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violin Concerto (Beethoven)

{{Short description|Concerto composed by Beethoven in 1806}}

{{for|Beethoven's early violin concerto|Violin Concerto in C (Beethoven)}}

{{Use dmy dates|date=October 2024}}

{{Infobox musical composition

| name = Violin Concerto

| composer = Ludwig van Beethoven

| image = Beethoven_3.jpg

| key = D major

| opus = 61(a)

| genre = Violin concerto

| period = Classical-Romantic (transitional)

| movements = Three

| composed = {{Start date|1806}}

| dedication = Franz Clement

| premiere_date = {{Start date|1806|12|23|df=y}}

| premiere_location = Theater an der Wien, Vienna

| premiere_performers = Franz Clement

}}

The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844 by the then 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn. Joachim would later claim it to be the "greatest" German violin concerto.{{cite web |first=Michael |last=Steinberg |title=Bruch: Concerto No. 1 in G Minor for Violin and Orchestra, Opus 26 |url=http://www.sfsymphony.org/Watch-Listen-Learn/Read-Program-Notes/Program-Notes/BRUCH-Concerto-No-1-in-G-minor-for-Violin-and-Orch.aspx |archive-url=https://web.archive.org/web/20141107155110/http://www.sfsymphony.org/Watch-Listen-Learn/Read-Program-Notes/Program-Notes/BRUCH-Concerto-No-1-in-G-minor-for-Violin-and-Orch.aspx |archive-date=7 November 2014 |work=San Francisco Symphony |access-date=6 December 2017}} Since then it has become one of the best-known and regularly performed violin concertos.

Genesis

Beethoven had previously written a number of pieces for violin and orchestra. At some point in 1790–2, before his musical maturity, he began a Violin Concerto in C, of which only a fragment of the first movement survives. Whether the work, or even the first movement, had ever been completed is not known.{{sfn|Stowell|1998|pp=4–5}} In any event, it was neither performed nor published. Later in the 1790s, Beethoven had completed two Romances for violin – first the Romance in F and later the Romance in G.The Romances were published in the opposite order, the first-composed being published second, becoming "Romance No. 2"

These works show a strong influence from the French school of violin playing, exemplified by violinists such as Giovanni Battista Viotti, Pierre Rode and Rodolphe Kreutzer. The two Romances, for instance, are in a similar style to slow movements of concerti by Viotti.{{sfn|Stowell|1998|p=14}} This influence can also be seen in the D major Concerto; the 'martial' opening with the beat of the timpani follows the style of French music at the time, while the prevalence of figures in broken sixths and broken octaves closely resembles elements of compositions by Kreutzer and Viotti.{{sfn|Stowell|1994|pp=16–19}}

Performance history

Beethoven wrote the concerto for his colleague Franz Clement, a leading violinist of the day, who had earlier given him helpful advice on his opera Fidelio. The work was premiered on 23 December 1806 in the Theater an der Wien in Vienna, the occasion being a benefit concert for Clement. The first printed edition (1808) was dedicated to Stephan von Breuning.

It is believed that Beethoven finished the solo part so late that Clement had to sight-read part of his performance.{{sfn|Eulenburg|2007|loc=preface, p. 3}} Some sources state that Clement interrupted the concerto between the first and second movements with a solo composition of his own, played on one string of the violin held upside down{{sfn|Eulenburg|2007|loc=preface, p. 3}} however, other sources claim that he played this piece only at the end of the performance.{{cite book|title=The Concerto: A Listener's Guide|url=https://archive.org/details/concertolistener00stei|url-access=registration|last=Steinberg|first=Michael|author-link=Michael Steinberg (music critic)|publisher=Oxford University Press|year=1998|page=[https://archive.org/details/concertolistener00stei/page/81 81]|isbn=978-0-19-510330-4 }}

The premiere was not a success, and the concerto was little performed in the following decades.

The work was revived in 1844, well after Beethoven's death, with a performance by the then 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn. Ever since, it has been one of the most important works of the violin concerto repertoire, and is frequently performed and recorded today.

Performance practice

{{listen|type=music

| header = Performance by US Marine Chamber Orchestra

| filename = Beethoven, Ludwig van — Violin Concerto in D major, Op. 61, 1st movement.ogg

| title = I. Allegro ma non troppo

| description =

| filename2 = Beethoven, Ludwig van — Violin Concerto in D major, Op. 61, 2nd movement.ogg

| title2 = II. Larghetto

| description2 =

| filename3 = Beethoven, Ludwig van — Violin Concerto in D major, Op. 61, 3rd movement.ogg

| title3 = III. Rondo, allegro

| description3 =

}}

It has been said that not only in this piece, but generally, "Recordings demonstrate that ... it was the practice in the early twentieth century to vary the tempo considerably within a movement,"{{sfn|Philip|1994|p=196}} and that in the concerto, there is "often one big trough (slowing?) in the central G major passage."{{sfn|Philip|1994|p=198}}

Structure

The work is in three movements:

{{Ordered list|type=upper-roman

|Allegro ma non troppo (D major)

|Larghetto (G major)

|Rondo. Allegro (D major)

}}

It is scored, in addition to the solo violin, for flute, two oboes, two clarinets in A and C, two bassoons, two horns in D and G, two trumpets in D, timpani, and strings.

