Motomami World Tour

Rosalía released her third studio album Motomami on 18 March 2022. The alternative reggaeton album became Rosalía's first major LP release after the international recognition El Mal Querer brought her.{{cite web |url=https://www.elnacional.cat/ca/cultura/rosalia-motomami-reneix-mal-querer-gana_728109_102.html |title=Rosalía: la 'motomami' que reneix del 'mal querer' i fa el que li rota |language=Catalan |trans-title=Rosalía: the 'motomami' who is reborn from 'bad love' and does what she wants |last1=Gambín |first1=Marta |date=18 March 2022 |website=El Nacional |publisher= |access-date=18 April 2022|archive-url=https://archive.today/20220801063337/https://www.elnacional.cat/en/culture/music-rosalia-reborn-motomami-third-album-catalan-superstar_728535_102.html |archive-date=1 August 2022}} It was a critical and commercial success, charting in many countries, including the United Kingdom and the United States, reaching the top 40.{{cite web |url=https://theticker.org/6894/arts/rosalias-motomami-surprises-everyone-with-its-trendsetting-nature/ |title=Rosalía's 'Motomami' surprises everyone with its trendsetting nature |last1=Sierra |first1=Míriam |date=25 March 2022 |website=The Ticker |publisher= |access-date=18 April 2022|archive-url=https://archive.today/20220801063956/https://theticker.org/6894/arts/rosalias-motomami-surprises-everyone-with-its-trendsetting-nature/ |archive-date=1 August 2022}} Tour manager Agustín Boffi had previously revealed during the Bime Pro music conference in Bilbao in October 2021 that Rosalía would embark on a "world tour in 2022" that had been prepared "for over a year". Boffi also revealed that the tour crew would be expanded to "over 150 people" compared to the 40 people that were working on her previous concert cycle.{{cite web |url=https://www.deia.eus/cultura/2021/10/27/lleva-ano-preparar-gira-internacional-1849443.html |title=Lleva más de un año preparar una gira internacional como la de Rosalía |language=Spanish |trans-title=It takes more than a year to prepare an international tour like Rosalía's |last1=Portero |first1=Andrés |date=27 October 2021 |website=Deia |publisher= |access-date=18 April 2022|archive-url=https://archive.today/20220801064332/https://www.deia.eus/cultura/2021/10/27/lleva-ano-preparar-gira-internacional-1849443.html |archive-date=1 August 2022}} Initial rehearsals reportedly started in January 2022 while dancing practices began in April in Barcelona. Final rehearsals were held at Sant Jordi Club, where a private show was held for a dozen of selected fans on 2 July.

The tour was first announced with 44 dates in April 2022 with tickets going on sale for North American fans on 21 April for American Express cardholders, and for European fans the following day.{{cite web |url=https://consequence.net/2022/04/how-to-get-tickets-to-rosalias-2022-tour/ |title=How to Get Tickets to Rosalía's 2022 Tour |author= |date=18 April 2022 |website=Consequence |publisher=Consequence Media |access-date=18 April 2022|archive-url=https://archive.today/20220801064708/https://consequence.net/2022/04/how-to-get-tickets-to-rosalias-2022-tour/ |archive-date=1 August 2022}} The tour started in Almería, Spain on 6 July 2022, and conclude in Paris on 18 December 2022. Additional shows were announced in Barcelona, Los Angeles, Madrid and New York City.{{cite web |url=https://variety.com/2022/music/news/rosalia-motomami-world-tour-dates-1235234333/ |title=Rosalia Announces Massive 'Motomami' World Tour |last1=Aswad |first1=Jem |date=18 April 2022 |website=Variety |publisher=Penske Media Corporation |access-date=18 April 2022|archive-url=https://archive.today/20220725043134/https://variety.com/2022/music/news/rosalia-motomami-world-tour-dates-1235234333/ |archive-date=25 July 2022}} Due to overwhelming demand, the São Paulo concert was moved from the Tokio Marine Hall to Espaço Unimed, a double-sized venue.{{cite web |url=https://www.terra.com.br/diversao/musica/show-de-rosalia-muda-para-novo-endereco-em-sao-paulo,3dc564b4ea1ef3fb56c734bc14d362b51wycwxra.html |title=Show de Rosalía muda para novo endereço em São Paulo |language=Portuguese |trans-title=Rosalía's show moves to new address in São Paulo |last1=Maria |first1=Julio |date=4 May 2022 |website=Terra |publisher=Terra Networks, S.A. |access-date=1 August 2022|archive-url=https://archive.today/20220801065232/https://www.terra.com.br/diversao/musica/show-de-rosalia-muda-para-novo-endereco-em-sao-paulo,3dc564b4ea1ef3fb56c734bc14d362b51wycwxra.html |archive-date=1 August 2022}} Additional shows in Mexico City and Buenos Aires were announced, respectively in April and May.{{cite web |url=https://www.perfil.com/noticias/actualidad/rosalia-nueva-fecha-argentina-motomami-world-tour-df-entertainment.phtml |title=Furor por Rosalía: nueva fecha en Argentina del "Motomami World Tour" |language=Spanish |trans-title=Furor for Rosalía: new date in Argentina of the "Motomami World Tour" |author= |date=4 May 2022 |website=Perfil |publisher=Editorial Perfil S.A. |access-date=4 May 2022|archive-url=https://archive.today/20220801065517/https://www.perfil.com/noticias/actualidad/rosalia-nueva-fecha-argentina-motomami-world-tour-df-entertainment.phtml |archive-date=1 August 2022}} No opening acts were announced, although the concerts in Buenos Aires and Santiago had theirs announced the day before each show.

