Film Score Monthly
{{Short description|American online music magazine}}
{{Use mdy dates|date=April 2012}}
{{Infobox magazine
| title = Film Score Monthly
| logo = FilmScoreMonthly.jpg
| logo_size = 250
| image_file =
| image_size =
| image_alt =
| image_caption =
| editor = Lukas Kendall
| editor_title =
| previous_editor =
| staff_writer =
| photographer =
| category = online music magazine
| frequency =
| circulation =
| publisher = Lukas Kendall
| founder =
| founded = 1990
| firstdate =
| finaldate = 2005 (print)
| company =
| country = United States
| based = Los Angeles
| language = English
| website = {{URL|http://www.filmscoremonthly.com}}
| issn = 1077-4289
| oclc =
}}
Film Score Monthly is an online magazine (and former print magazine) founded by editor-in-chief and executive producer Lukas Kendall in June 1990 as The Soundtrack Correspondence List. It is dedicated to the art of film and television scoring.
Film Score Monthly released 250 film and television scores on CD between 1996 and 2013. The International Film Music Critics Association named it Soundtrack Label of the Year in 2004 and Film Music Record Label of the Year in 2005.
History
In September 1991, Film Score Monthly began as The Soundtrack Club, a pamphlet sized publication maintained by Lukas Kendall, who was attending Amherst College at the time. In June 1992, the publication was renamed Film Score Monthly and, upon Kendall's graduation in 1996, relocated its base of operations to Los Angeles. At the same time Film Score Monthly revamped its format, introduced full-color covers, increased its length and enjoyed the peak of its circulation. FSM existed in this guise for nearly a decade.
In 2005, it was announced that the magazine would cease publication of the print edition and move online-only where it could include multi-media content and address the technological advances inherent to the Web in the 21st century.
Regular staff includes: Managing Editor, Tim Curran; Executive Editor, Jon Kaplan; Editor in Absentia, Jeff Bond; Contributor at Large, Doug Adams; Creative Advisor, Joe Sikoryak; Editorial Consultant, Al Kaplan.
In 2013, backissues of the print edition of Film Score Monthly were put online free of charge.
- [http://www.filmscoremonthly.com/fsmonline/backissues_print.cfm Print backissues 1990–2005]
Podcasts
In 2005, Film Score Monthly began producing a podcast, available through the online magazine, on iTunes (as well as other podcatchers) and on websites hosting direct downloads. Many of the magazine contributors participate in these podcast discussions. The official FSM podcast archive is hosted [https://web.archive.org/web/20100119044644/http://fsmpodcast.libsyn.com/ here].
CD catalog
Film Score Monthly released film and television scores on CD from 1996 to 2013. Many are scores of historical significance; some date back half a century or more. A detailed discography and notes are available on the official site.{{cite magazine|url=http://www.filmscoremonthly.com/cds/list.cfm?sortby=r&sortdir=1 |title=FSM CD Discography |magazine=Film Score Monthly |access-date=2014-02-23}}
| class="wikitable" style="font-size: smaller" |
| #
! catalog num ! release date ! line ! # discs ! title184 ! year ! composer ! OOP |
|---|
| style="white-space: nowrap;" | 1
| style="white-space: nowrap;" | FSM-80123 | style="white-space: nowrap;" | May 1996 | style="white-space: nowrap;" | Retrograde | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Taking of Pelham One Two Three | style="text-align: center;" | 1974 | style="padding-right: 12px;" | David Shire | style="text-align: center;" | |
| style="white-space: nowrap;" | 2
| style="white-space: nowrap;" | FSM-80124 | style="white-space: nowrap;" | August 1997 | style="white-space: nowrap;" | Retrograde | style="text-align: center;" | 1 | style="padding-right: 12px;" | Deadfall | style="text-align: center;" | 1968 | style="padding-right: 12px;" | John Barry | style="text-align: center;" | |
| style="white-space: nowrap;" | 3
| style="white-space: nowrap;" | FSM-80125 | style="white-space: nowrap;" | August 1998 | style="white-space: nowrap;" | Retrograde | style="text-align: center;" | 1 | style="padding-right: 12px;" | Mad Monster Party | style="text-align: center;" | 1969 | style="padding-right: 12px;" | Maury Laws | style="text-align: center;" | yes |
| style="white-space: nowrap;" rowspan="2" | 4
| style="white-space: nowrap;" rowspan="2" | Vol. 1, No. 1 | style="white-space: nowrap;" rowspan="2" | May 1998 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Stagecoach | style="text-align: center;" | 1966 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | The Loner
| style="text-align: center;" | 1975 | style="padding-right: 12px;" | Jerry Goldsmith |
| style="white-space: nowrap;" rowspan="2" | 5
| style="white-space: nowrap;" rowspan="2" | Vol. 1, No. 2 | style="white-space: nowrap;" rowspan="2" | July 1998 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | The Poseidon Adventure | style="text-align: center;" | 1972 | style="padding-right: 12px;" | John Williams | style="text-align: center;" rowspan="2" | yes |
| style="padding-right: 12px;" | The Paper Chase
| style="text-align: center;" | 1973 | style="padding-right: 12px;" | John Williams |
| style="white-space: nowrap;" | 6
| style="white-space: nowrap;" | Vol. 1, No. 3 | style="white-space: nowrap;" | September 1998 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Fantastic Voyage | style="text-align: center;" | 1966 | style="padding-right: 12px;" | Leonard Rosenman | style="text-align: center;" | yes |
| style="white-space: nowrap;" rowspan="4" | 7
| style="white-space: nowrap;" rowspan="4" | Vol. 1, No. 4 | style="white-space: nowrap;" rowspan="4" | January 1999 | style="white-space: nowrap;" rowspan="4" | Silver Age | style="text-align: center;" rowspan="4" | 2 | style="padding-right: 12px;" | The Return of Dracula | style="text-align: center;" | 1958 | style="padding-right: 12px;" | Gerald Fried | style="text-align: center;" rowspan="4" | |
| style="padding-right: 12px;" | I Bury the Living
| style="text-align: center;" | 1958 | style="padding-right: 12px;" | Gerald Fried |
| style="padding-right: 12px;" | The Cabinet of Caligari
| style="text-align: center;" | 1962 | style="padding-right: 12px;" | Gerald Fried |
| style="padding-right: 12px;" | Mark of the Vampire
| style="text-align: center;" | 1957 | style="padding-right: 12px;" | Gerald Fried |
| style="white-space: nowrap;" | 8
| style="white-space: nowrap;" | Vol. 2, No. 1 | style="white-space: nowrap;" | March 1999 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | 100 Rifles | style="text-align: center;" | 1969 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 9
| style="white-space: nowrap;" rowspan="2" | Vol. 2, No. 2 | style="white-space: nowrap;" rowspan="2" | April 1999 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Patton | style="text-align: center;" | 1970 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" rowspan="2" | yes |
| style="padding-right: 12px;" | The Flight of the Phoenix
| style="text-align: center;" | 1965 | style="padding-right: 12px;" | Frank DeVol |
| style="white-space: nowrap;" | 10
| style="white-space: nowrap;" | Vol. 2, No. 3 | style="white-space: nowrap;" | May 1999 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Prince Valiant | style="text-align: center;" | 1954 | style="padding-right: 12px;" | Franz Waxman | style="text-align: center;" | yes |
| style="white-space: nowrap;" | 11
| style="white-space: nowrap;" | Vol. 2, No. 4 | style="white-space: nowrap;" | June 1999 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Monte Walsh | style="text-align: center;" | 1970 | style="padding-right: 12px;" | John Barry | style="text-align: center;" | yes |
| style="white-space: nowrap;" | 12
| style="white-space: nowrap;" | Vol. 2, No. 5 | style="white-space: nowrap;" | July 1999 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Prince of Foxes | style="text-align: center;" | 1949 | style="padding-right: 12px;" | Alfred Newman | style="text-align: center;" | |
| style="white-space: nowrap;" | 13
| style="white-space: nowrap;" | Vol. 2, No. 6 | style="white-space: nowrap;" | September 1999 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Comancheros | style="text-align: center;" | 1961 | style="padding-right: 12px;" | Elmer Bernstein | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 14
| style="white-space: nowrap;" rowspan="2" | Vol. 2, No. 7 | style="white-space: nowrap;" rowspan="2" | November 1999 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | All About Eve | style="text-align: center;" | 1950 | style="padding-right: 12px;" | Alfred Newman | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Leave Her to Heaven
| style="text-align: center;" | 1945 | style="padding-right: 12px;" | Alfred Newman |
| style="white-space: nowrap;" | 15
| style="white-space: nowrap;" | Vol. 2, No. 8 | style="white-space: nowrap;" | December 1999 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Rio Conchos | style="text-align: center;" | 1964 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" | yes |
| style="white-space: nowrap;" rowspan="2" | 16
| style="white-space: nowrap;" rowspan="2" | Vol. 2, No. 9 | style="white-space: nowrap;" rowspan="2" | January 2000 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | The Flim-Flam Man | style="text-align: center;" | 1967 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | A Girl Named Sooner
| style="text-align: center;" | 1975 | style="padding-right: 12px;" | Jerry Goldsmith |
| style="white-space: nowrap;" | 17
| style="white-space: nowrap;" | Vol. 3, No. 1 | style="white-space: nowrap;" | February 2000 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Take a Hard Ride | style="text-align: center;" | 1975 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" | yes |
| style="white-space: nowrap;" | 18
| style="white-space: nowrap;" | Vol. 3, No. 2 | style="white-space: nowrap;" | March 2000 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Omega Man | style="text-align: center;" | 1971 | style="padding-right: 12px;" | Ron Grainer | style="text-align: center;" | yes |
| style="white-space: nowrap;" | 19
| style="white-space: nowrap;" | Vol. 3, No. 3 | style="white-space: nowrap;" | April 2000 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Beneath the Planet of the Apes | style="text-align: center;" | 1970 | style="padding-right: 12px;" | Leonard Rosenman | style="text-align: center;" | yes |
| style="white-space: nowrap;" | 20
| style="white-space: nowrap;" | Vol. 3, No. 4 | style="white-space: nowrap;" | May 2000 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Tora! Tora! Tora! | style="text-align: center;" | 1970 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" | yes |
| style="white-space: nowrap;" | 21
| style="white-space: nowrap;" | Vol. 3, No. 5 | style="white-space: nowrap;" | July 2000 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | A Guide for the Married Man | style="text-align: center;" | 1967 | style="padding-right: 12px;" | John Williams | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 22
| style="white-space: nowrap;" rowspan="2" | Vol. 3, No. 6 | style="white-space: nowrap;" rowspan="2" | September 2000 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | The Undefeated | style="text-align: center;" | 1969 | style="padding-right: 12px;" | Hugo Montenegro | style="text-align: center;" rowspan="2" | yes |
| style="padding-right: 12px;" | Hombre
| style="text-align: center;" | 1967 | style="padding-right: 12px;" | David Rose |
| style="white-space: nowrap;" | 23
| style="white-space: nowrap;" | Vol. 3, No. 7 | style="white-space: nowrap;" | November 2000 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Batman | style="text-align: center;" | 1966 | style="padding-right: 12px;" | Nelson Riddle | style="text-align: center;" | yes |
| style="white-space: nowrap;" | 24
| style="white-space: nowrap;" | Vol. 3, No. 8 | style="white-space: nowrap;" | December 2000 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | From the Terrace | style="text-align: center;" | 1960 | style="padding-right: 12px;" | Elmer Bernstein | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 25
| style="white-space: nowrap;" rowspan="2" | Vol. 3, No. 9 | style="white-space: nowrap;" rowspan="2" | January 2001 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | The Stripper | style="text-align: center;" | 1963 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Nick Quarry
| style="text-align: center;" | 1968 | style="padding-right: 12px;" | Jerry Goldsmith |
| style="white-space: nowrap;" | 26
| style="white-space: nowrap;" | Vol. 3, No. 10 | style="white-space: nowrap;" | February 2001 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Beneath the 12-Mile Reef | style="text-align: center;" | 1953 | style="padding-right: 12px;" | Bernard Herrmann | style="text-align: center;" | yes |
| style="white-space: nowrap;" rowspan="2" | 27
| style="white-space: nowrap;" rowspan="2" | Vol. 4, No. 1 | style="white-space: nowrap;" rowspan="2" | February 2001 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Conquest of the Planet of the Apes | style="text-align: center;" | 1972 | style="padding-right: 12px;" | Tom Scott | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Battle for the Planet of the Apes
| style="text-align: center;" | 1973 | style="padding-right: 12px;" | Leonard Rosenman |
| style="white-space: nowrap;" | 28
| style="white-space: nowrap;" | Vol. 4, No. 2 | style="white-space: nowrap;" | March 2001 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | How to Marry a Millionaire | style="text-align: center;" | 1953 | style="padding-right: 12px;" | Alfred Newman & Cyril Mockridge | style="text-align: center;" | |
| style="white-space: nowrap;" | 29
| style="white-space: nowrap;" | Vol. 4, No. 3 | style="white-space: nowrap;" | April 2001 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Towering Inferno | style="text-align: center;" | 1974 | style="padding-right: 12px;" | John Williams | style="text-align: center;" | yes |
| style="white-space: nowrap;" | 30