= 1. Allegro ma non troppo =

The movement starts with five beats on the timpani and leads into a theme played by the oboes, clarinets and bassoons. The strings enter with a non-diatonic D# that leads into a V7 chord. The clarinets and bassoons play another theme. This is suddenly interrupted by a louder section in B-flat major. This leads into a theme in D major and later in the parallel minor. The soloist enters with a V7 chord in octaves. This movement is about 21 minutes long.

= 2. Larghetto =

This movement is in G major. It is about 10 minutes long.

= 3. Rondo. Allegro =

This movement starts without pause from the second movement. It begins with the famous "hunting horn" theme. There is a section in G minor. After the cadenza, it ends with a typical V-I cadence. This movement is about 10 minutes long.

=Cadenzas=

Cadenzas for the work have been written by several notable violinists, including Joachim. The cadenzas by Fritz Kreisler are probably most often employed. More recently, composer Alfred Schnittke provided controversial cadenzas with a characteristically 20th-century style; violinist Gidon Kremer has recorded the concerto with the Schnittke cadenzas.{{cite web|url=http://www.arkivmusic.com/classical/album.jsp?album_id=145330|title=Review – Beethoven: Violin Concerto / Kremer, Marriner, ASMF|publisher=ArkivMusic.com|date=22 April 2010|access-date=1 January 2014}} New klezmer-inspired cadenzas written by Montreal-based klezmer clarinetist and composer Airat Ichmouratov for Alexandre Da Costa in 2011 have been recorded by the Taipei Symphony Orchestra for Warner Classics.{{cite news

|url = http://www.warnerclassics.com/shop/381582,0825646433636/alexandre-da-costa-violin-concerto-symphony-no-7

|title = Alexandre Da Costa, Violin Concerto

|publisher = warnerclassics.com

|date = 1 August 2013

|access-date = 7 August 2015

|url-status = dead

|archive-url = https://archive.today/20151124191004/http://www.warnerclassics.com/shop/381582,0825646433636/alexandre-da-costa-violin-concerto-symphony-no-7

|archive-date = 24 November 2015

}}

The following violinists and composers have written cadenzas:{{harvnb|Wulfhorst|2010}}