Rosalía wore costumes from Dion Lee and Pepa Salazar on stage. She enlisted long-time friend Ferran Echegaray and sister Pilar Vila as artistic directors and production designers and Jesse Blevins from Barcelonian company Fluge Audiovisuales as lighting director.{{Cite web |last=Muñoz |first=Elena |date=2022-07-20 |title=Este es el equipo de Rosalía en el universo Motomami |url=http://forbes.es/lifestyle/174150/este-es-el-equipo-de-rosalia-en-el-universo-motomami/ |access-date=2022-07-27 |website=Forbes España |language=es |archive-date=2022-07-27 |archive-url=https://web.archive.org/web/20220727231352/https://forbes.es/lifestyle/174150/este-es-el-equipo-de-rosalia-en-el-universo-motomami/ |url-status=live }} The design concept is based on Harold Rosenberg's idea of a white canvas to be filled within the abstract expressionism movement and the defense of the performance. The tour stage is composed of a white cyclorama and two vertical 7,5x9 meter, 4,8mm pitch screens on both sides that accompany a 20-meter-long runway (only in shows performed in indoor arenas) that loops around an audience pit. Lightning equipment primarily consists of two Lancelot HTI 4000 by Robert Juliat located on the top part of the stage, above the runway. The sound system is confected of 112 Meyer Sound loudspeakers, 62 on the public address system, 6 on the downfill, 16 on the frontfill and 28 on the outfill.{{Cite web |last=Comunicacion |title=ROSALÍA'S LONG-AWAITED "MOTOMAMI WORLD TOUR" BEGINS IN ALMERIA |url=https://www.flugeav.com/portfolio-items/rosalias-long-awaited-motomami-world-tour-begins-in-almeria/ |access-date=2022-07-27 |website=Fluge Audiovisuales |language=en-US |archive-date=2022-10-07 |archive-url=https://web.archive.org/web/20221007034237/https://www.flugeav.com/portfolio-items/rosalias-long-awaited-motomami-world-tour-begins-in-almeria/ |url-status=live }} The stage for the Motomami Tour was reportedly constructed in the United States with a cost over half-a-million euros.

The stage design is intended to deliver a "minimalistic" and "immersive" experience incorporating the motorcycle aesthetic of the record. The on-stage activity, which pretends to approximate every single audience member to the stage through mobile cameras handed by the performer and a selected amount of dancers.{{Cite web |date=2022-07-15 |title=Rosalía vuelve a crear tendencia con su escenario |url=https://www.revistagq.com/noticias/articulo/rosalia-escenario-motomami-world-tour |access-date=2022-07-27 |website=GQ España |language=es-ES |archive-date=2022-07-27 |archive-url=https://web.archive.org/web/20220727231349/https://www.revistagq.com/noticias/articulo/rosalia-escenario-motomami-world-tour |url-status=live }} In resemblance to her Motomami Live TikTok concert that took place on 17 March, six Panasonic PT-RZ31K cameras, if not a steadicam, follow Rosalía during a major part of the show, projecting what happens onstage on both screens in a TikTok-ish recording manner, also enriching the experience of visualizing the concert from the grandstand.{{Cite web |date=2022-07-21 |title=Polémica en Twitter con los conciertos de Rosalía: diseñados para TikTok, pocos músicos y mucho karaoke |url=https://www.flooxernow.com/musica/polemica-twitter-conciertos-rosalia-pocos-musicos-mucho-karoke_2022072162d9454347c4540001f96884.html |access-date=2022-07-27 |website=www.flooxernow.com |language=es |archive-date=2022-07-28 |archive-url=https://web.archive.org/web/20220728091123/https://www.flooxernow.com/musica/polemica-twitter-conciertos-rosalia-pocos-musicos-mucho-karoke_2022072162d9454347c4540001f96884.html |url-status=live }} The presence of a cameraman often sparked controversy. Rosalía later told the Recording Academy that she "figured there had to be a huge camera to make the audience feel. I understand people expected fireworks, but the craziest thing for me is dancing and expressing myself. I'm at a point where I want to put all my effort into having the best voice, put all the best choreography. That's what's important to me".{{Cite magazine |last=Flores |first=Griselda |date=2022-10-06 |title=5 cosas que aprendimos de la charla con Rosalía en el Museo del Grammy |url=https://www.billboard.com/espanol/musica/5-cosas-que-aprendimos-de-charla-con-rosalia-en-museo-del-grammy-1235151757/ |access-date=2022-10-11 |magazine=Billboard |language=es-ES |archive-date=2022-10-11 |archive-url=https://web.archive.org/web/20221011195538/https://www.billboard.com/espanol/musica/5-cosas-que-aprendimos-de-charla-con-rosalia-en-museo-del-grammy-1235151757/ |url-status=live }}

