muses

File:Afbeelding van Clio.jpg.{{Cite web|title=Clio|url=https://lib.ugent.be/viewer/archive.ugent.be:B3CC4648-A6A8-11E6-B1A4-293ED43445F2#?c=&m=&s=&cv=&xywh=-3760,-343,12270,6851|access-date=2020-09-28|website=lib.ugent.be}}]]

The word Muses ({{langx|grc|Μοῦσαι|Moûsai}}) perhaps came from the o-grade of the Proto-Indo-European root {{Lang|ine-x-proto|men-}} (the basic meaning of which is 'put in mind' in verb formations with transitive function and 'have in mind' in those with intransitive function),{{Sfn|West|2007|p=34}} or from root {{Lang|ine-x-proto|men-}} ('to tower, mountain') since all the most important cult-centres of the Muses were on mountains or hills.* A. B. Cook (1914), Zeus: A Study in Ancient Religion, Vol. I, p. 104, Cambridge University Press. R. S. P. Beekes rejects the latter etymology and suggests that a Pre-Greek origin is also possible.R. S. P. Beekes, Etymological Dictionary of Greek, Brill, 2009, p. 972.

File:Hesiod and the Muse.jpg: Hesiod and the Muse (1891)—Musée d'Orsay, Paris|left]]

File:Johann Christoph Storer, Apollo and the Muses on Mount Parnassus, c. 1650, NGA 127331.jpg]]

The earliest known records of the Muses come from Boeotia (Boeotian muses). Some ancient authorities regarded the Muses as of Thracian origin.{{cite book|url= https://books.google.com/books?id=Ds2oBKF_FrUC|title= The Growth of Literature|publisher= Cambridge University Press |isbn= 9781108016155|author= H. Munro Chadwick, Nora K. Chadwick|year= 2010}} In Thrace, a tradition of three original Muses persisted.At least, this was reported to Pausanias in the second century AD. Cfr. Karl Kerényi: The Gods of the Greeks, Thames & Hudson, London 1951, p. 104 and note 284.

In the first century BC, Diodorus Siculus cited Homer and Hesiod to the contrary, observing:

{{blockquote|Writers similarly disagree also concerning the number of the Muses; for some say that there are three, and others that there are nine, but the number nine has prevailed since it rests upon the authority of the most distinguished men, such as Homer and Hesiod and others like them.Diodorus Siculus, 4.7.1–2 ([http://www.theoi.com/Text/DiodorusSiculus4A.html#7 on-line text])}}

Diodorus states (Book I.18) that Osiris first recruited the nine Muses, along with the satyrs, while passing through Aethiopia, before embarking on a tour of all Asia and Europe, teaching the arts of cultivation wherever he went.

According to Hesiod's account ({{Circa|700 BC}}), generally followed by the writers of antiquity, the Nine Muses were the nine daughters of Zeus and Mnemosyne (i.e., "Memory" personified), figuring as personifications of knowledge and the arts, especially poetry, literature, dance and music.

The Roman scholar Varro (116–27 BC) relates that there are only three Muses: one born from the movement of water, another who makes sound by striking the air, and a third who is embodied only in the human voice. They were called Melete or "Practice", Mneme or "Memory" and Aoide or "Song".{{Citation needed|reason=There's no reference to where Varro says that.|date=June 2023}} The Quaestiones Convivales of Plutarch (46–120 AD) also report three ancient Muses (9.I4.2–4).See also the Italian article on this writer.Susan Scheinberg, in reporting other Hellenic maiden triads in "The Bee Maidens of the Homeric Hymn to Hermes", references Diodorus, Plutarch and Pausanias - Harvard Studies in Classical Philology, 83 (1979:1–28), p. 2.

However, the classical understanding of the Muses tripled their triad and established a set of nine goddesses, who embody the arts and inspire creation with their graces through remembered and improvised song and mime, writing, traditional music, and dance. It was not until Hellenistic times that the following systematic set of functions became associated with them, and even then some variation persisted both in their names and in their attributes:

File:Nine muses and mnemosyne symbols disc from elis greece.jpg.]]

{{block indent|1=

• Calliope (epic poetry)
• Clio (history)
• Polyhymnia (hymn)
• Euterpe (flute)
• Terpsichore (light verse and dance)
• Erato (lyric choral poetry)
• Melpomene (tragedy)
• Thalia (comedy)
• Urania (astronomy, astrology, and space)For this list of names and attributes, see Grimal, s.v. Muses.

