Number Ones, Up Close and Personal

File:Radio City Music Hall Panorama.jpg.]]

Several years prior, Jackson embarked on her first tour in nearly seven years, the Rock Witchu Tour. It faced adversities due to an illness revealed as severe vertigo, which had also affected several promotional appearances during the release of her eighth studio album, Discipline.{{cite web|url=http://www.mtv.com/news/articles/1603492/20090126/jackson_janet.jhtml|title=Janet Jackson Cancels Japanese Tour|last=Kaufman|first=Gil|work=MTV News|date=2009-01-26|access-date=2011-01-03|archive-date=2009-02-07|archive-url=https://web.archive.org/web/20090207063747/http://www.mtv.com/news/articles/1603492/20090126/jackson_janet.jhtml|url-status=dead}}{{cite web |url=http://www.eonline.com/uberblog/b63839_janet_jackson_ready_rock_after_battling.html |title=Janet Jackson Ready to Rock After Battling Vertigo |last1=Finn |first1=Natalie |date=2008-10-14 |work=E! Online News |access-date=2010-10-03 |archive-date=2011-03-05 |archive-url=https://web.archive.org/web/20110305160248/http://www.eonline.com/uberblog/b63839_janet_jackson_ready_rock_after_battling.html |url-status=live }} Jackson planned to tour Asia during that time, however, dates were postponed due to the 2009 economic crisis. Jackson intended to tour in support of her Number Ones album but was halted by numerous circumstances, including filming Why Did I Get Married Too? and For Colored Girls. At the same time, she penned her first book, True You and suffered the death of her brother, Michael Jackson. In 2010, Jackson returned to performing at the Essence Music Festival in New Orleans, Louisiana. Jackson's performance was praised by both media and spectators, also breaking Beyoncé's attendance record at the Louisiana Superdome.{{cite web |url=http://www.mtv.com/news/articles/1642978/20100703/jackson_janet.jhtml |title=Janet Jackson Opens Essence Music Festival In New Orleans |last1=Reid |first1=Shaheem |date=2010-07-03 |work=MTV News |access-date=19 December 2010 |archive-date=2010-10-01 |archive-url=https://web.archive.org/web/20101001225117/http://www.mtv.com/news/articles/1642978/20100703/jackson_janet.jhtml |url-status=dead }}

Upon performing a private concert at New York's Radio City Music Hall, she became inspired to tour with an intimate show. In November, Jackson posted a video on her official website announcing details of her upcoming tour. She deemed it the "largest world tour I've ever done" while revealing its concept of an intimate gathering with fans. She exclusively performed her catalog of number ones hits from charts such as Billboard's Hot 100, Top 40 Mainstream, R&B Songs, and Hot Dance Club Songs, as well as Japan's Oricon, Canadian Singles, and various international charts in Europe and Australia. Jackson performed in 35 cities, each show offering something different in terms of her performance.{{cite web |url=http://www.bluesandsoul.com/feature/685/janet_jackson_one_on_1s/ |title=Janet Jackson in-depth interview by Pete Lewis, 'Blues & Soul' June 2011 |publisher=Bluesandsoul.com |access-date=2011-11-12 |archive-date=2011-08-22 |archive-url=https://web.archive.org/web/20110822162957/http://www.bluesandsoul.com/feature/685/janet_jackson_one_on_1s |url-status=live }} Fans were to vote on cities via her official website. She honored 20 people who performed service in their community with the "20 Under 20" contest and dedicated one hit to each city during every show.{{cite web |url=http://pollstar.com/blogs/news/archive/2010/12/16/750733.aspx |title=Janet Jackson Announces First Date Of 2011 Tour |date=2010-12-16 |work=Pollstar |access-date=19 December 2010 |archive-url=https://web.archive.org/web/20101220092838/http://www.pollstar.com/blogs/news/archive/2010/12/16/750733.aspx |archive-date=20 December 2010 |url-status=dead }} In December, Jackson announced the first date in Wan Chai, Hong Kong.{{cite web |url=http://www.mtvasia.com/news/20101213-janet-jackson-live-in-hong-kong/ |title=The singer will only perform music exclusively from her chart topping album, Number Ones |author=News Desk |date=2010-12-13 |work=MTV Asia |access-date=19 December 2010 |archive-date=2010-12-16 |archive-url=https://web.archive.org/web/20101216065725/http://www.mtvasia.com/news/20101213-janet-jackson-live-in-hong-kong |url-status=live }}

{{cquote|This tour will be different from the tours I've done in the past. In the way that I perform music[ally] will be exclusively from my 35 number one hits [in] 35 cities. These concerts will be different from anything I have ever done", Jackson said. "I will be as up close and personal as possible. These concerts are not about special effects. This is a love affair between me and those of you who have supported me and my work for all these years. I’ll be singing and dancing from my heart. The music will all be songs that you’ve made number ones for me. Let's go!{{cite news|url=http://pollstar.com/blogs/news/archive/2011/01/10/752675.aspx|title=Janet Jackson Announces North America Dates|date=10 January 2011|access-date=11 January 2011|work=Pollstar|agency=Associated Press|archive-date=12 January 2011|archive-url=https://web.archive.org/web/20110112210740/http://www.pollstar.com/blogs/news/archive/2011/01/10/752675.aspx|url-status=live}}}}

