Pink Floyd: Live at Pompeii

File:PompeijTheater.jpg where most of the footage was filmed]]

Filmmaker Adrian Maben, interested in combining art with Pink Floyd's music,{{sfn|Manning|2006|p=68}} contacted David Gilmour and the band's manager, Steve O'Rourke, in 1971 to discuss the possibilities of making a film in which the band's music was played over images of paintings by René Magritte, Jean Tinguely, Giorgio de Chirico and others. Pink Floyd had experience filming outside the context of a standard rock concert, including an hour-long performance in KQED TV studios in April 1970,{{sfn|Povey|2006|p=131}} but Maben's idea was rejected. Maben went on holiday to Naples in the early summer.{{sfn|Blake|2011|p=167}} During a visit to Pompeii he lost his passport, and went back to the Amphitheatre, which he had visited earlier in the day, in order to find it. Walking around the deserted ruins, he thought the silence and natural ambient sounds present would make a good backdrop for the music{{sfn|Blake|2011|p=167}} He also felt that filming the band without an audience would be a good reaction to earlier films such as Woodstock and Gimme Shelter, where the films paid equal attention to performers and spectators.{{sfn|Manning|2006|p=68}} One of Maben's contacts at the University of Naples, Professor Carputi, who was a Pink Floyd fan, managed to persuade the local authorities to close the amphitheatre for six days that October for filming. Access was secured after payment of a "fairly steep" entrance fee.{{cite interview|url=http://www.brain-damage.co.uk/other-related-interviews/adrian-maben-live-at-pompeii-2003-with-brain-d.html|title=Interview with Adrian Maben|first=Paul|last=Powell Jr|first2=Matt|last2=Johns|year=2003|access-date=27 June 2017}}

The performances of "Echoes", "A Saucerful of Secrets", and "One of These Days" were filmed from 4 to 7 October 1971.{{sfn|Povey|2006|p=174}} O'Rourke delivered a demo to Maben in order for him to prepare for the various shots required, which he finally managed to do the night before filming started. The choice of material was primarily the band's, but while Maben realised it was important to include material from the band's new album Meddle, he was also keen to include "Careful with That Axe, Eugene" and "A Saucerful of Secrets", as he felt they would be good numbers to film.

The band insisted on playing live, and brought their regular touring gear with them. Their roadie, Peter Watts, suggested that the 8-track recorder would produce a sound comparable to a studio recording. In addition, the natural echo of the amphitheatre provided good acoustics for the recording. The equipment was carried by truck from London and took three days to reach Pompeii. When it arrived, it was discovered there was insufficient power to drive it correctly.{{sfn|Blake|2011|p=167}} This problem plagued filming for several days, and was finally resolved by running a lengthy cable of approximately {{convert|750|m}} from the local town hall.

The first section of footage to be filmed were montage shots of the band walking around Boscoreale, mixed with shots of volcanic mud,{{sfn|Manning|2006|p=68}} which can be seen at various points in "Echoes" and "Careful with That Axe, Eugene". For the live performances, the band recorded portions of the songs in sections, which were later spliced together. After each take, they listened to the playback on headphones. Maben closed all the entrances to the amphitheatre, but a few children managed to sneak in and were allowed to watch the filming quietly from a distance.

File:Farfisa Compact Duo (2nd version) - Expo Pink Floyd.jpg is featured prominently on several songs in the film, particularly "Set the Controls for the Heart of the Sun" and "Echoes Part 2".]]

The remaining songs were filmed in Studio Europasonor, Paris, from 13 to 20 December{{sfn|Manning|2006|p=68}}{{sfn|Povey|2006|p=125}} and can be distinguished by the absence of Richard Wright's beard. To fit in with the theme of the earlier work in Pompeii, the filming around Boscoreale, along with stock footage of waterfalls and lava and various shots of Roman mosaics and drawings from the Naples National Archaeological Museum were added into the Paris footage.{{sfn|Blake|2011|p=168}} Maben also filmed additional transflex footage for insertion into the Pompeii performances. While both the director and the band were disappointed with this footage, due to a lack of time and money, there was no alternative left but to use it.

During the filming in Paris, the band suggested they would like to film a performance of a short blues song with a howling dog, in the style of "Seamus" from Meddle. Maben knew Madonna Bouglione, daughter of circus director Joseph Bouglione, who was known to walk about Paris with a dog called Nobs. Accordingly, Nobs was invited into the studio, where the footage was filmed for "Mademoiselle Nobs".

Maben subsequently edited some of the final cut at home, due to financial constraints. He regretted doing this, as he felt it was important to separate his work and home life, but, at the time, he had no choice.

