Gargoyle Club#The Mandrake

This elegant house, 69 and 70 Dean Street,{{cite web|url=https://www.sohohome.com/stories/history-of-76-dean-street|title=A Tale of Two Houses|website=sohohome.com|accessdate=2 June 2018}} a pair of Georgian residences, was built on the Pitt estate{{cite web|url=https://www.british-history.ac.uk/survey-london/vols33-4/pp212-213|title=The Pitt Estate in Dean Street: Nos. 69 and 70 Dean Street – British History Online|website=british-history.ac.uk|accessdate=2 June 2018}} in 1732–1735{{cite web|url=http://www.deanstreettownhouse.com/history|title=History – Dean Street Townhouse|website=deanstreettownhouse.com|accessdate=2 June 2018}} by John Meard, the carpenter who helped standardise the Georgian town house.

• Later occupants of No. 70 included :

:* Sir William Wolseley, 5th Baronet, 1734–5

:* Robert Marsham, second Baron Romney, 1736–40

:* Sir Thomas Wilson, knight and 'agent', 1761–74).

• Later occupants of No. 69 included :

:* George Wandesford, 4th Viscount Castlecomer (1687–1751), in 1750;

:* Sir John Wynn, 2nd Baronet, 1755–73

:* Baron Grant in 1775;

:* Sir Lionel Darell, 1st Baronet, 1775–95

:* (Sir) Thomas Bell, 1796–1824

"In 1834 No. 69 was taken by Vincent Novello, the composer and musical editor, and his son, Joseph Alfred, music seller and publisher, who were perhaps responsible for the erection of the back premises, with the wall still fronting Meard Street. Vincent's daughter, Clara, the singer, was also living here in 1840 and the painter, J. P. Davis, in 1842. In 1847 the firm of Novello became music printers also. It was probably in 1864–5 that the upper storeys were added to No. 69 to accommodate the printing works. In 1867 the firm removed to Berners Street but in 1871 the printing works returned to No. 69, and No. 70 was bought in 1875 for the storage of plates. Thenceforward the firm occupied both houses until 1898, when it moved to new printing works in Hollen Street."
Survey of LondonSurvey of London: Volumes 33 and 34, St Anne Soho. Originally published by London County Council, London, 1966.

David Tennant took a 50-year lease on the upper three floors, while an existing printing works{{cite web|url=https://archive.org/details/cu31924022361699|title=The life and labours of Vincent Novello|first=Mary Cowden|last=Clarke|date=2 June 1864|publisher=London, Novello & co|accessdate=2 June 2018|via=Internet Archive}}{{cite book|url=https://books.google.com/books?id=ATiTAAAAIAAJ&q=69+Dean+Street|title=Vincent Novello—and company|first=Michael|last=Hurd|date=1 March 1982|publisher=Granada|isbn=9780246117335|accessdate=2 June 2018|via=Google Books}}{{cite book|url=https://books.google.com/books?id=ZiQxDwAAQBAJ&q=69+Dean+Street|title=The House of Novello: Practice and Policy of a Victorian Music Publisher, 1829?866|first=VictoriaL|last=Cooper|date=5 July 2017|publisher=Routledge|isbn=9781351543576|accessdate=2 June 2018|via=Google Books}} established by the Novello music publishing family remained housed beneath.Luke, Michael (1991). [https://books.google.com/books?id=eBLXkQEACAAJ David Tennant and the Gargoyle Years]. Weidenfeld & Nicolson: London, pp21-23. {{ISBN|0-29781124X}}. Here he created a private apartment, a very large ballroom, a Tudor Room, coffee room, drawing room and a 350-sq yds flat roof with a garden for dining and dancing, around which neighbouring chimneys were painted brilliant red. All who visited the club shared its intimately democratic and rickety external lift, four-person maximum, enclosed in shining metal like an art-nouveau cabin trunk,{{cite web|url=https://www.independent.co.uk/news/obituaries/michael-luke-494831.html|title=Michael Luke|website=The Independent|date=6 October 2011|accessdate=2 June 2018}} located round the corner in Meard Street.

