Painter Man#Boney M. version

A few weeks after the group released "Making Time", the first major line-up change occurred when drummer Jack Jones was terminated, being replaced by Dave Preston, a friend of bassist Bob Garner who Pickett believed to be phenomenal.Action Painting (liner notes pg. 15). Alec Palao. The Creation. Numero group. 2013.{{Cite book|author=Egan|first=Sean|title=Our Music is Red with Purple Flashes: The Story of The Creation|publisher=Cherry Red Books|year=2004|isbn=1-901447-22-7|page=18}} His first scheduled gig with the Creation was on a tour with the Walker Brothers, after which it was revealed after only a few select weeks that his drumming wasn't to the standard Pickett had hoped for. Although Preston had time to partake in a photoshoot with the band,{{Cite book|first=Sean|last=Egan|title=Our Music is Red with Purple Flashes: The Story of The Creation|publisher=Cherry Red Books|year=2004|isbn=1-901447-22-7|page=19}} he was swiftly replaced by Jones once again, who stayed with the band until their demise towards early 1968.Action Painting (liner notes pg. 16–17). Alec Palao. The Creation. Numero group. 2013.Action Painting (liner notes pg. 21). Alec Palao. The Creation. Numero group. 2013. Jones would hold a grudge against Pickett for this decision until the latter left the band in early 1967.

{{Quote box

| quote = "Ken [Pickett] loved the cynical side of life. Went to college, studied art, be an

artist, make a start. He had a vision of somebody who tried to do it the right way but found themselves doing adverts on TV and labels round cans. It was great for the song.”{{Cite web |last=Egan |first=Sean |date=4 September 2011 |title=Phillips: Simply |url=https://recordcollectormag.com/articles/phillips-simply |access-date=2022-04-22 |publisher=Record Collector |language=en}}

| author = Eddie Phillips

| source = Record Collector interview

| align = left

| width = 25%

}}

According to the pop magazine Beat Instrumental, "Painter Man" was written by the duo as a response to their stage act, which involved Pickett painting a canvas during song numbers,{{Cite journal|last=G|first=P|title=Song-writer's column|url=https://worldradiohistory.com/hd2/IDX-UK/Music/Beat-Instrumental/Beat-Instrumental-1966-12-IDX-32.pdf#search=%22painter%20man%22|journal=Beat Instrumental|issue=December 1966|page=32}}{{Cite web|last=Rathbone|first=Oregano|date=2020-06-05|title=What Is Art Rock? A History Of Music's Most Progressive Minds|url=https://www.udiscovermusic.com/in-depth-features/rock-for-arts-sake/|access-date=2020-12-07|website=uDiscover Music|language=en-US}} occasionally burning it.{{Cite web|last=Margasak|first=Peter|title=The Numero Group applies its reissue savvy to underrated 60s British rockers the Creation|url=https://www.chicagoreader.com/Bleader/archives/2017/04/25/the-numero-group-applies-its-reissue-savvy-to-underrated-60s-british-rockers-the-creation|access-date=2020-12-07|website=Chicago Reader|date=25 April 2017 |language=en}} According to their manager Tony Stratton Smith, they did this because "they felt like it",{{Cite journal|last=Drummond|first=Norrie|title=Creation Paint As They Play|journal=New Musical Express|issue=4 November 1966}} with Phillips adding that "their music was visual" as much as it was musical. Lyrically, the song revolves around a "suppressed" artist,{{Cite journal|last=Valentine|first=Penny|author-link=Penny Valentine|title=Penny spins the discs|url=https://worldradiohistory.com/UK/Disc/1966/DISC-&-Music-Echo-1966-10-08.pdf|journal=Disc and Music Echo|issue=8 October 1966}} through lines that indicates that he went through a college education that only led him to obscurity.{{Cite book|last1=Luhrssen|first1=David|url=https://books.google.com/books?id=phsIDgAAQBAJ&q=%22painter%20man%22%20%22the%20creation%22&pg=PA82|title=Encyclopedia of Classic Rock|last2=Larson|first2=Michael|date=2017-02-24|publisher=ABC-CLIO|isbn=978-1-4408-3514-8|pages=82|language=en}} It also revolves around the endless debate of art in commercialism which is referred to through lines such as "adverts on TV."{{Cite web|last=Cooper|first=Neil|date=2020-09-09|title=KAPROW! KAPROW!|url=https://bellacaledonia.org.uk/2020/09/09/kaprow-kaprow/|access-date=2020-12-07|website=Bella Caledonia|language=en-GB}} It ends with the note that classical art is dead.{{Cite web|last=Rios|first=Daniela|date=2016-08-01|title=Ten Songs All Art Lovers Should Know|url=https://news.artnet.com/art-world/music-for-art-lovers-548078|access-date=2020-12-07|website=artnet News|language=en-US}} Musically, the song has a less raunchy sound than "Making Time" and is softer, but still features Phillips in one of the earliest recorded bowed guitar parts, which prevails throughout the entire composition.{{Cite web|last=Bailey|first=Owen|date=2020-10-27|title=The Genius Of... We Are Paintermen By The Creation|url=https://guitar.com/review/album/genius-of-we-are-paintermen-by-the-creation/|access-date=2020-12-07|website=Guitar.com|language=en-GB}}{{Cite web|last=Fanelli|first=Damiam|date=2017-03-21|title=No, Jimmy Page Was Not the First to Play Bowed Guitar|url=https://www.guitarworld.com/artists/case-you-thought-jimmy-page-was-first-play-bowed-guitar|access-date=2020-12-07|website=guitarworld|language=en}}

