot on its 1993 tour, which the band considered but ultimately turned down.{{CN|date=April 2023}}
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Fugazi began writing the material for Red Medicine in late 1994, after touring in support of In on the Kill Taker. The band worked with Zientara but chose not to work with Niceley again. Fugazi opted to retreat from the in-your-face production values of In on the Kill Taker and instead worked to create an ambient sound that displayed greater range and depth. To achieve this, the band handled production duties itself, and in doing so, became more confident with in-studio experimentation. Red Medicine took Fugazi a step further toward art rock. The band began an extensive worldwide tour in support of the album, playing 172 shows between March 1995 and November 1996.{{cite magazine|url=https://www.rollingstone.com/reviews/album/227877/review/5945748|archive-url=https://web.archive.org/web/20090517001728/http://www.rollingstone.com/reviews/album/227877/review/5945748|url-status=dead|archive-date=May 17, 2009|title=Fugazi: Red Medicine|magazine=Rolling Stone|access-date=March 3, 2009}}
=''End Hits'' and ''The Argument'' (1997–2002)=
After the grueling worldwide tour the band completed in support of Red Medicine, Fugazi took an extended break and also began writing material for a follow-up release. By March 1997 Fugazi had once again returned to Inner Ear Studios with Zientara to begin recording what became End Hits, with the intention of taking a more relaxed approach to recording and a longer amount of time to experiment with different songs and techniques in the studio. The group ultimately spent seven months recording the album. Due to the title, rumors began circulating at the time that it was to be their last release.{{cite web | url=http://www.morphizm.com/recommends/fugaziguy.html| title=Guy Picciotto of Fugazi: The Argument (2001): Interview | work=Morphizm | publisher=Morphizm.com | access-date=March 19, 2009 }}
Released on April 28, 1998, the album was commercially successful and marked one of the band's highest debuts yet on the Billboard charts. Critical reaction to End Hits was mixed. Many critics praised its heavier tracks, while others questioned the inclusion of the group's longer, more experimental songs.Crane, Larry (February 1999). "Fugazi: Brendan Canty & Guy Picciotto on the Recording Process". Tape Op. Fugazi elected to bring in their former roadie Jerry Busher as a second drummer in order to replicate the drum overdub-heavy sound of the album live.{{Cite web |last=Horwath |first=Benjamin |date=January 22, 2002 |title=Fugazi - Interview with Guy Picciotto Part 1 |url=https://pennyblackmusic.co.uk/Home/Details?id=10656 |url-status=live |archive-url=https://web.archive.org/web/20240529084424/https://pennyblackmusic.co.uk/Home/Details?id=10656 |archive-date=May 29, 2024 |access-date=January 17, 2025 |website=Pennyblackmusic}}
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Fugazi began work on The Argument in 1999. This process saw the group taking more time than usual to write and demo material. Each member brought his own riffs and ideas to the band, jammed on them, and then began piecing the songs together into various configurations before deciding on the final versions.{{cite web|first=Chip|last=Chanko|year=2002|url=http://pitchfork.com/features/interviews/5840-fugazi/| title=Interviews:Fugazi|publisher=Pitchfork|access-date=March 19, 2009}} The album's recording sessions took place between January and April 2001 at Inner Ear Studios and Dischord House in Arlington, Virginia. The band once again worked with Zientara. During the recording process a considerable amount of time was spent finalizing each song's production, in particular the album's drum tracks, in an effort to give it a unique feel.Perlah, Jeff. (2005). [http://www.moderndrummer.com/site/2004/05/brendan-canty/ "Brendan Canty"]. Modern Drummer. Retrieved April 28, 2011. Canty told Modern Drummer, "We recorded them all very differently in terms of the drum sounds. We used a lot of different drum kits, cymbals, snares, and ways of miking."
The Argument was released by Dischord Records on October 16, 2001, along with the EP Furniture + 2. Arion Berger of Rolling Stone called the album "bracing" and "intellectual"Berger, Arion. [https://www.rollingstone.com/music/albumreviews/the-argument-20011113 Fugazi The Argument] {{Webarchive|url=https://web.archive.org/web/20170311020056/http://www.rollingstone.com/music/albumreviews/the-argument-20011113 |date=March 11, 2017 }} Rollingstone.com. Retrieved 4/28/11. and Chris True of AllMusic "spine-tingling and ear-shattering all at once", writing, "the band has raised the bar for themselves and others once again." He also wrote that the album had "touched on strange new territory".{{cite web |website=AllMusic|title=The Argument - Fugazi {{!}} Songs, Reviews, Credits|url=http://www.allmusic.com/album/r343128|first=Chris |last=True|access-date=April 13, 2021}} By this point Fugazi was on tour less, due in large part to other professional and personal commitments. It performed only 32 shows in 2001 and 2002.Perlah, Jeff. "The Independent". Guitar World. March 2002. Even though the number of performances dwindled, during Fugazi's last tour they performed in front of over roughly 70,000 people.{{Cite web |title=Fugazi Live Series: A to Z |url=https://www.dischord.com/fugazi_live_series?filter%5Byear%5D=2001&filter%5Bcity%5D=&filter%5Bsong%5D=&filter%5Bshow_tourdates%5D=all&filter%5Bstate%5D=&filter%5Bcountry%5D=&filter%5Bvenue%5D=&keyword=Search+Shows |access-date=2023-02-08 |website=www.dischord.com}}
=Indefinite hiatus and reunion rumours (2003–present)=
Fugazi went on what it has called an "indefinite hiatus" after the conclusion of its 2002 UK tour following three sold-out nights at the London Forum on November 2–4, 2002.Freidman, p. 11. The hiatus was brought on by the band members' insistence on spending more time with their families and pursuing other professional projects.Freidman, p. 12.
Since Fugazi went on hiatus in 2003, rumors began circulating about a reunion, with some insinuating that the band may get back together to headline the Coachella Festival. While the band has confirmed that it has been offered large sums of money to reunite and headline festivals, such as Coachella, it has so far declined the offers.{{cite web|url=http://www.punknews.org/article/25590 |title=Brendan Canty discusses Fugazi hiatus, "Burn to Shine" and new projects |date=September 17, 2007 |publisher=Punknews.org |access-date=July 15, 2011}}
In March 2011, MacKaye reiterated that Fugazi has "been offered insane amounts of money to play reunions, but it's not going to be money that brings us back together, we would only play music together if we wanted to play music together and time allowed it".{{cite web|url=http://approachingoblivion.blogspot.com/2011/03/ian-mackaye-interview-minor-threat.html |title=Approaching Oblivion: Ian Mackaye Interview (Minor Threat, Fugazi, Dischord Records) |publisher=Approachingoblivion.blogspot.com |date=March 22, 2011 |access-date=July 15, 2011}}
In November 2011, when asked by The A.V. Club about the possibility of a reunion and a follow up to 2001's The Argument, Lally said, "The Argument was a great record that we should try and top. It'll take some time to come together and everything. To do that, we'd have to, the way the four of us are, we would take quite some time, I think, reassociating ourselves musically, and then just letting it come about naturally, because it would have to be a natural thing. So we'll just see."
In August 2014, Dischord announced the official release of First Demo, an album featuring 11 demo songs recorded in January 1988.{{cite web|url=http://www.dischord.com/news/580/2014/8/fugazi-first-demo-out-this-winter|title=Fugazi "First Demo" Out November 18th|publisher=Dischord.com|access-date=February 13, 2015}} The announcement included a preview of the demo for the Fugazi track "Merchandise".{{cite web|url=http://www.stereogum.com/1714496/fugazi-merchandise-demo/mp3s/|title=Fugazi – "Merchandise" (Demo) - Stereogum|work=Stereogum|date=October 27, 2014|access-date=February 13, 2015}} The album was released on November 18, 2014.{{cite web|url=http://www.dischord.com/release/181/first-demo|title=Fugazi - First Demo|work=Dischord Records|access-date=February 13, 2015}}
MacKaye insisted in a 2017 interview that Fugazi is not, in fact, broken up. While he admits any future public performance will have to contend with various confounding factors, the members have occasionally played music together, privately, since their 2003 hiatus.{{cite web|url=https://www.culturecreature.com/fugazi-reunion/ |title=Fugazi's still around--they just went underground |publisher=culturecreature.com |date=January 19, 2017 |access-date=October 9, 2017}} On March 21, 2018, in an interview on Vish Khanna's Kreative Kontrol podcast, Lally confirmed the band's irregular practice of casual get-togethers. He stated: "Yeah, when we're all in D.C., we totally hang out together and talk and spend a lot of time laughing. We have a great time together, go out to dinner, and we'll play some music together." Lally also stated that additional public performances or tours were unlikely: "There's so much to try to look after to allow Fugazi to do anything, that we do not have the time to give it the respect that it deserves. So unfortunately, it is where it is."