The charismatic Tennant was the self-appointed ringmaster to an arena where Bohemians could mingle comfortably with the upper crust, according to writer and film producer Michael Luke.{{Cite web|url=https://www.telegraph.co.uk/news/obituaries/1487550/Michael-Luke.html|title=Michael Luke|date=11 April 2005 }}{{Cite web|url=https://www.independent.co.uk/news/obituaries/michael-luke-494831.html|title = Michael Luke| website=Independent.co.uk |date = 6 October 2011}}

Of the club's opening night The Daily Telegraph observed that its 300-strong list of members "probably contains more famous names in society and the arts than any other purely social club". Names on this list included Somerset Maugham, Noël Coward, Gladys Cooper, Leon Goossens, Gordon Craig, George Grossmith, Virginia Woolf, Duncan Grant, Nancy Cunard, Adèle Astaire, Edwina Mountbatten; an obligatory Guinness, Rothschild and Sitwell; MPs, and peers of the realm.{{cite web|url=http://jot101ok.blogspot.com/2013/02/gargoyle-club-members-1.html|title=Jot101: Gargoyle Club Members 1|last=Jot101|date=10 February 2013|website=jot101ok.blogspot.com|accessdate=2 June 2018}}

File:Atelier rouge matisse 1.jpg, Henri Matisse, 1911, oil on canvas, 162 x 130 cm., (64 in × 51 in), The Museum of Modern Art, New York City. Acquired through the Lillie P. Bliss Bequest{{cite web|url=https://www.moma.org/momaorg/shared/pdfs/docs/press_archives/1311/releases/MOMA_1949_0025_1949-04-05_490405-23.pdf|title=EXHIBIT OF TWO MAJOR ACQUISITIONS 1949-04-05|website=moma.org|accessdate=2 June 2018}}{{cite web|url=https://www.moma.org/collection/works/78389|title=Henri Matisse. The Red Studio. Issy-les-Moulineaux, fall 1911 – MoMA|website=moma.org|accessdate=2 June 2018}}]]

File:Henri Matisse, 1916, Studio, Quai Saint-Michel, oil on canvas,147.9 x 116.8 cm, The Phillips Collection, Washington D.C.jpg, Henri Matisse, 1916, oil on canvas, 147.9 x 116.8 cm., (? in × ? in), The Phillips Collection, Washington D.C.{{cite web|url=http://www.phillipscollection.org/collection/browse-the-collection?id=1307|title=Studio, Quai Saint-Michel by Henri Matisse|website=phillipscollection.org|accessdate=2 June 2018}}]]

Designed by Henri Matisse, Edwin Lutyens, and Augustus John,{{cite web|url=https://thejohnfleming.wordpress.com/2012/12/04/the-more-bohemian-forerunner-of-the-groucho-club-in-londons-soho/|title=The more bohemian forerunner of The Groucho Club in London's Soho|date=4 December 2012|website=wordpress.com|accessdate=2 June 2018}} the interior decor was theatrical – a fountain on the dance floor,{{cite web|url=https://www.youtube.com/watch?v=aelZBEH_VNY|title=Norsia Gargoyle Club|last=Are Guttorm Nordbø|date=25 October 2015|accessdate=2 June 2018|via=YouTube}}{{cite web|url=https://elvirabarney.wordpress.com/2012/05/25/matisse-at-the-gargoyle/|title=Matisse at the Gargoyle|date=25 May 2012|website=wordpress.com|accessdate=2 June 2018}} log fires in the dining room, wooden gargoyles suspended as lanterns – with a strong Moorish flavour. Henri Matisse was made an honorary member after advising on decor.Luke, Michael (1991). [https://books.google.com/books?id=eBLXkQEACAAJ David Tennant and the Gargoyle Years]. Weidenfeld & Nicolson: London, pp48-49. {{ISBN|0-29781124X}}. To complement the main club-room's elaborate coffered ceiling painted with gold leaf, like the Alhambra, he suggested covering the walls entirely with a mosaic of imperfectly cut glass tiles from an 18th-century chateau.{{cite news|last1=Hoare|first1=Philip|title=Michael Luke: Writer, film producer and dashing chronicler of the Gargoyle Club|url=https://www.independent.co.uk/news/obituaries/michael-luke-6147974.html|archive-url=https://web.archive.org/web/20140606230015/http://www.independent.co.uk/news/obituaries/michael-luke-6147974.html|url-status=dead|archive-date=6 June 2014|accessdate=3 June 2014|work=The Independent|date=9 April 2005}} Matisse himself designed a stunning entrance staircase to this room in glittering steel and brass, which remained in use until the club's conversion into a studio complex in the mid-1980s.

