Phantom Thread (soundtrack)
{{Use British English|date=September 2020}}
{{Use dmy dates|date=September 2020}}
{{Infobox album
| name = Phantom Thread (Original Motion Picture Soundtrack)
| type = Film score
| artist = Jonny Greenwood
| cover = Phantom Thread (Jonny Greenwood).png
| border = yes
| alt =
| released = 12 January 2018 (digital)
9 February 2018 (CD)
21 April 2018 (vinyl)
| recorded =
| studio = RAK Studios
(London, England)
AIR Studios
(London, England)
| genre = * Orchestral
| length = 55:53
| label = Nonesuch
| producer = Graeme Stewart
| prev_title = Junun
| prev_year = 2015
| next_title = You Were Never Really Here
| next_year = 2018
}}
Phantom Thread (Original Motion Picture Soundtrack) is the original soundtrack album to the 2017 film Phantom Thread, directed by Paul Thomas Anderson and starring Daniel Day-Lewis. The record consists of eighteen tracks from a film score written and composed by Jonny Greenwood. Greenwood's score was released digitally by Nonesuch Records on 12 January 2018, with a CD edition later released on 9 February 2018 and a vinyl edition on 21 April 2018. In preparation for the score, Greenwood researched the musical trends of the 1950s, referencing Glenn Gould's Bach recordings and the work of Nelson Riddle. The score was recorded in London with a 60-piece orchestra, including the Royal Philharmonic Orchestra and the London Contemporary Orchestra. It is Greenwood's fourth soundtrack for director Paul Thomas Anderson and appears across the majority of the film's 130-minute runtime. It was met with favourable reviews from critics, receiving nominations for the Academy Award for Best Original Score, the Golden Globe Award for Best Original Score and the BAFTA Award for Best Original Music.{{Cite web |title=Phantom Thread [Soundtrack] |url=https://www.nonesuch.com/albums/phantom-thread-soundtrack |access-date=5 September 2020 |website=Nonesuch Records|date=12 January 2018 }}
Background and recording
Phantom Thread is a historical drama set in 1950s London about a fictional couturier, Reynolds Woodcock, played by Daniel Day-Lewis.{{Cite web |last=Fury |first=Alexander |date=28 November 2017 |title=A Film That Pays Homage to the Bygone Era of London Couture |url=https://www.nytimes.com/2017/11/28/t-magazine/entertainment/phantom-thread-movie-paul-thomas-anderson.html |access-date=4 September 2020 |website=T: The New York Times Style Magazine }} The soundtrack was composed by Jonny Greenwood and consists of piano and string sections. Director Paul Thomas Anderson initially asked Greenwood for an "English" sound, but they found the folk-influenced orchestral music typical of Britain in the 1950s too "twee" for a London fashion designer like Woodcock. Greenwood specifically researched music written and recorded during the 1950s as well as the classical music popular with that generation. The works of Nelson Riddle and Glenn Gould's Bach recordings were Greenwood's primary references.{{Cite web |last=Burlingame |first=Jon |date=16 February 2018 |title=From Radiohead to the Oscar-Nominated 'Phantom Thread': Jonny Greenwood on His Musical Process |url=https://variety.com/2018/music/news/radiohead-to-phantom-thread-jonny-greenwood-oscar-academy-award-nominated-1202698373/ |access-date=4 September 2020 |website=Variety}} In particular, Anderson advised Greenwood to research Riddle's score for Stanley Kubrick's Lolita (1962) and his work with jazz pianist Oscar Peterson. Anderson also advised Greenwood to view David Lean's 1949 film The Passionate Friends, which was scored by Richard Addinsell.{{Cite web |last=Wood |first=Mikael |date=22 February 2018 |title=Jonny Greenwood on the romance and sincerity of his score for 'Phantom Thread' |url=https://www.latimes.com/entertainment/music/la-et-ms-jonny-greenwood-phantom-thread-20180222-story.html |access-date=6 September 2020 |website=Los Angeles Times}} The music of jazz pianist Bill Evans was also an inspiration for Greenwood.{{cite news|last=Tommasini|first=Anthony|author-link=Anthony Tommasini|date=21 February 2018|title=How Jonny Greenwood Wove the 'Phantom Thread' Score|url=https://www.nytimes.com/2018/02/21/arts/music/phantom-thread-jonny-greenwood-original-score-oscar.html|url-status=live|newspaper=The New York Times|archive-url=https://archive.today/20221118223640/https://www.nytimes.com/2018/02/21/arts/music/phantom-thread-jonny-greenwood-original-score-oscar.html|archive-date=18 November 2022|access-date=4 September 2020|url-access=limited}}
{{multiple image
| align = right
| total_width = 280
| image1 = Glenn Gould 1.jpg
| image2 = Nelson Riddle 1958.JPG
| footer = Glenn Gould (left) and Nelson Riddle (right) were Greenwood's main references for the film's score.