File:Pompeii&Vesuvius.JPG

The original premiere took place on 2 September 1972, at the Edinburgh International Film Festival. This initial cut, running for one hour, only featured the live footage. The film was scheduled for a special premiere at London's Rainbow Theatre, on 25 November 1972. It was cancelled at the last minute by the theatre's owner, Rank Strand{{sfn|Manning|2006|p=68}} as they didn't have a certificate from the British Board of Film Censors and the theatre could be seen to be in competition with established cinemas.{{sfn|Povey|2006|p=125}}

Maben was concerned that one of the problems with the film was that it was too short. In early 1973, Maben was fly fishing with Waters, and suggested the possibility of improving the film by watching them at work in a recording studio. Subsequently, Maben was invited with a small crew using a single 35 mm camera to Abbey Road Studios to film supposed recording sessions of The Dark Side of the Moon, as well as interviews conducted off-camera by Maben, and footage of the band eating and talking at the studio cafeteria. Maben was particularly happy with this footage, feeling it captured the spontaneous humour of the band.{{sfn|Blake|2011|p=194}}

Running at 80 minutes, this latest version premiered on 10 November 1973, at the Alouette Theatre in Montreal, the release organized in part by George Ritter Films, and Mutual Films. It was a financial success in Canada, and according to Billboard, the film "did such amazing business in its first week in Montreal that the original number of prints ordered for Canada has doubled." The film's American release was overseen by the Cincinnati-based April Fools Films, an independent distributor founded for the purpose of distributing the film. Early test screenings in the US were held in April 1974 before premiering in other parts of the country, which happened later into the summer (accompanied in certain instances by a special quadraphonic mix). The film earned considerably more in the US, where, by October 1974, BoxOffice reported that the film had already grossed over $2 million.

The film was not financially successful according to Mason,{{sfn|Mason|2004|p=177}} though Maben disagrees, and suffered particularly from being overshadowed by the release of The Dark Side of the Moon{{sfn|Manning|2006|p=68}} not long after the original theatrical showing. It was released on various home video formats several times.{{cite web|url=https://www.amazon.com/gp/offer-listing/6301405323/ref=dp_olp_used?ie=UTF8&condition=used|title=Pink Floyd – Live at Pompeii [VHS] |work=Amazon|date=July 1991 |access-date=7 September 2012}}

File:Napoli-museomosaico-extract.jpg appeared at the start of "Careful with That Axe, Eugene"]]

A director's cut version of the film was released in 2002. It included all the original footage except for the short instrumental intro known as “Pompeii” and the studio footage of “On The Run”, and added some additional filming of the Apollo space program. It also includes the original one-hour cut as a bonus feature.{{cite web|url=https://www.bbc.co.uk/music/reviews/q6qv/|title=Pink Floyd Live at Pompeii DVD Review|first=Peter|last=Marsh|publisher=BBC Music|access-date=27 June 2017}} This cut also features approximately 10 minutes of black and white documentary footage shot in 1971 at the Europa-Sonor studio in Paris, and, much like the Abbey Road footage, features shots of the band eating and working in a studio, along with individual interviews.

Unlike the rest of the film, this footage was shot on Maben's own 16mm camera. In 2013, Maben restored and re-edited the footage into a 52-minute documentary titled Chit-Chat with Oysters. The documentary was originally shown at the Toute la mémoire du monde film festival in 2013.{{Cite web |title=Chit Chat With Oysters (Adrian Maben, 2013) à voir en ligne sur HENRI, la plateforme des collections films de la Cinémathèque française |url=https://www.cinematheque.fr/henri/film/121170-chit-chat-with-oysters-adrian-maben-2013/ |access-date=22 February 2024 |website=www.cinematheque.fr |language=fr}}

A 4K resolution restoration was screened in cinemas in April 2025, under the new title Pink Floyd at Pompeii – MCMLXXII.{{cite web |last1=Willman |first1=Chris |title='Pink Floyd at Pompeii' Restored Concert Film to Get Imax Release, in Conjunction With First-Time Stand-Alone Live Album |url=https://variety.com/2025/music/news/pink-floyd-pompeii-film-imax-release-live-album-1236321151/ |website=Variety |publisher=Penske Media Corporation |access-date=27 February 2025 | date = 26 February 2025}} The soundtrack was remixed by Steven Wilson.{{cite web|url=https://ultimateclassicrock.com/pink-floyd-at-pompeii-mcmlxxii/|title=Pink Floyd's Pompeii Concert Restored for a Return to Theaters|website=Ultimate Classick Rock|date=27 February 2025|accessdate=4 March 2025}} The re-release earned $3,034,432 worldwide (including $1,297,249 in the United States) on the first day. By 27 April, it grossed $6,497,252

(including $2,620,076 in the United States), and ranked #10 at the U.S.-Canada box office in its opening weekend after earning $1.3 million between 25 and 27 April.{{cite web|url=https://www.the-numbers.com/weekend-box-office-chart|title=Weekend Domestic Chart for April 25, 2025|publisher=The Numbers.com|accessdate=27 April 2025}} The film was released on streaming, DVD, and Blu-ray on 2 May 2025.https://www.sonymusic.com/legacy/pink-floyd-at-pompeii-mcmlxxii/