Shortly after Jones was reinstated into the group, they returned to IBC Studios on Portland Place in London on 23 August 1966.Action Painting (liner notes pg. 35). Alec Palao. The Creation. Numero group. 2013. Together with producer Shel Talmy who had signed and recorded them, they cut two songs that day, "Painter Man" and what would eventually become its B-side, "Biff, Bang, Pow". The session marked the first time the group were assisted by studio musician Nicky Hopkins who played keyboards on both songs,Action Painting (liner notes pg. 35, 37). Alec Palao. The Creation. Numero group. 2013. further strengthening their connection with the Who as Hopkins had played on several of their recordings.Action Painting (liner notes pg. 37). Alec Palao. The Creation. Numero group. 2013. "Painter Man" was recorded in ten takes, out of which only two, takes three and seven, were complete. Take 7 was chosen as the master, which was compiled and mixed on 25 August by Talmy.

Released on 7 October 1966,{{Cite journal|last1=Jopling|first1=Norman|last2=Jones|first2=Peter|title=Plenty of new big discs from Elvis, Cliff, Adam, the Hollies, Four Tops, Nancy, the Tempations, Tony Bennett, plus a load of good outsiders|url=https://worldradiohistory.com/hd2/IDX-UK/Music/Archive-Record-Mirror-IDX/IDX/60s/Record-Mirror-1966-08-08-S-OCR-IDX-9.pdf#search=%22painter%20man%22|journal=Record Mirror|issue=8 October 1966|page=9}} the single managed to enter the UK Singles Chart, entering on 9 November 1966 at a position of 38.{{Cite web|title=CREATION {{!}} full Official Chart History {{!}} Official Charts Company|url=https://www.officialcharts.com/artist/12618/creation/|access-date=2020-12-07|website=www.officialcharts.com}} The following week, it peaked at number 36 before exiting the chart altogether, becoming their only top-forty hit. In West Germany, the single managed to peak at number eight on 4 January 1967, and became their sole top-ten hit in the country.{{Cite web|title=Offizielle Deutsche Charts - Offizielle Deutsche Charts|url=https://www.offiziellecharts.de/titel-details-32925|access-date=2020-12-07|website=www.offiziellecharts.de}} The single received mostly positive reviews from critics, with Record Mirror critics Norman Jopling and Peter Jones writing it that it has an "avant-garde pop group sound", noting the droning of the bowed guitar. Writing for Disc & Music Echo, Penny Valentine states that she thought the song had a great "looning-about atmosphere" and drew parallels to records by both the Beatles and the Who. Regarding the song, Phillips has later stated that "We see our music as colours – it's purple with red flashes."{{Cite web|date=2017-05-14|title=Reissue CDs Weekly: The Creation|url=https://theartsdesk.com/new-music/reissue-cds-weekly-creation|access-date=2020-12-07|website=theartsdesk.com|language=en}}