| style="white-space: nowrap;" | Vol. 4, No. 4 | style="white-space: nowrap;" | April 2001 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Untamed | style="text-align: center;" | 1955 | style="padding-right: 12px;" | Franz Waxman | style="text-align: center;" | |
| style="white-space: nowrap;" | 31
| style="white-space: nowrap;" | Vol. 4, No. 5 | style="white-space: nowrap;" | May 2001 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Egyptian | style="text-align: center;" | 1954 | style="padding-right: 12px;" | Alfred Newman & Bernard Herrmann | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 32
| style="white-space: nowrap;" rowspan="2" | Vol. 4, No. 6 | style="white-space: nowrap;" rowspan="2" | May 2001 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | The French Connection | style="text-align: center;" | 1971 | style="padding-right: 12px;" | Don Ellis | style="text-align: center;" rowspan="2" | yes |
| style="padding-right: 12px;" | French Connection II
| style="text-align: center;" | 1975 | style="padding-right: 12px;" | Don Ellis |
| style="white-space: nowrap;" | 33
| style="white-space: nowrap;" | Vol. 4, No. 7 | style="white-space: nowrap;" | June 2001 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | A Man Called Peter | style="text-align: center;" | 1955 | style="padding-right: 12px;" | Alfred Newman | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 34
| style="white-space: nowrap;" rowspan="2" | Vol. 4, No. 8 | style="white-space: nowrap;" rowspan="2" | June 2001 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Room 222 | style="text-align: center;" | 1969 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Ace Eli and Rodger of the Skies
| style="text-align: center;" | 1973 | style="padding-right: 12px;" | Jerry Goldsmith |
| style="white-space: nowrap;" rowspan="2" | 35
| style="white-space: nowrap;" rowspan="2" | Vol. 4, No. 9 | style="white-space: nowrap;" rowspan="2" | July 2001 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Between Heaven and Hell | style="text-align: center;" | 1956 | style="padding-right: 12px;" | Hugo Friedhofer | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Soldier of Fortune
| style="text-align: center;" | 1955 | style="padding-right: 12px;" | Hugo Friedhofer |
| style="white-space: nowrap;" | 36
| style="white-space: nowrap;" | Vol. 4, No. 10 | style="white-space: nowrap;" | July 2001 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Voyage to the Bottom of the Sea | style="text-align: center;" | 1961 | style="padding-right: 12px;" | Paul Sawtell & Bert Shefter | style="text-align: center;" | yes |
| style="white-space: nowrap;" | 37
| style="white-space: nowrap;" | Vol. 4, No. 11 | style="white-space: nowrap;" | August 2001 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Best of Everything | style="text-align: center;" | 1959 | style="padding-right: 12px;" | Alfred Newman | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 38
| style="white-space: nowrap;" rowspan="2" | Vol. 4, No. 12 | style="white-space: nowrap;" rowspan="2" | August 2001 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Morituri | style="text-align: center;" | 1965 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" rowspan="2" | yes |
| style="padding-right: 12px;" | Raid on Entebbe
| style="text-align: center;" | 1976 | style="padding-right: 12px;" | David Shire |
| style="white-space: nowrap;" | 39
| style="white-space: nowrap;" | Vol. 4, No. 13 | style="white-space: nowrap;" | September 2001 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Bravados | style="text-align: center;" | 1958 | style="padding-right: 12px;" | Alfred Newman & Hugo Friedhofer | style="text-align: center;" | |
| style="white-space: nowrap;" | 40
| style="white-space: nowrap;" | Vol. 4, No. 14 | style="white-space: nowrap;" | September 2001 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Illustrated Man | style="text-align: center;" | 1969 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 41
| style="white-space: nowrap;" rowspan="2" | Vol. 4, No. 15 | style="white-space: nowrap;" rowspan="2" | November 2001 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | The View from Pompey's Head | style="text-align: center;" | 1955 | style="padding-right: 12px;" | Elmer Bernstein | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Blue Denim
| style="text-align: center;" | 1959 | style="padding-right: 12px;" | Bernard Herrmann |
| style="white-space: nowrap;" | 42
| style="white-space: nowrap;" | Vol. 4, No. 16 | style="white-space: nowrap;" | November 2001 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The World of Henry Orient | style="text-align: center;" | 1964 | style="padding-right: 12px;" | Elmer Bernstein | style="text-align: center;" | |
| style="white-space: nowrap;" | 43
| style="white-space: nowrap;" | Vol. 4, No. 17 | style="white-space: nowrap;" | November 2001 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | John Goldfarb, Please Come Home | style="text-align: center;" | 1965 | style="padding-right: 12px;" | John Williams | style="text-align: center;" | |
| style="white-space: nowrap;" | 44
| style="white-space: nowrap;" | Vol. 4, No. 18 | style="white-space: nowrap;" | December 2001 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Broken Lance | style="text-align: center;" | 1954 | style="padding-right: 12px;" | Leigh Harline | style="text-align: center;" | |
| style="white-space: nowrap;" | 45
| style="white-space: nowrap;" | Vol. 4, No. 19 | style="white-space: nowrap;" | January 2002 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Demetrius and the Gladiators | style="text-align: center;" | 1954 | style="padding-right: 12px;" | Franz Waxman | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 46
| style="white-space: nowrap;" rowspan="2" | Vol. 4, No. 20 | style="white-space: nowrap;" rowspan="2" | January 2002 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Farewell, My Lovely | style="text-align: center;" | 1975 | style="padding-right: 12px;" | David Shire | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Monkey Shines
| style="text-align: center;" | 1988 | style="padding-right: 12px;" | David Shire |
| style="white-space: nowrap;" | 47
| style="white-space: nowrap;" | Vol. 5, No. 1 | style="white-space: nowrap;" | February 2002 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Lust for Life | style="text-align: center;" | 1956 | style="padding-right: 12px;" | Miklós Rózsa | style="text-align: center;" | |
| style="white-space: nowrap;" | 48
| style="white-space: nowrap;" | Vol. 5, No. 2 | style="white-space: nowrap;" | January 2002 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Logan's Run | style="text-align: center;" | 1976 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" | |
| style="white-space: nowrap;" | 49
| style="white-space: nowrap;" | Vol. 5, No. 3 | style="white-space: nowrap;" | March 2002 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Joy in the Morning | style="text-align: center;" | 1965 | style="padding-right: 12px;" | Bernard Herrmann | style="text-align: center;" | |
| style="white-space: nowrap;" | 50
| style="white-space: nowrap;" | Vol. 5, No. 4 | style="white-space: nowrap;" | March 2002 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Man Who Loved Cat Dancing | style="text-align: center;" | 1973 | style="padding-right: 12px;" | John Williams / Michel Legrand | style="text-align: center;" | |
| style="white-space: nowrap;" | 51
| style="white-space: nowrap;" | Vol. 5, No. 5 | style="white-space: nowrap;" | April 2002 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | 36 Hours | style="text-align: center;" | 1965 | style="padding-right: 12px;" | Dimitri Tiomkin | style="text-align: center;" | |
| style="white-space: nowrap;" | 52
| style="white-space: nowrap;" | Vol. 5, No. 6 | style="white-space: nowrap;" | April 2002 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Traveling Executioner | style="text-align: center;" | 1970 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 53
| style="white-space: nowrap;" rowspan="2" | Vol. 5, No. 7 | style="white-space: nowrap;" rowspan="2" | June 2002 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | On the Beach | style="text-align: center;" | 1959 | style="padding-right: 12px;" | Ernest Gold | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | The Secret of Santa Vittoria
| style="text-align: center;" | 1969 | style="padding-right: 12px;" | Ernest Gold |
| style="white-space: nowrap;" rowspan="2" | 54
| style="white-space: nowrap;" rowspan="2" | Vol. 5, No. 8 | style="white-space: nowrap;" rowspan="2" | June 2002 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Point Blank | style="text-align: center;" | 1967 | style="padding-right: 12px;" | Johnny Mandel | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | The Outfit
| style="text-align: center;" | 1973 | style="padding-right: 12px;" | Jerry Fielding |
| style="white-space: nowrap;" | 55
| style="white-space: nowrap;" | Vol. 5, No. 9 | style="white-space: nowrap;" | July 2002 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Prodigal | style="text-align: center;" | 1955 | style="padding-right: 12px;" | Bronislau Kaper | style="text-align: center;" | |
| style="white-space: nowrap;" | 56
| style="white-space: nowrap;" | Vol. 5, No. 10 | style="white-space: nowrap;" | July 2002 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | I Spy | style="text-align: center;" | 1965–68 | style="padding-right: 12px;" | Earle Hagen | style="text-align: center;" | |
| style="white-space: nowrap;" | 57
| style="white-space: nowrap;" | Vol. 5, No. 11 | style="white-space: nowrap;" | August 2002 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Above and Beyond | style="text-align: center;" | 1952 | style="padding-right: 12px;" | Hugo Friedhofer | style="text-align: center;" | |
| style="white-space: nowrap;" | 58
| style="white-space: nowrap;" | Vol. 5, No. 12 | style="white-space: nowrap;" | August 2002 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Gypsy Moths | style="text-align: center;" | 1969 | style="padding-right: 12px;" | Elmer Bernstein | style="text-align: center;" | |
| style="white-space: nowrap;" | 59
| style="white-space: nowrap;" | Vol. 5, No. 13 | style="white-space: nowrap;" | September 2002 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Scaramouche | style="text-align: center;" | 1952 | style="padding-right: 12px;" | Victor Young | style="text-align: center;" | |
| style="white-space: nowrap;" | 60
| style="white-space: nowrap;" | Vol. 5, No. 14 | style="white-space: nowrap;" | September 2002 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Green Berets | style="text-align: center;" | 1968 | style="padding-right: 12px;" | Miklós Rózsa | style="text-align: center;" | |
| style="white-space: nowrap;" | 61
| style="white-space: nowrap;" | Vol. 5, No. 15 | style="white-space: nowrap;" | October 2002 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The World, the Flesh and the Devil | style="text-align: center;" | 1959 | style="padding-right: 12px;" | Miklós Rózsa | style="text-align: center;" | |
| style="white-space: nowrap;" | 62
| style="white-space: nowrap;" | Vol. 5, No. 16 | style="white-space: nowrap;" | October 2002 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Prize | style="text-align: center;" | 1963 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" | |
| style="white-space: nowrap;" | 63
| style="white-space: nowrap;" | Vol. 5, No. 17 | style="white-space: nowrap;" | November 2002 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Seventh Sin | style="text-align: center;" | 1957 | style="padding-right: 12px;" | Miklós Rózsa | style="text-align: center;" | |
| style="white-space: nowrap;" | 64
| style="white-space: nowrap;" | Vol. 5, No. 18 | style="white-space: nowrap;" | November 2002 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 2 | style="padding-right: 12px;" | The Man from U.N.C.L.E. | style="text-align: center;" | 1964–68 | style="padding-right: 12px;" | Jerry Goldsmith & various | style="text-align: center;" | |
| style="white-space: nowrap;" | 65
| style="white-space: nowrap;" | Vol. 5, No. 19 | style="white-space: nowrap;" | January 2003 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Tribute to a Bad Man | style="text-align: center;" | 1956 | style="padding-right: 12px;" | Miklós Rózsa | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 66
| style="white-space: nowrap;" rowspan="2" | Vol. 5, No. 20 | style="white-space: nowrap;" rowspan="2" | January 2003 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Never So Few | style="text-align: center;" | 1959 | style="padding-right: 12px;" | Hugo Friedhofer | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | 7 Women
| style="text-align: center;" | 1966 | style="padding-right: 12px;" | Elmer Bernstein |
| style="white-space: nowrap;" | 67
| style="white-space: nowrap;" | Vol. 6, No. 1 | style="white-space: nowrap;" | February 2003 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Plymouth Adventure | style="text-align: center;" | 1952 | style="padding-right: 12px;" | Miklós Rózsa | style="text-align: center;" | |
| style="white-space: nowrap;" | 68
| style="white-space: nowrap;" | Vol. 6, No. 2 | style="white-space: nowrap;" | February 2003 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Ice Station Zebra | style="text-align: center;" | 1968 | style="padding-right: 12px;" | Michel Legrand | style="text-align: center;" | |
| style="white-space: nowrap;" | 69
| style="white-space: nowrap;" | Vol. 6, No. 3 | style="white-space: nowrap;" | February 2003 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Home from the Hill | style="text-align: center;" | 1960 | style="padding-right: 12px;" | Bronislau Kaper | style="text-align: center;" | |
| style="white-space: nowrap;" | 70
| style="white-space: nowrap;" | Vol. 6, No. 4 | style="white-space: nowrap;" | February 2003 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | THX 1138 | style="text-align: center;" | 1971 | style="padding-right: 12px;" | Lalo Schifrin | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 71
| style="white-space: nowrap;" rowspan="2" | Vol. 6, No. 5 | style="white-space: nowrap;" rowspan="2" | April 2003 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Green Fire | style="text-align: center;" | 1954 | style="padding-right: 12px;" | Miklós Rózsa | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Bhowani Junction
