Martin Rushent

{{short description|English record producer}}

{{Use British English|date=January 2014}}

{{Use dmy dates|date=April 2019}}

{{Infobox musical artist

| image = Martin Rushent.jpg

| name = Martin Rushent

| caption = Rushent in February 2011

| background = non_performing_personnel

| birth_name = Martin Charles Rushent{{cite news|author=The Telegraph|title=Martin Rushent|url=https://www.telegraph.co.uk/news/obituaries/technology-obituaries/8562220/Martin-Rushent.html|newspaper=The Daily Telegraph|access-date=7 June 2011|location=London|date=7 June 2011}}

| birth_place = Enfield, Middlesex, United Kingdom

| alias =

| birth_date = {{Birth date|1948|7|11|df=yes}}

| death_date = {{Death date and age|2011|6|4|1948|7|11|df=yes}}

| death_place = Upper Basildon, Berkshire, United Kingdom

| origin = London, England

| instrument = Synthesizer, vocals{{cite web|title=Martin Rushent|url=http://www.allmusic.com/artist/martin-rushent-p121054/credits|website=AllMusic|access-date=8 June 2011}}

| genre = Punk rock, synthpop, new wave, electro, progressive rock

| occupation = Record producer, arranger

| years_active = 1968–2011

| label = EMI, Virgin

| associated_acts = The Human League, The Stranglers, Buzzcocks, Fleetwood Mac

| website = [https://www.myspace.com/mrushent Martin Rushent Myspace]

}}

Martin Charles Rushent (11 July 1948 – 4 June 2011){{cite news|title=Martin Rushent, influential music producer, dies at 63|author=BBC News|url=https://www.bbc.co.uk/news/uk-13663325|access-date=5 June 2011|newspaper=BBC |date=5 June 2011}} was an English record producer, best known for his work with the Human League, the Stranglers and Buzzcocks.{{cite web|author=NME|title=Producer Martin Rushent dies aged 63|website=NME |year=2011|url=http://www.nme.com/news/human-league/57103|access-date=6 June 2011}}

Early life

{{expand section|date=June 2011}}

Rushent was born on 11 July 1948 in Enfield, Middlesex. His father was a car salesman. Rushent attended Minchenden Grammar School in Southgate, Middlesex.

Rushent left school and started working at a local chemical factory and then with his father before embarking on his music career in the early 1970s as a studio engineer.{{Cite web|url=https://www.soundonsound.com/people/martin-rushent-producer|title=Martin Rushent: Producer|website=Soundonsound.com}}

Career

= Early career =

Rushent's first experience in a recording studio was at EMI House in London's Manchester Square, when his school band (of which he was the lead singer) had the opportunity to record a demo.{{cite web|last=Flint|first=Tom|title=Martin Rushent: from Punk to Electro|year=2007|url=http://www.soundonsound.com/sos/feb07/articles/martinrushent.htm|work=Sound on Sound|publisher=SOS Publications Group|access-date=6 June 2011}} After leaving school, Rushent, who had already experimented with his father's 4-track recorder, worked at a chemical factory before working for his father while applying for studio jobs. After numerous rejections, Rushent was employed by Advision Studios as a 35mm film projectionist. After approximately three months, Rushent began working in the audio department as a tape operator alongside Tony Visconti. He worked on sessions for Fleetwood Mac,{{cite news|last=Topping|first=Alexandra|title=Prominent producer Martin Rushent dies aged 63|url=https://www.theguardian.com/global/2011/jun/06/music-producer-martin-rushent-dies-stranglers-buzzcocks|work=The Guardian |location=UK |access-date=7 June 2011|date=6 June 2011}} T. Rex, Yes, Emerson, Lake & Palmer, Petula Clark, Jerry Lee Lewis and Osibisa.{{cite web|last=Buskin|first=Richard|title=Human League "Don't You Want Me"|url=http://www.soundonsound.com/sos/jul10/articles/classictracks_0710.htm|year=2010|work=Sound on Sound|publisher=SOS Publications|access-date=6 June 2011}} Rushent stated that while at Advision, Jerry Lee Lewis threw a tantrum as Yes had been booked into the studio when he was not ready to leave, and chased the studio staff around the complex until they locked themselves in a different studio.{{cite web|last=Serck|first=Linda|title=Legendary producer Martin Rushent|year=2009|url=http://www.getreading.co.uk/entertainment/music/s/2061462_legendary_producer_martin_rushent|website=Getreading.co.uk|access-date=6 June 2011}}

Rushent progressed to senior assistant engineer, staff engineer, and eventually head engineer. He then began working freelance, where he built his reputation and was employed by United Artists (UA). While with UA, Rushent recorded sessions alongside Martin Davies, recording artists such as Shirley Bassey and Buzzcocks, as well as convincing the company to sign the Stranglers provided that he produced the band's material. Rushent produced the group's Rattus Norvegicus, No More Heroes and Black and White albums and recorded demos for Joy Division, before tiring of his commute to London and left UA at the end of the 1970s.