}}

File:Muses sarcophagus Louvre MR880.jpg (second century AD)—Louvre, Paris|270x270px]]

According to Pausanias, who wrote in the later second century AD, there were originally three Muses, worshipped on Mount Helicon in Boeotia: Aoide ('song' or 'tune'), Melete ('practice' or 'occasion'), and Mneme ('memory').Pausanias, Description of Greece [https://topostext.org/work/213#9.29.1 9.29.1–9.29.2] Together, these three form the complete picture of the preconditions of poetic art in cult practice.

In Delphi too three Muses were worshipped, but with other names: Nete, Mese, and Hypate, which are assigned as the names of the three chords of the ancient musical instrument, the lyre.Plutarch Symposium 9.14

Alternatively, later they were called Cephisso, Apollonis, and Borysthenis - names which characterize them as daughters of Apollo.Eumelus fr. 35 as cited from Tzetzes on Hesiod, 23; Tzetzes on Hesiod, Works and Days 6

A later tradition recognized a set of four Muses: Thelxinoë, Aoide, Archē, and Melete, said to be daughters of Zeus and Plusia or of Ouranos.Cicero, De Natura Deorum [https://topostext.org/work/137#3.53 3.53], Epicharmis, Tzetzes on Hes. 23

One of the people frequently associated with the Muses was Pierus. By some he was called the father (by a Pimpleian nymph, called Antiope by Cicero) of a total of seven Muses, called {{Lang|grc-latn|Neilṓ|italic=no}} ({{Lang|grc|Νειλώ}}), {{Lang|grc-latn|Tritṓnē|italic=no}} ({{Lang|grc|Τριτώνη}}), {{Lang|grc-latn|Asōpṓ|italic=no}} ({{Lang|grc|Ἀσωπώ}}), {{Lang|grc-latn|Heptápora|italic=no}} ({{Lang|grc|Ἑπτάπορα}}), Achelōís, {{Lang|grc-latn|Tipoplṓ|italic=no}} ({{Lang|grc|Τιποπλώ}}), and {{Lang|grc-latn|Rhodía|italic=no}} ({{Lang|grc|Ῥοδία}}).Epicharmis, Tzetzes on Hes. 23

Smith, William; Dictionary of Greek and Roman Biography and Mythology, London (1873). [https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.04.0104:entry=musae-bio-1 "Musae" ].

File:Thalia sarcophagus Louvre Ma475.jpg, Muse of comedy, holding a comic mask (detail from the "Muses Sarcophagus")]]

File:Claude Lorrain Apollo Muses.jpg]]

According to Hesiod's Theogony (seventh century BC), they were daughters of Zeus, king of the gods, and Mnemosyne, Titan goddess of memory. Hesiod in Theogony narrates that the Muses brought to people forgetfulness, that is, the forgetfulness of pain and the cessation of obligations.{{Cite book|last=Collective work by scholars and expertise|title=Επιστήμη & Ζωή|publisher=CHATZIAKOVOU S.A.|year=1980|location=Greece|pages=Vol.13, p.151|edition=Printed}}

For Alcman and Mimnermus, they were even more primordial, springing from the early deities Ouranos and Gaia. Gaia is Mother Earth, an early mother goddess who was worshipped at Delphi from prehistoric times, long before the site was rededicated to Apollo, possibly indicating a transfer to association with him after that time.

Sometimes the Muses are referred to as water nymphs, associated with the springs of Helicon and with Pieris. It was said that the winged horse Pegasus touched his hooves to the ground on Helicon, causing four sacred springs to burst forth, from which the Muses, also known as pegasides, were born.{{cite web|url=http://www.elysiumgates.com/mt_olympus/histpegasus.html|title=Elysium Gates - Historical Pegasus|access-date=2010-02-26|archive-url=https://web.archive.org/web/20090616103044/http://www.elysiumgates.com/mt_olympus/histpegasus.html|archive-date=2009-06-16|url-status=dead}}Ovid, Heroides [https://archive.org/stream/heroidesamores00ovid#page/182/mode/2up 15.27]: "the daughters of Pegasus" in the English translation; Propertius, Poems [https://archive.org/stream/propertiuswithen00propuoft#page/176/mode/2up 3.1.19]: "Pegasid Muses" in the English translation. Athena later tamed the horse and presented him to the Muses (compare the Roman inspiring nymphs of springs, the Camenae, the Völva of Norse Mythology and also the apsaras in the mythology of classical India).