On February 13, 2019, Louder Sound asked Lally and Canty about the possibility of Fugazi returning, Lally responded "You never want to say never about anything, because how can you say that about the future? But there does seem to be a lack of time to allow it to happen, because the four of us would have to spend a lot of time together to figure out, 'Should we play old songs?' 'Who are we now?' 'What is it now?' We are not the kind of band to get together and just rehearse two hours of old songs to go out and play it, rake in the dough and come home." Canty added, "If we got back together it would have to be from the spirit of creativity. It would be different if we got back together."{{cite web|url=https://www.loudersound.com/features/the-messthetics-are-the-band-every-fugazi-fan-needs-in-their-life |title=The Messthetics are the band every Fugazi fan needs in their life |publisher=Loudersound.com |date=February 13, 2019 |access-date=July 10, 2019}}
Live performances
{{Main|Fugazi Live Series}}
File:Fugazi guns - Sarah Stierch.jpg
Between 1987 and 2003, Fugazi played over 1,000 concerts in all 50 US states and all over the world. Over 800 of these shows were recorded by the band's sound engineers. Beginning in 2004 and continuing into 2005, Fugazi launched a 30 CD Live Series that featured concerts from various points in their career, which were made available for sale via Dischord Records. Continuing with the live series concept and after several years of development on December 1, 2011, Fugazi launched a comprehensive Live Series website through Dischord Records that features 750 recordings available for download at the suggested price of $5 each or a "pay what you want" sliding scale option for each download between $1–100 with the goal of eventually making all 800 of the shows that have been recorded available for purchase.{{cite web|url=http://www.dischord.com/fugazi_live_series|title=Fugazi Live Series: A to Z|publisher=Dischord.com|access-date=February 13, 2015}} For $500 fans can also purchase an "All Access" privilege which will include access to any future concerts and downloads added to the site.{{cite news|url=https://www.nytimes.com/2011/11/26/arts/music/fugazi-live-series-a-post-punk-bands-archive-of-shows.html |title=Fugazi Rises Again, In Online Archive |work=The New York Times |date=November 25, 2011 |access-date=November 28, 2011}}
While each concert was professionally mastered, the recordings capture everything that happened onstage and for preservation's sake the band chose not to edit anything out, singer/guitarist Guy Picciotto explained to the New York Times, "We liked this idea of, 'Let's just let it be everything,' ... There doesn't have to be the idea that this is the great, golden document. It's all there, and it's not cleaned up. You get what you get." The sound quality also varies as the earliest recordings were made to cassettes, then eventually digital formats such as DAT, CD-R and ultimately hard-drives were used. Each concert page also includes flyers, photographs and ticket stubs. As a career-spanning archival project, the Fugazi Live Series has few equals, putting the band in the company of acts like the Grateful Dead, Phish and Pearl Jam, three notable examples of other artists with such a large volume of concerts available for purchase.
For the first time, in May 2025, Fugazi began to release complete live shows on streaming services and Bandcamp. On May 1st, the bands first show (September 3, 1987 at Wilson Center in Washington, DC) and the band's to-date final performance (November 4, 2002 at The Forum in London, UK) were posted, and it was announced that select shows will be released every month for the rest of 2025.{{Cite web |date=1 May 2025 |title=Fugazi to make Live Series recordings available on Bandcamp and streaming services |url=https://dischord.com/news/762/2025/5/fugazi-to-make-live-series-recordings-available-on-bandcamp-and-streaming-services |access-date=21 May 2025 |website=dischord.com}}
Musical style
Fugazi's style has been described as post-hardcore,{{cite web|author=Andy Kellman |url=http://www.allmusic.com/artist/fugazi-mn0000798606/biography |title=Fugazi | Biography |publisher=AllMusic |access-date=April 18, 2014}} art punk,{{cite web | url=http://exclaim.ca/Music/article/Fugazi_Nearly_Finished_Massive_Live_Archive_Project | title=Fugazi Nearly Finished Massive Live Archive Project | publisher=Exclaim! | date=July 19, 2010 | access-date=April 17, 2015 | author=Carlick, Stephen}}{{cite web | url=http://www.washingtoncitypaper.com/articles/27321/in-on-the-killjoy | title=In on the Killjoy | publisher=Washington City Paper | date=October 17, 2003 | access-date=April 17, 2015 | author=Little, Michael}} alternative rock,{{cite book|last=Farseth|first=Erik|author-link=Erik Farseth|date=2012|title=American Rock: Guitar Heroes, Punks, and Metalheads|publisher=Twenty-First Century Books ™ |isbn=9781512452853|edition=1st |url=https://books.google.com/books?id=XPilDQAAQBAJ&q=%22fugazi%22+%22alternative+rock%22&pg=PA41|access-date=January 18, 2017|quote=Fugazi's mixture of punk guitars and funky rhythms made it one of the most influential bands in alternative rock.}} and experimental rock.{{cite web | url=http://www.stereogum.com/1133821/fugazi-albums-from-worst-to-best/franchises/counting-down/attachment/redmedicine/ | title=Fugazi Albums From Worst To Best: Red Medicine | publisher=Stereogum | date=August 23, 2012 | access-date=April 17, 2015 | author=Toth, James Jackson}} Fugazi's music was an intentional departure from that of the hardcore punk bands the members had played in previously. Fugazi combined punk with funk and reggae beats, irregular stop-start song structures, and heavy riffs inspired by popular rock bands such as Led Zeppelin and Queen, bands that the punk community of the time largely disdained.Azerrad, p. 391–392. When questioned by Guitar World in 2002 about the band's influences, singer/guitarist Ian MacKaye responded, "Too many to mention. And not just from the last few years. Some of them predate us by decades, and most of them wouldn't be punk. I would hope any musician would be inspired by a lot of different kinds of music." Fugazi's influences include Bad Brains, the Faith, Void, Minutemen, Black Flag, Sonic Youth, the Ex, the Beatles, and the Obsessed.{{Cite web |last=Brannigan |first=Paul |date=April 16, 2014 |title=Ian MacKaye on Minor Threat, Fugazi and the power of Punk Rock |url=https://www.loudersound.com/features/ian-mackaye-on-minor-threat-fugazi-and-the-power-of-punk-rock |url-status=live |archive-url=https://web.archive.org/web/20230504110407/https://www.loudersound.com/features/ian-mackaye-on-minor-threat-fugazi-and-the-power-of-punk-rock |archive-date=May 4, 2023 |access-date=July 2, 2024 |website=Louder}}
Picciotto became the group's second guitarist when he realized MacKaye's typically chunky, low-end riffs and Lally's dub-influenced basslines allowed him to focus on high-pitched parts. In both vocal and guitar roles, Picciotto assumed the role of a foil to MacKaye; employing a Rickenbacker guitar for its scratchy single-coil sound in order to "cut through MacKaye's chunky chording like a laser beam." Their inventive, interlocking guitarwork often defies the traditional notion of "lead" and "rhythm" guitars and features unusual and dissonant chords and progressions filtered through a hardcore punk lens. Later, Fugazi more fully integrated elements of punk rock, hardcore, soul and noise with an inventively syncopated rhythm section.
Picciotto's assumption of guitar duties allowed all four members of the band to jam together and write songs that way, where previously they had played songs largely as MacKaye had arranged them.Azerrad, p. 399–400. When writing songs, the band often rearranges them with different structures and different singers. Spin has listed MacKaye and Picciotto together at No. 86 on their list of the 100 Greatest Guitarists of All Time for their unique and interlocking guitar style in Fugazi.{{cite web|url=https://www.spin.com/2012/05/spins-100-greatest-guitarists-all-time/?page=1 |title=Spin's 100 Greatest Guitarists of All Time |work=Spin |access-date=May 3, 2012}}
Generally, MacKaye's lyrics and singing are more direct and anthemic (MacKaye admits that he loves audience sing-alongs and writes songs with shout-able slogans), while Picciotto usually favors a more abstract, oblique approach. Lally has contributed vocals to a few songs as well, in which he sings in a more relaxed, quiet style as opposed to MacKaye and Picciotto, whose lyrics and vocals often feature strong emotional intensity.