The tour received positive-to-mixed reviews from critics during its first leg. Nuria Net from Rolling Stone gave the first show at Madrid a positive review, stating that "On this Motomami Tour, it's all about minimalism and showcaszing her raw talent, but it's also loud and eclectic. In the cover image of the acclaimed album, Rosalía appears naked except for a motorcycle helmet. During her live show, she bares it all even more".{{Cite magazine |last=Net |first=Nuria |date=2022-07-20 |title=Rosalía Delivers a Wild, Innovative Pop Spectacle on Her Own Terms in Madrid |url=https://www.rollingstone.com/music/music-live-reviews/rosalia-motomami-tour-madrid-1380149/ |access-date=2022-07-27 |magazine=Rolling Stone |language=en-US |archive-date=2022-07-27 |archive-url=https://web.archive.org/web/20220727004346/https://www.rollingstone.com/music/music-live-reviews/rosalia-motomami-tour-madrid-1380149/ |url-status=live }} About the stage design, she added: "the immersive experience is translated to the stage by a cameraperson who could very well have been the ninth 'motopapi' dancer, hovering constantly around Rosalía, even standing right in front of her and blocking her from front view. But that's the point." Writing for El País, Fernando Neira wrote a controversial paper about the same show, in which he questioned the "camera-focused" type of spectacle by calling Rosalía a "walking selfie" performing a "televised karaoke" while also talking poorly about the record.{{Cite web |last=Gallardo |first=David |date=2022-07-21 |title=Rosalía divide España (otra vez): ¿un concierto sin músicos es un concierto? |url=https://www.infolibre.es/cultura/musica/rosalia-concierto-espana-motomami-motomami-world-tour-pop-musica_1_1286698.html |access-date=2022-07-28 |website=infoLibre |language=es |archive-date=2022-07-28 |archive-url=https://web.archive.org/web/20220728004301/https://www.infolibre.es/cultura/musica/rosalia-concierto-espana-motomami-motomami-world-tour-pop-musica_1_1286698.html |url-status=live }} Neira's words were widely criticized by fans and specialized outlets including Forbes, ElDiario.es, and singer Alaska, who called Neira "absurd" and stated that the show "is a full 21st century spectacle" while also comparing it to recent live performances by Kiss and C. Tangana.{{Cite web |last=Rodríguez |first=Andrés |date=2022-07-25 |title=La gira de Rosalía: ¿concierto o karaoke? |url=http://forbes.es/opinion/174833/la-gira-de-rosalia-concierto-o-karaoke/ |access-date=2022-07-28 |website=Forbes España |language=es |archive-date=2022-07-28 |archive-url=https://web.archive.org/web/20220728004302/https://forbes.es/opinion/174833/la-gira-de-rosalia-concierto-o-karaoke/ |url-status=live }}{{Cite web |last=Digital |first=Libertad |title=Alaska, al crítico musical de 'El País': "Es sangrante, Rosalía es una estrella" |url=https://tv.libertaddigital.com/videos/2022-07-21/alaska-al-critico-musical-de-el-pais-es-sangrante-rosalia-es-una-estrella-si-no-entiendo-no-comento-6918181.html |access-date=2022-07-28 |website=Libertad Digital - Cultura |language=es-ES |archive-date=2022-07-28 |archive-url=https://web.archive.org/web/20220728004315/https://tv.libertaddigital.com/videos/2022-07-21/alaska-al-critico-musical-de-el-pais-es-sangrante-rosalia-es-una-estrella-si-no-entiendo-no-comento-6918181.html |url-status=live }} Jenesaispop's Sebas Alonso gave the tour a positive review, rating the show with an 8/10. The portal highlighted the "futuristic" yet "minimalistic" aspects of the show stating that "Rosalía is always two steps ahead (...) she's already thinking about what's next. There are no artists in this world interested in looking back at 2019", praising the show not relying on the "glorification of the 80s or 90s" by betting on a "new way to perform and to interact, with no costume changes or kilometrical cranes".{{Cite web |date=2022-07-20 |title='MOTOMAMI Tour': bienvenidos a los nuevos años 20 |url=https://jenesaispop.com/2022/07/20/437985/fotos-rosalia-wizink-center-madrid/ |access-date=2022-07-28 |website=jenesaispop.com |language=es |archive-date=2022-07-28 |archive-url=https://web.archive.org/web/20220728004315/https://jenesaispop.com/2022/07/20/437985/fotos-rosalia-wizink-center-madrid/ |url-status=live }}

