Megan Cope

{{short description|Australian Aboriginal artist of Quandamooka heritage}}

{{Infobox artist

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| name = Megan Cope

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| birth_date = {{birth-date and age|1982}}

| birth_place = Brisbane, Queensland, Australia

| nationality = Australian

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| works = The Blaktism

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| awards = Winner, Western Australian Indigenous Art Award, 2015

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Megan Cope (born 1982) is an Australian Aboriginal artist from the Quandamooka people of Stradbroke Island/Minjerribah. She is known for her sculptural installations, video art and paintings, in which she explores themes such as identity and colonialism. Cope is a member of the contemporary Indigenous art collective ProppaNOW in Brisbane.

Early life and education

Cope was born in Brisbane in 1982, of Quandamooka heritage.{{cite web|url=https://thisisnofantasy.com/wp-content/uploads/2015/10/Megan-Cope-CV-Sept-2019.pdf|title=Megan Cope|publisher= This Is No Fantasy|date=2019|access-date=7 April 2020}} She earned a Bachelor of Visual Arts (Visual Communication), at Deakin University in Victoria in 2006.

Career

Cope has managed and curated many artist-run projects and events, including tinygold{{cite web|url=https://19karen.com.au/exhibitions/tales-from-the-cold-ghost-iii/|title=Tales from the Cold Ghost III: August 1st - August 22nd, 2009|website=19Karen|date=2009|access-date=7 April 2020}} and the BARI (Brisbane Artist Run Initiative) Festival.{{cite web|url=http://barifest.blogspot.com/|title=Brisbane Artist Run Initiatives Festival|date=17 September 2010|access-date=7 April 2020}}{{cite web | title=Projects | website=Megan Cope | url=http://nutmegandhoney.blogspot.com/p/projects.html | access-date=7 April 2020}} Cope is also a member of the Brisbane-based contemporary Indigenous art collective ProppaNOW.{{cite web |title=TheBlack Line: Exhibition at Bett Gallery, Hobart |date=26 February 2014 | website=proppaNOW | url=https://proppanow.wordpress.com/ | access-date=7 April 2020}}

Cope creates video, installation, sculptures, and paintings which challenge notions of Aboriginality, and her work examines the Australian narrative and our sense of time and ownership in a settler colonial state.{{cite web|url=http://runway.org.au/invisible-agency-an-interview-with-megan-cope/|title= Interview with Megan Cope|archive-url=https://web.archive.org/web/20180422053735/http://runway.org.au/invisible-agency-an-interview-with-megan-cope/|first=Mariam|last= Arcilla|date=2017|archive-date=22 April 2018}} A main focus of Cope's artwork is to shed light on colonialism and the myths and facts that come along with it.{{cite web|url=https://www.artspace.org.au/program/ideas-platform/2016/megan-cope-bereft/|title=Megan Cope - Bereft|website=ArtSpace|access-date=7 April 2020}}

Her work has been exhibited in the National Gallery of Australia, the Art Gallery of Western Australia, the Melbourne Museum, as well as many other public and private collections throughout Australia.{{cite web | last=Benton | first=Penelope | title=Megan Cope | website=NAVA | date=25 January 2019 | url=https://visualarts.net.au/artist-files/2019/megan-cope/ | access-date=7 April 2020}}

In 2016–2017, Cope's work was exhibited along with that of Vincent Namatjira in the Tarnanthi Festival of Contemporary Aboriginal and Torres Strait Islander Art at the Art Gallery of South Australia.{{cite web | title=Tarnanthi Festival of Contemporary Aboriginal & Torres Strait Islander Art | website=This Is No Fantasy | url=https://thisisnofantasy.com/exhibition/tarnanthi/ | access-date=7 April 2020}}

In 2017, the Australian War Memorial commissioned Cope as official war artist (the first female Aboriginal woman in the role), to travel to the Middle East to accompany various Australian Defence Force units, in order to record and interpret topics relating to Australia's contribution to the international effort in the region. A series of works entitled Flight or fight was mounted on North Stradbroke Island blue gum.{{cite web | title=Australian War Artist: Megan Cope | website=This Is No Fantasy | url=https://thisisnofantasy.com/exhibition/australian-war-artist-megan-cope/ | access-date=7 April 2020}}

In the 2020 Adelaide Biennial of Australian Art, titled Monster Theatres, Cope created an installation made of rocks, rusted steel drums, wire and huge drill bits that functions as an instrument designed to be played by musicians using modified bows and which mimics the sound of the bush stone-curlew, a native bird which is thriving on Minjerribah (now North Stradbroke Island), but endangered in New South Wales and Victoria.{{cite web| first=Dee|last= Jefferson | title=The monsters under the bed: Exhibition reveals our worst nightmares are those closest to home | website=ABC News | date=5 April 2020 | url=https://www.abc.net.au/news/2020-04-05/adelaide-biennial-monster-theatres-australian-art-taps-into-fear/12118986 | access-date=5 April 2020}}

Cope lives and works in Melbourne.

