incunable
{{Short description|Works printed in Europe before 1501}}
{{Redirect|Incunabula}}
{{Use dmy dates|date=April 2020}}
File:Inkunabel.ValMax.001.jpg, Facta et dicta memorabilia, printed in red and black by Peter Schöffer (Mainz, 1471). The page exhibits a rubricated initial letter "U" and decorations, marginalia, and ownership stamps of the "Bibliotheca Gymnasii Altonani" (Hamburg).]]
File:Phisicorum ca. 1485 ..JPG
An incunable or incunabulum ({{plural form}}: incunables or incunabula, respectively) is a book, pamphlet, or broadside that was printed in the earliest stages of printing in Europe, up to the year 1500.{{Cite book |last=Greenfield |first=Jane |title=ABC of bookbinding: a unique glossary with over 700 illustrations for collectors and librarians |date=2002 |publisher=Oak Knoll press The Plough press |isbn=978-1-884718-41-0 |location=New Castle (Del.) Nottingham (GB) |pages=37}} The specific date is essentially arbitrary, but the number of printed book editions exploded in the following century, so that all incunabula, produced before the printing press became widespread in Europe, are rare, where even some early 16th-century books are relatively common.
They are distinct from manuscripts, which are documents written by hand. Some authorities on the history of printing include block books from the same time period as incunabula, whereas others limit the term to works printed using movable type.
{{As of|2021|post=,}} there are about 30,000 distinct incunable editions known.The British Library [http://www.bl.uk/catalogues/istc/index.html Incunabula Short Title Catalogue] {{Webarchive|url=https://web.archive.org/web/20110312185857/http://www.bl.uk/catalogues/istc/index.html |date=12 March 2011 }} (retrieved 16 August 2021) gives 30,518 editions, though this includes some which have been re-dated to the early 16th century. The probable number of surviving individual copies is much higher, estimated at 125,000 in Germany alone.According to Bettina Wagner: "Das Second-Life der Wiegendrucke. Die Inkunabelsammlung der Bayerischen Staatsbibliothek", in Griebel, Rolf; Ceynowa, Klaus (eds.): "Information, Innovation, Inspiration. 450 Jahre Bayerische Staatsbibliothek", K G Saur, Munich 2008, {{ISBN|978-3-598-11772-5}}, pp. 207–224 (207f.) the Incunabula Short Title Catalogue lists 30,375 titles published before 1501. Through statistical analysis, it is estimated that the number of lost editions is at least 20,000.J. Green, F. McIntyre, P. Needham (2011), "The Shape of Incunable Survival and Statistical Estimation of Lost Editions", Papers of the Bibliographical Society of America 105 (2), {{pp.|141|175}}. doi:https://doi.org/10.1086/680773 Around 550,000 copies of around 27,500 different works have been preserved worldwide.[https://www.blb-karlsruhe.de/sammlungen/inkunabeln/ Badische Landes-Bibliothek] (in German)
Terminology
Incunable is the anglicised form of incunabulum,As late as 1891 Rogers in his technical glossary recorded only the form incunabulum: {{cite book|last=Rogers|first=Walter Thomas|title=A Manual of Bibliography|publisher=H. Grevel|place=London|date=1891|edition=2nd|page=195}} reconstructed singular of Latin {{Lang|la|incunabula}},The word incunabula is a neuter plural only; the singular incunabulum is never found in Latin, and is no longer used in English by most bibliographers. which meant "swaddling clothes", or "cradle",C. T. Lewis and C. Short, A Latin Dictionary, Oxford 1879, p. 930. which could metaphorically refer to "the earliest stages or first traces in the development".{{OED|incunabula}} A former term for incunable is fifteener, meaning "fifteenth-century edition"."Fifteener" was coined by bibliographer Thomas Frognall Dibdin, a term endorsed by William Morris and Robert Proctor. {{harv|Carter|Barker|2004|p=130}}.