The film's soundtrack, also titled Pink Floyd at Pompeii – MCMLXXII, was released on 2 May 2025 under Columbia Records, marking the first time the film's soundtrack had been released standalone. In addition to being released in CD and digital audio formats, this re-release marks the first time that the film's soundtrack was made available vinyl and Dolby Atmos.{{cite news|url=https://www.sonymusic.com/legacy/pink-floyd-at-pompeii-mcmlxxii/|title=Details Of Pink Floyd at Pompeii – MCMLXXII|publisher=Sony Music|date=26 February 2025|accessdate=2 May 2025}} The album went straight to no.1 in the UK Official Album Charts on 9 May 2025, giving the group their seventh UK no.1 album.{{cite web |last1=Smith |first1=Carl |title=Pink Floyd secure seventh chart-topping album with Pink Floyd at Pompeii – MCMLXXII |url=https://www.officialcharts.com/chart-news/pink-floyd-at-pompeii-mcmlxxii-number-1-album/ |website=Officialcharts.com |access-date=13 May 2025}}

File:Pompeii-couple.jpg in Set The Controls, such as this young couple. (Portrait of Terentius Neo)]]

Maben was particularly pleased with positive reviews that came out of the film's showing at the Edinburgh International Film Festival, but was disappointed to hear one New York critic describe it "like the size of an ant crawling around the great treasures of Pompeii."{{cite web|url=http://www.brain-damage.co.uk/live-at-pompeii/in-depth-analysis-part-four-and-interview-with-adrian-maben-second.html|title=In Depth Analysis and interview with Adrian Maben|work=Brain Damage|access-date=10 September 2012}}

Reviewing the 1974 release, Audience regarded the film as "a handsome visual production." The Hollywood Reporter called it a "fully structured concept which stands on its own quite beyond its function of recording a live rock concert." Gene Siskel of the Chicago Tribune gave the film three stars out of four and wrote, "The interviews with Pink Floyd are too scattershot to achieve any significance; we are left with the music, which is extremely fine." Meanwhile, Billboard was not enthusiastic about the 1974 release, thinking it looked dated, and stated that the film was "dull, unimaginative and hokey, and does not do justice to the Pink Floyd Vision". Lawrence Van Gelder of The New York Times dismissed the film as "a fan-magazine article dressed up as a movie, with lots of close-ups of its heroes and an off-screen interviewer who occasionally drops in a question or a comment—about their equipment or their compatibility—and is satisfied with whatever he is told."

However, more recent reviews have been favourable. Billboard reviewed a video release in 1984, and on this occasion, Faye Zuckerman, while not particularly keen on the footage in the Abbey Road canteen, stated it was "vastly superior to most other concert movies". Reviewing the Director's Cut DVD, Richie Unterberger said the film had "first-rate cinematography" and was "undeniably impressive", while Peter Marsh, reviewing for the BBC, stated it was his "favourite concert film of all time", though his opinions of the new computer generated imagery were mixed.

Due to the lack of time in filming, no tracks were filmed that were unreleased, but several alternative shots and outtakes were held in the Archives du Film du Bois D'Arcy near Paris. At some point, an employee of the owners, MHF Productions, decided this footage was of no value and incinerated all 548 cans of the original 35 mm negatives. Maben was particularly frustrated about the lack of additional shots for "One of These Days," which is primarily a Mason solo-piece in the released version. Mason recalls the reason for that is that the reel of film featuring the other members was lost attempting to assemble the original cut.{{sfn|Mason|2004|p=177}}

1. "Pompeii"{{sfn|film|loc=0:00}}
2. "Echoes, Part 1"{{sfn|film|loc=3:45}}
3. "Careful with That Axe, Eugene"{{sfn|film|loc=15:32}}
4. "A Saucerful of Secrets"{{sfn|film|loc=22:21}}
5. "One of These Days"{{sfn|film|loc=32:40}}
6. "Set the Controls for the Heart of the Sun"{{sfn|film|loc=38:44}}
7. "Mademoiselle Nobs"{{sfn|film|loc=49:06}}
8. "Echoes, Part 2"{{sfn|film|loc=51:04}}

1. "Pompeii"
2. "Echoes, Part 1"
3. "On the Run" (studio footage)
4. "Careful with That Axe, Eugene"
5. "A Saucerful of Secrets"
6. "Us and Them" (studio footage)
7. "One of These Days"
8. "Set the Controls for the Heart of the Sun"
9. "Brain Damage" (studio footage)
10. "Mademoiselle Nobs"
11. "Echoes, Part 2"{{cite AV media notes|title=Pink Floyd – Live At Pompeii (Full Length Version)|publisher=4 Front Video|id=080 730 3|year=1994}}