| style="text-align: center;" | 1956 | style="padding-right: 12px;" | Miklós Rózsa |
| style="white-space: nowrap;" rowspan="2" | 72
| style="white-space: nowrap;" rowspan="2" | Vol. 6, No. 6 | style="white-space: nowrap;" rowspan="2" | April 2003 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | All Fall Down | style="text-align: center;" | 1962 | style="padding-right: 12px;" | Alex North | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | The Outrage
| style="text-align: center;" | 1964 | style="padding-right: 12px;" | Alex North |
| style="white-space: nowrap;" rowspan="2" | 73
| style="white-space: nowrap;" rowspan="2" | Vol. 6, No. 7 | style="white-space: nowrap;" rowspan="2" | May 2003 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 2 | style="padding-right: 12px;" | Knights of the Round Table | style="text-align: center;" | 1953 | style="padding-right: 12px;" | Miklós Rózsa | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | The King's Thief
| style="text-align: center;" | 1955 | style="padding-right: 12px;" | Miklós Rózsa |
| style="white-space: nowrap;" rowspan="2" | 74
| style="white-space: nowrap;" rowspan="2" | Vol. 6, No. 8 | style="white-space: nowrap;" rowspan="2" | May 2003 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Soylent Green | style="text-align: center;" | 1973 | style="padding-right: 12px;" | Fred Myrow | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Demon Seed
| style="text-align: center;" | 1977 | style="padding-right: 12px;" | Jerry Fielding |
| style="white-space: nowrap;" | 75
| style="white-space: nowrap;" | Vol. 6, No. 9 | style="white-space: nowrap;" | June 2003 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Adventures of Huckleberry Finn | style="text-align: center;" | 1960 | style="padding-right: 12px;" | Jerome Moross | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 76
| style="white-space: nowrap;" rowspan="2" | Vol. 6, No. 10 | style="white-space: nowrap;" rowspan="2" | June 2003 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Our Mother's House | style="text-align: center;" | 1967 | style="padding-right: 12px;" | Georges Delerue | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | The 25th Hour
| style="text-align: center;" | 1967 | style="padding-right: 12px;" | Georges Delerue |
| style="white-space: nowrap;" | 77
| style="white-space: nowrap;" | Vol. 6, No. 11 | style="white-space: nowrap;" | June 2003 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Appointment | style="text-align: center;" | 1969 | style="padding-right: 12px;" | John Barry, Stu Phillips, Michel Legrand | style="text-align: center;" | |
| style="white-space: nowrap;" | 78
| style="white-space: nowrap;" | Vol. 6, No. 12 | style="white-space: nowrap;" | July 2003 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Toys in the Attic | style="text-align: center;" | 1963 | style="padding-right: 12px;" | George Duning | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="3" | 79
| style="white-space: nowrap;" rowspan="3" | Vol. 6, No. 13 | style="white-space: nowrap;" rowspan="3" | July 2003 | style="white-space: nowrap;" rowspan="3" | Silver Age | style="text-align: center;" rowspan="3" | 1 | style="padding-right: 12px;" | Hawkins On Murder | style="text-align: center;" | 1973 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" rowspan="3" | |
| style="padding-right: 12px;" | Winter Kill
| style="text-align: center;" | 1974 | style="padding-right: 12px;" | Jerry Goldsmith |
| style="padding-right: 12px;" | Babe
| style="text-align: center;" | 1975 | style="padding-right: 12px;" | Jerry Goldsmith |
| style="white-space: nowrap;" rowspan="2" | 80
| style="white-space: nowrap;" rowspan="2" | Vol. 6, No. 14 | style="white-space: nowrap;" rowspan="2" | September 2003 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | The Cobweb | style="text-align: center;" | 1955 | style="padding-right: 12px;" | Leonard Rosenman | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Edge of the City
| style="text-align: center;" | 1957 | style="padding-right: 12px;" | Leonard Rosenman |
| style="white-space: nowrap;" | 81
| style="white-space: nowrap;" | Vol. 6, No. 15 | style="white-space: nowrap;" | September 2003 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Wild Rovers | style="text-align: center;" | 1971 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" | |
| style="white-space: nowrap;" | 82
| style="white-space: nowrap;" | Vol. 6, No. 16 | style="white-space: nowrap;" | October 2003 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Brothers Karamazov | style="text-align: center;" | 1958 | style="padding-right: 12px;" | Bronislau Kaper | style="text-align: center;" | |
| style="white-space: nowrap;" | 83
| style="white-space: nowrap;" | Vol. 6, No. 17 | style="white-space: nowrap;" | August 2003 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 2 | style="padding-right: 12px;" | The Man From U.N.C.L.E. Volume 2 | style="text-align: center;" | 1964–68 | style="padding-right: 12px;" | Jerry Goldsmith, various | style="text-align: center;" | |
| style="white-space: nowrap;" | 84
| style="white-space: nowrap;" | Vol. 6, No. 18 | style="white-space: nowrap;" | November 2003 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | On Dangerous Ground | style="text-align: center;" | 1952 | style="padding-right: 12px;" | Bernard Herrmann | style="text-align: center;" | |
| style="white-space: nowrap;" | 85
| style="white-space: nowrap;" | Vol. 6, No. 19 | style="white-space: nowrap;" | November 2003 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | McQ | style="text-align: center;" | 1974 | style="padding-right: 12px;" | Elmer Bernstein | style="text-align: center;" | yes |
| style="white-space: nowrap;" | 86
| style="white-space: nowrap;" | Vol. 6, No. 20 | style="white-space: nowrap;" | December 2003 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Moonfleet | style="text-align: center;" | 1955 | style="padding-right: 12px;" | Miklós Rózsa | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 87
| style="white-space: nowrap;" rowspan="2" | Vol. 6, No. 21 | style="white-space: nowrap;" rowspan="2" | January 2004 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 2 | style="padding-right: 12px;" | Where Eagles Dare | style="text-align: center;" | 1968 | style="padding-right: 12px;" | Ron Goodwin | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Operation Crossbow
| style="text-align: center;" | 1965 | style="padding-right: 12px;" | Ron Goodwin |
| style="white-space: nowrap;" | 88
| style="white-space: nowrap;" | Vol. 7, No. 1 | style="white-space: nowrap;" | February 2004 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Prisoner of Zenda | style="text-align: center;" | 1952 | style="padding-right: 12px;" | Alfred Newman, Conrad Salinger | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 89
| style="white-space: nowrap;" rowspan="2" | Vol. 7, No. 2 | style="white-space: nowrap;" rowspan="2" | February 2004 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Khartoum | style="text-align: center;" | 1966 | style="padding-right: 12px;" | Frank Cordell | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Mosquito Squadron
| style="text-align: center;" | 1969 | style="padding-right: 12px;" | Frank Cordell |
| style="white-space: nowrap;" | 90
| style="white-space: nowrap;" | Vol. 7, No. 3 | style="white-space: nowrap;" | March 2004 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 2 | style="padding-right: 12px;" | Diane | style="text-align: center;" | 1956 | style="padding-right: 12px;" | Miklós Rózsa | style="text-align: center;" | |
| style="white-space: nowrap;" | 91
| style="white-space: nowrap;" | Vol. 7, No. 4 | style="white-space: nowrap;" | March 2004 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Logan's Run: TV Series | style="text-align: center;" | 1977 | style="padding-right: 12px;" | Laurence Rosenthal & Bruce Broughton | style="text-align: center;" | |
| style="white-space: nowrap;" | 92
| style="white-space: nowrap;" | Vol. 7, No. 5 | style="white-space: nowrap;" | April 2004 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Swan | style="text-align: center;" | 1956 | style="padding-right: 12px;" | Bronislau Kaper | style="text-align: center;" | |
| style="white-space: nowrap;" | 93
| style="white-space: nowrap;" | Vol. 7, No. 6 | style="white-space: nowrap;" | April 2004 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 2 | style="padding-right: 12px;" | The Shoes of the Fisherman | style="text-align: center;" | 1968 | style="padding-right: 12px;" | Alex North | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 94
| style="white-space: nowrap;" rowspan="2" | Vol. 7, No. 7 | style="white-space: nowrap;" rowspan="2" | May 2004 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | The Fastest Gun Alive | style="text-align: center;" | 1956 | style="padding-right: 12px;" | André Previn | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | House of Numbers
| style="text-align: center;" | 1957 | style="padding-right: 12px;" | André Previn |
| style="white-space: nowrap;" | 95
| style="white-space: nowrap;" | Vol. 7, No. 8 | style="white-space: nowrap;" | May 2004 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Big Wednesday | style="text-align: center;" | 1978 | style="padding-right: 12px;" | Basil Poledouris | style="text-align: center;" | |
| style="white-space: nowrap;" | 96
| style="white-space: nowrap;" | Vol. 7, No. 9 | style="white-space: nowrap;" | July 2004 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Julius Caesar | style="text-align: center;" | 1953 | style="padding-right: 12px;" | Miklós Rózsa | style="text-align: center;" | |
| style="white-space: nowrap;" | 97
| style="white-space: nowrap;" | Vol. 7, No. 10 | style="white-space: nowrap;" | July 2004 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Born Free | style="text-align: center;" | 1966 | style="padding-right: 12px;" | John Barry | style="text-align: center;" | |
| style="white-space: nowrap;" | 98
| style="white-space: nowrap;" | Vol. 7, No. 11 | style="white-space: nowrap;" | August 2004 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Cimarron | style="text-align: center;" | 1960 | style="padding-right: 12px;" | Franz Waxman | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 99
| style="white-space: nowrap;" rowspan="2" | Vol. 7, No. 12 | style="white-space: nowrap;" rowspan="2" | August 2004 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Ride the High Country | style="text-align: center;" | 1962 | style="padding-right: 12px;" | George Bassman | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Mail Order Bride
| style="text-align: center;" | 1964 | style="padding-right: 12px;" | George Bassman |
| style="white-space: nowrap;" | 100
| style="white-space: nowrap;" | Vol. 7, No. 13 | style="white-space: nowrap;" | September 2004 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | I'll Cry Tomorrow | style="text-align: center;" | 1955 | style="padding-right: 12px;" | Alex North | style="text-align: center;" | |
| style="white-space: nowrap;" | 101
| style="white-space: nowrap;" | Vol. 7, No. 14 | style="white-space: nowrap;" | September 2004 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 2 | style="padding-right: 12px;" | The Man from U.N.C.L.E. Volume 3, featuring The Girl from U.N.C.L.E. | style="text-align: center;" | 1964–68 | style="padding-right: 12px;" | Jerry Goldsmith & various | style="text-align: center;" | |
| style="white-space: nowrap;" | 102
| style="white-space: nowrap;" | Vol. 7, No. 15 | style="white-space: nowrap;" | October 2004 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Saddle the Wind | style="text-align: center;" | 1958 | style="padding-right: 12px;" | Elmer Bernstein, Jeff Alexander | style="text-align: center;" | |
| style="white-space: nowrap;" | 103
| style="white-space: nowrap;" | Vol. 7, No. 16 | style="white-space: nowrap;" | October 2004 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 3 | style="padding-right: 12px;" | Mutiny on the Bounty | style="text-align: center;" | 1962 | style="padding-right: 12px;" | Bronislau Kaper | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 104
| style="white-space: nowrap;" rowspan="2" | Vol. 7, No. 17 | style="white-space: nowrap;" rowspan="2" | December 2004 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Valley of the Kings | style="text-align: center;" | 1954 | style="padding-right: 12px;" | Miklós Rózsa | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Men of the Fighting Lady
| style="text-align: center;" | 1954 | style="padding-right: 12px;" | Miklós Rózsa |
| style="white-space: nowrap;" rowspan="2" | 105
| style="white-space: nowrap;" rowspan="2" | Vol. 7, No. 18 | style="white-space: nowrap;" rowspan="2" | December 2004 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 2 | style="padding-right: 12px;" | Penelope | style="text-align: center;" | 1966 | style="padding-right: 12px;" | John Williams | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Bachelor in Paradise
| style="text-align: center;" | 1961 | style="padding-right: 12px;" | Henry Mancini |
| style="white-space: nowrap;" | 106
| style="white-space: nowrap;" | Vol. 7, No. 19 | style="white-space: nowrap;" | January 2005 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Subterraneans | style="text-align: center;" | 1960 | style="padding-right: 12px;" | André Previn | style="text-align: center;" | |
| style="white-space: nowrap;" | 107
| style="white-space: nowrap;" | Vol. 7, No. 20 | style="white-space: nowrap;" | January 2005 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Kelly's Heroes | style="text-align: center;" | 1970 | style="padding-right: 12px;" | Lalo Schifrin | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 108
| style="white-space: nowrap;" rowspan="2" | Vol. 8, No. 1 | style="white-space: nowrap;" rowspan="2" | February 2005 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | The Thing from Another World | style="text-align: center;" | 1951 | style="padding-right: 12px;" | Dimitri Tiomkin | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Take the High Ground!
