Steve McCall (drummer)

{{Infobox musical artist

| name = Steve McCall

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| background = non_vocal_instrumentalist

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| birth_date = {{Birth date|1933|09|30}}

| birth_place = Chicago, Illinois, United States

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| death_date = {{Death date and age|1989|05|24|1933|09|30}}

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| genre = Jazz

| occupation = Drummer

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| past_member_of = Air, Fred Anderson, Creative Construction Company

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Steve McCall (September 30, 1933 – May 24, 1989){{cite encyclopedia |last1=Feather |first1=Leonard |last2=Gitler |first2=Ira |title=McCall, Steve |encyclopedia=The Biographical Encyclopedia of Jazz |date=1999 |publisher=Oxford University Press |location=New York |pages=447}} was an American jazz drummer.

Biography

McCall was born in Chicago, Illinois, United States. As a young child, he "experienced a musical epiphany" when he was given an opportunity to play a drum in Chicago's annual Bud Billiken Parade.{{cite book | last=Lewis | first=George E. | title=A Power Stronger Than Itself: The AACM and American Experimental Music | publisher=University of Chicago Press | year=2008 | pages=4–5 }} As a teenager, he attended Englewood High School in Chicago{{cite book | last=Lewis | first=George E. | title=A Power Stronger Than Itself: The AACM and American Experimental Music | publisher=University of Chicago Press | year=2008 | pages=12 }} and studied music theory, Latin percussion, and classical percussion. After high school, he left to join the U. S. Air Force, then, in 1954, returned to Chicago, where he took a job in the airline industry.{{cite book | last=Lewis | first=George E. | title=A Power Stronger Than Itself: The AACM and American Experimental Music | publisher=University of Chicago Press | year=2008 | pages=60 }} He soon bought his first drum set and began using free air travel passes to study with drummer Charles "Specs" Wright in Philadelphia. He also began freelancing, playing with Lucky Carmichael, Booker Ervin, Charles Stepney, Gene Shaw, and Ramsey Lewis.{{Cite web |url=https://www.allmusic.com/artist/steve-mccall-mn0000755283/biography |title=Steve McCall Biography |last=Yanow |first=Scott |website=AllMusic |access-date=August 19, 2021}}

In 1961, McCall befriended pianist Muhal Richard Abrams, and began playing with Abrams' Experimental Band, which brought him into contact with like-minded Chicago-based musicians.{{cite book | last=Lewis | first=George E. | title=A Power Stronger Than Itself: The AACM and American Experimental Music | publisher=University of Chicago Press | year=2008 | pages=67–68 }} Over the coming years the two also played in a trio format with multi-instrumentalist Donald Rafael Garrett,{{cite book | last=Lewis | first=George E. | title=A Power Stronger Than Itself: The AACM and American Experimental Music | publisher=University of Chicago Press | year=2008 | pages=67 }} and well as in a quintet which included Garrett plus saxophonists Gene Dinwiddie and Roscoe Mitchell.{{cite book | last=Lewis | first=George E. | title=A Power Stronger Than Itself: The AACM and American Experimental Music | publisher=University of Chicago Press | year=2008 | pages=83 }} McCall went on to become one of the founders of the AACM, established in 1965, initially serving as treasurer.{{cite book | last=Lewis | first=George E. | title=A Power Stronger Than Itself: The AACM and American Experimental Music | publisher=University of Chicago Press | year=2008 | pages=107 }} During the mid-1960s, he continued to freelance with musicians and groups in a wide range of styles, from blues to bop to free jazz.{{cite book | last=Lewis | first=George E. | title=A Power Stronger Than Itself: The AACM and American Experimental Music | publisher=University of Chicago Press | year=2008 | pages=188 }} In 1966, he participated in the recording of Joseph Jarman's debut album Song For.

In 1967, McCall moved to Amsterdam, the first AACM member to visit Europe,{{cite book |last=Lewis |first=George E. |editor-last1=O'Meally |editor-first1=Robert G. |editor-last2=Edwards |editor-first2=Brent Hayes |editor-last3=Griffin |editor-first3=Farah Jasmine |title=Uptown Conversation: The New Jazz Studies |publisher=Columbia University Press |date=2004 |pages=61 |chapter=Experimental Music in Black and White: The AACM in New York, 1970–1985 }} and was soon playing with expatriates such as Don Byas and Dexter Gordon.{{cite book | last=Lewis | first=George E. | title=A Power Stronger Than Itself: The AACM and American Experimental Music | publisher=University of Chicago Press | year=2008 | pages=217 }} In 1968, he began playing in a group led by Marion Brown, featuring Gunter Hampel, Ambrose Jackson, and Barre Phillips.{{cite book | last=Lewis | first=George E. | title=A Power Stronger Than Itself: The AACM and American Experimental Music | publisher=University of Chicago Press | year=2008 | pages=189 }} McCall would go on to record five albums with Brown. That year, McCall moved to Paris and joined an existing group whose members were Anthony Braxton, Leo Smith, and Leroy Jenkins.{{cite book | last=Lewis | first=George E. | title=A Power Stronger Than Itself: The AACM and American Experimental Music | publisher=University of Chicago Press | year=2008 | pages=226 }} (The Braxton/Smith/Jenkins trio had recently completed work on the album 3 Compositions of New Jazz). Together, the four recorded the albums Anthony Braxton and This Time... for BYG Actuel. During his stay in Paris, McCall served as a link between the first generation of European free jazz musicians and members of the AACM, playing and recording with Willem Breuker, the Instant Composers Pool, John Surman, Tony Oxley, and Gunter Hampel.{{cite book | last=Lewis | first=George E. | title=A Power Stronger Than Itself: The AACM and American Experimental Music | publisher=University of Chicago Press | year=2008 | pages=250–251 }} Notable albums recorded during this time included Hampel's The 8th Of July 1969, which also featured Braxton and Jeanne Lee, as well as Gittin' to Know Y'All, recorded during the 1969 Baden-Baden Free Jazz Meeting.