The North American leg of the tour received positive reviews from critics. Maura Johnston from The Boston Globe, who attended the tour's first stop in the United States, called Rosalía's set a "wildly energetic, yet utterly human" one that "proved that she's a pop force in full command of herself to be reckoned with, and that she's only beginning to write her legacy".{{Cite web |first1=Maura |last1=Johnston |author-link=Maura Johnston |title=Pop powerhouse Rosalía in full command at MGM Music Hall |url=https://www.bostonglobe.com/2022/09/16/arts/pop-powerhouse-rosala-full-command-mgm-music-hall/ |archive-date=11 October 2022 |access-date=11 October 2022 |website=The Boston Globe |language=en-US |archive-url=https://web.archive.org/web/20221011195541/https://www.bostonglobe.com/2022/09/16/arts/pop-powerhouse-rosala-full-command-mgm-music-hall/ |url-status=live }} Consequence of Sound and Edge covered both concerts in New York City, coinciding that "Rosalía is a leading figure in Latin music".{{Cite web |last=Kress |first=Bryan |date=2022-09-19 |title=Rosalía Revs Up the Motomami World Tour at Radio City in New York: Review and Setlist |url=https://consequence.net/2022/09/rosalia-radio-city-concert-review-motomami-tour-setlist/ |access-date=2022-10-11 |website=Consequence |language=en-US |archive-date=2022-10-11 |archive-url=https://web.archive.org/web/20221011195537/https://consequence.net/2022/09/rosalia-radio-city-concert-review-motomami-tour-setlist/ |url-status=live }}{{Cite web |title=Review: Rosalía is an Enigma in her 'Motomami' Tour |url=https://www.edgemedianetwork.com/story.php?319177 |access-date=2022-10-11 |website=EDGE Media Network |language=en-us |archive-date=2022-10-11 |archive-url=https://web.archive.org/web/20221011195539/https://www.edgemedianetwork.com/story.php?319177 |url-status=live }} Chris Richards wrote an outstanding review of the only show in the District of Columbia for The Washington Post. Calling Rosalía "a polyglot with a paralyzing voice" performing a "syncretic masterstroke" record by "positing her curiosity as tenacity, her meticulousness as virtuosity", Richards described the show as "hyperreal" stating that "this wasn't your everyday information-age maximalist popstuff. It wasn't worldly mood boarding. It wasn't trend forecasting, or klepto flossing or tea leaf browsing. This was something far more intimate, something futuristic and precious, and inextricably so a new kind of pop music that seems fully aware of life's unfathomable breadth, as well as the fact that we're each given only so much future to live.{{Cite news |title=Review {{!}} In concert, Rosalía shows us what living in pop's future sounds like |language=en-US |newspaper=Washington Post |url=https://www.washingtonpost.com/music/2022/09/27/rosalia-concert-review/ |access-date=2022-10-11 |issn=0190-8286 |archive-date=2022-09-28 |archive-url=https://web.archive.org/web/20220928075958/https://www.washingtonpost.com/music/2022/09/27/rosalia-concert-review/ |url-status=live }} About the shows in California, Riff and USD The Guardian called it "a solid representation of the cathartic soundscape of the album, where the songs slam back and forth between chaos and calm, old and new, rigid and soft, much like the nature of her artistry".{{Cite web |last=Irshad |first=Zara |date=2022-10-09 |title=Concert Review: Rosalía |url=https://ucsdguardian.org/2022/10/09/concert-review-rosalia/ |access-date=2022-10-11 |website=UCSD Guardian |language=en-US |archive-date=2022-10-11 |archive-url=https://web.archive.org/web/20221011195537/https://ucsdguardian.org/2022/10/09/concert-review-rosalia/ |url-status=live }}{{Cite web |date=2022-10-05 |title=REVIEW: Rosalía all that and more at 'MOTOMAMI' Bill Graham Civic show |url=https://riffmagazine.com/reviews/rosalia-20221004/ |access-date=2022-10-11 |website=RIFF Magazine |language=en-US |archive-date=2022-10-11 |archive-url=https://web.archive.org/web/20221011195538/https://riffmagazine.com/reviews/rosalia-20221004/ |url-status=live }}