Classical writers set Apollo as their leader, {{Lang|grc-latn|Apollon Mousēgetēs}} ('Apollo Muse-leader').For example, Plato, Laws 653d. In one myth, the Muses judged a contest between Apollo and Marsyas. They also gathered the pieces of the dead body of Orpheus, son of Calliope, and buried them in Leivithra. In a later myth, Thamyris challenged them to a singing contest. They won and punished Thamyris by blinding him and robbing him of his singing ability.

According to a myth from Ovid's Metamorphoses—alluding to the connection of Pieria with the Muses—Pierus, king of Macedon, had nine daughters he named after the nine Muses, believing that their skills were a great match to the Muses. He thus challenged the Muses to a match, resulting in his daughters, the Pierides, being turned into chattering jays (with {{Lang|grc|κίσσα}} often erroneously translated as 'magpies') for their presumption.Ovid, Metamorphoses 5.677–78: "Now their previous eloquence also remained in the birds, as well as their strident chattering and their great zeal for speaking." See also Antoninus Liberalis 9.

Pausanias records a tradition of two generations of Muses; the first are the daughters of Ouranos and Gaia, the second of Zeus and Mnemosyne. Another, rarer genealogy is that they are daughters of Harmonia (the daughter of Aphrodite and Ares), which contradicts the myth in which they were dancing at the wedding of Harmonia and Cadmus.

Calliope had two sons, Ialemus and Orpheus, with Apollo. In another version of the story, the father of Orpheus was Oeagrus, but Apollo adopted him and taught him the skill of lyre while Calliope trained him in singing.

Linus was saidPseudo-Apollodorus. Bibliotheca 1.3.2 to have been the son of Apollo and one of the Muses, either Calliope or Terpsichore or Urania. Rhesus was the son of Strymon and Calliope or Euterpe.

The sirens were the children of Achelous and Melpomene or Terpsichore. Kleopheme was the daughter of Erato and Malos. Hyacinth was the son of Clio, according to an unpopular account.Apollodorus, [https://www.perseus.tufts.edu/hopper/text?doc=Apollod.+1.3.3&fromdoc=Perseus%3Atext%3A1999.01.0022:book=1:chapter=3&highlight=Hyacinth 1.3.3]

Hymenaeus was assigned as Apollo's son by one of the muses, either Calliope, or Clio, or Terpsichore, or Urania. Corybantes were the children of Thalia and Apollo.Apollodorus, [http://data.perseus.org/citations/urn:cts:greekLit:tlg0548.tlg001.perseus-eng1:1.3.4 1.3.4]

In the sanctuary of Hera in Coroneia was a statue created by Pythodorus of Thebes, depicting Hera holding the sirens. According to the myth, Hera persuaded the sirens to challenge the Muses to a singing contest. After the Muses won, they are said to have plucked the sirens' feathers and used them to make crowns for themselves.[https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0160%3Abook%3D9%3Achapter%3D34%3Asection%3D3 Pausanias, Description of Greece, 9.34.3]Lemprière 768. According to Stephanus of Byzantium, the sirens, overwhelmed by their loss, cast off their feathers from their shoulders, turned white and then threw themselves into the sea. As a result, the nearby city was named Aptera ("featherless") and the nearby islands were called the Leukai ("the white ones").Caroline M. Galt, "A marble fragment at Mount Holyoke College from the Cretan city of Aptera", Art and Archaeology 6 (1920:150). John Tzetzes recounts that after defeating the sirens, the Muses crowned themselves with the sirens' wings, except for Terpsichore who was their mother, adding that the city of Aptera named after this event.[https://topostext.org/work/860#653 Tzetzes, Ad Lycophronem, 653] Furthermore, in one of his letters, Julian the Emperor mentions the Muses' victory over the sirens.[https://topostext.org/work/803#74 Julian the Emperor, Letters, 74]

The Muses had several temples and shrines in ancient Greece, their two main cult centres being Mount Helikon in Boiotia, which holds the Valley of the Muses, and Pieria in Makedonia.