Each of Fugazi's albums since Repeater have featured an instrumental. By the time of 1995's Red Medicine bassist Joe Lally also began contributing vocals to the band and the group was implementing many of their broader influences into the overall sound. Critics Ian McCaleb and Ira Robbins declared that Fugazi's music combined an "unprecedented dynamic range ... and previously unimagined elements" such as "clattering musique concrète ... piano and sound effects ... murky dub and lancing clarinet" and "loose-limbed jammy funk ... into an ambitious, experimental format that raises more stylistic questions than it answers."{{cite web|url=http://www.trouserpress.com/entry.php?a=fugazi |title=Fugazi |publisher=TrouserPress.com |access-date=July 15, 2011}}
Ideology and views
Fugazi is well known for their members' refusal to sign to or work with corporate record labels, instead choosing to release their albums through Dischord.{{Cite web |last=McMahan |first=Tim |date=1998 |title=Fugazi: It's Not All 'bout the Benjamins |url=https://www.timmcmahan.com/fugazi.htm |url-status=live |archive-url=https://web.archive.org/web/20231208124932/https://www.timmcmahan.com/fugazi.htm |archive-date=December 8, 2023 |access-date=May 11, 2024 |website=lazy-i.com}} Despite receiving offers from major labels like Atlantic Records, the band were adamant about retaining their independence.{{Cite news |last=Brannigan |first=Paul |date=October 26, 2023 |title="It would have been the most stupid and self-destructive thing we could possibly have done": Why the man who signed Led Zeppelin and The Rolling Stones failed in his repeated bids to sign Fugazi, not even for 10 million dollars |url=https://www.loudersound.com/features/why-the-man-who-signed-led-zeppelin-and-the-rolling-stones-failed-in-his-bids-to-sign-fugazi |url-status=live |archive-url=https://web.archive.org/web/20231029155128/https://www.loudersound.com/features/why-the-man-who-signed-led-zeppelin-and-the-rolling-stones-failed-in-his-bids-to-sign-fugazi |archive-date=October 29, 2023 |access-date=May 11, 2024 |work=LOUDER}} MacKaye has stated that "no amount of money is worth losing control of our music."{{Cite web |last=Gross |first=Jason |date=April 1997 |title=Fugazi- IAN MACKAYE INTERVIEW |url=https://www.furious.com/perfect/fugazi.html |url-status=live |archive-url=https://web.archive.org/web/20230406060419/https://www.furious.com/perfect/fugazi.html |archive-date=April 6, 2023 |access-date=May 11, 2024 |website=furious.com}}
On their first tours, Fugazi worked out its DIY ethic by trial and error. Their decisions were partly motivated by pragmatic considerations that were essentially a punk rock version of simple living: for example, selling merchandise on tour would require a full-time merchandise salesperson who would require lodging, food, and other costs, so Fugazi decided to simplify their touring by not selling merchandise. The band was also motivated by moral or ethical considerations: for example, Fugazi's members regarded pricey admission for rock concerts as tantamount to price gouging a performer's most loyal fans. Fugazi's inexpensive target goal of $5 admission was spawned during a conversation on an early tour when the band's members were debating the lowest profitable admission price.Eric Brace. (August 1, 1993) [https://archive.today/20181005224001/http://www.oocities.org/drawcamp/wp93.htm Punk Lives! Washington's Fugazi Claims It's Just a Band. So Why Do So Many Kids Think It's God?] The Washington Post Everett True has said that MacKaye and Fugazi "had a mind-set that believed that any involvement with the system was corrupting and that you should create completely alternative structures outside".{{cite book |last1=Goldberg |first1=Danny |title=Serving the Servant: Remembering Kurt Cobain |date=2019}}
In later years, Fugazi was unable to negotiate ticket prices below about $10–$15 total. However, it never saw the $5 rule as inviolable, instead aiming to charge a price that was both affordable for fans and profitable for the band. Unlike some similar, independent rock contemporaries, Fugazi's performances and tours were always profitable, due to the group's popularity, low business overhead costs, and MacKaye's keen sense of audience response in given regions. Many times the band performed sold-out shows multiple consecutive nights at the same venue.
Fugazi's early tours earned it a strong word-of-mouth reputation, both for its powerful performances, and also for the band's eagerness to play in unusual venues. The group sought out alternatives to traditional rock clubs partly to relieve the boredom of touring, but also hoping to show fans that there are other options to traditional ways of doing things. As Picciotto said, "You find the Elks Lodge, you find the guy who's got a space in the back of his pizzeria, you find the guy who has a gallery. Kids will do that stuff because they want to make stuff happen."Azerrad, p. 391.
The group, and MacKaye in particular, also made a point of discouraging violent, unwanted slam dancing and fistfights. This was not only due to them seeing violence as a relic of the early 1980s hardcore punk era, but also due to financial concerns; moshing often denoted the installation of costly barricades to prevent injuries in the crowd. MacKaye recounted in an interview, "We played one show to 4000 people one night and the barricade made more money than we did: the barricade cost more than we made. And that’s not even factoring in the 30 security staff you have to hire to man that barricade. It was just psychotic, and it had nothing to do with music: it wasn’t a physical response to music, it was like a behavioural hypnosis caused by television."{{Cite web |last=Brannigan |first=Paul |date=July 2, 2024 |title="I imagine there’s more unlistened to copies of Killtaker than any other Fugazi album." Nirvana may have brought 'alternative rock' to the masses, but for Fugazi, America's greatest punk band, the fall-out proved to be "a real nightmare" |url=https://www.loudersound.com/features/fugazi-in-on-the-killtaker-ian-mackaye-guy-picciotto |url-status=live |archive-url=https://web.archive.org/web/20240718195943/https://www.loudersound.com/features/fugazi-in-on-the-killtaker-ian-mackaye-guy-picciotto |archive-date=July 18, 2024 |access-date=October 6, 2024 |website=Louder Sound}}
Michael Azerrad quotes Mackaye, "See, [slam dancers] have one form of communication: violence ... So to disorient them, you don't give them violence. I'd say, 'Excuse me, sir ...'- I mean, it freaks them out – 'Excuse me, sir, would you please cut that crap out?'"Azerrad, p. 392. Azerrad writes, "[MacKaye's] admonitions seemed preachy to some. And by and large, people would obey – it wasn't cool to disrespect Ian MacKaye." Occasionally, Fugazi would have an unrepentant slam-dancer escorted from the concert, and give them an envelope containing a $5 refund (the group kept a stock of such envelopes in their tour van for these occasions).
During the summer of 1990, MacKaye formed the corporation Lunar Atrocities Ltd.[http://mblr.dc.gov/corp/lookup/status.asp?id=165796] {{webarchive|url=https://web.archive.org/web/20100306133611/http://mblr.dc.gov/corp/lookup/status.asp?id=165796|date=March 6, 2010}} in order to shield his own and his bandmates' personal assets from the threat of lawsuits. As MacKaye's financial advisor, Seth Martin, explained to The Washington Post in a 1993 interview: "protection from liability is the main reason to form a corporation, and for these guys it makes sense. If someone got hurt stage-diving and decided to sue, it would be harder to go after their personal assets."{{cite web |url=http://www.geocities.com/drawcamp/wp93.htm |title=Archived copy |access-date=April 27, 2013 |url-status=dead |archive-url=https://archive.today/20240524145636/https://www.webcitation.org/5knitPwPx?url=http://www.geocities.com/drawcamp/wp93.htm |archive-date=May 24, 2024 }}
Influence and legacy
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| quote = I just think of it as part of the reciprocal process inherent in the way music works. Ideas and inspiration are just handed down the line from band to band from generation to generation. For us, we came up completely in awe of bands like the Bad Brains – they lit a fire in us and we just did our best to pass that feeling on to other people in our own way.
