One Man Dog

Upon the release of the album, Berwyn Life critic Steve Sparacio said that it "is certainly James Taylor's best album."{{cite news|via=newspapers.com|accessdate=2023-03-24|newspaper=Berwyn Life|author=Sparacio, Steve|title=Newlyweds record hits|date=January 17, 1973|page=12|url=https://www.newspapers.com/clip/121539661/berwyn-life/}} He noted that, "Upon first listening, no song on One Man Dog stands out. But as an entity the album holds together extremely well. It may be paradoxical but only after you're able to view One Man Dog as a whole entity do you realize that some of the songs individually are very good." Sparacio identified the themes of the album to be an "affirmation" of Taylor's life at the time, being newly married to Carly Simon and off drugs, and a realization that, if he was going to cope with his life, he needed to turn inward.

Forest Park Review critic John Griffin praised the album's short songs for avoiding the monotony of similar slow melodies that he felt marred Taylor's previous album, Mud Slide Slim (1971).{{cite news|via=newspapers.com|accessdate=2023-03-24|newspaper=Forest Park Review|author=Griffin, John|title=New Morning|date=January 3, 1973|page=8|url=https://www.newspapers.com/clip/121553529/forest-park-review/}} Record World said One Man Dog "contains some interesting departures from [Taylor's] earlier work."{{cite magazine|magazine=Record World|date=November 25, 1972|accessdate=2023-03-28|title=Hits of the Week|page=1|url=https://worldradiohistory.com/Archive-All-Music/Record-World/70s/72/RW-1972-11-25.pdf}} Calgary Herald critic Jim Rennie felt the best song on the album was the traditional folk song "One Morning in May", writing that "Taylor joins forces vocally with luscious Linda Ronstadt, and the result is so good I think the combination is worth an album of its own."{{cite news|via=newspapers.com|accessdate=2023-03-24|newspaper=Calgary Herald|author=Rennie, Jim|title=Records|date=January 12, 1973|page=5|url=https://www.newspapers.com/clip/121544805/calgary-herald/}}

On the other hand, Allmusic critic William Ruhlmann considered the album to be a "letdown", saying that "a lot of it was sketchy and seemingly unfinished, and none of it had the impact of the best songs on the last two albums."{{cite web|title=One Man Dog|author=Ruhlmann, William|publisher=Allmusic|accessdate=2023-03-24|url=https://www.allmusic.com/album/one-man-dog-mw0000311475}}

{{Album ratings

| rev1 = AllMusic

| rev1score = {{Rating|2.5|5}}{{AllMusic |class=album |id=r19692 |first=William |last=Ruhlmann |access-date=2 October 2004 }}

| rev2 = Christgau's Record Guide

| rev2Score = C+{{cite book|last=Christgau|first=Robert|author-link=Robert Christgau|year=1981|title=Christgau's Record Guide: Rock Albums of the Seventies|publisher=Ticknor & Fields|isbn=089919026X|chapter=Consumer Guide '70s: T|chapter-url=https://www.robertchristgau.com/get_chap.php?k=T&bk=70|access-date=March 15, 2019|via=robertchristgau.com}}

| rev3 = Encyclopedia of Popular Music

| rev3Score = {{Rating|3|5}}{{cite book|last=Larkin|first=Colin|author-link=Colin Larkin|title=Encyclopedia of Popular Music|year=2007|publisher=Oxford University Press|edition=4th|isbn=978-0195313734|title-link=Encyclopedia of Popular Music}}

|rev4 = MusicHound Rock

|rev4score = 2/5{{cite book|editor-last1=Graff|editor-first1=Gary|editor-last2=Durchholz|editor-first2=Daniel|title=MusicHound Rock: The Essential Album Guide|publisher=Visible Ink Press|location=Farmington Hills, MI|year=1999|isbn=1-57859-061-2|page=[https://archive.org/details/isbn_9781578590612/page/1125 1125]|url=https://archive.org/details/isbn_9781578590612/page/1125}}

| rev5 = Rolling Stone

| rev5score = (favorable){{Cite news|newspaper=Rolling Stone |issue=126 |date=January 18, 1973 |first=Jon |last=Landau |author-link=Jon Landau |title=James Taylor One Man Dog > Album Review |url=https://www.rollingstone.com/music/albumreviews/one-man-dog-19730118 |access-date=15 June 2006 |url-status=live |archive-url=https://web.archive.org/web/20071002002453/http://www.rollingstone.com/artists/jamestaylor/albums/album/97283/review/5946083/one_man_dog |archive-date=October 2, 2007 }}