Strabo wrote:

:"Helikon, not far distant from Parnassos, rivals it both in height and in circuit; for both are rocky and covered with snow, and their circuit comprises no large extent of territory. Here are the temple of the Mousai and Hippukrene and the cave of the Nymphai called the Leibethrides; and from this fact one might infer that those who consecrated Helikon to the Mousai were Thrakians, the same who dedicated Pieris and Leibethron and Pimpleia [in Pieria] to the same goddesses. The Thrakians used to be called Pieres, but, now that they have disappeared, the Makedonians hold these places."Strabo, Geography 9. 2. 25 (trans. Jones)

The cult of the Muses was also commonly connected to that of Apollo.

File:Anonimo Ferrarese by Francesco del Cossa.jpg, the Muse of sacred poetry, sacred hymn and eloquence as well as agriculture and pantomime.]]

The following table lists the Classical names and attributes of the standard list of the nine Muses,As given by Grimal, s.v. Muses, as well as their various associated symbols:

Some Greek writers give the names of the nine Muses as Kallichore, Helike, Eunike, Thelxinoë, Terpsichore, Euterpe, Eukelade, Dia, and Enope.Tzetzes, Scholia in Hesiodi Opera 1,23

In Renaissance and Neoclassical art, the dissemination of emblem books such as Cesare Ripa's Iconologia (1593 and many further editions) helped standardize the depiction of the Muses in sculpture and painting, so they could be distinguished by certain props. These props, or emblems, became readily identifiable by the viewer, enabling one immediately to recognize the Muse and the art with which she had become associated. Here again, Calliope (epic poetry) carries a writing tablet; Clio (history) carries a scroll and books; Euterpe (song and elegiac poetry) carries a double-pipe, the aulos; Erato (lyric poetry) is often seen with a lyre and a crown of roses; Melpomene (tragedy) is often seen with a tragic mask; Polyhymnia (sacred poetry) is often seen with a pensive expression; Terpsichore (choral dance and song) is often seen dancing and carrying a lyre; Thalia (comedy) is often seen with a comic mask; and Urania (astronomy) carries a pair of compasses and the celestial globe.

File:Eustache Le Sueur - The Muses - Clio, Euterpe and Thalia - WGA12611.jpg, Euterpe, and Thalia, by Eustache Le Sueur, c. 1652–1655|left]]

The Greek word {{Lang|grc-latn|mousa}} is a common noun as well as a type of goddess: it literally means 'art' or 'poetry'. According to Pindar, to "carry a {{Lang|grc-latn|mousa}}" is 'to excel in the arts'. The word derives from the Indo-European root {{Lang|ine-x-proto|men-}}, which is also the source of Greek Mnemosyne and {{Lang|grc-latn|mania}}, English mind, mental and monitor, Sanskrit mantra and Avestan {{Lang|ae-latn|Mazda}}.Calvert Watkins, ed., The American Heritage Dictionary of Indo-European Roots, 3d ed., p. 56.

File:Le Sueur, Eustache - Melpomène, Érato et Polymnie - 1652 - 1655.jpg, Erato, and Polyhymnia, by Eustache Le Sueur, c. 1652–1655]]

The Muses, therefore, were both the embodiments and sponsors of performed metrical speech: {{Lang|grc-latn|mousike}} (whence the English term music) was just "one of the arts of the Muses". Others included science, geography, mathematics, philosophy, and especially art, drama, and inspiration. In the archaic period, before the widespread availability of books (scrolls), this included nearly all of learning. The first Greek book on astronomy, by Thales, took the form of dactylic hexameters, as did many works of pre-Socratic philosophy. Both Plato and the Pythagoreans explicitly included philosophy as a sub-species of {{Lang|grc-latn|mousike}}.Strabo 10.3.10. The Histories of Herodotus, whose primary medium of delivery was public recitation, were divided by Alexandrian editors into nine books, named after the nine Muses.

For poet and "law-giver" Solon,Solon, fragment 13. the Muses were "the key to the good life"; since they brought both prosperity and friendship. Solon sought to perpetuate his political reforms by establishing recitations of his poetry—complete with invocations to his practical-minded Muses—by Athenian boys at festivals each year. He believed that the Muses would help inspire people to do their best.

File:Musas01.jpg, Mexico]]

Ancient authors and some later authors and artists invoke Muses when writing poetry, hymns or epic history. Ancient authors invocations often occur near the beginning of their work. It asks for help or inspiration from the Muses, or simply invites the Muse to sing directly through the author.