The European leg of the tour received positive reviews from critics. Hannah Mylrea from NME and The Independent gave the show in Lisbon a five-star perfect review.{{Cite web |date=2022-11-28 |title=Rosalia in Lisbon: A maximalist, energetic show secures her star status – review |url=https://www.independent.co.uk/arts-entertainment/music/reviews/rosalia-review-lisbon-motomami-tour-b2234231.html |access-date=2022-11-29 |website=The Independent |language=en |archive-date=2022-11-29 |archive-url=https://web.archive.org/web/20221129064913/https://www.independent.co.uk/arts-entertainment/music/reviews/rosalia-review-lisbon-motomami-tour-b2234231.html |url-status=live }} They coincided that "rapidly switching from soaring ballads to industrial club moments, this show is a demonstration of Rosalía's singular artistic vision. Encompassing the genre-shifting nature of Motomami and allowing each of the record's sides to shine in equal measure –be that with a complex dance routine, or a tear-jerking moment of catharsis– it's indicative of Rosalía's sheer talent as a performer, and a reminder that nobody is doing it quite like her at the moment".{{Cite web |last=Mylrea |first=Hannah |date=2022-11-28 |title=Rosalía live in Lisbon: genre-splicing 'Motomami' brings elaborate spectacle to the live arena |url=https://www.nme.com/reviews/live/rosalia-live-in-lisbon-review-setlist-photos-3356703 |access-date=2022-11-29 |website=NME |language=en-GB |archive-date=2022-11-28 |archive-url=https://web.archive.org/web/20221128152524/https://www.nme.com/reviews/live/rosalia-live-in-lisbon-review-setlist-photos-3356703 |url-status=live }}

The London stop at The O₂ Arena was widely acclaimed by British media outlets. Metro called Rosalía "music's greatest living collagists" as "a textural auteur who appears to fold in every sound and taste, culture and country she's ever experienced into her own extremely complicated and dynamic universe."{{Cite web |last=Madden |first=Emma |date=2022-12-14 |title=Rosalia review: You'd be hard-pressed to find a better live singer |url=https://metro.co.uk/2022/12/14/rosalia-review-youd-be-hard-pressed-to-find-a-better-live-singer-17934343/ |access-date=2023-01-24 |website=Metro |language=en |archive-date=2023-01-24 |archive-url=https://web.archive.org/web/20230124165345/https://metro.co.uk/2022/12/14/rosalia-review-youd-be-hard-pressed-to-find-a-better-live-singer-17934343/ |url-status=live }} Evening Standard and The Telegraph coincided that Rosalía is "one of the greatest performers it has ever been their privilege to see and hear".{{Cite news |last=McCormick |first=Neil |date=2022-12-16 |title=Rosalía is one of the greatest performers I have ever seen or heard |language=en-GB |work=The Telegraph |url=https://www.telegraph.co.uk/music/what-to-listen-to/rosalia-o2-arena-review-one-greatest-performers-have-ever-seen/ |access-date=2023-01-24 |issn=0307-1235 |archive-date=2023-01-24 |archive-url=https://web.archive.org/web/20230124165344/https://www.telegraph.co.uk/music/what-to-listen-to/rosalia-o2-arena-review-one-greatest-performers-have-ever-seen/ |url-status=live }}{{Cite web |last=Shutler |first=Ali |date=2022-12-16 |title=Rosalía at the O2 Arena gig review: a reckless, brilliant show |url=https://www.standard.co.uk/culture/music/rosalia-o2-arena-gig-review-motomami-tour-b1047676.html |access-date=2023-01-24 |website=Evening Standard |language=en |archive-date=2023-01-24 |archive-url=https://web.archive.org/web/20230124165344/https://www.standard.co.uk/culture/music/rosalia-o2-arena-gig-review-motomami-tour-b1047676.html |url-status=live }} Charles Ravens wrote for The Guardian that Rosalía is "pop's fearless queen" conjuring "a kaleidoscopic paradise" and compared her to "Frank Ocean with twice as hits", "Björk with dance routines" and "Kanye West with a personality transplant".{{Cite web |date=2022-12-16 |title=Rosalía review – pop's fearless queen conjures a kaleidoscopic paradise |url=https://www.theguardian.com/music/2022/dec/16/rosalia-review-o2-london |access-date=2023-01-24 |website=the Guardian |language=en |archive-date=2023-01-24 |archive-url=https://web.archive.org/web/20230124163105/https://www.theguardian.com/music/2022/dec/16/rosalia-review-o2-london |url-status=live }}

