The Lives of a Bengal Lancer (film)

File:Gary Cooper and Richard Cromwell scene from "The Lives of a Bengal Lancer", 1935.gif as a cover for an intelligence gathering mission ]]

On the northwest frontier of India during the British Raj, Scottish Canadian Lieutenant Alan McGregor, in charge of newcomers, welcomes two replacements to the 41st Bengal Lancers: Lieutenant John Forsythe and Lieutenant Donald Stone, the son of the unit's commander, Colonel Tom Stone. Lieutenant Stone, a "cub" (meaning a newly commissioned officer), eagerly anticipated serving on the Indian frontier, particularly because he specifically was requested and assumed that his father sent for him; Lieutenant Forsythe, an experienced cavalrymen and something of a teasing character, was sent out as a replacement for an officer who was killed in action.

After his arrival Lieutenant Stone discovers that his father keeps him at arms length, wanting to treat him the same as he treats all of the other men. He also reveals that he did not request his son serve in his regiment, a discovery that breaks his heart and leads to him going on a drunken bender. Attempting to show impartiality, the colonel treats his son indifferently. The Colonel's commitment to strictly military behavior and adherence to protocol is interpreted by young Stone as rejection. He had not seen his father since he was a boy and had looked forward to spending time with him.

Lieutenant Barrett, disguised as a native rebel in order to spy on Mohammed Khan, reports that Khan is preparing an uprising against the British. He plans to intercept and hijack a military convoy transporting two million rounds of ammunition. When Khan discovers that Colonel Stone knows of his plan, he orders Tania Volkanskaya, a beautiful Russian agent, to seduce and kidnap Lieutenant Stone in an attempt to extract classified information about the ammunition caravan from him, or use him as leverage to attract his father. When the colonel refuses to attempt his son's rescue, McGregor and Forsythe, appalled by the seeming lack of concern the colonel has for his own son, leave the camp at night without orders. Disguised as native merchants trying to sell blankets, they successfully get inside Khan's fortress. However, they are recognized by Tania, who had met the two men at a social event. McGregor and Forsythe are taken prisoner.

During interrogation, Khan wants to know when and where the munitions will be transported so that he can attack and steal the arms. He has the prisoners tortured for the information. Bamboo shoots are shoved under their fingernails and set on fire. McGregor and Forsythe refuse to talk, but the demoralized Stone, feeling rejected by his father, cracks and reveals what he knows. As a result, the ammunition convoy is captured.

After receiving news of the stolen ammunition, Colonel Stone takes the 41st to battle Khan. From their cell, the captives see the overmatched Bengal Lancers deploy to assault Khan's fortress. They manage to escape and blow up the ammunition tower, McGregor manning a machine gun and dying in the assault. Young Stone redeems himself by killing Khan with a dagger. With their ammunition gone, their leader dead, and their fortress in ruins, the remaining rebels surrender.

In recognition of their bravery and valor in battle, Lieutenants Forsythe and Stone are awarded the Distinguished Service Order. McGregor posthumously receives the Victoria Cross, Great Britain's highest award for military valor, with Colonel Stone pinning the medal to the saddle cloth of McGregor's horse in the custom in the 41st Lancers.

• Gary Cooper as Lieutenant Alan McGregor, a highly experienced officer in his mid-thirties, who has spent a long time with the regiment. McGregor, a Canadian, is portrayed as a charming, open character who befriends most officers, but because of disregard for his superiors and habit of speaking his mind is regarded askance by his superiors, who nevertheless respect his military abilities.
• Franchot Tone as Lieutenant John Forsythe, an upper-class cavalryman in his mid-twenties from the Royal Military Academy Sandhurst. Transferred from the Blues, one of the two regiments at the time the movie was made tasked with guarding the Sovereign, Forsythe is presented as the funny guy of the main characters, and is noteworthy for his Sandhurst style in military exercise, something that earns him countless compliments from his superiors.

File:Gary Cooper and Franchot Tone in "The Lives of a Bengal Lancer", 1935.gif during captivity.]]