Originally, the invocation of the Muse was an indication that the speaker was working inside the poetic tradition, according to the established formulas. For example:

These things declare to me from the beginning,

ye Muses who dwell in the house of Olympus,

and tell me which of them first came to be.

— Hesiod (c. 700 BCE), Theogony (Hugh G. Evelyn-White translation, 2015)

Sing to me of the man, Muse, the man of twists and turns

driven time and again off course, once he had plundered

the hallowed heights of Troy.

:—Homer (c. 700 - 600 BCE), in Book I of The Odyssey (Robert Fagles translation, 1996)

O Muse! the causes and the crimes relate;

What goddess was provok'd, and whence her hate;

For what offence the Queen of Heav'n began

To persecute so brave, so just a man; [...]

:—Virgil (c. 29 - 19 BCE), in Book I of the Aeneid (John Dryden translation, 1697)

Besides Homer and Virgil, other famous works that included an invocation of the Muse are the first of the carmina by Catullus, Ovid's Metamorphoses and Amores, Dante's Inferno (Canto II), Chaucer's Troilus and Criseyde (Book II), Shakespeare's Henry V (Act 1, Prologue), his 38th sonnet, and Milton's Paradise Lost (openings of Books 1 and 7).

File:Car of history.jpg by Carlo Franzoni, 1819, depicting Clio (housed in the National Statuary Hall Collection of the United States Capitol)]]

When Pythagoras arrived at Croton, his first advice to the Crotoniates was to build a shrine to the Muses at the center of the city, to promote civic harmony and learning. Local cults of the Muses often became associated with springs or with fountains. The Muses were sometimes called Aganippides, a name derived from the sacred spring Aganippe at the foot of Mount Helicon, whose waters were believed to grant inspiration.[https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.04.0064:entry=helicon-geo Dictionary of Greek and Roman Geography (1854), Helicon] Other fountains, Hippocrene and Pirene, were also important locations associated with the Muses. Some sources occasionally referred to the Muses as "Corycides" (or "Corycian nymphs") after a cave on Mount Parnassos, called the Corycian Cave. Pausanias referred to the Muses by the surnames "Ardalides" or "Ardaliotides", because of a sanctuary to them at Troezen said to have been built by the mythical Ardalus.

The Muses were venerated especially in Boeotia, in the Valley of the Muses near Helicon, and in Delphi and the Parnassus, where Apollo became known as {{Lang|grc-latn|Mousēgetēs}} ('Muse-leader') after the sites were rededicated to his cult.

Often Muse-worship was associated with the hero-cults of poets: the tombs of Archilochus on Thasos and of Hesiod and Thamyris in Boeotia all played host to festivals in which poetic recitations accompanied sacrifices to the Muses. The Library of Alexandria and its circle of scholars formed around a {{Lang|grc-latn|mousaion}} (i.e., 'museum' or shrine of the Muses) close to the tomb of Alexander the Great. Many Enlightenment figures sought to re-establish a "Cult of the Muses" in the 18th century. A famous Masonic lodge in pre-Revolutionary Paris was called Les Neuf Soeurs ('The Nine Sisters', that is, the Nine Muses); Voltaire, Benjamin Franklin, Danton, and other influential Enlightenment figures attended it. As a side-effect of this movement the word museum (originally, 'cult place of the Muses') came to refer to a place for the public display of knowledge.

Museia (Μούσεια) was a festival dedicated to Muses which was held every fifth year on the lower slopes of Mount Helicon in Boeotia. There was also another festival which was called Museia, which was celebrated in schools.[https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.04.0063%3Aalphabetic+letter%3DM%3Aentry+group%3D3%3Aentry%3Dmusea-cn A Dictionary of Greek and Roman Antiquities (1890), William Smith, LLD, William Wayte, G. E. Marindin, Ed., Museia]

In New Orleans, Louisiana, there are streets named for all nine. It is commonly held that the local pronunciation of the names has been colorfully anglicized in an unusual manner by the "Yat" dialect. The pronunciations are actually in line with the French, Spanish, and Creole roots of the city.Archived at [https://ghostarchive.org/varchive/youtube/20211211/WbICHD5LZCc Ghostarchive]{{cbignore}} and the [https://web.archive.org/web/20190530100731/https://www.youtube.com/watch?v=WbICHD5LZCc Wayback Machine]{{cbignore}}: {{cite web|url=https://www.youtube.com/watch?v=WbICHD5LZCc|title=How to pronounce New Orleans Muses Streets|last=NOLA.com|date=10 November 2016 |via=YouTube}}{{cbignore}}