In retrospective assessments of the song, many critics have noted the fact that Phillips used a bow prior to Jimmy Page of Led Zeppelin. David Luhrssen and Michael Larson called the song "humorous", while Owen Bailey wrote that the song had a "superb riff" and compared it with the guitar playing of Pete Townshend, also noting the violin-bowed solo. Doug Collette of Glide Magazine writes that song is instantly recognizable due to the vocal harmonies and energetic rhythm section.{{Cite web|last=Collette|first=Doug|date=2017-04-05|title=The Creation's 'Action Painting' 2 CD Box Set Serves Just As A Testimonial|url=https://glidemagazine.com/182709/creations-action-painting-2-cd-box-set-serves-just-testimonial-album-review/|access-date=2020-12-07|website=glidemagazine.com}} Kieron Tyler thought that "Painter Man" ranked among the best and most innovative recordings of the 1960s. Jerome Estèbe of TDG stated that "Painter Man" was one of the best things that could happen to English rock.{{Cite news|title=1966: l'année où la pop anglaise est devenue dingue|language=fr|work=Tribune de Genève|url=https://www.tdg.ch/culture/musique/1966-annee-pop-anglaisedevenue-dingue/story/12803902|access-date=2020-12-07|issn=1010-2248}} Ian Canty considered it an "art-pop nugget,"{{Cite web|last=Canty|first=Ian|date=2020-01-25|title=Various - A Slight Disturbance In My Mind - album review|url=https://louderthanwar.com/various-a-slight-disturbance-in-my-mind-album-review/|access-date=2020-12-07|website=Louder Than War|language=en-GB}} while Beverly Paterson similarly stated that it a "brash and bouncy nugget."{{Cite web|last=Paterson|first=Beverly|date=2013-04-05|title=One Track Mind: The Creation, "How Does It Feel To Feel/Life Is Just Beginning" (1967)|url=https://somethingelsereviews.com/2013/04/05/one-track-mind-the-creation-how-does-it-feel-to-feellife-is-just-beginning-1967/|access-date=2020-12-07|website=somethingelsereviews.com}} AllMusic critic Bruce Eder called the track a "cheerfully trippy pop anthem",{{Cite web|last=Eder|first=Bruce|title=The Creation - Artist Biography by Bruce Eder|url=https://www.allmusic.com/artist/the-creation-mn0000110341/biography|access-date=2020-12-07|website=AllMusic}} while Richie Unterberger wrote that the song was elevated because of its musical arrangement,{{Cite web|last=Unterberger|first=Richie|author-link=Richie Unterberger|title=Painter Man - The Creation - Review By Ritchie Unterberger|url=https://www.allmusic.com/song/painter-man-mt0007629215|access-date=2020-12-07|website=AllMusic}} noting its similarity with records by the Who, while also suggesting that Phillips attempted to play his guitar "like it's a classical violin".