The young Tennant bought two of Matisse's paintings in Paris for £600 and in the opinion of Anthony Powell they "lent an air of go-ahead culture to the club". These were the painter's daring and inventive The Red Studio from 1911 which was displayed in the bar{{cite web|url=http://thequietus.com/articles/18755-dave-haslam-life-after-dark-history-british-nightclubs|title=Life After Dark: A History Of British Nightclubs|website=thequietus.com|date=13 September 2015 |accessdate=2 June 2018}} at the Gargoyle until 1941, offered to the Tate Gallery for £400 and declined, then in 1949 joined the MoMA permanent collection in New York where it still hangs.{{cite web|title=The Red Studio|url=http://www.moma.org/collection/provenance/provenance_object.php?object_id=78389|website=MoMA|accessdate=3 June 2014}} The other Matisse, The Studio, Quai St Michel (1916), features his favourite model the voluptuous Lorette, naked on a couch, on the club's stairs. Today she resides in Washington DC in The Phillips Collection,[https://www.phillipscollection.org/events/2013-08-01-exhibition-armory-show "100 Years After the Armory Show"]. Phillips Collection, 1 August 2013. after Tennant, feeling himself to be on the verge of ruin, sold it for "a derisory sum" to Douglas Cooper, who in turn sold it on.{{cite book|last1=Luke |first1=Michael |title= David Tennant and the Gargoyle Years |date=1991 |publisher=Weidenfeld & Nicolson |location=London |isbn=0-29781124X |page=145 |url= https://books.google.com/books?id=eBLXkQEACAAJ |accessdate=2 March 2019}}

"The decor is bright but tasteful and Matisse gave his expert advice. Several of his drawings of ballet girls grace the upstairs bar which is a cheerful spot always crowded with people discussing art, politics or women in the liveliest way. ‘My unpaid cabaret,’ David Tennant calls them… The restaurant downstairs seats 140 and its ceiling and general design have been modelled on the Alhambra at Granada. The mirrors are particularly attractive, unless you have drunk too much gin!... The four-piece band led by Alec Alexander, suits the style of the club. It delivers lively, cheerful music that you can dance to without having your nerves torn to shreds. Alec knows all the members and seems to enjoy playing requests." – Stanley Jackson, 1946{{Cite book| last=Jackson | first=Stanley | year=1946 | title=An Indiscreet Guide to Soho, 134pp | place=London | publisher=Muse Arts Limited | asin=B0006AR9XA}}