= Synth-pop =

Rushent expressed a desire to move away from guitar bands, and bought a Linn LM-1 drum machine, Roland MC-8 Microcomposer and Jupiter-8 synthesiser to learn sequencing and synthesis techniques. In 1980, Rushent set up his own studio, Genetic, designed by renowned studio designer Eddie Veale, with Synclavier and Fairlight CMI synthesisers and an MCI console. He spent £35,000 on air conditioning alone, and had a Mitsubishi Electric digital recorder costing £75,000.

Rushent used his Roland equipment to record Pete Shelley's first solo album, Homosapien. Originally demos for the planned fourth Buzzcocks album, Shelley and Rushent deemed the recordings releasable, and Shelley was signed to Island Records. They were heard by Simon Draper of Virgin Records, who asked Rushent to produce for the Human League. Rushent's work on the group's 1981 album Dare earned him a BRIT Award in 1982 for Best British producer.{{cite news|last=Serck|first=Linda|title=Martin Rushent's studio stories|url=https://www.bbc.co.uk/news/uk-england-berkshire-13668589|access-date=6 June 2011|publisher=BBC|date=6 June 2011}} Rushent's production on Dare frustrated the group's guitarist Jo Callis, as the only guitar on the album was used to trigger a gate on the synthesiser. Singer Susanne Sulley was also frustrated by the lengthy process of Rushent's synth programming. In 1983, Rushent walked out of his own studio after Sulley made an off-the-cuff comment toward him.

Rushent also produced albums by Generation X, Altered Images and the Go-Go's in the 1980s.{{cite web|last=Vaughan|first=Andrew|title=Top British Producer Dies|year=2011|url=http://www.gibson.com/en-us/Lifestyle/News/martin-rushent-0607-2011/|publisher=Gibson|access-date=7 June 2011|url-status=dead|archive-url=https://web.archive.org/web/20110608191545/http://www.gibson.com/en%2Dus/Lifestyle/News/martin%2Drushent%2D0607%2D2011/|archive-date=8 June 2011}}

Rushent decided to take a break from production in the 1990s,{{cite web|last=Dakeyne|first=Paul|title=RIP Martin Rushent – Electronic Music Pioneer|url=http://magazine.dv247.com/2011/06/06/rip-martin-rushent-electronic-music-pioneer/|publisher=DV247|access-date=7 June 2011|archive-url=https://web.archive.org/web/20110609213323/http://magazine.dv247.com/2011/06/06/rip-martin-rushent-electronic-music-pioneer|archive-date=9 June 2011|url-status=dead}} and sold his assets – including Genetic Studios. He briefly took up a consultancy position with Virgin, but retired from the industry to raise his children.

= Later career =

Rushent returned to the music industry in the mid-1990s when he established Gush, a dance club on Greenham Common. The club's opening night was headlined by the Prodigy with support from Mad Professor and LTJ Bukem. Rushent soon began redeveloping his interest in recording, and decided to catch up on the technological advances he had missed.

Rushent built a home studio around a Mackie console, Alesis ADAT HD24 recorder and Cubase 5, with which he produced music by the Pipettes, Does It Offend You, Yeah? and Killa Kela.{{cite web|last=Chick|first=Jeremy|title=Killa Kela|year=2009|url=http://www.subba-cultcha.com/features/article.php?contentID=13484|publisher=Subba Cultcha|access-date=6 June 2011|url-status=dead|archive-url=https://web.archive.org/web/20120326103918/http://www.subba-cultcha.com/features/article.php?contentID=13484|archive-date=26 March 2012}} In 2005, he produced Hazel O'Connor's album Hidden Heart. The following year, he was involved with the BBC Electric Proms when he recorded Enid Blitz, winners in the Brighton area, at a 15th-century manor house in Brentford, using a BBC truck as the control room.

In 2007, Rushent produced the recording Cherry Vanilla by the (Fabulous) Cult of John Harley. The recording was used by the American singer and actress Cherry Vanilla in the launch of her autobiography Lick Me: How I Became Cherry Vanilla.{{cite web|url=http://www.cherry-vanilla.com/mediaaccess.htm |title=MEDIA ACCESS on the official Cherry Vanilla website |website=Cherry-vanilla.com |access-date=13 August 2015}}

At the time of his death, Rushent was working on a 30th anniversary version of Dare, remixed like Love and Dancing but using traditional musical instruments instead of synthesisers.