}}
Greenwood's score was written during his travels for Radiohead's A Moon Shaped Pool tour, including in hotel rooms and dressing rooms.{{Cite web |last=Coyle |first=Jake |date=14 February 2018 |title=For Greenwood and Anderson, a crescendo in 'Phantom Thread' |url=https://apnews.com/1f57ae1d0c424ecb8b001471555e5ae0/For-Greenwood-and-Anderson,-a-crescendo-in-'Phantom-Thread' |access-date=6 September 2020 |website=Associated Press}} His process involved recording demos on his iPhone and sending them to Anderson. The first two pieces he sent were deemed too dark by Anderson, who felt the music was "giving away what's going to happen" in the story. Anderson pushed Greenwood for a more romantic sound, and was interested in incorporating large string sections. Greenwood was inspired by the large, "over-the-top" romantic orchestra recordings of Baroque composers Bach and Vivaldi from the 1960s and 1970s, including Riccardo Muti's 1977 recording of Vivaldi's "Gloria".{{Cite web |last1=Martin |first1=Rachel |authorlink=Rachel Martin (broadcast journalist) |last2=Pearson |first2=Vince |date=26 February 2018 |title=Radiohead's Jonny Greenwood On The Music Of 'Phantom Thread' |url=https://www.npr.org/2018/02/26/588397390/radioheads-jonny-greenwood-on-the-music-of-phantom-thread |access-date=4 September 2020 |website=Morning Edition |publisher=NPR}} He was also inspired by string-heavy jazz records from the 1950s, including Ben Webster's Music for Loving (1954).{{Cite web |last=Miller |first=Matt |date=16 January 2018 |title=Radiohead's Jonny Greenwood Might Finally Get the Oscar He Deserves |url=https://www.esquire.com/entertainment/music/a15131444/jonny-greenwood-phantom-thread-music/ |access-date=4 September 2020 |website=Esquire}} Greenwood envisioned what music the characters would have listened to, and convinced Anderson that Woodcock would intensely listen to Glenn Gould. Principally, Greenwood focused on composing "genuinely romantic music" that was sincere and not "pastiche" or "overly atonal/microtonal". At the same time, he worked to ensure the music was keeping with the 1950s while avoiding any sense of being "tongue-in-cheek" or "ironic", which Greenwood believed was antithetical to the Woodcock's nature. The piano served as the common ground between the contrasting romantic compositions for the film and the more formal befitting Woodcock. Greenwood also received musical input from Day-Lewis, who discussed the music of Thomas Tallis.
The album was recorded in London at RAK Studios and AIR Studios. The sessions included the Royal Philharmonic Orchestra, conducted by Robert Ziegler, and the London Contemporary Orchestra, conducted by Robert Ames. Greenwood also enlisted a string quartet, which appears on four of the album's tracks. At one point, Greenwood recorded with an orchestra of 60 strings, his largest to date.{{Cite web |last=Burlingame |first=Jon |date=11 December 2017 |title=There Will Be Greenwood: The Radiohead Rocker on Scoring 'Phantom Thread' |url=https://variety.com/2017/film/news/jonny-greenwood-radiohead-phantom-thread-1202636131/ |access-date=5 September 2020 |website=Variety}} The score also features a cimbalom, which is used to characterise Alma, and is supposed to allude to her presumably Eastern European origins. The album was mixed and mastered at Abbey Road Studios. The soundtrack features prominently in the film, with nearly 90 minutes of music during the film's 130-minute runtime.{{Cite web |last=Sharf |first=Zack |date=17 December 2017 |title=Jonny Greenwood's 'Phantom Thread' Original Score is Used in Nearly 70% of the Movie |url=https://www.indiewire.com/2017/12/jonny-greenwood-phantom-thread-original-score-details-inspiration-1201908474/ |access-date=5 September 2020 |website=IndieWire}} The film also features music Anderson selected by Claude Debussy, Franz Schubert, Johannes Brahms, Gabriel Fauré, and Hector Berlioz.{{Cite web |last=Barford |first=Brian |date=31 January 2018 |title=Phantom Thread at Royal Festival Hall – Paul Thomas Anderson's film with score by Jonny Greenwood |url=https://www.classicalsource.com/concert/phantom-thread-at-royal-festival-hall-paul-thomas-andersons-film-with-score-by-jonny-greenwood/ |access-date=5 September 2020 |website=The Classical Source}}