• Richard Cromwell as Lieutenant Donald Stone, a recent graduate of Sandhurst and a very young officer. As the son of a colonel with a famous name, he is treated respectfully but becomes frustrated and morose because of personal issues with his father.
• Guy Standing as Colonel Tom Stone, a long-serving colonel who left his home in Britain to serve on the Frontier, and explains to his son in the film that the "service always comes first ... something your mother never understood." He is considered to be a dyed-in-the-wool, by-the-book colonel who suppresses his feelings and never does anything without orders.
• C. Aubrey Smith as Major Hamilton, an old, very experienced major who serves as Colonel Stone's adjutant and Lieutenant Stone's second father and friend. He, along with his chief, planned and coordinated the big assault on Mohammad Khan's fortress.
• Kathleen Burke as Tania Volkanskaya, a beautiful and seductive young Russian woman who is Khan's ally. She is used as Khan's secret ace, who seduces young men when needed to forward Khan's plans. It was she who, with considerable ease, outwitted first Stone and then McGregor and Forsythe.
• Douglass Dumbrille as Mohammed Khan, a well-known, wealthy prince of the region, educated at Oxford and ostensibly a friend of the British. He is also the secret rebel leader who fights for Bengal's independence from the British Crown. He is portrayed as the film's villain and is responsible for the death and torture of many people.
• Colin Tapley as Lieutenant Barrett, a close friend of Lieutenant McGregor who has been ordered to infiltrate Khan's group of bandits and delivers vital information about the rebels' location and movement.
• Lumsden Hare as Major General Woodley, the man in command of the British intelligence service in India. He is disliked by most of the regiment's officers, especially McGregor, because his orders usually involve training exercises in locations where the pig-sticking is good. He thought of and approved the attack on Khan's stronghold.
• James Dime{{cite book |last=Freese |first=Gene Scott |title=Hollywood Stunt Performers, 1910s–1970s: A Biographical Dictionary |url=https://books.google.com/books?id=10dXAwAAQBAJ&pg=PA75 |publisher=McFarland & Company |edition=2nd |year=2014 |page=75 |isbn=978-0786476435}}

Paramount originally planned to produce the film in 1931 and sent cinematographers Ernest B. Schoedsack and Rex Wimpy to India to film location shots such as a tiger hunt.{{sfn|Richards|1973|pp=120–123}} However, much of the film stock deteriorated in the hot sun while on location, so when the film was eventually made, much of the production took place in the hills surrounding Los Angeles, where Northern Paiute people were used as extras.{{sfn|Richards|1973|pp=120–123}}

According to Hathaway, Schoedack struggled with the studio so was replaced by Stephen Roberts, who began spending more money than Paramount were willing to, so he was fired. Gary Cooper had director approval and he suggested Henry Hathaway, whose Westerns the actor admired – it was Hathaway's entry into big budget films. The director had been to India for nine months and remembered everything being white so insisted on that in the film.{{cite magazine|magazine=Take One|first=Scott|last=Eyman|title='I made movies' an interview with Henry Hathaway|url=https://archive.org/details/sim_take-one_september-october-1974_5_1/page/8/mode/1up|date=September–October 1974|page=8}}

Among the filming locations were Lone Pine, Calif., Buffalo Flats in Malibu, Calif., the Paramount Ranch in Agoura, Calif., and the Iverson Movie Ranch in Chatsworth, Calif.{{sfn|Richards|1973|pp=120–123}} For the climactic half-hour battle sequence at the end of the film, an elaborate set was built in the Iverson Gorge, part of the Iverson Movie Ranch, to depict Mogala, the mountain stronghold of Mohammed Khan.{{sfn|Richards|1973|pp=120–123}}

The film was released in American cinemas in January 1935.[https://archive.today/20140915195907/http://www.baltimoresun.com/entertainment/bal-sragow-garycooper-p,0,1490544.photo "The Lives of a Bengal Lancer"]. The Baltimore Sun. Retrieved September 15, 2014. It was a big success at the box office and kicked off a cycle of Imperial adventure tales, including The Charge of the Light Brigade (1936), Another Dawn (1937), Gunga Din (1939), The Four Feathers (1939), and The Real Glory (1939).{{sfn|Welky|2008|pp=88–89}} The film had theatrical rentals of about $1 million in the U.S. and Canada,{{cite magazine|date=October 15, 1990|title=All Time Film Rental Champs|magazine=Variety|issn=0042-2738|page=M-170|first=Lawrence|last=Cohn}} and $1.5 million worldwide.{{sfn|Welky|2008|pp=88–89}}

It was the second most popular film at the British box office in 1935–36."The Film Business in the United States and Britain during the 1930s" by John Sedgwick and Michael Pokorny, The Economic History ReviewNew Series, Vol. 58, No. 1 (Feb. 2005), p. 97 (Another account stated it was the most popular.{{cite news |url=http://nla.gov.au/nla.news-article55724940 |title=Sex Does Not Appeal To Talkie Fans |newspaper=The Mail (Adelaide) |volume=21 |issue=1,239 |location=South Australia |date=22 February 1936 |accessdate=18 April 2025 |page=21 |via=National Library of Australia}} )

The film was successful enough that it led to Gary Cooper being booked to star in a number of films of similar plots that were also set in "exotic" locales, including Beau Geste, The Real Glory, North West Mounted Police and Distant Drums.Gary Cooper, An Intimate Biography by Hector Arce. Bantam Books, 1980 {{ISBN?}}{{page needed|date=September 2022}}

File:Poster - Lives of a Bengal Lancer, The 01.jpg.]]