Personal life

In 1972, Rushent married Linda Trodd, with whom he had three children. They separated in the 1980s, and Rushent later married Ceri Davis, with whom he had a daughter. Rushent lived in Berkshire village of Upper Basildon.{{cite news|last=Serck|first=Linda|title=Pangbourne producer to the stars|url=http://news.bbc.co.uk/local/berkshire/hi/people_and_places/music/newsid_8362000/8362313.stm|publisher=BBC |access-date=6 June 2011|date=16 November 2009}} Rushent's son James is the lead singer of the dance-punk band Does It Offend You, Yeah?.

Rushent died on 4 June 2011, at his home in Berkshire.{{Cite news|url=https://www.nytimes.com/2011/06/13/arts/music/martin-rushent-record-producer-dead-at-62.html|title = Martin Rushent, Versatile Record Producer, Dies at 62|newspaper = The New York Times|date = 13 June 2011|last1 = Keepnews|first1 = Peter}}

Discography

{{inc-musong|date=October 2021}}

class="wikitable"
YearArtistRecordTypeRoleReference
1970Andrew Lloyd WebberJesus Christ Superstarstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer
rowspan=5 | 1971T-RexElectric Warriorstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer{{cite news|last=Sweeting|first=Adam|title=Martin Rushent obituary|url=https://www.theguardian.com/music/2011/jun/07/martin-rushent-obituary|work=Guardian |location=UK |access-date=7 June 2011|date=7 June 2011}}
Gentle GiantAcquiring the Tastestyle="background:#b0c4de; font-size:88%"| Studio albumEngineer
CompostCompoststyle="background:#b0c4de; font-size:88%"| Studio albumEngineer, producer
Stone the CrowsTeenage Licksstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer
Fleetwood MacFuture Gamesstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer
rowspan=5 | 1972GroundhogsHogwashstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer
Gentle GiantThree Friendsstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer
Gentle GiantOctopusstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer
Stone the CrowsOntinuous Performancestyle="background:#b0c4de; font-size:88%"| Studio albumEngineer
Shirley BasseyI Capricornstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer
rowspan=4| 1973Curved AirAir Cutstyle="background:#b0c4de; font-size:88%"| Studio albumProducer{{cite web|last=Mota|first=Eduardo|title=Curved Air: Air Cut|year=1998|url=http://www.gaudela.net/air/air_cut.html|access-date=7 June 2011}}
Chaos"Down At The Club" / "You Could Be My Girl"style="background:#b0c4de; font-size:88%"| Studio singleComposer, producer{{Citation needed|date=September 2011}}
Johnny HarrisAll to Bring You Morningstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer, remixing
BadgerOne Live Badgerstyle="background:#deb887; font-size:88%"| Live albumEngineer
rowspan=4 | 1974Riff RaffOriginal Manstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer{{cite web|last=Eyre|first=Tommy|title=Riff Raff|year=1999|url=http://www.alexgitlin.com/npp/rr.htm|publisher=Alex Gitlin|access-date=7 June 2011}}
The Sensational Alex Harvey BandThe Impossible Dreamstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer
SnafuSituation Normalstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer
Premiata Forneria MarconiThe World Became the Worldstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer
rowspan=4 | 1975Danny KirwanSecond Chapterstyle="background:#b0c4de; font-size:88%"| Studio albumProducer{{cite book|last1=Carr|first1=Roy|last2=Clarke|first2=Steve|title=Fleetwood Mac: Rumours n' Fax|year=1978|publisher=Harmony Books|isbn=0-517-53365-0|page=91}}
Banco del Mutuo SoccorsoBancostyle="background:#b0c4de; font-size:88%"| Studio albumEngineer
Shirley BasseyGood, Bad but Beautifulstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer
ZzebraPanicstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer
rowspan=2 | 1976Roderick FalconerNew Nationstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer
McKendree SpringToo Young to Feel This Oldstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer
rowspan=5 | 1977The StranglersRattus Norvegicusstyle="background:#b0c4de; font-size:88%"| Studio albumProducer
