All About Eve

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The story begins in medias res, told via narration by acerbic theatre critic Addison DeWitt, who introduces the various characters as they attend the ceremony for the distinguished Sarah Siddons Award for Prestigious Achievement, awarded to rising star actor Eve Harrington. DeWitt's narration promises the audience will learn Eve's true story as the narrative voice switches to that of Karen Richards.

Some years previous, Broadway star Margo Channing, recently turned 40, worries about what advancing age will mean for her career. After a performance of Margo's latest play, Margo's close friend, Karen Richards, wife of the play's author Lloyd Richards, brings besotted fan Eve Harrington backstage to meet Margo. In Margo's dressing room, Eve tells Karen, Lloyd, and Margo's maid Birdie, that she followed Margo's last theatrical tour to New York City after seeing her perform in San Francisco. She tells an engrossing story of growing up poor in Wisconsin and losing her young husband, Eddie, in the South Pacific during World War II. Moved by Eve's story, Margo takes her into her home as her assistant, upsetting Birdie. Eve quickly manipulates her way into Margo's life, acting as both secretary and adoring fan.

Adding to Margo's concerns about aging is her romantic relationship with the play's director, Bill Sampson, 8 years her junior. Without telling Margo, Eve arranges a midnight, long-distance phone call from Margo to Bill on his birthday while he is in California, directing a film. Eve hopes the unexpected call will show Bill that Margo had forgotten his birthday, and Eve even sends her own greetings. However, Margo grows suspicious, realizes that Eve set her up, and manages to conceal her surprise and confusion. Wanting to get Eve away from Bill, Margo asks producer Max Fabian to hire Eve at his office; instead, Eve becomes Margo's understudy without Margo's knowledge.

File:All About Eve trailer (1950).webm

As Margo's irritation grows, Karen sympathizes with Eve, believing that Margo is overdramatizing her resentment of Eve out of temperamental peevishness. Hoping to humble Margo, Karen conspires for her to miss a performance so that Eve can perform. Eve invites the city's theater critics to attend the performance—including the influential DeWitt. Eve's performance is a triumph. Later that night, Eve attempts to seduce Bill, who as a successful Broadway producer might be useful to her career. Bill rejects Eve, letting her know that he sees her manipulations. Instead, Addison takes an interest in Eve. He interviews her for a column, harshly criticizing Margo for resisting younger talent.

Margo and Bill announce their engagement at dinner with Lloyd and Karen.

Eve summons Karen to the ladies' room and, after first appearing regretful, delivers an ultimatum: Karen must recommend her to Lloyd to play Cora, the lead role in Lloyd's new play.

Otherwise, she will reveal Karen's part in Margo's missed performance.

When Karen returns to the table—to her relief—Margo surprisingly announces that she does not wish to play Cora, saying she is too old for the ingenue role.

Intimating that the prospect of marriage to Bill has changed her perspective, Margo denounces Eve but also revels in no longer being captive to the artifices of a system that would readily exchange her for someone younger, forcing her always to chase a glamorized ideal of beauty, youthfulness, and success.

Eve is cast as Cora.

Just before the new play's premiere in New Haven, Eve reveals her next plan to Addison: to marry Lloyd—whom she has seduced despite his wife Karen's championship of her—so that Lloyd can write plays for her to star in.

Angered with Eve's audacity, Addison says he knows her backstory is entirely lies; her real name is Gertrude Slescynski, she was never married, and she was paid to leave town over an affair with her married boss. He also says Lloyd would never leave Karen for Eve. Addison then blackmails Eve, saying she now "belongs" to him.

The story catches up to the opening scene; months later, Eve is a Broadway star headed for Hollywood. While accepting the Sarah Siddons Award, she thanks Margo, Bill, Lloyd, and Karen as all four coldly stare back. Eve skips the after-party and returns home, where she encounters Phoebe, a teenage fan who slipped into her apartment and fell asleep. Phoebe professes her adoration and ingratiates herself with Eve, then begins packing her trunk. Eve invites her to stay over rather than take the long subway ride back to Brooklyn. While Eve is resting, Addison brings Eve's forgotten award to the door and is greeted by Phoebe, who admits she chose her own theatrical name. Addison realizes Phoebe will do to Eve what Eve did to Margo. When she is alone, Phoebe puts on Eve's elegant cloak and poses in front of a floor-length mirror, holding the award and bowing.