| style="text-align: center;" | 1953 | style="padding-right: 12px;" | Dimitri Tiomkin |
| style="white-space: nowrap;" rowspan="2" | 109
| style="white-space: nowrap;" rowspan="2" | Vol. 8, No. 2 | style="white-space: nowrap;" rowspan="2" | March 2005 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Atlantis, the Lost Continent | style="text-align: center;" | 1961 | style="padding-right: 12px;" | Russell Garcia | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | The Power
| style="text-align: center;" | 1968 | style="padding-right: 12px;" | Miklós Rózsa |
| style="white-space: nowrap;" | 110
| style="white-space: nowrap;" | Vol. 8, No. 3 | style="white-space: nowrap;" | April 2005 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Green Mansions | style="text-align: center;" | 1959 | style="padding-right: 12px;" | Bronislau Kaper, Heitor Villa-Lobos | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 111
| style="white-space: nowrap;" rowspan="2" | Vol. 8, No. 4 | style="white-space: nowrap;" rowspan="2" | April 2005 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 2 | style="padding-right: 12px;" | 633 Squadron | style="text-align: center;" | 1964 | style="padding-right: 12px;" | Ron Goodwin | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Submarine X-1
| style="text-align: center;" | 1969 | style="padding-right: 12px;" | Ron Goodwin |
| style="white-space: nowrap;" | 112
| style="white-space: nowrap;" | Vol. 8, No. 5 | style="white-space: nowrap;" | May 2005 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Two Weeks in Another Town | style="text-align: center;" | 1962 | style="padding-right: 12px;" | David Raksin | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 113
| style="white-space: nowrap;" rowspan="2" | Vol. 8, No. 6 | style="white-space: nowrap;" rowspan="2" | May 2005 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Jericho | style="text-align: center;" | 1966 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | The Ghostbreaker
| style="text-align: center;" | 1965 | style="padding-right: 12px;" | John Williams |
| style="white-space: nowrap;" | 114
| style="white-space: nowrap;" | Vol. 8, No. 7 | style="white-space: nowrap;" | May 2005 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Quentin Durward | style="text-align: center;" | 1955 | style="padding-right: 12px;" | Bronislau Kaper | style="text-align: center;" | |
| style="white-space: nowrap;" | 115
| style="white-space: nowrap;" | Vol. 8, No. 8 | style="white-space: nowrap;" | May 2005 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | King Kong | style="text-align: center;" | 1976 | style="padding-right: 12px;" | John Barry | style="text-align: center;" | yes |
| style="white-space: nowrap;" rowspan="2" | 116
| style="white-space: nowrap;" rowspan="2" | Vol. 8, No. 9 | style="white-space: nowrap;" rowspan="2" | June 2005 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | The Devil at 4 O'Clock | style="text-align: center;" | 1961 | style="padding-right: 12px;" | George Duning | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | The Victors
| style="text-align: center;" | 1963 | style="padding-right: 12px;" | Sol Kaplan |
| style="white-space: nowrap;" | 117
| style="white-space: nowrap;" | Vol. 8, No. 10 | style="white-space: nowrap;" | June 2005 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Knight Rider | style="text-align: center;" | 1982 | style="padding-right: 12px;" | Stu Phillips | style="text-align: center;" | yes |
| style="white-space: nowrap;" rowspan="2" | 118
| style="white-space: nowrap;" rowspan="2" | Vol. 8, No. 11 | style="white-space: nowrap;" rowspan="2" | July 2005 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Lord Jim | style="text-align: center;" | 1965 | style="padding-right: 12px;" | Bronislau Kaper | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | The Long Ships
| style="text-align: center;" | 1963 | style="padding-right: 12px;" | Dusan Radic |
| style="white-space: nowrap;" | 119
| style="white-space: nowrap;" | Vol. 8, No. 12 | style="white-space: nowrap;" | July 2005 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Yakuza | style="text-align: center;" | 1975 | style="padding-right: 12px;" | Dave Grusin | style="text-align: center;" | yes |
| style="white-space: nowrap;" | 120
| style="white-space: nowrap;" | Vol. 8, No. 13 | style="white-space: nowrap;" | August 2005 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Time Machine | style="text-align: center;" | 1960 | style="padding-right: 12px;" | Russell Garcia | style="text-align: center;" | |
| style="white-space: nowrap;" | 121
| style="white-space: nowrap;" | Vol. 8, No. 14 | style="white-space: nowrap;" | August 2005 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Crossed Swords | style="text-align: center;" | 1978 | style="padding-right: 12px;" | Maurice Jarre | style="text-align: center;" | |
| style="white-space: nowrap;" | 122
| style="white-space: nowrap;" | Vol. 8, No. 15 | style="white-space: nowrap;" | September 2005 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Lili | style="text-align: center;" | 1953 | style="padding-right: 12px;" | Bronislau Kaper | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="3" | 123
| style="white-space: nowrap;" rowspan="3" | Vol. 8, No. 16 | style="white-space: nowrap;" rowspan="3" | September 2005 | style="white-space: nowrap;" rowspan="3" | Silver Age | style="text-align: center;" rowspan="3" | 1 | style="padding-right: 12px;" | Coma | style="text-align: center;" | 1978 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" rowspan="3" | |
| style="padding-right: 12px;" | Westworld
| style="text-align: center;" | 1973 | style="padding-right: 12px;" | Fred Karlin |
| style="padding-right: 12px;" | The Carey Treatment
| style="text-align: center;" | 1972 | style="padding-right: 12px;" | Roy Budd |
| style="white-space: nowrap;" rowspan="2" | 124
| style="white-space: nowrap;" rowspan="2" | Vol. 8, No. 17 | style="white-space: nowrap;" rowspan="2" | November 2005 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Invitation | style="text-align: center;" | 1952 | style="padding-right: 12px;" | Bronislau Kaper | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | A Life of Her Own
| style="text-align: center;" | 1950 | style="padding-right: 12px;" | Bronislau Kaper |
| style="white-space: nowrap;" | 125
| style="white-space: nowrap;" | Vol. 8, No. 18 | style="white-space: nowrap;" | November 2005 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 2 | style="padding-right: 12px;" | The Getaway: The Unused Score | style="text-align: center;" | 1972 | style="padding-right: 12px;" | Jerry Fielding | style="text-align: center;" | |
| style="white-space: nowrap;" | 126
| style="white-space: nowrap;" | Vol. 8, No. 19 | style="white-space: nowrap;" | December 2005 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 2 | style="padding-right: 12px;" | The Glass Slipper | style="text-align: center;" | 1955 | style="padding-right: 12px;" | Bronislau Kaper | style="text-align: center;" | yes |
| style="white-space: nowrap;" rowspan="2" | 127
| style="white-space: nowrap;" rowspan="2" | Vol. 8, No. 20 | style="white-space: nowrap;" rowspan="2" | December 2005 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Alice in Wonderland | style="text-align: center;" | 1972 | style="padding-right: 12px;" | John Barry | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Petulia
| style="text-align: center;" | 1968 | style="padding-right: 12px;" | John Barry |
| style="white-space: nowrap;" rowspan="2" | 128
| style="white-space: nowrap;" rowspan="2" | Vol. 9, No. 1 | style="white-space: nowrap;" rowspan="2" | January 2006 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Bell, Book and Candle | style="text-align: center;" | 1958 | style="padding-right: 12px;" | George Duning | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | 1001 Arabian Nights
| style="text-align: center;" | 1959 | style="padding-right: 12px;" | George Duning |
| style="white-space: nowrap;" rowspan="2" | 129
| style="white-space: nowrap;" rowspan="2" | Vol. 9, No. 2 | style="white-space: nowrap;" rowspan="2" | January 2006 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 2 | style="padding-right: 12px;" | Zig Zag | style="text-align: center;" | 1970 | style="padding-right: 12px;" | Oliver Nelson | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | The Super Cops
| style="text-align: center;" | 1974 | style="padding-right: 12px;" | Jerry Fielding |
| style="white-space: nowrap;" rowspan="2" | 130
| style="white-space: nowrap;" rowspan="2" | Vol. 9, No. 3 | style="white-space: nowrap;" rowspan="2" | March 2006 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Not with My Wife, You Don't! | style="text-align: center;" | 1966 | style="padding-right: 12px;" | John Williams | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Any Wednesday
| style="text-align: center;" | 1966 | style="padding-right: 12px;" | George Duning |
| style="white-space: nowrap;" | 131
| style="white-space: nowrap;" | Vol. 9, No. 4 | style="white-space: nowrap;" | February 2006 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Force 10 from Navarone | style="text-align: center;" | 1978 | style="padding-right: 12px;" | Ron Goodwin | style="text-align: center;" | |
| style="white-space: nowrap;" | 132
| style="white-space: nowrap;" | Vol. 9, No. 5 | style="white-space: nowrap;" | March 2006 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Swimmer | style="text-align: center;" | 1968 | style="padding-right: 12px;" | Marvin Hamlisch | style="text-align: center;" | yes |
| style="white-space: nowrap;" | 133
| style="white-space: nowrap;" | Vol. 9, No. 6 | style="white-space: nowrap;" | March 2006 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 3 | style="padding-right: 12px;" | Goodbye, Mr. Chips | style="text-align: center;" | 1969 | style="padding-right: 12px;" | John Williams & Leslie Bricusse | style="text-align: center;" | |
| style="white-space: nowrap;" | 134
| style="white-space: nowrap;" | Vol. 9, No. 7 | style="white-space: nowrap;" | May 2006 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Wrong Man | style="text-align: center;" | 1956 | style="padding-right: 12px;" | Bernard Herrmann | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 135
| style="white-space: nowrap;" rowspan="2" | Vol. 9, No. 8 | style="white-space: nowrap;" rowspan="2" | May 2006 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Checkmate | style="text-align: center;" | 1960 | style="padding-right: 12px;" | John Williams | style="text-align: center;" rowspan="2" | yes |
| style="padding-right: 12px;" | Rhythm in Motion
| style="text-align: center;" | 1961 | style="padding-right: 12px;" | John Williams |
| style="white-space: nowrap;" rowspan="19" | 136
| style="white-space: nowrap;" rowspan="19" | FSM Box 1 | style="white-space: nowrap;" rowspan="19" | June 2006 | style="white-space: nowrap;" rowspan="19" | Golden Age | style="text-align: center;" rowspan="19" | 12 | style="padding-right: 12px;" | Helen of Troy | style="text-align: center;" | 1956 | style="padding-right: 12px;" | Max Steiner | style="text-align: center;" rowspan="19" | |
| style="padding-right: 12px;" | A Summer Place
| style="text-align: center;" | 1959 | style="padding-right: 12px;" | Max Steiner |
| style="padding-right: 12px;" | The Miracle
| style="text-align: center;" | 1959 | style="padding-right: 12px;" | Elmer Bernstein |
| style="padding-right: 12px;" | Toccata for Toy Trains
| style="text-align: center;" | 1957 | style="padding-right: 12px;" | Elmer Bernstein |
| style="padding-right: 12px;" | To Kill a Mockingbird
| style="text-align: center;" | 1962 | style="padding-right: 12px;" | Elmer Bernstein |
| style="padding-right: 12px;" | The Silver Chalice
| style="text-align: center;" | 1954 | style="padding-right: 12px;" | Franz Waxman |
| style="padding-right: 12px;" | The Ghost and Mrs. Muir
| style="text-align: center;" | 1947 | style="padding-right: 12px;" | Bernard Herrmann |
| style="padding-right: 12px;" | Young Bess
| style="text-align: center;" | 1953 | style="padding-right: 12px;" | Miklós Rózsa |
| style="padding-right: 12px;" | Wuthering Heights
| style="text-align: center;" | 1939 | style="padding-right: 12px;" | Alfred Newman |
| style="padding-right: 12px;" | The Thief of Bagdad
| style="text-align: center;" | 1940 | style="padding-right: 12px;" | Miklós Rózsa |
| style="padding-right: 12px;" | Viva Zapata!
