Technodelic
{{use mdy|date=November 2024}}
{{Infobox album
| name = Technodelic
| type = studio
| artist = Yellow Magic Orchestra
| cover = Yellow Magic Orchestra - Technodelic1.jpg
| alt =
| released = November 21, 1981
| recorded = March 21 – October 13, 1981
| studio = Alfa Studio "A", Shibaura, Minato, Tokyo
| genre =
- Avant-garde
- dance
- electronic
- electro{{cite news |last1=Lufkin |first1=Bryan |title=Proto Synthpop Turned Yellow Magic Orchestra Into Godfathers of Electro |url=https://www.wired.com/2012/06/pl-prototype-electro/ |access-date=5 March 2025 |work=Wired |date=16 June 2012}}
- electropop{{cite web |last1=Sweeting |first1=Adam |date=2004-01-08 |title=Yellow Magic Orchestra, Technodelic |url=https://www.theguardian.com/music/2004/jan/09/popandrock.shopping1 |website=The Guardian |access-date=2018-06-29}}
- industrial
- new wave
- psychedelic
- synthpop{{cite web |last1=Bush |first1=John |title=Yellow Magic Orchestra - Technodelic |url=https://www.allmusic.com/album/technodelic-mw0000196429 |website=AllMusic |access-date=2018-06-29}}
- techno{{cite news |last1=Reynolds |first1=Simon |title=Ryuichi Sakamoto’s Borderless Brilliance |url=https://pitchfork.com/features/afterword/ryuichi-sakamotos-borderless-brilliance/ |access-date=5 March 2025 |work=Pitchfork |date=2 April 2023}}
| length = 43:29
| label = Alfa
| producer = {{hlist|Haruomi Hosono|Yellow Magic Orchestra}}
| prev_title = BGM
| prev_year = 1981
| next_title = Naughty Boys
| next_year = 1983
| misc = {{Singles
| name = Technodelic
| type = studio
| single1 = Pure Jam
| single1date = 1982
| single2 = Taisō
| single2date = 1982
}}
{{Extra album cover
| header = Alternative cover
| type = studio
| cover = YMOtechnodelic.JPG
| border =
| alt =
| caption = Cover used on most reissues
}}
}}
{{Album ratings
|rev1 = AllMusic
|rev2 = Analog Planet
|rev3 = The Guardian
}}
Technodelic is the fifth studio album by Yellow Magic Orchestra, released in 1981. The electronic music album is notable for its experimental approach and heavy use of digital samplers, which were not commonly used until the mid-to-late 1980s, resulting in a more minimalist and avant-garde sound compared with its previous work.
It is considered the first released album to feature mostly samples and loops, influencing the heavy use of sampling and looping in popular music.{{cite web|last=Carter|first=Monica|title=It's Easy When You're Big In Japan: Yellow Magic Orchestra at The Hollywood Bowl|work=The Vinyl District|url=http://www.thevinyldistrict.com/losangeles/2011/06/it%E2%80%99s-easy-when-you%E2%80%99re-big-in-japan-yellow-magic-orchestra-at-the-hollywood-bowl/|access-date=2011-07-22|date=2011-06-30}} Yellow Magic Orchestra's approach to sampling music was a precursor to the contemporary approach of constructing music by cutting fragments of sounds and looping them using computer technology.{{cite book|last=Condry|first=Ian|title=Hip-hop Japan: rap and the paths of cultural globalization|year=2006|publisher=Duke University Press|isbn=0-8223-3892-0|url=https://books.google.com/books?id=37QWE3yRY-4C&pg=PA59|access-date=12 June 2011|page=60}}
In 2008, Sonic Youth frontman Thurston Moore provided a cover of "Gradated Grey" for the Haruomi Hosono tribute album Strange Songbook (Tribute To Haruomi Hosono 2). In 2016, the Canadian post-punk group Preoccupations covered the track "Key" as a part of a 7" vinyl that came with pre-orders of their self-titled album alongside a cover of The Raincoats' 1979 track "Off-Duty Trip".
Production
Most of the sampling was made with an {{ill|LMD-649|ja}}, a custom-built digital sampler developed by Toshiba-EMI engineer Kenji Murata. The LMD-649 was the first PCM digital sampler, capable of playing and recording PCM samples with a 12-bit audio depth and 50 kHz sampling rate, stored in 128 KB of dynamic RAM memory. It also had sampling drum machine capabilities.{{Cite journal|date=March 1982|script-title=ja:YMO/松武秀樹の秘密兵器、LMD-649を大公開‼︎|trans-title=YMO/Hideki Matsutake's secret weapon, the LMD-649, revealed!!|script-journal=ja:ロッキンf|trans-journal=Rockin'f|lang=ja|pages=140–141|url=http://tokyosky.sub.jp/tokyosky_webmasters_blog/2011/02/f-19823-lmd-649-1982.html}}
Notable samples used include Indonesian gamelan music and short looped vocals ("paa", "fuku", "chiki") for percussion in "Seoul Music", Indonesian kecak chanting in "Neue Tanz", and the final two tracks feature industrial factory noises. The LMD-649 was later used by other Japanese synthpop artists in the early 1980s, including YMO-associated acts such as Chiemi Manabe{{Discogs release|4389700|不思議・少女}} and Logic System{{Discogs release|703523|Orient Express}} in 1982.
The album also features use of speech through a two-way radio, a prepared piano, a Roland TR-808 drum machine (previously used in BGM), and Prophet-5 synthesizers. In another departure from previous albums, Haruomi Hosono has a more prominent role playing the bass guitar as opposed to playing bass lines on synthesizers (this trend will appear again on the album Service).