File:EveEveMargotCasswellWitt.jpg as Miss Casswell in a scene with Anne Baxter, Bette Davis and George Sanders]]

• Bette Davis as Margo Channing
• Anne Baxter as Gertrude Slojinski / Eve Harrington
• George Sanders as Addison DeWitt
• Celeste Holm as Karen Richards
• Gary Merrill as Bill Sampson
• Hugh Marlowe as Lloyd Richards
• Thelma Ritter as Birdie Coonan
• Gregory Ratoff as Max Fabian
• Marilyn Monroe as Claudia Casswell
• Barbara Bates as Phoebe
• Walter Hampden as Aged Actor (Sarah Siddons Award presenter)
• Randy Stuart as Girl{{cite news |last=Tinée |first=Mae |title=Scintillating, Sharp - That's 'All About Eve' |work=Chicago Tribune |date=November 3, 1950 |location=Chicago, Illinois |page=39 |via = Newspapers.com}}
• Craig Hill as Leading Man
• Leland Harris as Doorman
• Barbara White as Autograph Seeker
• Eddie Fisher as Stage Manager
• William Pullen as Clerk
• Claude Stroud as Pianist (at party)
• Eugene Borden as Frenchman
• Helen Mowery as Reporter
• Steven Geray as Captain of Waiters

File:Joseph L. Mankiewicz (1950).jpg in 1950]]

The story of All About Eve originated in an anecdote related to Mary Orr by actress Elisabeth Bergner. While performing in The Two Mrs. Carrolls during 1943 and 1944, Bergner allowed a young fan to become part of her household and employed her as an assistant, but later regretted her generosity when the woman attempted to undermine her. Referring to her only as "the terrible girl", Bergner related the events to Orr, who used it as the basis for her short story "The Wisdom of Eve" (1946). In the story, Orr gives the girl an even more ruthless character and allows her to succeed in stealing the older actress's career and the husband of the unnamed female narrator. Bergner later confirmed the basis of the story in her autobiography Bewundert viel, und viel gescholten (Greatly Admired and Greatly Scolded).

In 1949, Joseph Mankiewicz was considering a story about an aging actress and, upon reading "The Wisdom of Eve," felt that the conniving girl would be a useful element. He sent a memo to Darryl F. Zanuck saying it "fits in with an original idea [of mine] and can be combined. Superb starring role for Susan Hayward." Mankiewicz presented a film treatment of the combined stories under the title Best Performance. He changed the main character's name from Margola Cranston to Margo Channing and retained several of Orr's characters – Eve Harrington, Lloyd and Karen Richards and Miss Casswell – while removing Margo's husband completely and replacing him with a new character, Bill Sampson. The intention was to depict Margo in a new relationship and allow Eve to threaten Margo's professional and personal lives. Mankiewicz also added the characters Addison DeWitt, Birdie Coonan, Max Fabian and Phoebe.

Zanuck was enthusiastic and provided numerous suggestions for improving the screenplay. In some sections, he felt that Mankiewicz's writing lacked subtlety or provided excessive detail. He suggested diluting Birdie Coonan's mistrust of Eve so the audience would not recognize Eve as a villainess until much later in the story. Zanuck reduced the screenplay by about 50 pages and chose the title All About Eve from the opening scene in which Addison DeWitt says that he will soon tell "more of Eve ... All about Eve, in fact."Staggs, Sam (2001). [https://books.google.com/books?id=xUFplyZZAZsC&pg=PA224 All About "All About Eve"]. St Martin's Press. {{ISBN|978-0312273156}}, {{OCLC|47637783}}

File:AllAboutEvecastpromo.jpg, Bette Davis, George Sanders, Anne Baxter, Hugh Marlowe and Celeste Holm]]

Among the actresses originally considered to play Margo Channing were Mankiewicz's original inspiration Susan Hayward, who was rejected by Zanuck as "too young", Marlene Dietrich, dismissed as "too German" and Gertrude Lawrence, who was ruled out when her lawyer insisted that she not have to drink or smoke in the film and that the script would be rewritten to allow her to sing a torch song. Zanuck favored Barbara Stanwyck, but she was not available. Tallulah Bankhead was considered, as was Joan Crawford, who was working on the film The Damned Don't Cry.{{cite web| url=http://www.legendaryjoancrawford.com/castaphrocies.html| title=Cast-aphrocies| website=Legendary Joan Crawford| access-date=April 20, 2016| archive-url=https://web.archive.org/web/20160905231400/http://www.legendaryjoancrawford.com/castaphrocies.html| archive-date=September 5, 2016| url-status=dead}}