1. "Echoes, Part 1"
2. "Careful with That Axe, Eugene"
3. "A Saucerful of Secrets"
4. "Us and Them" (studio footage)
5. "One of These Days"
6. "Mademoiselle Nobs"
7. "Brain Damage" (studio footage)
8. "Set the Controls for the Heart of the Sun"
9. "Echoes, Part 2"{{cite video|title=Pink Floyd : Live at Pompeii|publisher=Universal|id=820 131 6|year=2003}}

This version is available as part of The Early Years 1965–1972 box set or the smaller 1972: Obfusc/ation set.{{cite magazine|url=https://www.rollingstone.com/music/news/pink-floyd-detail-massive-27-disc-early-years-box-set-w431264|title=Pink Floyd Detail Massive 27-Disc 'Early Years' Box Set|magazine=Rolling Stone|date=28 July 2016|access-date=10 November 2016}}

1. "Careful with That Axe, Eugene"
2. "A Saucerful of Secrets"
3. "One of These Days"
4. "Set the Controls for the Heart of the Sun"
5. "Echoes"

CD1

1. "Pompeii Intro"
2. "Echoes - Part 1"
3. "Careful with That Axe, Eugene"
4. "A Saucerful of Secrets"
5. "One of These Days
6. "Set the Controls for the Heart of the Sun"
7. "Mademoiselle Nobs"
8. "Echoes - Part 2"

CD2

1. "Careful with That Axe, Eugene" (alternate take)
2. "A Saucerful of Secrets" (unedited)

Feature Film - 2025 Stereo & 5.1 Surround Mixes [24-bit/96kHz] / 2025 Dolby Atmos Mix (Film Only) [24-bit/48kHz]

1. "Pompeii Intro"
2. "Echoes - Part 1"
3. "Careful with That Axe, Eugene"
4. "A Saucerful of Secrets"
5. "Us and Them" (studio footage)
6. "One of These Days
7. "Set the Controls for the Heart of the Sun"
8. "Brain Damage" (studio footage)
9. "Mademoiselle Nobs"
10. "Echoes - Part 2"

Concert - 2025 Stereo & 5.1 Surround Mixes [24-bit/96kHz]

1. "Pompeii Intro"
2. "Echoes - Part 1"
3. "Careful with That Axe, Eugene"
4. "A Saucerful of Secrets"
5. "One of These Days
6. "Set the Controls for the Heart of the Sun"
7. "Echoes - Part 2"

As shown in the film.{{sfn|film|loc=1:03:39–1:04:41||p=}}

Pink Floyd

• Roger Waters – bass guitar, rhythm guitar on "Mademoiselle Nobs", gong, cymbals, screams and spoken words on "Careful with That Axe, Eugene", lead vocals on "Set the Controls for the Heart of the Sun", additional piano on "Echoes"
• David Gilmour – lead guitar, slide guitar, harmonica on "Mademoiselle Nobs", lead vocals on "Echoes", vocals on "Careful with That Axe, Eugene" and "A Saucerful of Secrets", additional vocals on "Set the Controls for the Heart of the Sun"
• Richard Wright – Hammond organ, Farfisa organ, grand piano, lead vocals on "Echoes", VCS 3 on "Pompeii" (intro)
• Nick Mason – drums, percussion, vocal phrase on "One of These Days"

Production

• Based on an idea and directed by Adrian Maben
• Cinematography: Willy Kurant, Gábor Pogány
• Camera: Claude Agostini, {{ill|Jacques Boumendil|fr}}, Henri Czap, Gérard Hameline
• Sound: Charles Rauchet, Peter Watts
• Script: Marie-Noel Zurstrassen
• Road managers: Chris Adamson, Robert Richardson, Brian Scott
• Production directors: Marc Laurore, Leonardo Pescarolo, Hans Thorner
• Editor: José Pinheiro
• Assistant editor: Marie-Claire Perret
• Mixer: Paul Berthault
• Special effects: Michel François, Michel Y Gouf
• Post production: Auditel, Eclair, Europasonor
• Special thanks to: Professor Carputi (University of Naples), Haroun Tazieff, Soprintendenza alle Antichità della Provincia di Napoli
• Associate producers: Michèle Arnaud, Reiner E. Moritz
• Executive producer: Steve O'Rourke

{{certification Table Top}}

{{certification Table Entry|region=Canada|artist=Pink Floyd|title=Live At Pompeii|type=video|award=Gold|access-date=17 January 2022|certyear=1992}}

{{certification Table Entry|region=United Kingdom|artist=Pink Floyd|title=Live At Pompeii|type=video|award=Platinum|number=3|id=12149-1497-5|access-date=17 January 2022|certyear=2016}}

{{certification Table Entry|region=United States|artist=Pink Floyd|title=Live At Pompeii|type=video|award=Platinum|number=2|access-date=17 January 2022|certyear=2004}}