As with many of YMO's releases, song titles are printed in both Japanese and English. For "Seoul Music", the kanji "{{lang|ja|京城}}" are used, referring to Gyeongseong ({{lang|ko|경성}}; known as Keijou in Japan), the name of Seoul when Korea was under Japanese rule. "{{lang|ja|灯}}" refers to the light of a lantern. "Neue Tanz" is German for "New Dance", while "Taisō" is Japanese for "gymnastics" or "calisthenics".
For its single release, the track "Taisō" was given a music video directed by Haruomi Hosono and Norimasa Okumura.{{Cite AV media notes|date=2020-02-05|last=Yoshimura|first=Eiichi|title=Winter Live 1981|others=Yellow Magic Orchestra|publisher=GT Music|lang=ja}} The video features the members of YMO, dressed in uniforms designed by Yukihiro Takahashi, along with Takahashi's then manager Hiromi Kanai performing calisthenics against various chroma key backdrops, parodying real-world televised calisthenics broadcasts in Japan.{{Cite av|author=Yellow Magic Orchestra|date=2020-04-22|orig-year=1981|title=Taiso (Official Music Video)|url=https://www.youtube.com/watch?v=tTrlRXRnzh|publisher=Alfa Music|website=YouTube}}
Track listing
{{tracklist
| headline = Side one
| title1 = Pure Jam
| note1 = {{nihongo2|ジャム; "Jam"}}
| length1 = 4:30
| lyrics1 = Yukihiro Takahashi
Peter Barakan
| music1 = Takahashi
| title2 = Neue Tanz
| note2 = {{nihongo2|新舞踊; "Shin buyou"}}
| length2 = 4:58
| lyrics2 = Yellow Magic Orchestra
| music2 = YMO
| title3 = Stairs
| note3 = {{nihongo2|階段; "Kaidan"}}
| length3 = 4:14
| lyrics3 = Takahashi, Barakan
| music3 = Takahashi
| title4 = Seoul Music
| note4 = {{nihongo2|京城音楽; "Keijou ongaku"}}
| length4 = 4:46
| lyrics4 = Ryuichi Sakamoto, Takahashi, Barakan
| music4 = Sakamoto, Takahashi
| title5 = Light in Darkness
| note5 = {{nihongo2|灯; "Tomoshibi"}}
| length5 = 3:40
| music5 = Takahashi, Sakamoto
}}
{{tracklist
| headline = Side two
| title1 = Taiso
| note1 = {{nihongo2|体操; "Taisō"}}
| length1 = 4:21
| lyrics1 = YMO
| music1 = YMO
| title2 = Gradated Grey
| note2 = {{nihongo2|{{ruby-ja|灰色|グレイ}}の段階; "Grey no dankai"}}
| length2 = 5:33
| lyrics2 = Haruomi Hosono
| music2 = Hosono
| title3 = Key
| note3 = {{nihongo2|手掛かり; "Tegakari"}}
| length3 = 4:32
| lyrics3 = Hosono, Takahashi, Barakan
| music3 = Hosono, Takahashi
| title4 = Prologue
| note4 = {{nihongo2|前奏; "Zensou"}}
| length4 = 2:31
| music4 = Sakamoto
| title5 = Epilogue
| note5 = {{nihongo2|後奏; "Kousou"}}
| length5 = 4:21
| music5 = Sakamoto
}}
Personnel
Yellow Magic Orchestra – Arrangements, Electronics, Sampler, Mixing engineers, Producers
- Haruomi Hosono – Bass, Synth Bass, Keyboards, Vocals
- Ryuichi Sakamoto – Keyboards, Vocals
- Yukihiro Takahashi – Vocals, Drums, Electronic drums
Guest musicians
- Hideki Matsutake – Technical assistance
- {{ill|Takeshii Fujii|ja|藤井丈司}} & Akihiko Yamazoe – Equipment
- Peter Barakan – Lyrics, Transceiver Voice on "Pure Jam"
Staff
- {{ill|Shōrō Kawazoe|ja|川添象郎}} – Executive Producer
- Mitsuo Koike – Recording & Mixing engineer
- Yoshifumi Īo – Assistant Engineer
- Hiroshi Yuasa (JVC Cutting Center) – Mastering engineer
- Kazusuke Obi – A&R Coordinator
- Yōichi Itō & Hiroshi Ōkura – Management
- Plan-New Werk – Creative Services
- {{ill|Masayoshi Sukita|ja|鋤田正義}} – Art director, Photography
Charts
class="sortable wikitable" style="text-align:center"
!Year !Release !Chart !Peak position !Weeks !Sales |
rowspan="2" |1981
|LP |Oricon LP Chart{{cite web |title=Yellow Magic Orchestra |url=http://www7a.biglobe.ne.jp/~yamag/album/al_ymo.html |url-status=dead |archive-url=https://archive.today/20071111034237/http://www7a.biglobe.ne.jp/~yamag/album/al_ymo.html |archive-date=November 11, 2007 |accessdate=June 1, 2011 |publisher=Yamachan Land (Oricon archives) |language=ja}} |4 |14 |76,000 |
Cassette
|13 |15 |42,000 |
2022
|Album |56 |3 |8,000 |
!
!Japan ! ! !126,000 |
---|
See also
References
{{reflist}}
External links
- {{allMusic|album|r181172|Technodelic|accessdate=June 19, 2011}}
{{Yellow Magic Orchestra}}
{{Authority control}}
Category:1981 in Japanese music
Category:Yellow Magic Orchestra albums