The role went to Claudette Colbert, but she withdrew after an injury shortly before filming began. Mankiewicz briefly considered Ingrid Bergman before offering the role to Bette Davis.{{cite web| url=https://www.tcm.com/tcmdb/title/67044/all-about-eve#notes| title=All About Eve: Notes| website=Turner Classic Movies| access-date=April 24, 2022}} Davis, who had recently ended an 18-year association with Warner Bros. after several poorly received films, accepted the role, saying later that the script was among the best that she had ever read. Margo had been originally conceived as genteel and knowingly humorous, but with the casting of Davis, Mankiewicz revised the character to introduce abrasive qualities. Mankiewicz praised Davis for her professionalism and for the caliber of her performance.

Anne Baxter had spent a decade in supporting roles and had won the 1946 Academy Award for Best Supporting Actress for The Razor's Edge. She won the role of Eve after Jeanne Crain, the first choice, became pregnant. Crain was at the height of her popularity and had established a career playing likable heroines; Zanuck believed that she lacked the "bitch virtuosity" required by the part and that audiences would not accept her as a deceitful character.

Mankiewicz greatly admired Thelma Ritter and wrote the character of Birdie Coonan for her after working with her on A Letter to Three Wives in 1949. As Coonan is the only character immediately suspicious of Eve Harrington, Mankiewicz was confident that Ritter would contribute a shrewd characterization that cast doubt on Eve and provided a counterpoint to the more theatrical personalities of the other characters. Marilyn Monroe, relatively unknown at the time, was cast as Miss Casswell, referred to by DeWitt as a "graduate of the Copacabana School of Dramatic Art."

Monroe won the part after a lobbying campaign by her agent,{{cite web| last=Miller| first=Frank| url=https://www.tcm.com/tcmdb/title/67044/all-about-eve#articles-reviews?articleId=189049| title=All About Eve| website=Turner Classic Movies| access-date=April 24, 2022}} despite Zanuck's initial antipathy and belief that she was better suited to comedy.{{citation needed|date=September 2011}} The inexperienced Monroe was cowed by Davis, and it took 11 takes to complete the scene in the theater lobby; when Davis barked at her, Monroe left the set to vomit. Smaller roles were filled by Gregory Ratoff as the producer Max Fabian, Barbara Bates as Phoebe and Walter Hampden as the host of the award ceremony. Hampden was the president of the prestigious Players Club in New York, a club for actors that gives a lifetime achievement award.

File:Bette Davis and Gary Merrill in All About Eve.jpg and Gary Merrill ]]

The film earned $3.1 million in receipts in the United States during its release,{{cite web| url=http://www.boxofficereport.com/database/1950.shtml| title=Top 20 Films of 1950 by Domestic Revenue| website=Box Office Report| archive-url=https://web.archive.org/web/20080615023703/http://www.boxofficereport.com/database/1950.shtml| archive-date=June 15, 2008}} more than double its original budget of $1.4 million.{{cite book| last=Solomon| first=Aubrey| year=1988| title=Twentieth Century Fox: A Corporate and Financial History| location=Lanham, Maryland| publisher=Scarecrow Press| page=245| url=https://books.google.com/books?id=WIZwZOz8LHsC&q=all+about+eve| isbn=978-0810842441}}, {{OCLC|856785920}}.{{cite book| first=Rudy| last=Behlmer| title=Behind the Scenes: The Making Of...| publisher=Samuel French| year=1990| page=208| isbn=978-0573606007}} {{asof|2012}} the film had a cumulative gross of $8.4 million,[http://www.the-numbers.com/movies/1950/0AAE.php Box Office Information for All About Eve] {{Webarchive|url=https://web.archive.org/web/20130929050304/http://www.the-numbers.com/movies/1950/0AAE.php |date=September 29, 2013 }}. The Numbers. Retrieved November 11, 2012. more than five times its production costs.