{{certification Table Bottom}}

The hip-hop group the Beastie Boys made a music video for their song "Gratitude" that appears to be a homage to the film. Shot by David Perez in New Zealand, in addition to copying its directorial style of slow horizontal tracking shots, overhead shots of the drums, close up shots of the bass and multiple shots of guitar filling the screen, the video shows a number of speaker cabinets that the group managed to purchase, still labelled "Pink Floyd, London". The video ends with a message that reads, "This video is dedicated to the memory of all the people who died at Pompeii."{{cite web|url=http://www.youtube.com/watch?v=ZdJ5e70Q8mw |archive-url=https://ghostarchive.org/varchive/youtube/20211212/ZdJ5e70Q8mw| archive-date=12 December 2021 |url-status=live|title=Gratitude: Official music video|work=EMI|date=14 September 2009 |access-date=7 September 2012}}{{cbignore}} The Beastie Boys claimed in interviews that the song and the video came about from their desire to progress from being a straightforward hip-hop group and add vintage instruments and old sound equipment to their repertoire.{{cite web|url=http://www.brain-damage.co.uk/live-at-pompeii/in-depth-analysis-part-one.html|title=Live at Pompeii: In-Depth Analysis, part one|work=Brain Damage|access-date=10 September 2012}}

The rock band Korn filmed a similar show, Korn Live: The Encounter, in June 2010 to promote their ninth studio album, Korn III: Remember Who You Are. The show took place in a crop circle in Bakersfield, California, and had no audience beyond the crew workers.{{cite web|url=http://www.myspace.com/korn/blog/536864899|title=Korn's Blog|work=Korn Official MySpace Channel|date=8 July 2010|access-date=7 September 2012}}

Radiohead were noted as being fans of the film, and regularly watched it when on tour.{{cite web|url=https://www.independent.co.uk/opinion/commentators/pierre-perrone-prog--a-genre-that-still-has-a-firm-grip-on-the-british-psyche-8057367.html|author=Pierre Perrone|work=The Independent|title=Prog – a genre that still has a firm grip on the British psyche|date=18 August 2012|access-date=7 September 2012}} According to bassist Colin Greenwood, his brother Jonny made the whole band watch the film, saying "now this is how we should do videos". Colin, however, was critical of the direction, which he described as "Dave Gilmour sitting on his arse playing guitar and Roger Waters with long greasy hair, sandals and dusty flares, staggers over and picks up this big beater and whacks this gong. Ridiculous."{{cite web|url=http://www.greenplastic.com/coldstorage/articles/q97.html|archive-url=https://web.archive.org/web/20061103024951/http://www.greenplastic.com/coldstorage/articles/q97.html|url-status=usurped|archive-date=3 November 2006|title=Interview with Radiohead|work=Q Magazine|date=June 1997|access-date=10 September 2012}}

In July 2016, Gilmour returned to the amphitheatre where the filming took place and performed two live concerts, as part of his Rattle That Lock Tour. While there, he was named an honorary citizen of Pompeii.{{cite news|url=http://consequenceofsound.net/2016/07/david-gilmour-returns-to-pompeii-after-45-years-setlist-video/|title=David Gilmour Returns to Pompeii After 45 Years|publisher=Consequence of Sound|date=7 July 2016|access-date=24 August 2016}} The concerts were recorded and released in 2017 as Live at Pompeii. Nick Mason also returned to Pompeii in July 2023, when his band Nick Mason's Saucerful of Secrets, focused on performing Pink Floyd material prior to The Dark Side of the Moon, performed at the Pompeii Grand Theatre. He was also named honorary citizen of Pompeii on the occasion.{{cite news|url=https://www.neptunepinkfloyd.co.uk/nick-mason-becomes-honorary-citizen-of-pompeii-on-the-day-he-performs-there|title=Nick Mason Becomes Honorary Citizen of Pompeii on the Day He Performs There |publisher=Neptune Pink Floyd|date=24 July 2023 |access-date=25 February 2025}}

{{Reflist|30em|refs=

{{AllMusic|class=album|id=live-at-pompeii-directors-cut-dvd-mw0000205205|label=DVD review|first=Richie|last= Unterberger|access-date=10 September 2012}}

{{cite web|url=https://www.bbc.co.uk/music/reviews/q6qv|title=BBC Review|work=BBC Music|first=Peter|last=Marsh|access-date=10 September 2012}}

{{cite book|url=https://books.google.com/books?id=PQkEAAAAMBAJ&q=floyd+pompeii&pg=PA14|title=Old British Pink Floyd Flick – Not One Of Season's Best|publisher=Billboard|date=31 August 1974|access-date=10 September 2012}}

{{cite book|url=https://books.google.com/books?id=j5I4br0t7cwC&q=floyd+pompeii&pg=PT39|title=Video Reviews|publisher=Billboard|date=21 July 1984|access-date=10 September 2012}}

{{cite book|url=https://books.google.com/books?id=LAkEAAAAMBAJ&pg=PA71|title="The Pink Floyd" (p. 71)|publisher=Billboard|date=10 November 1973|access-date=14 March 2018}}