The term incunabula was first used in the context of printing by the Dutch physician and humanist Hadrianus Junius (Adriaen de Jonghe, 1511–1575), in a passage in his work Batavia (written in 1569; published posthumously in 1588). He referred to a period "{{lang|la|inter prima artis [typographicae] incunabula}}" ("in the first infancy of the typographic art").Hadrianus Iunius, Batavia, [...], [Lugduni Batavorum], ex officina Plantiniana, apud Franciscum Raphelengium, 1588, p. 256, line 3.{{cite journal|last1=Glomski|first1=J.|title=Incunabula Typographiae: seventeenth-century views on early printing|journal=The Library|volume=2|issue=4 |page=336|year=2001 |doi=10.1093/library/2.4.336 }} The term has sometimes been incorrectly attributed to Bernhard von Mallinckrodt (1591–1664), in his Latin pamphlet {{Lang|la|De ortu ac progressu artis typographicae}} ("On the rise and progress of the typographic art"; 1640), but he was quoting Junius.Bernardus a Mallinkrot, De ortu ac progressu artis typographicae dissertatio historica, [...], Coloniae Agrippinae, apud Ioannem Kinchium, 1640 (in frontispiece: 1639), p. 9, line 16. The term appears within a long passage of several pages (pp. 27–33; corresponding to Batavia, {{pp.|253|58}}), set in italics to indicate a quotation, and attributed to Junius.{{cite journal|year=2009|title=Le baptême inconscient de l'incunable: non pas 1640 mais 1569 au plus tard|url=https://hal.archives-ouvertes.fr/hal-00791398v2|journal=Gutenberg Jahrbuch|volume=84|pages=102–105|language=fr|last1=Sordet|first1=Yann}}
The term incunabula came to denote printed books themselves in the late 17th century.{{Cite web |title=incunabula {{!}} printing {{!}} Britannica |url=https://www.britannica.com/topic/incunabula |access-date=2022-10-26 |website=www.britannica.com |language=en}} It is not found in English before the mid-19th century.
Junius set an end-date of 1500 to his era of incunabula, which remains the convention in modern bibliographical scholarship. This convenient but arbitrary end-date for identifying a printed book as an incunable does not reflect changes in the printing process, and many books printed for some years after 1500 are visually indistinguishable from incunables. The term "post-incunable" is now used to refer to books printed after 1500 up to 1520 or 1540, without general agreement. From around this period the dating of any edition becomes easier, as the practice of printing the place and year of publication using a colophon or on the title page became more widespread.{{sfn|Walsby|Kemp|2011|p=viii}}
Types
There are two types of printed incunabula: the block book, printed from a single carved or sculpted wooden block for each page (the same process as the woodcut in art, called xylographic); and the typographic book, made by individual cast-metal movable type pieces on a printing press. Many authors reserve the term "incunabula" for the latter.Oxford Companion to the Book, ed. M. F. Suarez and H. R. Woudhuysen, OUP, 2010, s.v. 'Incunabulum', p. 815.
The spread of printing to cities both in the North and in Italy ensured that there was great variety in the texts and the styles which appeared. Many early typefaces were modelled on local writing or derived from various European Gothic scripts, but there were also some derived from documentary scripts like Caxton's, and, particularly in Italy, types modelled on handwritten scripts and calligraphy used by humanists.
Printers congregated in urban centres where there were scholars, ecclesiastics, lawyers, and nobles and professionals who formed their major customer base. Standard works in Latin inherited from the medieval tradition formed the bulk of the earliest printed works, but as books became cheaper, vernacular works (or translations into vernaculars of standard works) began to appear.{{citation needed|date=September 2021}}
Famous examples
File:Pfister.faks.1.jpg, printed by Albrecht Pfister, Bamberg, 1461}}]]
Famous incunabula include two from Mainz, the Gutenberg Bible of 1455 and the Peregrinatio in terram sanctam of 1486, printed and illustrated by Erhard Reuwich; the Nuremberg Chronicle written by Hartmann Schedel and printed by Anton Koberger in 1493; and the Hypnerotomachia Poliphili printed by Aldus Manutius with important illustrations by an unknown artist.{{citation needed|date=September 2021}}
Other printers of incunabula were Günther Zainer of Augsburg, Johannes Mentelin and Heinrich Eggestein of Strasbourg, Heinrich Gran of Haguenau, Johann Amerbach of Basel, William Caxton of Bruges and London, and Nicolas Jenson of Venice. The first incunable to have woodcut illustrations was Ulrich Boner's Der Edelstein, printed by Albrecht Pfister in Bamberg in 1461.Daniel De Simone (ed), A Heavenly Craft: the Woodcut in Early Printed Books, New York, 2004, {{p.|48}}.