All About Eve received widespread critical acclaim upon its release on October 13, 1950, at a New York City premiere. The film's competitor, Sunset Boulevard, released the same year, drew similar praise, and the two were often favorably compared. Film critic Bosley Crowther of The New York Times loved the picture, stating that "a fine Darryl Zanuck production, excellent music and an air of ultra-class complete this superior satire."Crowther, Bosley (October 14, 1950). [https://www.nytimes.com/movie/review?res=9A0CE1DB1738E73ABC4C52DFB667838B649EDE "Movie Review – All About Eve"]. The New York Times. Variety called it "a literate, adult film" with "exceedingly well-cast performances,"{{cite journal |last=Green |first=Abel |date=September 13, 1950 |title=All About Eve |journal=Variety |page=6}} while Harrison's Reports called it "a fascinating, continually absorbing story about Broadway theatrical people, given a mature treatment and penetrated with realistic dialogue and flashes of slick, sardonic humor."{{cite journal |date=September 16, 1950 |title='All About Eve' with Bette Davis, Anne Baxter and Celeste Holm |journal=Harrison's Reports |page=146 }} John McCarten of The New Yorker called it "a thoroughly entertaining movie."{{cite magazine |last=McCarten |first=John |date=October 21, 1950 |title=The Current Screen Holm |magazine=The New Yorker |page=128}}

Writing in 2000, film critic Roger Ebert of the Chicago Sun Times praised the film, saying of Bette Davis that "veteran actress Margo Channing in All About Eve was her greatest role."{{cite news| last=Ebert| first=Roger| url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20000611/REVIEWS08/6110301/1023| title=All About Eve (1950)|archive-url=https://web.archive.org/web/20070709051542/http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=%2F20000611%2FREVIEWS08%2F6110301%2F1023| archive-date=July 9, 2007| newspaper=Chicago Sun-Times}} Boxoffice.com stated that it "is a classic of the American cinema – to this day the quintessential depiction of ruthless ambition in the entertainment industry, with legendary performances from Bette Davis, Anne Baxter and George Sanders anchoring one of the very best films from one of Hollywood's very best Golden Era filmmakers: Joseph L. Mankiewicz."[http://www.boxoffice.com/boxoffice_scr/boxoffice_dvd_result.asp?terms=12 Boxoffice.com]{{dead link|date=November 2017 |bot=InternetArchiveBot |fix-attempted=yes }}

As of 2021 review aggregator website Rotten Tomatoes, All About Eve holds an approval rating of 99% based on 107 reviews, with an average rating of 9.30/10. The site's critics consensus reads: "Smart, sophisticated, and devastatingly funny, All About Eve is a Hollywood classic that only improves with age."{{cite web| url=https://www.rottentomatoes.com/m/1000626_all_about_eve| title=All About Eve (1950)| website=Rotten Tomatoes| access-date=February 12, 2021}} In 2019 Metacritic assigned a weighted average score of 98 out of 100, based on 15 critics, indicating "universal acclaim".{{cite web |url=https://www.metacritic.com/movie/all-about-eve |title=All About Eve Reviews |website=Metacritic |access-date=April 27, 2019}}

File:Gary Merrill in All About Eve trailer.jpg as Bill Sampson]]

Critics and academics have delineated various themes in the film. Rebecca Flint Marx, in her Allmovie review, notes the antagonism that existed between Broadway and Hollywood at the time, stating that the "script summoned into existence a whole array of painfully recognizable theatre types, from the aging, egomaniacal grand dame to the outwardly docile, inwardly scheming ingenue to the powerful critic who reeks of malignant charm."Marx, Rebecca Flint. [http://www.allmovie.com/work/all-about-eve-1546/review All About Eve review] on AllMovie. Retrieved August 8, 2009. Abel Green, writing in Variety said, "The snide references to picture people, the plug for San Francisco ("an oasis of civilization in the California desert") and the like are purposeful and manifest an intelligent reflex from a group of hyper-talented people towards the picture business."

Roger Ebert, in his review in The Great Movies, says Eve Harrington is "a universal type", and focuses on the aging actress plot line, comparing the film to Sunset Boulevard.Ebert, Roger. [http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20000611/REVIEWS08/6110301/1023 "All About Eve (1950)"] {{Webarchive|url=https://web.archive.org/web/20070709051542/http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=%2F20000611%2FREVIEWS08%2F6110301%2F1023 |date=July 9, 2007}}, "Great Movies by Roger Ebert" on RogerEbert.com, November 6, 2000. Similarly, Marc Lee's 2006 review of the film for The Daily Telegraph describes a subtext "into the darker corners of show business, exposing its inherent ageism, especially when it comes to female stars."Lee, Marc (July 7, 2006). [https://www.telegraph.co.uk/culture/film/filmreviews/3653627/Must-have-movies-All-About-Eve-1950.html "Must-have movies: All About Eve (1950)"]. The Daily Telegraph. (London). Retrieved August 8, 2009. Kathleen Woodward's 1999 book, Figuring Age: Women, Bodies, Generations (Theories of Contemporary Culture), also discusses themes that appeared in many of the "aging actress" films of the 1950s and 1960s, including All About Eve. She reasons that Margo has three options: "To continue to work, she can perform the role of a young woman, one she no longer seems that interested in. She can take up the position of the angry bitch, the drama queen who holds court (the deliberate camp that Susan Sontag finds in this film). Or she can accept her culture's gendered discourse of aging which figures her as in her moment of fading. Margo ultimately chooses the latter option, accepting her position as one of loss."{{cite book| editor-last=Woodward| editor-first=Kathleen M.| title=Figuring Age: Women, Bodies, Generations| url=https://books.google.com/books?id=1ZqUIsprChYC&q=margo| publisher=Indiana University Press| year=1999| pages=242–243| isbn=978-0-2532-1236-8}}