In 1952 David Tennant sold the Gargoyle as a declining{{cite web|url=https://wsimag.com/travel/13414-old-soho-waits|title=Old Soho waits|first=Marcella Martinelli & Trausti Thor|last=Sverrisson|date=22 February 2015|website=wsimag.com|accessdate=2 June 2018}} concern{{cite web|url=http://www.gettyimagesgallery.com/picture-library/image.aspx?id=5099|title=People dancing at the Gargoyle Club in Soho, London. Original Publication: Picture Post – 8593 – I Am the Queen Of Soho|author=Thurston Hopkins|year=1956|website=gettyimagesgallery.com|accessdate=2 June 2018}}{{cite web|url=https://www.theguardian.com/artanddesign/photography-blog/2013/apr/12/photography-thurston-hopkins-photojournalist-picture-post|title=Unsung hero of photography Thurston Hopkins turns 100|first=Greg|last=Whitmore|date=12 April 2013|website=The Guardian|accessdate=2 June 2018}} for £5,000 to caterer John NegusLuke, Michael (1991). [https://books.google.com/books?id=eBLXkQEACAAJ David Tennant and the Gargoyle Years]. Weidenfeld & Nicolson: London, p197. {{ISBN|0-29781124X}}. and it remained popular among the generation of Francis Bacon, Antonia Fraser and Daniel Farson who would often go on from the Colony Room which was founded in 1948 by Muriel Belcher across at 41 Dean Street. For years the Gargoyle was one of the few places in London serving drinks at affordable prices after midnight. In 1955 the club was sold on to Michael Klinger{{cite book|url=https://books.google.com/books?id=PAsCAwAAQBAJ&q=Nell+Gwynne+Gargoyle&pg=PA13|title=The Man Who Got Carter: Michael Klinger, Independent Production and the British Film Industry, 1960–1980|first1=Andrew|last1=Spicer|first2=A. T.|last2=McKenna|date=24 October 2013|publisher=I.B.Tauris|isbn=9780857723093|accessdate=2 June 2018|via=Google Books}} and Jimmy Jacobs{{cite web|url=https://www.discogs.com/Jimmy-Jacobs-And-The-Nite-Spots-Swingin-Soho/release/8162702|title=Jimmy Jacobs and the Nite Spots – Swingin' Soho|publisher=discogs|accessdate=2 June 2018}} who relaunched it as a strip club{{cite web|url=https://www.youtube.com/watch?v=rAcRPqZgbfM|title=Striptease club in Soho in the 1960s – Film 5132|last=Huntley Film Archives|author-link=Huntley Film Archives|date=9 July 2013|accessdate=2 June 2018|via=YouTube}}{{cite web|url=http://www.huntleyarchives.com/film/5132|title=Archive film: 5132, 1960, Sound, B/W, Entertainment + Leisure|website=huntleyarchives.com|accessdate=2 June 2018}} called the Nell Gwynne (variously advertised as a Theatre, Club, or Revue).{{cite web|url=https://reprobatemagazine.uk/2016/03/30/gallery-nell-gwynne-london-strip-club/|title=Gallery: Nell Gwynne London Strip Club|date=30 March 2016|publisher=reprobatemagazine.uk|accessdate=2 June 2018}}[https://vintagefetish.co.uk/wp-content/uploads/2016/11/66-No-63.pdf reviews of the top night clubs and strip joints in London 66 VOL. 6. No. 63 FEBRUARY, 1961]{{cite web|url=https://www.theguardian.com/observer/sport/story/0,6903,403060,00.html|title=Poker-faced millionaire – Sport – The Observer|website=The Guardian|accessdate=2 June 2018}}Miles, Barry (2011). [https://books.google.com/books?id=gYn87V36p5AC London Calling: A Countercultural History of London since 1945]. Atlantic Books: London, pp480.{{cite web|url=http://satpurusha.com/strip-club/|title=Sex and Power Working in a Strip Club|website=satpurusha.com|date=2 August 2011|accessdate=2 June 2018 |last1=Purusha |first1=Sat }}{{cite web|url=http://www.declassified.hiddentigerbooks.co.uk/gale_044_box_of_tricks.htm|title=The Avengers Declassified: Steed and Gale|website=declassified.hiddentigerbooks.co.uk|accessdate=2 June 2018}}{{cite web|url=https://thejohnfleming.wordpress.com/2013/03/26/strippers-and-stand-up-comics-in-the-early-days-of-british-alternative-comedy/|title=Strippers and stand-up comics in the early days of British alternative comedy|date=26 March 2013|website=wordpress.com|accessdate=2 June 2018}} A 1960s ad shows the club as the Nell Gwynne by day and the Gargoyle Club at night.{{cite web|url=http://www.retrocards.co.uk/prodshow/AP2588___Gargoyle_and_Nell_Gwynne_Club__Soho__30x40cm_Art_Print_/AP2588-gargoyle-nell-gwynne-clubs-soho.html|title=AP2588 – Gargoyle and Nell Gwynne Club, Soho (30x40cm Art Print)|website=retrocards.co.uk|accessdate=2 June 2018}}{{cite web|url=https://www.gettyimages.com/photos/club-soho|title=Club Soho Stock Photos and Pictures – Getty Images|website=gettyimages.com|accessdate=2 June 2018}}

