earworm

Researcher Vicky Williamson at Goldsmiths, University of London, found in an uncontrolled study that earworms correlated with music exposure, but could also be triggered by experiences that trigger the memory of a song (involuntary memory) such as seeing a word that reminds one of the song, hearing a few notes from the song, or feeling an emotion one associates with the song. The list of songs collected in the study showed no particular pattern, other than popularity.

According to research by James Kellaris, 98% of individuals experience earworms. Women and men experience the phenomenon equally often, but earworms tend to last longer for women and irritate them more.{{citation|url=http://www.straightdope.com/columns/read/2901/why-do-songs-get-stuck-in-your-head|work=The Straight Dope|title=Why do songs get stuck in your head?|date=October 16, 2009|first=Cecil|last=Adams|author-link=Cecil Adams}} Kellaris produced statistics suggesting that songs with lyrics may account for 73.7% of earworms, whereas instrumental music may cause only 7.7%.{{cite web|url=http://www.uc.edu/news/kellaris.htm|title=Songs That Cause The Brain To 'Itch': UC Professor Investigating Why Certain Tunes Get Stuck In Our Heads|last1=Hoffman|first1=Carey|date=2001-04-04|publisher=University of Cincinnati |df=mdy-all |access-date=2012-08-06|quote=Of the 1,000 respondents, the kind of music respondents said they got stuck on most recently were songs with lyrics for 73.7 percent, jingles or ads for 18.6 percent and an instrumental tune for 7.7 percent.}}

In 2010, published data in the British Journal of Psychology directly addressed the subject, and its results support earlier claims that earworms are usually 15 to 30 seconds in length and are more common in those with an interest in music. Earworms can occur with either 'positive' or 'negative' music. Positive music in this case is music that sounds happy and/or calm. Negative music is the opposite, where the music sounds angry or sad.

Earworms are not related only to music with lyrics; in a research experiment conducted by Ella Moeck and her colleagues in an attempt to find out if the positive/negative feeling of a piece of music affected earworms caused by that piece, they used only instrumental music. Her experiment determined that all participants experienced a similar quantity of earworms, regardless of the emotional valence, although the quality of the earworm did vary. The earworms born from the negatively valenced music brought about more distress and occurred less frequently than those produced by positively valenced music.

Scientists at Western Washington University found that engaging working memory in moderately difficult tasks such as anagrams, puzzles or reading was an effective way of stopping earworms and of reducing their recurrence.{{cite news|url=https://www.telegraph.co.uk/science/science-news/9950143/Get-that-tune-out-of-your-head-scientists-find-how-to-get-rid-of-earworms.html|archive-url=https://web.archive.org/web/20130324212929/http://www.telegraph.co.uk/science/science-news/9950143/Get-that-tune-out-of-your-head-scientists-find-how-to-get-rid-of-earworms.html|url-status=dead|archive-date=March 24, 2013|title=Get that tune out of your head – scientists find how to get rid of earworms|last=Gray|first=Richard|date=March 24, 2013|work=The Daily Telegraph|access-date=March 25, 2013}} Another publication points out that melodic music has a tendency to demonstrate repeating rhythm which may lead to endless repetition, unless a climax can be achieved to break the cycle.{{cite book|title=Machine Models of Music|page=[https://archive.org/details/machinemodelsofm00step/page/174 174]|first1=Stephan M.|last1=Schwanauer|first2=David A.|last2=Levitt|publisher=MIT Press|year=1993|isbn=978-0-262-19319-1|url-access=registration|url=https://archive.org/details/machinemodelsofm00step/page/174}}

Research reported in 2015 by the School of Psychology and Clinical Language Sciences at the University of Reading demonstrated that chewing gum could help by similarly blocking the sub-vocal rehearsal component of auditory short-term or "working" memory associated with generating and manipulating auditory and musical images.[http://www.reading.ac.uk/news-and-events/releases/PR631000.aspx "Listen up – new research shows chewing gum could remove that stuck record in your head"], University of Reading, 22 April 2015 It has also been suggested to ask oneself why one is experiencing this particular song. Another suggested remedy is to try to find a "cure song" to stop the repeating music.[https://www.themarysue.com/earworm-cure-songs/ "Science Identified 'Cure Songs' to Get Songs Unstuck From Your Brain, I Guess All Diseases Have Been Cured"] by Dan Van Winkle, The Mary Sue, March 3, 2014{{cite journal| vauthors = Williamson VJ, Liikkanen LA, Jakubowski K, Stewart L | title = Sticky tunes: how do people react to involuntary musical imagery? | journal =PLOS ONE| volume = 9 | issue = 1 | page = e86170 | year = 2014 | pmid = 24497938 | doi = 10.1371/journal.pone.0086170 | pmc = 3908735 | bibcode = 2014PLoSO...986170W | doi-access = free }}