Release and promotion
On 1 February 2017, Focus Features officially announced that Greenwood was scoring Anderson's upcoming film.{{Cite web |last=Jagernauth |first=Kevin |date=1 February 2017 |title=Logline Revealed For Paul Thomas Anderson's New Film Starring Daniel Day-Lewis, Jonny Greenwood Returns To Score |url=https://theplaylist.net/new-cast-members-logline-revealed-paul-thomas-andersons-new-film-starring-daniel-day-lewis-jonny-greenwood-20170201/ |access-date=2 September 2020 |website=The Playlist}}{{cite magazine|last=Kreps|first=Daniel|date=1 February 2017|title=Jonny Greenwood to Score New Paul Thomas Anderson Film|url=https://www.rollingstone.com/movies/movie-news/jonny-greenwood-to-score-new-paul-thomas-anderson-film-2-191219/|magazine=Rolling Stone|access-date=2 September 2020}} On 26 October 2017, Greenwood shared the sheet music for the film's title theme.{{Cite web |last=Kim |first=Michelle |date=26 October 2017 |title=Jonny Greenwood Shares Phantom Thread Score Sheet Music |url=https://pitchfork.com/news/jonny-greenwood-shares-phantom-thread-score-sheet-music/ |access-date=2 September 2020 |website=Pitchfork}} The album details were announced on 21 December 2017, and "House of Woodcock" was released the same day.{{Cite web |last=Yoo |first=Noah |date=21 December 2017 |title=Listen to Jonny Greenwood's New Phantom Thread Song "House of Woodcock" |url=https://pitchfork.com/news/listen-to-jonny-greenwoods-new-phantom-thread-song-house-of-woodcock/ |access-date=2 September 2020 |website=Pitchfork}}{{Cite web |last=Moore |first=Sam |date=21 December 2017 |title=Listen to Jonny Greenwood's glorious new song for the 'Phantom Thread' soundtrack |url=https://www.nme.com/news/music/jonny-greenwood-phantom-thread-soundtrack-house-of-woodcock-2182151 |access-date=2 September 2020 |website=NME}} The album was released digitally on 12 January 2018, followed by a CD release on 9 February 2018 and a vinyl LP release on 21 April 2018 (Record Store Day).{{Cite web |date=21 December 2017 |title=Jonny Greenwood's Golden Globe–Nominated Score to Paul Thomas Anderson's "Phantom Thread' Due January 12 on Nonesuch |url=https://www.nonesuch.com/journal/jonny-greenwood-score-paul-thomas-anderson-phantom-thread-nonesuch-2017-12-21 |access-date=2 September 2020 |website=Nonesuch Records}}
The DVD and Blu-ray releases of Phantom Thread included early demos of Greenwood's score.{{Cite web |last=Connick |first=Tom |date=26 February 2018 |title='Phantom Thread' DVD features unreleased music from Radiohead's Jonny Greenwood |url=https://www.nme.com/news/music/phantom-thread-dvd-music-radiohead-jonny-greenwood-2249278 |access-date=5 September 2020 |website=NME}}{{Cite web |last=Raup |first=Jordan |date=20 May 2020 |title=Listen to Jonny Greenwood's Early Demo Recordings for Phantom Thread |url=https://thefilmstage.com/listen-to-jonny-greenwoods-early-demo-recordings-for-phantom-thread/ |access-date=5 September 2020 |website=The Film Stage}}