On 19 May 1979 in the Gargoyle's rooftop club space Hammersmith-born insurance salesman Peter Rosengard[http://www.talkingtostrangers.me.uk/ "Latest News"]. Peter Rosengard website. Retrieved 07–04–18. started a weekly club night on Saturdays called the Comedy Store, in partnership with comedian Don Ward. It was modelled on the original in Los Angeles, and invited audiences to show approval or disapproval of the unknown acts performing by "gonging" them off.{{cite book|last1=Double|first1=Oliver|title=Getting the joke the inner workings of stand-up comedy|date=2005|publisher=Methuen|location=London|isbn=9781408155042|page=38|url=https://books.google.com/books?id=THt_VhZLNI8C&pg=PA38|accessdate=3 June 2014}} The London Comedy Store made the reputations of many of the UK's upcoming "alternative comedians". Among the original line-up here were Alexei Sayle, Rik Mayall, Adrian Edmondson, French & Saunders, Nigel Planer and Peter Richardson who in 1980 led these pioneers to establish the breakaway Comic Strip team elsewhere in Soho.{{cite web | first=David | last=Johnson | title= Something Funny is Happening in Stripland | url= https://shapersofthe80s.com/seismic-shifts/1980-a-new-decade-demands-new-comedy/ |work=Over21, January issue, page 36, republished at Shapersofthe80s | location=London | accessdate=7 April 2018 |date=1 January 1981}} All were to prove influential in reshaping British television comedy throughout the 1980s as stars of The Comic Strip Presents.{{cite web| url=https://gold.uktv.co.uk/shows/how-young-ones-changed-comedy/ | title=How The Young Ones Changed Comedy | publisher=Gold.UKTV, producer Sean Doherty | date=28 May 2018 }}

In July 1982, among many themed weekly club-nights, came the first incarnation upstairs in the Gargoyle Club of the Batcave,{{cite web|url=https://www.cvltnation.com/oral-photo-essay-80s-batcave-scene/|title=A History of the 80s BATCAVE Scene! -|date=14 June 2017|website=cvltnation.com|accessdate=2 June 2018}} a Wednesday night fronted by Olli Wisdom,{{cite news| url=https://shapersofthe80s.com/clubbing/69-dean-street-and-the-making-of-uk-club-culture/ | work=The Face, February 1983, issue 34, page 26, republished at Shapersofthe80s | first=David | last=Johnson | title= 69 Dean Street: The Making of Club Culture | date=1 February 1983 |accessdate=7 April 2018}} lead singer in the house band, Specimen, and guitarist Jon Klein as art director. Visitors included Robert Smith, Siouxsie Sioux, Steve Severin, Foetus, Marc Almond and Nick Cave. The Nell Gwynne strip-teasers were still performing from 2.30 pm until late evening, when they could be seen exiting via the rickety lift, even as Batcavers queued to come up.