{{cite book|url=https://books.google.com/books?id=EwkEAAAAMBAJ&pg=RA1-PA51|title="Movie Music" (p. 51)|publisher=Billboard|date=24 November 1973|access-date=14 March 2018}}

{{cite book|url=https://lh3.googleusercontent.com/tP0BhYDBxm2XLS6HG_HWg_DLwMNnxEwHk9gwR0es8Sewko0i0xERVinmZBfrIYtnjCtvNXw3mw5IFRylZBSCu2cPyaZv1ntWlnueMsQPqo3Ypb_YYaQOIpADwURiRYNMl7VzkWAXlLEx2deUM-Q9_frNxiMYqDcVnXPGunPrmYsIY-Omijf-Q2X9ItYemxVxM-emm1V5lIxgdyEC7uzpxNZt8O8dKrr9hrCoQiLQaZiIC3SLosPWHrE53SoOgIATziqEHJMO9n9Ifmeb5y_JZ1gtbzzrgXQ6CKm0wc1ScIrOHGwQ3z5TQsGCi0vSB2yhh85AhzcBo65A-JO-ROFBrcfh07TXVM601u6CbBkXzvUdFjl8RW403qGrrNo_kvVlmtRrDD-UdyME3UDh1D8dInlGztGRwbDiqEyNz3hyWGF0kbog1uJU2qYrW8b-XPyyPPZEL5XQz3x2eF9uYrfkhGZ97VVVHtcySWjg4iG8RQDTXIcEXs55eeJBMWSP9JfuxNvZI_kGp1yJSaP_lK_hYsy6Db6bttWJEZL9no_fYk22yTqE76IeKVUe9F7JRo7Sizw4OBGmBpAvx0-iCzqMpZORZvAvyOJ9bwRpa10=w472-h687-no|title=Advertisement (p. 50)|publisher=Montreal Gazette|date=11 November 1973|access-date=14 March 2018}}

{{cite book|url=https://lh3.googleusercontent.com/kO7J0yCKCv2cUr-DBWQI_G94MnS5ESrXqIRZPBB0b7i4jtUBhUPJBRxa3DE7BhsJJs76Q0l-h4-BLcb_xgKVyOEA076Qh5jWDgbmSpO69e1Rbt3Ej__wpYdWK0z3hGo4XKwJ2WFp9h1o8Nu_3WoWzpGAer2XGb5RKAms8MCwhjAvuvPbMoQsQHsskI-otmDEHWRj_JDS7sB_6bixVLKdReIoYzKwm1XXS_ZQB_Egd271ZzB0K7OgMyUdPtFRnuB96NgdeMImgNx2yKbzCyQw7b548HdLQ71U7zxEjpX_ixbnCwwWDRTR1-FHDcLDMq2Fj1Np1Nty5IjUWczWX41AWTJDG27pkVMoy1adOdCx9FQ5DXF0xL5mgx8zckIhbcPZLKZN3D0XBIa4rkf0RJraHXQQOVgWfKusmkAw9AMDTyMzfzeL_37K2J233gp9fuiK09VgMa5dJiuiXD9xAnp4XNJ1LHRZzFxTBDIebQmr_O6xDWFDFkhzDTN19YjTVsas2DXHnanTr7uvNs1ro8XdNoQ0Ad_Vp1y53nixCvtUQCrIVNGF0AWuX5CMIwapLDIbhFZv0hIbNp_Gg6o8OxNzfIhDsH1YA_pgvpa4H00=w475-h664-no|title="Under The Volcano" (p. 80)|publisher=Mojo|date=March 2013|first=Adrian|last=Maben|access-date=14 March 2018}}

{{cite book|url=https://lh3.googleusercontent.com/w1HKCH1scbjZBCNECVxWq0Q3rhI-l8S1FfTuatPIAZty0mMM_jLD_iVbTwxZbsGbLYXAqjDzS62wUHHKA8L51W8XrhltMFGvlkBYvOepiqDmC-tkPuhlNnW__xYeAaPlgsZoFHavaMu-mQ5buTbLh0dQ8pKCokNzEoXgGSSYYvnOMEiuCu1BvMeyrFcgoOmplbEms0s5mKIrMOVk8J25ZFsQ3j0B5n_t9qknfXbTlB7jCQf35dJpaOS7IN7qt66hZ5OXa96gHgr0SPKJ1uFCAgmzKyusAW_izEkIslIBN7M1tlnRu7pCcrPc369e7d4RGY9dBzLCEuCfmZ5GEYgStVMbgKFnPWxrzbx-IMrkamCxbYhfzoEK_Y2nmNypf_owm0d_JgobdPEni28nYicv-WKsNpFJ7C3Ecxe2MQ5RoJSAIMZG7vFMPKk3D10cyqgc9BvbM0q9kzg_IN7J-IE7nekmnStlRgx70R7tBP4QUQWO9ZEvfw3UXdGDADg-PhLvLevXhJT79zEaXqD71Tfphj144q4XizBelscFyMTBallcTgpTrOZUz7lxOMIw7ELJs78KmPg19jrtUQPCjr3ZHlK-7ruPNFk-rkRDnmE=w492-h687-no|title="Hot Combo Draws Trade Attention: Borack, Rehme Into Sales, Establish April Fools Films" (p. 26)|publisher=International Film Journal|date=2 October 1974|access-date=14 March 2018}}

Siskel, Gene (8 August 1974). "'Pink Floyd' and Pompeii". Chicago Tribune. Section 2, p. 6.