The score was first performed on 31 January 2018 by the London Contemporary Orchestra during the film's preview screening at the Royal Festival Hall in London. Anderson and Greenwood were in attendance and were interviewed by film critic Mark Kermode.{{Cite web |last=Young |first=Alex |date=25 January 2018 |title=Jonny Greenwood announces first live performance of Phantom Thread score |url=https://consequenceofsound.net/2018/01/jonny-greenwood-announces-first-live-performance-of-phantom-thread-score/ |access-date=6 September 2020 |website=Consequence of Sound}}{{Cite web |last=Jones |first=Damian |date=25 January 2018 |title=Radiohead's Jonny Greenwood announces first live performance of Academy Award-nominated 'Phantom Thread' score |url=https://www.nme.com/news/music/radioheads-jonny-greenwood-announces-first-live-performance-of-academy-award-nominated-phantom-thread-score-2228129 |access-date=6 September 2020 |website=NME}} On 24 and 25 February 2018, the score was performed by the Wordless Music Orchestra and the London Contemporary Orchestra at the Brooklyn Academy of Music's Howard Gilman Opera House in Brooklyn, New York.{{Cite web |last=O'Falt |first=Chris |date=24 January 2018 |title='Phantom Thread' Live Orchestra Screenings Announced for Brooklyn and Los Angeles (With Presale Code!) — Exclusive |url=https://www.indiewire.com/2018/01/phantom-thread-live-orchestra-score-screenings-brooklyn-bam-los-angeles-ace-hotel-1201920670/ |access-date=6 September 2020 |website=IndieWire}}{{Cite web |title=Phantom Thread screening + live score (U.S. premiere) February 24-25 & March 2, 2018 |url=http://www.wordlessmusic.org/phantom-thread/ |access-date=6 September 2020 |website=www.wordlessmusic.org}} On 2 March 2018, the score was again performed by the Wordless Music Orchestra and the London Contemporary Orchestra at The Theatre at Ace Hotel in Los Angeles, California, with Greenwood and Anderson in attendance.{{Cite web |last=Willman |first=Chris |date=3 March 2018 |title=Concert Review: 'Phantom Thread' Orchestral Show Lusciously Reveals Jonny Greenwood's (and P.T. Anderson's) Sweet Side |url=https://variety.com/2018/music/news/phantom-thread-jonny-greenwood-concert-review-1202716844/ |access-date=6 September 2020 |website=Variety}}{{Cite web |title=Wordless Music + Spaceland presents: P.T. Anderson's Phantom Thread Live Score |url=https://theatre.acehotel.com/events/phantom-thread-live-score-midnight/ |access-date=6 September 2020 |website=The Theatre at Ace Hotel}}
Critical reception
{{Album ratings
| MC = 86/100{{cite web |url=https://www.metacritic.com/music/phantom-thread-original-motion-picture-soundtrack/jonny-greenwood |title=Phantom Thread [Original Motion Picture Soundtrack] by Jonny Greenwood Reviews and Tracks |work=Metacritic |access-date=2 September 2020}}
| rev1 = AllMusic
| rev1score = {{rating|4|5}}{{Cite web |last=Erlewine |first=Stephen Thomas |authorlink=Stephen Thomas Erlewine |title=Phantom Thread [Original Motion Picture Soundtrack] - Jonny Greenwood |url=https://www.allmusic.com/album/phantom-thread-original-motion-picture-soundtrack-mw0003139301 |access-date=2 September 2020 |website=AllMusic}}
| rev2 = Consequence of Sound
| rev2score = B{{Cite web |last=Ruskin |first=Zack |date=19 February 2018 |title=Album Review: Jonny Greenwood's Lavish Score Emboldens the Already Brilliant Phantom Thread |url=https://consequenceofsound.net/2018/02/album-review-jonny-greenwoods-lavish-score-emboldens-the-already-brilliant-phantom-thread/ |access-date=2 September 2020 |website=Consequence of Sound}}
| rev3 = Drowned in Sound
| rev3score = 8/10{{Cite web |last=Rushbury |first=Ian |date=2 February 2018 |title=Album Review: Jonny Greenwood - Phantom Thread (Original Motion Picture Soundtrack) |url=https://drownedinsound.com/releases/20200/reviews/4151590 |archive-url=https://web.archive.org/web/20180203051919/https://drownedinsound.com/releases/20200/reviews/4151590 |archive-date=3 February 2018 |access-date=2 September 2020 |website=Drowned in Sound}}
| rev4 = The Independent
| rev4score = {{rating|3|5}}{{Cite web |last=Gill |first=Andy |date=11 January 2018 |title=Album reviews: Black Rebel Motorcycle Club – Wrong Creatures, The Go! Team – Semicircle, Jonny Greenwood – Phantom Thread |url=https://www.independent.co.uk/arts-entertainment/music/reviews/black-rebel-motorcycle-club-wrong-creatures-go-team-semicircle-jonny-greenwood-phantom-thread-a8153976.html |archive-url=https://ghostarchive.org/archive/20220526/https://www.independent.co.uk/arts-entertainment/music/reviews/black-rebel-motorcycle-club-wrong-creatures-go-team-semicircle-jonny-greenwood-phantom-thread-a8153976.html |archive-date=26 May 2022 |url-access=subscription |url-status=live |access-date=6 September 2020 |website=The Independent}}