| source = Guy Picciotto on the band's influence.{{cite web|url=https://culturalglitch.wordpress.com/2011/11/03/interview-with-fugazis-guy-piciotto/|title=Interview with Fugazi's Guy Piciotto|website=Cultural Glitch|date=November 3, 2011|access-date=May 31, 2020}}
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Fugazi's music and ethics have been immensely influential on punk and alternative music throughout the years, and has earned the band praise from many notable musicians as well. Sublime "thanked" the band by namedropping them on their debut album.{{Cite web|url=https://pitchfork.com/reviews/albums/sublime-40oz-to-freedom/|title=Sublime: 40oz. to Freedom|website=Pitchfork}} At the Drive-In called the band an influence on their own music,{{cite book |title=POST: A Look at the Influence of Post-Hardcore-1985-2007 |last=Grubbs |first=Eric |year=2008 |publisher=iUniverse, Inc. |location=Bloomington, IN |isbn=978-0-595-51835-7 |page=269}} as did other notable post-hardcore bands such as Refused,{{Cite web|url=https://consequence.net/2015/06/refuseds-dennis-lyxzen-revisits-fugazis-red-medicine/|title=Refused's Dennis Lyxzén Revisits Fugazi's Red Medicine|date=June 30, 2015}} Quicksand,{{Cite web|url=https://www.loudersound.com/features/quicksands-track-by-track-guide-to-new-album-interiors|title=Quicksand's track by track guide to new album Interiors|first=Stephen Hill 09|last=November 2017|website=loudersound|date=November 9, 2017}} Thrice,{{Cite web |last=Ballik |first=Shawna |date=July 16, 2006 |title=Interview with Thrice bassist Eddie Breckenridge |url=https://v13.net/2006/07/interview-with-thrice-bassist-eddie-breckenridge/ |url-status=live |archive-url=https://web.archive.org/web/20211027062229/https://v13.net/2006/07/interview-with-thrice-bassist-eddie-breckenridge/ |archive-date=October 27, 2021 |access-date=April 2, 2024 |website=v13.net |quote=So bands that we draw influences from – bands like Fugazi or Refused or, I don’t know...}} Thursday,{{Cite web |first= |date=January 14, 2011 |title=Thursday |url=https://www.scenepointblank.com/features/interviews/thursday/ |url-status=live |archive-url=https://web.archive.org/web/20210603021435/https://www.scenepointblank.com/features/interviews/thursday/ |archive-date=June 3, 2021 |access-date=October 17, 2023 |website=Scene Point Blank |quote="...it recalls bands that I listened to growing up: Jawbox and Fugazi -truly great bands. I think they put their own stamp on it. It's like, these are our influences"}} Cursive,{{cite web|url=https://www.vice.com/en/article/cursive-the-ugly-organ-retrospective/|title=The Oral History of Cursive's Accidental Masterpiece, 'The Ugly Organ'|author=Dan Ozzi|website=Noisey|quote=We loved Archers of Loaf, but we also loved Fugazi and all these influences. We often ended up on tour with posthardcore bands but we really weren't that hard even if we were heavy at times.|date=November 24, 2014|access-date=May 16, 2020}} Cap'n Jazz,{{Cite magazine |last=Exposito |first=Suzy |date=November 2, 2016 |title=American Football: Inside Emo Godfathers' Unlikely Return |url=https://www.rollingstone.com/music/music-features/american-football-inside-emo-godfathers-unlikely-return-122039/ |url-status=live |archive-url=https://web.archive.org/web/20240331084802/https://www.rollingstone.com/music/music-features/american-football-inside-emo-godfathers-unlikely-return-122039/ |archive-date=March 31, 2024 |access-date=April 11, 2024 |magazine=Rolling Stone |quote='Cap’n Jazz had that sort of Dischord, Fugazi influence,' says Kinsella.}} Braid,{{Cite web |date=July 25, 2013 |title=BRAID |url=https://www.reggieslive.com/band/braid/ |url-status=live |archive-url=https://web.archive.org/web/20230518145315/https://www.reggieslive.com/band/braid/ |archive-date=May 18, 2023 |access-date=April 2, 2024 |website=Reggies Chicago |quote=Braid started writing songs that combined the sounds of DC with those of the Bay Area. 'We would soak up and study pretty much anything on Dischord,' [Bob Nanna] says. 'Anytime any of those bands like—Fugazi, Nation of Ulysses, Shudder to Think, or Jawbox—came anywhere near Chicago, we were there.' In addition to the music, Nanna was obsessed with the energy that these bands expressed onstage.}} and Mclusky.{{Cite web|url=http://link2wales.co.uk/south-wales-a-m/south-wales-m/|title=South Wales: M|website=link2wales|date=May 15, 2008 |quote=They claim to take their influences from Fugazi, Pixies and Steve Albini, and their gigs |access-date=May 16, 2020}} Former At the Drive-In guitarist Jim Ward has also noted Fugazi as a major influence of his during the recording process for his band Sparta's first album Wiretap Scars.{{Cite web |last=Sacher |first=Andrew |date=July 21, 2022 |title=Sparta's 'Wiretap Scars' turns 20; Jim Ward discusses it in new interview with If It Kills You |url=https://www.brooklynvegan.com/spartas-wiretap-scars-turns-20-jim-ward-discusses-it-in-new-interview-with-if-it-kills-you/ |url-status=live |archive-url=https://web.archive.org/web/20230828155356/https://www.brooklynvegan.com/spartas-wiretap-scars-turns-20-jim-ward-discusses-it-in-new-interview-with-if-it-kills-you/ |archive-date=August 28, 2023 |access-date=April 2, 2024 |website=Brooklyn Vegan}} John Frusciante named them an influence on Red Hot Chili Peppers' Californication and on his solo album The Will to Death.{{Cite web|url=http://magnetmagazine.com/2004/10/01/john-frusciante-perfect-from-now-on/|title=John Frusciante: Perfect From Now On |work=Magnet |first=Eric T.|last=Miller|date=October 1, 2004}} Nirvana cited the band as an influence,{{Cite book|url=https://books.google.com/books?id=8tCGDwAAQBAJ&q=nirvana+fugazi+influence&pg=PT355|title=Nirvana FAQ: All That's Left to Know About the Most Important Band of the 1990s|first=John D.|last=Luerssen|date=March 1, 2014|publisher=Rowman & Littlefield|isbn=9781617135897|via=Google Books}} and Kurt Cobain - who was friends with the members of Fugazi{{Cite news|url=https://www.washingtonpost.com/archive/lifestyle/style/1993/08/01/punk-lives-washingtons-fugazi-claims-its-just-a-band-so-why-do-so-many-kids-think-its-god/6c56fef5-780a-4a6e-8411-8c6b407e1eed/|title=Punk Lives! Washington's Fugazi Claims It's Just a Band. So Why Do So Many Kids Think It's God?|first=Eric|last=Brace|date=August 1, 1993|newspaper=The Washington Post}} - was even spotted in a popular photo of the band with the word "Fugazi" misspelt on both shoes.{{Cite web|url=http://www.feelnumb.com/2009/10/13/why-did-kurt-cobain-wrote-fuhgawz-on-his-shoe/|title=Why Did Kurt Cobain Write FUHGAWZ On His Shoe???|date=October 13, 2009}}{{Cite web|url=https://www.spin.com/2013/09/nirvana-cover-story-1993-smashing-their-heads-on-the-punk-rock/|title=Nirvana: The 1993 'In Utero' Cover Story, 'Smashing Their Heads on the Punk Rock'|date=September 19, 2013|website=Spin}} Eddie Vedder of Pearl Jam remarked that witnessing the band live "was a life-changing experience" for him.{{cite web|url=https://consequence.net/2020/03/pearl-jam-bill-simmons-podcast/|title=Pearl Jam Talk Gigaton, Favorite Venues, and Basketball on The Bill Simmons Podcast: Stream|website=Consequence of Sound|author=Alex Young|date=March 27, 2020|access-date=April 26, 2020}} Jimmy Eat World have also named Fugazi as an influence,{{Cite web |last=Tay |first=Francesca |date=April 5, 2011 |title=Hear You, Me |url=https://theurbanwire.sg/hear-you-me/ |url-status=live |archive-url=https://web.archive.org/web/20241010015349/https://theurbanwire.sg/hear-you-me/ |archive-date=October 10, 2024 |access-date=October 10, 2024 |website=The Urban Wire}} and frontman Jim Adkins has noted that both MacKaye and Picciotto's playing styles made him "more open to the ideas behind guitar playing, as opposed to the technical difficulty of it.".