{{cite book|url=https://lh3.googleusercontent.com/3Q-6uSOvNT4HpyNBg8uu6fkwmCobFYvVtCf65ZMJXemVYh7JTQ4MrXH2h62EVRmIuuKM4heqJ5u2FVNqx3d5yOeTpjvJot5NT9eUar82A8P-JncGUZodpkTHdU-J9JRjHrsl85WjsOdMNrUbQzMYG912JcvJxFnbXhAd1K1kMMhH-mxbti1StC71TJOmd9-d7RUNETUAAjTL0pAOfAL8UTU-1EV_ie2Fp2w6qVTvwdj1PqT13p2S-EyiQF-OjkE9NJupBu8894k0butSkk3TEZy_Vz144sxZwZ8r3eEPRMSroDYh3pc76F-zdua6oNaBD0vTYJijmJ6K_LfRme29q_XhRtlHvwuwyrGY0j9GFU9i1kQYjAOisKFp4CCv374tUJZVlewTZ9FmGY8Wbo5gmIGgcm14ayosm0mwCWv-n37g09xdCkLZE05ydvHqOGCkJkzbKZN-EAGLuN95571k_aRThA5GiOr7AiupwPUrTqrvswR9XEeTPXP0Kj2bth92a6_Tol93ZMrDKA4E_UoXUba2IyIadlV8OfJwgg1R-LtL0omnQvLo3hR2BQeOrIFgvQcVf9qGkKW4rM93WEI9E420JEZXa67EiHrCXuU=w157-h687-no|title=Movie Review: Pink Floyd|work=The Hollywood Reporter|date=3 September 1974|first=John|last=Dorr|access-date=14 March 2018}}

Van Gelder, Lawrence (22 August 1974). "The Screen: 'Pink Floyd'". The New York Times. p. 27.

{{cite book|url=https://lh3.googleusercontent.com/w1bVBt4wq07WE_3MS5jLEZDuF0l-As6US7mXMs_vdeyIbIrE0_45nFrsYcMKqeiC-9aIHcKUt1AqVVJPb9fAoIvJUoHFBLOMP0QzzkBwSL3LDRwDWa0BRO9a4h_b0yXql69OBp0mMh9WPmUOpDbWdBgs3lfqSWNWTTq7GhtkfVpN3N7basDAtWFPLmJndp4P0c1jRnSv7_MpEJgSG9xzrg2zR5pOeA0gMqZY2pzbHKeVtm8DR_DEeHTRHwQMtM7NGfLQ-qIpsof_bWHbO4PgjmPtPj6-7sRbCM4sqzU1XSIIxbEUE1QG0MJErgK3dLJl7umtH7TvDQ5B6m7RDJE1Ofvl15lVzDkHhr-07Hev8Q39nehgfauT99NThh5yBi9bcxfnkVoma-cwf_3avtwevdTvlUdzOxrYi4oupYQ1Kq5jh3jV_kBNK0zy6HY9lbGUsmlM0u3DpVWFjAzvqp_7Q7qfiU4x-GswP_1gFD9uWzwoBgj9IaIHl3qeHYFv5pjAsNehle73qqJ9389ok-6hi9FPEFjFxvYi9b540uL_zkvmOOaAkw-Tg21WKivb24Bf0LOS378S2Zi8cV-K-bMTsii4w8PBQY1bF-8BkEw=w449-h687-no|title='Space Trip' Set In Pompeii|publisher=Edinburgh Evening News|date=2 September 1972|first=John|last=Gibson|access-date=14 March 2018}}