| rev5 = Mojo
| rev5score = {{rating|5|5}}{{cite magazine|last=Male|first=Andrew|date=April 2018|title=Jonny Greenwood – Phantom Thread|magazine=Mojo|issue=293|page=89}}
| rev6 = Pitchfork
| rev6score = 7.5/10{{Cite web |last=Lozano |first=Kevin |date=16 January 2018 |title=Jonny Greenwood: Phantom Thread Original Motion Picture Soundtrack Album Review |url=https://pitchfork.com/reviews/albums/jonny-greenwood-phantom-thread-original-motion-picture-soundtrack/ |access-date=2 September 2020 |website=Pitchfork}}
| rev7 = Q
| rev7score = {{rating|4|5}}{{cite magazine|last=Oldham|first=James|date=April 2018|title=Jonny Greenwood – Phantom Thread OST|magazine=Q|issue=383|page=110}}
| rev8 = Uncut
| rev8score = 8/10{{cite magazine|last=Bonner|first=Michael|date=April 2018|title=Jonny Greenwood: Phantom Thread - Original Motion Picture Soundtrack|magazine=Uncut|issue=251|page=27}}
| rev9 = Under the Radar
| rev9score = 8.5/10{{Cite web |last=Steinberg |first=Charles |date=30 January 2018 |title=Jonny Greenwood: Phantom Thread Original Motion Picture Soundtrack (Nonesuch) Review |url=http://www.undertheradarmag.com/reviews/jonny_greenwood_phantom_thread_original_motion_picture_soundtrack/ |access-date=2 September 2020 |website=Under the Radar}}
}}
Phantom Thread has a score of 86 out of 100 on Metacritic, indicating "universal acclaim," based on 9 reviews. Andrew Male of Mojo gave the soundtrack a perfect score, calling it "an album that goes far beyond emulation or pastiche to capture the emotional heart of a strange and elusive film". Stephen Thomas Erlewine of AllMusic called Greenwood's score "rich and gorgeous, elegant because of its exacting nature, an aesthetic that suits the film to a T". Michael Bonner of Uncut gave the score an 8 out of 10 rating, writing that it complemented the film's 1950s London setting "with its own opulent old-world beauty". Charles Steinberg of Under the Radar praised the score's ability to "accompany the precise tone of every scene", "rising and falling with all of its subtleties and secrets" and concluded in saying that Greenwood "now feels essential" as a composer. Winston Cook-Wilson of Spin wrote, "Greenwood's abilities have never served one of Anderson's films better, or proved so integral to its power."{{Cite web |last=Cook-Wilson |first=Winston |date=17 January 2018 |title=Review: Jonny Greenwood's Phantom Thread Soundtrack Is His Greatest Film Score Yet |url=https://www.spin.com/2018/01/phantom-thread-soundtrack-review-jonny-greenwood/ |access-date=2 September 2020 |website=Spin}} Richard Driver of PopMatters praised the album's sequencing and called it Greenwood's "strongest developed yet, delivering massive impact for the film".{{Cite web |last=Driver |first=Richard |date=5 March 2018 |title=Jonny Greenwood Creates His Best Soundtrack Yet With 'Phantom Thread' |url=https://www.popmatters.com/jonny-greenwood-phantom-thread-soundtrack-2540033555.html |access-date=6 September 2020 |website=PopMatters}} James Oldham of Q called it "uniformly deft, sumptuous and moving".
Kevin Lozano of Pitchfork praised Greenwood's ambition and the score's "subtler" moments like "Never Cursed", but lamented that the score's "sumptuousness can be overbearing" and lacking in its sense of restraint. Zack Ruskin of Consequence of Sound praised Greenwood's orchestration for embodying the demeanour of Reynolds Woodcock, but criticised the score's tendency to "spill over and drown the sparse passages of unease that serve as Phantom Thread{{'}}s emotional center".