By the year's end, when the upper floors were sold off, the one-nighters such as Batcave moved on. The Comedy Store moved to a series of other venues, taking over 28a Leicester Square (previously the Subway club) in 1985. It had become a template for the new style of stand-up comedy clubs that opened around the land. Don Ward dissolved his business relationship with Rosengard in late 1981{{cite web|url=https://www.jewishtelegraph.com/prof_227.html |title=Peter gets serious about 9/11 |website=jewishtelegraph.com|year=2013 |access-date=8 March 2019}} while remaining CEO of Comedy Store interests. In 1984 Rosengard went on to manage the band Curiosity Killed the Cat.

A second private club became part of the story of 69 Dean Street during the postwar 1940s when an eccentric crowd started gathering in the Mandrake at No 4 Meard Street, a house only a few yards west of the Gargoyle's entrance with its tiny lift. An underground room was rented for a chess club by streetwise Teddy Turner and Bulgarian émigré Boris Watson (after a name change), though by 1953 one basement room beneath Meard Street had become six after knocking through walls underneath No 69, to include a reading room for the intellectuals. An advert claimed the Mandrake to be "London's only Bohemian rendezvous".Miles, Barry (2011). [https://books.google.com/books?id=gYn87V36p5AC&q=mandrake London Calling: A Countercultural History of London since 1945]. Atlantic Books: London, Chapter2. A year's membership cost half a guinea “in advance” and the bait was illustrated with a photograph of an artist sketching beside an image of a voluptuous nude. Pretty soon the offbeat broadcaster Daniel Farson was calling its barmaid Ruth Soho's equivalent of Manet's famous Suzon painted serving at A Bar at the Folies Bergère.

Regulars included Nina Hamnett, Brian Howard and Julian Maclaren-Ross for whom Watson would cash cheques in the form of credit behind the bar. Private membership clubs were allowed to stay open during the strict afternoon closing hours imposed on pubs by the licensing laws, as well as late into the early hours after the 10.30 pm closing time for pubs. One condition was that clubs were required to serve food with alcohol. Result: the Mandrake became notorious for its stale sandwiches piled behind the bar, in Watson's view available “for drinking with, not for eating”! Inevitably the drinkers grew to outnumber the thinkers. Soon a jukebox made its appearance along with live guitar and lute recitals, and impromptu jam sessions for jazz musicians such as pianist Joe Burns, bassists Wally Wrightman and Percy Borthwick, drummers Laurie Morgan and Robin Jones, trombonist Norman Cave, singer Cab Kaye and Ronnie Scott (later founder of Soho's pre-eminent jazz club), plus visitors such as the touring Duke Ellington band.{{cite web|title=The Mandrake Club |url=https://henrybebop.co.uk/mandrake.htm | publisher=henrybebop |first=David | last=Taylor |year=2018 | accessdate=3 March 2019}} And the 1960s brought in the legendary painters and poets who were reinforcing Soho's reputation for general non-conformity. The kitchen was forced to upgrade and, according to Michael Luke, the Mandrake became "a launching pad for the Gargoyle – a place where loins could be girded and spirits stiffened for that challenging arena up above".{{cite book|last1=Luke |first1=Michael |title= David Tennant and the Gargoyle Years |date=1991 |publisher=Weidenfeld & Nicolson |location=London |isbn=0-29781124X |page=187 |url= https://books.google.com/books?id=eBLXkQEACAAJ|accessdate=3 March 2019}}

By the 1970s the Mandrake had acquired a new pedimented entrance door on Meard Street, curiously now east of the Gargoyle's, just a couple of yards nearer to Dean Street. Its lease was then acquired by Soho's only Jamaican club owner, Vince Howard, who changed its name to Billy's. Vince Howard in the cover story of The Face magazine in February 1983 was described as "a Soho legend himself, straight out of Shaft, huge hats, fistfuls of rings and the only black man to own a venue in Soho." The publication also quoted his jeweller describing a mountainous ring he was making for the glamorous club owner: “18‑carat gold, 16 diamonds, it shone like a torch. I showed it to Vince and he said, I want more diamonds on it.” Howard spent some time trying to identify an audience, first with soul music, and then becoming a blatantly gay venue in those early days following liberation.

