Interiors

Arthur, a corporate attorney, and Eve, an interior decorator, are the parents of three adult daughters. Renata, the eldest daughter, is a poet whose husband Frederick, a struggling writer, feels eclipsed by her success. Flyn, the youngest daughter, is an actress who is away most of the time filming; the low quality of her films is an object of ridicule behind her back. The middle daughter, Joey, who is in a relationship with Mike, cannot settle on a career, and resents her mother for favoring Renata, while Renata resents their father's concern over Joey's lack of direction.

One morning, Arthur unexpectedly announces that he wants a separation from his wife and would like to live alone. Eve, who is clinically depressed, attempts suicide in her new Manhattan apartment. The shock of these two events causes a rift among the sisters. Arthur returns from a trip to Greece with Pearl, a high-spirited and more "normal" woman, whom he intends to marry. His daughters are disturbed that Arthur would disregard Eve's suicide attempt and find another woman, to whom Joey refers as a "vulgarian".

Arthur and Pearl marry at the family's Long Island beach house, with Renata, Joey, and Flyn in attendance. Later in the evening, Joey lashes out at Pearl when Pearl accidentally breaks one of Eve's vases. In the middle of the night, Frederick drunkenly attempts to rape Flyn in the garage, but she manages to escape. Meanwhile, Joey finds Eve in the house, and sadly explains how much she has given up for her mother, and how disdainfully she is treated. Eve walks out onto the beach and into the surf. Joey unsuccessfully attempts to save Eve, but nearly drowns in the process. Mike rescues Joey, pulling her to shore, so that Pearl resuscitates the drowned victim by tilting Joey's head back, clearing the airway, and pinching the nose, to administer rescue breaths into her lungs via mouth-to-mouth.

The family attends Eve's funeral, each placing a single white rose, Eve's favorite flower and a symbol of hope to her, on Eve's wooden coffin, after which the three sisters look out at the sea from their former family beach house and comment on the peacefulness of the sea.

{{Cast listing|

• Kristin Griffith as Flyn
• Mary Beth Hurt as Joey
• Richard Jordan as Frederick
• Diane Keaton as Renata
• E. G. Marshall as Arthur
• Geraldine Page as Eve
• Maureen Stapleton as Pearl
• Sam Waterston as Mike

}}

Interiors grossed $10.4 million in the United States and Canada.

On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 78% based 18 reviews, with an average rating of 6.9/10.{{cite Rotten Tomatoes|id=interiors|type=movie|title=Interiors|publisher_hide=y}} weighted average, assigned the film a score of 67 out of 100, based on 9 critics, indicating "generally favorable" reviews.{{cite web |title=Interiors Reviews |url=https://www.metacritic.com/movie/interiors |website=Metacritic |access-date=February 29, 2020}}

Vincent Canby of The New York Times called the film "beautiful" and complimented Gordon Willis on his "use of cool colors that suggest civilization's precarious control of natural forces", but noted:{{cite news |last=Canby |first=Vincent |author-link=Vincent Canby |date=August 6, 1978 |title=Screen: 'Interiors,' a Departure for Woody Allen |url=https://www.nytimes.com/1978/08/02/archives/screen-interiors-a-departure-for-woody-allenculture-shock.html |newspaper=The New York Times |page=D1 |access-date=December 5, 2018 |archive-date=December 5, 2018 |archive-url=https://web.archive.org/web/20181205060801/https://www.nytimes.com/1978/08/02/archives/screen-interiors-a-departure-for-woody-allenculture-shock.html |url-status=live}}

{{blockquote|My problem with Interiors is that although I admire the performances and isolated moments ... I haven't any real idea what the film is up to. It's almost as if Mr. Allen had set out to make someone else's movie, say a film in the manner of Mr. Bergman, without having any grasp of the material, or first-hand, gut feelings about the characters. They seem like other people's characters, known only through other people's art.}}

Richard Schickel of Time wrote that the film's "desperate sobriety ... robs it of energy and passion"; Allen's "style is Bergmanesque, but his material is Mankiewiczian, and the discontinuity is fatal. Doubtless this was a necessary movie for Allen, but it is both unnecessary and a minor embarrassment for his well-wishers."{{cite magazine|url=http://content.time.com/time/magazine/article/0,9171,948229,00.html|title=Cinema: Darkest Woody|date=August 1978|author-link=Richard Schickel|first=Richard|last=Schickel|magazine=Time|access-date=October 13, 2019|archive-url=https://web.archive.org/web/20191013130412/http://content.time.com/time/magazine/article/0,9171,948229,00.html|archive-date=October 13, 2019|url-status=live}}

Roger Ebert gave the film four stars and praised it highly, writing, "Here we have a Woody Allen film, and we're talking about O'Neill and Bergman and traditions and influences? Yes, and correctly. Allen, whose comedies have been among the cheerful tonics of recent years, is astonishingly assured in his first drama."{{cite news|url=https://www.rogerebert.com/reviews/interiors-1978|title=Interiors – Movie Review & Film Summary (1978)|author-link=Roger Ebert|first=Roger|last=Ebert|newspaper=The Chicago Sun-Times|via=RogerEbert.com|date=August 2, 1978|access-date=October 13, 2019|archive-url=https://web.archive.org/web/20191013130413/https://www.rogerebert.com/reviews/interiors-1978|archive-date=October 13, 2019|url-status=live}}

Gene Siskel awarded three stars out of four and wrote:

{{blockquote|I thought the unremitting pain of the first half of the film was almost laughable, as if Allen had made a bad Bergman film. I thoroughly enjoyed the second half, in which the film's only bright, lively character (Maureen Stapleton as the father's new, romantic interest) makes her entrance. At the end, I left the theater thinking that the picture was painful and didn't have much applicability to my life, but that I would always remember its characters more for the superb acting than for Allen's script.{{cite news|author-link=Gene Siskel|last=Siskel|first=Gene|date=September 22, 1978|title=Allen's 'Interiors': A touch of Bergman plus fine acting|newspaper=Chicago Tribune|at=Section 4, p. 3|issn=1085-6706}}}}