{{Cite web |last=Stock |first=Matt |date=September 8, 2016 |title=The 13 best guitarists according to Jimmy Eat World's Jim Adkins |url=https://www.loudersound.com/features/best-guitarists-jimmy-eat-world-jim-adkins-def-leppard-poison-fugazi-vai-satriani-rocket-from-the-crypt |archive-url=https://web.archive.org/web/20231002145351/https://www.loudersound.com/features/best-guitarists-jimmy-eat-world-jim-adkins-def-leppard-poison-fugazi-vai-satriani-rocket-from-the-crypt |archive-date=October 2, 2023 |access-date=June 13, 2024 |website=loudersound |quote=[Fugazi's music] was guitar-based rock, but the dissonance and energy of it was unlike anything I’d listened to before. That really opened my eyes to the fact that there were no rules. After I heard Fugazi I was definitely more open to the ideas behind guitar playing, as opposed to the technical difficulty of it.}} Reportedly a huge fan, Elliott Smith was "super-obsessed" with the band{{cite book|url=https://books.google.com/books?id=LBhKDgAAQBAJ&q=fugazi+elliott+smith&pg=PT134|title=Elliott Smith and the Big Nothing|quote=He was becoming really super-obsessed with Built to Spill and Fugazi, and I know he admired Ian [MacKaye, of Fugazi] and Doug [Martsch, of Built to Spill] like crazy.|author=Benjamin Nugent|date=April 27, 2009|publisher=Hachette Books |isbn=9780786738106|access-date=May 12, 2020}} and later admitted that his former band Heatmiser was "trying to be Fugazi".{{Cite book|url=https://books.google.com/books?id=LBhKDgAAQBAJ&q=heatmiser+fugazi&pg=PT42|title=Elliott Smith and the Big Nothing|first=Benjamin|last=Nugent|date=April 27, 2009|publisher=Hachette Books|isbn=9780786738106|via=Google Books}} The Smiths guitarist Johnny Marr offered the band praise, and called MacKaye one of his favorite guitarists.{{cite web|url=https://recordcollectormag.com/articles/johnny-marr|quote=I discovered how great Fugazi are and I got to see it all first-hand because I was in Modest Mouse. It was an intoxicating time and it coincided with a change in my personal life|title=Johnny Marr - 'It was my destiny'|website=Record Collector|access-date=May 15, 2020}}{{cite web|url=https://twitter.com/johnny_marr/status/532170977682415616?lang=en|title=One of my favourite guitar players Ian MacKaye of Fugazi, Minor Threat and The Evens, and a cup cake.|website=Twitter|date=November 11, 2014|access-date=May 15, 2020}}
Towards the end of his life, Joe Strummer, lead vocalist of the Clash, recognized Fugazi as the band that best exemplified "the spirit of punk" in a 2000 Rolling Stone interview, besides offering them accolades on several other occasions.{{cite book|title=Dance of Days: Two Decades of Punk in the Nation's Capital|last1=Andersen|first1=Mark|last2=Jenkins|first2=Mark|date=2003|publisher=Akashic Books|location=New York}}{{cite web|url=http://sites.psu.edu/punk/wp-content/uploads/sites/36177/2016/05/Andersen_on_Political_Punk.pdf|title=The Clash and Fugazi: Punk Paths Toward Revolution|author=Mark Andersen|access-date=May 12, 2020}} In 1993, Joey Ramone of the Ramones picked the band as a favorite, labeling them a "great social conscience".{{cite web|url=https://books.google.com/books?id=hcbFj_1xS7QC&q=jeff+buckley+fugazi&pg=PA36|title=Who Do You Love?|website=Spin|date=January 1993|access-date=May 16, 2020}} Graham Coxon of Blur recalls his introduction to bands such as Fugazi (and the Picciotto-led Rites of Spring) in the mid 1990s as being one of the most musically significant moments of his life: "They used the guitar in an incredible way; making quite restrained noisy music, which I'd never heard English bands doing."{{cite web|url=https://www.uncut.co.uk/features/graham-coxon-blur-pop-strange-limiting-form-damon-receptive-days-99254/2/|title=Graham Coxon on Blur and pop: 'It's a strange, limiting form... but me and Damon are more receptive these days'|author=John Lewis|website=Uncut|date=February 10, 2017|access-date=May 15, 2020}} Daniel Kessler of Interpol has also cited the band as an influence on his guitar-playing,{{Cite news|url=https://www.wsj.com/articles/interpols-dan-kessler-on-five-electrifying-albums-1412287964|title=Interpol's Daniel Kessler on Five Electrifying Albums|first=Marc|last=Myers|newspaper=Wall Street Journal|date=October 2, 2014|via=www.wsj.com}}{{Cite book|url=https://books.google.com/books?id=voa9DgAAQBAJ&q=fugazi+the+strokes&pg=PT24|title=Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001–2011|first=Lizzy|last=Goodman|date=August 1, 2017|publisher=Faber & Faber|isbn=9780571337996|via=Google Books}} as has Colin Frangicetto of Circa Survive,{{Cite web |date=May 15, 2018 |title=Interview: Colin Frangicetto of Circa Survive |url=https://spotlightreport.net/on-the-spot-2/interview-colin-frangicetto-of-circa-survive |url-status=live |archive-url=https://web.archive.org/web/20210225173712/https://spotlightreport.net/on-the-spot-2/interview-colin-frangicetto-of-circa-survive |archive-date=February 25, 2021 |access-date=June 13, 2024 |website=Spotlight Report}} and Gareth Liddiard of the Drones and Tropical Fuck Storm.{{cite web|url=https://stafmagazine.com/news/the-drones/|title=The Drones|website=Staf |author=Txema Mañeru|date=October 16, 2016|access-date=May 17, 2020}} Tim Commerford of Rage Against the Machine found the band's music on Repeater{{Cite web|url=https://www.theskinny.co.uk/music/playlists/under-the-influence-ratm-tim-commerford|title=RATM's Tim Commerford on Fugazi and more - Under the Influence|website=www.theskinny.co.uk}} revelatory, as did Steve Holmes of American Football.{{Cite web|url=http://read.tidal.com/article/american-football-5-albums-that-changed-my-life|title=American Football: 5 Albums That Changed My Life|website=read.tidal.com|date=October 21, 2016 }} Tom DeLonge of Blink-182 called the band a big influence as they "stood for something and never varied from that path."{{Cite web|url=http://www.trieyecreative.com/list-five-bands-that-influenced-blink-182.html|title=List: Five Bands That Influenced Blink-182|website=Tri Eye Creative Writing & Design}} "Fugazi was probably my biggest influence as far as wanting to start a band", Modest Mouse founding member Jeremiah Green admitted, "It was really great music and just sounded like something I could possibly do."{{cite web|url=https://www.moderndrummer.com/article/november-2015-jeremiah-green/|title=Features - Jeremiah Green|author=Stephen Bidwell|website=Modern Drummer|access-date=May 12, 2020}} When asked to name some of his favorite records or discographies, Brian Cook of Botch (and later Russian Circles) included the band's entire discography amongst others.{{cite web|url=https://nowxspinning.tumblr.com/post/67775340768/interview-68-brian-cook-of-botch-russian|title=Interview #68 /// Brian Cook of Botch / Russian Circles|website=Now Spinning|quote=Magma's Udu Wudu, any Fugazi LP, Neutral Milk Hotel's Aeroplane Over The Sea,|date=November 22, 2013|access-date=May 16, 2020}} Gogol Bordello's Eugene Hutz called the band's debut EP "probably the best I ever heard. It's so together and everything sits in the right place."{{Cite web|url=https://thequietus.com/articles/13106-eugene-hutz-gogol-bordello-favourite-albums?page=8|title=The Quietus | Features | Baker's Dozen | Soul-Searching Frequencies: Eugene Hütz Of Gogol Bordello's Favourite LPs|website=The Quietus|date=August 15, 2013 }} Jeff Rosenstock not only called the band a big influence on his music,{{Cite web|url=https://www.allthingsloud.com/jeff-rosenstock-interview/|title=In Conversation With Jeff Rosenstock|first=Steven|last=Morgan|date=October 6, 2018}} but also on his strict DIY business practices & ethics.{{Cite web|url=https://vanyaland.com/2015/03/04/interview-jeff-rosenstock-on-being-cool-writing-depressing-lyrics-for-upbeat-songs-and-staying-relevant-past-30/|title=Interview: Jeff Rosenstock on being 'Cool', writing depressing lyrics for upbeat songs, and staying relevant past 30|date=March 4, 2015|website=Vanyaland}}{{Cite web|url=https://uproxx.com/music/jeff-rosenstock-worry-interview/|title=DIY Punk God Jeff Rosenstock On Maturity, Sell Outs, Defending Ska, And His Great New LP 'Worry'|first=Steven|last=Hyden|date=October 7, 2016}} Sunny Day Real Estate cited the band as an influence for similar reasons.{{cite web|url=https://www.avclub.com/sunny-day-real-estate-1798217697|title=Sunny Day Real Estate|website=The A.V. Club|author=Marc Hawthorne|quote=And I think we were pretty influenced by kind of that Fugazi, we-owe-you-nothing, you-have-no-control ethic. Like, 'We're gonna let you have one picture of us, we're gonna do one interview, and we're just gonna let our music speak for us, and that's gonna be that.'|date=September 17, 2009|access-date=April 26, 2020}}