{{Expand section|date=January 2022|reason=this section could be greatly expanded, and probably merits its own article.}}

{{further|Muse (source of inspiration)}}

The Muses are explicitly used in modern English to refer to an artistic inspiration,{{OED|muse|id=124057}} Mainly 1b, 2 as when one cites one's own artistic muse, and also implicit in words and phrases such as amuse, museum (Latinised from {{Lang|grc-latn|mouseion}}—a place where the Muses were worshipped), music, and musing upon.OED derives "amuse" from French a- ("from") and muser, "to stare stupidly or distractedly". In current literature, the influential role that the Muse plays has been extended to the political sphere.Sorkin, Adam J. (1989) [https://books.google.com/books?id=Avf8SaqIAUIC Politics and the Muse. Studies in the Politics of Recent American Literature.] Bowling Green State University Popular Press, Bowling Green OH.

File:Terpsichore - Jean-Marc Nattier.jpg|Terpsichore

File:Erato.jpg|Erato

File:Follower of Guido Reni - Clio, Muse of History.jpg|Clio

File:Thalia MET ap74.48.jpg|Thalia

File:Muse of cortona.png|Polyhymnia

File:Calliope.jpg|Calliope

File:Antonio Zucchi - Apollo and the Muses, 1767.jpg|Apollo and the Muses

File:Johann Heinrich Tischbein - The Nine Muses - Euterpe (Music), 1782.jpg|Euterpe

File:Simon Vouet - Parnassus or Apollo and the Muses (detail) - WGA25374.jpg|Parnassus

File:Uranie et Melpomène - 1680-1681 Louis de Boullogne.jpg|Urania and Melpomene

{{chart top|The Muses's family tree, according to Hesiod's TheogonyHesiod, Theogony [https://www.perseus.tufts.edu/hopper/text?doc=Hes.+Th.+132 132–138], [https://www.perseus.tufts.edu/hopper/text?doc=Hes.+Th.+337 337–411], [https://www.perseus.tufts.edu/hopper/text?doc=Hes.+Th.+453 453–520], [https://www.perseus.tufts.edu/hopper/text?doc=Hes.+Th.+901 901–906, 915–920]; Caldwell, pp. 8–11, tables 11–14.|collapsed=no}}

{{chart/start}}

{{chart|}}

{{chart| | | | | | | | | | | |URA |y|GAI |~|~|~|~|~|~|~|~|~|y|PON|URA=Uranus|GAI=Gaia|PON=Pontus}}

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{{chart|!|OCE |y|TET | | | |HYP |y|THE | | | | |CRI |y|EUR|OCE=Oceanus|TET=Tethys|HYP=Hyperion|THE=Theia|CRI=Crius|EUR=Eurybia}}

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{{chart|!|RIV | |OCE | |HEL | |SEL | |EOS | |AST | |PAL | |PER |RIV=The Rivers|OCE=The Oceanids|HEL=Helios|SEL=SeleneAlthough usually the daughter of Hyperion and Theia, as in Hesiod, Theogony [https://www.perseus.tufts.edu/hopper/text?doc=Hes.+Th.+371 371–374], in the Homeric Hymn to Hermes (4), [https://www.perseus.tufts.edu/hopper/text?doc=HH+4+99&fromdoc=Perseus%3Atext%3A1999.01.0138 99–100], Selene is instead made the daughter of Pallas the son of Megamedes.|EOS=Eos|AST=Astraeus|PAL=Pallas|PER=Perses}}

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{{chart|!| | | | |CRO |y|RHE | | | | | | | |COE |y|PHO | | |COE=Coeus|PHO=Phoebe|CRO=Cronus|RHE=Rhea}}

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{{chart|!|HES |!|HER | |HAD |!|ZEU | | | |LET | |AST | |HES=Hestia|HER=Hera|HAD=Hades|ZEU=Zeus|LET=Leto|AST=Asteria}}

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{{chart|!| | |DEM | | | | | |POS | | | | | | | | | | | | | |DEM=Demeter|POS=Poseidon}}