There are also so-called "cure songs" or "cure tunes" to get the earworm out of one's head. "God Save the King" is cited as a very popular and helpful choice of cure song.{{Cite web|title=Music : How to get rid of an earworm|url=https://www.dur.ac.uk/music/research/earworms/remedies/ |df=mdy-all |access-date=2020-07-19|publisher=Durham University}}, citing Williamson et al. 2014 "Happy Birthday" was also a popular choice in cure songs.

Listening to the tune in a different/lower tempo or lower pitch, or a remixed version if it exists, can be an antidote.

Listening to the tune from start to finish can also help. Since earworms are usually only a fragment of music, playing the tune all the way through can help break the loop.{{cite web | url=https://www.abc.net.au/classic/read-and-watch/music-reads/how-to-get-rid-of-an-earworm/12151374 | title=How do you get rid of an earworm? | website=Australian Broadcasting Corporation | date=April 16, 2020 }}

Jean Harris, who murdered Herman Tarnower, was obsessed with the song "Put the Blame on Mame" by Allan Roberts and Doris Fisher, which she first heard in the film Gilda (1946). She would recall this regularly for over 33 years and could hold a conversation while playing it in her mind.{{cite journal|title=Jean Harris' Obsessive Film Song Recall|first=Cora L.|last=Díaz de Chumaceiro|url=http://www.psyartjournal.com/article/show/de_chumaceiro-jean_harris_obsessive_film_song_recall|journal=PsyArt|date=October 16, 2004|access-date=December 11, 2011|archive-date=August 1, 2019|archive-url=https://web.archive.org/web/20190801022050/http://www.psyartjournal.com/article/show/de_chumaceiro-jean_harris_obsessive_film_song_recall|url-status=dead}}

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Mark Twain's 1876 story "A Literary Nightmare" (also known as "Punch, Brothers, Punch") is about a jingle that one can get rid of only by transferring it to another person.

In 1943 Henry Kuttner published the short story "Nothing but Gingerbread Left" about a song engineered to damage the Nazi war effort, culminating in Adolf Hitler being unable to continue a speech.{{Cite web|url=http://henrykuttner.bravehost.com/Kuttner,%20Henry%20-%20Nothing%20But%20Gingerbread%20Left.html|title=Nothing But Gingerbread Left|last=Kuttner|first=Henry|archive-url=https://web.archive.org/web/20120314223346/http://henrykuttner.bravehost.com/Kuttner,%20Henry%20-%20Nothing%20But%20Gingerbread%20Left.html|archive-date=March 14, 2012|url-status=dead|access-date=October 10, 2017}} Full text of story

In Alfred Bester's 1953 novel The Demolished Man, the protagonist uses a jingle specifically crafted to be a catchy, irritating nuisance as a tool to block mind readers from reading his mind.

In Arthur C. Clarke's 1957 science fiction short story "The Ultimate Melody", a scientist, Gilbert Lister, develops the ultimate melody – one that so compels the brain that its listener becomes completely and forever enraptured by it. As the storyteller, Harry Purvis, explains, Lister theorized that a great melody "made its impression on the mind because it fitted in with the fundamental electrical rhythms going on in the brain." Lister attempts to abstract from the hit tunes of the day to a melody that fits in so well with the electrical rhythms that it dominates them completely. He succeeds and is found in a catatonic state from which he never awakens.{{citation|url=http://deoxy.org/alephnull/melody.htm|title=The Ultimate Melody by Arthur C. Clarke|work=The Web site of aleph|first=Michael|last=Chorost |df=mdy-all |access-date=2010-08-17|archive-url=https://web.archive.org/web/20110101171528/http://deoxy.org/alephnull/melody.htm|archive-date=2011-01-01|url-status=usurped}}

In Fritz Leiber's Hugo Award-nominated short story "Rump-Titty-Titty-Tum-TAH-Tee" (1959), the title describes a rhythmic drumbeat so powerful that it rapidly spreads to all areas of human culture, until a counter-rhythm is developed that acts as an antidote.{{citation|url=https://books.google.com/books?id=JATrt8qhXqIC&pg=PA218|title=The Wavewatcher's Companion|first=Gavin|last=Pretor-Pinney|publisher=Bloomsbury Publishing|year=2010|isbn=978-0-7475-8976-1|page=218}}

