Sixteen Waltzes, Op. 39 (Brahms)

{{Infobox musical composition

| name = Sixteen Waltzes

| type = Piano music

| composer = Johannes Brahms

| image = Brahms c. 1872.jpg

| image_upright = 0.8

| alt =

| caption = The composer c. 1872

| native_name = Sechzehn Walzer

| opus = 39

| composed = {{Start date|1865}}

| published = {{Start date|1866}}

| dedication = Eduard Hanslick

| performed =

| scoring = {{hlist| piano four-hands | piano}}

}}

Sixteen Waltzes (German; Sechzehn Walzer), Op. 39, is a set of 16 short waltzes for piano written by Johannes Brahms. They were composed in 1865, and published in 1866, dedicated to the music critic Eduard Hanslick.Palmer, John. [https://books.google.com/books?id=nlDOICBmhbkC&pg=PA201 "Waltzes for piano, four hands, Op. 39 (1865)"] in All Music Guide to Classical Music: The Definitive Guide to Classical Music, p. 201 (Chris Woodstra, Gerald Brennan, and Allen Schrott eds., Backbeat Books, 2005, {{ISBN|9780879308650}}. Also available at {{AllMusic|class=work|id=c40516}}

Background

These waltzes were written for piano four hands, and were also arranged for piano solo by the composer, in two different versions – difficult and simplified. The three versions were published at the same time, and sold well, contrary to the composer's expectations.

The waltzes were written while the composer lived in Vienna, a city where he would permanently settle in 1872.Todd, R. Larry. [https://books.google.com/books?id=FWNGAQAAQBAJ&pg=PA372 Nineteenth-Century Piano Music], p. 372 (Routledge, 2013) They were intended as a tribute to the waltz dance form which had become especially fashionable in his adopted city.

Characteristics

In the solo versions, some of the keys were altered from the original duet version (the last four in the difficult version and No. 6 in the easy version). Waltz Number 15 in A major (or A-flat major) has acquired a life of its own, as likely the most popular piece in the collection. An arrangement of five of the waltzes (Nos. 1, 2, 11, 14, and 15) for two pianos, four hands was published after the composer's death.

Almost all of the waltzes are in a recapitulating binary form. For each waltz, the first half moves to the dominant, the relative major, or a substitute key. Then, the second half begins with a developmental passage that leads back to the main theme and the tonic.

In 1984, critic Edward Rothstein said that Joseph Smith "made a compelling case for taking them seriously as a unified cycle."Edward Rothstein, "Music: Joseph Smith", The New York Times, March 29, 1984, p. C28

Waltzes

The 16 waltzes listed here are played by Martha Goldstein:

:

class="wikitable"

|No. 1 in B major Tempo giusto (1:02)

240px
No. 2 in E major (1:32)240px
No. 3 in G-sharp minor (1:02)240px
No. 4 in E minor Poco sostenuto (1:35)240px
No. 5 in E major Grazioso (1:10)240px
No. 6 in C-sharp major Vivace
(C major in the easy solo version) (1:07)
240px
No. 7 in C-sharp minor Poco più Andante (2:12)240px
No. 8 in B-flat major (1:40)240px
No. 9 in D minor (1:26)240px
No. 10 in G major (0:32)240px
No. 11 in B minor (1:28)240px
No. 12 in E major (1:20)240px
No. 13 in C major
(B major in the more difficult solo version) (0:48)
240px
No. 14 in A minor
(G{{music|sharp}} minor in the more difficult solo version
and the two-piano version) (1:34)
240px
No. 15 in A major
(A-flat major in the more difficult solo version
and the two-piano version) (1:28)
240px
No. 16 in D minor
(C{{music|sharp}} minor in the more difficult solo version) (1:01)
240px

References

{{Reflist}}

Bibliography

  • Winfried Kirsch, Die Klavierwalzer op. 39 von Johannes Brahms und ihre Tradition. In "Jahrbuch des Staatlichen Institut für Musikforschung, Preußischer Kulturbesitz". II, 1969.
  • Marina Caracciolo, Brahms e il Walzer. Storia e lettura critica. LIM, Libreria Musicale Italiana, Lucca, 2004. {{ISBN|978-88-7096-362-5}}
  • Ignaz Mendelssohn, in Zur Entwicklung des Walzers, "Studien zur Musikwissenschaft"; XIV (1926).
  • Eduard Hanslick, Waffenruhe am Klavier, Neue freie Presse, Wien, August 1866.