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Samsara (2011 film)

{{short description|2011 American documentary film}}

{{other uses|samsara (disambiguation)}}

{{Use American English|date=January 2025}}

{{Infobox film

| name = Samsara

| image = Samsara_Film_Poster.jpg

| alt =

| caption = Film poster

| director = Ron Fricke

| producer = Mark Magidson

| writer = {{plainlist|

  • Ron Fricke
  • Mark Magidson}}

| music = {{plainlist|

| cinematography = Ron Fricke

| editing = {{plainlist|

  • Ron Fricke
  • Mark Magidson}}

| studio = Magidson Films

| distributor = Oscilloscope Laboratories

| released = {{Film date|2011|9|11|TIFF|2012|8|24}}

| runtime = 102 minutes

| country = United States

| budget = $4 million{{cite web|url=https://www.the-numbers.com/movie/Samsara|title=Samsara (2012) - Financial Information|work=The Numbers|accessdate=11 May 2018|archive-date=6 April 2018|archive-url=https://web.archive.org/web/20180406102232/https://www.the-numbers.com/movie/Samsara|url-status=live}}

| gross = $6 million

}}

Samsara is a 2011 American non-narrative documentary film of international imagery directed by Ron Fricke and produced by Mark Magidson, who also collaborated on Baraka (1992), a film of a similar vein, and Chronos (1985).

Completed over a period of five years in 25 countries around the world, it was shot in 70 mm format and output to digital format. The film premiered at the 2011 Toronto International Film Festival and received a limited release in August 2012.

Synopsis

The official website describes, "Expanding on the themes they developed in Baraka (1992) and Chronos (1985), Samsara explores the wonders of our world from the mundane to the miraculous, looking into the unfathomable reaches of humanity's spirituality and the human experience. Neither a traditional documentary nor a travelogue, Samsara takes the form of a nonverbal, guided meditation."{{cite web | url=http://barakasamsara.com/samsara/about | title=About Samsara | publisher=barakasamsara.com | accessdate=September 11, 2012 | archive-date=January 15, 2013 | archive-url=https://web.archive.org/web/20130115015439/http://barakasamsara.com/samsara/about | url-status=live }}

Production

Samsara is directed by Ron Fricke and produced by Mark Magidson. The pair had collaborated on Baraka (1992) and reunited in 2006 to plan Samsara. They researched locations that would fit the conceptual imagery of saṃsāra, to them "meaning 'birth, death and rebirth' or 'impermanence'". They gathered research from people's works and photo books as well as the Internet and YouTube, resources not available at the time of planning Baraka.{{cite news | last=Douglas | first=Edward | url=https://www.comingsoon.net/news/movienews.php?id=93727 | title=Interview: The Filmmakers Behind Samsara | work=ComingSoon.net | date=August 21, 2012 | accessdate=September 11, 2012 | archive-date=August 26, 2012 | archive-url=https://web.archive.org/web/20120826045636/http://www.comingsoon.net/news/movienews.php?id=93727 | url-status=live }} They considered using digital cameras but decided to film in 70 mm instead, considering its quality superior.{{cite news | last=Rapold | first=Nicolas | url=https://www.nytimes.com/2012/08/19/movies/samsara-ron-frickes-cinematic-portrait-of-the-globe.html | title=Planetary Poetry, Woven Into a Movie | work=The New York Times | date=August 17, 2012 | archive-date=September 24, 2017 | access-date=February 28, 2017 | archive-url=https://web.archive.org/web/20170924003417/http://www.nytimes.com/2012/08/19/movies/samsara-ron-frickes-cinematic-portrait-of-the-globe.html | url-status=live }} Fricke and Magidson began filming Samsara the following year.{{cite journal | last=Hayes | first=Dade | url=https://www.variety.com/article/VR1117965240 | title=Fricke directs 'Baraka' sequel | journal=Variety | date=May 18, 2007 }} Filming lasted for more than four years and took place in 25 countries across five continents.{{cite journal | last=McNary | first=Dave | url=https://www.variety.com/article/VR1118051456 | title=Oscilloscope Labs nabs doc 'Samsara' | journal=Variety | date=March 14, 2012 }} Three years into filming, the pair began assembling the film and editing it. They pursued several pick-up shoots to augment the final product.

The crew used three 70 mm cameras for filming; two cameras manufactured by Panavision and one specialty time-lapse camera designed by Fricke. While the scenes were captured on 65 mm negative film, they were output to Digital Cinema Package (DCP), a digital output. Magidson described the process, "We're doing a combination of what we think is the best of both technologies, the best way to image capture and then the best way to output. Once we get into the digital environment, we're able to refine the imagery, we're able to save shots that we'd have to otherwise trash really for various reasons." Where they cut their negatives for Baraka, the negatives for Samsara were scanned then worked on digitally. The pair used the Telecine process to format the film to ProRes for the editing process and used Final Cut for editing.

