Lester Allen

{{short description|American actor (1891–1949)}}

{{Use American English|date=May 2024}}

{{Use mdy dates|date=May 2024}}

{{Infobox person

| name = Lester Allen

| image = Lester Allen head shot.jpg

| caption =

| birth_date = {{birth date|1891|11|17}}

| birth_place = Utica, New York, U.S.

| death_date = {{death date and age|1949|11|6|1891|11|17}}

| death_place = Hollywood, California, U.S.

| occupation = Actor

| yearsactive = 1929–1949

| spouse =

| website =

}}

Lester M. Allen (November 17, 1891 – November 6, 1949) was an American actor, dancer, singer, comedian, and circus performer. After beginning his career as a child acrobat with the Barnum and Bailey Circus, he became a performer in minstrel shows, burlesque, and vaudeville. He worked as primarily a dancer and acrobat in the Broadway musical revues George White's Scandals and Ziegfeld Follies in the 1910s and early 1920s; ultimately progressing to singing and comedic acting parts. He starred as a comic actor in several musical comedies on Broadway during the 1920s and the early 1930s. He transitioned into work as a film actor, appearing in more than 15 films released from 1941 to 1950. He was killed after being struck by a motor vehicle in 1949.

Life and career

Lester Allen was born on November 17, 1891, in Utica, New York.Hess & Dabholkar, p. 206 The son of Russian immigrants Raphael Allen (1855 – October 21, 1923, Chicago) and Ida Bobin (1858– February 1948),Lester Allen

in the U.S., Social Security Applications and Claims Index, 1936-2007; SSN 549186139 his family was Jewish.{{cite journal|url=https://books.google.com/books?id=xiznAAAAMAAJ&dq=%22Lester+Allen%22+%22Ziegfeld%22&pg=PA349|title=The Infinite Variety|first=Heyman|last=Zimel|page=349|journal=B'nai B'rith Magazine|date=July 1928|volume=XLII|number=10}} He began his career in entertainment as a child, running away from home to become a circus acrobat at the age of nine.{{cite news|date=February 7, 1929|title=Lester Allen, Comedy Star of "Three Musketeers", Turned Tables on Ziegfeld; Rejected From Part Then Triumphed In It; Began Career by Running Away From Home at Age of 9 to Become Circus Acrobat|work=Cincinnati Times Star|page=20|last=Stiegler|first=William G.}} He was employed by the Barnum and Bailey Circus in the first years of the twentieth century. After leaving the circus, he became a performer in first minstrel shows and then burlesque and vaudeville, working as a dancer, singer, comedian, and actor.{{cite journal|journal=Variety|title=Obituaries: Lester Allen|date=November 9, 1949}}

Allen made his Broadway debut as the bridegroom in the 1907 musical Miss Pocahontas at the Lyric Theatre.Bloom, p. 740 In 1908 he toured with the vaudeville act Lawrence & Healey, performing the role of 'Jake, the Jew Kid' in their musical sketch "Stage Struck Kid".{{cite news|title=Musical Treat Next Week|work= Moline Mail And Journal|date=October 31, 1908|page= 3}} He returned to Broadway in 1909, portraying Oliver Hartford in Roy McCardell's play The Gay Life at Daly's Theatre.{{cite news|url=https://www.nytimes.com/1909/04/20/archives/the-gay-life-is-very-sad-a-nondescript-piece-at-dalys-which-has-not.html|title="THE GAY LIFE" IS VERY SAD; A Nondescript Piece at Daly's Which Has Nothing to Recommend It. COLLECTION OF SKETCHES Occasional Bright Line Does Not Redeem the General Vulgarity -- Most of Acting Poor.|work=The New York Times|date=April 20, 1909|page= 9}} That same year he toured in the vaudeville sketch series Napanese with a cast led by Harry W. Fields.{{cite news|title=At the Bijou|work=Dubuque Telegraph Herald|date=March 15, 1909|page= 3}}{{cite news|title=The Columbia Program|work=Cincinnati Commercial Tribune|date= May 3, 1909|page= 4}} In 1911 he toured in a vaudeville act in which he did a variety of celebrity impersonations.{{cite news|title=At the Lyric|newspaper=Muskogee Times Democrat|date=May 22, 1911|page=7}} In 1913 he toured the vaudeville circuits as a member of Joe Oppenheimer's Fay Foster Company, appearing in the burlettas "Yankees in Japan" and "Abe".{{cite news|title=Detroit Times|date=October 27, 1913|page= 3}} In 1915 he toured with the burlesque organization Million Dollar Dolls.{{cite news|title=Notes on the Stage|newspaper=The Washington Post|date=November 28, 1915}}

Allen achieved success on the Broadway stage as a dancer and acrobat in musical revues during the 1910s and early 1920s; including performances in several of the George White's Scandals and in the Ziegfeld Follies.{{cite news|work=The San Francisco Examiner|date=November 8, 1949|page=6|title=Lester Allen, Dancer Killed}} His gift for comedy was mixed with his gift for dancing and acrobatics, most notably in a highly praised comedic take on the apache dance in the 1922 George White's Scandals.Suriano, p. 9 Likewise a review in the Boston Sunday Post of the Scandals of 1919 stated about Allen that, "He is quite an acrobat, he can play his features like an artist, and can wring a laugh from the audience which is quite spontaneous. He is unique."{{cite news|title=Under the Spotlight|work=Boston Sunday Post|date=December 2, 1919|page= 36}} He, along with several other performers from the George White's Scandals, were cast in the original production of George Gershwin's one act jazz opera Blue Monday (1922), playing the role of the café worker and custodian Sam in blackface.Pollack, pp. 270–271 In the Scandals of 1924 he and actress Winnie Lightner sang a duet which parodied the comedy Abie's Irish Rose.Fields, p. 174