“A rather seedy gay club frequented by rough lesbians and even rougher trannies... It was owned by a 300-pound six-foot-four black convicted pimp named Vince who sported a huge black fedora, a long leather coat, and fingers the size of sausages with enough diamond rings to give Imelda Marcos cause for concern. And lest we forget, in those days Soho was not full of posh restaurants and membership clubs; it was a vice-infested square mile that housed a red light above every door and on every floor." – Chris Sullivan on Billy’s in his book, We Can Be Heroes (2012).Graham Smith; Chris Sullivan. [https://books.google.com/books?id=FWedBgAAQBAJ We Can be Heroes: Punks, Poseurs, Peacocks and People of a Particular Persuasion – page 48] (Unbound, 2012)

Billy's changed its name to Gossip's{{cite web|url=http://www.urban75.org/london/gossips-club-london.html|title=Gossips Club, Billys, 69 Dean Street and Meard St, Soho, London, home of the Batcave, Alice in Wonderland, Gazzas Rocking Blues and more.|website=urban75.org|accessdate=2 June 2018}} and became part of London's clubbing heritage by spawning scores of weekly club-nights that transformed Britain's music and fashion scene during the 1980s, crucially a Bowie night run by Steve Strange and Rusty Egan who teamed up at Billy's in 1978 and went on to open the hugely influential Blitz Club which kick-started the New Romantics movement.{{cite news| url=http://www.guardian.co.uk/music/2009/oct/04/spandau-ballet-new-romantics | work=The Observer | first=David | last=Johnson | title=Spandau Ballet, the Blitz Kids and the birth of the New Romantics | date=4 October 2009}}

During the 1970s, the ground floor at No 69 had been occupied by A. Stewart McCracken Ltd Auction Rooms{{cite web|url=http://glitteringartofsoho.com/i-love-dean-street-soho/|title=I Love Dean Street, Soho – The Glittering Art of Soho|date=5 January 2016|website=glitteringartofsoho.com|accessdate=2 June 2018}} and at No 70 was the Hostaria Romana restaurant.{{cite book|url=https://books.google.com/books?id=ZDQ6CQAAQBAJ&q=Hostaria+Romana&pg=PT219|title=The Glittering Art of Falling Apart|first=Ilana|last=Fox|date=4 February 2016|publisher=Orion Publishing Group|isbn=9781409122890|accessdate=2 June 2018|via=Google Books}}{{cite web|url=https://www.companiesintheuk.co.uk/ltd/hostaria-romana|title=HOSTARIA ROMANA LIMITED, WC1H 9BQ 7–12 TAVISTOCK SQUARE Financial Information|website=CompaniesInTheUK|accessdate=2 June 2018}} More recently, 69–70 Dean Street became a bar in The Pitcher and Piano chain{{cite web|url=https://www.independent.co.uk/life-style/food-and-drink/reviews/dean-street-townhouse-69-71-dean-street-london-w1-1850019.html|title=Dean Street Townhouse, 69–71 Dean Street, London W1|date=2 January 2010|website=The Independent|accessdate=2 June 2018}}{{cite web|url=http://pitcherandpiano.com:80/|archive-url=https://web.archive.org/web/20030404160823/http://pitcherandpiano.com/|url-status=dead|archive-date=4 April 2003|title=Pitcher and Piano – quality food and drink|date=4 April 2003|access-date=2 June 2018}}{{cite web|url=https://whatpub.com/pubs/WLD/16881/pitcher-piano-london|title=Pitcher & Piano, London|website=whatpub.com|accessdate=2 June 2018}} and the pair of houses became Listed Grade II. Then in the run-up to their rebirth in 2008, the interiors of numbers 69 and 70 were completely rebuilt{{cite web|url=https://www.architecturaldigest.com/story/inside-the-restaurant-where-prince-harry-and-meghan-markle-had-their-first-date|title=Inside The Restaurant Where Prince Harry and Meghan Markle Had Their First Date – Architectural Digest|website=architecturaldigest.com|date=28 December 2017|accessdate=2 June 2018}} by Soho House to create the Dean Street Townhouse hotel and restaurant.{{cite web|url=https://www.nytimes.com/2010/04/18/travel/18checkin.html|title=Hotel Review: Dean Street Townhouse in London|first=Anna|last=Mcdonald|date=14 April 2010|accessdate=2 June 2018|work=The New York Times}}{{cite news|url=https://www.telegraph.co.uk/travel/destinations/europe/united-kingdom/england/london/central/west-end/soho/hotels/dean-street-townhouse-hotel/|title=Dean Street Townhouse|date=3 October 2017|accessdate=2 June 2018|work=The Daily Telegraph}}