Laura Elston from the magazine Canada wrote that The Lives of a Bengal Lancer did "more glory to the British traditions than the British would dare to do for themselves."{{sfn|Welky|2008|pp=88–89}} In response to the film success, Frederick Herron of the Motion Picture Association of America wrote "Hollywood is doing a very good work in selling the British Empire to the world."{{sfn|Welky|2008|pp=88–89}}

Writer John Howard Reid noted in his book Award-Winning Films of the 1930s that the film is considered "one of the greatest adventure films of all time" and highly praised Hathaway's work by saying "the film really made his reputation."{{sfn|Reid|2004|pp=118–119}} It also received a praised review in Boys' Life magazine, starting off the review with the words "You will be immensely pleased with The Lives of a Bengal lancer" and went on to compare the style and class of the three main characters to that of The Three Musketeers.{{sfn|Mathiews|1935}} The film holds an overall approval rating of 100% on the review aggregator website Rotten Tomatoes, based on 9 reviews, with a rating average of 8 out of 10.

Critic Otis Ferguson said he was "taken by the show, imperialism and all." Andre Sennwald of The New York Times said the film "glorified the British Empire better than any film produced in Britain for that purpose." Sennwald added that Paramount's "Kiplingesque" movie "ought to prove a blessing to Downing Street." The film proved so popular in the United States that it spurred a series of imperial films that continued throughout the decade and into the next decade. Frank S. Nugent, also of The New York Times, wrote that "England need have no fears for its empire so long as Hollywood insists upon being the Kipling of the Pacific." Nugent commented that movies such as The Lives of a Bengal Lancer and The Charge of the Light Brigade were far more pro-British than actual British filmmakers would ever dare to be: "In its veneration of British colonial policy, in its respect for the omniscience and high moral purpose of His, or Her, Majesty's diplomatic representatives and in its adulation of the courage, the virtue and the manly beauty of English soldiery abroad, Hollywood yields to no one—not even to the British filmmakers themselves."The American Experience in World War II: The United States and the road to war in Europe by Walter L. Hixson, Taylor & Francis, 2003 p. 24 {{ISBN?}}

In Fascist Italy, Mussolini's motion picture bureau had the movie banned, as well as several other British-themed American movies, including Lloyd's of London and The Charge of the Light Brigade, on the grounds that they were "propaganda".

According to Ivone Kirkpatrick, who met Adolf Hitler at Berchtesgaden in 1937, one of Hitler's favorite films was The Lives of a Bengal Lancer, which he had watched three times.Sir Ivone Kirkpatrick, The Inner Circle (London: Macmillan, 1959), p. 97. {{ISBN?}} He liked the film because "it depicted a handful of Britons holding a continent in thrall. That was how a superior race must behave and the film was a compulsory viewing for the S.S."David Faber (2009). [https://books.google.com/books?id=OaRF5yLeuZoC&pg=PA40 Munich, 1938: Appeasement and World War II]. Simon and Schuster. p. 40. {{ISBN|143913233X}}.

Also, his valet recalled that Hitler enjoyed the film.{{cite book | last = DAlmeida | first=Fabrice | title = High Society in the Third Reich | year = 2008 | publisher = Polity Press | isbn = 978-0745643113 |page=138}}{{cite book | last = Hamilton | first = Charles | title = Leaders & Personalities of the Third Reich, Vol. 1 | year = 1984 | publisher = R. James Bender Publishing | isbn = 0912138270 | page=158 }}{{cite book | last = Toland | first = John | author-link = John Toland (author) | title = Adolf Hitler: The Definitive Biography | publisher = Book Club Associates | location = London | year = 1977 | orig-year = 1976 |page=411 }}

It was one of the eleven US movies that, from 1933 to 1937, were considered "artistically valuable" by the Nazi authorities.Ursula Saekel: Der US-Film in der Weimarer Republik – ein Medium der "Amerikanisierung"?: Deutsche Filmwirtschaft, Kulturpolitik und mediale Globalisierung im Fokus transatlantischer Interessen. Verlag Schoeningh Ferdinand, 2011, {{ISBN|3506771744}}, pp. 169, 255, 258{{cite web |url=https://newpolitic.com/2021/11/what-the-british-empire-taught-the-nazis/ |title=What the British Empire Taught the Nazis |last=Anwar |first=Zeyd |date=November 19, 2021 |website=New Politic |access-date=December 31, 2022}}