In April, Jackson extended the tour's North American and European legs into the fall due to massive sellouts.{{cite web|author=Aleta Watson|title=Janet Jackson Adds More Dates to 'Number Ones' Tour Due to Its Success|url=http://www.singersroom.com/news/6986/Janet-Jackson-Adds-More-Dates-to-Number-Ones-Tour-Due-to-Its-Success|date=2011-04-12|access-date=2011-04-11|publisher=singersroom.com|archive-date=2011-06-30|archive-url=https://web.archive.org/web/20110630090204/http://www.singersroom.com/news/6986/Janet-Jackson-Adds-More-Dates-to-Number-Ones-Tour-Due-to-Its-Success|url-status=live}}{{citation|title=Success of Janet Jackson's 'Number Ones Tour' Prompts Extension of U.S. And European Legs Until Fall|url=http://www.prnewswire.com/news-releases/success-of-janet-jacksons-number-ones-tour-prompts-extension-of-us-and-european-legs-until-fall-119585899.html|publisher=Universal Music Enterprises|date=2011-04-11|access-date=2011-04-11|archive-date=2011-04-14|archive-url=https://web.archive.org/web/20110414134311/http://www.prnewswire.com/news-releases/success-of-janet-jacksons-number-ones-tour-prompts-extension-of-us-and-european-legs-until-fall-119585899.html|url-status=live}} She also extended the tour into Australia, Africa, and South America.{{citation|title=Janet Jackson revives brother's memories with virtual duet|url=http://articles.cnn.com/2011-07-01/entertainment/janet.jackson_1_rhythm-nation-tour-duet-michael-jackson?_s=PM:SHOWBIZ|publisher=CNN|date=2011-07-01|access-date=2011-07-01|archive-url=https://web.archive.org/web/20110807134251/http://articles.cnn.com/2011-07-01/entertainment/janet.jackson_1_rhythm-nation-tour-duet-michael-jackson?_s=PM:SHOWBIZ|archive-date=2011-08-07|url-status=dead}}{{citation|title=Janet Jackson Talks Tour On 'Paul O'Grady', Joe Jonas Performs "See No More"|url=http://idolator.com/5925222/janet-jackson-joe-jonas-paul-o-grady|work=Idolator|date=2011-07-02|access-date=2011-07-02|archive-date=2023-09-06|archive-url=https://web.archive.org/web/20230906065307/https://www.idolator.com/5925222/janet-jackson-joe-jonas-paul-o-grady|url-status=live}} The tour was sponsored by Universal Music and fashion label Blackglama.

Jackson desired to perform an organic show without the use of theatrics and pyrotechnics, selecting venues allowing her to be intimate with fans.{{cite web|url=http://www.janetjackson.com/story/news/excuse-me-ms-jackson|title=JANET – Excuse me, Ms Jackson|work=TODAYOnline|publisher=Toh, Christopher|date=2011-10-19|access-date=2013-10-20|archive-date=2014-04-13|archive-url=https://web.archive.org/web/20140413143407/http://www.janetjackson.com/story/news/excuse-me-ms-jackson|url-status=live}} It focused on Jackson's artistry through singing and choreography, using an "unplugged" concept. Jackson explained, "I was in New York performing [a private show] at Radio City Music Hall. It was so much fun to look into the audience and see the eyes, smiles and energy of each person. I was singing and dancing and all I could think was, 'This is how I will perform my next tour'. Up close and personal. Giving my fans something we hadn't shared before."{{cite web|url=http://www.adelaidenow.com.au/ipad/from-janet-jackson-with-love/story-fn6ci0vj-1226170803407|title=From Janet Jackson... with love – The Advertiser|work=The Advertiser|date=2011-10-19|access-date=2013-10-20}} The show is divided into multiple segments, each focusing on a specific theme within the song's lyrical content to express an individual storyline. Jackson stated, "I am always looking to grow as an artist. When creating this tour, I wanted to tell a specific story in each section of the show. I am having fun looking at these songs and seeing what I can do with them and let them inspire me."{{cite web|url=http://gulfnews.com/arts-entertainment/music/janet-jackson-i-love-mike-very-much-1.889243|title=Janet Jackson: I love Mike very much – GulfNews.com|work=Gulf News|publisher=Crane, Kelly|date=2011-10-11|access-date=2013-10-20|archive-date=2014-04-13|archive-url=https://web.archive.org/web/20140413145156/http://gulfnews.com/arts-entertainment/music/janet-jackson-i-love-mike-very-much-1.889243|url-status=live}} Various costume and set list changes were made frequently throughout the tour, saying "I am a very creative person, so I love to experiment. [...] I have changed some of the costumes, added songs and videos to the line up. I love to create so it has been a lot of fun." Jackson did many meet and greets with fans and allowed them to give specific input into the show. Regarding their contributions, Jackson said, "I am so fortunate that my fans, no matter where they are, are so loyal. They give me so much love and I am excited to return mine to them."

The tour took an intimate and organic approach, focusing on Jackson's musicality and showmanship in dedication to her fans. Each segment focuses on a different theme based on the song's lyrical content. The show began with a video introduction of Jackson explaining its concept. After this, a music video of the individual song dedicated to the current city is shown. She enters from the back of the audience flaunting a "scythe-edged" haircut in a grey catsuit to perform opening number "The Pleasure Principle", moving throughout the venue's centerpiece while interacting with the crowd. Upon reaching the stage, she performed "Control", "What Have You Done for Me Lately", and "Feedback" before transitioning to "You Want This", "Alright", and "Miss You Much" replicating each song's signature dance moves. Jackson smashes her way into "Nasty" ending the first part of the show. A film reel of highlights from Jackson's acting career was played during a brief interlude, including scenes from Good Times, Poetic Justice, The Nutty Professor II: The Klumps, and Why Did I Get Married Too?. She reappeared in a diamond-encrusted lavender gown and sat on a stool in center stage to perform several unplugged ballads. The set began with "Nothing" and "Come Back to Me" before closing with "Let's Wait Awhile" and "Again", briefly pausing to allow the audience to sing several verses in their entirety. "Janet's Image", a second video montage consisting of Jackson's most iconic photographs is shown before she returned in a sleeveless black vest. The third set focused on upbeat love songs, beginning with "Doesn't Really Matter" and leading into "Love Will Never Do (Without You)", "When I Think of You", and "All for You." After a slight pause, she sang "That's the Way Love Goes." The band played an instrumental version of "What About" during a costume break. Upon emerging, Jackson segued through a rock-influenced portion in a black jacket, performing "Black Cat" and "If", emulating its music video's iconic choreography. The set closed with "Scream" and "Rhythm Nation." Following a final intermission, Jackson and her dancers reappeared in matching white outfits for the show's encore. Her then-most recent number one hit "Make Me" lead the set. followed by the show's finale, "Together Again." Throughout the song, childhood images of her with Michael Jackson appeared on screens in tribute to his death. The show ended with Jackson speaking to the crowd and waving goodbye as she exits the stage. "All Nite (Don't Stop)", "Runaway", "Call on Me", "I Get Lonely", "Diamonds", "The Best Things in Life Are Free", "Throb", "Go Deep" and "When We Oooo" were performed on selected dates.