In Joe Simpson's 1988 book Touching the Void, he talks about not being able to get the tune "Brown Girl in the Ring" by Boney M out of his head. The book tells of his survival, against the odds, after a mountaineering accident in the remote Siula Grande region of South America. Alone, badly injured, and in a semi-delirious state, he is confused as to whether he is imagining the music or really hearing it.{{cite book|last=Simpson |first=Joe|title=Touching the Void|url=https://archive.org/details/touchingvoid000simp |url-access=registration |year=1988|publisher=Harper & Row |isbn=9780060160272}}

In the Dexter's Laboratory episode titled "Head Band", a contagious group of viruses force their host to sing what they are saying to the same "boy band" tune. The only way to be cured of the Boy Band Virus is for the viruses to break up and start their own solo careers.{{Cite web|url = http://www.tv.com/shows/dexters-laboratory/head-band-stuffed-animal-house-used-ink-1591794/|title = Dexter's Laboratory: Head Band / Stuffed Animal House / Used Ink|access-date = May 29, 2014|website = TV.com|archive-date = February 26, 2021|archive-url = https://web.archive.org/web/20210226203957/http://www.tv.com/shows/dexters-laboratory/head-band-stuffed-animal-house-used-ink-1591794/|url-status = dead}}

In the SpongeBob SquarePants episode titled “Earworm”, SpongeBob gets the “Musical Doodle” song stuck in his head, giving him an earworm, which ultimately turns out to be an actual worm, which is removed by his friends singing or playing other songs.

In The Lego Movie 2: The Second Part there is a scene in which most of the film's characters are subjected to "Catchy Song" and all except Lucy dance to it, while simultaneously the denizens of Harmony Town sing it to Emmet and Rex. Lucy/Wildstyle avoids being "brainwashed" by the song by breaking one of the speakers and using some of its pieces to build earmuffs for herself before escaping via air ducts, while Emmet and Rex escape in a similar fashion.

E. B. White's 1933 satirical short story "The Supremacy of Uruguay" (reprinted in Timeless Stories for Today and Tomorrow) relates a fictional episode in the history of Uruguay where a powerful earworm is discovered in a popular American song. The Uruguayan military builds a squadron of pilotless aircraft armed with phonographs playing a highly amplified recording of the earworm, and conquers the entire world by reducing the citizens of all nations to mindless insanity. "[T]he peoples were hopelessly mad, ravaged by an ineradicable noise ... No one could hear anything except the noise in his own head."{{cite web |url=http://www.armandobronca.com/the-supremacy-of-uruguay_95 |title=The Supremacy of Uruguay |date=July 24, 2007 |publisher=www.armandobronca.com |access-date=January 17, 2014 |archive-date=February 27, 2014 |archive-url=https://web.archive.org/web/20140227213304/http://www.armandobronca.com/the-supremacy-of-uruguay_95/ |url-status=dead }}

In 2014, musician Emperor X wrote a deliberately catchy song titled 10,000-Year Earworm to Discourage Settlement Near Nuclear Waste Repositories (Don't Change Color, Kitty) in reference to the "ray cat" idea in nuclear semiotics, attempting to embed a warning message in folklore that would still be remembered in 10,000 years' time.

In 2023–2024, an "earworm eraser" clip created by Atlassian was popularized on social media.{{cite news|publisher=NPR|title=All I want for Christmas is ... help getting this song out of my head|date=November 29, 2024|work= Morning Edition|first=Chloe |last=Veltman|url=https://www.npr.org/2024/11/27/nx-s1-5200065/earworm-eraser-christmas-songs}}

According to research done in 2016 by Kelly Jakubowski and colleagues, published by the American Psychological Association, there are certain characteristics that make songs more likely to become earworms. Earworm songs usually have a fast-paced tempo and an easy-to-remember melody. However, earworms also tend to have unusual intervals or repetitions that make them stand out from other songs. Earworms also tend to be played on the radio more than other songs and are usually featured at the top of the charts.{{Cite news|title=Psychologists Identify Key Characteristics of Earworms|date=November 3, 2016|url=https://www.apa.org/news/press/releases/2016/11/earworms |df=mdy-all |access-date=2020-07-19|publisher=American Psychological Association}} The chorus of a song is one of the most reported causes of earworms.{{cite journal |last1=Beaman |first1=C. Philip |last2=Williams |first2=Tim I. |date=2010 |title=Earworms (stuck song syndrome): Towards a natural history of intrusive thoughts |url=https://centaur.reading.ac.uk/5755/1/earworms_write-upBJP.pdf |journal=British Journal of Psychology |volume=101 |issue=4 |pages=637–653 |doi=10.1348/000712609X479636 |issn=2044-8295 |pmid=19948084}}

The most frequently named earworms during this study were the following:

1. "Bad Romance" by Lady Gaga
2. "Can't Get You Out of My Head" by Kylie Minogue
3. "Don't Stop Believin'" by Journey
4. "Somebody That I Used to Know" by Gotye
5. "Moves like Jagger" by Maroon 5
6. "California Gurls" by Katy Perry
7. "Bohemian Rhapsody" by Queen
8. "Alejandro" by Lady Gaga
9. "Poker Face" by Lady Gaga

Kazumasa Negishi and Takahiro Sekiguchi did a study to see if there are specific traits that make a person more or less susceptible to earworms or involuntary musical imagery.{{Cite journal|last1=Negishi|first1=Kazumasa|last2=Sekiguchi|first2=Takahiro |df=mdy-all |date=2020-06-04|editor-last=Sudzina|editor-first=Frantisek|title=Individual traits that influence the frequency and emotional characteristics of involuntary musical imagery: An experience sampling study|journal=PLOS ONE|volume=15|issue=6|page=e0234111|doi=10.1371/journal.pone.0234111|issn=1932-6203|pmc=7272041|pmid=32497111|bibcode=2020PLoSO..1534111N|doi-access=free}} The participants in the study were assessed on obsessive-compulsive tendencies, the Big Five personality traits, and musical expertise. Negishi and Sekiguchi found that some of the obsessive-compulsive traits, such as intrusive thoughts, played a role in experiencing earworms while compulsive washing did not. In terms of the Big Five personality traits, neuroticism significantly predicted occurrences of earworms. Musical expertise created an effect of sophistication when it came to earworm occurrences.

One tool used to gather data on involuntary musical imagery (INMI)—and, more specifically, earworms—is called the Involuntary Musical Imagery Scale; it was created with the research compiled from George Floridou, Victoria Williamson, and Danial Müllensiefen. It uses four factors to measure different experiences surrounding earworms and INMI in general.{{Cite journal|last1=Floridou|first1=G. A.|last2=Williamson|first2=V. J.|last3=Stewart|first3=L.|last4=Müllensiefen|first4=D.|journal=Psychomusicology: Music, Mind, & Brain|publisher=American Psychological Association|title=The Involuntary Musical Imagery Scale (IMIS)|year=2015|volume=25|pages=28–36|doi=10.1037/pmu0000067|url=http://eprints.whiterose.ac.uk/92668/1/Floridou%20IMIS%20post%20reviews-ajc_GF.pdf}} Those four factors include 'Negative Valence', 'Movement', 'Personal Reflections', and 'Help'. Negative Valence is the category that measures the subjective response to the INMI experience. Movement, a relatively new aspect of the INMI experience, refers to accompanying embodied responses such as singing, humming, and dancing. Personal Reflections is the occurrence of a personal quality, like unrelated thoughts, associated with the INMI; they are not directly related to the valence of the INMI itself. Help is the category which determines the beneficial and constructive aspects to the INMI experiences, which could potentially reflect similarities in the characteristics of unfocused music listing and task-unrelated thought.

• Idée fixe (psychology)
• Phonological loop
• Subliminal stimuli
• Tetris effect

{{reflist}}

• {{cite book|title=On Repeat: How Music Plays the Mind|author=Elizabeth Hellmuth Margulis|publisher=Oxford University Press|isbn=978-0199990825|year=2013|ref=none}}
• {{cite news|url=https://www.theguardian.com/music/2006/jun/22/popandrock|title=Can't get it out of my head|author=Vadim Prokhorov|date=June 22, 2006|work=The Guardian|ref=none}}
• {{citation|author=Divya Singhal|title=Why this Kolaveri Di: Maddening Phenomenon of Earworm|date=December 8, 2011|ssrn=1969781|ref=none}}

{{Wiktionary}}

• [https://www.gold.ac.uk/music-mind-brain/imis/ The Involuntary Musical Imagery Scale (IMIS)] at Goldsmith University of London
• {{cite magazine|url=https://www.theatlantic.com/health/archive/2014/01/why-songs-get-stuck-in-your-head/282997/|title=Why Songs Get Stuck in Your Head|last=Margulis|first=Elizabeth Hellmuth|magazine=The Atlantic|date=January 16, 2014|ref=none}}

{{Music psychology}}

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