A finding in 2015 brought evidence of quires, as claimed by research, possibly printed in 1444–1446 and possibly assigned to Procopius Waldvogel of Avignon, France.{{Citation needed|date=October 2024}}
Post-incunable
Many incunabula are undated, needing complex bibliographical analysis to place them correctly. The post-incunabula period marks a time of development during which the printed book evolved fully as a mature artefact with a standard format.{{cite book |title=The Book Triumphant: Print in Transition in the Sixteenth and Seventeenth Centuries |editor1-last=Walsby |editor1-first=Malcolm |editor2-last=Kemp |editor2-first=Graeme |publisher=Brill |year=2011 |page=viii |isbn=978-90-04-20723-3 |url=https://books.google.com/books?id=cysqnfvAUEAC&pg=PR7}} After about 1540 books tended to conform to a pattern that included the author, title-page, date, seller, and place of printing. This makes it much easier to identify any particular edition.{{sfn|Walsby|Kemp|2011|p=viii}}
As noted above, the end date for identifying a printed book as an incunable is convenient but was chosen arbitrarily; it does not reflect any notable developments in the printing process around the year 1500. Books printed for a number of years after 1500 continued to look much like incunables, with the notable exception of the small format books printed in italic type introduced by Aldus Manutius in 1501. The term post-incunable is sometimes used to refer to books printed "after 1500—how long after, the experts have not yet agreed."{{cite book |first1=John |last1=Carter |first2=Nicolas |last2=Barker |title=ABC for Book Collectors |url=http://www.ilab.org/download.php?object=documentation&id=29 |format=PDF |access-date=28 May 2010 |edition=8th |year=2004 |publisher=Oak Knoll Press and the British Library |location=New Castle, Del. |isbn=1-58456-112-2 |page=172 |archive-url=https://web.archive.org/web/20171121030905/https://www.ilab.org/download.php?object=documentation&id=29 |archive-date=21 November 2017 }} {{free access}} For books printed in England, the term generally covers 1501–1520, and for books printed in mainland Europe, 1501–1540.{{sfn|Carter|Barker|2004|p=172}}
One notable example from this period is Hakob Meghapart (Hagop Meghapart), who in 1512 became the first known printer of Armenian books. Working in Venice, he published Urbatagirk (The Book of Friday) and several other early Armenian printed works. His books retained characteristics of manuscript tradition, including red and black ink and decorative initials, aligning them stylistically with incunabula despite being post-incunable by definition.
Statistical data
File:Printing towns incunabula.svg
File:Incunabula distribution by Region.svg
File:Incunabula BY language-08.svg
The data in this section were derived from the Incunabula Short-Title Catalogue (ISTC).[http://www.bl.uk/catalogues/istc/index.html BL.uk] {{Webarchive|url=https://web.archive.org/web/20110312185857/http://www.bl.uk/catalogues/istc/index.html |date=12 March 2011 }}, consulted in 2007. The figures are subject to slight change as new copies are reported. Exact figures are given but should be treated as close estimates; they refer to extant editions.
The number of printing towns and cities stands at 282. These are situated in some 18 countries in terms of present-day boundaries. In descending order of the number of editions printed in each, these are: Italy, Germany, France, Netherlands, Switzerland, Spain, Belgium, England, Austria, the Czech Republic, Portugal, Poland, Sweden, Denmark, Turkey, Croatia, Serbia, Montenegro, and Hungary (see diagram).
The following table shows the 20 main 15th-century printing locations; as with all data in this section, exact figures are given, but should be treated as close estimates (the total editions recorded in ISTC at August 2016 is 30,518):
The 18 languages that incunabula are printed in, in descending order, are: Latin, German, Italian, French, Dutch, Spanish, English, Hebrew, Catalan, Czech, Greek, Church Slavonic, Portuguese, Swedish, Breton, Danish, Frisian and Sardinian (see diagram).
Only about one edition in ten (i.e. just over 3,000) has any illustrations, woodcuts or metalcuts.
The "commonest" incunable is Schedel's Nuremberg Chronicle ("Liber Chronicarum") of 1493, with about 1,250 surviving copies (which is also the most heavily illustrated). Many incunabula are unique, but on average about 18 copies survive of each. This makes the Gutenberg Bible, at 48 or 49 known copies, a relatively common (though extremely valuable) edition. Counting extant incunabula is complicated by the fact that most libraries consider a single volume of a multi-volume work as a separate item, as well as fragments or copies lacking more than half the total leaves. A complete incunable may consist of a slip, or up to ten volumes.{{Cite web |title=What Are Incunables? - YTread |url=https://youtuberead.com/what-are-incunables |access-date=2023-04-02 |website=youtuberead.com |language=en}}
In terms of format, the 30,000-odd editions comprise: 2,000 broadsides, 9,000 folios, 15,000 quartos, 3,000 octavos, 18 12mos, 230 16mos, 20 32mos, and 3 64mos.