The tour was met with positive reviews. The Jakarta Post wrote Jackson put together "a well-crafted performance, peppered with cool and familiar choreographies combined with an impressive multimedia backdrop."{{citation|title=Janet Jackson: All for you, Jakarta|newspaper=The Jakarta Post|date=2011-02-11}} Serene Goh of The Straits Times wrote, "She was theatrical before Lady Gaga, racy before Rihanna and bootylicious before Beyoncé ... Jackson, now 44, brought to the stage a different sensibility, a pared-down set, fewer back-up dancers and less distraction."{{citation|author=Serene Goh|title=Janet shines, Again; But unlike her show 16 years ago, the singer is now more mellow and exudes a quiet confidence|newspaper=The Straits Times|date=2011-02-09}} Amy Verner of The Globe and Mail stated Jackson "proved that she no longer needs elaborate stage sets or pyrotechnics to captivate her fans."{{citation|author=Amy Verner|title=No pyrotechnics, but a little Vegas vibe|newspaper=The Globe and Mail|date=2011-03-14|page=R.5}} Verner concluded, "Seeing Jackson in concert is less about her vocal range than her command of countless choreographed moves to catchy songs that you find you know the words to. She's in her element performing live, transitioning smoothly from fierce and aggressive to sweet and giggly." Saeed Saeed of The National praised it as "a masterclass in how to deliver a pop performance", delivering a mixture of "fan favourites and new material." The "fast moving and slickly produced" show was thought to demonstrate her longevity, "reflecting her eclectic muse from pop, R&B to rock and dance."{{cite web|url=http://www.thenational.ae/arts-culture/on-stage/jackson-is-no-1-with-yas-crowd|title=Jackson is No 1 with Yas crowd|work=The National|date=2011-10-14|access-date=2013-10-20|archive-date=2014-04-13|archive-url=https://web.archive.org/web/20140413161040/http://www.thenational.ae/arts-culture/on-stage/jackson-is-no-1-with-yas-crowd|url-status=live}}

File:Numberonestour.jpgJoe Lawler of the DesMoines Register called the show "a Janet Jackson sampler", adding "Ms. Jackson clearly knows how to work a crowd, and they showered her with affection." Lawler emphasized, "A number of artists have been tagged with the honorific "Queen of Pop" title over the years, but Jackson's longevity and body of work make it clear that she is worthy of it."{{cite web|url=http://blogs.desmoinesregister.com/dmr/index.php/2011/08/21/janet-jackson-still-the-queen|title=Janet Jackson: Still the queen – Des Moines Register Staff Blogs|work=Des Moines Register|publisher=Lawler, Joe|date=2011-08-21|access-date=2013-10-20|archive-date=2023-09-06|archive-url=https://web.archive.org/web/20230906065307/https://www.desmoinesregister.com/|url-status=live}} Vaughn Schoonmaker of MTV News stated "Often imitated, never duplicated, Janet Jackson's outbursts of meticulous choreography, sassy exclamations and smoldering gazes into the audience kept them on their feet for the entire two-hour set... we can expect to see this singing and dancing pop legend shine far into the future."{{citation|author=Vaughn Schoonmaker|title=Janet Jackson Thrills Fans With Greatest Hits, Michael Tribute At Radio City|url=http://www.mtv.com/news/articles/1660385/janet-jackson-radio-city-concert.jhtml|publisher=MTV|date=2011-03-22|access-date=2011-04-12|archive-date=2011-04-24|archive-url=https://web.archive.org/web/20110424204530/http://www.mtv.com/news/articles/1660385/janet-jackson-radio-city-concert.jhtml|url-status=dead}} Brad Wete of Entertainment Weekly praised Jackson's "crisp choreography" and vocals as "strong all evening", ranging from "both feathery and gruff." Wete added, "Statistically, the fact that she's one of the most successful artists of the last 25 years is unquestionable. She's in a class with Madonna, though not mentioned as much."{{cite magazine|url=http://music-mix.ew.com/2011/03/21/janet-jackson-number-ones-new-york-radio-city/|title=Janet Jackson: 44 and still nasty during Number Ones show at New York's Radio City Music Hall|author=Wete, Brad|date=2011-03-21|access-date=2011-04-11|magazine=Entertainment Weekly}} {{interlanguage link|Thomas Conner (journalist)|lt=Thomas Conner|de|Thomas Conner}} of Chicago Sun-Times observed the tour's set list suggested "a total that once again equals international megastar."{{cite web|url=http://www.suntimes.com/entertainment/conner/4189072-417/up-close-with-janet.html|archive-url=https://archive.today/20140412075320/http://www.suntimes.com/entertainment/conner/4189072-417/up-close-with-janet.html|url-status=dead|archive-date=April 12, 2014|title=Janet Jackson reacquaints with fans during intimate, energetic show|work=Chicago Sun-Times|last=Conner|first=Thomas|author-link=:de:Thomas Conner|date=2011-03-07|access-date=2013-10-20}}