The solo tour stops were attended by many celebrities and public personalities such as Queen Letizia, Frank Ocean, M.I.A, Drake, Dua Lipa, Pedro Pascal, Robert Pattinson, Kylie Jenner, Kendall Jenner, Bella Hadid, Shawn Mendes, Pedro Almodóvar, Rossy de Palma, Suki Waterhouse, Emily Ratajkowski, Danna Paola, Zara Larsson, Julieta Venegas, Angèle, Simon Jacquemus, Nicki Nicole, Addison Rae, Estopa, Pabllo Vittar, Ludmilla, Carlos Cuevas, Amaia, Tokischa, Carminho and Rauw Alejandro.{{Cite web |date=2022-08-01 |title=La princesa Leonor y la infanta Sofía, las más fans de Rosalía, no se perderán su concierto en Mallorca |url=https://www.lecturas.com/actualidad/casas-reales/princesa-leonor-y-infanta-sofia-mas-fans-rosalia-no-se-perderan-su-concierto-mallorca_124841 |access-date=2022-10-28 |website=Lecturas |language=es |archive-date=2022-10-28 |archive-url=https://web.archive.org/web/20221028143638/https://www.lecturas.com/actualidad/casas-reales/princesa-leonor-y-infanta-sofia-mas-fans-rosalia-no-se-perderan-su-concierto-mallorca_124841 |url-status=live }}{{Cite web |date=2022-07-21 |title=Rosalía causa furor en Madrid con su gira Motomami World Tour |url=https://www.hola.com/actualidad/20220721214145/rosalia-concierto-gira-motomami-causa-furor-madrid/ |access-date=2022-10-14 |website=HOLA |language=es |archive-date=2022-10-14 |archive-url=https://web.archive.org/web/20221014235300/https://www.hola.com/actualidad/20220721214145/rosalia-concierto-gira-motomami-causa-furor-madrid/ |url-status=live }}

File:Rosalía performing SAOKO.jpg".]]

As the audience enters the venue before the start of the show, a progressive Bic pen drawing inspired by the Motomami artwork is projected on the stage while a playlist of selected songs plays in the background, including "Another Brick in the Wall, Part 2" by Pink Floyd, "Obsesión" by Aventura, "Fiebre" by Bad Gyal, "Loco por Perrearte (Remix)" by De La Ghetto and Rauw Alejandro, among others. Three minutes before shuting down the venue's lights, "Matsuri-Shake", an experimental punk song by Japanese all-girl band Ni Hao is played. Once obscure, loud motorcycle noises emerge from the loudspeakers while smoke comes out of the stage's extremes. Rosalía and her dance crew (popularly known as 'motopapis') enter from behind the screen shortly after, wearing a white neon full face motorcycle helmet. Rosalía soon reveals herself and performs an extended version of "Saoko", followed by "Candy" immediately after. During the performance, with her entirely-male dancing formation running around Rosalía in circles.

File:Rosalía Bizcochito FEP 2023 02.jpg".|279x279px]]

During "Bizcochito", Rosalía walks to the end of the runway and makes a "sassy" fake chewing gum face that became viral on TikTok. A high-pitch voice distorter is used on the singer's vocals at the end. An extended solo version of lead single "La Fama" similar to the one used in her performance on Saturday Night Live, starts playing while Rosalía puts on a pair of sunglasses. Rosalía picks up a guitar and interacts with the audience for the first time during a speech that precedes "Dolerme". During the performance, a blue floodlight shines above the singer and the main screen projects images of moving water. A medley of "De Aquí No Sales" and "Bulerías" comes right after. The former's performance partly recycles that of El Mal Querer Tour while the latter features an avant-flamenco outro that was already spotted on her Motomami Live virtual concert.

The 'motopapis' form a human motorcycle during an extended version of the Pharrell-produced "Motomami". The show continues with Rosalía being transferred by two of her dancers (making the form of a crux immissa) to a spinning platform to sing the emotional "G3 N15". The show goes on with "Linda", the first of two collaborations with Tokischa. In this is heavily choreographed performance, the lateral screens show direct images from the stage through mobile cameras handed by dancers Jaxon Willard and Stanley Glover.

Rosalía walks down to the public with yet another mobile camera during "La Noche de Anoche", encouraging her followers to sing the track on her microphone while live recording them. A camera operator using a steadicam accompanies Rosalía during "Diablo", where she sits on a barber chair, removes her makeup with a white towel and cuts her hair extensions in a performance that resembles Cut Piece, a pioneer of performance art first performed by Yoko Ono in 1964. Rosalía whistles and plays a black classical piano during "Hentai" while the main screen projects a green landscape similar to Charles O'Rear's Bliss, that slowly sees sunset, followed by a shortened version of "Pienso en tu Mirá". A "nude" version of La Factoría and Eddy Lover's 2007 song "Perdóname" is performed immediately after.