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{{chart| | | | |IAP |y|CLY | | | | | |MNE |~|y|~|ZEU |~|y|~|THE |IAP=Iapetus|CLY=Clymene (or Asia)According to Hesiod, Theogony [https://www.perseus.tufts.edu/hopper/text?doc=Hes.+Th.+507 507–511], Clymene, one of the Oceanids, the daughters of Oceanus and Tethys, at Hesiod, Theogony [https://www.perseus.tufts.edu/hopper/text?doc=Hes.+Th.+351 351], was the mother by Iapetus of Atlas, Menoetius, Prometheus, and Epimetheus, while according to Apollodorus, [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0022%3Atext%3DLibrary%3Abook%3D1%3Achapter%3D2%3Asection%3D3 1.2.3], another Oceanid, Asia was their mother by Iapetus.|MNE=Mnemosyne|ZEU=(Zeus)|THE=Themis}}

{{chart| |,|-|-|-|v|-|^|-|v|-|-|-|.| | | | | | |!| | | | | |!}}

{{chart|ATL | |MEN | |PRO | |EPI | | | | | | ! | | | | |HOR |ATL=AtlasAccording to Plato, Critias, [http://data.perseus.org/citations/urn:cts:greekLit:tlg0059.tlg032.perseus-eng1:113d 113d–114a], Atlas was the son of Poseidon and the mortal Cleito.|MEN=Menoetius|PRO=PrometheusIn Aeschylus, Prometheus Bound 18, 211, 873 (Sommerstein, pp. [http://www.loebclassics.com/view/aeschylus-prometheus_bound/2009/pb_LCL145.445.xml 444–445 n. 2], [http://www.loebclassics.com/view/aeschylus-prometheus_bound/2009/pb_LCL145.467.xml 446–447 n. 24], [http://www.loebclassics.com/view/aeschylus-prometheus_bound/2009/pb_LCL145.539.xml 538–539 n. 113]) Prometheus is made to be the son of Themis.|EPI=Epimetheus|HOR=The Horae}}

{{chart| | | | | | | | | | | | |,|-|v|-|v|-|v|-|+|-|v|-|v|-|v|-|.}}

{{chart| | | | | | | | | | | |CLE|!|THAL|!|TERP|!|POL|!|CAL|CLE=CLIO|THAL=THALIA|TERP=TERPSICHORE|POL=POLYHYMNIA|CAL=CALLIOPE}}

{{chart| | | | | | | | | | | | | | |!| | | |!| | | |! | | | |!| | |}}

{{chart| | | | | | | | | | | | | |EUT | |MEL | |ERA | |URA | | | | |EUT=EUTERPE|MEL=MELPOMENE|ERA=ERATO|URA=URANIA}}

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• Apsara
• Artistic inspiration
• Divine inspiration
• Leibethra
• Pimpleia
• Saraswati
• Muses in popular culture

{{Reflist|30em}}

• {{Cite EB1911|wstitle=Muses, The|volume=19|pages=59–60}}
• Grimal, Pierre, The Dictionary of Classical Mythology, Wiley-Blackwell, 1996. {{ISBN|978-0-631-20102-1}}. [https://archive.org/details/dictionaryofclas0000grim/page/n3/mode/2up?view=theater Internet Archive].
• {{Cite book|last=West|first=Martin L.|url=https://books.google.com/books?id=ZXrJA_5LKlYC|title=Indo-European Poetry and Myth|date=2007|publisher=Oxford University Press|isbn=978-0-19-928075-9|language=en|author-link=Martin Litchfield West}}

{{NSRW Poster|Muses}}

{{wiktionary|Muse#English|Muse}}

{{commons category|Muses}}

{{wikiquote}}

• [http://ancientrome.ru/art/artworken/result.htm?alt=Muses Muses in ancient art]; ancientrome.ru
• [https://iconographic.warburg.sas.ac.uk/category/vpc-taxonomy-000129 Warburg Institute Iconographic Database (ca 1,000 images of the Muses)]

{{Muses}}

{{Greek religion}}

{{Greek mythology (deities)}}

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Category:Music and singing goddesses

Category:Wisdom goddesses

Category:Children of Zeus

Category:Arts goddesses

Category:Dance goddesses

Category:Knowledge goddesses

Category:Greek goddesses

Category:Women of Apollo

Category:Musicians in Greek mythology

Category:Olympian deities