File:George Sanders in All About Eve trailer.jpg as Addison DeWitt]]

All About Eve has long been a favored film among gay audiences, likely due to its campy overtones (in part due to the casting of Davis) and its general sophistication. Davis, who long had a strong gay fan base, expressed support for gay men in her 1972 interview with The Advocate.Burston, Paul (November 22, 2007). [https://web.archive.org/web/20080706161156/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article2915384.ece "She's better, she's Bette"]. The Times (London).Cleto, Fabio (1999). [https://books.google.com/books?id=4QKtjdIa7AwC Camp: Queer Aesthetics and the Performing Subject]. University of Michigan Press. {{ISBN|978-0-7486-1171-3}}, {{OCLC|928236270}}{{cite book| last=Sikov| first=Ed| title=Dark Victory: The Life of Bette Davis| url=https://archive.org/details/darkvictorylifeo00edsi/page/406/mode/2up?q=advocate| location=New York| publisher=Macmillan| date=September 30, 2008| page=406| isbn=978-0-8050-8863-2}}

In 1990, All About Eve was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."[https://www.loc.gov/film/registry_titles.php "National Film Registry"] {{webarchive|url=https://web.archive.org/web/20130328133050/http://www.loc.gov/film/registry_titles.php |date=March 28, 2013 }}. Library of Congress. Retrieved October 28, 2011. The Academy Film Archive preserved All About Eve in 2000.{{cite web| title=Preserved Projects| url=http://www.oscars.org/academy-film-archive/preserved-projects?title=All+About+Eve&filmmaker=&category=All&collection=All| website=Academy Film Archive}} The film received in 1997 a placement on the Producers Guild of America Hall of Fame. The film has been selected by the American Film Institute for many of their 100 Years lists.

When AFI named Bette Davis #2 on its list of the greatest female American screen legends, All About Eve was the film selected to highlight Davis' legendary career. The Writers Guild of America has ranked the film's screenplay as the fifth greatest ever written.{{cite web|url=http://www.wga.org/writers-room/101-best-lists/101-greatest-screenplays/list |title=101 Greatest Screenplays |publisher=Writers Guild of America, West |access-date=December 23, 2016}}

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The film opens with the image of a fictitious award trophy, described by DeWitt as the "highest honor our theater knows: the Sarah Siddons Award for Distinguished Achievement." The statuette is modeled after the famous painting of Siddons costumed as the tragic Muse by Joshua Reynolds, a copy of which hangs in the entrance of Margo's apartment and often visible during the party scene. In 1952, a small group of distinguished Chicago theater-goers began to give an award with that name, which was sculpted to look like the one used in the film. It has been given annually, with past honorees including Bette Davis and Celeste Holm.

The first radio adaptation was a one-hour broadcast on Lux Radio Theatre on CBS Radio on October 1, 1951, with Bette Davis, Gary Merrill and Anne Baxter reprising their original roles.{{cite web|url=http://www.genericradio.com/show.php?id=MTA5OTI2NTI4Mw6|title=Generic Radio Workshop OTR Script: Lux Radio Theater|work=genericradio.com|access-date=April 20, 2016}} Lux Radio Theatre did a follow-up adaptation on November 23, 1954, this time on NBC radio with Ann Blyth and Claire Trevor playing the lead roles, with Trevor replacing Ida Lupino when she became ill and was unable to attend the broadcast.{{cite news |url=https://news.google.com/newspapers?id=2ggwAAAAIBAJ&pg=2376%2C3772846&q=Ann+Blythe+Ida+Lupino+All+About+Eve |title=Radio Highlights |page=4 (Peach Section) |newspaper=Toledo Blade| date=1954-11-23 |access-date=2021-05-16}}