Prince Harry and Meghan Markle's first date took place at the Dean Street Dining Room{{cite web|url=https://www.telegraph.co.uk/foodanddrink/restaurants/7620775/London-restaurant-guide-Dean-Street-Dining-Room-London-W1.html|title=London restaurant guide: Dean Street Dining Room, London W1|first=Jasper|last=Gerard|date=23 April 2010|accessdate=2 June 2018|work=The Daily Telegraph}} in the Dean Street Townhouse in 2016.{{cite web|url=https://www.thecut.com/2018/04/meghan-markle-prince-harry-first-date.html|title=Everything We Know About Meghan Markle and Prince Harry's First Date|first=Lisa|last=Ryan|website=thecut.com|date=16 April 2018|accessdate=2 June 2018}}

An extensive hand-written list of members is illustrated in Michael Luke's Gargoyle Years, between pages 84–85.{{cite book|last1=Luke |first1=Michael |title= David Tennant and the Gargoyle Years |date=1991 |publisher=Weidenfeld & Nicolson |location=London |isbn=0-29781124X |page=84 |url= https://books.google.com/books?id=eBLXkQEACAAJ|accessdate=2 March 2019}}

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• Max Abrams, drummer, house band.John Chilton. Who’s Who of British Jazz (1997), p. 1
• Fred Astaire{{cite book|editor-last1=Weinreb|editor-first1=Ben|title=The London encyclopaedia|date=2008|publisher=Macmillan|location=London|isbn=9781405049245|page=233|edition=3rd|url=https://books.google.com/books?id=wN_H-__MBpYC&pg=PA23|accessdate=3 June 2014}}
• Francis Bacon (artist)
• Hermione Baddeley{{Cite web|url=http://jot101.com/2013/02/gargoyle-club-members-2/|title = Gargoyle Club Members 2 | Jot101| date=11 February 2013 }}
• Tallulah Bankhead
• Lady Caroline Blackwood
• Guy Burgess
• Noël Coward
• Lucian Freud{{Cite web|url=http://jot101.com/2013/02/gargoyle-club-members-1/|title = Gargoyle Club Members 1 | Jot101| date=11 February 2013 }}
• Graham Greene
• Augustus John
• Robert Kee
• Donald Maclean
• Henri Matisse
• John Minton
• Lee Miller
• Ivan Moffat
• Henrietta Moraes
• Dylan Thomas{{Cite web|url=http://jot101.com/2013/02/gargoyle-club-members-3/|title = Gargoyle Club Members 3 | Jot101| date=12 February 2013 }}
• Philip Toynbee

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Category:1925 establishments in England

Category:1928 establishments in England

Category:1978 disestablishments in England

Category:Soho, London

Category:Henri Matisse

Category:Grade II listed buildings in the City of Westminster