Charles Champlin called the film "somber, intense and stunning", concluding, "Like Cries and Whispers, Allen's Interiors is, for all the somberness of the material, in the end an affirmation of life and a transcendent piece of art. The film lovers will love it if joke-seekers do not.{{cite news|author-link=Charles Champlin|last=Champlin|first=Charles|date=August 27, 1978|title=Woody Allen Drops the Mask|newspaper=Los Angeles Times|at=Calendar, pp. 1, 32|issn=0458-3035}}

Penelope Gilliatt of The New Yorker wrote: "This droll piece of work is [Allen's] most majestic so far. The theme its characters express is very Chekhovian. It is pinned to the idea that the hardest, and most admirable thing to do is to act properly through a whole life."{{cite magazine|author-link=Penelope Gilliatt|last=Gilliatt|first=Penelope|date=August 7, 1978|title=The Current Cinema|magazine=The New Yorker|page=78|issn=0028-792X}}

James Monaco, in his 1979 book American Film Now, described Interiors as "the most pretentious film by a major American filmmaker in the last thirty years" alongside Mickey One (1965).{{cite book |last=Monaco |first=James |author-link=James Monaco |url=https://archive.org/details/americanfilmnowp0000mona_v8w4/page/264/mode/2up |title=American Film Now: The People, the Power, the Money, the Movies |location=New York |publisher=Plume |year=1979 |page=264 |isbn=978-0-1950-2570-5 |url-access=registration}}

In 2016, Interiors was listed as Allen's 11th best film in an article by The Daily Telegraph critics Robbie Collin and Tim Robey, who wrote that "the emotional effort being expended is cumulatively hard to shrug off" and praised Stapleton's performance.{{cite news|url=https://www.telegraph.co.uk/films/0/woody-allens-best-and-worst-movies/|title=All 47 Woody Allen movies – ranked from worst to best|author1-last=Collin|author1-first=Robbie|author-link1=Robbie Collin|author2-last=Robey|author2-first=Tim|newspaper=The Daily Telegraph|date=October 12, 2016|access-date=January 31, 2017|archive-url=https://web.archive.org/web/20210118143535/https://www.telegraph.co.uk/films/0/woody-allens-best-and-worst-movies/|archive-date=January 18, 2021|url-status=live}}

Allen's own fears about the film's reception are recounted in a 1991 biography of Allen by Eric Lax, where he quotes Ralph Rosenblum, the film's editor:{{cite book |last=Lax |first=Eric |author-link=Eric Lax |url=https://archive.org/details/woodyallenbiogra00laxe/page/335 |title=Woody Allen: A Biography |location=New York |publisher=Alfred A. Knopf |year=1991 |page=335 |isbn=978-0-3945-8349-5 |url-access=registration}}

{{blockquote|He [Allen] managed to rescue Interiors, much to his credit. He was against the wall. I think he was afraid. He was testy, he was slightly short-tempered. He was fearful. He thought he had a real bomb. But he managed to pull it out with his own work. The day the reviews came out, he said to me, 'Well, we pulled this one out by the short hairs, didn't we?'}}

Later, while watching the film with an acquaintance, Allen reportedly said, "It's always been my fear. I think I'm writing Long Day's Journey into Night and it turns into Edge of Night."

Looking back on the film in 1982, Allen said:

{{blockquote|I should have brought Pearl, Maureen Stapleton's character, in earlier. I thought the audience would be entertained before the nub of conflict emerged. I thought that it was entertaining enough before Pearl entered, but it wasn't. It should have been. I should have started it with Pearl coming in right away and the whole thing would have flowered right from the start.{{cite news|last=Arnold|first=Gary|date=July 16, 1982|title=Woody Allen, Inside and Out|newspaper=The Washington Post|pages=C1–2|issn=0190-8286}}}}

• "Keepin' Out of Mischief Now" (1932) – Written by Fats Waller & Andy Razaf – Performed by Tommy Dorsey & His Orchestra
• "Wolverine Blues" (1923) – Written by Ferdinand Morton – Performed by The World's Greatest Jazz Band{{cite book |last= Harvey |first= Adam|year= 2007|title= The Soundtracks of Woody Allen: A Complete Guide to the Songs and Music in Every Film, 1969–2005|location= Jefferson, North Carolina |publisher= McFarland & Company |page=74 |isbn=978-0-7864-2968-4}}

The plot and characters of Interiors are alluded to in the Death Cab for Cutie song "Death of an Interior Decorator", taken from the 2003 album Transatlanticism.{{cite web|title=Death Cab for Cutie – Death of an Interior Decorator|url=https://genius.com/Death-cab-for-cutie-death-of-an-interior-decorator-lyrics|access-date=2018-07-04|website=Genius|archive-date=July 4, 2018|archive-url=https://web.archive.org/web/20180704213014/https://genius.com/Death-cab-for-cutie-death-of-an-interior-decorator-lyrics|url-status=live}}

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Category:1978 films

Category:1978 drama films

Category:1970s American films

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Category:American drama films

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Category:Films about depression

Category:Films about divorce

Category:Films about dysfunctional families

Category:Films about sisters

Category:Films about suicide

Category:Films based on works by Ingmar Bergman

Category:Films directed by Woody Allen

Category:Films produced by Charles H. Joffe

Category:Films set on Long Island

Category:Films set in New York City

Category:Films shot in New York (state)

Category:Films shot in New York City

Category:Films with screenplays by Woody Allen

Category:United Artists films