Introducing Wayne Shorter
{{Use mdy dates|date=May 2025}}
{{Infobox album
| name = Introducing Wayne Shorter
| type = studio
| artist = Wayne Shorter
| cover = Introducing Wayne Shorter.jpg
| alt =
| released = August 1960[https://books.google.com/books?id=NCAEAAAAMBAJ&dq=Introducing+Wayne+3006&pg=PA29 Billboard Aug 22, 1960]
| recorded = November 9–10, 1959
| venue =
| studio = Bell Sound (New York City)
| genre = Hard bop
| length = 37:12 original LP
| label = Vee-Jay
VJLP 3006
| producer = Sid McCoy
| prev_title =
| prev_year =
| next_title = Wayning Moments
| next_year = 1962
}}
Introducing Wayne Shorter is the debut album by jazz saxophonist Wayne Shorter. It was recorded on November 9 and 10, 1959, at Bell Sound Studios in New York City.{{cite web |url=https://www.jazzdisco.org/wayne-shorter/discography |title=Wayne Shorter discography |website=JazzDisco.org |access-date=January 4, 2022}} It features five Shorter compositions, plus Kurt Weill's "Mack the Knife”, performed by a quintet featuring trumpeter Lee Morgan, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. Shorter played with Morgan in the front line of Art Blakey's Jazz Messengers at this time while Kelly, Chambers and Cobb were the widely celebrated rhythm section with Miles Davis.{{cite book |last=Mercer |first=Michelle |title =Footprints: The Life and Work of Wayne Shorter |publisher=Penguin |year=2007 | pages=72 }}
The album was released in 1960 by Vee-Jay Records, and was also issued later under the title Blues a la Carte.{{cite web |url=https://www.allmusic.com/album/blues-%C3%A0-la-carte-mw0000900796 |title=Wayne Shorter: Blues à la Carte |website=AllMusic |access-date=January 4, 2022}} Tracks from this session were included on the 1972 compilation Shorter Moments as well as the 2000 compilation The Complete Vee Jay Lee Morgan-Wayne Shorter Sessions{{cite web |url=https://www.allmusic.com/album/shorter-moments-mw0000911230 |title=Wayne Shorter: Shorter Moments |website=AllMusic |access-date=January 4, 2022}}{{cite web |url=https://www.allmusic.com/album/the-complete-vee-jay-lee-morgan-wayne-shorter-sessions-mw0001205164 |title=The Complete Vee Jay Lee Morgan-Wayne Shorter Sessions |website=AllMusic |access-date=January 4, 2022}}
On November 10, Shorter also participated in the recording of the Blakey album Africaine, his first studio session with the Jazz Messengers, which included two of his compositions, one of which was the title track.{{cite book |last=Mercer |first=Michelle |title =Footprints: The Life and Work of Wayne Shorter |publisher=Penguin |year=2007 | pages=73 }}
Reception
{{Music ratings
| rev1 = AllMusic
| rev1Score = {{rating|3|5}}{{cite web |url= http://www.allmusic.com/album/r147520 |title= Wayne Shorter - Introducing Wayne Shorter (1959) album review, credits & releases |first=Scott |last=Yanow |publisher=AllMusic |work=allmusic.com |year=2011 |access-date=2 August 2011}}
| rev3 = The Rolling Stone Jazz Record Guide
| rev3Score = {{rating|3|5}}{{Cite book
|editor-last=Swenson
|editor-first=J.
| year = 1985
| title = The Rolling Stone Jazz Record Guide
| publisher = Random House/Rolling Stone
| location = USA
| isbn = 0-394-72643-X
| pages = 180
}}
|rev2 = The Penguin Guide to Jazz Recordings
|rev2score = {{Rating|3.5|4}}{{cite book |last1=Cook |first1=Richard |authorlink1=Richard Cook (journalist) |last2=Morton |first2=Brian |authorlink2=Brian Morton (Scottish writer) |title=The Penguin Guide to Jazz Recordings |year=2008 |edition=9th |publisher=Penguin |isbn=978-0-141-03401-0 |page=1295}}
}}
In a review for AllMusic, Scott Yanow called the music "quite enjoyable," and wrote that the album "shows that, even at this early stage, Shorter was far along toward developing his own sound." The authors of The Penguin Guide to Jazz stated that the album gives "the impression of a searching performer who has sufficient lateral vision to keep himself one step ahead of the game."
Writing for All About Jazz, C. Michael Bailey commented: "This is rarified music that is immediately enjoyable. It illuminates the sheer talent and genius of Wayne Shorter, even so early in his playing career. He is definitely a tenor for our time."{{cite web |url=https://www.allaboutjazz.com/introducing-wayne-shorter-wayne-shorter-koch-international-jazz-review-by-c-michael-bailey.php |title= Wayne Shorter - Introducing Wayne Shorter (1959) album review, credits & releases |first=C. Michael |last=Bailey |work=All About Jazz |date=December 1, 2001 |access-date=August 4, 2020}} In a separate article for the same publication, Chris May wrote: "Like practically every other tenor saxophonist of his generation, Shorter was profoundly influenced by Coltrane, seven years his senior; that comes through on Introducing, not least in Shorter's tone, but there are clear glimpses of the singularity to come."{{cite web |url=https://www.allaboutjazz.com/wayne-shorter-an-essential-top-ten-albums-wayne-shorter |title=Wayne Shorter: An Essential Top Ten Albums |last=May |first=Chris |website=All About Jazz |date=September 8, 2021 |access-date=January 4, 2022}}
Track listing
All compositions by Wayne Shorter except where noted.
- "Blues a la Carte" [Take 4] – 5:35
- "Harry's Last Stand" [Take 5] – 4:40
- "Down in the Depths" [Take 5] – 9:41
- "Pug Nose" [Take 3] – 6:49
- "Black Diamond" [Take 7] – 6:00
- "Mack the Knife" [Take 5] (Marc Blitzstein, Bertolt Brecht, Kurt Weill) – 4:27
Bonus tracks on CD reissue
- "Blues a la Carte" [Take 3] – 5:43
- "Harry's Last Stand" [Take 4] – 4:58
- "Down in the Depths" [Take 3] – 10:18
- "Black Diamond" [Take 1] – 7:42
Recorded on November 9 (#1-2) and November 10 (#3-6), 1959.
Personnel
References
{{Reflist}}
External links
- [https://www.discogs.com/Wayne-Shorter-Introducing-Wayne-Shorter/release/2843758 Wayne Shorter - Introducing Wayne Shorter (1959) album releases & credits] at Discogs
- [https://open.spotify.com/album/4KEADExc0hfm1XgfJbznQv Wayne Shorter - Introducing Wayne Shorter (1959) album to be listened] on Spotify
{{Wayne Shorter}}
{{Lee Morgan}}
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