class="wikitable sortable" width="100%" style="background:#ffffff;" |
align="left" style="background:#ffdead;" | Medium
!align="left" style="background:#ffdead;" | Name
!align="left" style="background:#ffdead;" | Comments
!align="left" style="background:#ffdead;" | Region
!style="background:#ffdead;" | Registered
!align="left" style="background:#ffdead;" class="unsortable"|Image |
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Ceramics | {{nihongo|Bizen-yaki|備前焼}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/50 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite book |title=Inside Japanese Ceramics: A Primer of Materials, Techniques, and Traditions |author=Wilson, Richard L. |publisher=Weatherhill |pages=155–8 |year=1995 |ISBN=978-0-8348-0442-5}}][{{cite book |title=Crafting Beauty in Modern Japan |author=Rousmaniere, Nicole |year=2007 |publisher=British Museum |pages=158–160 |ISBN=978-0-7141-2448-3}}][{{cite web |url=http://www.aisf.or.jp/~jaanus/deta/b/bizenyaki.htm |title=Bizenyaki |publisher=Japanese Architecture and Art Net Users System |access-date=2 May 2011}}] | High-fired, unglazed stoneware; one of the six ancient kilns; production in and around Imbe village from the twelfth century | Okayama Prefecture | 2004 | 75px |
Ceramics | {{nihongo|Hakuji|白磁}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/43 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | Undecorated white porcelain; influenced by Chinese examples; production began in the Arita area in the first half of the seventeenth century | | 1995 | |
Ceramics | {{nihongo|Iro-Nabeshima|色鍋島}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/112 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite book |title=The Art of Japanese Ceramics |author=Mikami, Tsugio |publisher=Weatherhill |pages=162–9 |year=1972 |ISBN=978-0-8348-1000-6}}] | A type of iro-e overglaze enamel, often with a blue under-glaze; from the domain of the Nabeshima clan; production from the second half of the seventeenth century | Saga Prefecture | 1976 | 75px |
Ceramics | {{nihongo|Kakiemon (nigoshide)|柿右衛門 (濁手)}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/111 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite web |url=https://www.britishmuseum.org/explore/highlights/highlight_objects/asia/k/kakiemon_ware_lidded_jar.aspx |title=Kakiemon ware lidded jar |publisher=British Museum |access-date=2 May 2011}}] | A type of iro-e overglaze enamel; created by Sakaida Kakiemon in the 1640s; nigoshide, the white ground against which the enamels are applied, was revived by Sakaida Kakiemon XII in the 1950s | Saga Prefecture | 1971 | 75px |
Ceramics | {{nihongo|Mumyōi-yaki|無名異焼}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/00000279 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite book |title=The Art of Japanese Ceramics |author=Mikami, Tsugio |publisher=Weatherhill |page=182 |year=1972 |ISBN=978-0-8348-1000-6}}][{{cite web |url=http://www.visitsado.com/en/01outline/05culture/index.shtml |title=Arts and Crafts - Mumyoi-yaki |publisher=Sado Tourism Association |access-date=2 May 2011 |url-status=dead |archive-url=https://web.archive.org/web/20101030023831/http://www.visitsado.com/en/01outline/05culture/index.shtml |archive-date=30 October 2010 }}] | Mumyōi is the red ferrous clay of Sado island; production in Aikawa from the early nineteenth century | Niigata Prefecture | 2003 | |
Ceramics | {{nihongo|Onta ware|小鹿田焼}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/113 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite book |title=Inside Japanese Ceramics: A Primer of Materials, Techniques, and Traditions |author=Wilson, Richard L. |publisher=Weatherhill |pages=108 |year=1995 |ISBN=978-0-8348-0442-5}}][{{cite web |url=http://www.jnto.go.jp/eng/location/rtg/pdf/pg-806.pdf |title=Ceramic Art and Crafts - 20.Onta-yaki |publisher=Japan National Tourism Organization |access-date=2 May 2011}}] | Thick slipware; production in Hita from the early eighteenth century; one of the 100 Soundscapes of Japan | Ōita Prefecture | 1995 | 75px |
Ceramics | {{nihongo|Seto-guro|瀬戸黒}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/00000311 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite web |url=http://www.aisf.or.jp/~jaanus/deta/s/setoyaki.htm |title=Setoyaki |publisher=Japanese Architecture and Art Net Users System |access-date=2 May 2011}}] | Black Seto; the colour is obtained by removing the glazed vessel from the kiln at the height of firing and cooling it rapidly; production in Mino Province from the late sixteenth century | Gifu Prefecture | | |
Ceramics | {{nihongo|Seiji|青磁}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/270 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | The pale-green colour of celadon is obtained from a feldspathic glaze and reduction firing; introduced from the continent | | 2007 | 75px |