A twenty-meter-long black skirt "wraps" the singer's waist during a revamped electric and Spanish guitar-driven performance of "De Plata", the only song of her debut album Los Ángeles to be included in the setlist. Rosalía asks the audience to collaborate with her completing the alphabet during "Abcdefg", in which each mentioned letter is projected on the screen. She later lies on the floor and starts singing "La Combi Versace" in another heavily choreographed performance. The show smoothly transitions to a purple reggaeton party that starts the remixed version of Sech's "Relación" and is followed by the Travis Scott collaboration "TKN", incorporating elements of Lorna's "Papi Chulo". Rosalía brings approximately twenty fans on stage to dance along to "Yo x Ti, Tu x Mi" and "Gasolina" by Daddy Yankee before singing a shortened version of "Despechá". Rosalia sings about vulnerability and her struggles with fame and paparazzi on "Aislamiento" which eventually collapses in synthesizers and transitions to the remixed version of the Weeknd's "Blinding Lights", followed by "Chiri". Vulnerability strikes again during "Como Un G", which starts with Rosalía on her knees. The following performance, "Malamente", features Rosalía's dancers running around in a new choreography routine.

"LAX", in which Rosalía sings about her fears of stardom, serves as the show's first and only interlude, with its lyrics written by a Bic pen being projected on the central screen as they're sung. Lightning turns orange and a mic stand is used during "Delirio de Grandeza". Rosalía later laments that the show is nearly coming to an end and proceeds to perform "Con Altura", with the crew leaving the stage after its end. After a few minutes, the encore begins with the dancers riding scooters as the first chords of "Chicken Teriyaki" start playing, after which pianist Llorenç Barceló comes onstage during "Sakura", which Rosalía sings in an almost theatrical way. Jal Joshua walks the runway during a twenty-one-number countdown with Rosalía appearing shortly after to sing an extended version of "CUUUUuuuuuute" before leaving the stage. The song "ハピネス" by Japanese musician Sekitō Shigeo is played over the public address system as the audience leaves the venue; the recording is an instrumental version of "Happiness is Me and You" by Gilbert O'Sullivan.

The Motomami World Tour was attended by 440,000 people and grossed $30.4 million from 45 shows, surpassing her previous concert tour, the El Mal Querer Tour, as her highest-grossing tour to date. It became the tenth best performing female concert tour of the year worldwide, and the second best-performing female tour by a Spanish-singing act after Karol G's Strip Love Tour.

The following setlist was obtained from the 9 July 2022 concert, held at the Estadio de La Cartuja in Seville, Spain.{{cite web |url=https://los40.com/los40/2022/07/05/musica/1657035239_898872.html |title=ESTE ES EL SETLIST DEFINITIVO DE MOTOMAMI TOUR DE ROSALÍA |language=Spanish |trans-title=THIS IS THE DEFINITIVE SETLIST OF ROSALÍA'S MOTOMAMI TOUR |last1=Navarro |first1=Alba |date=7 July 2022 |website=Los 40 |publisher=Promotora de Informaciones, S.A. |access-date=7 July 2022|archive-url=https://archive.today/20220801065911/https://los40.com/los40/2022/07/05/musica/1657035239_898872.html |archive-date=1 August 2022}} It does not represent all concerts for the duration of the tour.

{{div col}}

1. "Saoko"
2. "Candy"
3. "Bizcochito"
4. "La Fama"
5. "Dolerme"
6. "De aquí no sales" / "Bulerías"
7. "Motomami"
8. "G3 N15"
9. "Linda"
10. "La Noche de Anoche"
11. "Diablo"
12. "Hentai"
13. "Pienso en tu mirá"
14. "Perdóname" (La Factoría and Eddy Lover cover)
15. "De Plata"
16. "Abcdefg" (interlude)
17. "La Combi Versace"
18. "Relación (remix)" / "TKN" / "Yo x ti, tu x mi" / "Despechá" (contains elements of "Papi Chulo" and "Gasolina")
19. "Aislamiento"
20. "Blinding Lights (remix)"
21. "Chiri"
22. "Como un G"
23. "Malamente"
24. "LAX" (interlude)
25. "Delirio de grandeza"
26. "Con altura"
27. ;Encore
28. "Chicken Teriyaki"
29. "Sakura"
30. "Cuuuuuuuuuute"