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Alternative versions

Perhaps due to the Violin Concerto's lack of success at its premiere, and at the request of Muzio Clementi, Beethoven revised it in a version for piano and orchestra, which was later published as Op. 61a. For this version, which is present as a sketch in the Violin Concerto's autograph alongside revisions to the solo part,Ludwig van Beethoven. Konzert für Violine & Orchester D-dur Opus 61. [Österreichische Nationalbibliothek, Wien, Mus. Hs. 17.538] Edited, with commentary (in German) by Franz Grasberger. Graz, 1979. Beethoven wrote a lengthy first movement cadenza which features the orchestra's timpanist along with the solo pianist. This and the cadenzas for the other movements were later arranged for the violin (and timpani) by Rudolf Kolisch,{{cite journal | last=Glaser | first=Thomas | title=Beethovens Violinkonzert als Modellfall. René Leibowitz' und Rudolf Kolischs Projekt einer 'werkgerechten Interpretation' | journal=Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] |url=https://www.gmth.de/zeitschrift/artikel/891.aspx | publisher=Gesellschaft für Musiktheorie | volume=14 | issue=1 | year=2017 | issn=1862-6742 | doi=10.31751/891 | doi-access=free | pages=13–51}} Max Rostal,{{cite web | title=Concerto D Major | website=Schott Music | url=https://www.schott-music.com/en/konzert-d-dur-noc36469.html | access-date=17 October 2024}} Ottokar Nováček,{{cite journal | last1=Novácek | first1=Ottokar | last2=Beethoven | first2=Ludwig | title=Kadenzen zu Ludwig van Beethoven's Violin-Konzert Op. 61 | website=UR Research Institutional Repository | date=1899 | url=https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B4FA300793F25813A754631DFE310775?institutionalItemId=34877&versionNumber=1 | access-date=17 October 2024}} Christian Tetzlaff{{cite web | title=Review: Christian Tetzlaff Performs Beethoven with LA Chamber Orchestra | website=Violinist.com | date=9 February 2020 | url=https://www.violinist.com/blog/laurie/20202/28093/ | access-date=17 October 2024}} and Wolfgang Schneiderhan.{{cite web | title=Cadenzas for the Violin Concerto D major op. 61 | website=Henle | date=17 October 2024 | url=https://www.henle.de/en/Cadenzas-for-the-Violin-Concerto-D-major-op.-61/HN-136 | access-date=17 October 2024}} Gidon Kremer, on his recording with Nikolaus Harnoncourt,{{citation | last1=Beethoven | first1=Ludwig van | last2=Kremer | first2=Gidon | last3=Harnoncourt | first3=Nikolaus | author4=Chamber Orchestra of Europe | title=Violin concerto; Two romances | publisher=Warner Classics | year=2003 | oclc=907400496 | language=zxx | page=}} adapts these cadenzas for violin, timpani and piano, although the piano does not play in any other parts of the recording.{{cite web | title=Beethoven Works for Violin & Orchestra | website=Gramophone | url=https://www.gramophone.co.uk/review/beethoven-works-for-violin-orchestra-0 | access-date=17 October 2024}} Patricia Kopatchinskaja adapted the cadenza of the first movement for two violins, celli and timpani, for the other movements for violin.[https://www.thespco.org/wp-content/uploads/2015/10/Kopatchinskaja-Beethoven-interpretation.pdf A detective's view on Ludwig van Beethoven's Violin Concerto in D Major, Opus 61, By Patricia Kopatchinskaja] Seiji Ozawa also wrote an arrangement for piano.{{cite web | title=Recordings | website=The New York Times | date=5 September 1971 | url=https://www.nytimes.com/1971/09/05/archives/superexpressive-beethoven-from-peter-serkin.html | access-date=17 October 2024}} More recently, it has been arranged as a concerto for clarinet and orchestra by Mikhail Pletnev.{{citation | last1=Collins | first1=Michael | last2=Pletnev | first2=Mikhail | last3=Mozart | first3=Wolfgang Amadeus | last4=Beethoven | first4=Ludwig van | author5=Rossiĭskiĭ nat︠s︡ionalʹnyĭ orkestr | title=Clarinet concertos | publisher=Deutsche Grammophon | publication-place=[Germany] | year=2015 | oclc=1250362166 | language=zxx | page=}}{{cite web|url=http://www.musicweb-international.com/classrev/2000/oct00/beethovenviolinclarinet.htm|title=Review – Beethoven Violin Concerto for Clarinet|last=Fenech|first=Gerald|date=October 2000|publisher=MusicWeb.com|access-date=1 January 2014}} In 1982 japanese virtuoso Kazuhito Yamashita recorded his own arrangement as a Guitar Concerto.{{Citation |title=Beethoven, Kazuhito Yamashita, New Japan Philharmonic, Yukinori Tezuka - Concerto In D For Guitar And Orchestra, Op. 61 (Transcribed For Guitar By Kazuhito Yamashita) |date=1982 |url=https://www.discogs.com/release/7895758-Beethoven-Kazuhito-Yamashita-New-Japan-Philharmonic-Yukinori-Tezuka-Concerto-In-D-For-Guitar-And-Orc |access-date=2025-04-29 |language=en}} Robert Bockmühl (1820/21–1881) arranged the solo violin part for cello.{{cite web | title=Bockmühl, Robert Emil – Schuberth | website=University of Huddersfield | url=https://mhm.hud.ac.uk/chase/view/edition/744/ | access-date=17 October 2024}}

Recordings

The first known recording of Beethoven's violin concerto was made in 1923 for His Master's Voice by violinist Isolde Menges, with Landon Ronald conducting the Royal Albert Hall Orchestra. Hundreds of recordings have been made since, among which the following have received awards and/or outstanding reviews:

References

Footnotes

{{Reflist|30em}}

Bibliography

  • {{wikicite|ref={{harvid|Eulenburg|2007}}|reference=Beethoven, Ludwig van: Concerto for Violin and orchestra in D major, op. 61. Score. Eulenburg 2007. EAS 130}}
  • Beethoven, Ludwig van: Konzert für Violine & Orchester D-dur Opus 61. (Facsimile edition of autograph full score) Österreichische Nationalbibliothek, Wien, Mus. Hs. 17.538. Edited, with commentary (in German) by Franz Grasberger. Graz, 1979.
  • {{wikicite|ref={{harvid|Philip|1994}}|reference=Philip, Robert. "Traditional habits of performance in early-twentieth-century recordings of Beethoven", in Stowell, ed. (1994), pp. 195–204.}}
  • {{cite book|editor-last=Stowell|editor-first=Robin|title=Performing Beethoven|publisher=Cambridge University Press|location=Cambridge|year=1994}} (ten essays by various authors)
  • {{cite book|last=Stowell|first=Robin|title=Beethoven Violin Concerto|url=https://archive.org/details/beethovenviolinc0000stow|url-access=registration|publisher=Cambridge University Press|location=Cambridge|year=1998}}
  • {{cite web|url=https://wulfhorst-web.com/Editions/Beethoven-Cadenzas/beethoven-cadenzas.html|title=A Comprehensive Catalogue of Cadenzas for Beethoven's Violin Concerto op. 61|last=Wulfhorst|first=Martin|year=2010|access-date=1 January 2014}}

External links

  • {{IMSLP|work=Violin Concerto, Op.61 (Beethoven, Ludwig van)|cname=Violin Concerto}}
  • [https://archive.org/search.php?query=beethoven%20violin%20concerto Complete performances] from the Internet Archive

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Category:Violin concertos by Ludwig van Beethoven

Category:1806 compositions

Category:Compositions in D major

Category:Music dedicated to ensembles or performers

Category:Joseph Joachim