Liz Tracy of Miami New Times called Jackson "as strong and feminine as ever", contrasting with her "soft-spoken, seemingly genteel" persona offstage, becoming "a sassy little powerhouse who is every straight (and gay) man's wet dream." Tracy concluded, "Jackson needn't prove herself. She is a 35-hit wonder who has stayed sexy yet powerful, smart yet vulnerable. Baby-faced, industry-perfect pop stars will grow old whether or not they grow up. Jackson is the example of how to do it with grace even when things go horribly wrong."{{cite web|url=http://www.miaminewtimes.com/2011-12-01/music/janet-jackson-at-fillmore-miami-beach-december-5/2/|title=Janet Jackson at Fillmore Miami Beach December 5 – Miami New Times|work=Miami New Times|publisher=Tracy, Liz|date=2011-10-01|access-date=2013-10-20|archive-date=2014-04-13|archive-url=https://web.archive.org/web/20140413145334/http://www.miaminewtimes.com/2011-12-01/music/janet-jackson-at-fillmore-miami-beach-december-5/2/|url-status=live}} Jane Stevenson of Winnipeg Sun called the show "a scaled-down, fast-paced, crowd-pleasing, wall-to-wall hits package", heralding its medleys, "sexy, glamorous costumes", and choreographed dance moves.{{cite web|url=http://www.winnipegsun.com/entertainment/music/2011/03/13/17597451.html|title=Live Review: Janet Jackson in Toronto – Entertainment|work=Winnipeg Sun|publisher=Stevenson, Jane|date=2011-03-13|access-date=2013-10-20|archive-date=2016-08-08|archive-url=https://web.archive.org/web/20160808235750/http://www.winnipegsun.com/entertainment/music/2011/03/13/17597451.html|url-status=live}} Annabel Ross of Australia's The Age called the tour "a walloping reminder of just how many hits she's produced, jamming 30-odd chart-topping singles into two hours." Ross added, "Jackson's trailblazing talent – she still dances circles around Beyoncé and Britney – deserves to be celebrated in its own right."{{cite web|url=http://www.theage.com.au/entertainment/music/janet-jackson-20111104-1mzw9.html|title=Janet Jackson|work=The Age|publisher=Ross, Annabel|date=2011-11-05|access-date=2013-10-20|archive-date=2013-05-07|archive-url=https://web.archive.org/web/20130507065551/http://www.theage.com.au/entertainment/music/janet-jackson-20111104-1mzw9.html|url-status=live}} In a review for Sydney's Everguide, Ross praised the show as "one of the best pop performances I’ve ever seen", commending its "substance and stripped-back style." Jackson was noted to abandon her sex-driven image, performing with "agy-defying ease and energy." Jackson's voice was heralded as "nothing to sniff at – that pristine, unmistakable Jackson coo never faltered as she tore through hit after hit." In comparison to her recent contemporaries, Ross stated, "There was no hatching out of eggs, no fandangled props and light shows – just good old-fashioned song and dance from one of the best movers in the business. Rihanna, Beyoncé, Britney – they ain’t got nothin’ on Damita Jo." The excerpt concluded, "Thank you, Janet, for being one of the best pop entertainers of the last century. Beyoncé et al. have some massive shoes to fill if they want to rock a show like you did last night – at any age."{{cite web|url=http://everguide.com.au/gigs-and-festivals/reviews/janet-jackson-up-close-and-personal-rod-laver-arena-nov-3.aspx|title=Janet Jackson 'Up Close and Personal', Rod Laver Arena, Nov 3|work=Everguide|publisher=Ross, Annabel|date=2012-10-30|access-date=2013-10-20|archive-url=https://web.archive.org/web/20140413143707/http://everguide.com.au/gigs-and-festivals/reviews/janet-jackson-up-close-and-personal-rod-laver-arena-nov-3.aspx|archive-date=2014-04-13|url-status=dead}}

James Reed of The Boston Globe commented, "[a]t 44, Jackson looks terrific ... She stayed in step with her dancers, and she was in strong voice and as seductive as ever." However, Reed called the show "a strange animal", questioning several hits being "shoehorned into brisk medleys."{{citation|author=James Reed|title=Janet Jackson Delivers the Hits but Leaves Fans Hungry For More|newspaper=The Boston Globe|date=2011-03-16|page=B.16|issn=0743-1791}} Ben Ratliff of The New York Times felt the show's best moments occurred during its third segment, with Jackson "relaxed and athletic", as well as "tension free."{{citation|title=First-Person Reflections on a Pop Career|url=https://www.nytimes.com/2011/03/21/arts/music/janet-jacksons-number-ones-at-radio-city-review.html|newspaper=The New York Times|date=2011-03-20|access-date=2011-04-01|first=Ben|last=Ratliff|archive-date=2011-03-25|archive-url=https://web.archive.org/web/20110325092733/http://www.nytimes.com/2011/03/21/arts/music/janet-jacksons-number-ones-at-radio-city-review.html|url-status=live}} Chris Richards of The Washington Post praised the "laserlight precision" of Jackson's "delicate" voice, adding "if you paid to hear Jackson sing, you certainly got that. Not a single word appeared to be lip-synced."{{citation|author=Chris Richards|title=Janet Jackson lets fans see her sweat with energized Constitution Hall show|url=https://www.washingtonpost.com/lifestyle/style/janet-jackson-lets-fans-see-her-sweat-with-energized-constitution-hall-show/2011/03/23/ABtaY8KB_story.html|newspaper=The Washington Post|date=2011-03-23|access-date=2011-04-01|archive-date=2011-10-19|archive-url=https://web.archive.org/web/20111019225821/http://www.washingtonpost.com/lifestyle/style/janet-jackson-lets-fans-see-her-sweat-with-energized-constitution-hall-show/2011/03/23/ABtaY8KB_story.html|url-status=live}} Richard also complimented her physically strenuous performance, stating "in a 21st-century popscape where concerts are driven by spectacle, we need to know that beneath all of the sci-fi costumes, strobe lights and Auto-Tune, we’re still witnessing a performance by the living, breathing, profusely sweating human being whose name is stamped on the tickets we just emptied our wallets for."

File:Janet Jackson Tour 2011 (5548040182).jpg" on tour.]]