{{div col end}}

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• During the concert in Almería, "LAX" wasn't played.
• During the concerts in Granada, Fuengirola, the first one in Madrid and the second one in Mexico City, "De plata" was not performed.
• During the first show in Barcelona, Rosalía sang an a capella version of "Milionària" in the course of "Abcdefg".
• During the concert in Palma, Rosalía did not perform "Perdóname", "De plata", "Delirio de grandeza", "Chicken Teriyaki" and "Sakura" due to an illness.
• During the concert in São Paulo, Rosalía performed an acapella cover of "Você Vai Ver" by Tom Jobim.
• During the concerts in Buenos Aires, Rosalía performed an acapella cover of "Alfonsina y el mar" by Mercedes Sosa after reading a sign from a fan in the audience on the first night.
• During the concert in Santiago, Rosalía performed an acapella version of "Catalina" after a request of someone in the audience.{{Cite news |last=Contreras |first=Marcelo |date=29 August 2022 |title=Rosalía en Chile: rendidos sin resistencia |language=es |work=La Tercera |url=https://www.latercera.com/culto/2022/08/29/rosalia-en-chile-rendidos-sin-resistencia |access-date=30 August 2022 |archive-date=29 August 2022 |archive-url=https://web.archive.org/web/20220829233255/https://www.latercera.com/culto/2022/08/29/rosalia-en-chile-rendidos-sin-resistencia/ |url-status=live }} The song was performed again at the following shows in Bogotá, La Romana and Berlin.
• During the concert in La Romana, Tokischa joined Rosalía on stage to sing "Linda".
• During the first concert in Inglewood, M.I.A. surprised Rosalía onstage while performing "Yo x Ti, Tu x Mi".
• During the concert in Miami, "Dolerme", "Diablo", "Pienso en tu Mirá", "Perdóname", "De Plata", "Abcdefg", "Aislamiento", "Blinding Lights", "Chiri", "Como Un G" and "Sakura" were not performed.

}}

{{notelist}}

Credits adapted from Live Nation.{{cite web |url=https://www.flugeav.com/portfolio-items/rosalias-long-awaited-motomami-world-tour-begins-in-almeria/ |title=ROSALÍA'S LONG-AWAITED "MOTOMAMI WORLD TOUR" BEGINS IN ALMERIA |author= |date=12 July 2022 |website=Fluge Audiovisuales |publisher= |access-date=1 August 2022|archive-url=https://archive.today/20220801073000/https://www.flugeav.com/portfolio-items/rosalias-long-awaited-motomami-world-tour-begins-in-almeria/ |archive-date=1 August 2022}}{{Cite web |last=Yasss |first=Equipo |date=2022-08-11 |title=Los ocho motopapis de Rosalía que aparecen en el videoclip de 'Despechá' y se han ido de gira con ella |url=https://www.yasss.es/actualidad/20220811/motopapis-rosalia-aparecen-videoclip-despecha_18_07223703.html |access-date=2022-08-24 |website=Yasss |language=es |archive-date=2022-10-05 |archive-url=https://web.archive.org/web/20221005095333/https://www.yasss.es/actualidad/20220811/motopapis-rosalia-aparecen-videoclip-despecha_18_07223703.html |url-status=live }}{{cite web |url=https://www.diariodemallorca.es/cultura/2022/07/29/llorenc-barcelo-rosalia-motomami-mallorca-71953301.html |title=Llorenç Barceló, un mallorquín en la corte de Rosalía |language=Catalan |trans-title=Llorenç Barceló, a Mallorcan in Rosalía's court |last1=Galán |first1=Raquel |date=29 July 2022 |website=Diario de Mallorca |publisher=Prensa Ibérica |access-date=1 August 2022|archive-url=https://archive.today/20220801073654/https://www.diariodemallorca.es/cultura/2022/07/29/llorenc-barcelo-rosalia-motomami-mallorca-71953301.html |archive-date=1 August 2022}}

{{col div}}

;Show:

• Rosalía – Vocals, dancer, electric guitar, piano, creative director
• Jaxon Willard – Dancer
• Chandler – Dancer
• Oscar Ramos – Dancer
• Antonio Spinelli – Dancer
• Stanley Glover – Dancer
• Daniel Muñoz – Dancer
• Mykee Moves – Dancer
• Eddy Soares – Dancer
• Sam Vázquez – Dancer
• Jal Joshua – Dancer
• Jesse Johnson – Dancer
• Jovanni Christian Soto – Dancer
• Yai Ariza – Dancer
• Mario D. Harris – Dancer
• Llorenç Barceló – Keyboards

;Crew:

• Agustin Boffi – Tour Manager
• Alejandro Agra – Production Manager
• Jordi Picazos – Stage Manager
• Unai Lascano Muro – Ableton Live Tech
• Aaron Wade – LD
• Mecnun Giasar – Choreographer
• Jacob Jonas – Choreographer
• Ferran Echegaray – Creative director
• Pilar Vila Tobella – Creative director
• Jesse Blevins – Lighting design
• Lucas Casanovas - Live Camera Designer
• José María Mourin Pérez – Sound design
• Omar Mohamed Luis – D3 programmer
• Dion Lee – Costume designer
• Pepa Salazar – Costume designer

{{col div end}}

{{reflist|30em}}

{{Rosalía}}

Category:2022 concert tours

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Category:Rosalía concert tours