{{cite book|url=https://lh3.googleusercontent.com/XMhRRRfGe5k7igw3KRD2QsWHtFdYgAZ8soT7sbVPFUjhWm4wAK3grrr3W1k8hkG1pAYQtDlRpBG2JKt6LrFL-qysoMA5QY_FPdtweOOxvyJ3YcvNCpG-aTrgScbZwy32q2tSYbzwUOwRVV0hNGFrkkutQTklzuvRATlpEv5MfSlngwHjSYES4be1cE88m3aoPcYwT4o3-kjGL72tp75WFf9Y6is9sE0ELbBBOuye1Q4_Qh3hALGwgWWnrYVPp-Kcz1dYK7y7ikvSGIINfgztP0YVUjzUKCZrPf0Doa3dsKwHetguvX7nt2XpfZ5TumXlKHuy36xTY9ja5ciP3nIBRe0ECHDOkIXx2435-IQp-B79AjWRHlTCy69b-oqdAzzJi2raNMPSLvceMjfKah8L_mSd5_5V_fN1xUMeldgHbEFte4aVnKV5YA5Oe91aFDQKBDpxkBRhnZ93hBPhNIKs1-VIpRrKWY3XdsWVWrwXcDcqTs-at0waYYAvbs10Sjgaj0-fcGsGWzqEx6iiHaI9Mju5MzOeXhGsefK4Lthit9Yq7MDzHtca84DnugkATIVMHQxP4OJITmatGCvoAkxWcJfJmu51M3NLN1Jpk_c=w332-h687-no|title="'Pink Floyd' Picture Has World Premiere in Cincy" (p. ME-1)|publisher=BoxOffice|date=29 April 1974|access-date=14 March 2018}}

{{cite book|url=https://lh3.googleusercontent.com/1UCXE5ThXbXXOjQcIyKvf1lyW6djkeE8B-7uo363ve0GFrCiPvnU8ybnBzccpfiWLLHvt7NgqhHbhSvmkTf3hmo8MN_8abSK3aP-K5mn7EV3jAviTmNcI6PHBYTu31oMo98WHbUe8uCmkBfhp5IGYigxINb1cxO7LFx8qftwF1Q2Echk9684c6iX8BujR0Ngc-RBCGqHGMZV5XGhyQ2AYgM8RZ1QquIjtRnj2bCvmptPu1Bw3XDyP7iZgsA36X1yxacfU7J0Pac08Fv_s08UuYo8B36REnTMJYK1xyIbIpG3HKUJLSQ20l9XoPh1ui_wpghzxW9NuTpkOIFMhTIJK03i2WuEczLXbx8qBxVhjijhYKgMrfqIPcauXphdZFcGAP7cdkcjGqp18nPgLAPD6BWawqPIiWEQbdZ3ToVFmQDLjtQvyXks6KCSANqmKM5Xppn-vXbbduRdXlOc2YzEoe7Ps2Z-ATr651sOaGGpPkg9VWO_4Cu6A27C-nUVmzjZIKxzkPBkLU-b_ERm6Hmr0vMZl0nXL6NX3LwFexgLjuz7Yi1fxxEEYzQ1Rej_4hOtO5c7vU2DpQf5foy0x8oHhEak-rmWdSWBZFV-ZxI=w404-h664-no|title="Optical Allusions: Pink Floyd" (p. 10)|publisher=Audience|date=October 1974|first=DeWitt|last=Robbeloth|access-date=14 March 2018}}}}

{{refbegin}}

• {{cite book|last=Blake|first=Mark|title=Pigs Might Fly: The Inside Story of Pink Floyd|publisher=Arum Press|year=2011|isbn=978-1-845-13748-9}}
• {{cite book|last=Mabbett|first=Andy|year=2010|title=Pink Floyd: The Music and The Mystery|location=New York City|publisher=Omnibus Press|isbn=978-1-84938-370-7|ref=none}}
• {{cite book|last=Manning|first=Toby|year=2006|title=The Rough Guide to Pink Floyd|edition=1st|location=New York City|publisher=Rough Guides|isbn=978-1-84353-575-1}}
• {{cite book|last=Mason|first=Nick|author-link=Nick Mason|year=2004|title=Inside Out: A Personal History of Pink Floyd|location=London|publisher=Weidenfeld & Nicolson|isbn=978-0-297-84387-0}}
• {{cite book|last=Povey|first=Glenn|year=2007|title=Echoes: The Complete History of Pink Floyd|url=https://books.google.com/books?id=qnnl3FnO-B4C|location=Chesham|publisher=Mind Head Publishing|isbn=978-0-9554624-0-5|ref=CITEREFPovey2006}}
• {{cite book|last=Lunatics|first=The|year=2016|title=Pink Floyd A Pompei – Una Storia Fuori Dal Tempo|location=Firenze|publisher=Giunti|isbn= 9788809832695|ref=none}}
• {{cite video|title=Pink Floyd: Live at Pompeii|publisher=Polygram|id=790 182 2|ref={{harvid|film}}}}

{{refend}}

{{Wikiquote}}

• {{IMDb title|0069090}}

{{Pink Floyd |state=collapsed}}

{{Authority control}}

{{DEFAULTSORT:Pink Floyd Live At Pompeii}}

Category:1972 films

Category:French musical films

Category:Belgian musical films

Category:Pink Floyd films

Category:Pompeii in popular culture

Category:Pink Floyd video albums

Category:1970s live video albums

Category:1991 video albums

Category:1991 live albums

Category:West German films

Category:1970s English-language films

Category:German musical films

Category:1970s British films

Category:1970s French films

Category:1970s German films