Ceramics | {{nihongo|Shino|志野}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/48 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite book |title=Classic stoneware of Japan: Shino and Oribe |author1=Kuroda, Ryōji |author2=Murayama, Takeshi |publisher=Kodansha |year=2002 |ISBN=978-4-7700-2897-6}}][{{cite web |url=http://www.aisf.or.jp/~jaanus/deta/s/shinoyaki.htm |title=Shinoyaki |publisher=Japanese Architecture and Art Net Users System |access-date=2 May 2011}}] | Stoneware with a white feldspathic glaze; production in Mino Province from the late sixteenth century | Gifu Prefecture | 1994 | 75px |
Ceramics | {{nihongo|Tetsuyū-tōki|鉄釉陶器}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/46 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | Iron-glaze stoneware | | 2005 | |
Ceramics | {{nihongo|Yūri-kinsai|釉裏金彩}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/265 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | Gold leaf or gold enamel is applied to a glazed surface which is then glazed and fired again, enhancing the durability of the decoration | | 2001 | |
Textiles | {{nihongo|Ise-katagami|伊勢型紙}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/119 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | Paper stencils | Mie Prefecture | 1993 | 75px |
Textiles | {{nihongo|Kijōka-bashōfu|喜如嘉の芭蕉布}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/117 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite book |title=Crafting Beauty in Modern Japan |author=Rousmaniere, Nicole |year=2007 |publisher=British Museum |pages=160–2 |ISBN=978-0-7141-2448-3}}] | banana fibre cloth | Okinawa Prefecture | 1974 | 75px |
Textiles | {{nihongo|Kumejima-tsumugi|久米島紬}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/00000283 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | pongee/kasuri | Okinawa Prefecture | 2004 | |
Textiles | {{nihongo|Kurume-kasuri|久留米絣}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/116 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | | Fukuoka Prefecture | 1957 | |
Textiles | {{nihongo|Miyako-jōfu|宮古上布}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/118 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | | Okinawa Prefecture | 1978 | |
Textiles | {{nihongo|Tate-nishiki|経錦}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/267 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | Vertical brocade of ancient origin, revived by Kitamura Takeshi | | 2000 | |
Textiles | {{nihongo|Yūki-tsumugi|結城紬}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/114 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite web |url=http://www.unesco.org/culture/ich/index.php?lg=en&pg=00011&RL=00406 |title=Yuki-tsumugi, silk fabric production technique |publisher=UNESCO |access-date=18 March 2011}}] | Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2010 | | 1956 | |
Textiles | {{nihongo|Kenjō Hakata weave|献上博多織}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/59 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | | Fukuoka Prefecture | 2003 | |
Textiles | {{nihongo|Edo komon|江戸小紋}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/66 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | Edo fine pattern; stencil resist dyeing technique popular in the Edo period | | 1978 | 75px |
Textiles | {{nihongo|Bingata|紅型}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/252 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | Stencil or resist paste weave; in the eighteenth century its use by commoners was restricted | Okinawa Prefecture | 1996 | 75px |
Textiles | {{nihongo|Saga-nishiki|佐賀錦}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/61 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | Brocade that developed in the early nineteenth century and was widespread by the early twentieth | Saga Prefecture | 1994 | 75px |
Textiles | {{nihongo|Embroidery|刺繍|Shishū}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/251 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | | | 1997 | 75px |
Textiles | {{nihongo|Shuri weave|首里の織物}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/263 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | | Okinawa Prefecture | 1998 | |
Textiles | {{nihongo|Ojiya-chijimi - Echigo-jōfu|小千谷縮・越後上布}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/115 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite web |url=http://www.unesco.org/culture/ich/index.php?lg=en&pg=00011&RL=00266 |title=Ojiya-chijimi, Echigo-jofu: techniques of making ramie fabric in Uonuma region, Niigata Prefecture |publisher=UNESCO |access-date=2 May 2011}}] | Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2009 | Niigata Prefecture | 1955 | |
Textiles | {{nihongo|Seigō Sendai-hira|精好仙台平}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/58 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | | Miyagi Prefecture | 2002 | |
Textiles | {{nihongo|Tsumugi weave|紬織}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/60 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | Woven from hand-spun silk floss | | 1990 | |
Textiles | {{nihongo|Bashōfu|芭蕉布}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/266 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | Bashō-fibre cloth | Okinawa Prefecture | 2000 | |