A radio version of All About Eve starring Tallulah Bankhead as Margo Channing was presented on NBC's The Big Show by the Theatre Guild of the Air on November 16, 1952. Bankhead and many contemporary critics felt that the characterization of Margo Channing was patterned on her, a long-rumored charge denied by both Mankiewicz and Davis,{{cite web |url=https://www.tcm.com/this-month/article/190997 |title=All About Eve: Trivia |website=Turner Classic Movies |access-date=April 20, 2016}} but attested by costume designer Edith Head. Additionally, Bankhead's rivalry with her understudy (Lizabeth Scott) during the production of The Skin of Our TeethMary Orr, "The Wisdom of Eve," Cosmopolitan, May 1946, pp. 72–75, 191–95 is cited as an alternative hypothesis for the origin of Mary Orr's The Wisdom of Eve, the original short story that formed the basis for the film.{{cite book| first=Bruce| last=Kirle| publisher=Southern Illinois University Press| location=Carbondale| edition=1st| date=October 24, 2005| title=Unfinished Show Business: Broadway Musicals as Works-in-process| url=https://books.google.com/books?id=2JYpb-lXtG0C&q=all+about+eve| pages=191–194| isbn=978-0-8093-2667-9}}{{cite news| first=Dorothy| last=Kilgallen| date=June 24, 1943| title=The Voice Of Broadway: The $64 Questions| url=https://www.newspapers.com/clip/100392615/times-herald/| newspaper=Olean Times Herald| page=13| access-date=April 24, 2022}} Bette Davis played three roles on film that Tallulah Bankhead had originated{{snd}}Dark Victory, Jezebel and The Little Foxes, much to Bankhead's chagrin. Bankhead and Davis were considered to be somewhat similar in style.Source: liner notes, All About Eve, Moving Finger LP MF002 Several decades later Davis called Channing "the essence of a Tallulah Bankhead kind of actress" in an interview with Barbara Walters.{{cite AV media|url=https://www.youtube.com/watch?v=Tqb3boYrOIQ |archive-url=https://ghostarchive.org/varchive/youtube/20211211/Tqb3boYrOIQ |archive-date=2021-12-11 |url-status=live |title=Bette Davis Interview by Barbara Walters Pt1 |date=June 1, 2008 |access-date=April 20, 2016 |via=YouTube}}{{cbignore}} The production is notable in that Mary Orr, of The Wisdom of Eve, played the role of Karen Richards. The cast also featured Alan Hewitt as Addison DeWitt (who narrated), Beatrice Pearson as Eve Harrington, Don Briggs as Lloyd Richards, Kevin McCarthy as Bill Samson, Florence Robinson as Birdie Coonan, and Stefan Schnabel as Max Fabian.

In 1970, All About Eve was the inspiration for the stage musical Applause, with book by Betty Comden and Adolph Green, lyrics by Lee Adams, and music by Charles Strouse. The original production starred Lauren Bacall as Margo Channing, and it won the Tony Award for Best Musical that season. It ran for four previews and 896 performances at the Palace Theatre on Broadway. After Bacall left the production, she was replaced by Anne Baxter in the role of Margo Channing.

In 2019, a stage adaptation of All About Eve premiered at the Noël Coward Theatre in London, directed by Ivo van Hove and starring Gillian Anderson as Margo Channing, Julian Ovenden as Bill, and Lily James as Eve Harrington.{{cite news| title=All About Eve in London to star Gillian Anderson and Lily James: details confirmed| url=https://www.londontheatre.co.uk/theatre-news/news/all-about-eve-in-london-to-star-gillian-anderson-and-lily-james-details-confirmed| date=September 21, 2018| work=LondonTheatre.co.uk| access-date=February 12, 2019}}