In addition, the band has been cited as an influence by Tool bassist Justin Chancellor,{{Cite web|url=https://toolshed.down.net/articles/index.php?action=view-article&id=May_2001--Bass_Player.html|title=The Tool Page: Articles|website=toolshed.down.net}} Jack White,{{cite web|url=https://www.theguardian.com/music/musicblog/2012/apr/03/jack-white-interview|title=Jack White: 'Is it fun to make music? I don't really know' – an in-depth Q&A from the vaults|author=Barney Hoskins|website=The Guardian|quote=Dominic [White] and I liked Fugazi and Flat Duo Jets, which I got to from working at the upholstery shop. Those were those punk influences coming up|date=April 3, 2012|access-date=April 26, 2020}}
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In addition, the first concert White ever attended was a Fugazi concert, see: {{cite web|url=https://decider.com/2018/09/28/jack-white-kneeling-at-the-anthem-dc-review/|title='Kneeling At The Anthem D.C.' Finds Jack White Wrestling With His Past And Planning For The Future|date=September 28, 2018|access-date=April 26, 2020}} Sepultura vocalist Derrick Green,{{Cite news |date=December 5, 2006 |title=Divine Heavy Metal: Sepultura at Jaxx |url=https://www.washingtonpost.com/express/wp/2006/12/05/divine_heavy_metal_sepultura_at_jaxx_1/ |access-date=August 1, 2022 |newspaper=The Washington Post}} Carrie Brownstein of Sleater-Kinney,{{Cite magazine|url=https://www.rollingstone.com/music/music-features/carrie-brownstein-the-music-that-made-me-183856/|title=Carrie Brownstein: The Music That Made Me|first1=Rolling|last1=Stone|magazine=Rolling Stone|date=May 8, 2015}} Chester Bennington of Linkin Park,{{Cite web|last=Oswald|first=Derek|date=March 13, 2015|title=[AltWire Interview] Chester Bennington - 'We'll Be Playing Some Songs That We Haven't Played Before...'|url=https://www.altwire.net/2015/03/12/altwire-interview-chester-bennington/|access-date=December 27, 2021|website=AltWire|language=en-US|archive-date=March 18, 2015|archive-url=https://archive.today/20150318232425/http://www.altwire.net/2015/03/12/altwire-interview-chester-bennington/|url-status=dead}} Dashboard Confessional,{{Cite web |last=Gordon |first=Lily |date=October 19, 2012 |title=Carrabba confessional: Early aughts pop star on life after Dashboard |url=http://chicagomaroon.com/2012/10/19/carrabba-confessional-early-aughts-pop-star-on-life-after-dashboard/ |url-status=dead |archive-url=https://web.archive.org/web/20210513061211/http://chicagomaroon.com/2012/10/19/carrabba-confessional-early-aughts-pop-star-on-life-after-dashboard/ |archive-date=May 13, 2021 |access-date=April 2, 2024 |website=www.chicagomaroon.com |quote=Well, my influences are the weirdest ones compared to those of the band—I’m equally inspired by Fugazi, Minor Threat, Descendents, and all these punk and hardcore bands...}} the Kills,{{Cite web |date=March 15, 2011 |title=The Kills Talk Fugazi, Tokyo, and Blood Pressures |url=https://www.interviewmagazine.com/music/the-kills-blood-pressures |url-status=live |archive-url=https://web.archive.org/web/20221206095018/https://www.interviewmagazine.com/music/the-kills-blood-pressures |archive-date=December 6, 2022 |access-date=June 15, 2024 |website=Interview Magazine}}{{Cite news|url=https://www.theguardian.com/music/2005/feb/04/1|title='We're chain-smoking vegans...' The Kills reveal all|first=Will|last=Hodgkinson|newspaper=The Guardian |date=February 4, 2005|via=www.theguardian.com}} Face to Face,{{Cite web |last=Ramirez |first=Carlos |date=June 1, 2011 |title=Five Albums That Changed My Life: Face to Face's Trever Keith |url=https://noisecreep.com/face-to-face-top-albums/ |url-status=live |archive-url=https://web.archive.org/web/20240723213737/https://noisecreep.com/face-to-face-top-albums/ |archive-date=July 23, 2024 |access-date=November 23, 2024 |website=Noisecreep |quote=I had never heard anything like this before I heard [Repeater]. This record was a giant influence on early Face to Face stuff. If I had to pick a favorite song on the album, I would have to go with 'Styrofoam.'"}} the Futureheads,{{Cite web |last=Murray |first=Robin |date=May 25, 2010 |title=The Futureheads On ‘The Chaos’ |url=https://www.clashmusic.com/features/the-futureheads-on-the-chaos/ |url-status=live |archive-url=https://web.archive.org/web/20240613153819/https://www.clashmusic.com/features/the-futureheads-on-the-chaos/ |archive-date=June 13, 2024 |access-date=June 13, 2024 |website=Clash}} the Get Up Kids,{{Cite web |last=Crowther IV |first=Rob |date=July 24, 2019 |title=Matt Pryor of The Get Up Kids on 'Problems,' Growing Up Musically & Asbury Park |url=https://thepopbreak.com/2019/07/24/matt-pryor-of-the-get-up-kids-on-problems-growing-up-musically-asbury-park/ |url-status=live |archive-url=https://web.archive.org/web/20230521131743/https://thepopbreak.com/2019/07/24/matt-pryor-of-the-get-up-kids-on-problems-growing-up-musically-asbury-park/ |archive-date=May 21, 2023 |access-date=April 2, 2024 |website=thepopbreak.com}} ...And You Will Know Us by the Trail of Dead,{{cite magazine|url=https://www.rollingstone.com/music/music-news/song-premiere-and-you-will-know-us-by-the-trail-of-dead-catatonic-200615/|title=Song Premiere: ... And You Will Know Us by the Trail of Dead, 'Catatonic'|magazine=Rolling Stone|quote=Lost Songs clearly flirts with political and social commentary, but as Reece notes, 'It's really more observations and reflections. We're not trying to shove any sort of gospel down someone's throat – we're just trying to question things for ourselves. As kids in the Nineties, we were into bands like Fugazi and Public Enemy – bands that were very politically wrapped up in a bunch of stuff. It seemed like there was a sense of trying to find the truth, or at least speaking out.'|author=Ryan Reed|date=September 25, 2012|access-date=May 11, 2020}} Dillinger Escape Plan guitarist Ben Weinman,{{Cite web |last=Weinmann |first=Benjamin |date=October 30, 2013 |title=Under the Influence: Dillinger Escape Plan's Ben Weinman |url=https://www.theskinny.co.uk/music/playlists/under-the-influence-dillinger-escape-plans-ben-weinman |url-status=live |archive-url=https://web.archive.org/web/20230709194632/https://www.theskinny.co.uk/music/playlists/under-the-influence-dillinger-escape-plans-ben-weinman |archive-date=July 9, 2023 |access-date=June 13, 2024 |website=The Skinny}} OK Go frontman Damian Kulash,{{Cite web |last=Jozwik |first=Catherine |date=April 19, 2019 |title=OK Go is Coming to Milwaukee. We Chatted with Them About What it Takes to Make Those Iconic Videos |url=https://www.milwaukeemag.com/ok-go-coming-milwaukee-chatted-takes-make-iconic-videos/ |url-status=live |archive-url=https://web.archive.org/web/20190603155145/https://www.milwaukeemag.com/ok-go-coming-milwaukee-chatted-takes-make-iconic-videos/ |archive-date=June 3, 2019 |access-date=June 18, 2024 |website=Milwaukee Magazine}} Rise Against frontman Tim McIlrath,{{Cite web |last=Heisel |first=Scott |date=February 8, 2003 |title=Interviews: Rise Against |url=https://www.punknews.org/article/5272/interviews-rise-against |url-status=live |archive-url=https://web.archive.org/web/20230422122903/https://www.punknews.org/article/5272/interviews-rise-against |archive-date=April 22, 2023 |access-date=April 2, 2024 |website=punknews.org}} Daniel Johns of Silverchair,{{cite news |date=July 23, 2007 |title=Young Moderns: Silverchair |url=https://www.washingtonpost.com/express/wp/2007/07/24/young_moderns_silverchair/ |url-status=live |archive-url=https://web.archive.org/web/20240613155100/https://www.washingtonpost.com/express/wp/2007/07/24/young_moderns_silverchair/ |archive-date=June 13, 2024 |access-date=June 13, 2024 |newspaper=The Washington Post}} Biffy Clyro frontman Simon Neil,{{Cite web |last=Bosso |first=Joe |date=December 12, 2012 |title=Biffy Clyro's Simon Neil talks guitars, writing riffs and new album, Opposites |url=https://www.musicradar.com/news/guitars/biffy-clyros-simon-neil-talks-guitars-writing-riffs-and-new-album-opposites-568444 |url-status=live |archive-url=https://web.archive.org/web/20240302010728/https://www.musicradar.com/news/guitars/biffy-clyros-simon-neil-talks-guitars-writing-riffs-and-new-album-opposites-568444 |archive-date=March 2, 2024 |access-date=August 28, 2024 |website=Music Radar}} Justin Pierre of Motion City Soundtrack,{{Cite web |last=Heisel |first=Scott |date=January 14, 2016 |title=Don't Panic: The surprising rebirth of Motion City Soundtrack |url=http://substreammagazine.com/2016/01/dont-panic-the-surprising-rebirth-of-motion-city-soundtrack/ |url-status=dead |archive-url=https://web.archive.org/web/20160117012147/http://substreammagazine.com/2016/01/dont-panic-the-surprising-rebirth-of-motion-city-soundtrack/ |archive-date=January 17, 2016 |access-date=April 2, 2024 |website=Substream Magazine |quote=All I ever wanted to do was be like Superchunk or Fugazi or Pavement—the bands I liked as a kid," [Justin Courtney Pierre] says. "Those are still my favorite bands. I strive to be that awesome and I fail miserably. But that’s always been the goal: to write cool shit. The songs I like listening to is the type of music I’m trying to write. Contemporaries—I don’t even know what that is."}} Prong frontman Tommy Victor,{{Cite web |last=Shlosman |first=Rafi |date=July 12, 2012 |title=INTERVIEW – TOMMY VICTOR OF PRONG |url=https://crypticrock.com/interview-tommy-victor-prong/ |url-status=live |archive-url=https://web.archive.org/web/20240728015714/https://crypticrock.com/interview-tommy-victor-prong/ |archive-date=July 28, 2024 |access-date=August 16, 2024 |website=Cryptic Rock |quote=On the other side, artists like Neil Young was (sic) a really huge influence on me along with Fugazi and Minor Threat.}} Efrim Menuck of Godspeed You! Black Emperor,{{cite web|url=https://www.thelineofbestfit.com/reviews/albums/thee-silver-mt-zion-memorial-orchestra-fuck-off-get-free-we-pour-light-on-everything-143846|title=Thee Silver Mt. Zion Memorial Orchestra – Fuck Off Get Free We Pour Light On Everything|author=Andrew Hannah|website=The Line of Best Fit|quote=Once we reached 2009's Kollaps Tradixionales TSMZ didn't just share an ethical and ideological outlook with heroes of Menuck such as Black Flag and Fugazi, they sounded like a punk rock band,|date=January 20, 2014|access-date=May 16, 2020}} Dylan Baldi of Cloud Nothings,{{Cite web|url=https://wfuv.org/130121/cloud-nothings-tas-session|title=Cloud Nothings: TAS In Session | WFUV|website=wfuv.org}} Arcade Fire lead singer Win Butler,{{Cite web|url=https://www.timeout.com/london/music/arcade-fire-interview-hipster-means-absolutely-nothing|title=Arcade Fire interview – See Arcade Fire live in London |website=Time Out London}} Paul Dempsey of Something for Kate,{{Cite web |date=August 27, 2007 |title=Interview with Something For Kate |url=https://www.tntmagazine.com/leisure-entertainment/interviews/interview-with-something-for-kate/ |url-status=live |archive-url=https://web.archive.org/web/20231203145153/https://www.tntmagazine.com/leisure-entertainment/interviews/interview-with-something-for-kate/ |archive-date=December 3, 2023 |access-date=April 3, 2024 |website=tnt magazine |quote=For me the band I admire the most is Fugazi, it’s my favourite music. (...) I think on our first EP you can hear Fugazi in there, you can hear Sonic Youth, kinda noisy, intense.}} Travis Morrison of the Dismemberment Plan,{{cite web|url=https://www.westword.com/music/dismemberment-plans-travis-morrison-on-the-similarities-of-making-music-to-programming-5704974|title=Dismemberment Plan's Travis Morrison on the similarities of making music to programming|website=Westword|author=Tom Murphy|quote=I didn't care for hardcore. I didn't like the politics of it or some of the messages I heard. But Fugazi came along ... By the time I got to college, I I [sic] started listening to Fugazi and stuff like that, and then I kind of let down my guard, and my friends started playing me records I was super impressed with.|date=September 18, 2013|access-date=May 12, 2020}} Brand New guitarist Jesse Lacey,{{cite web|url=http://drownedinsound.com/in_depth/4137854-i-like-talking-to-people---brand-news-jesse-lacey-chats-to-dis|title="I like talking to people": Brand New's Jesse Lacey chats to DiS.|website=Drowned in Sound|author=Fiona McKinlay|quote=I think for a lot of this record we were listening to stuff that we listened to when we were younger. We were listening to Superchunk, Archers Of Loaf, Polvo, Modest Mouse, and even a lot of hardcore bands that we listened to when we were younger, like Fugazi.|date=September 17, 2009|access-date=May 17, 2020|archive-date=October 12, 2015|archive-url=https://web.archive.org/web/20151012113752/http://drownedinsound.com/in_depth/4137854-i-like-talking-to-people---brand-news-jesse-lacey-chats-to-dis|url-status=dead}} Converge singer Jacob Bannon,{{cite web|url=https://www.nme.com/blogs/nme-blogs/notes-from-the-underground-converge-takeover-jacob-bannon-says-thanks-44003|title=Notes From The Underground – Converge Takeover: Jacob Bannon Says Thanks|website=NME|quote=Here are some bands that changed my life when I was young: ... Fugazi, Embrace, Rites Of Spring|date=October 15, 2009|access-date=May 16, 2020}} Coalesce,{{cite web|access-date=May 16, 2020|quote= I came in at a juncture where the context was set for metal to make a more significant crossover into the scene, even though there were still significant constraints about what a straight edge kid could listen to. In a perhaps unorthodox fashion, I continued to listen to (and more importantly, enjoy) music outside the fold: Fugazi, Godflesh, Drive like Jehu,|url=http://www.crashandbang.com/?page_id=3|title=History |author=Ryan J. Downey|date=September 2007|website=Alternative Press|publisher=www.crashandbang.com|url-status=live|archive-url=https://web.archive.org/web/20080418112603/http://www.crashandbang.com/?page_id=3|archive-date=April 18, 2008}} Ben Lee,{{cite web|url=https://www.popmatters.com/ben-lee-2019-interview-2641365940.html?rebelltitem=1#rebelltitem1|title=These Are the Artists That Raised Me: An Interview with Indie Pop's Ben Lee|website=Popmatters|author=Jedd Beaudoin|date=November 19, 2019|access-date=May 15, 2020}} Patterson Hood of Drive-By Truckers,{{cite web|url=https://www.verbicidemagazine.com/2010/03/16/interview-patterson-hood-of-drive-by-truckers/|title=Interview: Patterson Hood of Drive-By Truckers|website=Verbicide|author=Mark Huddle|date=March 16, 2010|access-date=May 18, 2020}} Pretty Girls Make Graves guitarist J. Clark,{{Cite web |last=Seling |first=Megan |date=September 30, 2024 |title=An Abridged Oral History of Seattle’s Greatest Rock Band, Pretty Girls Make Graves |url=https://www.portlandmercury.com/music/2024/09/30/47419528/an-abridged-oral-history-of-seattles-greatest-rock-band-pretty-girls-make-graves |url-status=live |archive-url=https://web.archive.org/web/20241217212822/https://www.portlandmercury.com/music/2024/09/30/47419528/an-abridged-oral-history-of-seattles-greatest-rock-band-pretty-girls-make-graves |archive-date=December 17, 2024 |access-date=December 27, 2024 |website=Portland Mercury |quote=I was more an indie rock kid. Fugazi, Chavez, and Yo La Tengo were really huge influences on me.