Textiles | {{nihongo|Mokuhanzuri-sarasa|木版摺更紗}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/00000299 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | | | 2008 | |
Textiles | {{nihongo|Monsha|紋紗}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/00000312 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite web |url=http://www.vam.ac.uk/content/articles/k/kimono-weaving-techniques/ |title=Weaving |publisher=Victoria and Albert Museum |access-date=2 May 2011 |url-status=dead |archive-url=https://web.archive.org/web/20110511082638/http://www.vam.ac.uk/content/articles/k/kimono-weaving-techniques/ |archive-date=11 May 2011 }}] | Figured gauze weave silk | | | |
Textiles | {{nihongo|Yūzen|友禅}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/62 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite web |url=http://www.aisf.or.jp/~jaanus/deta/y/yuuzenzome.htm |title=Yuuzenzome |publisher=Japanese Architecture and Art Net Users System |access-date=2 May 2011}}] | Paste-resist dyeing; perfected around 1700 by Miyazaki Yūzen | | 1955 | |
Textiles | {{nihongo|Yūsoku weave|有職織物}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/55 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | | | 1999 | |
Textiles | {{nihongo|Ra|羅}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/56 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite web |url=http://www.aisf.or.jp/~jaanus/deta/r/ra.htm |title=Ra |publisher=Japanese Architecture and Art Net Users System |access-date=2 May 2011}}] | A form of gauze weave; examples are found in the Shōsōin | | 1995 | |
Lacquerware | {{nihongo|Chinkin|沈金}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/75 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite book |title=Crafting Beauty in Modern Japan |author=Rousmaniere, Nicole |year=2007 |publisher=British Museum |pages=162–4 |ISBN=978-0-7141-2448-3}}][{{cite web |url=http://www.aisf.or.jp/~jaanus/deta/c/chinkin.htm |title=Chinkin |publisher=Japanese Architecture and Art Net Users System |access-date=2 May 2011}}] | Incised and filled with gold leaf or powder applied over wet lacquer; popular in China from the Song dynasty and particularly associated with Wajima ware | | 1999 | 75px |
Lacquerware | {{nihongo|Kinma|蒟醤}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/76 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite web |url=http://www.aisf.or.jp/~jaanus/deta/k/kinma.htm |title=Kinma |publisher=Japanese Architecture and Art Net Users System |access-date=2 May 2011}}] | Incised and colour-filled; introduced from the continent, prized in the Muromachi period, and perfected around Takamatsu in the Edo period | | 1985 | |
Lacquerware | {{nihongo|Kyūshitsu|髹漆}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/78 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite book |title=Urushi: Proceedings of the Urushi Study Group, June 10-27, 1985, Tokyo |editor=Bromelle, N. S. |editor2=Smith, Perry |chapter=The Kyushitsu Technique Demonstrated on a Natsume |author=Ōba, Shogyo |publisher=Getty Conservation Institute |year=1988 |ISBN=978-0-89236-096-3 |pages=91–94}}] | Sequential lacquering technique with four main phases: substrate, priming, intermediate coating, and top coating | | 1974 | |
Lacquerware | {{nihongo|Maki-e|蒔絵}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/74 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite web |url=http://www.aisf.or.jp/~jaanus/deta/m/makie.htm |title=Makie |publisher=Japanese Architecture and Art Net Users System |access-date=2 May 2011}}] | Sprinkled picture decoration using metallic powder or pigment; dates to the Heian period | | 1955 | 75px |
Lacquerware | {{nihongo|Raden|螺鈿}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/262 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite web |url=http://www.aisf.or.jp/~jaanus/deta/r/raden.htm |title=Raden |publisher=Japanese Architecture and Art Net Users System |access-date=2 May 2011}}] | Shell (Mother-of-pearl, abalone, nautilus) inlay | | 1999 | |
Lacquerware | {{nihongo|Wajima-nuri|輪島塗}}[{{cite web |url=http://shofu.pref.ishikawa.jp/shofu/wajima_e/main.html |title=Wajima Lacquerware |publisher=Ishikawa Prefecture |access-date=2 May 2011 |url-status=dead |archive-url=https://web.archive.org/web/20110111134701/http://shofu.pref.ishikawa.jp/shofu/wajima_e/main.html |archive-date=11 January 2011 }}][{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/120 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite book |title=Japanese Crafts |author=The Japan Craft Forum |publisher=Kodansha |year=1996 |pages=86f |ISBN=978-4-7700-2734-4}}] | A mixture of burned diatomaceous earth, rice paste, and lacquer is used for the layers of undercoat; the earliest example, the doors of Juzo Jinja, date to 1524 | Ishikawa Prefecture | 1977 | 75px |