• The plot of the film has been used numerous times, frequently as an outright homage to the film, with one notable example being a 1974 episode of The Mary Tyler Moore Show titled "A New Sue Ann". In the episode, the character of Sue Ann Nivens (Betty White), hostess of a popular local cooking show, hires a young, pretty and very eager fan (Linda Kelsey) as her apprentice and assistant, but the neophyte quickly begins to sabotage her mentor, in an attempt to replace her as host of the show. Sue Ann, however, unlike Margo Channing, prevails in the end, countering the young woman's attempts to steal her success and sending her on her way.[http://www.starpulse.com/movie/The_Mary_Tyler_Moore_Show%3A_A_New_Sue_Ann/V269407/0/2/ "A New Sue Ann"] Starpulse.com{{dead link|date=April 2022}}
• Brazilian telenovela Celebridade was loosely based on All About Eve plot; it features Malu Mader as the successful businesswoman and former model Maria Clara Diniz, who hires Laura Prudente da Costa (Cláudia Abreu) for a job in her company after she saves her life and claims to be her greatest fan — but she is, in fact, an imposter who wants not only to take everything from the other woman, but to become a new Maria Clara.{{cite web|url=https://www1.folha.uol.com.br/fsp/ilustrad/fq2704200404.htm|title=Autor assume influência em 'Celebridade'|trans-title=Author admits Celebridade{{'}}s influence|language=Portuguese|first=Daniel|last=Castro|work=Folha de S. Paulo|date=April 27, 2004|accessdate=October 1, 2023}}
• The English rock band All About Eve took their name from the film.{{cite web| url=http://thegreatrockbible.com/portfolio-item/eve-biography/| title=All About Eve biography| website=The Great Rock Bible| first=Martin C.| last=Strong| access-date=July 24, 2015| archive-date=July 25, 2015| archive-url=https://web.archive.org/web/20150725021006/http://thegreatrockbible.com/portfolio-item/eve-biography/| url-status=dead}}
• Steven Soderbergh's 2012 film Magic Mike is a loose re-working of the All About Eve plot and includes subtle references in homage to the original. The lead actor Channing Tatum name checks Bette Davis's character Margo Channing, and instead of Eve, the ambitious young upstart is named Adam, played by Alex Pettyfer. Like Eve, Adam gets his stage debut filling in for an absent star, and his subsequent ruthless rise to glory at the expense of others mirrors that of Eve.[https://m.imdb.com/review/rw8360116/ IMDB review] by John Roman Baker.
• A 2008 episode of The Simpsons titled "All About Lisa" is influenced by this film. In the episode, Lisa Simpson becomes Krusty the Clown's assistant, eventually taking his place on television and receiving an entertainment award.[http://www.tvguide.com/detail/tv-show.aspx?tvobjectid=100521&more=ucepisodelist&episodeid=7723638 "The Simpsons on Fox"]. TV Guide. Retrieved April 18, 2009.
• Pedro Almodóvar's 1999 Academy Award-winning Spanish-language film Todo sobre mi madre (All About My Mother) has elements similar to those found in All About Eve. The title of the film itself is an homage to the 1950 film.
• In the fifth season of The L Word, a fan becomes Jenny Schecter's assistant while she is directing a movie; later the fan blackmails the movie studio into letting her direct and she proceeds to take over Jenny's life.
• In the second season of Glee, Kurt Hummel calls his fellow glee club member Santana Lopez "a Latina Eve Harrington", after learning she is blackmailing a closeted jock into becoming her "beard" and running mate for Prom Queen and King.
• In the first season of Will & Grace, Grace becomes dependent on a maid to give her a confidence boost during a design competition. This prompts her drunken assistant Karen to suspect a plot and she confronts the maid, exclaiming "I've seen All About Eve. Poooor Eve!"
• In the pilot episode of Political Animals, when Susan suspects Georgia, a fellow reporter, has a crush on her boyfriend and is attempting to outshine her at the newspaper, she says, "If Eve Harrington were an actual person today, she would look like Georgia. She would bake cupcakes, and she would have a blog."
• In the third season of Gilligan's Island, the episode "All About Eva" concerns the character of Eva Grubb coming on the island and taking over Ginger's persona, with both roles played by actress Tina Louise.
• In the fifth season of Quantum Leap, the plot of the episode "Goodbye Norma Jean" mirrors that of All About Eve. In it, Sam Beckett leaps into Marilyn Monroe's chauffeur and finds himself pitted against an aspiring actress who is trying to steal Monroe's part for the film The Misfits. Sam succeeds in stopping Monroe's rival, and she rightfully takes her place as Clark Gable's leading lady.{{cite book |last1=De Vito |first1=John |last2=Tropea |first2=Frank |year=2007 |title=The Immortal Marilyn |url=https://archive.org/details/immortalmarilynd00devi |url-access=registration |location=Lanham, Maryland |publisher=Scarecrow Press |page=[https://archive.org/details/immortalmarilynd00devi/page/45 45] |isbn=978-0-8108-5866-4 |oclc=70061082 |access-date=March 6, 2015}}{{cite web |url=http://www.tv.com/shows/quantum-leap/goodbye-norma-jean-60571 |title=Quantum Leap Season 5 Episode 18 Goodbye Norma Jean |author= |website=TV Guide |access-date=March 6, 2015 |archive-date=March 17, 2015 |archive-url=https://web.archive.org/web/20150317170706/http://www.tv.com/shows/quantum-leap/goodbye-norma-jean-60571/ |url-status=dead }}
• In Alex Holdridge's 2007 film In Search of a Midnight Kiss, Vivian, an amateur actress played by Sara Simmonds, says to Wilson, played by Scoot McNairy: "I just don't think people out here have the raw ambition that I do." And he replies: "You are a real All About Eve."
• All About Steve is a 2009 American comedy film.
• A season 6 episode of Designing Women titled, "All About Odes to Atlanta", sees Carlene, Mary Jo, and Julia entering a song contest and drawing the attention of a young "fan" who seems all too eager to help them, much to Allison's distrust.
• The season 20 episode of Family Guy titled, "All About Alana", is a homage to the film and sees Lois Griffin allowing one of her piano students Alana Fitzgerald to move in with the family, who begins slowly taking over Lois' life.
• The storyline was partially adapted in 2023 and 2024 by All Elite Wrestling, in which Mariah May was first portrayed as a super-fan, and later, protegé of "Timeless" Toni Storm – who was herself portraying gimmick based on Sunset Boulevard – before May's transition to a more villainous character whose plan all along was to supplant Storm.{{Cite web |date=2024-07-17 |title=Tony Khan Details the Rise of Mariah May in AEW |url=https://www.si.com/fannation/wrestling/aew/tony-khan-details-the-rise-of-mariah-may-in-aew |access-date=2024-07-18 |website=Wrestling On Fannation |language=en-US}}