| style="text-align: center;" | 1952 | style="padding-right: 12px;" | Alex North |
| style="padding-right: 12px;" | Death of a Salesman
| style="text-align: center;" | 1951 | style="padding-right: 12px;" | Alex North |
| style="padding-right: 12px;" | Torn Curtain
| style="text-align: center;" | 1966 | style="padding-right: 12px;" | Bernard Herrmann |
| style="padding-right: 12px;" | Madame Bovary
| style="text-align: center;" | 1949 | style="padding-right: 12px;" | Miklós Rózsa |
| style="padding-right: 12px;" | Land of the Pharaohs
| style="text-align: center;" | 1955 | style="padding-right: 12px;" | Dimitri Tiomkin |
| style="padding-right: 12px;" | Gunfight at the O.K. Corral
| style="text-align: center;" | 1957 | style="padding-right: 12px;" | Dimitri Tiomkin |
| style="padding-right: 12px;" | The High and the Mighty
| style="text-align: center;" | 1954 | style="padding-right: 12px;" | Dimitri Tiomkin |
| style="padding-right: 12px;" | Search for Paradise
| style="text-align: center;" | 1957 | style="padding-right: 12px;" | Dimitri Tiomkin |
| style="padding-right: 12px;" | Kings of the Sun
| style="text-align: center;" | 1963 | style="padding-right: 12px;" | Elmer Bernstein |
| style="white-space: nowrap;" rowspan="2" | 137
| style="white-space: nowrap;" rowspan="2" | Vol. 9, No. 9 | style="white-space: nowrap;" rowspan="2" | July 2006 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Diamond Head | style="text-align: center;" | 1963 | style="padding-right: 12px;" | John Williams | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Gone with the Wave
| style="text-align: center;" | 1964 | style="padding-right: 12px;" | Lalo Schifrin |
| style="white-space: nowrap;" | 138
| style="white-space: nowrap;" | Vol. 9, No. 10 | style="white-space: nowrap;" | July 2006 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | CHiPs Season 2 1978–79 | style="text-align: center;" | 1978–79 | style="padding-right: 12px;" | Alan Silvestri & Bruce Broughton & John Carl Parker (original theme) | style="text-align: center;" | |
| style="white-space: nowrap;" | 139
| style="white-space: nowrap;" | Vol. 9, No. 11 | style="white-space: nowrap;" | August 2006 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | 7 Faces of Dr. Lao | style="text-align: center;" | 1964 | style="padding-right: 12px;" | Leigh Harline | style="text-align: center;" | |
| style="white-space: nowrap;" | 140
| style="white-space: nowrap;" | Vol. 9, No. 12 | style="white-space: nowrap;" | September 2006 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Life and Times of Judge Roy Bean | style="text-align: center;" | 1972 | style="padding-right: 12px;" | Maurice Jarre | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 141
| style="white-space: nowrap;" rowspan="2" | Vol. 9, No. 13 | style="white-space: nowrap;" rowspan="2" | October 2006 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Random Harvest | style="text-align: center;" | 1942 | style="padding-right: 12px;" | Herbert Stothart | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | The Yearling
| style="text-align: center;" | 1946 | style="padding-right: 12px;" | Herbert Stothart |
| style="white-space: nowrap;" | 142
| style="white-space: nowrap;" | Vol. 9, No. 14 | style="white-space: nowrap;" | October 2006 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Guns for San Sebastian | style="text-align: center;" | 1968 | style="padding-right: 12px;" | Ennio Morricone | style="text-align: center;" | |
| style="white-space: nowrap;" | 143
| style="white-space: nowrap;" | Vol. 9, No. 15 | style="white-space: nowrap;" | November 2006 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Dead Ringer | style="text-align: center;" | 1964 | style="padding-right: 12px;" | André Previn | style="text-align: center;" | |
| style="white-space: nowrap;" | 144
| style="white-space: nowrap;" | Vol. 9, No. 16 | style="white-space: nowrap;" | November 2006 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Liquidator | style="text-align: center;" | 1966 | style="padding-right: 12px;" | Lalo Schifrin | style="text-align: center;" | |
| style="white-space: nowrap;" | 145
| style="white-space: nowrap;" | Vol. 9, No. 17 | style="white-space: nowrap;" | December 2006 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 2 | style="padding-right: 12px;" | Tom and Jerry and Tex Avery Too! | style="text-align: center;" | 1952–58 | style="padding-right: 12px;" | Scott Bradley | style="text-align: center;" | |
| style="white-space: nowrap;" | 146
| style="white-space: nowrap;" | Vol. 9, No. 18 | style="white-space: nowrap;" | December 2006 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Spy with My Face: The Man From U.N.C.L.E. Movies | style="text-align: center;" | 1964–68 | style="padding-right: 12px;" | Jerry Goldsmith & various | style="text-align: center;" | |
| style="white-space: nowrap;" | 147
| style="white-space: nowrap;" | Vol. 9, No. 19 | style="white-space: nowrap;" | January 2007 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 2 | style="padding-right: 12px;" | Raintree County | style="text-align: center;" | 1957 | style="padding-right: 12px;" | Johnny Green | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="3" | 148
| style="white-space: nowrap;" rowspan="3" | Vol. 9, No. 20 | style="white-space: nowrap;" rowspan="3" | January 2007 | style="white-space: nowrap;" rowspan="3" | Silver Age | style="text-align: center;" rowspan="3" | 1 | style="padding-right: 12px;" | The Last Run | style="text-align: center;" | 1971 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" rowspan="3" | |
| style="padding-right: 12px;" | Crosscurrent
| style="text-align: center;" | 1971 | style="padding-right: 12px;" | Jerry Goldsmith |
| style="padding-right: 12px;" | The Scorpio Letters
| style="text-align: center;" | 1967 | style="padding-right: 12px;" | Dave Grusin |
| style="white-space: nowrap;" | 149
| style="white-space: nowrap;" | Vol. 10, No. 1 | style="white-space: nowrap;" | March 2007 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Some Came Running | style="text-align: center;" | 1958 | style="padding-right: 12px;" | Elmer Bernstein | style="text-align: center;" | |
| style="white-space: nowrap;" | 150
| style="white-space: nowrap;" | Vol. 10, No. 2 | style="white-space: nowrap;" | March 2007 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Wrath of God | style="text-align: center;" | 1972 | style="padding-right: 12px;" | Lalo Schifrin | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 151
| style="white-space: nowrap;" rowspan="2" | Vol. 10, No. 3 | style="white-space: nowrap;" rowspan="2" | April 2007 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | The Long, Long Trailer | style="text-align: center;" | 1954 | style="padding-right: 12px;" | Adolph Deutsch | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Forever, Darling
| style="text-align: center;" | 1956 | style="padding-right: 12px;" | Bronislau Kaper |
| style="white-space: nowrap;" rowspan="2" | 152
| style="white-space: nowrap;" rowspan="2" | Vol. 10, No. 4 | style="white-space: nowrap;" rowspan="2" | April 2007 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Damn the Defiant! | style="text-align: center;" | 1962 | style="padding-right: 12px;" | Clifton Parker | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Behold a Pale Horse
| style="text-align: center;" | 1964 | style="padding-right: 12px;" | Maurice Jarre |
| style="white-space: nowrap;" | 153
| style="white-space: nowrap;" | Vol. 10, No. 5 | style="white-space: nowrap;" | May 2007 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Dirty Dozen | style="text-align: center;" | 1967 | style="padding-right: 12px;" | Frank DeVol | style="text-align: center;" | |
| style="white-space: nowrap;" | 154
| style="white-space: nowrap;" | Vol. 10, No. 6 | style="white-space: nowrap;" | May 2007 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Satan Bug (Archival Edition) | style="text-align: center;" | 1965 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" | |
| style="white-space: nowrap;" | 155
| style="white-space: nowrap;" | Vol. 10, No. 7 | style="white-space: nowrap;" | June 2007 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Wait Until Dark | style="text-align: center;" | 1967 | style="padding-right: 12px;" | Henry Mancini | style="text-align: center;" | |
| style="white-space: nowrap;" | 156
| style="white-space: nowrap;" | FSM-80126-2 | style="white-space: nowrap;" | June 2007 | style="white-space: nowrap;" | Retrograde | style="text-align: center;" | 1 | style="padding-right: 12px;" | A Man Called Adam | style="text-align: center;" | 1966 | style="padding-right: 12px;" | Benny Carter | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 157
| style="white-space: nowrap;" rowspan="2" | Vol. 10, No. 8 | style="white-space: nowrap;" rowspan="2" | July 2007 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | The Bridge at Remagen | style="text-align: center;" | 1969 | style="padding-right: 12px;" | Elmer Bernstein | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | The Train
| style="text-align: center;" | 1964 | style="padding-right: 12px;" | Maurice Jarre |
| style="white-space: nowrap;" rowspan="2" | 158
| style="white-space: nowrap;" rowspan="2" | Vol. 10, No. 9 | style="white-space: nowrap;" rowspan="2" | July 2007 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Ride, Vaquero! | style="text-align: center;" | 1953 | style="padding-right: 12px;" | Bronislau Kaper | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | The Outriders
| style="text-align: center;" | 1950 | style="padding-right: 12px;" | André Previn |
| style="white-space: nowrap;" rowspan="5" | 159
| style="white-space: nowrap;" rowspan="5" | Vol. 10, No. 10 | style="white-space: nowrap;" rowspan="5" | September 2007 | style="white-space: nowrap;" rowspan="5" | Golden / Silver | style="text-align: center;" rowspan="5" | 3 | style="padding-right: 12px;" | The Unforgiven | style="text-align: center;" | 1960 | style="padding-right: 12px;" | Dimitri Tiomkin | style="text-align: center;" rowspan="5" | yes |
| style="padding-right: 12px;" | Cast a Long Shadow
| style="text-align: center;" | 1959 | style="padding-right: 12px;" | Gerald Fried |
| style="padding-right: 12px;" | The Horse Soldiers
| style="text-align: center;" | 1959 | style="padding-right: 12px;" | David Buttolph |
| style="padding-right: 12px;" | Invitation to a Gunfighter
| style="text-align: center;" | 1964 | style="padding-right: 12px;" | David Raksin |
| style="padding-right: 12px;" | Guns of the Magnificent Seven
| style="text-align: center;" | 1969 | style="padding-right: 12px;" | Elmer Bernstein |
| style="white-space: nowrap;" | 160
| style="white-space: nowrap;" | Vol. 10, No. 11 | style="white-space: nowrap;" | October 2007 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 2 | style="padding-right: 12px;" | The Silver Chalice | style="text-align: center;" | 1954 | style="padding-right: 12px;" | Franz Waxman | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 161
| style="white-space: nowrap;" rowspan="2" | Vol. 10, No. 12 | style="white-space: nowrap;" rowspan="2" | October 2007 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Hotel | style="text-align: center;" | 1967 | style="padding-right: 12px;" | Johnny Keating | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Kaleidoscope
| style="text-align: center;" | 1966 | style="padding-right: 12px;" | Stanley Myers |
| style="white-space: nowrap;" rowspan="2" | 162
| style="white-space: nowrap;" rowspan="2" | Vol. 10, No. 13 | style="white-space: nowrap;" rowspan="2" | November 2007 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Sex and the Single Girl | style="text-align: center;" | 1964 | style="padding-right: 12px;" | Neal Hefti | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | The Chapman Report
| style="text-align: center;" | 1962 | style="padding-right: 12px;" | Leonard Rosenman |
| style="white-space: nowrap;" | 163
| style="white-space: nowrap;" | Vol. 10, No. 14 | style="white-space: nowrap;" | November 2007 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Navajo Joe | style="text-align: center;" | 1966 | style="padding-right: 12px;" | Ennio Morricone | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 164
| style="white-space: nowrap;" rowspan="2" | Vol. 10, No. 15 | style="white-space: nowrap;" rowspan="2" | December 2007 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 2 | style="padding-right: 12px;" | Kings Row | style="text-align: center;" | 1942 | style="padding-right: 12px;" | Erich Wolfgang Korngold | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | The Sea Wolf
| style="text-align: center;" | 1941 | style="padding-right: 12px;" | Erich Wolfgang Korngold |
| style="white-space: nowrap;" rowspan="2" | 165
| style="white-space: nowrap;" rowspan="2" | Vol. 10, No. 16 | style="white-space: nowrap;" rowspan="2" | December 2007 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Klute | style="text-align: center;" | 1971 | style="padding-right: 12px;" | Michael Small | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | All the President's Men
| style="text-align: center;" | 1976 | style="padding-right: 12px;" | David Shire |
| style="white-space: nowrap;" | 166
| style="white-space: nowrap;" | Vol. 10, No. 17 | style="white-space: nowrap;" | January 2008 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 2 | style="padding-right: 12px;" | Land of the Pharaohs | style="text-align: center;" | 1955 | style="padding-right: 12px;" | Dimitri Tiomkin | style="text-align: center;" | |
| style="white-space: nowrap;" | 167
| style="white-space: nowrap;" | Vol. 10, No. 18 | style="white-space: nowrap;" | January 2008 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Dark of the Sun | style="text-align: center;" | 1968 | style="padding-right: 12px;" | Jacques Loussier | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="6" | 168
| style="white-space: nowrap;" rowspan="6" | FSM Box 2 | style="white-space: nowrap;" rowspan="6" | February 2008 | style="white-space: nowrap;" rowspan="6" | Silver Age | style="text-align: center;" rowspan="6" | 8 | style="padding-right: 12px;" | Superman | style="text-align: center;" | 1978 | style="padding-right: 12px;" | John Williams | style="text-align: center;" rowspan="6" | |
| style="padding-right: 12px;" | Superman II
| style="text-align: center;" | 1980 | style="padding-right: 12px;" | Ken Thorne |
| style="padding-right: 12px;" | Superman III
| style="text-align: center;" | 1983 | style="padding-right: 12px;" | Ken Thorne |
| style="padding-right: 12px;" | Superman IV: The Quest for Peace
| style="text-align: center;" | 1987 | style="padding-right: 12px;" | Alexander Courage & John Williams |
| style="padding-right: 12px;" | Superman Animated Ruby Spears
| style="text-align: center;" | 1988 | style="padding-right: 12px;" | Ron Jones |
| style="padding-right: 12px;" | Extra!