As he aged, Allen's Broadway career shifted emphasis from dancing and acrobatics towards comedic acting. He starred in several musical comedies on Broadway, including the roles of Sandy in Florida Girl (1925), both Señor Tostado and Mr. Brown in Rufus LeMaire's Affairs (1927), Planchet in The Three Musketeers (1928), Elmer Peters in Top Speed (1929), and Al Darcy in Shady Lady (1933).Taylor, p. 55 In Top Speed he sang the show's hit song, "Keep Your Undershirt On", with Ginger Rogers who was making her Broadway debut in this show.Dietz, p. 557 On the vaudeville stage during the 1920s and 1930s, he appeared in a double act with Nellie Breen and also emceed at the Palace Theatre.Laurie, Joe, Jr. Vaudeville: From the Honky-tonks to the Palace. New York: Henry Holt, 1953. p. 230, 489. In 1926 he toured in the musical revue Hello Paris with Sophie Tucker as his co-star.{{cite news|title=News from Chiacago|first=Walter|last=Harvey|page=15|date=June 4, 1926|work=The Vaudeville News and New York Star}}

In 1929 Allen starred in his first screen role, portraying the title part in the 1929 short film The Pusher-in-the-Face. In 1930 he starred in the film Leave it to Lester, a work directed by Frank Cambria and named for him. The film co-starred the Broadway torch singer Evelyn Hoey who was later tragically murdered in 1935.Newton, p. 166 After the decline of vaudeville in the 1930s, Allen transitioned into work as a film actor. He appeared in more than 15 films released from 1941 to 1950. One of his notable film roles was the recurring character of Geoduck in the Ma and Pa Kettle film series in which he partnered with actor Chief Yowlachie (as Crowbar) to form a comedic duo of Native Americans.Hilger, p. 79 He portrayed Judy Garland's uncle in Vincente Minnelli's 1948 film The Pirate. Garland wore a clown costume in one scene in this film that was previously made for Allen for his performances in the Broadway musical Rufus LeMaire's Affairs.

Allen was killed after being struck by a motor vehicle in North Hollywood on November 6, 1949.

Filmography

class="wikitable"
Year

! Title

! Role

! Notes

1930Leave It to LesterLester Aloysius Sebastian Brown
1941The Devil CommandsDr. Van DenUncredited
1941UndergroundHerr KrantzUncredited
1943The Heat's OnMouse Beller
1943Klondike KateDuster Dan
1944Irish Eyes Are SmilingHemingUncredited
1945The Great FlamarionTony
1945The Dolly SistersMorrie KenoUncredited
1946The Dark MirrorGeorge Benson
1947Fun on a WeekendHot Dog Vendor
1948The PirateUncle Capucho
1948That Lady in ErmineJesterUncredited
1948Crime on Their HandsRuntyShort
1949Ma and Pa KettleGeoduck
1950Ma and Pa Kettle Go to TownGeoduckUncredited
1950Johnny One-EyeDesigner-Choreographer
1950Love That BruteAl Allen, Theatrical ProducerUncredited (final film role)

References

=Citations=

{{reflist}}

=Bibliography=

  • {{cite book|page=740|title=American Song: A-S|first=Ken|last= Bloom|year= 1996|publisher=Schirmer Books|isbn=9780028645735}}
  • {{cite book|first1=Dan|last1=Dietz|title=The Complete Book of 1920s Broadway Musicals|publisher=Rowman & Littlefield Publishers|year=2019|isbn=9781442245280|url=https://books.google.com/books?id=LRmGDwAAQBAJ}}
  • {{cite book|title=Women Vaudeville Stars: Eighty Biographical Profiles|page=174|chapter=Lightner, Winnie|first=Armond|last= Fields|year= 2006 |publisher=McFarland & Company}}
  • {{cite book|page=206|title=The Cinematic Voyage of THE PIRATE: Kelly, Garland, and Minnelli at Work|first1=Earl J.|last1= Hess|first2= Pratibha A.|last2= Dabholkar|year= 2014|publisher=University of Missouri Press|isbn=9780826273185}}
  • {{cite book|title=The American Indian in film|first=Michael|last= Hilger|year= 1986|isbn=9780810819054|publisher=Scarecrow Press}}
  • {{cite book|title=The Encyclopedia of Unsolved Crimes|first= Michael|last= Newton|year=2009|publisher=Facts On File, Incorporated|isbn=9781438119144}}
  • {{cite book|title=George Gershwin: His Life and Work|first= Howard|last= Pollack|year= 2007|publisher= University of California Press|isbn=9780520933149}}
  • {{cite book|title=Gershwin in His Time: A Biographical Scrapbook, 1919-1937|year=1998|publisher=Gramercy Books|isbn=9780517201985|first=Gregory R.|last= Suriano}}
  • {{cite book|page=55|title=Helen Kane and Betty Boop: On Stage and on Trial|first=James D.|last= Taylor|year= 2017|publisher=Algora Publishing|isbn=9781628942996}}