The film shares nothing with the source book, except the setting.{{sfn|Reid|2004|p=120}} Reid noted in Award-Winning Films of the 1930s that "none of the characters in the book appear in the screenplay, not even Yeats-Brown himself. The plot of the film is also entirely different."{{sfn|Reid|2004|p=120}}

The Paramount picture was distributed to home media on VHS on March 1, 1992, and on DVD on May 31, 2005.[https://www.amazon.com/The-Lives-Bengal-Lancer-VHS/dp/6300185826 "The Lives of a Bengal Lancer (VHS)"]. Amazon. Retrieved December 4, 2014. It has since been released in multiple languages and is included in several multi-film collections.[https://www.amazon.com/The-Oscars-Collection-Midsummer-Courageous/dp/B00AHNSOXU "The Oscars 30' Collection – 5 DVD Set"]. Amazon. Retrieved December 4, 2014.

The film was nominated for the following Academy Awards, winning in one category:[http://global.britannica.com/topic/The-Lives-of-a-Bengal-Lancer "The Lives of a Bengal Lancer – Film by Hathaway (1935)"]. Encyclopædia Britannica. Retrieved July 13, 2015.

{{commons category}}

• The Witching Hour
• The Shepherd of the Hills
• Now and Forever

{{Reflist|2|refs=

[https://www.nytimes.com/movie/review?res=9E00EFD61E3FE03ABC4A52DFB766838E629EDE "The Lives of a Bengal Lancer"] (January 12, 1935). The New York Times. Retrieved September 13, 2014.

[http://www.rottentomatoes.com/m/lives_of_a_bengal_lancer/ "The Lives of a Bengal Lancer"]. Rotten Tomatoes. Retrieved September 13, 2014.

[https://variety.com/1934/film/reviews/the-lives-of-a-bengal-lancer-1117792662/ "Review: The Lives of a Bengal Lancer"] (December 31, 1934). Variety. Retrieved January 10, 2014.

}}

• {{cite book | last = Kirkpatrick | first = Ivone | author-link = Ivone Kirkpatrick|title=The Inner Circle: Memoirs | publisher = St. Martin's Press | year = 1959 | oclc = 1101750744 }}
• {{cite book | last = Knowles | first = Elizabeth M. |title= The Oxford Dictionary of Quotations | publisher = Oxford University Press | year = 1999 | isbn = 978-0-19-860173-9 }}
• {{cite journal | last = Mathiews | first = Fraklin K. |title=Movies of the Month | journal = Boys' Life. Inkprint Edition |publisher = Boys' Life| year = 1935 | issn = 0006-8608 }}
• {{cite book | last = Richards | first = Jeffrey | author-link = Jeffrey Richards| title=Visions of Yesterday | url = https://archive.org/details/visionsofyesterd0000rich | url-access = registration | publisher = Routledge | year = 1973 | isbn = 978-0-415-72681-8 }}
• {{cite book | last = Reid | first = John |title=Award-Winning Films of the 1930s | publisher = Lulu Publishing | year = 2004 | isbn = 978-1-4116-1432-1 }}
• {{cite book | last = Welky | first = David |title=The Moguls and the Dictators: Hollywood and the Coming of World War II | publisher = Johns Hopkins University Press | year = 2008 | isbn = 978-0-8018-9044-4 }}

• {{IMDb title|tt0026643}}
• {{TCMDb title|81625}}
• {{AFI film|5531}}
• [https://www.youtube.com/watch?v=qVe9y1en6Kc The Lives of a Bengal Lancer] trailer on YouTube
• [https://www.youtube.com/watch?v=0Okh8m6bxC8 The Lives of a Bengal Lancer] scenes on YouTube

{{Henry Hathaway}}

{{DEFAULTSORT:Lives of a Bengal Lancer (film)}}

Category:1935 films

Category:American black-and-white films

Category:British Empire war films

Category:1935 adventure films

Category:1930s English-language films

Category:Films based on biographies

Category:Films directed by Henry Hathaway

Category:Paramount Pictures films

Category:Films set in the Indian independence movement

Category:Films set in the British Raj

Category:American adventure films

Category:American epic films

Category:Censored films

Category:Films shot in Lone Pine, California

Category:1930s American films

Category:Films with screenplays by John L. Balderston

Category:English-language adventure films