| style="text-align: center;" | 1978–87 | style="padding-right: 12px;" | Various Artists |
| style="white-space: nowrap;" | 169
| style="white-space: nowrap;" | Vol. 11, No. 1 | style="white-space: nowrap;" | March 2008 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Eye of the Devil | style="text-align: center;" | 1966 | style="padding-right: 12px;" | Gary McFarland | style="text-align: center;" | |
| style="white-space: nowrap;" | 170
| style="white-space: nowrap;" | Vol. 11, No. 2 | style="white-space: nowrap;" | March 2008 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Heavy Metal | style="text-align: center;" | 1981 | style="padding-right: 12px;" | Elmer Bernstein | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 171
| style="white-space: nowrap;" rowspan="2" | Vol. 11, No. 3 | style="white-space: nowrap;" rowspan="2" | May 2008 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | The Wreck of the Mary Deare | style="text-align: center;" | 1959 | style="padding-right: 12px;" | George Duning | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Twilight of Honor
| style="text-align: center;" | 1963 | style="padding-right: 12px;" | John Green |
| style="white-space: nowrap;" | 172
| style="white-space: nowrap;" | Vol. 11, No. 4 | style="white-space: nowrap;" | May 2008 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Under Fire | style="text-align: center;" | 1983 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" | |
| style="white-space: nowrap;" | 173
| style="white-space: nowrap;" | Vol. 11, No. 5 | style="white-space: nowrap;" | May 2008 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Ice Pirates | style="text-align: center;" | 1984 | style="padding-right: 12px;" | Bruce Broughton | style="text-align: center;" | |
| style="white-space: nowrap;" | 174
| style="white-space: nowrap;" | Vol. 11, No. 6 | style="white-space: nowrap;" | May 2008 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Accidental Tourist | style="text-align: center;" | 1988 | style="padding-right: 12px;" | John Williams | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="5" | 175
| style="white-space: nowrap;" rowspan="5" | Vol. 11, No. 7 | style="white-space: nowrap;" rowspan="5" | July 2008 | style="white-space: nowrap;" rowspan="5" | Golden Age | style="text-align: center;" rowspan="5" | 3 | style="padding-right: 12px;" | The Naked Spur | style="text-align: center;" | 1953 | style="padding-right: 12px;" | Bronislau Kaper | style="text-align: center;" rowspan="5" | yes |
| style="padding-right: 12px;" | The Wild North
| style="text-align: center;" | 1952 | style="padding-right: 12px;" | Bronislau Kaper |
| style="padding-right: 12px;" | The Last Hunt
| style="text-align: center;" | 1956 | style="padding-right: 12px;" | Daniele Amfitheatrof |
| style="padding-right: 12px;" | Devil's Doorway
| style="text-align: center;" | 1950 | style="padding-right: 12px;" | Daniele Amfitheatrof |
| style="padding-right: 12px;" | Escape from Fort Bravo
| style="text-align: center;" | 1953 | style="padding-right: 12px;" | Jeff Alexander |
| style="white-space: nowrap;" | 176
| style="white-space: nowrap;" | FSM Box 3 | style="white-space: nowrap;" | August 2008 | style="white-space: nowrap;" | | style="text-align: center;" | 12 | style="padding-right: 12px;" | The MGM Soundtrack Treasury | style="text-align: center;" | var. | style="padding-right: 12px;" | Various | style="text-align: center;" | yes |
| style="white-space: nowrap;" | 177
| style="white-space: nowrap;" | Vol. 11, No. 8 | style="white-space: nowrap;" | September 2008 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 3 | style="padding-right: 12px;" | Shaft Anthology: His Big Score and More | style="text-align: center;" | 1971–74 | style="padding-right: 12px;" | Isaac Hayes | style="text-align: center;" | |
| style="white-space: nowrap;" | 178
| style="white-space: nowrap;" | Vol. 11, No. 9 | style="white-space: nowrap;" | October 2008 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Grand Prix | style="text-align: center;" | 1966 | style="padding-right: 12px;" | Maurice Jarre | style="text-align: center;" | |
| style="white-space: nowrap;" | 179
| style="white-space: nowrap;" | Vol. 11, No. 10 | style="white-space: nowrap;" | October 2008 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | CHiPs Vol. 2: Season Three | style="text-align: center;" | 1979–80 | style="padding-right: 12px;" | Alan Silvestri | style="text-align: center;" | |
| style="white-space: nowrap;" | 180
| style="white-space: nowrap;" | FSM80127 | style="white-space: nowrap;" | October 2008 | style="white-space: nowrap;" | Retrograde | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Omega Man 2.0 Unlimited | style="text-align: center;" | 1971 | style="padding-right: 12px;" | Ron Grainer | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 181
| style="white-space: nowrap;" rowspan="2" | Vol. 11, No. 11 | style="white-space: nowrap;" rowspan="2" | December 2008 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Auntie Mame | style="text-align: center;" | 1958 | style="padding-right: 12px;" | Bronislau Kaper | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Rome Adventure
| style="text-align: center;" | 1961 | style="padding-right: 12px;" | Max Steiner |
| style="white-space: nowrap;" rowspan="2" | 182
| style="white-space: nowrap;" rowspan="2" | Vol. 11, No. 12 | style="white-space: nowrap;" rowspan="2" | December 2008 | style="white-space: nowrap;" rowspan="2" | Golden Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | John Paul Jones | style="text-align: center;" | 1959 | style="padding-right: 12px;" | Max Steiner | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Parrish
| style="text-align: center;" | 1961 | style="padding-right: 12px;" | Max Steiner |
| style="white-space: nowrap;" | 183
| style="white-space: nowrap;" | Vol. 12, No. 1 | style="white-space: nowrap;" | December 2008 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Maurice Jarre: Concert Works | style="text-align: center;" | 1951–61 | style="padding-right: 12px;" | Maurice Jarre | style="text-align: center;" | |
| style="white-space: nowrap;" | 184
| style="white-space: nowrap;" | Vol. 12, No. 2 | style="white-space: nowrap;" | February 2009 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 5 | style="padding-right: 12px;" | David Raksin at M-G-M | style="text-align: center;" | 1950–57 | style="padding-right: 12px;" | David Raksin | style="text-align: center;" | |
| style="white-space: nowrap;" | 185
| style="white-space: nowrap;" | Vol. 12, No. 3 | style="white-space: nowrap;" | January 2009 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Time After Time | style="text-align: center;" | 1979 | style="padding-right: 12px;" | Miklós Rózsa | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="3" | 186
| style="white-space: nowrap;" rowspan="3" | Vol. 12, No. 4 | style="white-space: nowrap;" rowspan="3" | February 2009 | style="white-space: nowrap;" rowspan="3" | Silver Age | style="text-align: center;" rowspan="3" | 3 | style="padding-right: 12px;" | The Americanization of Emily | style="text-align: center;" | 1963 | style="padding-right: 12px;" | Johnny Mandel | style="text-align: center;" rowspan="3" | |
| style="padding-right: 12px;" | The Sandpiper
| style="text-align: center;" | 1964 | style="padding-right: 12px;" | Johnny Mandel |
| style="padding-right: 12px;" | Drums of Africa
| style="text-align: center;" | 1965 | style="padding-right: 12px;" | Johnny Mandel |
| style="white-space: nowrap;" | 187
| style="white-space: nowrap;" | Vol. 12, No. 5 | style="white-space: nowrap;" | April 2009 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 2 | style="padding-right: 12px;" | Inside Daisy Clover | style="text-align: center;" | 1965 | style="padding-right: 12px;" | André Previn | style="text-align: center;" | |
| style="white-space: nowrap;" | 188
| style="white-space: nowrap;" | Vol. 12, No. 6 | style="white-space: nowrap;" | April 2009 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 3 | style="padding-right: 12px;" | Dr. Kildare | style="text-align: center;" | 1961–66 | style="padding-right: 12px;" | Morton Stevens, Jerry Goldsmith, Lalo Schifrin & Harry Sukman | style="text-align: center;" | |
| style="white-space: nowrap;" | 189
| style="white-space: nowrap;" | Vol. 12, No. 7 | style="white-space: nowrap;" | April 2009 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Twilight Zone: The Movie | style="text-align: center;" | 1983 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" | |
| style="white-space: nowrap;" | 190
| style="white-space: nowrap;" | Vol. 12, No. 8 | style="white-space: nowrap;" | May 2009 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Captain Nemo and the Underwater City | style="text-align: center;" | 1969 | style="padding-right: 12px;" | Angela Morley | style="text-align: center;" | yes |
| style="white-space: nowrap;" | 191
| style="white-space: nowrap;" | Vol. 12, No. 9 | style="white-space: nowrap;" | May 2009 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Heart Is a Lonely Hunter | style="text-align: center;" | 1968 | style="padding-right: 12px;" | Dave Grusin | style="text-align: center;" | |
| style="white-space: nowrap;" | 192
| style="white-space: nowrap;" | Vol. 12, No. 10 | style="white-space: nowrap;" | May 2009 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Thief Who Came to Dinner | style="text-align: center;" | 1973 | style="padding-right: 12px;" | Henry Mancini | style="text-align: center;" | |
| style="white-space: nowrap;" | 193
| style="white-space: nowrap;" | Vol. 12, No. 11 | style="white-space: nowrap;" | May 2009 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Whose Life Is It, Anyway? | style="text-align: center;" | 1981 | style="padding-right: 12px;" | Arthur B. Rubinstein | style="text-align: center;" | |
| style="white-space: nowrap;" | 194
| style="white-space: nowrap;" | Vol. 12, No. 12 | style="white-space: nowrap;" | June 2009 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | None but the Brave | style="text-align: center;" | 1965 | style="padding-right: 12px;" | John Williams | style="text-align: center;" | |
| style="white-space: nowrap;" | 195
| style="white-space: nowrap;" | Vol. 12, No. 13 | style="white-space: nowrap;" | June 2009 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Split | style="text-align: center;" | 1968 | style="padding-right: 12px;" | Quincy Jones | style="text-align: center;" | |
| style="white-space: nowrap;" | 196
| style="white-space: nowrap;" | Vol. 12, No. 14 | style="white-space: nowrap;" | July 2009 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Cain's Hundred | style="text-align: center;" | 1961 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" | |
| style="white-space: nowrap;" | 197
| style="white-space: nowrap;" | FSM-80128-2 | style="white-space: nowrap;" | July 2009 | style="white-space: nowrap;" | Retrograde | style="text-align: center;" | 1 | style="padding-right: 12px;" | Star Trek II: The Wrath of Khan | style="text-align: center;" | 1982 | style="padding-right: 12px;" | James Horner | style="text-align: center;" | |
| style="white-space: nowrap;" | 198
| style="white-space: nowrap;" | Vol. 12, No. 15 | style="white-space: nowrap;" | October 2009 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Jeremiah Johnson | style="text-align: center;" | 1972 | style="padding-right: 12px;" | Tim McIntire & John Rubinstein | style="text-align: center;" | |
| style="white-space: nowrap;" | 199
| style="white-space: nowrap;" | Vol. 12, No. 16 | style="white-space: nowrap;" | October 2009 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Five Man Army | style="text-align: center;" | 1969 | style="padding-right: 12px;" | Ennio Morricone | style="text-align: center;" | |
| style="white-space: nowrap;" | 200
| style="white-space: nowrap;" | FSM Box 4 | style="white-space: nowrap;" | November 2009 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 15 | style="padding-right: 12px;" | Miklós Rózsa Treasury | style="text-align: center;" | 1949–68 | style="padding-right: 12px;" | Miklós Rózsa | style="text-align: center;" | yes |
| style="white-space: nowrap;" | 201
| style="white-space: nowrap;" | Vol. 12, No. 17 | style="white-space: nowrap;" | November 2009 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Bullitt | style="text-align: center;" | 1968 | style="padding-right: 12px;" | Lalo Schifrin | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="4" | 202
| style="white-space: nowrap;" rowspan="4" | Vol. 12, No. 18 | style="white-space: nowrap;" rowspan="4" | December 2009 | style="white-space: nowrap;" rowspan="4" | Golden Age | style="text-align: center;" rowspan="4" | 3 | style="padding-right: 12px;" | Northwest Passage (Book I – Rogers' Rangers) | style="text-align: center;" | 1940 | style="padding-right: 12px;" | Herbert Stothart | style="text-align: center;" rowspan="4" | |
| style="padding-right: 12px;" | Many Rivers to Cross
| style="text-align: center;" | 1955 | style="padding-right: 12px;" | Cyril Mockridge |
| style="padding-right: 12px;" | A Thunder of Drums
| style="text-align: center;" | 1971 | style="padding-right: 12px;" | Harry Sukman |
| style="padding-right: 12px;" | The Godchild
| style="text-align: center;" | 1974 | style="padding-right: 12px;" | David Shire |
| style="white-space: nowrap;" | 203
| style="white-space: nowrap;" | Vol. 12, No. 19 | style="white-space: nowrap;" | January 2010 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Black Sunday | style="text-align: center;" | 1977 | style="padding-right: 12px;" | John Williams | style="text-align: center;" | |
| style="white-space: nowrap;" | 204
| style="white-space: nowrap;" | Vol. 12, No. 20 | style="white-space: nowrap;" | January 2010 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Islands in the Stream | style="text-align: center;" | 1976 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" | |
| style="white-space: nowrap;" | 205
| style="white-space: nowrap;" | Vol. 13, No. 1 | style="white-space: nowrap;" | January 2010 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Prophecy | style="text-align: center;" | 1979 | style="padding-right: 12px;" | Leonard Rosenman | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="6" | 206
| style="white-space: nowrap;" rowspan="6" | Vol. 13, No. 2 | style="white-space: nowrap;" rowspan="6" | February 2010 | style="white-space: nowrap;" rowspan="6" | Silver Age | style="text-align: center;" rowspan="6" | 1 | style="padding-right: 12px;" | Rhino! | style="text-align: center;" | 1964 | style="padding-right: 12px;" | Lalo Schifrin | style="text-align: center;" rowspan="6" | |
| style="padding-right: 12px;" | Once a Thief
| style="text-align: center;" | 1965 | style="padding-right: 12px;" | Lalo Schifrin |
| style="padding-right: 12px;" | The Cincinnati Kid
| style="text-align: center;" | 1965 | style="padding-right: 12px;" | Lalo Schifrin |
| style="padding-right: 12px;" | The Venetian Affair
| style="text-align: center;" | 1967 | style="padding-right: 12px;" | Lalo Schifrin |
| style="padding-right: 12px;" | Sol Madrid
| style="text-align: center;" | 1968 | style="padding-right: 12px;" | Lalo Schifrin |
| style="padding-right: 12px;" | Lalo Schifrin at MGM
| style="text-align: center;" | ? | style="padding-right: 12px;" | Lalo Schifrin |
| style="white-space: nowrap;" | 207
| style="white-space: nowrap;" | Vol. 13, No. 3 | style="white-space: nowrap;" | March 2010 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | White Dog | style="text-align: center;" | 1982 | style="padding-right: 12px;" | Ennio Morricone | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 208
| style="white-space: nowrap;" rowspan="2" | Vol. 13, No. 4 | style="white-space: nowrap;" rowspan="2" | March 2010 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 2 | style="padding-right: 12px;" | The Wonderful World of the Brothers Grimm | style="text-align: center;" | 1962 | style="padding-right: 12px;" | Leigh Harline & Bob Merrill | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | The Honeymoon Machine
| style="text-align: center;" | 1961 | style="padding-right: 12px;" | Leigh Harline |
| style="white-space: nowrap;" rowspan="2" | 209
| style="white-space: nowrap;" rowspan="2" | Vol. 13, No. 5 | style="white-space: nowrap;" rowspan="2" | April 2010 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Marathon Man | style="text-align: center;" | 1976 | style="padding-right: 12px;" | Michael Small | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | The Parallax View
| style="text-align: center;" | 1974 | style="padding-right: 12px;" | Michael Small |
| style="white-space: nowrap;" rowspan="2" | 210
| style="white-space: nowrap;" rowspan="2" | Vol. 13, No. 6 | style="white-space: nowrap;" rowspan="2" | April 2010 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 2 | style="padding-right: 12px;" | Cleopatra Jones | style="text-align: center;" | 1973 | style="padding-right: 12px;" | J.J. Johnson & Joe Simon | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Cleopatra Jones and the Casino of Gold
| style="text-align: center;" | 1975 | style="padding-right: 12px;" | Dominic Frontiere |
| style="white-space: nowrap;" | 211
| style="white-space: nowrap;" | FSM-80129-2 | style="white-space: nowrap;" | May 2010 | style="white-space: nowrap;" | Retrograde | style="text-align: center;" | 2 | style="padding-right: 12px;" | Star Trek III: The Search for Spock | style="text-align: center;" | 1984 | style="padding-right: 12px;" | James Horner | style="text-align: center;" | |
| style="white-space: nowrap;" | 212
| style="white-space: nowrap;" | Vol. 13, No. 7 | style="white-space: nowrap;" | June 2010 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Tootsie | style="text-align: center;" | 1982 | style="padding-right: 12px;" | David Grusin | style="text-align: center;" | |
| style="white-space: nowrap;" | 213
| style="white-space: nowrap;" | Vol. 13, No. 8 | style="white-space: nowrap;" | June 2010 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 2 | style="padding-right: 12px;" | Outland | style="text-align: center;" | 1981 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="6" | 214
| style="white-space: nowrap;" rowspan="6" | Vol. 13, No. 9 | style="white-space: nowrap;" rowspan="6" | July 2010 | style="white-space: nowrap;" rowspan="6" | Golden / Silver | style="text-align: center;" rowspan="6" | 3 | style="padding-right: 12px;" | The Power and the Prize | style="text-align: center;" | 1956 | style="padding-right: 12px;" | Bronislau Kaper | style="text-align: center;" rowspan="6" | |
| style="padding-right: 12px;" | Her Twelve Men
| style="text-align: center;" | 1954 | style="padding-right: 12px;" | Bronislau Kaper |
| style="padding-right: 12px;" | Somebody Up There Likes Me
| style="text-align: center;" | 1956 | style="padding-right: 12px;" | Bronislau Kaper |
| style="padding-right: 12px;" | Ada
| style="text-align: center;" | 1961 | style="padding-right: 12px;" | Bronislau Kaper |
| style="padding-right: 12px;" | Two Loves
| style="text-align: center;" | 1961 | style="padding-right: 12px;" | Bronislau Kaper |
| style="padding-right: 12px;" | BUtterfield 8
| style="text-align: center;" | 1960 | style="padding-right: 12px;" | Bronislau Kaper |
| style="white-space: nowrap;" | 215
| style="white-space: nowrap;" | Vol. 13, No. 10 | style="white-space: nowrap;" | 2010 | style="white-space: nowrap;" | Golden Age Classics | style="text-align: center;" | 2 | style="padding-right: 12px;" | Dragon Seed | style="text-align: center;" | 1944 | style="padding-right: 12px;" | Herbert Stothart | style="text-align: center;" | |
| style="white-space: nowrap;" | 216
| style="white-space: nowrap;" | Vol. 13, No. 11 | style="white-space: nowrap;" | August 2010 | style="white-space: nowrap;" | Silver Age Classics | style="text-align: center;" | 1 | style="padding-right: 12px;" | Hunters Are for Killing | style="text-align: center;" | 1970 | style="padding-right: 12px;" | Jerry Fielding | style="text-align: center;" | |
| style="white-space: nowrap;" | 217
| style="white-space: nowrap;" | Vol. 13, No. 12 | style="white-space: nowrap;" | August 2010 | style="white-space: nowrap;" | Silver Age Classics | style="text-align: center;" | 1 | style="padding-right: 12px;" | CHiPs, Volume 3, Season 4 | style="text-align: center;" | 1980–81 | style="padding-right: 12px;" | Alan Silvestri & John Carl Parker (original theme) | style="text-align: center;" | |
| style="white-space: nowrap;" | 218
| style="white-space: nowrap;" | Vol. 13, No. 13 | style="white-space: nowrap;" | August 2010 | style="white-space: nowrap;" | Silver Age Classics | style="text-align: center;" | 5 | style="padding-right: 12px;" | TV Omnibus: Volume One (1962–1976) | style="text-align: center;" | 1962–76 | style="padding-right: 12px;" | various composers | style="text-align: center;" | |
| style="white-space: nowrap;" | 219
| style="white-space: nowrap;" | FSM Box 5 | style="white-space: nowrap;" | October 2010 | style="white-space: nowrap;" | Silver Age Classics | style="text-align: center;" | 14 | style="padding-right: 12px;" | Star Trek: The Next Generation | style="text-align: center;" | 1987–91 | style="padding-right: 12px;" | Ron Jones (41 of his 42 efforts) | style="text-align: center;" | |
| style="white-space: nowrap;" | 220
| style="white-space: nowrap;" | Vol. 13, No. 14 | style="white-space: nowrap;" | October 2010 | style="white-space: nowrap;" | Silver Age Classics | style="text-align: center;" | 1 | style="padding-right: 12px;" | Hawaii Five-O | style="text-align: center;" | 1968 | style="padding-right: 12px;" | Morton Stevens | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 221
| style="white-space: nowrap;" rowspan="2" | Vol. 13, No. 15 | style="white-space: nowrap;" rowspan="2" | November 2010 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Kung-Fu | style="text-align: center;" | 1973 | style="padding-right: 12px;" | Jim Helms | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Man in the Wilderness
| style="text-align: center;" | 1971 | style="padding-right: 12px;" | Johnny Harris |
| style="white-space: nowrap;" | 222
| style="white-space: nowrap;" | Vol. 13, No. 16 | style="white-space: nowrap;" | November 2010 | style="white-space: nowrap;" | Golden Age Classics | style="text-align: center;" | 3 | style="padding-right: 12px;" | The 5,000 Fingers of Dr. T | style="text-align: center;" | 1953 | style="padding-right: 12px;" | Frederick Hollander | style="text-align: center;" | |
| style="white-space: nowrap;" | 223
| style="white-space: nowrap;" | Vol. 13, No. 17 | style="white-space: nowrap;" | November 15, 2010 | style="white-space: nowrap;" | Silver Age Classics | style="text-align: center;" | 1 | style="padding-right: 12px;" | North Dallas Forty | style="text-align: center;" | 1979 | style="padding-right: 12px;" | John Scott | style="text-align: center;" | |
| style="white-space: nowrap;" | 224
| style="white-space: nowrap;" | Vol. 13, No. 18 | style="white-space: nowrap;" | December 2010 | style="white-space: nowrap;" | Silver Age Classics | style="text-align: center;" | 2 | style="padding-right: 12px;" | Poltergeist | style="text-align: center;" | 1982 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" | |
| style="white-space: nowrap;" | 225
| style="white-space: nowrap;" | Vol. 13, No. 19 | style="white-space: nowrap;" | December 2010 | style="white-space: nowrap;" | Silver Age Classics | style="text-align: center;" | 1 | style="padding-right: 12px;" | A Man Called Horse | style="text-align: center;" | 1970 | style="padding-right: 12px;" | Leonard Rosenman | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="7" | 226
