Volker Bertelmann

Bertelmann was born in Kreuztal, Germany. He grew up in the village of Ferndorf in the district of Siegen-Wittgenstein, North Rhine-Westphalia. The fifth of six children, he discovered piano playing at the age of eight at church service. He began studying classical piano and continued taking lessons for the next ten years.{{Cite news|url=http://www.musicradar.com/news/how-hauschka-fuses-prepared-piano-modern-software-and-analogue-synthesis|title=How Hauschka fuses prepared piano, modern software and analogue synthesis|work=MusicRadar|access-date=14 July 2017|language=en}}

Bertelmann formed his first rock band when he was fourteen. During the following years he was commissioned to compose music for television and sang in a number of other bands. After leaving school he moved to Cologne, where he began studying medicine and then switched to a course in business economics, but gave up both in order to concentrate on music.

In 1992, Bertelmann and his cousin formed the hip-hop duo God's Favorite Dog, who became known above all for their tracks Love and Pain and Sway. They released an album on Sony Music's Epic label and went on to perform nationally and internationally, among others as a support act for Die Fantastischen Vier. The duo split in 1995 to pursue other directions.{{Cite web|url=http://www.theaustralian.com.au/arts/music/its-piano-but-not-as-we-know-it-from-hauschka/news-story/2f6614863be45231c6f66c68acdf8c32|title=It's piano but not as we know it from Hauschka|website=Theaustralian.com.au|access-date=14 July 2017}}

After a period of drifting, Bertelmann moved to Düsseldorf and started making music again, drawing on his years of classical piano training. He composed pieces for piano and released them under the alias Hauschka; he wanted to use an Eastern European-sounding pseudonym and found Bohemian composer Vincenz Hauschka as a reference.{{Cite web|url=https://pitchfork.com/features/interview/7579-hauschka/|title=Hauschka |website=Pitchfork.com|date=14 January 2009 |language=en|access-date=14 July 2017}}

The first album under the name Hauschka, Substantial, was released in 2004 on the Cologne label Karaoke Kalk, followed in 2005 by The Prepared Piano on the same label. On this second album Bertelmann explored the possibilities of the prepared piano by wedging pieces of leather, felt or rubber between the piano strings, wrapping aluminium foil around the hammers, placing small objects on the strings or joining them together with guitar strings or adhesive tape.{{Cite web|url=https://www.deejay.de/Hauschka_What_If_SLANG50117_CD__266300|title=Hauschka – What If – SLANG50117|last=Teinert|first=Dieter|website=Deejay.de|language=de-DE|access-date=14 July 2017}}

In 2007 Bertelmann signed a recording contract with 130701, an imprint of FatCat Records, through which his album Ferndorf was released in 2008.{{Cite web|title=Ferndorf by Hauschka|url=https://www.metacritic.com/music/ferndorf|website=Metacritic.com|access-date=14 July 2017}}

Following a concert performance with the Magik*Magik Orchestra, Bertelmann decided to integrate other musical instruments into his compositions, and in January 2010 the resulting works were performed in San Francisco by an orchestra led by Minna Choi. With Ian Pellicci as the sound engineer, they were recorded in John Vanderslice's Tiny Telephone Studios. Volker Bertelmann then recorded the piano tracks at Studio Zwei in Düsseldorf, and the album Foreign Landscapes was released on the 130701 label later that year.{{Cite web|url=https://www.bbc.co.uk/music/reviews/fc9p/|title=BBC – Music – Review of Hauschka – Foreign Landscapes|last=Ross|first=Daniel|website=Bbc.co.uk|access-date=14 July 2017}}{{Cite web|url=https://pitchfork.com/reviews/albums/14726-foreign-landscapes/|title=Hauschka: Foreign Landscapes Album Review|website=Pitchfork.com|language=en|access-date=14 July 2017}}

File:Hauschka during Denovali Swingfest.jpg

On his 2011 album Salon des Amateurs Bertelmann collaborated with notable musicians such as Samuli Kosminen (Múm, Edea), Jeffrey Zeigler (ex Kronos Quartet), Pekka Kusisto, The band Múm, Nik Bartsch, Henrik Schwarz and Hilary Hahn, as well as Calexico's Joey Burns and John Convertino. These recordings were originally intended as a joint release with Foreign Landscapes, whereby on the one hand the piano was going to be just one instrument among many, and on the other it was to be used primarily as a rhythm instrument.{{Cite web|url=https://thump.vice.com/en_uk/article/vvny7b/conversation-with-german-piano-maestro-hauschka|archive-url=https://web.archive.org/web/20181012134954/https://thump.vice.com/en_uk/article/vvny7b/conversation-with-german-piano-maestro-hauschka|url-status=dead|archive-date=12 October 2018|title=Slamming Colour on the Canvas: A Conversation with German Piano Maestro Hauschka|website=Thump|date=27 September 2016 |language=en-us|access-date=14 July 2017}} The recorded pieces did not fit together in the way Bertelmann had envisaged, however, so he decided to release the two albums separately. Foreign Landscapes represents a shift of focus away from the prepared piano as a solo instrument, while Salon des Amateurs signals a move towards a more strongly rhythmic approach.{{Cite web|url=http://www.theartsdesk.com/theartsdesk-vinyl-27-spoon-hauschka-emerson-lake-palmer-and-more|title=theartsdesk on Vinyl 27: Spoon, Hauschka, Emerson, Lake & Palmer and more|website=Theartsdesk.com|date=4 May 2017|access-date=14 July 2017}}