Greg Kot of Chicago Tribune praised the "tightly-choreographed greatest hits show" as "the best Janet Jackson performance I’ve covered in 20-plus years." Jackson was thought to portray "the work of a still-vital artist determined to showcase her subtle strengths", considered its most crucial achievement. The show's standout renditions were thought to be "Alright", as Jackson "flung limbs in impossible directions", in addition to "I Get Lonely" and "Black Cat", which showcased Jackson "head-banging with rare violence." Kot commended Jackson's vocals, saying "her delicate touch conveyed an innocence and sweetness not often heard on the pop charts anymore. That's a unique legacy in pop; whereas the charts are often dominated by stridency, Jackson brought sensuality and understatement."{{citation|author=Glenn Gamboa|title=The magnificent 7 Our critic's take on Janet Jackson's top hits before her musical comeback|newspaper=Newsday|date=2011-03-18|page=B.15}} Phil Villeneuve of FAB Magazine likened Jackson's appeal to Lady Gaga's, saying "If Gaga is Mother Monster, then Janet Jackson is Mother Lion. The woman defines fierce and she pounced on the stage." In particular, Villeneuve praised "the set list, the woman herself and the venue", noting "pitch-perfect sing-alongs" during the show's ballad segment. Her appearance was considered "what might be her sexiest", saying "she has booty to make your eyes pop and curves to get lost in, but everything was tight, in check and oozing confidence." Villeneuve added her outfits "gave off a dance-sergeant vibe that really worked." The show's frequent dance numbers were thought to display Jackson "at her best", clarifying "these numbers served as reminders that dancing is sometimes as important as the songs themselves."{{cite web|url=http://www.fabmagazine.com/fab-blog/next-gay-reviews-janet-jackson-toronto-march-13-2011|title=fab Blog – Next gay reviews: Janet Jackson, Toronto March 13, 2011|work=FAB Magazine|publisher=Villeneuve, Phil|date=2011-03-14|access-date=2013-10-20|archive-date=2014-01-01|archive-url=https://web.archive.org/web/20140101103915/http://www.fabmagazine.com/fab-blog/next-gay-reviews-janet-jackson-toronto-march-13-2011|url-status=live}} Pocholo Concepción of Philippine Daily Inquirer said Jackson "ruled the stage"; her wardrobe giving the impression of a "sci-fi thriller movie." Concepción also praised her "vocal sensitivity" and "unexpected" entrance through the middle of the audience.{{cite news|url=http://newsinfo.inquirer.net/inquirerheadlines/nation/view/20110206-318694/Janet-Jackson-sings-soundtrack-of-her-Filipino-fans-lives|title=Janet Jackson sings soundtrack of her Filipino fans' lives|author=Concepción, Pocholo|date=6 February 2011|access-date=6 February 2011|newspaper=Philippine Daily Inquirer|archive-date=8 February 2011|archive-url=https://web.archive.org/web/20110208132213/http://newsinfo.inquirer.net/inquirerheadlines/nation/view/20110206-318694/Janet-Jackson-sings-soundtrack-of-her-Filipino-fans-lives|url-status=live}} Victoria Barker of AsiaOne said Jackson "commanded attention", praising her rendition of "The Pleasure Principle" as "riveting ... hip-thrusting and gyrating included, drew enthusiastic cheers." Jackson's vocals were also commended; her performance of "Again" called "goosebump-inducing" which "ached gorgeously with just the right amount of emotion." An additional critique called it "an amazingly riveting stage performance" backed by "impeccable" choreography, showcasing tactics thought to "silence even the most fervent of her haters."{{cite web|url=http://theurbanwire.com/2011/02/10/jackson-still-number-one/|title=Jackson still number one|work=Urban Wire|publisher=Teravainen, Taina|date=2011-02-10|access-date=2013-10-20|archive-date=2011-02-22|archive-url=https://web.archive.org/web/20110222063122/http://theurbanwire.com/2011/02/10/jackson-still-number-one/|url-status=live}}

Gerrick D. Kennedy of the Los Angeles Times commended Jackson's showmanship, stating "While today's pop landscape of over-the-top divas like Beyoncé, Rihanna, Lady Gaga, Katy Perry and Britney Spears have become known for glitzy productions ... She placed the focus of her set squarely on showcasing her voice ... she sang live for the nearly two-hour show, a rarity in today's pop music—and the legendary complex footwork that marked her.. as pop royalty."{{citation|author=Gerrick D. Kennedy|title=Janet Jackson launches three-date stint at Gibson Amphitheatre with no frills, hits-heavy set|url=http://latimesblogs.latimes.com/music_blog/2011/04/janet-jackson-launches-three-date-stint-at-gibson-amphitheatre-with-no-frills-hits-heavy-set.html|newspaper=Los Angeles Times|date=2011-04-15|access-date=2011-04-16|archive-date=2011-04-18|archive-url=https://web.archive.org/web/20110418233527/http://latimesblogs.latimes.com/music_blog/2011/04/janet-jackson-launches-three-date-stint-at-gibson-amphitheatre-with-no-frills-hits-heavy-set.html|url-status=live}} Aidin Vaziri of the San Francisco Chronicle declared the show affirmed "her legacy as pop royalty", saying, "Jackson threw her body full force into the songs."{{citation|author=Aidin Vaziri|title=Janet Jackson review: Pop queen affirms her legacy|url=http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/04/20/DDBM1J48RK.DTL|newspaper=San Francisco Chronicle|date=2011-04-21|access-date=2011-04-22|archive-date=2023-09-06|archive-url=https://web.archive.org/web/20230906065310/https://www.sfgate.com/music/article/janet-jackson-review-pop-queen-affirms-her-legacy-2374317.php|url-status=live}} In reviewing her performance in London, Neil McCormick of The Daily Telegraph praised Jackson's "retained vocal tone and physical fitness" as "impressive", also saying "her voice still high, soft and girlish, her body curvy but firm and up to the demands of aerobic workout style dance routines."{{citation|author=Neil McCormick|title=Janet Jackson, Royal Albert Hall, review|newspaper=The Daily Telegraph|url=https://www.telegraph.co.uk/culture/music/rockandpopreviews/8611826/Janet-Jackson-Royal-Albert-Hall-review.html|date=2011-07-01|access-date=2011-07-01|location=London|archive-date=2011-07-07|archive-url=https://web.archive.org/web/20110707110503/http://www.telegraph.co.uk/culture/music/rockandpopreviews/8611826/Janet-Jackson-Royal-Albert-Hall-review.html|url-status=live}} Joanna Chaundy of The Independent wrote, "Watching Janet Jackson play such a prestigious venue, one that conveys a sense of intimacy despite its size, is a pleasure in itself."{{citation|author=Joanna Chaundy|title=Janet Jackson, Royal Albert Hall, London|url=https://www.independent.co.uk/arts-entertainment/music/reviews/janet-jackson-royal-albert-hall-london-2307394.html|newspaper=The Independent|date=2011-07-06|access-date=2011-07-06|archive-date=2012-11-11|archive-url=https://web.archive.org/web/20121111164751/http://www.independent.co.uk/arts-entertainment/music/reviews/janet-jackson-royal-albert-hall-london-2307394.html|url-status=live}} Alexis Petridis of The Guardian said, "Jackson can still sing and dance up a storm", concluding "if she wanted to remind people how commanding a presence she can be, she's done her job."{{citation|author=Alexis Petridis|title=Janet Jackson – review|url=https://www.theguardian.com/music/2011/jul/01/janet-jackson-review|newspaper=The Guardian|date=2011-07-01|access-date=2011-07-01|location=London|archive-date=2014-01-09|archive-url=https://web.archive.org/web/20140109005940/http://www.theguardian.com/music/2011/jul/01/janet-jackson-review|url-status=live}}