In 1970, McCall moved back to Chicago. In May of that year, he reunited with Braxton, Smith and Jenkins, forming a group which also included Muhal Richard Abrams and Richard Davis, and which became known as the Creative Construction Company. The group performed a concert at the Peace Church in New York City, a recording of which was released in two volumes. That summer, McCall also recorded the album The Chase! with Dexter Gordon and Gene Ammons. The following year, he played with Henry Threadgill and Fred Hopkins in a short-lived trio called Reflection. The group would later reunite under the name Air.{{Cite web |url=https://www.allmusic.com/artist/air-mn0000931522/biography |title=Air Biography |last=arwulf |first=arwulf |website=AllMusic |access-date=August 19, 2021}} In 1972, McCall played with both the Fred Anderson quartet{{cite book | last=Lewis | first=George E. | title=A Power Stronger Than Itself: The AACM and American Experimental Music | publisher=University of Chicago Press | year=2008 | pages=296 }} and the Muhal Richard Abrams Sextet.{{cite book | last=Lewis | first=George E. | title=A Power Stronger Than Itself: The AACM and American Experimental Music | publisher=University of Chicago Press | year=2008 | pages=298 }}

In 1974, McCall moved back to Europe. He then returned to the United States in 1975, moving to New York City and reuniting with Threadgill and Hopkins. The trio, now called Air, would go on to record eleven albums, with McCall participating in all but the last two. During the mid to late 1970s, McCall also performed and recorded with Abrams, Billy Bang, Arthur Blythe, Ted Curson, Chico Freeman, Cecil McBee, and Butch Morris. During the early 1980s, he recorded a number of albums with David Murray, and in the mid-1980s, he joined Cecil Taylor's group, recording Olu Iwa, and worked with Roscoe Mitchell again, recording The Flow of Things.

McCall died in 1989 at South Shore Hospital in Chicago.{{cite web |url=https://www.chicagotribune.com/news/ct-xpm-1989-05-28-8902040854-story.html |title=Stephen McCall IV, Jazz Musician |last=Litweiler |first=John |date=May 28, 1989 |website=Chicago Tribune |access-date=August 19, 2021}} Despite his lengthy career, he never recorded a session as a leader. However, McCall received equal billing with tenor sax player Fred Anderson on the posthumously released Vintage Duets album, recorded in 1980 and issued in 1994.{{cite web |url=http://www.okkadisk.com/releases/od12001.html |title=Vintage Duets (OD12001) |website=Okkadisk |access-date=August 19, 2021}}

Legacy and tributes

Writer Gary Giddins called McCall "an immensely likable man whose work with Air was a benchmark of the '70s",{{cite book | last=Giddins | first=Gary | title =Visions of Jazz: The First Century | publisher =Oxford University Press | year =1998 | pages=506 }} and praised his drumming as "ingeniously volatile".{{cite book | last=Giddins | first=Gary | title =Visions of Jazz: The First Century | publisher =Oxford University Press | year =1998 | pages=464 }} The authors of The Penguin Guide to Jazz noted McCall's "ability to combine forward drive with outbreaks of complete rhythmic anarchy".{{cite book | last1=Morton|first1=Brian| last2=Cook|first2=Richard|title=The Penguin Jazz Guide | publisher=Penguin Books | year=2010 }} John Litweiler wrote that McCall's "sensitivity to subtle gradations of sound textures... put him in wide demand as an accompanist; uniquely in jazz, he was a drummer who conveyed emotional subtlety."

Henry Threadgill recalled: "Steve plays so unorthodox, the way he used to handle space, he would free me so I'd have a number of levels to play on." Sunny Murray called McCall "the best surprise with the left hand I ever heard".{{cite web |last=Warburton |first=Dan |title=Sunny Murray: Interview by Dan Warburton, November 3, 2000 |url=http://www.paristransatlantic.com/magazine/interviews/murray.html |accessdate=August 19, 2021 |publisher=Paris Transatlantic |date=2000}}

David Murray recorded a tribute composed by Butch Morris entitled "Calling Steve McCall" on his 1991 album David Murray Big Band.Yanow, S. [http://www.allmusic.com/album/david-murray-big-band-conducted-by-lawrence-butch-morris-r249827 David Murray Big Band Allmusic review] accessed August 17, 2011 In 1992, Roscoe Mitchell recorded an album titled This Dance Is for Steve McCall as a tribute.{{Cite web |url=https://www.allmusic.com/album/this-dance-is-for-steve-mccall-mw0000621807 |title=Roscoe Mitchell & the Note Factory: This Dance Is for Steve McCall |last=Campbell |first=Al |website=AllMusic |access-date=August 19, 2021}} In 2015, the Artifacts Trio (Nicole Mitchell, Tomeka Reid, and Mike Reed) included two of McCall's compositions on their album Artifacts as part of a celebration of the AACM's legacy.{{Cite web |url=https://www.allmusic.com/album/artifacts-mw0002896000 |title=Nicole Mitchell / Mike Reed / Tomeka Reid: Artifacts |website=AllMusic |access-date=August 19, 2021}}