Metalwork | {{nihongo|Metal chasing|彫金|chōkin}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/83 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite web |url=http://www.aisf.or.jp/~jaanus/deta/c/choukin.htm |title=Choukin |publisher=Japanese Architecture and Art Net Users System |access-date=2 May 2011}}] | Several engraving techniques have been practised since the dōtaku of the Yayoi period | | 1978 | 75px |
Metalwork | {{nihongo|Metal casting|鋳金|chūkin}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/79 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite web |url=http://www.aisf.or.jp/~jaanus/deta/c/chuukin.htm |title=Chuukin |publisher=Japanese Architecture and Art Net Users System |access-date=2 May 2011}}] | Several casting techniques have been practised since the dōtaku of the Yayoi period, including lost-wax casting | | 1993 | 75px |
Metalwork | {{nihongo|Sword Polishing|刀剣研磨|tōken kenma}} | | | 1975 | |
Metalwork | {{nihongo|Dora|銅鑼}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/86 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | Gongs | | 2002 | 75px |
Metalwork | {{nihongo|Repoussé|鍛金|tankin}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/85 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite web |url=http://www.aisf.or.jp/~jaanus/deta/t/tankin.htm |title=Tankin |publisher=Japanese Architecture and Art Net Users System |access-date=2 May 2011}}] | | | 1995 | |
Woodworking | {{nihongo|Bamboo-work|竹工芸 ちくこうげい}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/92 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | | | 1982 | |
Woodworking | {{nihongo|Wood-work|木工芸 もくこうげい}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/89 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | | | 1984 | |
Dolls | {{nihongo|Ishō-ningyō|衣裳人形}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/93 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite book |title=Crafting Beauty in Modern Japan |author=Rousmaniere, Nicole |year=2007 |publisher=British Museum |page=166 |ISBN=978-0-7141-2448-3}}] | Costume dolls, dressed in tailored clothing made from dyed and woven textiles | | 1986 | |
Dolls | {{nihongo|Tōso-ningyō|桐塑人形}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/95 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | Paulownia sawdust, mixed with wheat starch and plum paste, is used to form a plaster for casting; once dry it is hard enough to be sculpted | | 2002 | |
Washi | {{nihongo|Echizen-hōsho|越前奉書}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/97 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite book |title=Japanese Crafts |author=The Japan Craft Forum |publisher=Kodansha |year=1996 |pages=112f |ISBN=978-4-7700-2734-4}}][{{cite web |url=http://www.aisf.or.jp/~jaanus/deta/h/housho.htm |title=Housho |publisher=Japanese Architecture and Art Net Users System |access-date=2 May 2011}}] | High-quality paper, used for official orders since the Muromachi period; paper-making in the region is known from the Engishiki | Fukui Prefecture | 2000 | |
Washi | {{nihongo|Hon-Minogami|本美濃紙}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/122 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite web |url=http://www.aisf.or.jp/~jaanus/deta/m/minogami.htm |title=Minogami |publisher=Japanese Architecture and Art Net Users System |access-date=2 May 2011}}] | Mulberry paper from Mino Province; records in the Shōsō-in refer to three paper-making regions: Chikuzen Province, Buzen Province, and Mino Province | Gifu Prefecture | 1969 | |
Washi | {{nihongo|Hosokawa-shi|細川紙}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/121 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}] | | | 1978 | |
Washi | {{nihongo|Najio-ganpishi|名塩雁皮紙}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/272 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite web |url=http://www.aisf.or.jp/~jaanus/deta/g/ganpishi.htm |title=Ganpishi |publisher=Japanese Architecture and Art Net Users System |access-date=2 May 2011}}] | Made from the ganpi plant | Hyōgo Prefecture | 2002 | |
Washi | {{nihongo|Sekishū-banshi|石州半紙}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/123 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite web |url=http://www.unesco.org/culture/ich/index.php?pg=00011&RL=00267 |title=Sekishu-Banshi |publisher=UNESCO |access-date=2 May 2011}}] | The strongest paper produced in Japan; used for shōji, calligraphy, and conservation-restoration; inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2009 | Shimane Prefecture | 1969 | |
Washi | {{nihongo|Tosa-tengujōshi|土佐典具帖紙}}[{{cite web |url=https://kunishitei.bunka.go.jp/heritage/detail/303/264 |title=Database of Registered National Cultural Properties |publisher=Agency for Cultural Affairs |access-date=15 March 2011}}][{{cite web |url=http://kougeihin.jp/en/crafts/introduction/paper/2956?m=cu |title=Tosa Paper |publisher=The Association for the Promotion of Traditional Craft Industries |access-date=2 May 2011 |url-status=dead |archive-url=https://web.archive.org/web/20110809054337/http://kougeihin.jp/en/crafts/introduction/paper/2956?m=cu |archive-date=9 August 2011 }}] | A very fine, strong paper developed around 1900 by Genta Yoshii | Kōchi Prefecture | 2001 | |