Shirley BasseyYou Take My Heart Awaystyle="background:#b0c4de; font-size:88%"| Studio albumEngineer
The StranglersNo More Heroesstyle="background:#b0c4de; font-size:88%"| Studio albumProducer
TéléphoneTéléphonestyle="background:#b0c4de; font-size:88%"| Studio albumProducer
TricksterFind the Ladystyle="background:#b0c4de; font-size:88%"| Studio albumProducer
rowspan=8 | 1978The StranglersBlack and Whitestyle="background:#b0c4de; font-size:88%"| Studio albumProducer
BuzzcocksAnother Music in a Different Kitchenstyle="background:#b0c4de; font-size:88%"| Studio albumProducer{{cite web|last=Shelley|first=Pete|title=Another Music In A Different Kitchen|year=2008|url=http://freespace.virgin.net/pete.shelley/kitchen.htm|access-date=7 June 2011|url-status=dead|archive-url=https://archive.today/20130222104735/http://freespace.virgin.net/pete.shelley/kitchen.htm|archive-date=22 February 2013}}
Generation XGeneration Xstyle="background:#b0c4de; font-size:88%"| Studio albumProducer{{cite journal|journal=SPIN Magazine|title=Generation X|date=August 1993|volume=9|issue=5|page=84|issn=0886-3032}}
BuzzcocksLove Bitesstyle="background:#b0c4de; font-size:88%"| Studio albumProducer
999Separatesstyle="background:#b0c4de; font-size:88%"| Studio albumProducer{{cite book|last=Robbins|first=Ira A|title=The Trouser Press guide to new wave records|year=1983|publisher=C. Scribner's Sons|isbn=0-684-17943-1|page=[https://archive.org/details/trouserpressguid00robbi/page/210 210]|url=https://archive.org/details/trouserpressguid00robbi/page/210}}
Ian GommGomm with the Windstyle="background:#b0c4de; font-size:88%"| Studio albumProducer
Dr FeelgoodPrivate Practicestyle="background:#b0c4de; font-size:88%"| Studio albumProducer
Ian GommSummer Holidaystyle="background:#b0c4de; font-size:88%"| Studio albumProducer
rowspan=4 | 1979The StranglersLive (X Cert)style="background:#deb887; font-size:88%"| Live albumProducer
TéléphoneCrache Ton Veninstyle="background:#b0c4de; font-size:88%"| Studio albumProducer{{cite book|last=Robbins|first=Ira A|title=The Trouser Press guide to new wave records|year=1983|publisher=C. Scribner's Sons|isbn=0-684-17943-1|page=[https://archive.org/details/trouserpressguid00robbi/page/318 318]|url=https://archive.org/details/trouserpressguid00robbi/page/318}}
BuzzcocksA Different Kind of Tensionstyle="background:#b0c4de; font-size:88%"| Studio albumProducer{{cite book|last=Robbins|first=Ira A|title=The Trouser Press guide to new wave records|year=1983|publisher=C. Scribner's Sons|isbn=0-684-17943-1|page=[https://archive.org/details/trouserpressguid00robbi/page/96 96]|url=https://archive.org/details/trouserpressguid00robbi/page/96}}
Jean-Jacques BurnelEuroman Comethstyle="background:#b0c4de; font-size:88%"| Studio albumProducer{{cite book|last=Robbins|first=Ira A|title=The Trouser Press guide to new wave records|year=1983|publisher=C. Scribner's Sons|isbn=0-684-17943-1|page=[https://archive.org/details/trouserpressguid00robbi/page/638 638]|url=https://archive.org/details/trouserpressguid00robbi/page/638}}
rowspan=2 | 1980TéléphoneAu Cœur De La Nuitstyle="background:#b0c4de; font-size:88%"| Studio albumProducer
Rachel SweetProtect the Innocentstyle="background:#b0c4de; font-size:88%"| Studio albumProducer{{cite journal |year=1980 |title=Article in Audiocom |journal=High Fidelity |publisher=Audiocom |issue=1–6 |page=112}}
rowspan=6 | 1981The Human LeagueDarestyle="background:#b0c4de; font-size:88%"| Studio albumProducer
Pete ShelleyHomosapienstyle="background:#b0c4de; font-size:88%"| Studio albumProducer
The RaybeatsGuitar Beatstyle="background:#b0c4de; font-size:88%"| Studio albumProducer{{cite journal |date=November 1981 |title=Article in Billboard Magazine |journal=Billboard Magazine |volume=93 |issue=46 |page=90 |issn=0886-3032}}
Altered ImagesHappy Birthdaystyle="background:#b0c4de; font-size:88%"| Studio albumEngineer, producer
Deke LeonardBefore Your Very Eyesstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer, producer