The tour's entire box office earnings were not publicly reported, including sales from Europe, Australia, Asia, and its second North American leg. Selected reported dates of the tour's first North American leg from March to April 2011 had ranked forty-fifth in Pollstar's Top 50 Worldwide Tours, earning $16 million.{{cite web |url=http://www.pollstarpro.com/files/Charts2011/071811Top50WorldwideTours.pdf |title=Top 50 Worldwide Tours (01/01/2011 – 06/30/2011) |date=8 July 2011 |work=Pollstar |publisher=Pollstar, Inc. |access-date=15 July 2011 |archive-date=14 July 2011 |archive-url=https://web.archive.org/web/20110714090740/http://www.pollstarpro.com/files/Charts2011/071811Top50WorldwideTours.pdf |url-status=live }} Billboard ranked it fourth among the year's "Hottest Tours."{{cite magazine|url=http://www.billboard.com/articles/photos/live/471925/hot-tours-u2-elton-john-rod-stewart-stevie-nicks#/events/hot-tours-u2-elton-john-rod-stewart-stevie-1005148782.story|title=Hot Tours: U2, Elton John, Rod Stewart & Stevie Nicks |magazine=Billboard|publisher=Allen, Bob|date=2011-04-21|access-date=2013-10-20}}

Jackson was announced to be the fastest-selling single artist concert of the year.{{cite web|url=http://www.artistdirect.com/entertainment-news/article/janet-jackson-s-number-ones-up-close-and-personal-tour-sells-out/8692254|title=Janet Jackson's "Number Ones: Up Close and Personal" Tour Sells Out|work=Artist Direct|publisher=Sciarretto, Amy|date=2011-01-21|access-date=2013-10-20|archive-date=2014-04-13|archive-url=https://web.archive.org/web/20140413145109/http://www.artistdirect.com/entertainment-news/article/janet-jackson-s-number-ones-up-close-and-personal-tour-sells-out/8692254|url-status=live}} The majority of the tour had completely sold out, including three dates in New York, Chicago, and London, multiple shows in Los Angeles, Toronto, Sydney, Washington, D.C. and Atlantic City, as well as single dates in Berlin, Atlanta, Seattle, Santa Barbara, and various others. Jackson also played three sold-out shows at London's Royal Albert Hall.{{cite web|url=https://uk.celebrity.yahoo.com/news/photos-janet-jackson-wows-london-with-rare-live-051045953.html|title=PHOTOS: Janet Jackson Wows London With Rare Live Show – Yahoo! Celebrity UK|work=Yahoo!|date=2011-07-01|access-date=2013-10-20|archive-date=2014-04-13|archive-url=https://web.archive.org/web/20140413150621/https://uk.celebrity.yahoo.com/news/photos-janet-jackson-wows-london-with-rare-live-051045953.html|url-status=live}} Two shows in Sydney, Australia sold out within fifteen minutes, and Los Angeles had sold in under ten minutes.{{cite web|url=http://latimesblogs.latimes.com/music_blog/2011/01/janet-jackson-sells-out-gibson-amphitheatre-in-less-than-10-minutes-additional-date-added.html|title=Janet Jackson sells out Gibson Amphitheatre in less than 10 minutes, adds additional date – latimes.com|work=Los Angeles Times|date=2011-01-14|access-date=2013-10-20|archive-date=2014-05-06|archive-url=https://web.archive.org/web/20140506085633/http://latimesblogs.latimes.com/music_blog/2011/01/janet-jackson-sells-out-gibson-amphitheatre-in-less-than-10-minutes-additional-date-added.html|url-status=live}}