= Lists =
= Accolades =
Track listing
{{Track listing
| all_writing = Jonny Greenwood
| title1 = Phantom Thread I
| length1 = 3:36
| title2 = The Hem
| length2 = 2:43
| title3 = Sandalwood I
| length3 = 2:40
| title4 = The Tailor of Fitzrovia
| length4 = 2:31
| title5 = Alma
| length5 = 4:07
| title6 = Boletus Felleus
| length6 = 3:13
| title7 = Phantom Thread II
| length7 = 3:55
| title8 = Catch Hold
| length8 = 2:15
| title9 = Never Cursed
| length9 = 3:46
| title10 = That's As May Be
| length10 = 1:27
| title11 = Phantom Thread III
| length11 = 2:22
| title12 = I'll Follow Tomorrow
| length12 = 1:22
| title13 = House of Woodcock
| length13 = 3:53
| title14 = Sandalwood II
| length14 = 3:43
| title15 = Barbara Rose
| length15 = 4:40
| title16 = Endless Superstition
| length16 = 3:05
| title17 = Phantom Thread IV
| length17 = 2:59
| title18 = For the Hungry Boy
| length18 = 3:36
| total_length = 55:53
}}
Credits and personnel
= Musicians =
- Jonny Greenwood – composition {{small|(all tracks)}}, orchestrations {{small|(all tracks)}}, piano {{small|(tracks 7 & 12)}}
- Hugh Brunt – additional orchestration {{small|(track 6)}}
- Robert Ziegler – conductor {{small|(tracks 1, 8, 11, 14, 16, 18)}}, additional orchestration {{small|(track 14)}}
- Robert Ames – conductor {{small|(tracks 4, 6, 9, 10, 13)}}
- Katherine Tinker – piano {{small|(tracks 1–6, 8–11, 13–16, 18)}}, celeste {{small|(tracks 2, 3, 5, 15)}}
- Daniel Pioro – violin {{small|(tracks 2, 3, 5, 7, 15, 17)}}, solo violin arrangement {{small|(track 17)}}
- Royal Philharmonic Orchestra – performance {{small|(tracks 1, 8, 11, 14, 16, 18)}}
- London Contemporary Orchestra – performance {{small|(tracks 4, 6, 9, 10, 13)}}
- Jonathan Morton – violin {{small|(tracks 2, 3, 5, 15)}}
- Charlotte Bonneton – viola {{small|(tracks 2, 3, 5, 15)}}
- Oliver Coates – cello {{small|(tracks 2, 3, 5, 15)}}
- Eleanor Turner – harp {{small|(tracks 2, 3, 5, 15)}}
{{col-break}}
= Technical =
- Graeme Stewart – production {{small|(all tracks)}}, recording {{small|(tracks 2–7, 9, 10, 12, 13, 15, 17)}}, mixing {{small|(all tracks)}}
- John Barrett – mixing {{small|(all tracks)}}
- Nick Wollage – recording {{small|(tracks 1, 8, 11, 14, 16, 18)}}
- Fiona Cruickshank – recording {{small|(tracks 1, 8, 11, 14, 16, 18)}}
- Rob Brinkmann – recording assistant {{small|(RAK)}}
- Ashley Andrew-Jones – recording assistant {{small|(AIR)}}
- Christian Wright – mastering {{small|(all tracks)}}
= Design =
- Laura Hynd – photography
- Shin Katan – album artwork
- Dustin Stanton – design
{{col-end}}
In popular culture
- "House of Woodcock" was chosen by figure skater Yuna Kim and used in her act at All That Skate 2018.{{Cite web |title=Yuna Kim's New Gala, 'House of Woodcock' |url=http://www.allthatskate.com/html/news/news.php?mode=v&bbs_data=aWR4PTI2JnN0YXJ0UGFnZT0mbGlzdE5vPTE4JnRhYmxlPWlkX2Jic19kYXRhJmNvZGU9bmV3cyZzZWFyY2hfaXRlbT0mc2VhcmNoX29yZGVyPQ==%257C%257C |access-date=16 October 2022 |website=All That Skate | date=25 April 2018}}
References
{{Reflist}}
{{Jonny Greenwood}}
{{Authority control}}
{{DEFAULTSORT:Phantom Thread}}
Category:Jonny Greenwood albums
Category:2018 soundtrack albums
Category:2010s film soundtrack albums
Category:Nonesuch Records soundtracks
Category:Instrumental soundtracks
Category:Drama film soundtracks
Category:Classical music soundtracks
Category:Albums recorded at RAK Studios