Amour (2012 film)
{{short description|2012 film by Michael Haneke}}
{{Use British English|date=January 2013}}
{{Use dmy dates|date=September 2019}}
{{Infobox film
| name = Amour
| image = Amour-poster-french.jpg
| alt = An elderly man cups his hands onto the ears of his wife in a loving manner, as she stares at him with loving eyes within a blank expression.
| caption = French release poster
| director = Michael Haneke
| producer = {{ubl|Margaret Ménégoz|Stefan Arndt|Veit Heiduschka|Michael Katz}}
| writer = Michael Haneke
| starring = {{ubl|Jean-Louis Trintignant|Emmanuelle Riva|Isabelle Huppert}}
| cinematography = Darius Khondji
| editing = {{ubl|Monika Willi|Nadine Muse}}
| studio = {{plainlist|
}}
| distributor = {{plainlist|
- Les Films du Losange {{small|(France)}}
- X-Verleih {{small|(Germany)}}
- Filmladen {{small|(Austria)}}
}}
| released = {{Film date|2012|05|20|Cannes|2012|09|20|Germany|2012|10|24|France|df=y}}
| runtime = 128 minutes{{Cite web|url=http://zff.com/en/programme/movies/1772/amour/ |title=Amour - Zurich Film Festival|access-date=30 December 2012|work=Zurich Film Festival}}{{cite web|title=Amour - Love (12)|url= https://www.bbfc.co.uk/release/amour-love-q29sbgvjdglvbjpwwc00mzq1nzu |work=British Board of Film Classification|date=14 September 2012|access-date=23 January 2013}}
| country = {{ubl|France|Austria|Germany}}
| language = French
| gross = $36.8 million{{Cite web|url=https://www.the-numbers.com/movie/Amour |title=Amour at The Numbers |access-date=24 June 2023|work=The Numbers}}
}}
Amour ({{IPA|fr|a.muʁ|pron}}; French: "Love") is a 2012 drama film written and directed by Michael Haneke, starring Jean-Louis Trintignant, Emmanuelle Riva and Isabelle Huppert. The narrative focuses on an elderly couple, