evermore

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| quote = To put it plainly, we just couldn't stop writing songs. To try and put it more poetically, it feels like we were standing on the edge of the folklorian woods and had a choice: to turn and go back or to travel further into the forest of this music. We chose to wander deeper in ... I've never done this before. In the past I've always treated albums as one-off eras and moved onto planning the next one after an album was released. There was something different with Folklore. In making it, I felt less like I was departing and more like I was returning. I loved the escapism I found in these imaginary/not imaginary tales. I loved the ways you welcomed the dreamscapes and tragedies and epic tales of love lost and found into your lives. So I just kept writing them.

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During the COVID-19 lockdowns, on July 23, 2020, American singer-songwriter Taylor Swift announced her eighth studio album and first surprise album, Folklore, and released it the next day. Produced by herself, first-time collaborator Aaron Dessner, long-time collaborator Jack Antonoff, and then-boyfriend Joe Alwyn, the album was a critical and commercial success, becoming the best-selling album of 2020 and winning Album of the Year at the 63rd Annual Grammy Awards.{{cite web|last=Light|first=Alan|date=December 11, 2020|title='Evermore' Isn't About Taylor Swift. It's About Storytelling.|url=https://www.esquire.com/entertainment/music/a34942839/evermore-taylor-swift-album-review-meaning-easter-eggs/|url-status=live|archive-url=https://web.archive.org/web/20201212135550/http://www.esquire.com/entertainment/music/a34942839/evermore-taylor-swift-album-review-meaning-easter-eggs/|archive-date=December 12, 2020|access-date=December 15, 2020|website=Esquire}} On November 25, 2020, a concert documentary titled Folklore: The Long Pond Studio Sessions, shot at Dessner's Long Pond Studio in Hudson Valley, was released to Disney+. It detailed the making of Folklore with performances of its songs.

After releasing Folklore, Swift continued to work remotely with Dessner, who would send her instrumental tracks, to which she would write the lyrics. She stated the rave reception of Folklore further encouraged her to experiment further with its musical style. Soon after, Swift's sessions with Dessner resulted in a project that was a natural extension of Folklore,{{cite magazine|last=Shaffer|first=Claire|date=December 18, 2020|title=Aaron Dessner on How His Collaborative Chemistry With Taylor Swift Led to 'Evermore'|url=https://www.rollingstone.com/music/music-features/aaron-dessner-interview-taylor-swift-evermore-1105853/|access-date=December 19, 2020|magazine=Rolling Stone|archive-date=December 22, 2020|archive-url=https://web.archive.org/web/20201222181909/https://www.rollingstone.com/music/music-features/aaron-dessner-interview-taylor-swift-evermore-1105853/|url-status=live}} which eventually assumed its individual identity as Evermore. Dessner dubbed Evermore a "weird avalanche" effecting from Folklore. In comparison to its predecessor, the development of Evermore was a more experimental process, during which the duo did not subject themselves to any limitations. In an Apple Music interview to Zane Lowe, Swift stated Evermore gave her a feeling of "quiet conclusion and sort of this weird serenity" after putting out Folklore,{{cite web|last=Countryman|first=Eli|date=December 16, 2020|title=Taylor Swift Opens Up About the Creation of 'Evermore'|url=https://variety.com/2020/music/news/taylor-swift-evermore-apple-music-1234853026/|url-status=live|access-date=December 20, 2020|work=Variety|archive-date=December 22, 2020|archive-url=https://web.archive.org/web/20201222181838/https://variety.com/2020/music/news/taylor-swift-evermore-apple-music-1234853026/}} and correlated it with the themes of those albums, saying one of Folklore{{'s}} main tropes was "conflict resolution"—"trying to figure out how to get through something with someone", whereas Evermore deals with "endings of all sorts, sizes and shapes", and the pain and various phases of those closures.{{cite web|title=Taylor Swift: folklore, evermore and Songwriting {{!}} Apple Music Awards 2020 – YouTube| date=December 15, 2020 |url=https://www.youtube.com/watch?v=CQacWbsLbS4&t=6s|url-status=live|archive-url=https://web.archive.org/web/20201222181944/https://www.youtube.com/watch?v=CQacWbsLbS4&t=6s|archive-date=December 22, 2020|access-date=December 16, 2020|via=YouTube}}

On December 10, 2020, three days prior to her 31st birthday, Swift posted nine photos on Instagram, which together formed an image depicting the singer's back, with her hair in a braid and facing a forest. In another post across her social media, she announced her ninth studio album, titled Evermore, releasing at midnight. She revealed the track-list, and a music video for its opening track, "Willow", which would premiere on YouTube alongside the album release.{{cite web|title=Taylor Swift to release surprise ninth album 'Evermore' tonight|url=https://www.nme.com/news/music/taylor-swift-to-release-surprise-ninth-album-evermore-tonight-2835851|url-status=live|archive-url=https://web.archive.org/web/20201210131229/https://www.nme.com/news/music/taylor-swift-to-release-surprise-ninth-album-evermore-tonight-2835851|archive-date=December 10, 2020|access-date=December 10, 2020|website=NME|date=December 10, 2020 }}{{cite web|last=Aswad|first=Jem|date=December 10, 2020|title=Taylor Swift to Release New Album, 'Evermore,' Tonight|url=https://variety.com/2020/music/news/taylor-swift-new-album-evermore-tonight-1234850261/|url-status=live|archive-url=https://web.archive.org/web/20201210132302/https://variety.com/2020/music/news/taylor-swift-new-album-evermore-tonight-1234850261/|archive-date=December 10, 2020|access-date=December 10, 2020|website=Variety}} Referring to lockdown regulations in light of the COVID-19 pandemic, Swift wrote: "You've all been so caring, supportive and thoughtful on my birthdays and so this time I thought I would give you something! I also know this holiday season will be a lonely one for most of us and if there are any of you out there who turn to music to cope with missing loved ones the way I do, this is for you". Prior to the "Willow" music video premiere, Swift said she likens Evermore to fall and winter, in contrast to its predecessor's spring and summer.{{cite web|title=Taylor Swift Drops Surprise New Album 'Evermore' – Listen!|url=https://www.etonline.com/taylor-swift-drops-surprise-new-album-evermore-listen-157618|url-status=live|archive-url=https://web.archive.org/web/20201211102524/https://www.etonline.com/taylor-swift-drops-surprise-new-album-evermore-listen-157618|archive-date=December 11, 2020|access-date=December 14, 2020|website=Entertainment Tonight|date=December 10, 2020 }}

Like its predecessor, Evermore is also a product of remote collaboration and virtual communication, and was recorded in total secrecy. Dessner produced or co-produced all of the tracks except "Gold Rush", which Swift and Antonoff produced. All of the tracks, except "Cowboy like Me", were recorded at Long Pond Studio, where Folklore: The Long Pond Studio Sessions was shot.

After the release of Folklore, Swift wrote two songs, "Closure" and "Dorothea", for Big Red Machine, which is a supergroup by Dessner and Justin Vernon, the frontman of American indie folk band Bon Iver; the songs ended up on Evermore instead. To celebrate Folklore, Dessner casually composed an instrumental track "Westerly", named after the location of Swift's Rhode Island home. An hour later, Swift wrote "Willow" to the track and sent it back to him.{{cite magazine|last=Havens|first=Lyndsey|date=December 18, 2020|title=Aaron Dessner on the 'Weird Avalanche' That Resulted in Taylor Swift's 'Evermore'|url=https://www.billboard.com/articles/columns/pop/9502756/aaron-dessner-taylor-swift-evermore-interview|access-date=December 19, 2020|magazine=Billboard|archive-date=December 22, 2020|archive-url=https://web.archive.org/web/20201222181838/https://www.billboard.com/articles/columns/pop/9502756/aaron-dessner-taylor-swift-evermore-interview|url-status=live}} She wrote the title track "Evermore" with Alwyn (alias William Bowery) and sent it to Vernon, who added a bridge. Dessner realized they were creating a counterpart to Folklore only after the duo wrote more than seven songs. He composed "Tolerate It" on a piano in A major and {{Time signature|10|8}} time signature and sent it to Swift, conjuring a scene in her mind upon hearing the track; she sent it back with finished lyrics. Dessner stated he "cried when [he] first heard" its lyrics.

File:Marjorie Moehlenkamp.png", the album's thirteenth track, is a tribute to American opera singer and Swift's maternal grandmother, Marjorie Finlay (pictured in 1949), who inspired Swift's passion for music.]]

Swift traveled to Long Pond Studio to film Folklore: The Long Pond Studio Sessions. Once filming was complete, Swift stayed at Long Pond overnight, to record with Dessner and Antonoff. The next morning, she approached Dessner in his kitchen with "{{'}}Tis the Damn Season", which she wrote during the night. Dessner cited the song as one of his favorite works ever, and that it could have just remained as an instrumental, but instead, Swift's "incredible storytelling ability and musical ability took it and made something much great". "No Body, No Crime" was inspired by Swift's "obsession with true crime podcasts/documentaries".{{Cite web|last=Salem|first=Merryana|date=December 13, 2020|title=The Story Behind Taylor Swift's Murder Mystery Song 'no body no crime' Is Actually Friendship|url=https://junkee.com/no-body-no-crime-taylor-swift-evermore/282189|access-date=May 8, 2021|website=Junkee|archive-date=December 16, 2020|archive-url=https://web.archive.org/web/20201216140327/https://junkee.com/no-body-no-crime-taylor-swift-evermore/282189|url-status=live}} She wrote the song on a rubber-bridge guitar and mailed Dessner a voice memo, after which he started producing it. Swift had specific ideas on how she wanted the song, including a guest feature from American pop rock band Haim, who recorded their vocals at Ariel Rechtshaid's Los Angeles home and forwarded it to Swift. The song's harmonica and guitar riffs were played by Josh Kaufman, who also played the harmonica on "Betty" from Folklore; JT Bates played the drums, and also did the same on "Dorothea".

Aaron Dessner and his twin brother, Bryce Dessner, sent Swift some of the instrumentals they made for their band, American indie rock band the National. One of those was what would become "Coney Island". Swift and Alwyn wrote its lyrics, and recorded it with her vocals. After listening to the demo, the Dessner brothers felt that the song was very related to the National, and envisioned Matt Berninger (the band's lead vocalist) singing it, and Bryan Devendorf (the drummer) drumming it. Aaron Dessner informed Berninger, who was "excited" about the idea. The band assembled, Devendorf played the drums, while his brother Scott Devendorf played the bass and pocket piano; Bryce Dessner helped produce the song.

"Marjorie" was an instrumental precursor to "Peace", the fifteenth track on Folklore. The latter's drone is present in the former's bridge. The backing rhythm of "Marjorie" was composed with an Allovers Hi-hat Generator, a software developed by producer Ryan Olson, which had been used in many Big Red Machine songs. The instrument takes any sound and splits them into samples, and regenerates them in randomized musical patterns. Dessner went through the patterns, picked his favorite parts, looped them, developed them into an instrumental, and sent it to Swift, who wrote "Marjorie" to it, a song about her maternal grandmother and opera singer, Marjorie Finlay. She also sent a folder of Finlay's opera records to Dessner, who sampled some of it on the song. "Right Where You Left Me" and "Happiness" were written days before Evermore was finished. Dessner had been working on the composition of "Happiness" since 2019, thinking it would be a Big Red Machine song; Swift, however, admired its instrumentals and ended up finishing its lyrics, which was also the case with "Right Where You Left Me".{{cite web|date=December 17, 2020|title=Taylor Swift includes opera singing grandmother's vocals on 'Marjorie'|url=https://www.capitalfm.com/features/taylor-swift-grandmother-marjorie-opera-singer-evermore-vocals/|url-status=live|archive-url=https://web.archive.org/web/20201222181848/https://www.capitalfm.com/features/taylor-swift-grandmother-marjorie-opera-singer-evermore-vocals/|archive-date=December 22, 2020|access-date=December 20, 2020|website=Capital FM}} The last few weeks of recording Evermore overlapped with the recording of Fearless (Taylor's Version)—Swift's first re-recorded album; she recorded "Happiness" and "You Belong with Me (Taylor's Version)" on the same day.

Vernon was more involved in Evermore than Folklore. He played the drums on "Cowboy like Me" and "Closure", guitar and banjo on "Ivy", and contributed backing vocals in "Marjorie". For "Closure", he processed Swift's vocals through his Messina vocal modifier, which distorted her soft timbre into a robotic growl. "Cowboy like Me" was recorded at Scarlet Pimpernel Studios, located in the UK, owned by Marcus Mumford, the lead singer of English folk rock band Mumford & Sons; Mumford provided backing vocals on the song. In "Ivy", Dessner added sleigh bells to invoke winter-oriented emotions, coinciding with the song's wintry imagery. He intentionally added "a wintry nostalgia" to most of the music in Evermore, leaning towards the idea Swift told him. Dessner said mixing the album's 17 songs was a "Herculean task" and that the sound engineer Jon Low thought it would not be finished on time.

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| footer = Evermore contains two duets: "Coney Island" with Matt Berninger of the National (pictured left), and the title track with Justin Vernon of Bon Iver (right).

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The standard edition of Evermore is one hour long, consisting of 15 tracks, while the deluxe adds two bonus songs.{{Cite web |url=https://www.target.com/p/taylor-swift-evermore-cd/-/A-82077259 |title=Taylor Swift – evermore (CD) |access-date=December 21, 2020 |archive-date=December 22, 2020 |archive-url=https://web.archive.org/web/20201222181915/https://www.target.com/p/taylor-swift-evermore-cd/-/A-82077259 |website=Target Corporation |url-status=live }} Haim, the National and Bon Iver provide guest vocals on "No Body, No Crime", "Coney Island", and "Evermore", respectively.{{cite web|title=Evermore by Taylor Swift – Credits|url=https://listen.tidal.com/album/165682541/credits|url-status=live|archive-url=https://web.archive.org/web/20201212001530/https://listen.tidal.com/album/165682541/credits|archive-date=December 12, 2020|access-date=December 11, 2020|website=Tidal|date=December 11, 2020 }} Critics have dubbed Evermore a sequel and a companion record to Folklore.

Evermore is an indie folk,{{Cite web|last=Kaplan|first=Ilana|date=November 15, 2021|title=Taylor Swift's Red Re-Release Proves What Swifties Always Knew|url=https://slate.com/culture/2021/11/taylor-swift-red-taylors-version-review.html|access-date=June 2, 2022|website=Slate|language=en|archive-date=November 15, 2021|archive-url=https://web.archive.org/web/20211115233505/https://slate.com/culture/2021/11/taylor-swift-red-taylors-version-review.html|url-status=live}} folk-pop,{{cite web|last=Olivier|first=Bobby|date=December 11, 2020|title=Taylor Swift's 'Evermore' Is an Undeniable Folk-Pop Masterpiece|url=https://www.spin.com/2020/12/taylor-swift-evermore-album-review/|url-status=live|archive-url=https://web.archive.org/web/20201222181845/https://www.spin.com/2020/12/taylor-swift-evermore-album-review/|archive-date=December 22, 2020|access-date=December 18, 2020|website=Spin}} alternative rock, and chamber rock record{{cite web|url=https://www.latimes.com/entertainment-arts/music/story/2020-12-10/taylor-swift-evermore-folklore|title=Review: Taylor Swift's surprise LP 'Evermore' is more — and less — 'Folklore'|work=Los Angeles Times|first=Mikael|last=Wood|date=December 10, 2020|access-date=December 11, 2020|archive-date=December 11, 2020|archive-url=https://web.archive.org/web/20201211050852/https://www.latimes.com/entertainment-arts/music/story/2020-12-10/taylor-swift-evermore-folklore|url-status=live}} with country influences. It has its predecessor's minimal and lo-fi{{Cite web|last=Gleason|first=Holly|date=December 11, 2021|title=Taylor's Evermore: Chasing Beauty |url=https://hitsdailydouble.com/news%26id%3D324411%26title%3DTAYLOR%27S-EVERMORE-%3A-CHASING-BEAUTY|access-date=June 4, 2021|website=Hits|archive-date=June 4, 2021|archive-url=https://web.archive.org/web/20210604203715/https://hitsdailydouble.com/news%26id%3D324411%26title%3DTAYLOR%27S-EVERMORE-%3A-CHASING-BEAUTY|url-status=live}} styles, but looser and more experimental in nature. The album is characterized by its acoustic core and wintry mood, consisting of sparse arrangements, slow-burning melodies, burbling, fingerpicked acoustic guitars, swaying electric guitars, soft,{{Cite web|last=Johnson|first=Ellen|date=December 15, 2020|title=Taylor Swift's evermore Is folklore's Charismatic Companion|url=https://www.pastemagazine.com/music/taylor-swift/evermore-review/|access-date=June 5, 2021|website=Paste|archive-date=December 15, 2020|archive-url=https://web.archive.org/web/20201215191151/https://www.pastemagazine.com/music/taylor-swift/evermore-review/|url-status=live}} smooth, and somber{{cite web|last=Sodomsky|first=Sam|date=December 15, 2020|title=Taylor Swift: evermore|url=https://pitchfork.com/reviews/albums/taylor-swift-evermore/|url-status=live|archive-url=https://web.archive.org/web/20201215214943/https://pitchfork.com/reviews/albums/taylor-swift-evermore/|archive-date=December 15, 2020|access-date=December 14, 2020|website=Pitchfork}} pianos, warm and woozy synthesizers, mandolins, twangy banjos,{{Cite web|date=June 1, 2021|title=The Best Albums Of 2021 So Far|url=https://uproxx.com/music/best-albums-2021-so-far/|access-date=June 1, 2021|website=Uproxx|archive-date=June 1, 2021|archive-url=https://web.archive.org/web/20210601140920/https://uproxx.com/music/best-albums-2021-so-far/|url-status=live}} throbbing drum machines, lush strings,{{cite web|last=Ryan|first=Patrick|date=December 12, 2020|title=Taylor Swift's 'Evermore' review: Pop star returns to the woods for a spellbinding 'Folklore' companion|url=https://www.usatoday.com/story/entertainment/music/2020/12/11/taylor-swift-evermore-review-folklore-companion-album-willow/3879263001/|url-status=live|archive-url=https://web.archive.org/web/20201212035351/https://www.usatoday.com/story/entertainment/music/2020/12/11/taylor-swift-evermore-review-folklore-companion-album-willow/3879263001/|archive-date=December 12, 2020|access-date=December 12, 2020|website=USA Today}} electronic thrums, subtle layers of Mellotrons, flutes, French horns, and cellos. Swift's mellifluous vocals are backed by gauzy harmonies and "misty atmospherics".

Rolling Stone wrote that Evermore deepens Swift's goth-folk vision. Hits described the album's sonic palette as "watery" and "hypnotic". The Daily Telegraph said that there is no sense of tempo or urgency in its songs, departing from the stadium-suited tempos of Swift's earlier works. Esquire noted Evermore{{'s}} focus on "sonic details and nuances rather than big hooks." According to critic Tom Hull, while Swift remains attentive to "production details", Evermore follows Folklore in abandoning "pop glitz" in favor of "straightforward songcraft" due in part to the pandemic shifting Swift's focus from arenas to homely settings.{{cite web|last=Hull|first=Tom|author-link=Tom Hull (critic)|date=December 15, 2020|url=http://tomhull.com/ocston/blog/archives/2911-Music-Week.html|title=Music Week|website=Tom Hull – on the Web|access-date=December 15, 2020|archive-date=December 22, 2020|archive-url=https://web.archive.org/web/20201222181849/http://tomhull.com/ocston/blog/archives/2911-Music-Week.html|url-status=live}} Stereogum described it as "a soft, meditative, consciously quiet" album of "restorative old-school singer-songwriter music". In Slate{{'s}} opinion, Evermore has a more spacious ambience with lots of break, unlike the "maximalist-minimalism" of Folklore, which had "layers upon layers of restrained instrumental lines".{{Cite web|date=December 11, 2020|title=Taylor Swift's Evermore: A Track-by-Track Review|url=https://slate.com/culture/2020/12/taylor-swift-evermore-review-new-album-track-by-track.html|access-date=May 5, 2021|website=Slate|archive-date=May 5, 2021|archive-url=https://web.archive.org/web/20210505080320/https://slate.com/culture/2020/12/taylor-swift-evermore-review-new-album-track-by-track.html|url-status=live}}

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| footer = The fifth track, "Tolerate It", was inspired by Daphne du Maurier's 1938 novel Rebecca, whereas the seventh track, "Happiness", contains references to The Great Gatsby, the 1925 novel by F. Scott Fitzgerald.

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Evermore is an intimate album heavily rooted in elaborate first-person storytelling from third-person perspectives, character studies, and narrative mythmaking. It ventures deeper inside the imaginary world Swift built with Folklore, blending facts and fiction. Both albums share a common escapist concept, but in contrast to Folklore{{'}}s more introspective and romantic nature, Evermore is bolder, uninhibited, playful, and impressionistic, delving extensively into Swift's ideas of adult love and pain. The songs generally ruminate themes of forbidden love, romantic neglect, forgiveness, marriage, and infidelity,{{cite news|last=O'Connor|first=Roisin|date=December 11, 2020|title=Taylor Swift song 'Marjorie' is a tribute to her late grandmother|url=https://www.independent.co.uk/arts-entertainment/music/news/taylor-swift-marjorie-who-grandmother-b1769792.html|url-status=live|archive-url=https://web.archive.org/web/20201222181849/https://www.independent.co.uk/arts-entertainment/music/news/taylor-swift-marjorie-who-grandmother-b1769792.html|archive-date=December 22, 2020|access-date=December 16, 2020|website=The Independent}} revolving around a set of distinctive characters, such as embattled couples, scorned friends, and complicated women. Evermore also analyses conflicted emotions and possibilities, aside "noirish twists" in plots.

Like its sister album, Evermore lyrically incorporates nature, landscapes and objects in the sky, such as crescent moon, sunrise, comets, amber skies, precipice, willow, clover and ivy. Swift's trademark turns of phrase and wordplay are also abundant. Variety observed that "warmth amid iciness" is a "recurring lyrical motif". American Songwriter opined that Evermore has Swift mostly writing "the 'unhappily ever after' anthology of marriages gone bad". Slate also called it an anthology, emphasizing "her leap away from autobiography into songs that are either pure fictions or else lyrically symbolic in ways that don't act as romans à clef". Stereogum labeled the album "observational fiction". Pitchfork noted that Swift remains a versatile, expressive vocalist, and a "wordy" lyricist to "magnify sad, small moments." Music theory professor Alyssa Barna said Swift adopts a static, colorless timbre for both vocals and instrumentation in the album.{{cite news |last=Barna |first=Alyssa |date=December 16, 2020 |title=These are the musicological reasons Taylor Swift's new album sounds dull |newspaper=The Washington Post |url=https://www.washingtonpost.com/outlook/2020/12/16/taylor-swift-musicology-evermore-boring/ |url-access=limited |access-date=November 3, 2021 |archive-date=February 25, 2021 |archive-url=https://web.archive.org/web/20210225171621/https://www.washingtonpost.com/outlook/2020/12/16/taylor-swift-musicology-evermore-boring/ |url-status=live }} Spin remarked the "exceedingly complex human emotions" she unravels in Evermore with "precision and devastation".

Evermore opens with "Willow", a chamber folk{{cite web|last=Harvilla|first=Rob|date=December 14, 2020|title=There's Nothing Shocking About Taylor Swift's New Surprise Album|url=https://www.theringer.com/music/2020/12/14/22173602/taylor-swift-evermore-review|url-status=live|archive-url=https://web.archive.org/web/20201222181845/https://www.theringer.com/music/2020/12/14/22173602/taylor-swift-evermore-review|archive-date=December 22, 2020|access-date=December 17, 2020|website=The Ringer}} love song propelled by picked guitars, glockenspiel, orchestrations, programmed drums, and a "breathless chorus".{{cite magazine|last=Lipshutz|first=Jason|date=December 14, 2020|title=Every Song Ranked on Taylor Swift's 'Evermore': Critic's Picks|url=https://www.billboard.com/articles/columns/pop/9498113/taylor-swift-evermore-songs-ranked|url-status=live|archive-url=https://web.archive.org/web/20201213153542/https://www.billboard.com/articles/columns/pop/9498113/taylor-swift-evermore-songs-ranked/|archive-date=December 13, 2020|access-date=December 14, 2020|magazine=Billboard}} "Champagne Problems" is a mournful ballad with spacious, oom-pah piano chords entwining with a guitar arpeggio and choir vocals. It depicts a struggling girlfriend whose mental issues disrupt her romantic relationship, leading her to turn down her lover's proposal. "Gold Rush" is a nimble chamber pop song{{Cite web|last1=Ahlgrim|first1=Callie|last2=Larocca|first2=Courteney|date=December 11, 2020|title=Review: Taylor Swift 'Evermore' is a great follow up to 'Folklore'|url=https://www.insider.com/taylor-swift-evermore-review-tracklist-breakdown-2020-12|access-date=February 22, 2021|website=Insider Inc.|archive-date=March 27, 2021|archive-url=https://web.archive.org/web/20210327143036/https://www.insider.com/taylor-swift-evermore-review-tracklist-breakdown-2020-12|url-status=live}} with drums, horns, violins, swiveling shifts in tempo, and a "dreamy" chorus. Its frenzy verses are couplets delivered in a pulsating rhythm over persistent beats,{{cite web|last=Rodgers|first=Katherine|date=December 16, 2020|title=Review – Taylor Swift, Evermore|url=https://thequietus.com/articles/29373-taylor-swift-evermore-review|access-date=December 18, 2020|website=The Quietus|archive-date=December 22, 2020|archive-url=https://web.archive.org/web/20201222181853/https://thequietus.com/articles/29373-taylor-swift-evermore-review|url-status=live}} with a red herring in its intro and outro made of "layered vocals". Expressing jealousy and insecurity towards an attractive subject, "Gold Rush" limns the narrator's infatuation for the subject using a daydream,{{Cite news|last=Sager|first=Jessica|date=March 11, 2021|title=All Taylor Swift's Easter Eggs in the Evermore Album and 'Willow' Music Video|url=https://parade.com/1135014/jessicasager/taylor-swift-evermore-easter-eggs-lyrics-explained/|access-date=August 4, 2021|website=Parade|archive-date=August 4, 2021|archive-url=https://web.archive.org/web/20210804140909/https://parade.com/1135014/jessicasager/taylor-swift-evermore-easter-eggs-lyrics-explained/|url-status=live}} and depicts her distaste at her own incapacitation in the face of beauty, comparing it to gold rushes.{{Cite magazine|last=Petrusich|first=Amanda|author-link=Amanda Petrusich|date=December 14, 2021|title=The Intimacy and Comfort of Taylor Swift's "evermore"|url=https://www.newyorker.com/culture/culture-desk/the-intimacy-and-comfort-of-taylor-swifts-evermore|access-date=September 22, 2021|magazine=The New Yorker|archive-date=August 2, 2021|archive-url=https://web.archive.org/web/20210802164604/https://www.newyorker.com/culture/culture-desk/the-intimacy-and-comfort-of-taylor-swifts-evermore|url-status=live}}

File:HaimFoxPomona110418-25 (41736212512).jpg", is a murder ballad. It features American rock band Haim (pictured), and was promoted to US country radio.|260x260px]]

The fourth track, "{{'}}Tis the Damn Season", is a Christmas song. It sees a female narrator arrive for her holidays at hometown Tupelo, where she encounters her former lover and ends up in bed with him despite knowing the rekindled flame will not lead anywhere. It is built around an electric guitar riff, and the narrator is revealed to be a character named Dorothea, later in the album. "Tolerate It" recounts a young woman in an age-gap relationship, and depicts her internal agony and resentment towards her aloof, unappreciative partner. It is a slow-building ballad{{Cite web|last=Krieger|first=Deborah|date=December 15, 2020|title=Taylor Swift Has Written the Best Music of Her Career with 'evermore' and 'folklore'|url=https://www.popmatters.com/taylor-swift-evermore-review-2649491661.html|url-status=live|archive-url=https://web.archive.org/web/20210108124137/https://www.popmatters.com/taylor-swift-evermore-review-2649491661.html|archive-date=January 8, 2021|access-date=January 8, 2021|website=PopMatters}} guided by a "muffled" piano and tense synth-beats. Its plot was inspired by Rebecca, the 1939 novel by English author Daphne du Maurier.{{cite news|title=The book 'Rebecca' inspired this Taylor Swift song|url=https://timesofindia.indiatimes.com/life-style/books/features/the-book-rebecca-inspired-this-taylor-swift-song/articleshow/79780306.cms|website=The Times of India|access-date=July 4, 2021|archive-date=July 10, 2021|archive-url=https://web.archive.org/web/20210710163923/https://timesofindia.indiatimes.com/life-style/books/features/the-book-rebecca-inspired-this-taylor-swift-song/articleshow/79780306.cms|url-status=live}} "No Body, No Crime" opens with police sirens. It is a "twangy", cinematic, country, pop rock, and country rock song, featuring Haim's harmonies. It tells a "macabre revenge tale" of a woman named Este murdered by her husband in favor of his mistress. The narrator is a friend of Este and takes revenge by murdering the unfaithful man.

"Happiness", the melancholic seventh track, is an ambient ballad driven by "hazy" synthesizers, hi-hats, violin, bass,{{cite web|last=Gutowitz|first=Jill|date=December 11, 2020|title=So, What the Hell Folk Tales Is Taylor Swift Telling Now on evermore?|url=https://www.vulture.com/2020/12/taylor-swift-evermore-songs-explained-lyrics-and-analysis.html|access-date=December 15, 2020|website=Vulture|archive-date=December 14, 2020|archive-url=https://web.archive.org/web/20201214232612/https://www.vulture.com/2020/12/taylor-swift-evermore-songs-explained-lyrics-and-analysis.html|url-status=live}} organs, piano and drone. The song channels a stream of consciousness, in which the narrator empathizes with the subject after their divorce, contemplates the split, and apologizes for "losing track of the facts", and affirms happiness will be found again. It contains references to The Great Gatsby.{{Cite web|last=Walsh|first=Savannah|date=December 11, 2020|title=Taylor Swift's 'Happiness' Lyrics Turn The Great Gatsby into a Poignant Breakup Song|url=https://www.elle.com/culture/celebrities/a34944812/taylor-swift-happiness-lyrics-meaning-evermore/|access-date=July 1, 2021|website=Elle|archive-date=September 25, 2022|archive-url=https://web.archive.org/web/20220925094646/https://www.elle.com/culture/celebrities/a34944812/taylor-swift-happiness-lyrics-meaning-evermore/|url-status=live}} "Dorothea" is an Americana song from the perspective of the male subject in "{{ '}}Tis the Damn Season", who stays in Tupelo while his high-school lover, Dorothea, moves to Los Angeles for a Hollywood career. He narrates his stories of her, such as a skipped prom and feelings of separation, and yearns for Dorothea's return to the simple rural life, over a honky-tonk piano, tambourine and guitars. It has been compared to "Betty" due to their similar perspectives.

{{listen

| type = Music

| filename = Cowboy like Me – Taylor Swift.ogg

| title = "Cowboy like Me"

| description = "Cowboy like Me" is a blues, country, and folk rock tune driven by guitar, harmonica, and mandolin.

| filename2 = Evermore by Taylor Swift (ft. Bon Iver).ogg

| title2 = "Evermore"

| description2 = The title track is a ballad about depression and hopelessness, led by a gonging piano.

}}

The ninth track, "Coney Island", is an alternative rock, waltz and indie-folk duet with Berninger. The song depicts suburban nostalgia and recollects a couple's memories in Coney Island; Swift's melodious vocals contrast Berninger's mumbled baritone. "Ivy" is a folk song with "elastic vocals" and a "jaunty chorus", documenting a married woman's infidelity, over a ticking arrangement of banjo, picked guitar, trumpet, and Vernon's gentle harmonies. It conveys her temptation for her secret lover and the realistic consequences that may hinder their affair, using a metaphor of ivy vines growing over a stone house to represent her deep-rooted attachment.

Swift sings about two "gold-digging" con artists in the eleventh track, "Cowboy like Me"; they unexpectedly fall in love with each other while frequenting resorts and deceiving the rich. It is an alternative, country, folk rock, and blues tune, with hushed guitars, harmonica riff, mandolin, piano, lap steel, and Mumford's backing vocals. "Long Story Short" is a pop-infused indie rock song with a rousing post-chorus hook, explosive guitars, strings, crisp beats of live drums and drum machine. Swift retreads Reputation (2017) in the song, summarizing her life's worst moments and emotional healing. "Marjorie" details Swift's grief over her grandmother Marjorie Finlay, a former opera singer, who died when Swift was 13 years old. Its lyrics consist of Finlay's advice to her granddaughter, as well as Swift's memories and regrets. It includes soft tracks of Finlay singing over "buzzing" synths, pizzicato strings, drone, pulse, cello, and a "pulsing keyboard arrangement".

"Closure", the fourteenth track, is Swift's kiss-off to the song's unnamed subject, a reply to their "self-serving" request, insincere kindness, and pretentious amity. It is an industrial folk song characterized by an unusual {{Time signature|5|4}} time signature, and a "skittering" production of brass, piano, to-and-fro strings, electronic creaks, "clattering percussion", and synth drums. The standard edition of the album ends with the title track—a piano ballad that progresses into a dramatic bridge after a tempo shift, where Swift is joined midway by Vernon's signature falsetto in a call and response. Swift navigates depression, desolation and negative notions in her verses, in contrast to Vernon's optimistic and supportive verses that attempt to help her, resulting in a realization that pain is temporary.{{Cite web|last=Kwan|first=Candace|date=December 11, 2020|title=Taylor Swift's 'Evermore' review|url=https://www.scmp.com/yp/discover/entertainment/music/article/3113584/evermore-album-review-taylor-swifts-second-surprise|access-date=June 4, 2021|website=South China Morning Post|archive-date=June 4, 2021|archive-url=https://web.archive.org/web/20210604201954/https://www.scmp.com/yp/discover/entertainment/music/article/3113584/evermore-album-review-taylor-swifts-second-surprise|url-status=live}} The deluxe edition of Evermore includes two bonus tracks: "Right Where You Left Me" is a country and folk-pop song,{{Cite web|title=Taylor Swift: Her 15 Best Songs|url=https://www.clashmusic.com/features/taylor-swift-her-15-best-songs|access-date=January 6, 2022|website=Clash|date=January 2, 2022 |archive-date=May 25, 2022|archive-url=https://web.archive.org/web/20220525021731/https://www.clashmusic.com/features/taylor-swift-her-15-best-songs|url-status=live}} portraying the fate of a love "frozen in time", over twangy guitars.{{Cite web|last=Haylock|first=Zoe|date=January 7, 2021|title=Taylor Swift Releases evermore Bonus Tracks, Offers Distraction From Turmoil|url=https://www.vulture.com/2021/01/taylor-swift-evermore-deluxe-edition-bonus-tracks.html|access-date=January 7, 2021|website=Vulture|archive-date=January 7, 2021|archive-url=https://web.archive.org/web/20210107183750/https://www.vulture.com/2021/01/taylor-swift-evermore-deluxe-edition-bonus-tracks.html|url-status=live}} In contrast, "It's Time to Go" is about the narrator's knowledge of when to exit a relationship, such as a friendship, featuring tales of divorce and losing a dream career to an unfit individual; the song contains references to Swift's dispute over her masters.{{Cite web|last=Norwin|first=Alyssa|date=January 7, 2021|title=Taylor Swift Sings About A 'Crook Who Got Caught' On New Song & Fans Think It's Karlie Kloss|url=https://hollywoodlife.com/2021/01/07/taylor-swift-its-time-to-go-song-lyrics-karlie-kloss/|access-date=January 7, 2021|website=Hollywood Life|archive-date=January 7, 2021|archive-url=https://web.archive.org/web/20210107144305/https://hollywoodlife.com/2021/01/07/taylor-swift-its-time-to-go-song-lyrics-karlie-kloss/|url-status=live}}

The visual aesthetic of Evermore takes upon a wintry theme, a yuletide version of the cottagecore, woodland aesthetic of Folklore. Time stated that Folklore is a muted, autumnal palette of sounds and feelings, whereas Evermore is its winter companion with lingering sadness and regret.{{cite news|last=Bruner|first=Raisa|date=December 11, 2020|title=Let's Break Down Taylor Swift's New Album 'Evermore'|url=https://time.com/5920105/taylor-swift-evermore/|url-status=live|archive-url=https://web.archive.org/web/20201222181946/https://time.com/5920105/taylor-swift-evermore/|archive-date=December 22, 2020|access-date=December 19, 2020|magazine=Time}} While Folklore adapts a grayscale monochrome, Evermore employs colors.{{Cite web|title=Taylor Swift swaps Stella McCartney coats for new evermore album artwork|url=https://www.thelineofbestfit.com/news/latest-news/taylor-swift-swaps-stella-mccartney-coats-for-new-evermore-album-artwork|access-date=January 23, 2021|website=The Line of Best Fit|archive-date=December 10, 2020|archive-url=https://web.archive.org/web/20201210163000/https://www.thelineofbestfit.com/news/latest-news/taylor-swift-swaps-stella-mccartney-coats-for-new-evermore-album-artwork|url-status=live}} The Times of India opined that Evermore embraces "1960s-era Laurel Canyon".{{Cite web|date=December 11, 2020|title=Taylor Swift drops 'willow' music video that is all things magical, whimsical and perfect for the Holiday season – WATCH|url=https://timesofindia.indiatimes.com/entertainment/english/music/news/taylor-swift-drops-willow-music-video-that-is-all-things-magical-whimsical-and-perfect-for-the-holiday-season-watch/articleshow/79674789.cms|access-date=July 2, 2021|website=The Times of India|archive-date=May 2, 2021|archive-url=https://web.archive.org/web/20210502194404/https://timesofindia.indiatimes.com/entertainment/english/music/news/taylor-swift-drops-willow-music-video-that-is-all-things-magical-whimsical-and-perfect-for-the-holiday-season-watch/articleshow/79674789.cms|url-status=live}}

The cover artwork of Evermore shows Swift in a barren field, facing away from the camera, looking over the bare trees in the distance.{{Cite news|last=Opperman|first=Jeff|date=March 12, 2021|title=Taylor Swift Is Bringing Us Back to Nature|work=The New York Times|url=https://www.nytimes.com/2021/03/12/opinion/taylor-swift-grammys-nature-lyrics.html|url-status=live|access-date=March 12, 2021|issn=0362-4331|archive-date=March 12, 2021|archive-url=https://web.archive.org/web/20210312101113/https://www.nytimes.com/2021/03/12/opinion/taylor-swift-grammys-nature-lyrics.html}} She is seen standing at the edge of a forested area, while on the cover of Folklore, she was seen inside a forest. Her hair is styled in a French braid and she wears a single-breasted, brown and orange checked flannel coat, taken from a collection by English designer Stella McCartney.{{cite web|last=Grindell|first=Samantha|date=December 12, 2020|title=Taylor Swift's $2,875 plaid coat from her 'Evermore' cover sold out within hours – and it's not the only pricey item fans are snapping up|url=https://www.insider.com/taylor-swifts-coat-from-evermore-cover-sold-out-within-hours-2020-12|access-date=December 13, 2020|website=Insider|archive-date=December 14, 2020|archive-url=https://web.archive.org/web/20201214225615/https://www.insider.com/taylor-swifts-coat-from-evermore-cover-sold-out-within-hours-2020-12|url-status=live}} Stylist called the hairstyle "messy-yet-chic". Adam Reed, UK editorial ambassador for French beauty company L'Oréal, admired Swift's braid and described it as "simple, supernatural and timeless".{{cite web|last=Ibraheem|first=Hanna|date=December 11, 2020|title=How to recreate Taylor Swift's Evermore French braid, explained by hair experts|url=https://www.stylist.co.uk/beauty/hair/taylor-swift-evermore-hair-french-braid-how-to/462169|access-date=May 13, 2021|website=Stylist|archive-date=May 13, 2021|archive-url=https://web.archive.org/web/20210513163555/https://www.stylist.co.uk/beauty/hair/taylor-swift-evermore-hair-french-braid-how-to/462169|url-status=live}} According to Consequence, the cover artwork is "gorgeous in its simplicity", and has Swift facing a field, insinuating "she's inviting the listener to see the field through her eyes."{{Cite web|last=Siroky|first=Mary|date=November 9, 2021|title=Every Taylor Swift Album Ranked from Worst to Best|url=https://consequence.net/2021/11/taylor-swift-albums-ranked-list/|access-date=November 10, 2021|website=Consequence|archive-date=March 28, 2022|archive-url=https://web.archive.org/web/20220328011127/https://consequence.net/2021/11/taylor-swift-albums-ranked-list/|url-status=live}} Like the Folklore album cover, the Evermore photo was taken at the home of Swift's friend in Lewisboro, New York.{{Cite web |last=Ezzo |first=Keira |date=September 4, 2023 |title=Name that Place: Iconic Album Cover Art Shot in the Great Outdoors |url=https://outdoors.com/album-cover-shot-outdoors/ |access-date=July 28, 2024 |website=Outdoors |language=en-US |archive-date=July 27, 2024 |archive-url=https://web.archive.org/web/20240727160438/https://outdoors.com/album-cover-shot-outdoors/ |url-status=live }}

Following Evermore{{'s}} release, replicas of the flannel coat Swift wore on the cover artwork quickly sold out on Farfetch.{{cite web |date=December 15, 2020 |title=Taylor Swift's Rs 2 lakh coat from latest album cover sells out |url=https://indianexpress.com/article/lifestyle/fashion/taylor-swifts-rs-2-lakh-coat-from-latest-album-cover-sells-out-7105817/ |url-status=live |archive-url=https://web.archive.org/web/20201215215011/https://indianexpress.com/article/lifestyle/fashion/taylor-swifts-rs-2-lakh-coat-from-latest-album-cover-sells-out-7105817/ |archive-date=December 15, 2020 |access-date=December 15, 2020 |website=The Indian Express}} The album cover was the third most-searched album cover of 2021 on the internet, after Kanye West's Donda (2021) and Olivia Rodrigo's Sour (2021).{{Cite news|date=January 5, 2022|title=Kanye West's Donda most searched for album cover of 2021|work=Belfast Telegraph|url=https://www.belfasttelegraph.co.uk/entertainment/music/news/kanye-wests-donda-most-searched-for-album-cover-of-2021-41210050.html|access-date=January 6, 2022|issn=0307-1235|archive-date=January 6, 2022|archive-url=https://web.archive.org/web/20220106113849/https://www.belfasttelegraph.co.uk/entertainment/music/news/kanye-wests-donda-most-searched-for-album-cover-of-2021-41210050.html|url-status=live}}

Evermore was released on December 11, 2020, two days before Swift's 31st birthday, to digital music and streaming platforms only. It is a "sister album" to Folklore, which was launched less than five months prior; both of them are surprise albums announced 16 hours prior to their midnight releases.{{cite web|last=Hussey|first=Allison|title=6 Albums Out This Week You Should Listen to Now|url=https://pitchfork.com/news/6-new-albums-you-should-listen-to-now-taylor-swift-kid-cudi-the-avalanches-and-more/|url-status=live|archive-url=https://web.archive.org/web/20201212133224/https://pitchfork.com/news/6-new-albums-you-should-listen-to-now-taylor-swift-kid-cudi-the-avalanches-and-more/|archive-date=December 12, 2020|access-date=December 12, 2020|website=Pitchfork|date=December 11, 2020 }} Evermore marked the second time Swift abandoned her long, traditional album rollout.{{Cite web|last=Curto|first=Justin|date=December 22, 2020|title=Did 2020 Kill the Long, Fancy Pop-Album Rollout for Good?|url=https://www.vulture.com/2020/12/taylor-swift-evermore-folklore-surprise-explained.html|access-date=December 27, 2020|website=Vulture|archive-date=December 23, 2020|archive-url=https://web.archive.org/web/20201223023032/https://www.vulture.com/2020/12/taylor-swift-evermore-folklore-surprise-explained.html|url-status=live}}

The CDs were released on December 18, 2020.{{Cite magazine|last=Caulfield|first=Keith|date=May 31, 2021|title=Taylor Swift's 'Evermore' Breaks Modern-Era Record for Biggest Vinyl Album Sales Week|url=https://www.billboard.com/articles/news/9580407/taylor-swift-evermore-record-breaking-vinyl-album-sales-week|access-date=May 31, 2021|magazine=Billboard|archive-date=May 31, 2021|archive-url=https://web.archive.org/web/20210531190705/https://www.billboard.com/articles/news/9580407/taylor-swift-evermore-record-breaking-vinyl-album-sales-week/|url-status=live}} The bonus tracks of Evermore deluxe edition, "Right Where You Left Me" and "It's Time to Go", which were formerly physical-exclusive, were released to streaming services on January 7, 2021.{{Cite magazine|last=Kaufman|first=Gil|date=January 7, 2021|title=Taylor Swift Drops Deluxe Edition of 'Evermore' on Streaming, With Lyric Videos For Bonus Tracks|url=https://www.billboard.com/articles/columns/pop/9508098/taylor-swift-deluxe-streaming-edition-evermore-lyric-videos/|access-date=January 7, 2021|magazine=Billboard|archive-date=January 7, 2021|archive-url=https://web.archive.org/web/20210107130924/https://www.billboard.com/articles/columns/pop/9508098/taylor-swift-deluxe-streaming-edition-evermore-lyric-videos/|url-status=live}} Cassette tapes and vinyl LPs of Evermore were released on February 21, and May 28, 2021, respectively. Billboard reported that the delayed release of the album's physical formats is owed to its surprise release and the time-consuming manufacturing process of physical albums, specifically the vinyl copies. Limited number of autographed CDs were sold at select independent record stores.{{Cite news|last=Sisario|first=Ben|date=June 7, 2021|title=Taylor Swift's Evermore Vaults to No. 1 With a Vinyl Bump|work=The New York Times|url=https://www.nytimes.com/2021/06/07/arts/music/taylor-swift-evermore-vinyl-chart.html|access-date=June 9, 2021|archive-date=June 8, 2021|archive-url=https://web.archive.org/web/20210608192327/https://www.nytimes.com/2021/06/07/arts/music/taylor-swift-evermore-vinyl-chart.html|url-status=live}}

On December 14, 2020, Swift appeared on Jimmy Kimmel Live! to promote the album.{{cite web|url=https://abc.com/shows/jimmy-kimmel-live/news/schedule/jkl-schedule-for-12142020|title=Jimmy Kimmel Live Schedule for the Week of 12/14/2020|work=ABC|date=December 11, 2020|access-date=December 12, 2020|archive-date=December 14, 2020|archive-url=https://web.archive.org/web/20201214010516/https://abc.com/shows/jimmy-kimmel-live/news/schedule/jkl-schedule-for-12142020|url-status=live}} On a December 2020 episode of Howard Stern's Sirius XM radio show, English singer-songwriter Paul McCartney revealed that Swift originally decided to postpone the release of Evermore by one week to respect the original December 11 release date of his eighteenth studio album, McCartney III; upon learning this, McCartney decided to release his album on December 18 instead so that Swift could move forward with her Evermore rollout as initially planned.{{cite magazine|last=Kaufman|first=Gil|date=December 15, 2020|title=Of Course Sir Paul McCartney Knew Taylor Swift Had a Second Album Coming|url=https://www.billboard.com/articles/columns/pop/9499671/paul-mccartney-album-moved-taylor-swift-interview|url-status=live|archive-url=https://web.archive.org/web/20201215214943/https://www.billboard.com/articles/columns/pop/9499671/paul-mccartney-album-moved-taylor-swift-interview|archive-date=December 15, 2020|access-date=December 15, 2020|magazine=Billboard}} Three six-song compilations consisting of tracks from both Evermore and Folklore, titled The Dropped Your Hand While Dancing Chapter, The Forever Is The Sweetest Con Chapter, and The Ladies Lunching Chapter (all stylized in all lowercase), were released to streaming platforms on January 21, January 27, and February 4, 2021, respectively.{{cite magazine|url=https://www.billboard.com/music/pop/taylor-swift-dropped-your-hand-while-dancing-chapter-9514532|title=New Year, New Taylor Swift Chapter: Here's the 'Dropped Your Hand While Dancing' Collection|last=Mamo|first=Heran|magazine=Billboard|access-date=January 22, 2021|archive-date=January 26, 2021|archive-url=https://web.archive.org/web/20210126231857/https://www.billboard.com/amp/articles/columns/pop/9514532/taylor-swift-dropped-your-hand-while-dancing-chapter|url-status=live}}{{cite magazine|url= https://www.billboard.com/articles/news/9517430/taylor-swift-chapter-forever-is-the-sweetest-con|title= Taylor Swift Drops New Chapter 'Forever Is The Sweetest Con'|magazine= Billboard|access-date= January 28, 2021|archive-date= January 28, 2021|archive-url= https://web.archive.org/web/20210128064530/https://www.billboard.com/articles/news/9517430/taylor-swift-chapter-forever-is-the-sweetest-con/|url-status= live}}

{{listen

| filename = Willow by Taylor Swift.mp3

| pos = right

| title = "Willow"

| description = "Willow", the lead single, is a romantic chamber folk song propelled by a melodious guitar riff, glockenspiel, and strings.

}}

"Willow" was released as the lead single of Evermore, alongside the album itself, on December 11, 2020.{{cite magazine|last=Spanos|first=Brittany |date=December 10, 2020|title=Taylor Swift Announces Ninth Album 'Evermore' |url=https://www.rollingstone.com/music/music-news/taylor-swift-evermore-album-surprise-1101630/|url-status=live|archive-url=https://web.archive.org/web/20201210180922/https://www.rollingstone.com/music/music-news/taylor-swift-evermore-album-surprise-1101630/|archive-date=December 10, 2020|access-date=December 11, 2020|magazine=Rolling Stone|publisher=Penske Business Media}} The song was accompanied with a music video directed by Swift.{{cite magazine|last=Aniftos|first=Rania|date=December 11, 2020|title=Taylor Swift Unveils 'Willow' Music Video|url=https://www.billboard.com/articles/columns/pop/9497927/taylor-swift-willow-music-video|url-status=live|archive-url=https://web.archive.org/web/20201211081505/https://www.billboard.com/articles/columns/pop/9497927/taylor-swift-willow-music-video/|archive-date=December 11, 2020|access-date=December 11, 2020|magazine=Billboard}} The single debuted at number-one in Australia, Canada and the United States. In the US, it scored her seventh number-one song, second number-one in 2020 (after "Cardigan"), and the third number-one debut of her career. "Willow" topped Hot Alternative Songs, Adult Top 40 and Digital Song Sales charts as well. According to Billboard, three of the album's tracks were sent to different radio formats—a plan that was adapted for Folklore as well. "Willow" impacted US adult contemporary and pop radio stations on December 14 and 15, 2020, respectively;{{Cite magazine|last=Trust|first=Gary|date=January 28, 2021|title=Taylor Swift's 'Coney Island' and 'No Body, No Crime' Debut on Airplay Charts, Joining 'Willow'|url=https://www.billboard.com/articles/business/chart-beat/9517376/taylor-swift-evermore-radio-rollout|url-status=live|archive-url=https://web.archive.org/web/20210130012714/https://www.billboard.com/articles/business/chart-beat/9517376/taylor-swift-evermore-radio-rollout/|archive-date=January 30, 2021|access-date=January 30, 2021|magazine=Billboard}} "No Body, No Crime" was sent to US country radio on January 11, 2021.{{cite web|url=https://www.allaccess.com/country/future-releases|title=Future Releases for Country Radio Stations|publisher=All Access|access-date=December 21, 2020|archive-url=https://web.archive.org/web/20201221052758/https://www.allaccess.com/country/future-releases|archive-date=December 21, 2020}} "Coney Island" was promoted to US adult album alternative radio on January 18, 2021.{{cite web|url=https://www.allaccess.com/triple-a/future-releases|title=Future Releases on Triple A (AAA) Radio Stations|publisher=All Access|access-date=January 9, 2021|archive-url=https://web.archive.org/web/20210107164449/https://www.allaccess.com/triple-a/future-releases|archive-date=January 7, 2021|url-status=dead}}

{{Music ratings

| title = Evermore ratings

| ADM = 8.0/10{{cite web|url=http://www.anydecentmusic.com/review/12678/Taylor-Swift-Evermore.aspx|title=Evermore – Taylor Swift|website=AnyDecentMusic?|access-date=December 11, 2020|archive-date=December 11, 2020|archive-url=https://web.archive.org/web/20201211122931/http://www.anydecentmusic.com/review/12678/Taylor-Swift-Evermore.aspx|url-status=live}}

| MC = 85/100

| rev1 = AllMusic

| rev1score = {{rating|4|5}}{{cite web|url=https://www.allmusic.com/album/evermore-mw0003459663|title=Evermore – Taylor Swift|publisher=AllMusic|first=Stephen Thomas|last=Erlewine|author-link=Stephen Thomas Erlewine|access-date=December 18, 2020|archive-date=December 22, 2020|archive-url=https://web.archive.org/web/20201222181906/https://www.allmusic.com/album/evermore-mw0003459663|url-status=live}}

| rev2 = And It Don't Stop

| rev2Score = A−{{cite web|last=Christgau|first=Robert|authorlink=Robert Christgau|date=January 13, 2021|url=https://robertchristgau.substack.com/p/consumer-guide-january-2021|title=Consumer Guide: January, 2021|work=And It Don't Stop|publisher=Substack|accessdate=April 13, 2021|url-access=subscription|archive-date=February 11, 2021|archive-url=https://web.archive.org/web/20210211095402/https://robertchristgau.substack.com/p/consumer-guide-january-2021|url-status=live}}

| rev3 = Clash

| rev3score = 8/10{{cite web|url=https://www.clashmusic.com/reviews/taylor-swift-evermore|title=Taylor Swift's deeply affecting continues folklore's rich universal-building|first=Shannon|last=McDonagh|work=Clash|date=December 17, 2020|access-date=December 14, 2020|archive-date=December 17, 2020|archive-url=https://web.archive.org/web/20201217205917/https://www.clashmusic.com/reviews/taylor-swift-evermore|url-status=live}}

| rev4 = Entertainment Weekly

| rev4Score = A

| rev5 = The Guardian

| rev5Score = {{rating|4|5}}

| rev6 = The Independent

| rev6Score = {{rating|4|5}}

| rev7 = NME

| rev7Score = {{rating|5|5}}

| rev8 = Pitchfork

| rev8Score = 7.9/10{{cite web|url=https://pitchfork.com/reviews/albums/taylor-swift-evermore/|title=Taylor Swift- Evermore|website=Pitchfork|first=Sam|last=Sodomsky|date=December 15, 2020|access-date=December 15, 2020|archive-date=December 15, 2020|archive-url=https://web.archive.org/web/20201215214944/https://pitchfork.com/reviews/albums/taylor-swift-evermore/|url-status=live}}

| rev9 = Rolling Stone

| rev9Score = {{rating|4.5|5}}

| rev10 = The Sydney Morning Herald

| rev10Score = {{rating|5|5}}

}}

Evermore was met with widespread critical acclaim upon release, with emphasis on its kinship with Folklore and Swift's expansion of her musical boundaries.{{cite web|last=Martin|first=George|date=December 11, 2020|title=How critics have reacted to Taylor Swift's 'exquisite' new album Evermore|url=https://inews.co.uk/culture/music/taylor-swift-evermore-review-round-up-new-album-reviews-release-date-today-791132|url-status=live|archive-url=https://web.archive.org/web/20201214010529/https://inews.co.uk/culture/music/taylor-swift-evermore-review-round-up-new-album-reviews-release-date-today-791132|archive-date=December 14, 2020|access-date=December 12, 2020|website=i}}{{Cite web|last=Dresdale|first=Andrea|date=December 31, 2020|title=The Year in Music: Cottagecore queen Taylor Swift does the most, saves 2020 – Music News – ABC News Radio|url=http://abcnewsradioonline.com/music-news/2020/12/31/the-year-in-music-cottagecore-queen-taylor-swift-does-the-mo.html|access-date=January 3, 2021|website=ABC News|archive-date=January 11, 2021|archive-url=https://web.archive.org/web/20210111160037/http://abcnewsradioonline.com/music-news/2020/12/31/the-year-in-music-cottagecore-queen-taylor-swift-does-the-mo.html|url-status=live}} At Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, the album received an average score of 85, based on 29 reviews, indicating "universal acclaim".{{cite web|url=https://www.metacritic.com/music/evermore/taylor-swift|title=evermore by Taylor Swift Reviews and Tracks|publisher=Metacritic|access-date=March 13, 2021|archive-date=March 13, 2021|archive-url=https://web.archive.org/web/20210313153922/https://www.metacritic.com/music/evermore/taylor-swift|url-status=live}}

Describing Swift as an unrivaled songwriter, Brodie Lancaster of The Sydney Morning Herald found Evermore traveling deeper into the singer's fictitious narratives, and praised the depth and variety of its characters.{{cite web|url=https://www.smh.com.au/culture/music/taylor-swift-is-back-stronger-than-ever-before-20201211-p56mti.html|title=Taylor Swift is back, stronger than ever before|first=Lancaster|last=Brodie|work=The Sydney Morning Herald|date=December 11, 2020|access-date=December 11, 2020|archive-date=December 11, 2020|archive-url=https://web.archive.org/web/20201211070843/https://www.smh.com.au/culture/music/taylor-swift-is-back-stronger-than-ever-before-20201211-p56mti.html|url-status=live}} NME critic Hannah Mylrea opined that Swift pushes her indie reinvention further in Evermore, terming it a "freewheeling younger sibling" while Folklore is the "introspective, romantic older sister"; Mylrea thought Evermore is looser and more experimental, expanding on its predecessor's sonic palette.{{cite web |last=Mylrea |first=Hannah |date=December 11, 2020 |title=Taylor Swift – 'Evermore' review: the freewheeling younger sibling to 'Folklore' |url=https://www.nme.com/reviews/taylor-swift-evermore-review-2835933 |url-status=live |archive-url=https://web.archive.org/web/20201211050556/https://www.nme.com/reviews/taylor-swift-evermore-review-2835933 |archive-date=December 11, 2020 |access-date=December 11, 2020 |work=NME}} In congruence, American Songwriter designated Folklore as the "archetypal older sister—a careful, yet hopeless romantic" whereas Evermore is the "bold, scrappy younger one", with the latter being a yuletide evolution of the former's sound.{{cite web|last=Crone|first=Madeline|date=December 11, 2020|title=Taylor Swift 'evermore' Is Ready For Your Record Player, Radio Play Be Damned|url=https://americansongwriter.com/taylor-swift-evermore-is-ready-for-your-record-player-radio-play-be-damned/|access-date=December 12, 2020|website=American Songwriter|archive-date=December 11, 2020|archive-url=https://web.archive.org/web/20201211222235/https://americansongwriter.com/taylor-swift-evermore-is-ready-for-your-record-player-radio-play-be-damned/|url-status=live}} Maura Johnston, writing for Entertainment Weekly, asserted that Swift "levels up" on Evermore by taking musical risks, and dubbed the sister albums a career-high for the singer.{{cite magazine|url=https://ew.com/music/music-reviews/taylor-swift-evermore-review/|title=Taylor Swift levels up on Evermore|first=Maura|last=Johnston|author-link=Maura Johnston |date=December 11, 2020|magazine=Entertainment Weekly|access-date=December 11, 2020|archive-date=December 12, 2020|archive-url=https://web.archive.org/web/20201212001528/https://ew.com/music/music-reviews/taylor-swift-evermore-review/|url-status=live}}

Spin critic Bobby Olivier thought the "career-redefining" album finds Swift at her prime, joining "the pantheon of songwriters who consistently deliver despite unimaginable expectations". He regarded Evermore a stronger work than Folklore. Annie Zaleski of The A.V. Club also chose Evermore over Folklore, and noted that the former continues the latter's "universe-building" with stronger writing and greater sonic cohesion.{{cite web|last=Annie|first=Zaleski|date=December 14, 2020|title=Taylor Swift's powerful evermore returns to folklore's rich universe|url=https://www.avclub.com/taylor-swift-s-deeply-affecting-evermore-continues-folk-1845875463|url-status=live|archive-url=https://web.archive.org/web/20201214155657/https://music.avclub.com/taylor-swift-s-deeply-affecting-evermore-continues-folk-1845875463|archive-date=December 14, 2020|access-date=December 14, 2020|website=The A.V. Club}} The Guardian{{'s}} Alexis Petridis said Evermore furthers Swift's departure to alternative rock from mainstream pop, comparing it to her country-to-pop shift in Red (2012); he added that it proves her ability to switch genres easily.{{cite web|url=https://www.theguardian.com/music/2020/dec/11/taylor-swift-evermore-rich-alt-rock-and-richer-character-studies|title=Taylor Swift: Evermore – rich alt-rock and richer character studies|first=Alexis|last=Petridis|date=December 11, 2020|work=The Guardian|access-date=December 11, 2020|archive-date=December 11, 2020|archive-url=https://web.archive.org/web/20201211050548/https://www.theguardian.com/music/2020/dec/11/taylor-swift-evermore-rich-alt-rock-and-richer-character-studies|url-status=live}} Calling it heartfelt and ruminative, Neil McCormick of The Daily Telegraph lauded the album's emotional songcraft and unhurried tempo, noting its songs are not for stadiums.{{cite news|url=https://www.telegraph.co.uk/music/what-to-listen-to/taylor-swift-evermore-review-dramatic-excursion-musical-roads/|title=Taylor Swift, Evermore review: a dramatic excursion down the musical roads|url-access=subscription|work=The Daily Telegraph|date=December 11, 2020|first=Neil|last=McCormick|author-link=Neil McCormick|access-date=December 11, 2020|archive-date=December 11, 2020|archive-url=https://web.archive.org/web/20201211051654/https://www.telegraph.co.uk/music/what-to-listen-to/taylor-swift-evermore-review-dramatic-excursion-musical-roads/|url-status=live}} Patrick Ryan of USA Today gave plaudits to its mystical instrumentation and escapist lyrics, stressing that Evermore is not a vestige of Folklore, but rather a sister reinforcing Swift's strengths.{{cite web|last=Ryan|first=Patrick|date=December 12, 2020|title=Taylor Swift's 'Evermore' review: Pop star returns to the woods for a spellbinding 'Folklore' companion|url=https://www.usatoday.com/story/entertainment/music/2020/12/11/taylor-swift-evermore-review-folklore-companion-album-willow/3879263001/|access-date=December 12, 2020|website=USA Today|archive-date=December 12, 2020|archive-url=https://web.archive.org/web/20201212035351/https://www.usatoday.com/story/entertainment/music/2020/12/11/taylor-swift-evermore-review-folklore-companion-album-willow/3879263001/|url-status=live}} In her Rolling Stone review, Claire Shaffer saw Swift embracing new genres and ambitious storytelling, and welcomed her new artistic direction.{{cite magazine|url=https://www.rollingstone.com/music/music-album-reviews/taylor-swift-evermore-folklore-1101778/|title=Taylor Swift Deepens Her Goth-Folk Vision on the Excellent 'Evermore'|first=Shaffer|last=Claire|magazine=Rolling Stone|date=December 11, 2020|access-date=December 11, 2020|archive-date=December 11, 2020|archive-url=https://web.archive.org/web/20201211134023/https://www.rollingstone.com/music/music-album-reviews/taylor-swift-evermore-folklore-1101778/|url-status=live}}

The Independent writer Helen Brown deemed its songs haunting and contemplative, and complimented its "tasteful" compositions.{{cite news|url=https://www.independent.co.uk/arts-entertainment/music/reviews/taylor-swift-review-evermore-b1769916.html%3famp|title=Taylor Swift review, Evermore: Full of haunting tales that transform speakers into campfires|first=Helen|last=Brown|work=The Independent|date=December 11, 2020|access-date=December 11, 2020|archive-date=December 12, 2020|archive-url=https://web.archive.org/web/20201212001529/https://www.independent.co.uk/arts-entertainment/music/reviews/taylor-swift-review-evermore-b1769916.html|url-status=live}} Jason Lipshutz of Billboard stated that the album is more progressive and audacious than Folklore, although posing as a sequel at first. He explained that Evermore explores the complications of adult love more extensively than its predecessor, and flaunts Swift's boldest and richest songwriting.{{cite magazine|last=Lipshutz|first=Jason|date=December 12, 2020|title=Taylor Swift's 'Evermore' is a Rewarding Journey Deeper into the Woods|url=https://www.billboard.com/articles/columns/pop/9498080/taylor-swift-evermore-review-first-listen|url-status=live|archive-url=https://web.archive.org/web/20201211184053/https://www.billboard.com/articles/columns/pop/9498080/taylor-swift-evermore-review-first-listen/|archive-date=December 11, 2020|access-date=December 12, 2020|magazine=Billboard}} Variety critic Chris Willman praised the album's subliminal production and Swift's agile vocals, and underlined its impressionist storytelling style that clicks only after multiple listens.{{cite web|last=Willman|first=Chris|date=December 11, 2020|title=Taylor Swift Has Her Second Great Album of 2020 With 'Evermore': Album Review|url=https://variety.com/2020/music/reviews/taylor-swift-evermore-album-review-1234851525/|url-status=live|archive-url=https://web.archive.org/web/20201211071725/https://variety.com/2020/music/reviews/taylor-swift-evermore-album-review-1234851525/|archive-date=December 11, 2020|access-date=December 11, 2020|website=Variety}} Stereogum{{'}}s Tom Breihan named Evermore a "full-on winter album" populated by "subtle growers" shrouded in a sedative atmosphere.{{cite web|last=Breihan|first=Tom|date=December 12, 2020|title=Premature Evaluation: Taylor Swift evermore|url=https://www.stereogum.com/2110665/taylor-swift-evermore-review/reviews/premature-evaluation/|url-status=live|archive-url=https://web.archive.org/web/20201211215716/https://www.stereogum.com/2110665/taylor-swift-evermore-review/reviews/premature-evaluation/|archive-date=December 11, 2020|access-date=December 12, 2020|website=Stereogum}} Jon Pareles of The New York Times commended its diligent sound and poised lyrics, and noted more character studies in it than Folklore.{{cite news|last1=Pareles |first1=Jon|title='Evermore,' Taylor Swift's 'Folklore' Sequel, Is a Journey Deeper Inward |url=https://www.nytimes.com/2020/12/11/arts/music/taylor-swift-evermore-review.html |access-date=December 11, 2020 |work=The New York Times |date=December 11, 2020 |archive-date=December 11, 2020 |archive-url=https://web.archive.org/web/20201211185124/https://www.nytimes.com/2020/12/11/arts/music/taylor-swift-evermore-review.html |url-status=live}}

In less favorable reviews, Kitty Empire of The Observer praised the album's emotion and themes, but felt Swift is "still a little muted on Evermore as she was on Folklore by pastel music that smears Vaseline on her otherwise keen lens."{{Cite web |last=Empire |first=Kitty |date=December 20, 2020 |title=Taylor Swift: Evermore review – a songwriter for the ages |url=http://www.theguardian.com/music/2020/dec/20/taylor-swift-evermore-review-a-songwriter-for-the-ages |access-date=September 16, 2022 |website=The Observer |language=en |archive-date=August 20, 2022 |archive-url=https://web.archive.org/web/20220820043939/https://www.theguardian.com/music/2020/dec/20/taylor-swift-evermore-review-a-songwriter-for-the-ages |url-status=live }} Chris Richards of The Washington Post found the album overlong, felt some lyrics were sub-par for Swift's prowess, and rejected the notion of categorizing her 2020 works as indie.{{cite news |last1=Richards |first1=Chris |date=December 11, 2020 |title=Taylor Swift just can't help herself |newspaper=The Washington Post |url=https://www.washingtonpost.com/entertainment/music/taylor-swift-evermore-review/2020/12/11/a98c5bac-3bcb-11eb-bc68-96af0daae728_story.html |url-status=live |access-date=December 11, 2020 |archive-url=https://web.archive.org/web/20201212001527/https://www.washingtonpost.com/entertainment/music/taylor-swift-evermore-review/2020/12/11/a98c5bac-3bcb-11eb-bc68-96af0daae728_story.html |archive-date=December 12, 2020}} Mikael Wood of the Los Angeles Times felt that the album is Folklore{{'}}s leftovers, and "simply repeats its trick", but named "Tolerate It", "Gold Rush", "Champagne Problems", "No Body, No Crime" and "Dorothea" as highlights.

By the time Swift unveiled the album, many publications had already issued their year-end rankings of best albums of 2020. Evermore ranked on lists published after December 11, including number-one placements from NJ.com, USA Today, and Variety, which it shared with Folklore.{{NoteTag|Folklore was also placed in nearly all of the 2020 year-end lists that included Evermore}} Evermore finished at number 20 on Metacritic's aggregated list of 2020 year-end rankings.{{cite web|url=https://www.metacritic.com/feature/music-critics-pick-top-10-best-albums-of-2020?ftag=twtrsoshares|title=Best of 2020: Music Critic Top Ten Lists|first=Jason|last=Dietz|publisher=Metacritic|access-date=January 6, 2021|archive-date=December 22, 2020|archive-url=https://web.archive.org/web/20201222022330/https://www.metacritic.com/feature/music-critics-pick-top-10-best-albums-of-2020?ftag=twtrsoshares|url-status=live}}

Available only via digital music and streaming platforms, Republic Records reported over a million copies of Evermore sold in its first-week worldwide, marking Swift's eighth consecutive studio album to achieve it.{{Cite web|last=Willman|first=Chris|date=December 21, 2020|title=Taylor Swift's 'Evermore' Sells a Million Worldwide in First Week|url=https://variety.com/2020/music/news/taylor-swift-evermore-sells-million-first-week-1234867490/|access-date=December 21, 2020|website=Variety|archive-date=January 11, 2021|archive-url=https://web.archive.org/web/20210111160011/https://variety.com/2020/music/news/taylor-swift-evermore-sells-million-first-week-1234867490/|url-status=live}} All of the album's 15 tracks entered the top 75 of the Billboard Global 200 chart.{{Cite magazine|date=December 26, 2020|title=Billboard Global 200|url=https://www.billboard.com/charts/billboard-global-200/2020-12-26|access-date=June 9, 2021|magazine=Billboard|archive-date=January 28, 2021|archive-url=https://web.archive.org/web/20210128084254/https://www.billboard.com/charts/billboard-global-200/2020-12-26|url-status=live}} Aided by Evermore and Folklore, Swift was 2020's top streamed artist on Amazon Music across all genres.{{Cite web|date=December 22, 2020|title=Holiday music listening started earlier in 2020 than ever before on Amazon Music|url=https://www.aboutamazon.com/news/entertainment/holiday-music-listening-started-earlier-in-2020-than-ever-before-on-amazon-music|access-date=January 17, 2021|publisher=Amazon.com|archive-date=January 21, 2021|archive-url=https://web.archive.org/web/20210121054339/https://www.aboutamazon.com/news/entertainment/holiday-music-listening-started-earlier-in-2020-than-ever-before-on-amazon-music|url-status=live}} The International Federation of the Phonographic Industry (IFPI) named her the best-selling solo artist and female artist of 2020, and second overall.{{Cite magazine|date=March 4, 2021|title=BTS Crowned IFPI Global Recording Artist of 2020|url=https://www.billboard.com/articles/news/bts/9534672/bts-ifpi-global-recording-artist-2020/|url-status=live|access-date=March 4, 2021|magazine=Billboard|archive-date=March 4, 2021|archive-url=https://web.archive.org/web/20210304153307/https://www.billboard.com/articles/news/bts/9534672/bts-ifpi-global-recording-artist-2020/}}

{{wikinews|Taylor Swift's Evermore records biggest sales week of the year as it returns to No 1 on album chart}}

Evermore debuted at number one on the Billboard 200 chart, topping it for four weeks. It opened with 329,000 units, consisting of 220.49 million on-demand streams and 154,000 digital albums, and earned the biggest sales week for an album since her own Folklore. It is Swift's second number-one album in 2020 and eighth consecutive number-one debut, making her the third woman with eight number-ones, behind Barbra Streisand (11) and Madonna (9). Alongside Folklore at number three, Swift became the first woman in the chart's history to simultaneously have two albums in the top-three. The gap between the number-one debuts of Folklore and Evermore was 140 days, breaking the Guinness World Record for the shortest gap between two chart-topping albums by a woman on the Billboard 200.{{Cite magazine|last=Caulfield|first=Keith|date=December 20, 2020|title=Taylor Swift's 'Evermore' Arrives at No. 1 on Billboard 200 Albums Chart|url=https://www.billboard.com/articles/business/chart-beat/9503234/taylor-swift-evermore-tops-billboard-200-albums-chart|url-status=live|archive-url=https://web.archive.org/web/20201222181903/https://www.billboard.com/articles/business/chart-beat/9503234/taylor-swift-evermore-tops-billboard-200-albums-chart|archive-date=December 22, 2020|access-date=December 20, 2020|magazine=Billboard}}{{Cite web|date=December 26, 2020|title=Shortest gap between new No.1 albums on the US Billboard 200 (female)|url=https://www.guinnessworldrecords.com/world-records/646321-shortest-gap-between-new-no-1-albums-on-the-us-billboard-200-female|url-status=live|archive-url=https://web.archive.org/web/20210318185731/https://www.guinnessworldrecords.com/world-records/646321-shortest-gap-between-new-no-1-albums-on-the-us-billboard-200-female|archive-date=March 18, 2021|access-date=February 4, 2021|website=Guinness World Records}} The album debuted atop the Alternative Albums chart as well, dethroning Folklore from number one;{{Cite magazine|last=Rutherford|first=Kevin|date=December 21, 2020|title=Taylor Swift's 'Evermore', 'Willow' Rule Alternative Albums, Hot Rock & Alternative Songs Charts|url=https://www.billboard.com/articles/business/chart-beat/9503597/taylor-swifts-evermore-willow-alternative-albums-hot-rock-alternative-songs-charts/|url-status=live|archive-url=https://web.archive.org/web/20201222181902/https://www.billboard.com/articles/business/chart-beat/9503597/taylor-swifts-evermore-willow-alternative-albums-hot-rock-alternative-songs-charts/|archive-date=December 22, 2020|access-date=December 22, 2020|magazine=Billboard}} Evermore topped the chart for 15 weeks.{{Cite magazine|date=July 3, 2021|title=Alternative Albums|url=https://www.billboard.com/charts/alternative-albums/2021-07-03|access-date=June 29, 2021|magazine=Billboard|archive-date=June 29, 2021|archive-url=https://web.archive.org/web/20210629140122/https://www.billboard.com/charts/alternative-albums/2021-07-03|url-status=live}}

All of the album's 15 tracks entered the Billboard Hot 100 simultaneously. Evermore became Swift's third album to chart all of its standard tracks together, after Lover (2019) and Folklore. Swift became the woman with the most Hot 100 hits with 128, regaining the record from Nicki Minaj. With the number-one debut of "Willow", she also became first act to simultaneously place an album and a single atop both Billboard 200 and Hot 100 charts at two occasions, following Folklore and "Cardigan".{{cite magazine|date=December 21, 2020|title=Taylor Swift's 'Willow' Debuts at No. 1 on Billboard Hot 100|url=https://www.billboard.com/articles/business/chart-beat/9503448/taylor-swift-willow-debut-number-one-hot-100/|magazine=Billboard|access-date=December 21, 2020|archive-date=December 22, 2020|archive-url=https://web.archive.org/web/20201222181910/https://www.billboard.com/articles/business/chart-beat/9503448/taylor-swift-willow-debut-number-one-hot-100/|url-status=live}}{{Cite magazine|date=December 21, 2020|title=Taylor Swift Sends All 15 Songs From 'Evermore' Onto Hot 100|url=https://www.billboard.com/articles/business/chart-beat/9503522/taylor-swift-15-songs-evermore-hot-100/|url-status=live|archive-url=https://web.archive.org/web/20201222181955/https://www.billboard.com/articles/business/chart-beat/9503522/taylor-swift-15-songs-evermore-hot-100/|archive-date=December 22, 2020|access-date=December 21, 2020|magazine=Billboard}} All tracks appeared on Hot Rock & Alternative Songs chart as well, except "No Body, No Crime" which debuted at number two on the Hot Country Songs. Due to eight tracks from Folklore remaining on the chart alongside the 14 from Evermore, Swift occupied 22 of the chart's 50 positions—the second most simultaneous entries in the chart's history, behind Linkin Park (23). On the Hot Alternative Songs, Swift claimed 16 spots, besting Machine Gun Kelly's record.

Despite its availability for the last two weeks of 2020 only, Evermore became one of the top 10 best-selling albums of 2020. It placed eighth on Rolling Stone{{'s}} best-sellers list, and tenth on MRC Data's best selling albums of 2020 with 283,000 sales; its sister record, Folklore, was the top seller of 2020.{{cite magazine|last=Blake|first=Emily|date=January 5, 2021|title='Folklore' Is Officially the Biggest Album of 2020|url=https://www.rollingstone.com/music/music-news/taylor-swift-folklore-2020-biggest-album-1102709/|access-date=January 6, 2021|magazine=Rolling Stone|archive-date=January 5, 2021|archive-url=https://web.archive.org/web/20210105234714/https://www.rollingstone.com/music/music-news/taylor-swift-folklore-2020-biggest-album-1102709/|url-status=live}}{{Cite web|title=MRC Data Year-End Report U.S. 2020|url=https://static.billboard.com/files/2020/12/MRC_Billboard_YEAR_END_2020_US-Final-1609966398.pdf|access-date=January 8, 2020|archive-date=January 7, 2021|archive-url=https://web.archive.org/web/20210107163802/https://static.billboard.com/files/2020/12/MRC_Billboard_YEAR_END_2020_US-Final-1609966398.pdf|url-status=live}}

In April 2021, Evermore surpassed a million units in the US.{{Cite magazine|last=Trust|first=Gary|date=April 22, 2021|title=Taylor Swift's 'Willow' Hits No. 1 on Adult Pop Airplay Chart|url=https://www.billboard.com/articles/business/chart-beat/9561098/taylor-swift-willow-tops-adult-pop-airplay|url-status=live|access-date=April 22, 2021|magazine=Billboard|archive-date=April 23, 2021|archive-url=https://web.archive.org/web/20210423191932/https://www.billboard.com/articles/business/chart-beat/9561098/taylor-swift-willow-tops-adult-pop-airplay}} In June, it scored its fourth week atop the Billboard 200 with 202,000 units, following its vinyl release. 192,000 of that sum were pure sales, surpassing her own Fearless (Taylor's Version) for the largest sales week of 2021. It marked the 53rd chart-topping week of Swift's career, extending her record as the female act with the most weeks at number one in Billboard 200 history and the third-most overall, behind the Beatles and Elvis Presley. The album sold 102,000 vinyl copies the same week, breaking the former record by Jack White's Lazaretto (40,000) for the biggest sales week for vinyl LPs since MRC Data's inauguration in 1991.{{Cite magazine|last=Caulfield|first=Keith|date=June 6, 2021|title=Taylor Swift's 'Evermore' Returns to No. 1 on Billboard 200 Chart|url=https://www.billboard.com/articles/news/9583265/taylor-swift-evermore-billboard-200-chart-return-number-1/|access-date=June 6, 2021|magazine=Billboard|archive-date=June 21, 2021|archive-url=https://web.archive.org/web/20210621030640/https://www.billboard.com/articles/news/9583265/taylor-swift-evermore-billboard-200-chart-return-number-1/|url-status=live}}{{NoteTag|name=a|Swift later broke her own record, first with the release of her second re-recorded album, Red (Taylor's Version).{{Cite magazine|last=Caulfield|first=Keith|date=November 18, 2021|title=Taylor Swift's 'Red (Taylor's Version)' Surpasses Half-Million Units in First Five Days in U.S.|url=https://www.billboard.com/music/chart-beat/taylor-swift-red-taylors-version-sales-us-1234999391/|access-date=November 18, 2021|magazine=Billboard|archive-date=November 18, 2021|archive-url=https://web.archive.org/web/20211118191205/https://www.billboard.com/music/chart-beat/taylor-swift-red-taylors-version-sales-us-1234999391/|url-status=live}} then with the release of Midnights.{{Cite magazine |last=Caulfield |first=Keith |date=October 30, 2022 |title=Taylor Swift's 'Midnights' Blasts in at No. 1 on Billboard 200 Chart With Biggest Week for an Album in 7 Years |url=https://www.billboard.com/music/chart-beat/taylor-swift-midnights-debut-number-one-billboard-200-albums-chart-1235163377/ |access-date=October 30, 2022 |magazine=Billboard |archive-date=October 30, 2022 |archive-url=https://web.archive.org/web/20221030190303/https://www.billboard.com/music/chart-beat/taylor-swift-midnights-debut-number-one-billboard-200-albums-chart-1235163377/ |url-status=live }}}} Evermore became the best-selling CD and vinyl album of 2021.{{Cite magazine|last=DiGiacomo|first=Frank|date=June 8, 2021|title=Hip-Hop, R&B And Pop Challenge Rock's Vinyl Dominance in 2021|url=http://www.billboard.com/articles/deep-dive/how-vinyl-got-its-groove-back/9584127/vinyl-albums-sales-genre-leaders-data|access-date=June 10, 2021|magazine=Billboard|archive-date=November 7, 2021|archive-url=https://web.archive.org/web/20211107223219/https://www.billboard.com/articles/deep-dive/how-vinyl-got-its-groove-back/9584127/vinyl-albums-sales-genre-leaders-data|url-status=live}} In July 2021, it became the best-selling album of the year,{{NoteTag|30 by Adele became the best-selling album upon its release in November 2021.{{Cite magazine|last=Caulfield|first=Keith|date=November 23, 2021|title=Adele's '30' Is 2021's Top-Selling Album in U.S. After Only Three Days|url=https://www.billboard.com/music/chart-beat/adele-30-2021-top-selling-album-three-days-1235001738/|access-date=November 23, 2021|magazine=Billboard|archive-date=November 24, 2021|archive-url=https://web.archive.org/web/20211124142434/https://www.billboard.com/music/chart-beat/adele-30-2021-top-selling-album-three-days-1235001738/|url-status=live}}}} with 374,000 copies sold; Evermore was the seventh most consumed album with 818,000 total units.{{Cite magazine|date=July 13, 2021|title=MRC Data's 2021 U.S. Midyear Report|url=https://www.billboard.com/p/u-s-music-mid-year-report-2021/|access-date=July 13, 2021|magazine=Billboard|archive-date=July 13, 2021|archive-url=https://web.archive.org/web/20210713235107/https://www.billboard.com/p/u-s-music-mid-year-report-2021/|url-status=live}}{{Cite magazine|last=Caulfield|first=Keith|date=July 13, 2021|title=Olivia Rodrigo & Morgan Wallen Lead MRC Data's 2021 Midyear Charts|url=https://www.billboard.com/articles/news/9599849/olivia-rodrigo-morgan-wallen-mrc-data-2021-midyear-charts|access-date=July 13, 2021|magazine=Billboard|archive-date=July 13, 2021|archive-url=https://web.archive.org/web/20210713213031/https://www.billboard.com/articles/news/9599849/olivia-rodrigo-morgan-wallen-mrc-data-2021-midyear-charts|url-status=live}}

Evermore topped the 2021 Billboard Year-End Top Album Sales{{Cite magazine|title=Year-End Charts: Top Album Sales|url=https://www.billboard.com/charts/year-end/top-album-title-sales/|url-status=live|access-date=December 2, 2021|magazine=Billboard|date=December 9, 2015|archive-date=December 2, 2021|archive-url=https://web.archive.org/web/20211202210345/https://www.billboard.com/charts/year-end/top-album-title-sales/}} and Top Alternative Albums charts.{{Cite tweet|number=1466463409654976512|user=billboard|title=.@taylorswift13's year on the @billboardcharts. 🏆}} It further placed fourth on the year-end Billboard 200 chart.{{Cite magazine|date=January 2, 2013|title=Billboard 200 Albums|url=https://www.billboard.com/charts/year-end/top-billboard-200-albums/|url-status=live|access-date=December 2, 2021|magazine=Billboard|archive-date=December 28, 2021|archive-url=https://web.archive.org/web/20211228030027/https://www.billboard.com/charts/year-end/top-billboard-200-albums/}} Swift ranked as the number-one Billboard 200 Artist, Billboard 200 Female Artist, Top Album Sales Artist, Top Alternative Artist, and Top Alternative Albums Artist. Selling 529,000 pure copies, Evermore was fourth on the best-selling albums list of 2021, alongside three other Swift albums—Red (Taylor's Version), Fearless (Taylor's Version), and Folklore—in the top 10.{{Cite magazine|last=Caulfield|first=Keith|date=January 6, 2022|title=Dua Lipa's 'Levitating' Is Most-Streamed Song of 2021 In U.S., Morgan Wallen's 'Dangerous: The Double Album' Is MRC Data's Top Album|url=https://www.billboard.com/music/chart-beat/dua-lipa-morgan-wallen-us-2021-mrc-data-1235016079/|access-date=January 17, 2022|magazine=Billboard|archive-date=January 6, 2022|archive-url=https://web.archive.org/web/20220106155545/https://www.billboard.com/music/chart-beat/dua-lipa-morgan-wallen-us-2021-mrc-data-1235016079/|url-status=live}}

In Canada, Evermore appeared at the top spot of Billboard Canadian Albums chart as Swift's eighth Canadian number-one album, and her second in 2020.{{Cite magazine|title=Taylor Swift – Canadian Albums history|url=https://www.billboard.com/artist/taylor-swift/chart-history/cna/|url-status=live|archive-url=https://web.archive.org/web/20200509052431/https://www.billboard.com/music/taylor-swift/chart-history/CNA|archive-date=May 9, 2020|access-date=December 22, 2020|magazine=Billboard}} The album spent three weeks atop the chart.{{Cite magazine|date=January 9, 2021|title=Canadian Albums Chart|url=https://www.billboard.com/charts/canadian-albums|url-status=live|archive-url=https://web.archive.org/web/20210109092009/https://www.billboard.com/charts/canadian-albums|archive-date=January 9, 2021|access-date=January 9, 2021|magazine=Billboard}} All of the tracks debuted inside the top 50 region of the Canadian Hot 100 simultaneously, except "Closure" (number 57); "Willow" became her seventh Canadian number-one hit, with "Champagne Problems" at number six, "No Body, No Crime" at 11, "{{' }}Tis the Damn Season" at 13, "Gold Rush" at 14, and "Tolerate It" at 18.{{Cite magazine|title=Taylor Swift – Canadian Hot 100 history|url=https://www.billboard.com/artist/taylor-swift/chart-history/can/|url-status=live|archive-url=https://web.archive.org/web/20210301101212/https://www.billboard.com/music/taylor-swift/chart-history/CAN|archive-date=March 1, 2021|access-date=December 22, 2020|magazine=Billboard}}{{Cite magazine|date=December 26, 2020|title=Billboard Canadian Hot 100 Chart|url=https://www.billboard.com/charts/canadian-hot-100/2020-12-26|url-access=limited|access-date=July 21, 2021|magazine=Billboard|archive-date=July 21, 2021|archive-url=https://web.archive.org/web/20210721155212/https://www.billboard.com/charts/canadian-hot-100/2020-12-26|url-status=live}} In 2021, Evermore was the country's seventh best-selling album.{{Cite web|title=MRC Data Year-End 2021 Canada Report|url=https://mrcdatareports.com/wp-content/uploads/2022/01/MRC_YEAREND_2021_Canada_Final.pdf|magazine=Billboard|publisher=MRC Data|date=January 2022|access-date=January 18, 2022|archive-date=January 6, 2022|archive-url=https://web.archive.org/web/20220106224448/https://mrcdatareports.com/wp-content/uploads/2022/01/MRC_YEAREND_2021_Canada_Final.pdf|url-status=usurped}}

In Australia, Swift achieved a "Chart Double" by occupying the top spots of both albums and singles charts simultaneously. Evermore entered at number one on the ARIA Albums Chart, garnering her seventh chart-topper. Collecting her second number-one album of the year 19 weeks after Folklore, Swift broke the record for the shortest gap between two successive number-ones, surpassing the 25 weeks between Ariana Grande's Sweetener (2018) and Thank U, Next (2019).{{cite web|date=December 19, 2020|title=Evermore lands Taylor Swift second ARIA Charts #1 album for 2020|url=https://www.aria.com.au/charts/news/evermore-lands-taylor-swift-second-aria-charts-1-album-for-2020|url-status=live|archive-url=https://web.archive.org/web/20201222181935/https://www.aria.com.au/charts/news/evermore-lands-taylor-swift-second-aria-charts-1-album-for-2020|archive-date=December 22, 2020|access-date=December 19, 2020|website=ARIA}}{{Cite magazine|last=Brandle|first=Lars|date=December 20, 2020|title=Taylor Swift Completes Chart Double in Australia With 'Evermore,' 'Willow'|url=https://www.billboard.com/articles/news/9503344/taylor-swift-completes-chart-double-australia-evermore-willow/|url-status=live|archive-url=https://web.archive.org/web/20201222182025/https://www.billboard.com/articles/news/9503344/taylor-swift-completes-chart-double-australia-evermore-willow/|archive-date=December 22, 2020|access-date=December 21, 2020|magazine=Billboard}} "Willow" debuted atop the ARIA Singles Chart, accompanied by 11 fellow tracks. It marked her seventh Australian number-one song.{{cite web|date=December 19, 2020|title=Taylor Swift scores second #1 single for 2020 with Willow – ARIA|url=https://www.aria.com.au/charts/news/taylor-swift-scores-second-1-single-for-2020-with-willow|url-status=live|archive-url=https://web.archive.org/web/20201222181954/https://www.aria.com.au/charts/news/taylor-swift-scores-second-1-single-for-2020-with-willow|archive-date=December 22, 2020|access-date=December 19, 2020|website=ARIA}} Evermore spent four consecutive weeks at number-one in Australia, tying with Folklore as her second longest-running chart-topper, behind 1989 (11 weeks).{{Cite web|date=January 9, 2021|title=Taylor Swift's Evermore makes it four-week at #1 on the ARIA Albums Chart #1|url=https://www.aria.com.au/charts/news/taylor-swifts-evermore-makes-it-four-week-at-1-on-the-aria-albums-chart-1|access-date=January 9, 2021|website=ARIA|archive-date=January 9, 2021|archive-url=https://web.archive.org/web/20210109094223/https://www.aria.com.au/charts/news/taylor-swifts-evermore-makes-it-four-week-at-1-on-the-aria-albums-chart-1|url-status=live}}

In the United Kingdom, Evermore topped the UK Albums Chart for two weeks. It made Swift the fastest female artist to accumulate six number-one albums in the country (2012–2020), surpassing Madonna (1997–2008), and the first female artist to score six chart-toppers in the 21st century. The album is her second number-one album in 2020 after Folklore, establishing her as the first act to score multiple chart-topping albums in a calendar year, since David Bowie in 2016.{{cite web|last=Cospey|first=Rob|date=December 18, 2020|title=Taylor Swift's Evermore album debuts at UK Number 1 and sets chart record|url=https://www.officialcharts.com/chart-news/taylor-swifts-evermore-debuts-at-number-1-on-the-official-albums-chart-and-sets-uk-record__31898/|url-status=live|archive-url=https://web.archive.org/web/20201222182006/https://www.officialcharts.com/chart-news/taylor-swifts-evermore-debuts-at-number-1-on-the-official-albums-chart-and-sets-uk-record__31898/|archive-date=December 22, 2020|access-date=December 18, 2020|website=Official Charts Company}}{{Cite web|last=Copsey|first=Rob|date=January 8, 2021|title=Taylor Swift's Evermore reclaims Official Albums Chart top spot|url=https://www.officialcharts.com/chart-news/taylor-swifts-evermore-reclaims-number-1-on-the-official-albums-chart__32089/|access-date=January 8, 2021|website=Official Charts Company|archive-date=January 11, 2021|archive-url=https://web.archive.org/web/20210111160100/https://www.officialcharts.com/chart-news/taylor-swifts-evermore-reclaims-number-1-on-the-official-albums-chart__32089/|url-status=live}} Evermore also topped the UK's Vinyl Albums chart,{{Cite web|title=Official Vinyl Albums Chart Top 40|url=https://www.officialcharts.com/charts/vinyl-albums-chart/|url-status=live|archive-url=https://web.archive.org/web/20210604195751/https://www.officialcharts.com/charts/vinyl-albums-chart/|archive-date=June 4, 2021|access-date=June 4, 2021|website=Official Charts Company}} and the Americana Albums chart.{{Cite web|date=February 7, 2021|title=Official Americana Albums Chart Top 40|url=https://www.officialcharts.com/charts/americana-albums-chart/|url-status=live|archive-url=https://web.archive.org/web/20210207075937/https://www.officialcharts.com/charts/americana-albums-chart/|archive-date=February 7, 2021|access-date=February 7, 2021|website=Official Charts}} On the Official Singles Chart, "Willow" landed at number three and gave Swift her eleventh top-five hit, while tracks "Champagne Problems" and "No Body, No Crime" arrived at numbers 15 and 19, respectively, increasing her UK top-20 hits total to 21.{{cite web|last=Ainsley|first=Helen|date=December 18, 2020|title=Mariah Carey holds on for a second week at Number 1|url=https://www.officialcharts.com/chart-news/mariah-carey-s-all-i-want-for-christmas-is-you-holds-for-a-second-week-at-number-1-on-the-official-singles-chart__31899/|access-date=December 18, 2020|website=Official Charts Company|archive-date=December 19, 2020|archive-url=https://web.archive.org/web/20201219220043/https://www.officialcharts.com/chart-news/mariah-carey-s-all-i-want-for-christmas-is-you-holds-for-a-second-week-at-number-1-on-the-official-singles-chart__31899/|url-status=live}} Evermore was the best-selling Americana album of 2021 in the UK.{{Cite web|title=The Official biggest Americana albums of 2021|url=https://www.officialcharts.com/chart-news/the-official-top-20-biggest-americana-albums-of-2021__35093/|access-date=January 28, 2022|website=Official Charts Company|date=January 27, 2022 |archive-date=January 28, 2022|archive-url=https://web.archive.org/web/20220128000730/https://www.officialcharts.com/chart-news/the-official-top-20-biggest-americana-albums-of-2021__35093/|url-status=live}}

In New Zealand, the album launched atop the Top 40 Albums chart, while its tracks "Willow", "Champagne Problems", "No Body, No Crime" and "Gold Rush" charted at numbers three, 24, 29 and 34 on the Top40 Singles chart, respectively.{{cite web|date=December 19, 2020|title=NZ Top40 Albums|url=https://nztop40.co.nz/|url-status=live|archive-url=https://web.archive.org/web/20201219170720/https://nztop40.co.nz/chart/albums|archive-date=December 19, 2020|access-date=December 19, 2020|website=RMNZ}}{{cite web|date=December 19, 2020|title=NZ Top40 Singles|url=https://nztop40.co.nz/|url-status=live|archive-url=https://web.archive.org/web/20201219170953/https://nztop40.co.nz/chart/singles|archive-date=December 19, 2020|access-date=December 19, 2020|website=RMNZ}} In Malaysia, "Willow" and "Champagne Problems" debuted at numbers two and 15, respectively,{{cite web|url=https://www.facebook.com/RecordingIndustryMalaysia/posts/4141462689214403|title=Top 20 Most Streamed International & Domestic Singles in Malaysia|work=Recording Industry Association of Malaysia|publisher=Recording Industry Association of Malaysia|access-date=December 28, 2020|archive-date=March 27, 2021|archive-url=https://web.archive.org/web/20210327143040/https://www.facebook.com/login/?next=https%3A%2F%2Fwww.facebook.com%2FRecordingIndustryMalaysia%2Fposts%2F4141462689214403|url-status=live}} whereas on the Singaporean Top 30 Singles chart, the tracks entered at the first and 16th spots; "Gold Rush" and "No Body, No Crime" also charted in Singapore.{{cite web|title=RIAS Top Charts|url=https://www.rias.org.sg/rias-top-charts/|url-status=live|archive-url=https://web.archive.org/web/20201222102413/https://www.rias.org.sg/rias-top-charts/|archive-date=December 22, 2020|access-date=December 23, 2020|publisher=Recording Industry Association Singapore}}

In many European territories, Evermore attained its peak multiple weeks after its release. It debuted at number one in Croatia in January 2021, and reached the top spot in Flanders in its sixth week on the Ultratop 200 Albums, after debuting at number two. It marked Swift's fifth consecutive number-one album in the Belgian region. The album peaked at number two on the Irish Albums Chart in its third week. It opened at number three in its debut week, marking Swift's sixth consecutive top-three album in Ireland; it was the most downloaded and streamed album of the week. Simultaneously, "Willow" also placed at number three on Irish Singles Chart, alongside tracks "Champagne Problems" and "No Body, No Crime" at sixth and eleventh spots, respectively, rising Swift's sum of top 50 hits to 38.{{cite web|last=White|first=Jack|date=December 18, 2020|title=Taylor Swift claims Ireland's highest new chart entries with Evermore and Willow|url=https://www.officialcharts.com/chart-news/taylor-swifts-evermore-and-willow-claim-the-highest-new-entries-on-this-weeks-official-irish-albums-and-singles-charts__31894/|access-date=December 18, 2020|website=Official Charts Company|archive-date=January 11, 2021|archive-url=https://web.archive.org/web/20210111160040/https://www.officialcharts.com/chart-news/taylor-swifts-evermore-and-willow-claim-the-highest-new-entries-on-this-weeks-official-irish-albums-and-singles-charts__31894/|url-status=live}}{{Cite web|last=White|first=Jack|date=January 1, 2021|title=Dermot Kennedy's debut album makes Official Irish Chart history|url=https://www.officialcharts.com/chart-news/dermot-kennedys-without-fear-has-now-spent-more-weeks-at-number-1-this-millennium-than-any-other-debut-album__32039/|access-date=January 1, 2021|website=Official Charts Company|archive-date=January 1, 2021|archive-url=https://web.archive.org/web/20210101231421/https://www.officialcharts.com/chart-news/dermot-kennedys-without-fear-has-now-spent-more-weeks-at-number-1-this-millennium-than-any-other-debut-album__32039/|url-status=live}} On the Scottish Albums Chart, Evermore opened at number five,{{Cite web|title=Official Scottish Albums Chart Top 100|url=https://www.officialcharts.com/charts/scottish-albums-chart/20201225/40/|url-status=live|archive-url=https://web.archive.org/web/20210208035029/https://www.officialcharts.com/charts/scottish-albums-chart/20201225/40/|archive-date=February 8, 2021|access-date=June 4, 2021|website=OCC}} but peaked at number three after 25 weeks. On Germany's Offizielle Top 100, the album opened at number 24, rose to number six the next week, and ascended to number five in June 2021, whereas it topped the Greek Albums Chart in August 2021.

File:Taylor Swift Eras Tour - Arlington, TX - Evermore (Willow) (cropped).jpg (2023–2024)]]

Journalists praised Swift's fast-succeeding release of Evermore after Folklore. Variety compared it to similar moves by the Beatles and U2, while Rolling Stone termed it a "hot streak" reminiscent of Prince in 1987 and David Bowie in 1977. Vulture called it a "major shock", as Swift is known for her traditional album roll-outs. Our Culture Mag and NJ.com welcomed her "artistic dedication", as Swift was also concurrently re-recording her back catalog in 2020. The Sydney Morning Herald named her "the queen of pandemic productivity".{{Cite web |last=Riley |first=Erin |date=December 12, 2020 |title=Taylor Swift: the queen of pandemic productivity |url=https://www.smh.com.au/culture/music/taylor-swift-proves-herself-the-queen-of-pandemic-productivity-20201212-p56mxr.html |url-status=live |archive-url=https://web.archive.org/web/20210102180307/https://www.smh.com.au/culture/music/taylor-swift-proves-herself-the-queen-of-pandemic-productivity-20201212-p56mxr.html |archive-date=January 2, 2021 |access-date=January 2, 2021 |website=The Sydney Morning Herald}} The New York Times felt the album was as a crucial moment in Swift's career and creativity. The Guardian and Vox opined that Evermore and Folklore threw emphasis on Swift's work ethic, helped critics recognize her musicianship and view her as a dedicated singer, moving away from her popstar image in the mid-2010s.{{Cite web |last=Grady |first=Constance |date=December 11, 2020 |title=Taylor Swift, pop culture workhorse |url=https://www.vox.com/culture/22169813/taylor-swift-evermore-pop-culture-workhorse |access-date=June 5, 2021 |website=Vox |archive-date=June 3, 2021 |archive-url=https://web.archive.org/web/20210603003615/https://www.vox.com/culture/22169813/taylor-swift-evermore-pop-culture-workhorse |url-status=live }}{{Cite web |last=Snapes |first=Laura |date=October 14, 2022 |title='Genuine': why Taylor Swift can celebrate more than an album release |url=https://www.theguardian.com/music/2022/oct/14/taylor-swift-celebrate-album-release-midnights-pop-acclaim |access-date=October 14, 2022 |website=The Guardian |archive-date=October 14, 2022 |archive-url=https://web.archive.org/web/20221014143722/https://www.theguardian.com/music/2022/oct/14/taylor-swift-celebrate-album-release-midnights-pop-acclaim |url-status=live }}

Billboard wrote the two albums were "perhaps the most notable examples of how the pandemic forced a creative shift" for music in 2020.{{Cite magazine |last=Havens |first=Lyndsey |date=December 29, 2020 |title=Taylor Swift, Dua Lipa and More Innovated in the Pandemic – But What Strategies Will Stick? |url=https://www.billboard.com/articles/columns/pop/9501019/taylor-swift-dua-lipa-pandemic-strategies-2020/ |url-status=live |magazine=Billboard |archive-url=https://web.archive.org/web/20201222153059/https://www.billboard.com/articles/columns/pop/9501019/taylor-swift-dua-lipa-pandemic-strategies-2020/ |archive-date=December 22, 2020 |access-date=December 29, 2020}} CNN and The Times named Swift among the most prominent celebrities of the pandemic.{{cite news |last=France |first=Lisa Respers |date=December 25, 2020 |title=How celebrities like D-Nice and Taylor Swift lifted our spirits this year |url=https://www.cnn.com/2020/12/25/entertainment/d-nice-taylor-swift-pop-culture-blessings-plc/index.html |access-date=May 13, 2021 |publisher=CNN |archive-date=May 14, 2021 |archive-url=https://web.archive.org/web/20210514151305/https://www.cnn.com/2020/12/25/entertainment/d-nice-taylor-swift-pop-culture-blessings-plc/index.html |url-status=live }}{{cite news |last=Dean |first=Jonathan |date=December 27, 2020 |title=Taylor Swift: pop star of the year |newspaper=The Times |url=https://www.thetimes.com/culture/music/article/taylor-swift-pop-star-of-the-year-w2jfsf20l |access-date=May 13, 2021 |archive-date=May 14, 2021 |archive-url=https://web.archive.org/web/20210514170344/https://www.thetimes.co.uk/article/taylor-swift-pop-star-of-the-year-w2jfsf20l |url-status=live }} Swift was the world's top paid solo musician of 2020,{{Cite magazine |last=Christman |first=Ed |date=July 19, 2021 |title=Billboard's 2020 Global Money Makers: The 5 Top Highest Paid Musicians |url=https://www.billboard.com/articles/business/money-makers/9602829/musician-global-money-makers-highest-paid-2020-report |url-status=live |magazine=Billboard |archive-url=https://web.archive.org/web/20210723130805/https://www.billboard.com/articles/business/money-makers/9602829/musician-global-money-makers-highest-paid-2020-report/ |archive-date=July 23, 2021 |access-date=July 19, 2021}} and the highest paid in the US, thanks to her revenues from Evermore and Folklore,{{Cite magazine |last=Christman |first=Ed |date=July 19, 2021 |title=Billboard's U.S. Money Makers: The Top Paid Musicians of 2020 |url=https://www.billboard.com/articles/news/9602078/musician-us-money-makers-highest-paid-2020/ |url-status=live |magazine=Billboard |archive-url=https://web.archive.org/web/20210724153507/https://www.billboard.com/articles/news/9602078/musician-us-money-makers-highest-paid-2020 |archive-date=July 24, 2021 |access-date=July 19, 2021}} which according to Junkee were "alternative experiments" taken mainstream by Swift's "sheer star power".{{Cite web |last=Murphy |first=Sam |date=November 11, 2021 |title=How 'Red' Became The Most Pivotal Record in Taylor Swift's Career |url=https://junkee.com/taylor-swift-red-importance/314415 |url-status=live |archive-url=https://web.archive.org/web/20211128051740/https://junkee.com/taylor-swift-red-importance/314415 |archive-date=November 28, 2021 |access-date=November 10, 2021 |website=Junkee}} The Independent ranked Evermore as 14th on their list of 20 most underrated albums, with Roisin O'Connor dubbing it, "arguably, the album where [Swift] does her biggest creative flex, blurring the lines between reality and fiction."{{Cite news |last1=Beaumont |first1=Mark |author-link=Mark Beaumont (journalist) |last2=O'Connor |first2=Roisin |date=October 19, 2024 |title=The 20 most underrated albums ever |url=https://www.independent.co.uk/arts-entertainment/music/features/underrated-albums-britney-spears-charli-xcx-b2631613.html |access-date=November 1, 2024 |newspaper=The Independent |archive-date=October 31, 2024 |archive-url=https://web.archive.org/web/20241031185717/https://www.independent.co.uk/arts-entertainment/music/features/underrated-albums-britney-spears-charli-xcx-b2631613.html |url-status=live }}

Croatian singer-songwriter Mia Dimšić named Evermore as an inspiration for writing "Guilty Pleasure", her entry song representing Croatia at the Eurovision Song Contest 2022.{{Cite web |last=Balen |first=Ida |date=February 20, 2022 |title=Mia Dimšić za RTL nakon plasmana na Eurosong: 'Nisam plagirala Taylor Swift, ali njena pjesma mi je bila inspiracija' |url=https://www.rtl.hr/vijesti-hr/novosti/hrvatska/4196134/mia-dimsic-za-rtl-nakon-plasmana-na-eurosong-nisam-plagirala-taylor-swift-ali-njena-pjesma-mi-je-bila-inspiracija/ |url-status=live |archive-url=https://web.archive.org/web/20220329171651/https://www.rtl.hr/vijesti-hr/novosti/hrvatska/4196134/mia-dimsic-za-rtl-nakon-plasmana-na-eurosong-nisam-plagirala-taylor-swift-ali-njena-pjesma-mi-je-bila-inspiracija/ |archive-date=March 29, 2022 |access-date=February 22, 2022 |publisher=Vijesti.hr |language=hr}}{{Cite web |last1=Cindrić |first1=Marija |last2=Paponja |first2=Tea |date=February 20, 2022 |title=Mia Dimšić o kritikama: 'Meni svaka usporedba s Taylor Swift može bit samo kompliment' |url=https://www.24sata.hr/show/mia-dimsic-o-kritikama-meni-svaka-usporedba-s-taylor-swift-moze-bit-samo-kompliment-816813 |url-status=live |archive-url=https://web.archive.org/web/20220405062010/https://www.24sata.hr/show/mia-dimsic-o-kritikama-meni-svaka-usporedba-s-taylor-swift-moze-bit-samo-kompliment-816813 |archive-date=April 5, 2022 |access-date=February 22, 2022 |website=24sata |language=hr}} American singer-songwriter Christina Perri, regarding her 2022 single "Evergone", told Consequence that Evermore and Folklore influenced her to write heartfelt, melancholic songs as opposed to external expectations for upbeat music.{{Cite web |date=March 25, 2022 |title=Christina Perri on New Single "Evergone" and the Influence of Taylor Swift's folklore and evermore |url=https://consequence.net/2022/03/christina-perri-evergone-kyle-meredith-with/ |url-status=live |archive-url=https://web.archive.org/web/20220511002215/https://consequence.net/2022/03/christina-perri-evergone-kyle-meredith-with/ |archive-date=May 11, 2022 |access-date=March 26, 2022 |website=Consequence}} After Evermore, artists such as Gracie Abrams, Ed Sheeran, King Princess and Girl in Red collaborated with Dessner at his Long Pond Studio. Dessner stated, "After Taylor, it was a bit crazy how many people reached out. And getting to meet and write songs with people you wouldn't have had access to... I'm so grateful for it."{{Cite magazine |date=October 10, 2022 |title=Recording's Great Escapes: Inside The World's Most Scenic, State-of-the-Art Studios |url=https://www.billboard.com/lists/best-recording-studios-music-global-photos/ |access-date=October 10, 2022 |magazine=Billboard |archive-date=October 10, 2022 |archive-url=https://web.archive.org/web/20221010160101/https://www.billboard.com/lists/best-recording-studios-music-global-photos/ |url-status=live }} In 2023, Noah Kahan credited Folklore and Evermore with providing a mainstream prominence for his "brand of alt-folk".{{Cite magazine |last=Unterberger |first=Andrew |date=December 15, 2023 |title=Billboard's Greatest Pop Stars of 2023: No. 1 — Taylor Swift |url=https://www.billboard.com/music/pop/taylor-swift-greatest-pop-star-2023-eras-tour-all-time-1235558902/ |access-date=December 16, 2023 |magazine=Billboard |language=en-US |archive-date=December 15, 2023 |archive-url=https://web.archive.org/web/20231215225151/https://www.billboard.com/music/pop/taylor-swift-greatest-pop-star-2023-eras-tour-all-time-1235558902/ |url-status=live }} Swift also embarked on the Eras Tour (2023–2024), which consisted of 10 acts, the third of which was dedicated to Evermore.{{Cite news |last=Ruggieri |first=Melissa |date=March 18, 2023 |title=Taylor Swift rewards fans with 44 songs at Eras Tour opener: Inside her triumphant return |url=https://www.usatoday.com/story/entertainment/music/2023/03/18/taylor-swift-kicks-off-eras-tour-arizona-44-song-set/11490795002/ |url-status=live |archive-url=https://web.archive.org/web/20230318175202/https://www.usatoday.com/story/entertainment/music/2023/03/18/taylor-swift-kicks-off-eras-tour-arizona-44-song-set/11490795002/ |archive-date=March 18, 2023 |access-date=March 18, 2023 |newspaper=USA Today}}

At the 2021 American Music Awards, Evermore won the American Music Award for Favorite Pop/Rock Album, as Swift's record-breaking seventh nod and fourth win in the category. Swift was also nominated for Artist of the Year and Favorite Pop/Rock Female Artist, and won the latter for a record-breaking sixth time.{{Cite magazine|last=Grein|first=Paul|date=October 28, 2021|title=Olivia Rodrigo Leads 2021 American Music Awards Nominations: Full List|url=https://www.billboard.com/music/awards/2021-ama-nominations-list-american-music-awards-9652065|access-date=October 29, 2021|magazine=Billboard|archive-date=November 16, 2021|archive-url=https://web.archive.org/web/20211116183759/https://www.billboard.com/amp/articles/news/awards/9652065/2021-ama-nominations-list-american-music-awards|url-status=live}}{{Cite magazine|last=Atkinson|first=Katie|date=November 22, 2021|title=Here Are All the 2021 American Music Awards Winners|url=https://www.billboard.com/music/awards/2021-amas-winners-list-1235000924/|access-date=November 24, 2021|magazine=Billboard|archive-date=January 5, 2022|archive-url=https://web.archive.org/web/20220105032628/https://www.billboard.com/music/awards/2021-amas-winners-list-1235000924/|url-status=live}} At the 64th Annual Grammy Awards, Evermore contended for Album of the Year as Swift's fifth nomination in the category, following Fearless (2008), Red (2012), 1989 (2014) and Folklore.{{Cite web |date=November 23, 2021 |title=Meet This Year's Album of the Year Nominees {{!}} 2022 GRAMMYs Awards Show |url=https://www.grammy.com/grammys/news/2022-grammys-awards-show-album-of-the-year-nominees-jon-batiste-tony-bennett-lady-gaga-justin-bieber-doja-cat-billie-eilish-her-lil-nas-x-olivia-rodrigo-taylor-swift-kanye-west |url-status=live |archive-url=https://web.archive.org/web/20211124084240/https://www.grammy.com/grammys/news/2022-grammys-awards-show-album-of-the-year-nominees-jon-batiste-tony-bennett-lady-gaga-justin-bieber-doja-cat-billie-eilish-her-lil-nas-x-olivia-rodrigo-taylor-swift-kanye-west |archive-date=November 24, 2021 |access-date=November 24, 2021 |publisher=Grammy Awards}}

On February 2, 2021, a theme park in Pleasant Grove, Utah, called Evermore Park, sued Swift and her team for allegedly infringing its "EVERMORE" trademark, seeking to prevent Swift's further use of the word, and demanded "statutory damages of $2 million per counterfeit mark per type of goods or services sold". The park had sent a cease-and-desist letter to Swift on December 29, 2020, to which the singer's team declined to abide, replying "If anything, your client's website traffic has actually increased as a result of the release of Ms. Swift's recent album which, in turn could only serve to enhance your client's mark".{{Cite web|last=Bloom|first=Madison|date=February 4, 2021|title=Taylor Swift Sued By Utah Theme Park Evermore Over Trademark|url=https://pitchfork.com/news/taylor-swift-sued-by-utah-theme-park-evermore-over-trademark/|url-status=live|archive-url=https://web.archive.org/web/20210204004928/https://pitchfork.com/news/taylor-swift-sued-by-utah-theme-park-evermore-over-trademark/|archive-date=February 4, 2021|access-date=February 4, 2021|website=Pitchfork}} The park claimed that the title of Swift's album confuses consumers, negatively affecting the park's searchability. According to their court documents, the park's visitors enquired the staff about whether the album was a collaboration between Swift and the park, and that on the day Evermore was announced, the traffic on the park's official website surged by 330 percent in comparison to the previous day, affecting the park's "Google footprint". It also mentioned the park's merchandise and original music on streaming platforms under the "EVERMORE" trademark, claiming Swift's album has made them "harder to find".{{Cite magazine|last=Stutz|first=Collin|date=February 3, 2021|title=Taylor Swift Sued by Utah Theme Park Over 'Evermore' Album Title|url=https://www.billboard.com/articles/business/legal-and-management/9520932/taylor-swift-evermore-utah-theme-park-trademark-lawsuit/|url-status=live|archive-url=https://web.archive.org/web/20210204025804/https://www.billboard.com/articles/business/legal-and-management/9520932/taylor-swift-evermore-utah-theme-park-trademark-lawsuit/|archive-date=February 4, 2021|access-date=February 4, 2021|magazine=Billboard}}

Swift's team denied the accusations, referring to the suit as "baseless". Their letter filed in court stated "it is inconceivable that there is any likelihood of confusion between your client's theme park and related products and Ms. Swift's music and related products", and claimed that the park's merchandise—"small dragon eggs, guild patches, and a small dragon mount"—are not similar to the products on Swift's webstore. Speaking to Billboard, Swift's spokesperson called the suit "frivolous" and disputed its "true intent", highlighting a Utah Business report, according to which, the park's founder and CEO Ken Bretschneider "has had at least five lawsuits filed against him and the Evermore group by major construction companies, claiming they are owed between $28,000 and $400,000 in construction, mechanic and landscaping fees. Smaller subcontractors who did work on the park have also filed more than 20 construction liens on the Evermore property".

On February 24, 2021, TAS Rights Management (Swift's copyrights company) countersued the park for allegedly infringing Swift's songs "Love Story", "You Belong with Me" and "Bad Blood" by regularly using them in their performances without a license. TAS claimed that the park "blatantly ignored the numerous notices from Broadcast Music, Inc. (BMI) and opted instead to continue to benefit from the free and unauthorized public performance of [the songs], despite actual knowledge of the liability and substantial penalties imposed by the Copyright Act to protect artists", and pointed out that Bretschneider reached out to BMI "seeking a retroactive license that would cover all performances from 2018 through 2021" after anticipating a lawsuit from Swift's side.{{Cite magazine|last=Blistein|first=Jon|date=February 24, 2021|title=Taylor Swift's Rights Management Company Countersues Evermore Theme Park|url=https://www.rollingstone.com/music/music-news/taylor-swift-tas-rights-management-evermore-theme-park-lawsuit-1132618/|url-status=live|access-date=February 24, 2021|magazine=Rolling Stone|archive-date=February 24, 2021|archive-url=https://web.archive.org/web/20210224203613/https://www.rollingstone.com/music/music-news/taylor-swift-tas-rights-management-evermore-theme-park-lawsuit-1132618/}} In March 2021, Swift's spokesperson stated that both parties have resolved to "drop and dismiss their respective suits without monetary settlement".{{Cite web|last=Willman|first=Chris|date=March 24, 2021|title=Taylor Swift and Evermore Park Drop Lawsuits Against One Another, With No Money Exchanged|url=https://variety.com/2021/music/news/taylor-swift-evermore-park-lawsuits-drop-utah-theme-park-trademark-1234937782/|access-date=March 25, 2021|website=Variety|archive-date=March 25, 2021|archive-url=https://web.archive.org/web/20210325055446/https://variety.com/2021/music/news/taylor-swift-evermore-park-lawsuits-drop-utah-theme-park-trademark-1234937782/|url-status=live}}

{{Track listing

| headline = Evermore standard track listing

| extra_column = Producer(s)

| total_length = 60:38

| title1 = Willow

| writer1 = {{hlist|Taylor Swift|Aaron Dessner}}

| extra1 = A. Dessner

| length1 = 3:34

| title2 = Champagne Problems

| writer2 = {{hlist|Swift|William Bowery}}

| extra2 = {{hlist|Swift|A. Dessner}}

| length2 = 4:04

| title3 = Gold Rush

| writer3 = {{hlist|Swift|Jack Antonoff}}

| extra3 = {{hlist|Swift|Antonoff}}

| length3 = 3:05

| title4 = {{ '}}Tis the Damn Season

| writer4 = {{hlist|Swift|A. Dessner}}

| extra4 = A. Dessner

| length4 = 3:49

| title5 = Tolerate It

| writer5 = {{hlist|Swift|A. Dessner}}

| extra5 = A. Dessner

| length5 = 4:05

| title6 = No Body, No Crime

| note6 = featuring Haim

| writer6 = Swift

| extra6 = {{hlist|Swift|A. Dessner}}

| length6 = 3:35

| title7 = Happiness

| writer7 = {{hlist|Swift|A. Dessner}}

| extra7 = A. Dessner

| length7 = 5:15

| title8 = Dorothea

| writer8 = {{hlist|Swift|A. Dessner}}

| extra8 = A. Dessner

| length8 = 3:45

| title9 = Coney Island

| note9 = featuring the National

| writer9 = {{hlist|Swift|Bowery|A. Dessner|Bryce Dessner}}

| extra9 = {{hlist|A. Dessner|B. Dessner}}

| length9 = 4:35

| title10 = Ivy

| writer10 = {{hlist|Swift|A. Dessner|Antonoff}}

| extra10 = A. Dessner

| length10 = 4:20

| title11 = Cowboy like Me

| writer11 = {{hlist|Swift|A. Dessner}}

| extra11 = A. Dessner

| length11 = 4:35

| title12 = Long Story Short

| writer12 = {{hlist|Swift|A. Dessner}}

| extra12 = A. Dessner

| length12 = 3:35

| title13 = Marjorie

| writer13 = {{hlist|Swift|A. Dessner}}

| extra13 = A. Dessner

| length13 = 4:17

| title14 = Closure

| writer14 = {{hlist|Swift|A. Dessner}}

| extra14 = {{hlist|A. Dessner|BJ Burton{{ref|a|[a]}}|James McAlister{{ref|a|[a]}}}}

| length14 = 3:00

| title15 = Evermore

| note15 = featuring Bon Iver

| writer15 = {{hlist|Swift|Bowery|Justin Vernon}}

| extra15 = {{hlist|Swift|A. Dessner}}

| length15 = 5:04

}}

{{Track listing

| headline = Deluxe edition bonus tracks

| extra_column = Producer(s)

| total_length = 68:58

| title16 = Right Where You Left Me

| writer16 = {{hlist|Swift|A. Dessner}}

| extra16 = A. Dessner

| length16 = 4:05

| title17 = It's Time to Go

| writer17 = {{hlist|Swift|A. Dessner}}

| extra17 = A. Dessner

| length17 = 4:15

}}

Notes

• {{sup|{{note|a|[a]}}}} signifies an additional producer.

Adapted from Pitchfork,{{cite web|url=https://pitchfork.com/news/taylor-swift-releases-new-album-evermore-listen-and-read-the-full-credits/|title=Taylor Swift Releases New Album evermore: Listen and Read the Full Credits|last1= Minsker |first1=Evan|website=Pitchfork|date=December 11, 2020|access-date=December 11, 2020|archive-date=December 11, 2020|archive-url=https://web.archive.org/web/20201211074734/https://pitchfork.com/news/taylor-swift-releases-new-album-evermore-listen-and-read-the-full-credits/|url-status=live}} and album liner notes{{Cite AV media notes|title=Evermore|year=2020|publisher=Republic Records|location=Netherlands|type=Booklet|id=00602435648583|last=Swift|first=Taylor|author-link=Taylor Swift}}

{{div col}}

• Taylor Swift – lead vocals, songwriting, production (2, 3, 6, 15)
• Aaron Dessner – production (1, 2, 4–17), songwriting (1, 4, 5, 7–14, 16, 17), drum machine programming (1, 4–5, 7, 9–17), percussion (1, 10–12), keyboards (1, 5, 7, 11–12, 16–17), synthesizers (1–2, 4, 6–7, 9–12, 14–17), piano (1–2, 4–8, 11, 13–15, 17), electric guitar (1, 4, 6–12, 16–17), bass guitar (1, 4–10, 12, 14, 16–17), acoustic guitar (1–2, 4, 6–13, 16–17), synth bass (2, 10–13, 17), mandolin (6), field recording (6), tambourine (8), high string guitar (9–10), drum kit (10), rubber bridge guitar (10), drone (13), banjo (16)
• Bryce Dessner – production (9), songwriting (9), orchestration (1, 4–5, 7, 9–17), piano (9, 14), pulse (9), electric guitar (12){{NoteTag|name=Credits|This performer is also credited with recording their instrumentation.}}
• James McAlister – synthesizers (1, 5, 10, 12, 14), drum machine programming (1, 5, 10, 12), percussion (5), keyboards (5, 10), Vermona pulse (13), drum kit (14, 16){{NoteTag|name=Credits}}
• Bryan Devendorf – percussion (1, 10, 13), drum machine programming (1, 5, 9–10, 13, 17), drum kit (9, 12)
• Yuki Numata Resnick – violin (1, 4–5, 7, 9–17)
• Clarice Jensen – cello (1, 4, 5, 9–13, 15, 17)
• Jason Treuting – glockenspiel (1), percussion (5, 9, 13), drum kit (9), crotales (12, 15), metal percussion (12), chord stick (13–14, 17)
• Alex Sopp – flute (1, 15){{NoteTag|name=Credits}}
• CJ Camerieri – French horn (1){{NoteTag|name=Credits}}
• Thomas Bartlett – keyboard (1, 4, 7, 8, 16–17), synthesizers (1, 4, 7, 8, 10, 17), piano (8, 16–17){{NoteTag|name=Credits}}
• William Bowery – songwriting (2, 9, 15), piano (15)
• Logan Coale – upright bass (2, 10–11, 14–15)
• Jack Antonoff – production (3), songwriting (3, 10), drums (3), percussion (3), bass (3), electric guitar (3), acoustic guitar (3), slide guitar (3), piano (3), Mellotron (3), backing vocals (3)
• Mikey Freedom Hart – DX7 (3), electric guitar (3), nylon guitar (3), Rhodes (3), celeste (3){{NoteTag|name=Credits}}
• Sean Hutchinson – drums (3){{NoteTag|name=Credits}}
• Michael Riddleberger – drums (3)
• Evan Smith – horns (3){{NoteTag|name=Credits}}
• Patrik Berger – OP-1 (3)
• Bobby Hawk – violin (3)
• Nick Lloyd – Hammond B3 Organ (4, 16){{NoteTag|name=Credits}}
• Josh Kaufman – harmonium (4, 16), lap steel (4, 6, 11), electric guitar (6, 8, 16), acoustic guitar (8), organ (6), harmonica (6, 11, 16), mandolin (11){{NoteTag|name=Credits}}
• Benjamin Lanz – trombone (4, 10), horn arrangement (4), modular synthesizer (8, 10){{NoteTag|name=Credits}}
• Danielle Haim – vocals (6)
• Este Haim – vocals (6)
• JT Bates – drum kit (6–8, 10, 17), percussion (8, 16–17){{NoteTag|name=Credits}}
• Ryan Olson – Allovers Hi-Hat Generator (7, 13, 17){{NoteTag|name=Credits}}
• Matt Berninger – vocals (9)
• Scott Devendorf – bass guitar (9), pocket piano (9){{NoteTag|name=Credits}}
• Justin Vernon – backing vocals (10, 13), triangle (10), drum kit (10–11, 14), banjo (10), electric guitar (10–11, 17), Prophet X (13), Messina (14), synthesizers (15), field recording (15), vocals (15), bass guitar (17), acoustic guitar (17){{NoteTag|name=Credits}}
• Kyle Resnick – trumpet (10, 12, 14, 17){{NoteTag|name=Credits}}
• Marcus Mumford – backing vocals (11)
• Marjorie Finlay – backing vocals (13)
• Trever Hagen – trumpet (14), no-input mixer (14){{NoteTag|name=Credits}}
• BJ Burton – additional production (14)
• James McAlister –  additional production (14)
• Gabriel Cabezas – cello (14–15)
• Dave Nelson – trombone (14, 17){{NoteTag|name=Credits}}
• Stuart Bogie – alto clarinet (15), contrabass clarinet (15), flute (15){{NoteTag|name=Credits}}
• Jonathan Low – drum machine programming (16)

{{div col end}}

Additional instrument recording{{NoteTag|Several performers are also credited with recording their own instrumentation, as noted in the 'Musicians' section.}}

{{div col}}

• Kyle Resnick – violin (1, 4–5, 7, 9–17)
• Bobby Hawk – violin (3)
• Aaron Dessner – vermona pulse (13)
• Robin Baynton – piano (Bowery on 15)

{{div col end}}

{{div col}}

• Beth Garrabrant – photography
• Jonathan Low – recording (1–2, 4–17), vocal recording (1–5; Swift on 6, 9; 10–14; Swift on 15; 17), mixing (all tracks)
• Aaron Dessner – recording (1–2, 4–17)
• Greg Calbi – mastering
• Steve Fallone – mastering
• Laura Sisk – recording (3), vocal recording (8)
• John Rooney – assistant engineering (3)
• Jon Sher – assistant engineering (3)
• Ariel Rechtshaid – vocal recording (Danielle and Este Haim on 6)
• Matt DiMona – vocal recording (Danielle and Este Haim on 6)
• Robin Baynton – vocal recording (7; Swift on 9; Mumford on 11; 16)
• Sean O'Brien – vocal recording (Berninger on 9)
• Justin Vernon – vocal recording (Bon Iver on 15)

{{div col end}}

{{col-begin}}

{{col-2}}

{{col-2}}

{{col-end}}

{{Certification Table Top|caption=Certifications for Evermore}}

{{Certification Table Entry|region=Australia|type=album|award=Platinum|relyear=2020|certyear=2023|access-date=October 27, 2023}}

{{Certification Table Entry|region=Austria|artist=Taylor Swift|title=Evermore|type=album|award=Gold|relyear=2020|certyear=2023|access-date=August 8, 2023}}

{{Certification Table Entry|region=Belgium|type=album|artist=Taylor Swift|title=evermore|award=Gold|certyear=2022|relyear=2020|access-date=August 30, 2022}}

{{Certification Table Entry|region=Brazil|artist=Taylor Swift|title=Evermore|type=album|award=Platinum|number=3|relyear=2020|certyear=2024|access-date=October 16, 2024}}

{{Certification Table Entry|region=Canada|type=album|artist=Taylor Swift|title=evermore|award=Platinum|number=3|certyear=2024|relyear=2020|access-date=February 28, 2025}}

{{Certification Table Entry|region=Denmark|type=album|title=Evermore|artist=Taylor Swift|award=Platinum|relyear=2020|certyear=2023|id=12172|access-date=February 28, 2023}}

{{Certification Table Entry|region=France|type=album|artist=Taylor Swift|title=evermore|award=Gold|certyear=2024|relyear=2020|access-date=February 15, 2024}}

{{Certification Table Entry|region=Germany|type=album|artist=Taylor Swift|title=Evermore|award=Gold|certyear=2025|relyear=2020|access-date=January 10, 2025}}

{{Certification Table Entry|region=Italy|type=album|artist=Taylor Swift|title=evermore|award=Gold|certyear=2023|relyear=2020|access-date=October 30, 2023|id=11572}}

{{Certification Table Entry|region=New Zealand|type=album|award=Platinum|number=2|artist=Taylor Swift|title=Evermore|relyear=2020|id=2023-10-27|source=newchart|access-date=2024-11-20|certyear=2023}}

{{Certification Table Entry|region=Norway|artist=Taylor Swift|title=Evermore|award=Gold|type=album|relyear=2020|certyear=2021|access-date=November 19, 2021|refname="NorwayCert"}}

{{Certification Table Entry|region=Poland|artist=Taylor Swift|title=Evermore|award=Platinum|type=album|relyear=2020|certyear=2023|access-date=December 20, 2023}}

{{Certification Table Entry|region=Portugal|artist=Taylor Swift|title=Evermore|award=Gold|type=album|relyear=2020|certyear=2024|id=file_2024-11-15-15-23-13.pdf|access-date=November 20, 2024}}

{{Certification Table Entry |region=Spain|artist=Taylor Swift |title=Evermore|type=album |award=Gold |relyear=2020 |certyear=2023|date=March 2023|id=taylor-swift-evermore|access-date=March 26, 2023}}

{{Certification Table Entry|region=United Kingdom|artist=Taylor Swift|title=Evermore|type=album|award=Platinum|id=16957-1598-2|relyear=2020|certyear=2023|access-date=June 30, 2023}}

{{Certification Table Entry| region=United States|type=album|artist=Taylor Swift|title=Evermore|award=Platinum|certyear=2022|relyear=2020|access-date=October 19, 2022}}

{{Certification Table Bottom|noshipments=true|streaming=true}}

• List of Billboard 200 number-one albums of 2020
• List of Billboard 200 number-one albums of 2021
• List of UK Albums Chart number ones of the 2020s
• List of UK Album Downloads Chart number ones of the 2020s
• List of number-one albums of 2020 (Australia)
• List of number-one albums of 2021 (Australia)
• List of number-one albums of 2020 (Canada)
• List of number-one albums of 2021 (Canada)
• List of number-one albums from the 2020s (New Zealand)
• List of number-one albums of 2021 (Belgium)

{{NoteFoot}}

{{reflist}}

• {{Discogs master|type=album|1863903|name=Evermore}}
• {{Wikinews inline|Taylor Swift's Evermore records biggest sales week of the year as it returns to No 1 on album chart}}

{{Taylor Swift}}

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Category:2020 albums

Category:Taylor Swift albums

Category:ARIA Award–winning albums

Category:Albums produced by Taylor Swift

Category:Albums produced by Aaron Dessner

Category:Albums produced by Jack Antonoff

Category:Albums produced by Bryce Dessner

Category:Albums impacted by the COVID-19 pandemic

Category:Alternative rock albums by American artists

Category:Chamber pop albums

Category:Folk-pop albums

Category:Folk albums by American artists

Category:Republic Records albums

Category:Sequel albums

Category:Surprise albums