The release of Salon des Amateurs was followed by the release of remix album Salon des Amateurs Remixes, which featured notable contributions by Michael Mayer, Matthew Herbert, Max Loderbauer & Ricardo Villalobos, Alva Noto and Steve Bicknell.

In May 2012 Silfra, a collaborative album with the American violinist Hilary Hahn, was released on Deutsche Grammophon. Named after the Silfra rift in Iceland, it consists of twelve improvisations by Bertelmann and Hahn that were recorded by Valgeir Sigurdsson at Greenhouse Studios in Reykjavík.{{Cite news|url=https://www.nytimes.com/2012/07/08/arts/music/silfra-by-hilary-hahn-and-hauschka.html|title='Silfra,' by Hilary Hahn and Hauschka|last=Smith|first=Steve|date=6 July 2012|work=The New York Times|access-date=14 July 2017|language=en-US|issn=0362-4331}}

In 2012 Bertelmann wrote his first score for a feature film, entitled Glück, which was directed by Doris Dörrie.{{Cite news|url=http://thequietus.com/articles/14720-hauschka-interview-abandoned-city|title=The Quietus {{!}} Features {{!}} Escape Velocity {{!}} Sounds From A Ghost Town: An Interview With Hauschka|work=The Quietus|access-date=14 July 2017}}

In 2015, Bertelmann was an artist-in-residence at the MDR Leipzig Radio Symphony Orchestra. He created three pieces for them, most notably his collaboration with Múm entitled 'Drowning', which they premiered at the Gewandhaus in Leipzig on 27 June 2015.{{Cite web|url=http://www.spex.de/2015/06/30/drowning-live-premiere-hauschka-mum-spielen-atemberaubendes-konzert-mit-sinfonieorchester/|title=Drowning – Live-Premiere: Hauschka & Múm spielen atemberaubendes Konzert mit Sinfonieorchester|last=Beck|first=Jennifer|date=30 June 2015|website=Spex Magazin|access-date=14 July 2017|archive-url=https://web.archive.org/web/20150802092516/http://www.spex.de/2015/06/30/drowning-live-premiere-hauschka-mum-spielen-atemberaubendes-konzert-mit-sinfonieorchester/|archive-date=2 August 2015|url-status=dead}} In 2016, he was commissioned to create a piece for acclaimed cellist Nicholas Altstädt. The piece, Lost, premiered at Viva Cello in September 2016.{{Cite news|url=https://www.latimes.com/entertainment/envelope/la-en-mn-1208-composer-roundup-20161114-story.html|title=Film scores range from experimental sounds ('Arrival') to simple, hushed restraint ('A Monster Calls')|date=8 December 2016|work=Los Angeles Times|access-date=14 July 2017|language=en-US|issn=0458-3035}}

In 2016, Bertelmann collaborated with Dustin O'Halloran on the score for the Oscar-nominated film Lion.{{Cite news|url=https://deadline.com/2017/02/lion-oscars-dustin-ohalloran-hauschka-best-original-score-interview-1201910567/|title='Lion' Composers Dustin O'Halloran And Hauschka On The Trial And Error Involved When Two Composers Are In The Picture|last=Grobar|first=Matt|date=17 February 2017|work=Deadline|access-date=14 July 2017|language=en-US}} The score of the film was nominated for all major awards including the Academy Awards, Golden Globes, BAFTAs and Critics' Choice Awards.

In 2017, he released solo album 'What If' on City Slang and Temporary Residence. The album explores the possibilities of his music, inspired by hip-hop, performed by fast and accurate player pianos. Bertelmann wrote two pieces for Avi Avital, called Flood and Drought, which premiered at the Schleswig-Holstein Musik Festival in July 2017.