The crew shot from a bird's-eye view a scene of pilgrims surrounding the Kaaba in Mecca, Saudi Arabia. A 40-floor building was recently constructed next to the mosque that surrounded the Kaaba, so the filmmakers were able to film the pilgrims with permission of the building's owner.

=Music=

The score was composed by Michael Stearns, Lisa Gerrard and Marcello De Francisci. Stearns previously collaborated with the filmmakers on Baraka and Chronos, and Gerrard on Baraka. Unlike Baraka, Samsara was edited without music, and the composers worked on numerous sequences as separate pieces, before connecting. Magidson explained of the pieces, "It's a piece of music you can listen to as music as well that interprets their feelings to know that imagery in that sequence visually, so they're kind of interpreting it musically." The scoring process lasted between six and seven months.

=Filming locations=

Samsara was filmed in nearly one hundred locations across 25 countries over the course of exactly five years. Some locations include: Angola, Brazil, China, Denmark, Egypt, Ethiopia, France, Ghana, Hong Kong, India, Indonesia, Italy, Japan, Israel and the West Bank,{{efn|Location listed in the closing credits as Israel{{cite web|url=https://www.barakasamsara.com/sites/default/files/samsara-credits.pdf|title=Samara Credits|publisher=Magidson Films|work=barakasamsara.com|access-date=August 12, 2024|archive-date=August 7, 2024|archive-url=https://web.archive.org/web/20240807092703/https://www.barakasamsara.com/sites/default/files/samsara-credits.pdf|url-status=live}}|name=Israel}} Mali, Myanmar, Namibia, Philippines, Saudi Arabia, South Korea, Thailand, Turkey, United Arab Emirates and United States.{{cite web | url=http://barakasamsara.com/samsara/locations | title=Filming Locations for Samsara | publisher=barakasamsara.com | accessdate=January 28, 2013 | archive-date=November 17, 2015 | archive-url=https://web.archive.org/web/20151117020028/http://www.barakasamsara.com/samsara/locations | url-status=live }}

{{div col}}

;Africa

Angola

Egypt

Ethiopia

Ghana

Mali

Namibia

;Asia

China

Hong Kong

India

Indonesia

Jerusalem and the West Bank{{efn|name=Israel}}

Japan

Jordan

Myanmar

Philippines

Saudi Arabia

South Korea

Thailand

Turkey

United Arab Emirates

;Europe

Denmark

France

Italy

;The Americas

Brazil

United States

{{div col end}}

Themes

Fricke and Magidson emphasized avoiding a particular political view in assembling the film. Fricke said, "We just try to keep it in the middle and then we form little blocks of content and then we set them aside until we have enough. We did all of this without music or sound effects. We just let the image guide the flow and then we started stringing the blocks together." Nicolas Rapold of The New York Times wrote that Samsara's lack of a specific message is "a departure from similarly expansive, globally conscious nonfiction films in vogue now, like the critically acclaimed work of Michael Glawogger ('Workingman's Death,' which depicts the same sulfur mines as 'Samsara') and Nikolaus Geyrhalter ('Abendland') that also serve as probing sociological critique."{{Cite news |last=Rapold |first=Nicolas |date=2012-08-17 |title=Planetary Poetry, Woven Into a Movie |url=https://www.nytimes.com/2012/08/19/movies/samsara-ron-frickes-cinematic-portrait-of-the-globe.html |access-date=2024-07-05 |work=The New York Times |language=en-US |issn=0362-4331 |archive-date=2017-09-24 |archive-url=https://web.archive.org/web/20170924003417/http://www.nytimes.com/2012/08/19/movies/samsara-ron-frickes-cinematic-portrait-of-the-globe.html |url-status=live }}

Release

=Box office=

Samsara premiered at the Toronto International Film Festival in September 2011. In March 2012, Oscilloscope Laboratories acquired the rights to distribute Samsara in the United States. The film had a limited release in two theaters on {{nowrap|August 24}}, 2012. By its fifth weekend (September 14–16), Samsara had expanded to 60 theaters and achieved the highest-grossing documentary release of 2012.{{cite web | url=https://www.indiewire.com/article/specialty-box-office-sleepwalk-samsara-among-years-best-indie-debuts-obamas-america-soars-to-overall-top-5 | title=Specialty Box Office: 'Sleepwalk,' 'Samsara' Among Year's Best Indie Debuts; 'Obama's America' Soars To Overall Top 10 | date=26 August 2012 | publisher=IndieWire | accessdate=October 15, 2012 | archive-date=11 October 2012 | archive-url=https://web.archive.org/web/20121011134734/http://www.indiewire.com/article/specialty-box-office-sleepwalk-samsara-among-years-best-indie-debuts-obamas-america-soars-to-overall-top-5 | url-status=live }} On {{nowrap|October 14}}, distributor Oscilloscope Laboratories announced that at $1.8 million in box office earnings, Samsara had become the highest-grossing film in Oscilloscope's (relatively short) history.{{cite web | url=http://www.oscilloscope.net/?p=798 | title=HIT DOCUMENTARY SAMSARA BECOMES OSCILLOSCOPE'S HIGHEST-GROSSING FILM EVER THEATRICALLY | publisher=Oscilloscope Laboratories | accessdate=October 15, 2012 }}

