Tenor Madness

Rollins, who had recorded with Miles Davis in 1954 and briefly joined Davis's working group in the summer of 1955, recruited the members of Davis's "First Great Quintet" to back him for the Tenor Madness session. This included, on the title cut only, fellow saxophonist Coltrane. Both were emerging as prominent tenor saxophone players, though Rollins had been recording under his own name for several years, while Coltrane's debut album under his own name would not be released until 1957.{{cite web|last1=Bailey|first1=C. Michael|title=Sonny Rollins: Tenor Madness|url=https://www.allaboutjazz.com/tenor-madness-sonny-rollins-prestige-records-review-by-c-michael-bailey.php|website=All About Jazz|accessdate=15 August 2017|language=en|date=5 February 2003}}

At the time of the Tenor Madness session, Rollins was a member of the Max Roach/Clifford Brown Quintet, and two months before the session, he had recorded as a leader the LP Sonny Rollins Plus 4 with the fellow members of that group. Two weeks before the Tenor Madness session, Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, recorded material with Davis for Prestige Records that would be later released on the albums Workin', Relaxin', and Steamin' with the Miles Davis Quintet.

Critic Chris Kelsey wrote that although the rhythm section's playing on Tenor Madness was "somewhat less vital" than on the Miles Davis Quintet session of May, 1956,[http://www.jazz.com/music/2008/8/27/sonny-rollins-tenor-madness Review of Tenor Madness] {{Webarchive|url=https://web.archive.org/web/20081025140934/http://www.jazz.com/music/2008/8/27/sonny-rollins-tenor-madness |date=2008-10-25 }} by Chris Kelsey on Jazz.com the historical importance of Tenor Madness lies in the title track. It is the only existing recording with Rollins and Coltrane playing together.[http://www.audaud.com/article.php?ArticleID=2117 Review of "Van Gelder's CD Remastering of a Rollins' Classic"] {{Webarchive|url=https://web.archive.org/web/20100201100418/http://www.audaud.com/article.php?ArticleID=2117 |date=2010-02-01 }} by Dan Krow on November 14, 2006, on Audaud.com. Retrieved September 19, 2014.

The title track is a 12-minute showcase for Rollins and Coltrane. While the title piece's B-flat blues melody has become closely associated with Rollins, it was first recorded in 1946 by Kenny Clarke and His 52nd Street Boys as "Royal Roost", and has also been recorded under the title "Rue Chaptal."{{cite book|last1=Ratliff|first1=Ben|title=Coltrane: The Story of a Sound|url=https://archive.org/details/coltranestoryofs0000ratl|url-access=registration|date=2007|publisher=Farrar, Straus and Giroux|location=New York|isbn=9780374126063|edition=1}} "Royal Roost" is usually credited as a Kenny Clarke composition; as "Tenor Madness," it was credited to Sonny Rollins.

It is easy to distinguish between the two saxophonists on the track "Tenor Madness", as Coltrane has a much brighter and more boisterous sound as compared to Rollins' smoother, "wet-reed" tone. However, as jazz critic Dan Krow said, the two complement each other, and the track does not sound like a competition between the two rising saxophonists.

"Paul's Pal" is a composition by Rollins named for bassist Paul Chambers. "When Your Lover Has Gone" is a 1931 composition by Einar Aaron Swan re-interpreted as a drum-driven blues track. The ballad "My Reverie" (an adaptation of a Claude Debussy's 1890 piano piece "Rêverie") is one of Rollins's best known 1950s ballad recordings. "The Most Beautiful Girl in the World", a tune from the 1935 musical Jumbo, is a Rodgers & Hart composition which goes here from a jazz waltz to a fast-paced 4/4 tune.{{cite web|last1=Nastos|first1=Michael G.|title=Tenor Madness|url=http://www.allmusic.com/album/tenor-madness-mw0000188711|website=AllMusic|accessdate=15 August 2017}}

{{Music ratings

| rev1 = Allmusic

| rev1Score = {{rating|4.5|5}}

| rev2 = The Rolling Stone Jazz Record Guide

| rev2Score = {{rating|5|5}}{{cite book|editor1-last=Swenson|editor1-first=John|title=The Rolling Stone Jazz Record Guide|url=https://archive.org/details/rollingstonejazz00swen|url-access=registration|date=1985|publisher=Rolling Stone|location=New York|isbn=0-394-72643-X|page=[https://archive.org/details/rollingstonejazz00swen/page/171 171]|edition=1}}

|rev3 = The Penguin Guide to Jazz Recordings

|rev3score = {{Rating|4|4}}{{cite book |last1=Cook |first1=Richard |authorlink1=Richard Cook (journalist) |last2=Morton |first2=Brian |authorlink2=Brian Morton (Scottish writer) |title=The Penguin Guide to Jazz Recordings |year=2008 |edition=9th |publisher=Penguin |isbn=978-0-141-03401-0 |page=1232}}

}}

The AllMusic review by Michael G. Nastos calls the album "a recording that should stand proudly alongside Saxophone Colossus as some of the best work of Sonny Rollins in his early years, it's also a testament to the validity, vibrancy, and depth of modern jazz in the post-World War era. It belongs on everybody's shelf." Author and musician Peter Niklas Wilson called it "one of the most famous combo recordings of the 1950s."{{cite book| last1 = Wilson | first1 = Peter N.|title=Sonny Rollins: The Definitive Musical Guide|date=2001|publisher=Berkeley Hills Books|location=Berkeley, California|isbn=1-893163-06-7|page=121}}

All tracks by Sonny Rollins except where noted.

1. "Tenor Madness" – 12:16
2. "When Your Lover Has Gone" (Einar Aaron Swan) – 6:11
3. "Paul's Pal" – 5:12
4. "My Reverie" (Larry Clinton, Claude Debussy) – 6:08
5. "The Most Beautiful Girl in the World" (Richard Rodgers, Lorenz Hart) – 5:37

• Sonny Rollins – tenor saxophone
• John Coltrane – tenor saxophone (#1 only)
• Red Garland – piano
• Paul Chambers – double bass
• Philly Joe Jones – drums

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Category:Sonny Rollins albums

Category:1956 albums

Category:Prestige Records albums

Category:Albums produced by Bob Weinstock

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