{{cite web|url=http://www.starobserver.com.au/news/celebrity-news/janet-sells-out-sydney-new-show-announced/58454|title=Janet sells out Sydney, new show announced – Star Observer|work=Star Observer|publisher=Sheldrick, Drew|date=2011-08-03|access-date=2013-10-20|archive-date=2014-04-13|archive-url=https://web.archive.org/web/20140413144733/http://www.starobserver.com.au/news/celebrity-news/janet-sells-out-sydney-new-show-announced/58454|url-status=live}} Upon the tour's announcement, Jackson became the second most-searched item on the internet on multiple search engines.{{cite web|url=http://www.janetjackson.com/story/news/janets-number-ones-up-close-and-personal-world-tour-and-news-she-will-be-meeting-fans-is-a-hot-trending-topic|title=JANET'S NUMBER ONES, UP CLOSE AND PERSONAL WORLD TOUR AND NEWS SHE WILL BE MEETING FANS IS A HOT, TRENDING TOPIC!|work=JanetJackson.com|date=2010-12-30|access-date=2013-10-20|archive-date=2014-04-13|archive-url=https://web.archive.org/web/20140413143847/http://www.janetjackson.com/story/news/janets-number-ones-up-close-and-personal-world-tour-and-news-she-will-be-meeting-fans-is-a-hot-trending-topic|url-status=live}} Ninety-six percent of the tour's pre-sale tickets were sold within the first day. The tour achieved several attendance records, including breaking the gross for a single performance at a venue in Tampa, Florida, surpassing a record previously held by Mariah Carey.{{cite web|url=http://www.bizjournals.com/tampabay/news/2011/12/06/janet-jackson-performance-breaks.html|title=Janet Jackson performance breaks records at Straz – Tampa Bay Business Journal|work=Tampa Bay Business Journal|date=2011-12-06|access-date=2013-10-20|archive-date=2014-05-16|archive-url=https://web.archive.org/web/20140516030535/http://www.bizjournals.com/tampabay/news/2011/12/06/janet-jackson-performance-breaks.html|url-status=live}} The tour's show at the Reliant Stadium in Houston, Texas was the twentieth most attended concert in the venue's history, being two thousand away from the venue's highest attendance record at the time.{{cite web|url=http://www.rodeohouston.com/about/attendance.aspx|title=Houston Livestock Show and Rodeo – Attendance|quote=20 March 4, 2011 Fri. Evening – Black Heritage Day 71,948 Janet Jackson|work=RodeoHouston.com|date=2011-03-04|access-date=2013-10-20|archive-date=2012-09-20|archive-url=https://web.archive.org/web/20120920040703/http://www.rodeohouston.com/about/attendance.aspx|url-status=live}} Jackson's show at the Santa Barbara Bowl was among the venue's fastest sell-outs, prompting sponsors to add additional cities to the tour. Jackson notably performed for a massive crowd in Abu Dhabi; The Khaleej Times reporting "thousands of pop fans flocked to the Yas Arena on Thursday night to see the legendary Janet Jackson perform."{{cite web|url=http://www.khaleejtimes.com/displayarticle.asp?xfile=data/theuae/2011/October/theuae_October362.xml|title=Janet Jackson floors Yas Arena audience|work=Khaleej Times|date=2011-10-15|access-date=2013-10-20|archive-date=2014-04-13|archive-url=https://web.archive.org/web/20140413154910/http://www.khaleejtimes.com/displayarticle.asp?xfile=data/theuae/2011/October/theuae_October362.xml|url-status=live}} Jackson was the year's sixth most successful touring act in the Philippines, ahead of artists such as Miley Cyrus, Maroon 5, Bruno Mars, and the Black Eyed Peas.{{cite web|url=http://twistthewayiseethings.blogspot.com/2011/12/top-foreign-artists-who-visited-manila_05.html|title=Part 2: Top foreign artists who visited Manila in 2011|work=TWIST|date=2011-12-04|access-date=2013-10-20|archive-date=2014-04-13|archive-url=https://web.archive.org/web/20140413143054/http://twistthewayiseethings.blogspot.com/2011/12/top-foreign-artists-who-visited-manila_05.html|url-status=live}} Private shows were held in Singapore, Shanghai, and London. The Deutsche Bank reportedly compensated Jackson millions to provide a forty-five-minute show for their clients at The Grove in Hertfordshire, England.{{citation needed|date=March 2020}} An exclusive concert was also held at The Louvre during the Liaisons Au Louvre II Charity Gala event in Paris, France, making Jackson the first female pop singer to perform at the I. M. Pei glass pyramid.{{citation|title=Janet Jackson to Perform at Paris' Louvre Museum|url=http://www.hollywoodreporter.com/news/janet-jackson-perform-at-paris-175694|newspaper=The Hollywood Reporter|date=2011-04-06|access-date=2011-04-08|archive-date=2011-04-13|archive-url=https://web.archive.org/web/20110413062912/http://www.hollywoodreporter.com/news/janet-jackson-perform-at-paris-175694|url-status=live}} Funds from the benefit raised contributions for the restoration of iconic artwork. Director Henri Loyrette stated, "Janet Jackson is one of the world's greatest artistic treasures. Accordingly, we are profoundly honored, and believe it most fitting, that her performance in the Louvre Museum will be yet another masterpiece captured under our glorious glass pyramid."{{citation|title=Janet Jackson to perform at the Louvre – Vogue.it|url=http://www.vogue.it/en/people-are-talking-about/parties-events/2011/05/janet-jackson-performance-at-louvre|newspaper=Vogue|date=2011-06-05|access-date=2011-04-08|archive-date=2014-04-13|archive-url=https://web.archive.org/web/20140413220519/http://www.vogue.it/en/people-are-talking-about/parties-events/2011/05/janet-jackson-performance-at-louvre|url-status=live}} The prior year, Jackson had sold out the Louisiana Superdome while headlining the 2010 Essence Music Festival, breaking Beyoncé's attendance record at the venue. Jackson also caused the Festival's first waiting list, with additional seats sold and erected behind the stage.

Entertainers such as Taylor Swift, Rachel Stevens, Siti Nurhaliza, Joe Jonas, Park Jung-Min, Alesha Dixon, Jordin Sparks, Cesar Purisima, and British boy band JLS were reported to attend the tour.{{cite web|url=http://news.asiaone.com/News/Latest%2BNews/Showbiz/Story/A1Story20110209-262529.html|archive-url=https://web.archive.org/web/20110215171525/http://news.asiaone.com/News/Latest+News/Showbiz/Story/A1Story20110209-262529.html|url-status=dead|archive-date=February 15, 2011|title=All hail the Janet-bot|work=Asia One|publisher=Barker, Victoria|date=2011-02-09|access-date=2013-10-20}}{{cite web|url=http://www.express.co.uk/entertainment/music/256224/Gig-review-Janet-Jackson-s-Number-Ones-Up-Close-And-Personal-Tour|title=Gig review: Janet Jackson's Number Ones: Up Close And Personal Tour|work=Express.co.uk|publisher=Simpson, Leah|date=2011-06-01|access-date=2013-10-20|archive-date=2014-04-13|archive-url=https://web.archive.org/web/20140413144123/http://www.express.co.uk/entertainment/music/256224/Gig-review-Janet-Jackson-s-Number-Ones-Up-Close-And-Personal-Tour|url-status=live}}{{cite web|url=http://www.fanpop.com/clubs/janet-jackson/images/23334281/title/janet-joe-jonas-photo|title=Janet and Joe Jonas – Janet Jackson Photo (23334281) – Fanpop fanclubs|work=Fanpop|date=2011-07-01|access-date=2013-10-20|archive-date=2014-04-13|archive-url=https://web.archive.org/web/20140413145946/http://www.fanpop.com/clubs/janet-jackson/images/23334281/title/janet-joe-jonas-photo|url-status=live}}{{cite web|url=http://rimalove501.wordpress.com/2011/02/18/news-park-jung-min-reached-taiwan-not-able-to-see-janet-jackson-18-02-11/|title=[News] Park Jung Min Reached Taiwan, Not Able To See Janet Jackson [18.02.11]|work=Yahoo! Taiwan|date=2011-02-18|access-date=2013-10-20|archive-date=2016-03-15|archive-url=https://web.archive.org/web/20160315213604/https://rimalove501.wordpress.com/2011/02/18/news-park-jung-min-reached-taiwan-not-able-to-see-janet-jackson-18-02-11/|url-status=live}}{{cite web|url=https://twitter.com/JLSOfficial/status/86745338295238656|title=Twitter / JLSOfficial: Went to see Janet Jackson last ...|work=Twitter|date=2011-07-01|access-date=2013-10-20|archive-date=2014-04-14|archive-url=https://web.archive.org/web/20140414233018/https://twitter.com/JLSOfficial/status/86745338295238656|url-status=live}}