The dB'sStands for Decibelsstyle="background:#b0c4de; font-size:88%"| Studio albumMixing
rowspan=3 | 1982The Human LeagueLove and Dancingstyle="background:#ccc; font-size:88%;"| Remix albumProducer
Altered ImagesPinky Bluestyle="background:#b0c4de; font-size:88%"| Studio albumProducer{{cite book|last=Robbins|first=Ira A|title=The Trouser Press guide to new wave records|year=1983|publisher=C. Scribner's Sons|isbn=0-684-17943-1|page=[https://archive.org/details/trouserpressguid00robbi/page/8 8]|url=https://archive.org/details/trouserpressguid00robbi/page/8}}
The MembersUprhythm, Downbeatstyle="background:#b0c4de; font-size:88%"| Studio albumProducer{{cite book|last=Robbins|first=Ira A|title=The Trouser Press guide to new wave records|year=1983|publisher=C. Scribner's Sons|isbn=0-684-17943-1|page=[https://archive.org/details/trouserpressguid00robbi/page/185 185]|url=https://archive.org/details/trouserpressguid00robbi/page/185}}
rowspan=3 | 1983The Human LeagueFascination!style="background:#ffa07a; font-size:88%"| E.P.Producer
Pete ShelleyXL1style="background:#b0c4de; font-size:88%"| Studio albumProducer{{cite book|last=Larkin|first=Colin|title=The encyclopedia of popular music|year=2006|publisher=Oxford University Press|isbn=0-19-531373-9|page=401}}
Intaferon"Get Out Of London"style="background:khaki; font-size:88%;"| Single/12"Producer{{cite web|last=Fellowes|first=Simon|title=Music|url=http://www.simonfellowes.com/music.html|access-date=22 January 2014}}
rowspan=3 | 1984The Human LeagueHysteriastyle="background:#b0c4de; font-size:88%"| Studio albumProgramming
Hazel O'ConnorSmilestyle="background:#b0c4de; font-size:88%"| Studio albumProducer
The Go-Go'sTalk Showstyle="background:#b0c4de; font-size:88%"| Studio albumEngineer, producer{{cite web|title=Martin Rushent|url=http://www.allmusic.com/artist/martin-rushent-p121054/credits/date-asc/100|website=AllMusic|access-date=8 June 2011}}
1985AssociatesPerhapsstyle="background:#b0c4de; font-size:88%"| Studio albumProducer{{cite book|last=Robbins|first=Ira A|title=The Trouser Press guide to new wave records|year=1983|publisher=C. Scribner's Sons|isbn=0-684-17943-1|page=[https://archive.org/details/trouserpressguid00robbi/page/28 28]|url=https://archive.org/details/trouserpressguid00robbi/page/28}}
rowspan=2| 1988Do-Re-MiThe Happiest Place in Townstyle="background:#b0c4de; font-size:88%"| Studio albumProducer
Associates"Heart of Glass"style="background:khaki; font-size:88%;"| SingleProducer
rowspan=3| 1990The Human League"Heart Like a Wheel"style="background:khaki; font-size:88%;"| SingleProducer
Hard CorpsMetal + Fleshstyle="background:#b0c4de; font-size:88%"| Studio albumProducer
The BoxThe Pleasure and the Painstyle="background:#b0c4de; font-size:88%"| Studio albumProducerCraig MacInnis, "The Box closes lid on Canada's two solitudes". Toronto Star, March 30, 1990.
1993FlopWhenever You're Readystyle="background:#b0c4de; font-size:88%"| Studio albumProducer
1993The Beautiful BabiesSerenadestyle="background:#b0c4de; font-size:88%""| Studio albumProducer
1997Ian Gomm"Come On"style="background:khaki; font-size:88%;"| SingleProducer
rowspan=2 | 2005Hazel O'ConnorHidden Heartstyle="background:#b0c4de; font-size:88%"| Studio albumProducer
Carl BaratUnder the Influencestyle="background:#b0c4de; font-size:88%"| Studio albumProducer
2009Killa KelaAmplifiedstyle="background:#b0c4de; font-size:88%"| Studio albumProducer{{cite web|title=Killa Kela – Amplified|url=http://www.discogs.com/Killa-Kela-Amplified/release/2107224|website=Discogs.com|access-date=9 June 2011}}
2010The PipettesEarth vs. The Pipettesstyle="background:#b0c4de; font-size:88%"| Studio albumProducer{{cite magazine|last=Eddy|first=Chuck|title=The Pipettes: Earth vs. the Pipettes|year=2010|url=https://www.rollingstone.com/music/albumreviews/earth-vs-the-pipettes-20101116|magazine=Rolling Stone|access-date=7 June 2011}}
2011Does It Offend You, Yeah?Don't Say We Didn't Warn Youstyle="background:#b0c4de; font-size:88%"| Studio albumProducer
2011The Pipettes"Boo Shuffle"style="background:khaki; font-size:88%;"|SingleProducer

References

{{Reflist}}