=Critical reception=

Rotten Tomatoes gives the film a score of 76% based on reviews from 79 critics and reports a rating average of 7.00/10. It reports the critics' consensus that "it's a tad heavy-handed in its message, but Samsara's overwhelmingly beautiful visuals more than compensate for any narrative flaws."{{cite web | url=https://www.rottentomatoes.com/m/samsara_2012/ | title=Samsara | publisher=Rotten Tomatoes | accessdate=July 24, 2022 | archive-date=July 16, 2022 | archive-url=https://web.archive.org/web/20220716094342/https://www.rottentomatoes.com/m/samsara_2012 | url-status=live }} At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 65% based on 23 reviews, reflecting "generally favorable reviews".{{cite web | url=http://www.metacritic.com/movie/samsara | title=Samsara Reviews | publisher=Metacritic | accessdate=September 17, 2012 | archive-date=August 24, 2012 | archive-url=https://web.archive.org/web/20120824235719/http://www.metacritic.com/movie/samsara | url-status=live }}

Kenneth Turan, reviewing for the Los Angeles Times, called Samsara "as frustrating as it is beautiful." Turan expressed frustration that the filmmakers did not name the more obscure locations, such as the Cebu Provincial Detention and Rehabilitation Center in the Philippines. The critic also took issue with some of the film's "disconcerting" images. Turan concluded, "Some of the connections made are too obvious, like following images of ammunition with a portrait of a severely wounded veteran, while others are completely elusive. Shots of the devastation Katrina left behind in New Orleans are beautifully spooky, but does it say anything useful to follow that with images of Versailles? The makers of 'Samsara' want to free our minds, but their technique makes us their prisoners more often than not."{{cite news | last=Turan | first=Kenneth | url=https://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-samsara-review-20120831,0,2338594.story | title=Review: 'Samsara' is a frustrating beauty | work=Los Angeles Times | date=August 30, 2012 | archive-date=October 16, 2012 | access-date=February 18, 2020 | archive-url=https://web.archive.org/web/20121016164844/http://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-samsara-review-20120831,0,2338594.story | url-status=live }}

In the Chicago Sun-Times, Roger Ebert awarded Samsara a full four stars, writing that it provided "an uplifting experience" through its use "of powerful images, most magnificent, some shocking, all photographed with great care in the highest possible HD resolution." Ebert extolled the film's capturing of images of what may eventually be lost to humanity and noted that there were also images that could reflect the reason for these losses.{{cite news |last=Ebert |first=Roger |date=September 5, 2012 |title=Samsara |work=Chicago Sun-Times |url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20120905/REVIEWS/120909994 |archive-url=https://web.archive.org/web/20160811161020/http://www.rogerebert.com/reviews/samsara-2012 |archive-date=August 11, 2016}}{{Cite web |last=Ebert |first=Roger |author-link=Roger Ebert |date=September 5, 2012 |title=A trance about the planet where we live |url=https://www.rogerebert.com/reviews/samsara-2012 |access-date=29 July 2022 |website=RogerEbert.com |archive-date=1 August 2022 |archive-url=https://web.archive.org/web/20220801175304/https://www.rogerebert.com/reviews/samsara-2012 |url-status=live }} Katie Walsh, writing for indieWire's The Playlist, applauded Samsara{{'}}s "technical achievements" and noted that the film used the "intellectual montage" technique. Walsh said the film was similar to Man with a Movie Camera, but took "the idea to new global and spiritual heights." She said of the film's entirety, "While one can discuss the technical prowess of these shocking and beautiful images, it doesn't do justice to the spiritual cinematic power of this work."{{cite news | last=Walsh | first=Katie | url=http://blogs.indiewire.com/theplaylist/review-samsara-tells-the-story-of-our-world-with-stunning-visuals-spiritual-heft-20120822 | title=Review: 'Samsara' Tells The Story Of Our World With Stunning Visuals & Spiritual Heft | work=The Playlist | publisher=indieWire | date=August 22, 2012 | accessdate=October 1, 2012 | archive-date=August 25, 2012 | archive-url=https://web.archive.org/web/20120825174208/http://blogs.indiewire.com/theplaylist/review-samsara-tells-the-story-of-our-world-with-stunning-visuals-spiritual-heft-20120822 | url-status=live }}

See also

References

=Notes=

{{notelist}}

= Citations =

{{reflist}}

External links

  • {{Official website|https://barakasamsara.com}}
  • {{IMDb title|id=0770802|title=Samsara}}

{{Ron Fricke}}

Category:2011 documentary films

Category:2011 films

Category:American documentary films

Category:Documentary films about spirituality

Category:Films directed by Ron Fricke

Category:Films without speech

Category:Non-narrative films

Category:Films scored by Michael Stearns

Category:Documentary films about India

Category:Films shot in Ladakh

Category:Films shot in Reims

Category:2010s American films

Category:Films scored by Lisa Gerrard