Professional footage of two dates filmed at London's Royal Albert Hall has not been released. The tour's London show was initially planned to be released to Vevo in addition to a possible DVD release.{{cite web|url=http://www.janet-love.com/2011/09/03/london-show-to-be-released-on-vevo |title=London show to be released on Vevo – Janet Love |work=Janet Love |date=2011-09-03 |access-date=2013-10-20 |url-status=dead |archive-url=https://web.archive.org/web/20120125220915/http://www.janet-love.com/2011/09/03/london-show-to-be-released-on-vevo |archive-date=January 25, 2012 }} Professional footage of "Feedback" filmed during a private show at the Hard Rock Hotel in Singapore was uploaded to Jackson's official YouTube channel.{{cite web|url=https://www.youtube.com/watch?v=himzUqVFawI|title=JANET on stage in Asia|work=Janet Jackson on YouTube|date=2011-02-06|access-date=2014-03-25|archive-date=2015-06-24|archive-url=https://web.archive.org/web/20150624123115/https://www.youtube.com/watch?v=himzUqVFawI&list=PLG5D_96zawKHCkunzovm8ab4yxF93QhF7|url-status=live}} In 2020, a production company from Singapore shared footage of the concert on their YouTube channel, marking the first full professionally filmed show to be released in some form of this tour.{{Cite web | url=https://www.youtube.com/watch?v=rTX5-yT_ZEg&t=1195s | title=Janet Jackson | Number Ones: Up Close and Personal Tour – Live in Singapore (Remastered) | website=YouTube | access-date=2022-02-09 | archive-date=2022-02-09 | archive-url=https://web.archive.org/web/20220209025151/https://www.youtube.com/watch?v=rTX5-yT_ZEg&t=1195s | url-status=live }} Not long after, a clip of Janet performing "When We Oooo" from All For You during the Las Vegas stop in April surfaced on Kathy Ireland's Vimeo page.{{Cite web | url=https://www.youtube.com/watch?v=_0nMu4Npg-4 | title=Janet Jackson – when We OOOO (Live) @ Number Ones: Up Close & Personal Tour [PRO Footage] | website=YouTube | access-date=2022-02-09 | archive-date=2022-02-09 | archive-url=https://web.archive.org/web/20220209025152/https://www.youtube.com/watch?v=_0nMu4Npg-4 | url-status=live }}

This set list is representative of the performance on April 14, 2011. It does not represent all concerts for the duration of the tour.{{cite news |url=http://latimesblogs.latimes.com/music_blog/2011/04/janet-jackson-launches-three-date-stint-at-gibson-amphitheatre-with-no-frills-hits-heavy-set.html |title=Janet Jackson launches three-date stint at Gibson Amphitheatre with no frills, hits-heavy set |author=Kennedy, Gerrick D. |date=15 April 2011 |work=Los Angeles Times |access-date=16 April 2011 |archive-date=18 April 2011 |archive-url=https://web.archive.org/web/20110418233527/http://latimesblogs.latimes.com/music_blog/2011/04/janet-jackson-launches-three-date-stint-at-gibson-amphitheatre-with-no-frills-hits-heavy-set.html |url-status=live }}

{{Div col}}

1. "Video Introduction" {{small|(contains elements from "Control", "Feedback", "Nasty", "So Much Betta", and "Miss You Much")}}
2. "The Pleasure Principle" / "Control" / "What Have You Done for Me Lately"
3. "Feedback"
4. "You Want This"
5. "Alright"
6. "Miss You Much"
7. "Nasty"
8. "Janet's Films" {{small|(Video Interlude)}}
9. "Nothing"
10. "Come Back to Me"
11. "Let's Wait Awhile"
12. "Again"
13. "Janet's Images" {{small|(Video Interlude) (contains elements from "Rope Burn", "Any Time, Any Place", "Got 'til It's Gone", "Go Deep", "What's It Gonna Be?!" and "Doesn't Really Matter")}}
14. "Doesn't Really Matter"
15. "Escapade" / "Love Will Never Do (Without You)" / "When I Think of You"
16. "All For You"
17. "All Nite (Don't Stop)"
18. "That's the Way Love Goes"
19. "I Get Lonely"
20. "What About" {{Small|(Instrumental Interlude)}}
21. "Black Cat"
22. "If"
23. "Scream" / "Rhythm Nation"

;Encore

24. "In Complete Darkness" {{small|(Video Interlude)}}
25. "Diamonds"
26. "The Best Things in Life Are Free"
27. "Make Me" {{small|(contains elements from "Throb")}}
28. "Together Again"

{{Div col end}}

• Show Director: Janet Jackson & Gil Duldulao
• Creative Director and Choreographer: Gil Duldulao
• Musical Director: Adam Blackstone
• Lighting/Video Designer: Vincent Foster
• Lighting Director: Tyler Elich
• Front of House Engineer: Kyle Hamilton
• Monitor Engineer: Michael "Woody" Dunwoody
• Personal Trainer: Anthony Martinez
• Costume Designer: Robert Henri Behar

• Musical Director, Bass: Adam Blackstone
• Keyboards: Daniel Jones, Rex Salas
• Drums: Brian Frasier Moore
• Guitar: Clay Sears, Rick Barry
• Bass: Jae Deal
• Vocalists: Erin Stevenson, Jill Zadeh, Onitsha Shaw, Tiffany Palmer, Nicole Hurst

;Dancers

• Gil Duldulao, Jr., Jillian Meyers, Laurel Thomson, Whyley Yoshimura, James Collins, Ramon Baynes, John-Paul "JP" San Pedro

{{notelist}}

{{reflist|3}}

• [http://janetjackson.com/ Janet's Official Website]

{{Janet Jackson}}

{{DEFAULTSORT:Number Ones: Up Close And Personal}}

Category:Janet Jackson concert tours

Category:2011 concert tours