Projects

= Video =

The Blaktism looks at culture and identity as well as racism.{{cite web|url=http://thisisnofantasy.com/exhibition/the-blaktism/|title=The Blaktism - This Is No Fantasy|publisher=}}
Nimbulima Ngolongmai
Boykambil
Yugambeh

= Exhibitions =

2020 Adelaide Biennial of Australian Art: Monster Theatres, Art Gallery of South Australia and Adelaide Botanic Garden (29 February - 8 June 2020){{Cite web|url=https://www.agsa.sa.gov.au/whats-on/exhibitions/2020-adelaide-biennial-australian-art-monster-theatres/megan-cope/|title=Megan Cope}}
Water, Gallery of Modern Art, Brisbane (7 December - 26 April 2020){{Cite web|url=https://www.qagoma.qld.gov.au/whats-on/exhibitions/water|title=Water|website=Queensland Art Gallery & Gallery of Modern Art|language=English|access-date=2020-02-12}}
My country, I still call Australia Home: Contemporary Art from Black Australia, Gallery of Modern Art, Brisbane (1 June - 7 October 2013){{Cite web|url=https://www.qagoma.qld.gov.au/whats-on/exhibitions/past-exhibitions/my-country,-i-still-call-australia-home|title=Water|date=|website=Queensland Art Gallery & Gallery of Modern Art|language=English|archive-url=|archive-date=|access-date=2020-02-12}}
Curator for Art with Attitude at the Airport Village in Australia in 2012.
Curator of Nine Wives Exhibition in 2011.
Curated for the BARI Festival in King George Square in 2010.
Desperate Spaces was a fundraising event curated by Cope in Brisbane.

= Sculptures =

Cope's most well-known art project is the glow-in-the-dark ground installations at Charlish Park in Redcliffe, Queensland. This ceramic installation is present in the pathway and shows mapping techniques of historical events, glowing in the dark at night.
The Tide is High is a project that represents the loss of geography in Australia due to colonialism. It was created in 2013 and hgihglights ideas of colonialism such as erasure of indigenous culture, jobs, and land.{{cite web|url=http://nutmegandhoney.blogspot.com/|title=Megan Cope|website=nutmegandhoney.blogspot.com}}
Fluid Terrain (2013) is an installation exhibited at the Queensland Art Gallery, which connects the Quandamooka people with historical maps.{{cite web|url=https://www.facebook.com/QAGOMA/photos/a.10151613613301716/10151613613431716/?type=3|title=Queensland Art Gallery/Gallery of Modern Art|website=www.facebook.com}} This is Cope's largest project she has done thus far.

= Paintings =

Cope's paintings use synthetic paint as well as Indian Ink.{{cite web|url=http://thisisnofantasy.com/exhibition/selected-work/|title=Selected Work - This Is No Fantasy|publisher=}}

Mining Boom (2013)
Mining Boom Part Two (2013)
Yalukit William (2014)
Boon Wurrung (2014)

Awards

Western Australian Indigenous Art Award, 2015, worth {{AUD|50,000}}, for The Blaktism{{cite web | first=Chloe|last=Pappas | title=Indigenous art award winner explores Aboriginal identity | website=ABC News | date=6 July 2015 | url=https://www.abc.net.au/news/2015-07-06/aboriginal-identity-and-authenticity-explored-by-wa-indigenous-/6598430 | access-date=5 April 2020}}

Collections

The Gallery of Modern Art, Brisbane purchased Re Formation 2016–2019 in 2019,{{Cite web|url=https://blog.qagoma.qld.gov.au/megan-copes-reformation-takes-the-oyster-shell-as-its-subject-water/|title=Megan Cope's 'Re Formation' takes the oyster shell as its subject|date=2020-01-08|website=QAGOMA Blog|language=en-AU|access-date=2020-02-12}} and included it in the Water exhibition (7 December 2019 – 26 April 2020).[https://www.qagoma.qld.gov.au/whats-on/exhibitions/water Water]