Nonetheless, "Painter Man" became one of the Creation's best known songs, and was often used as their stage finale.{{Cite journal|last=Hunt|first=Chris|title=Painter Man: Eddie Phillips of the Creation interview|url=http://www.chrishunt.biz/features37.html|journal=Guitarist|issue=March 1988}} A young citizen, Günther Zettl,{{Cite web|last=Zeitung|first=Süddeutsche|date=2014-01-12|title=DDR-Postkarte kommt nach 44 Jahren an|url=https://www.sueddeutsche.de/panorama/schreiben-eines-musikfans-ddr-postkarte-kommt-nach-44-jahren-an-1.1860831|access-date=2020-12-07|website=Süddeutsche.de|language=de}} from East Germany recognized the song in 1969 during a contest by the West German AM station Europawelle Saar, where the listeners were requested to send a card with the song title and band to win the single. He sent off a postcard, which was intercepted by the Stasi and resulted in permanent surveillance until 1989. In 2013, after he got his Stasi reports, he sent the card again and, during the celebration of "50 years Europawelle" in 2014, he finally received his prize.{{Cite news|last=Rundfunk|first=Saarländischer|date=2016-11-18|title=Happy End nach 44 Jahren|language=de-DE|work=SR.de|url=https://www.sr.de/sr/sr1/wir/uber_uns/guenter_zettl100.html|access-date=2018-09-19}}

• Kenny Pickett – lead vocals
• Eddie Phillips – lead and bowed guitar, backing vocals
• Bob Garner – bass, backing vocals
• Jack Jones – drums, backing vocals
• Nicky Hopkins – piano

{{Infobox song

| name = Painter Man

| cover = Boney M. - Painter Man (1979 single).jpg

| alt =

| type = single

| artist = Boney M.

| album = Nightflight to Venus

| A-side = "Rasputin" (Europe)

| B-side = "He Was a Steppenwolf" (UK)

| released = 23 February 1979{{cite web|url=https://www.worldradiohistory.com/UK/Music-Week/1979/Music-Week-1979-02-24.pdf|title=Music Week|page=32}}

| recorded = 1978

| studio =

| venue =

| genre = {{hlist|Pop rock|Euro disco}}

| length = 3:10

| label = Atlantic

| writer = {{hlist|Pickett|Phillips}}

| producer = Frank Farian

| prev_title = Mary's Boy Child - Oh My Lord

| prev_year = 1978

| next_title = Hooray! Hooray! It's a Holi-Holiday

| next_year = 1979

| misc = {{External music video|header=Audio video|{{YouTube|onDJqB8PJ0I|"Painter Man"}}|type=song}}

}}

"Painter Man" was later covered in 1978 by German-Caribbean pop group Boney M., in a cover which became successful throughout Europe.{{Cite web|title=Song artist 61 - Boney M|url=http://tsort.info/music/ezq6kz.htm|access-date=2020-12-07|website=tsort.info}} The group's producer, Frank Farian was active on the German music scene during most of the 1960s and 1970s, leading to him influencing the choice of songs for the group to record, including both "Painter Man" and "My Friend Jack" by the Smoke,{{Cite book|last=Binnie|first=Steve|url=https://books.google.com/books?id=dQJnCwAAQBAJ&q=%22boney%20m%22%20%22painter%20man%22&pg=PT98|title=Feeling Like a Number One|date=2016-01-06|publisher=Lulu Press, Inc|isbn=978-1-326-52522-4|language=en}} a band that suffered a similar fate to that of the Creation.{{Cite web|last=Unterberger|first=Richie|author-link=Richie Unterberger|title=The Smoke - Artist Biography by Richie Unterberger|url=https://www.allmusic.com/artist/the-smoke-mn0000751371/biography|access-date=2020-12-07|website=AllMusic}} The song was initially released on their third studio album Nightflight to Venus released on 28 July 1978, but was not issued as a single at the time.{{Cite web|last=Guarisco|first=Donald A|title=Boney M. - Nightflight to Venus - AllMusic Review by Donald A. Guarisco|url=https://www.allmusic.com/album/nightflight-to-venus-mw0000527966|access-date=2020-12-07|website=AllMusic}} However, shortly after the release, "Rasputin" and "Painter Man" were released as a double A-Side in most of mainland Europe. However, in the UK, along with some other European countries, "Rasputin" and "Painter Man" were released separately, with "He Was a Steppenwolf" added to the UK release, which was issued on 23 February 1979.