| rev6 = The Rolling Stone Album Guide

| rev6Score = {{Rating|2|5}}{{Cite book |chapter=James Taylor |pages=[https://archive.org/details/newrollingstonea00brac/page/804 804–805] |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor1-link=Nathan Brackett |editor2-first=Christian |first=Mark |last=Coleman |first2=Ben |last2=Edmonds |title=The New Rolling Stone Album Guide |year=2004 |publisher=Fireside |location=London |isbn=0-7432-0169-8 }} Portions posted at {{Cite web |work=rollingstone.com |title=James Taylor > Album Guide |url=https://www.rollingstone.com/music/artists/james-taylor/albumguide |access-date=November 6, 2011 |archive-url=https://web.archive.org/web/20130105161220/http://www.rollingstone.com/music/artists/james-taylor/albumguide |archive-date=January 5, 2013 |url-status=dead }}

| noprose = yes

}}

All songs written by James Taylor, except where noted.

;Side one

1. "One Man Parade" – 3:10
2. "Nobody But You" – 2:57
3. "Chili Dog" – 1:35
4. "Fool for You" – 1:42
5. "Instrumental I" – 0:55
6. "New Tune" – 1:35
7. "Back on the Street Again" (Danny Kortchmar) – 3:00
8. "Don't Let Me Be Lonely Tonight" – 2:34

;Side two

1. "Woh, Don't You Know" (Taylor, Kortchmar, Leland Sklar) – 2:10
2. "One Morning in May" (traditional) – 2:54
3. "Instrumental II" – 1:41
4. "Someone" (John McLaughlin) – 3:36
5. "Hymn" – 2:24
6. "Fanfare" – 2:33
7. "Little David" – 1:00
8. "Mescalito" – 0:29
9. "Dance" – 2:07
10. "Jig" – 1:13

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• James Taylor – lead vocals, backing vocals (1, 9, 16), acoustic guitar (1, 3, 5–12, 15–18), harmonica (1), electric guitar (2, 4, 14, 18), autoharp (5), bells (11), chainsaw (15), hammer and 4 x 8 (15)
• Danny Kortchmar – electric guitar (1–4, 8, 9, 11, 13–18), timbales (1, 9), acoustic guitar (5, 7, 10, 12)
• John McLaughlin – acoustic guitar (12)
• John Hartford – banjo (17), fiddle (17)
• Dash Crofts – mandolin (17)
• Red Rhodes – steel guitar (17, 18)
• Craig Doerge – acoustic piano (2, 6–10, 12–14, 16, 18), electric piano (2–4, 11, 15)
• Leland Sklar – bass guitar (3–9, 11, 13–18), guitarron mexicano (7, 12, 17)
• Russ Kunkel – congas (1, 2, 6–8, 11), drums (2–5, 8–10, 13–18), tambourine (3, 9), cabasa (6)
• Peter Asher – guiro (1)
• Bobbye Hall – congas (4), tambourine (4), bongos (11), bells (11), shaker (11), percussion (18)
• Mark Paletier – crosscut saw (15)
• George Bohanon – trombone (4)
• Art Baron – bass trombone (13, 14, 18)
• Barry Rogers – trombone (13, 14, 18)
• Michael Brecker – tenor sax solo (8), tenor saxophone (13, 14), soprano saxophone (13), flute (18)
• Randy Brecker – trumpet (13, 14, 18), flugelhorn (13), piccolo trumpet (13)
• Abigale Haness – backing vocals (1, 14, 16)
• Carole King – backing vocals (1, 14, 16)
• Carly Simon – backing vocals (1)
• Alex Taylor – backing vocals (1, 9)
• Hugh Taylor – backing vocals (1, 9)
• Kate Taylor – backing vocals (1)
• Linda Ronstadt – backing vocals (10)

{{div col end}}

• Producer – Peter Asher
• Engineers – Peter Asher (Tracks 1, 3, 6, 8, 9, 11, 15 & 16); Robert Appère (Tracks 2, 4, 5, 10 & 12); Phil Ramone (Tracks 7, 13, 14, 17 & 18).
• Tenor sax solo on Track 8 recorded by Phil Ramone.
• Mixed by Robert Appère
• Mastered by Bernie Grundman at A&M Studios (Hollywood, CA).
• Art Direction – Ed Thrasher
• Photography – Peter Simon

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Category:1972 albums

Category:1970s concept albums

Category:James Taylor albums

Category:Albums produced by Peter Asher

Category:Warner Records albums

Category:Albums recorded in a home studio