• List of cult films

Notes

{{Reflist|group=notes}}

Citations

{{Reflist}}

Further reading

• Mankiewicz, Joseph L. (October 16, 1972) [https://books.google.com/books?id=1OYCAAAAMBAJ&pg=PA37 "All About the Women in 'All About Eve'"]. New York Magazine. pp. 37–42

{{Commons category|All About Eve (film)|All About Eve}}

{{wikiquote|All About Eve}}

• {{AFI film|26204}}
• {{IMDb title|0042192|All About Eve}}
• {{TCMDb title|67044|All About Eve}}
• {{rotten-tomatoes|1000626-all_about_eve|All About Eve}}
• [http://www.imsdb.com/scripts/All-About-Eve.html All About Eve script] from Internet Movie Script Database
• [http://www.filmsite.org/alla.html All About Eve] on Filmsite.org
• [http://film.virtual-history.com/film.php?filmid=1753 Literature on All About Eve]
• [https://www.criterion.com/current/posts/6702-all-about-eve-upstage-downstage "All About Eve: Upstage, Downstage"] an essay by Terrence Rafferty at the Criterion Collection
• "All About Eve" essay by Daniel Eagan in [https://books.google.com/books?id=deq3xI8OmCkC America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry], London: Continuum 2010 {{ISBN|978-0826418494}}, {{OCLC|277068941}}, pp. 440–41

Streaming audio

• [https://archive.org/download/Lux16/Lux_51-10-01_All_About_Eve.mp3 All About Eve] on Lux Radio Theater: October 1, 1951
• [https://archive.org/download/TheaterGuildontheAir/Tgoa_52-11-16_ep127-All_About_Eve.mp3 All About Eve] on Theater Guild on the Air: November 16, 1952

{{Darryl F. Zanuck}}

{{Joseph L. Mankiewicz}}

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{{DEFAULTSORT:All About Eve}}

Category:1950 films

Category:1950 drama films

Category:American drama films

Category:American satirical films

Category:1950s English-language films

Category:Films directed by Joseph L. Mankiewicz

Category:Best Picture Academy Award winners

Category:American black-and-white films

Category:Films about actors

Category:Films about theatre

Category:American films based on actual events

Category:Films based on American short stories

Category:Films featuring a Best Supporting Actor Academy Award–winning performance

Category:Films set in Connecticut

Category:Films set in New York City

Category:Films shot in Connecticut

Category:Films that won the Best Sound Mixing Academy Award

Category:Films that won the Best Costume Design Academy Award

Category:Films whose director won the Best Directing Academy Award

Category:Films whose writer won the Best Adapted Screenplay Academy Award

Category:United States National Film Registry films

Category:20th Century Fox films

Category:Films scored by Alfred Newman

Category:Films with screenplays by Joseph L. Mankiewicz

Category:Films produced by Darryl F. Zanuck

Category:Best Film BAFTA Award winners

Category:Films à clef

Category:Films adapted into plays

Category:1950s American films