ISTC at present cites 528 extant copies of books printed by Caxton, which together with 128 fragments makes 656 in total, though many are broadsides or very imperfect (incomplete).{{citation needed|date=September 2021}}
Apart from migration to mainly North American and Japanese universities, there has been little movement of incunabula in the last five centuries. None were printed in the Southern Hemisphere, and the latter appears to possess fewer than 2,000 copies, while about 97.75% remain north of the equator. However, many incunabula are sold at auction or through the rare book trade every year.{{citation needed|date=September 2021}}
Major collections
The British Library's Incunabula Short Title Catalogue now records over 29,000 titles, of which around 27,400 are incunabula editions (not all unique works). Studies of incunabula began in the 17th century. Michel Maittaire (1667–1747) and Georg Wolfgang Panzer (1729–1805) arranged printed material chronologically in annals format, and in the first half of the 19th century, Ludwig Hain published the Repertorium bibliographicum—a checklist of incunabula arranged alphabetically by author: "Hain numbers" are still a reference point. Hain was expanded in subsequent editions, by Walter A. Copinger and Dietrich Reichling, but it is being superseded by the authoritative modern listing, a German catalogue, the Gesamtkatalog der Wiegendrucke, which has been under way since 1925 and is still being compiled at the Staatsbibliothek zu Berlin. North American holdings were listed by Frederick R. Goff and a worldwide union catalogue is provided by the Incunabula Short Title Catalogue.{{cite web|url=http://www.bl.uk/catalogues/istc/|title=ISTC|access-date=2009-05-16|archive-date=18 November 2021|archive-url=https://web.archive.org/web/20211118093805/http://www.bl.uk/catalogues/istc/|url-status=dead}}
Notable collections with more than 1,000 incunabula include:
See also
References
{{Reflist}}
External links
{{Commons category|Incunabula}}
- [https://web.archive.org/web/20160606062022/http://www.chb.hss.ed.ac.uk/ Centre for the History of the Book]
- British Library worldwide [http://www.bl.uk/catalogues/istc/index.html Incunabula Short Title Catalogue] {{Webarchive|url=https://web.archive.org/web/20110312185857/http://www.bl.uk/catalogues/istc/index.html |date=12 March 2011 }}
- [http://www.gesamtkatalogderwiegendrucke.de/GWEN.xhtml Gesamtkatalog der Wiegendrucke (GW), partially English version]
- [https://www.ndl.go.jp/incunabula/e/chapter1/chapter1_04.html History of Incunabula Studies]
- [https://www.library.illinois.edu/rbx/ UIUC Rare Book & Manuscript Library]
- [https://web.archive.org/web/20120822151605/http://gvsu.edu/library/specialcollections/incunabula-16th-century-printing-20.htm Grand Valley State University Incunabula & 16th Century Printing digital collections]
- [https://www.loc.gov/rr/rarebook/coll/incun.html Incunable Collection] at the US Library of Congress
- [http://lhldigital.lindahall.org/cdm/search/searchterm/incunabul*/field/all/mode/all/conn/and/order/nosort Digital facsimiles of several incunabula] {{Webarchive|url=https://web.archive.org/web/20170608121333/http://lhldigital.lindahall.org/cdm/search/searchterm/incunabul*/field/all/mode/all/conn/and/order/nosort |date=8 June 2017 }} from the website of the Linda Hall Library
- {{cite web |title=Introduction to the study of incunabula |author=Kristian Jensen |publisher=Ecole Nationale Superieure des Sciences de l'information et des Bibliotheques, Institut d'histoire du livre |location=Lyon |year=2016 |url=http://ihl.enssib.fr/en/book-history-workshop/courses/99291-introduction-to-the-study-of-incunabula-2016-in-english |archive-url=https://web.archive.org/web/20171127114915/http://ihl.enssib.fr/en/book-history-workshop/courses/99291-introduction-to-the-study-of-incunabula-2016-in-english |archive-date=2017-11-27 }} (Includes annotated bibliography)
- {{cite web |url=https://guides.library.harvard.edu/c.php?g=310256&p=2071425 |title=Rinascimento: Manuscripts & Incunabula |publisher=Harvard University Library |location=US |work=Research Guides }}
- {{Cite EB1911 |wstitle=Incunabula |volume=14 |pages=369–370 |first=Alfred W. |last=Pollard |short=1}}
- {{cite web|title=An Introduction to Incunabula|url=http://www.historicpages.com/texts/incun1.htm|publisher=Barber, Phil|access-date=6 July 2017}}
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