In 2018, he composed the score for the film Adrift, which is based on the true story of a sailor stranded at sea after a storm. Adrift is directed by Baltasar Kormákur and stars Shailene Woodley and Sam Claflin. Bertelmann stated, "Collaborating with Baltasar Kormákur was a wonderful experience and he gave me a lot of freedom to find the right sound for the film. Adrift tells a story about love and the fragility of human existence, so I wanted to create some sort of instrumental tension to reflect both the darkness and peril, as well as the lightness and love in this film. We ended up recording a full string orchestra at British Grove in London and added piano and experimental electronics to create a diverse and dynamic score. I'm very happy with the result, and I feel fortunate to have been part of this powerful film."{{Cite news|url=https://www.soundtrack.net/news/article/?id=2606|title=Sony Classical Announces 'Adrift' Soundtrack|work=Soundtrack.net|access-date=12 June 2018|language=en}}

In 2019, he created the Hauschka Composer Toolkit sample library with Spitfire Audio, featuring many of his signature sounds.

2020 had him doing Netflix's blockbuster movie of the summer, The Old Guard starring Charlize Theron, as well as Summerland with Gemma Arterton, Francis Lee's romantic drama Ammonite, and the sci-fi movie Stowaway starring Anna Kendrick and Toni Collette.

In 2022, he scored All Quiet on the Western Front for Netflix, the official Best International Feature Film Oscar-entry for Germany, and War Sailor, both of which were official selections at the Toronto International Film Festival. For his work on the former, he won the Academy Award for Best Original Score and the BAFTA Award for Best Original Music.

He has presented Tiny Desk Concerts twice, in 2010 and 2024.

• Substantial (2004)
• The prepared piano (2005)
• What a day (EP 2006)
• Room to Expand (2007)
• Versions of the Prepared Piano (2007)
• Ferndorf (2008)
• Snowflakes and Carwrecks (2008)
• Small Pieces (2009)
• Foreign Landscapes (2010)
• Salon Des Amateurs (2011)
• Salon Des Amateurs Remixes (2012)
• Youyoume (EP 2011)
• Pan Tone (EP 2011) with Hildur Guðnadóttir
• Silfra (2012) with Hilary Hahn
• Abandoned City (2014)
• 5 Movements (EP 2016) with Dustin O'Halloran
• A NDO C Y (2015)
• What If (2017)
• A Different Forest (2019)
• Upstream (2021)
• Philanthropy (2023){{Cite web|url=https://www.allmusic.com/artist/hauschka-mn0000317960/discography|title=Hauschka {{!}} Album Discography {{!}} AllMusic|website=AllMusic|access-date=14 July 2017}}{{Cite web|url=https://www.discogs.com/artist/182737-Hauschka|title=Hauschka|website=Discogs|language=en|access-date=14 July 2017}}

• The Boy (2015, Milan Records)
• Lion (2016, Sony Music)
• In Dubious Battle (2017, Lakeshore Records)
• Gunpowder (2017, Sony Music)
• 1000 Arten Regen Zu Beschreiben (2018, Needlewood Records)
• Adrift (2018, Sony Classical)
• Hotel Mumbai (2019, Varèse Sarabande)
• The Art of Racing in the Rain (2019, Fox Music)
• Dublin Murders (2020, Needlewood Records)
• Summerland (2020, Needlewood Records)
• The Old Guard (2020, Milan Records)
• Schnee von gestern (2020, Needlewood Records)
• Als Hitler das rosa Kaninchen stahl (2020, Needlewood Records)
• Downhill (2020, Fox Music)
• A Christmas Carol (2020, Hollywood Records)
• Ammonite (2020, Milan Records)
• Stowaway (2021, Lakeshore Records)
• Barbarians (Season 2) (2022, Netflix Music, LLC)
• War Sailor (2022, Lakeshore Records)
• All Quiet on the Western Front (2022, Netflix Music, LLC)
• Conclave (2024, Back Lot Music)
• Dune: Prophecy (2024, Milan Records)

{{Reflist}}

{{Commons category|Volker Bertelmann|Hauschka}}

• [http://www.hauschka-net.de/ www.hauschka-net.de]
• {{AllMusic}} {{Bandcamp}} {{MusicBrainz artist}}
• {{Discogs artist|428129-Volker-Bertelmann}}
• {{IMDb name|2890617}}
• [https://www.npr.org/2010/11/11/131245315/hauschka-gets-the-most-out-of-88-keys 2010 NPR interview with Hauschka]
• [https://www.npr.org/2014/03/23/293255102/playing-around-with-a-piano-for-abandoned-city March 2014 NPR interview with Hauschka]

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|title = Awards for Volker Bertelmann (Hauschka)

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{{Academy Award Best Original Score}}

{{BAFTA Award for Best Original Music}}

{{AACTA Award Best Music Score}}

{{WSA – Soundtrack Composer of the Year}}

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Category:1966 births

Category:Living people

Category:Best Original Music BAFTA Award winners

Category:German pianists

Category:German composers

Category:German film score composers

Category:21st-century German pianists

Category:Temporary Residence Limited artists

Category:FatCat Records artists

Category:City Slang artists

Category:Best Original Music Score Academy Award winners

Category:Sony Classical Records artists