The single was a success in the UK, entering the chart on 3 March 1979 at a position of 26.{{Cite web|title=Boney M {{!}} full Official Chart History {{!}} Official Charts Company|url=https://www.officialcharts.com/artist/15971/boney-m/|access-date=2020-12-07|website=www.officialcharts.com}} The following week, it had reached its peak of number ten, and the single was last seen on 7 April at a position of 59, when it had spent six weeks on the chart. Although it became the first Creation song to enter the top-ten in any form, it was not successful by Boney M.'s standards, as both "Mary's Boy Child – Oh My Lord", which had been released before, and "Hooray! Hooray! It's a Holi-Holiday", both had reached the top-three of the chart (number one and three respectively).AllMusic critic Donald A. Guarisco wrote that Boney M.'s rendition of "Painter Man" had "distorted hard rock guitar riffs" that contrasted to the beat of the song.

Eddie Phillips was apparently completely unaware of Boney M's cover of the song. In an interview for Guitarist magazine, Phillips acknowledged that he first knew about the song's existence after watching them perform the song on an episode of the Seaside Special!. Of the incident, Phillips commented "“Strange, really exciting. 'Cos although they gave it a completely different treatment to what we did – I mean it was a disco song all of a sudden! But it was good, it was quite exciting really.” In an interview with Creation Records, Phillips claimed he has been able to live comfortably with the royalties from Boney M.'s version of the song, stating that it sold seven million copies.{{Cite web |last=Nash |first=Stewart |title=The Creation – Eddie Phillips Interview |date=27 February 2010 |url=http://www.creation-records.com/interviews/the-creation/ |access-date=2022-04-22 |publisher=Creation Records |language=en-GB}}

|-

{{single chart|Dutch100|5|artist=Boney M.|song=Rasputin / Painter Man|}}

|-

|UK Singles (Official Charts Company)

| align="center" |10

|}

• It was first covered in New Zealand by the kiwi band, Larry's Rebels, in April 1967, where it reached number six in the New Zealand Listener music charts on 30 June 1967.{{Cite web|title=Painter Man - Larry's Rebels - Listener|url=http://www.flavourofnz.co.nz/index.php?qpageID=search%20listener&qsongid=1474#n_view_location|access-date=2020-12-07|website=www.flavourofnz.co.nz}} However, when a listener complained about the lyrics "household soap" and "tin cans" (erroneously believing it to be "shit cans") the chart success of the single was abruptly halted.{{Cite web|title=Larry's Rebels|url=https://www.sergent.com.au/music/larrysrebels.html|access-date=2020-12-07|website=www.sergent.com.au}}
• In 1977, the Hard Rock German band Mass also made a cover on their first album Back to the Music keeping the same title (Painter Man).
• The song was also covered by British post-punk band The Television Personalities, appearing on their 1982 album They Could Have Been Bigger than the Beatles. The song was called "enthusiastically sloppy" in an AllMusic review by Stewart Mason.{{Cite web|last=Mason|first=Stewart|title=Television Personalities - They Could Have Been Bigger Than the Beatles - AllMusic Review by Stewart Mason|url=https://www.allmusic.com/album/they-could-have-been-bigger-than-the-beatles-mw0000027135|access-date=2020-12-07|website=AllMusic}}

{{Reflist}}

{{Boney M. singles}}

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Category:1966 songs

Category:1966 singles

Category:1979 singles

Category:The Creation (band) songs

Category:Song recordings produced by Shel Talmy

Category:Song recordings produced by Frank Farian

Category:Boney M. songs

Category:Atlantic Records singles

Category:Hansa Records singles

Category:Art pop songs

Category:Avant-pop songs