}} Explosions in the Sky,{{cite web|url=https://www.indiepoprock.fr/interviews/interview-de-explosions-in-the-sky/|title=Explosions in the Sky Interview|website=Indiepoprock|author=Jul|access-date=May 18, 2020}} Kele Okereke of Bloc Party,{{cite web|url=https://www.thetimes.com/sunday-times-rich-list/profile/article/scared-to-party-6t7b6drdj55|title=Scared to party?|website=The Times|author=Paul Connolly|date=February 26, 2005|access-date=May 17, 2020}} Trevor de Brauw of Pelican,{{cite web|url=https://www.musicradar.com/news/pelicans-trevor-de-brauw-the-10-guitar-albums-that-blew-my-mind|title=Pelican's Trevor de Brauw: the 10 guitar albums that blew my mind|website=MusicRadar|author=Jonathan Horsley|date=May 23, 2019|access-date=September 13, 2020}} Matty Healy of the 1975,{{cite web|url=https://louderthanwar.com/listen-1975-new-single-people-great-slice-millennial-punk-rock-noise-live-version-even-better/|title=LISTEN! the 1975 new single 'People' great slice of millennial punk rock noise and the live version is even better|website=Louder Than War|quote=It harks back to Matt Healy's youthful love of Fugazi and Converge and other hardcore bands|date=August 24, 2019|access-date=May 23, 2020}} Mary Timony,{{cite web|url=https://www.npr.org/sections/therecord/2011/12/01/143008732/full-disclosure-fugazis-best-live-moments-remembered|title=Full Disclosure: Fugazi's Best Live Moments, Remembered|website=NPR|author=Daoud Tyler-Ameen|quote=I saw one of Fugazi's first shows in a church basement on 16th Street NW in 1987, when I was 17. I remember being totally blown away, and looking around at other people in the audience and seeing this amazed, captivated look on their faces. For the next few years, while I still lived in D.C., I went to see Fugazi almost every time they played. I tried to learn how to be in a band from watching them, but their music and energy were so far beyond anything I could ever imagine being capable of imitating.|date=December 1, 2011|access-date=May 22, 2020}} Hayley Williams of Paramore,{{cite web|url=http://paramore-music.com/hayley-shares-early-paramore-influences-playlist/|title=Hayley shares early Paramore influences playlist|website=Paramore Music|date=April 26, 2020|access-date=May 29, 2020}} Justin Vernon of Bon Iver,{{cite web|url=https://www.uncut.co.uk/features/bon-iver-man-you-can-take-yourself-too-seriously-22493/|title=Bon Iver: 'Man, you can take yourself too seriously...'|website=Uncut|author=Alastair McKay|quote=When he started developing his own tastes, he was attracted to the energy of Primus and Fugazi. 'I was a bit starstruck when I saw Ian MacKaye [of Minor Threat and Fugazi] at catering yesterday,' he reveals. 'I was like "Oh shit, that guy's my fucking hero.{{"'}}|date=May 24, 2013|access-date=May 11, 2020}} Keanu Reeves{{Cite web|url=https://faroutmagazine.co.uk/keanu-reeves-favourite-bands/|title=Keanu Reeves’ favourite bands: “What I cut my teeth on”|first=Arun|last=Starkey|website=Far Out Magazine|date=April 5, 2024}} and Lorde.{{Cite web|url=https://pitchfork.com/news/56219-lordes-fugazi-mars-volta-and-pj-harvey-influenced-high-school-band-recordings-surface/|title=Lorde's Fugazi, Mars Volta, and PJ Harvey-Influenced High School Band Recordings Surface|first=Jeremy|last=Gordon|website=Pitchfork|date=August 7, 2014}}
Members
=Final lineup=
- Ian MacKaye – vocals, guitar, piano (1986–2003)
- Joe Lally – bass (1986–2003), occasional vocals (1995–2003)
- Brendan Canty – drums, piano (1987–2003)
- Guy Picciotto – vocals (1988–2003), guitar (1989–2003)
=Former members=
- Colin Sears – drums (1986)
=Touring musicians=
- Jerry Busher – additional drums, percussion, trumpet (1998–2002)
==Timeline==
ImageSize = width:900 height:auto barincrement:25
PlotArea = left:100 bottom:60 top:10 right:50
Alignbars = justify
DateFormat = mm/dd/yyyy
Period = from:09/01/1986 till:12/31/2002
TimeAxis = orientation:horizontal format:yyyy
Colors =
id:vox value:red legend:Vocals
id:guitar value:green legend:Guitar
id:bass value:blue legend:Bass
id:drums value:orange legend:Drums
id:piano value:purple legend:Piano
id:album value:black legend:Studio_album
id:soundtrack value:gray(0.4) legend:Soundtrack
id:ep value:gray(0.7) legend:EP
id:bars value:gray(0.95)
BackgroundColors = bars:bars
Legend = orientation:horizontal position:bottom
ScaleMajor = increment:2 start:1987
ScaleMinor = increment:1 start:1987
LineData =
at:04/19/1990 color:album layer:back
at:07/01/1991 color:album layer:back
at:06/30/1993 color:album layer:back
at:06/12/1995 color:album layer:back
at:04/01/1998 color:album layer:back
at:10/16/2001 color:album layer:back
at:03/23/1999 color:soundtrack layer:back
at:11/01/1988 color:ep layer:back
at:07/01/1989 color:ep layer:back
at:09/08/2001 color:ep layer:back
BarData =
bar:MacKaye text:"Ian MacKaye"
bar:Picciotto text:"Guy Picciotto"
bar:Lally text:"Joe Lally"
bar:Sears text:"Colin Sears"
bar:Canty text:"Brendan Canty"
PlotData=
width:11 textcolor:black align:left anchor:from shift:(10,-4)
bar:MacKaye from:09/01/1986 till:end color:vox
bar:MacKaye from:09/01/1986 till:end color:guitar width:3
bar:MacKaye from:07/01/1989 till:10/01/1989 color:piano width:7
bar:MacKaye from:01/01/2001 till:04/01/2001 color:piano width:7
bar:Picciotto from:06/26/1988 till:end color:vox
bar:Picciotto from:07/01/1989 till:end color:guitar width:3
bar:Lally from:09/01/1986 till:end color:bass
bar:Lally from:01/01/1995 till:end color:vox width:3
bar:Sears from:09/01/1986 till:12/31/1986 color:drums
bar:Canty from:12/31/1986 till:end color:drums
bar:Canty from:01/01/2001 till:04/01/2001 color:piano width:3
Discography
{{Main|Fugazi discography}}
- Repeater (1990)
- Steady Diet of Nothing (1991)
- In on the Kill Taker (1993)
- Red Medicine (1995)
- End Hits (1998)
- The Argument (2001)
Notes
{{notelist}}
References
{{reflist|30em}}
Sources
{{refbegin}}
- {{cite book |last1=Andersen |first1=Mark| last2=Jenkins |first2=Mark |year=2001 |title=Dance of Days: Two Decades of Punk in the Nation's Capital |location=New York |publisher=Akashic Books |isbn=1-888451-44-0 }}
- {{cite book |last=Azerrad |first=Michael |year=2001 |title=Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981–1991 |location=Boston |publisher=Little, Brown |isbn=0-316-78753-1 }}
- {{cite news |last=Brace |first=Eric |title=Punk Lives! Washington's Fugazi Claims It's Just a Band. So Why Do So Many Kids Think It's God? |newspaper=The Washington Post |date=August 1, 1993 |location=Washington DC |page=G1 }}
- {{cite book |last=Baker |first=Mark |title=Nam |year=1983 |publisher=Berkley |isbn=0-425-06000-4 |url-access=registration |url=https://archive.org/details/namvietnamwarinw00bake }}
- {{cite book |last=Freidman |first=Glen E. |year=1994 |title=Fuck You Heroes: Glen E. Friedman Photographs, 1976-1991 |location=New York |publisher=Burning Flags Press |isbn= 978-0964191600}}
- {{cite book |last=Freidman |first=Glen E. |year=2007 |title=Keep Your Eyes Open: Fugazi |location=New York |publisher=Burning Flags Press |isbn=978-0-9641916-8-6 }}
{{refend}}
External links
{{wikiquote}}
{{Commons category}}
- [http://www.dischord.com/band/fugazi Fugazi's page at Dischord]
- {{discogs artist}}
- [https://web.archive.org/web/20101206042839/http://www.southern.com/southern/band/FUGAZ/ Southern distribution page]
- [{{AllMusic|class=artist|id=p4319|pure_url=yes}} Fugazi's page at Allmusic]
- [https://www.youtube.com/watch?v=cSP6s4qecXk Rare recorded live Fugazi show, one of the last ever at Austin's Liberty Lunch venue in 1990.]
{{Fugazi|state=expanded}}
{{The Messthetics}}
{{Authority control}}
Category:Alternative rock groups from Washington, D.C.
Category:American post-hardcore musical groups
Category:American art rock groups
Category:Dischord Records artists
Category:Musical groups established in 1987
Category:Musical quartets from Washington, D.C.