| style="white-space: nowrap;" rowspan="7" | Vol. 13, No. 20 | style="white-space: nowrap;" rowspan="7" | January 2011 | style="white-space: nowrap;" rowspan="7" | Golden Age Classics | style="text-align: center;" rowspan="7" | 5 | style="padding-right: 12px;" | Lassie Come Home: The Canine Cinema Collection | style="text-align: center;" | 1943 | style="padding-right: 12px;" | Daniele Amfitheatrof | style="text-align: center;" rowspan="7" | |
| style="padding-right: 12px;" | Son of Lassie
| style="text-align: center;" | 1945 | style="padding-right: 12px;" | Herbert Stothart |
| style="padding-right: 12px;" | Courage of Lassie
| style="text-align: center;" | 1946 | style="padding-right: 12px;" | Bronislau Kaper & Scott Bradley |
| style="padding-right: 12px;" | The Sun Comes Up
| style="text-align: center;" | 1949 | style="padding-right: 12px;" | André Previn |
| style="padding-right: 12px;" | Challenge to Lassie
| style="text-align: center;" | 1949 | style="padding-right: 12px;" | André Previn |
| style="padding-right: 12px;" | The Painted Hills
| style="text-align: center;" | 1951 | style="padding-right: 12px;" | Daniele Amfitheatrof |
| style="padding-right: 12px;" | It's a Dog's Life
| style="text-align: center;" | 1955 | style="padding-right: 12px;" | Elmer Bernstein |
| style="white-space: nowrap;" | 227
| style="white-space: nowrap;" | Vol. 14, No. 1 | style="white-space: nowrap;" | January 2011 | style="white-space: nowrap;" | Silver Age Classics | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Big Bus | style="text-align: center;" | 1976 | style="padding-right: 12px;" | David Shire | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 228
| style="white-space: nowrap;" rowspan="2" | Vol. 14, No. 2 | style="white-space: nowrap;" rowspan="2" | February 2011 | style="white-space: nowrap;" rowspan="2" | Silver Age Classics | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Rich and Famous | style="text-align: center;" | 1981 | style="padding-right: 12px;" | Georges Delerue | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | One Is a Lonely Number
| style="text-align: center;" | 1972 | style="padding-right: 12px;" | Michel Legrand |
| style="white-space: nowrap;" | 229
| style="white-space: nowrap;" | Vol. 14, No. 3 | style="white-space: nowrap;" | February 2011 | style="white-space: nowrap;" | Silver Age Classics | style="text-align: center;" | 1 | style="padding-right: 12px;" | I Spy, Volume 2 – The LPs | style="text-align: center;" | 1966–68 | style="padding-right: 12px;" | Earle Hagen | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 230
| style="white-space: nowrap;" rowspan="2" | Vol. 14, No. 4 | style="white-space: nowrap;" rowspan="2" | March 2011 | style="white-space: nowrap;" rowspan="2" | Silver Age Classics | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Telefon | style="text-align: center;" | 1977 | style="padding-right: 12px;" | Lalo Schifrin | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Hide in Plain Sight
| style="text-align: center;" | 1980 | style="padding-right: 12px;" | Leonard Rosenman |
| style="white-space: nowrap;" | 231
| style="white-space: nowrap;" | Vol. 14, No. 5 | style="white-space: nowrap;" | March 2011 | style="white-space: nowrap;" | Silver Age Classics | style="text-align: center;" | 1 | style="padding-right: 12px;" | Robinson Crusoe on Mars | style="text-align: center;" | 1964 | style="padding-right: 12px;" | Nathan Van Cleave | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 232
| style="white-space: nowrap;" rowspan="2" | Vol. 14, No. 6 | style="white-space: nowrap;" rowspan="2" | March 2011 | style="white-space: nowrap;" rowspan="2" | Silver Age Classics | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | The Homecoming: A Christmas Story | style="text-align: center;" | 1971 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Rascals and Robbers
| style="text-align: center;" | 1982 | style="padding-right: 12px;" | James Horner |
| style="white-space: nowrap;" rowspan="2" | 233
| style="white-space: nowrap;" rowspan="2" | Vol. 14, No. 7 | style="white-space: nowrap;" rowspan="2" | April, 2011 | style="white-space: nowrap;" rowspan="2" | Silver Age Classics | style="text-align: center;" rowspan="2" | 3 | style="padding-right: 12px;" | Kenner | style="text-align: center;" | 1967 | style="padding-right: 12px;" | Piero Piccioni | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | More Than a Miracle
| style="text-align: center;" | 1969 | style="padding-right: 12px;" | Piero Piccioni |
| style="white-space: nowrap;" | 234
| style="white-space: nowrap;" | Vol. 14, No. 8 | style="white-space: nowrap;" | April 2011 | style="white-space: nowrap;" | Silver Age Classics | style="text-align: center;" | 1 | style="padding-right: 12px;" | Testament | style="text-align: center;" | 1983 | style="padding-right: 12px;" | James Horner | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 235
| style="white-space: nowrap;" rowspan="2" | Vol. 14, No. 9 | style="white-space: nowrap;" rowspan="2" | May 2011 | style="white-space: nowrap;" rowspan="2" | Silver Age Classics | style="text-align: center;" rowspan="2" | 2 | style="padding-right: 12px;" | The Comedians | style="text-align: center;" | 1967 | style="padding-right: 12px;" | Laurence Rosenthal | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Hotel Paradiso
| style="text-align: center;" | 1966 | style="padding-right: 12px;" | Laurence Rosenthal |
| style="white-space: nowrap;" | 236
| style="white-space: nowrap;" | Vol. 14, No. 10 | style="white-space: nowrap;" | May 2011 | style="white-space: nowrap;" | Golden Age Classics | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Belle of New York | style="text-align: center;" | 1952 | style="padding-right: 12px;" | Johnny Mercer & Harry Warren | style="text-align: center;" | |
| style="white-space: nowrap;" | 237
| style="white-space: nowrap;" | Vol. 14, No. 11 | style="white-space: nowrap;" | June 2011 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Pretty Maids All in a Row | style="text-align: center;" | 1971 | style="padding-right: 12px;" | Lalo Schifrin | style="text-align: center;" | |
| style="white-space: nowrap;" | 238
| style="white-space: nowrap;" | Vol. 14, No. 12 | style="white-space: nowrap;" | July 2011 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 2 | style="padding-right: 12px;" | Days of Heaven | style="text-align: center;" | 1978 | style="padding-right: 12px;" | Ennio Morricone | style="text-align: center;" | |
| style="white-space: nowrap;" | 239
| style="white-space: nowrap;" | Vol. 14, No. 13 | style="white-space: nowrap;" | August 2011 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Great Santini | style="text-align: center;" | 1979 | style="padding-right: 12px;" | Elmer Bernstein | style="text-align: center;" | |
| style="white-space: nowrap;" | 240
| style="white-space: nowrap;" | Vol. 14, No. 14 | style="white-space: nowrap;" | August 2011 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Not With My Wife, You Don’t! Vol. 2 | style="text-align: center;" | 1979 | style="padding-right: 12px;" | John Williams | style="text-align: center;" | |
| style="white-space: nowrap;" | 241
| style="white-space: nowrap;" | Vol. 14, No. 15 | style="white-space: nowrap;" | September 2011 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | The Space Children / The Colossus of New York | style="text-align: center;" | 1958 | style="padding-right: 12px;" | Nathan Van Cleave | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 242
| style="white-space: nowrap;" rowspan="2" | Vol. 14, No. 16 | style="white-space: nowrap;" rowspan="2" | September 2011 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | Nightwatch | style="text-align: center;" | 1965 | style="padding-right: 12px;" | John Williams | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Killer by Night
| style="text-align: center;" | 1972 | style="padding-right: 12px;" | Quincy Jones |
| style="white-space: nowrap;" | 243
| style="white-space: nowrap;" | FSM80130-2 | style="white-space: nowrap;" | November 2011 | style="white-space: nowrap;" | Retrograde | style="text-align: center;" | 2 | style="padding-right: 12px;" | Gremlins | style="text-align: center;" | 1984 | style="padding-right: 12px;" | Jerry Goldsmith | style="text-align: center;" | |
| style="white-space: nowrap;" | 244
| style="white-space: nowrap;" | Vol. 14, No. 17 | style="white-space: nowrap;" | December 2011 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | Frantic | style="text-align: center;" | 1988 | style="padding-right: 12px;" | Ennio Morricone | style="text-align: center;" | |
| style="white-space: nowrap;" | 245
| style="white-space: nowrap;" | Vol. 15, No. 1 | style="white-space: nowrap;" | February 2012 | style="white-space: nowrap;" | Golden Age | style="text-align: center;" | 5 | style="padding-right: 12px;" | Ben-Hur | style="text-align: center;" | 1959 | style="padding-right: 12px;" | Miklós Rózsa | style="text-align: center;" | |
| style="white-space: nowrap;" | 246
| style="white-space: nowrap;" | Vol. 15, No. 2 | style="white-space: nowrap;" | March 2012 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 1 | style="padding-right: 12px;" | It's Alive | style="text-align: center;" | 1974 | style="padding-right: 12px;" | Bernard Herrmann | style="text-align: center;" | |
| style="white-space: nowrap;" rowspan="2" | 247
| style="white-space: nowrap;" rowspan="2" | Vol. 15, No. 3 | style="white-space: nowrap;" rowspan="2" | June 2012 | style="white-space: nowrap;" rowspan="2" | Silver Age | style="text-align: center;" rowspan="2" | 1 | style="padding-right: 12px;" | The Friends of Eddie Coyle | style="text-align: center;" | 1973 | style="padding-right: 12px;" | Dave Grusin | style="text-align: center;" rowspan="2" | |
| style="padding-right: 12px;" | Three Days of the Condor
| style="text-align: center;" | 1975 | style="padding-right: 12px;" | Dave Grusin |
| style="white-space: nowrap;" | 248
| style="white-space: nowrap;" | Vol. 15, No. 4 | style="white-space: nowrap;" | August 2012 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 2 | style="padding-right: 12px;" | Body Heat | style="text-align: center;" | 1981 | style="padding-right: 12px;" | John Barry | style="text-align: center;" | |
| style="white-space: nowrap;" | 249
| style="white-space: nowrap;" | Vol. 15, No. 5 | style="white-space: nowrap;" | October 2012 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 2 | style="padding-right: 12px;" | King Kong: The Deluxe Edition | style="text-align: center;" | 1976 | style="padding-right: 12px;" | John Barry | style="text-align: center;" | |
| style="white-space: nowrap;" | 250
| style="white-space: nowrap;" | Vol. 16, No. 1 | style="white-space: nowrap;" | March 2013 | style="white-space: nowrap;" | Silver Age | style="text-align: center;" | 3 | style="padding-right: 12px;" | The Wild Bunch | style="text-align: center;" | 1969 | style="padding-right: 12px;" | Jerry Fielding | style="text-align: center;" | |
Awards
- 2009 Best Film Music Compilation Album or Box Set – David Raksin at M-G-M – International Film Music Critics Association
- 2005 Film Music Record Label of the Year – International Film Music Critics Association
- 2005 Best CD – The Thing From Another World – Rondo Hatton Classic Horror Awards
- 2004 Best New Release of a Previously Existing Soundtrack – Mutiny on the Bounty – International Film Music Critics Association
- 2004 Soundtrack Label of the Year – International Film Music Critics Association
See also
- {{portal-inline|Film}}
References
{{More citations needed|date=February 2014}}
{{reflist}}
External links
- [http://www.filmscoremonthly.com Official site]
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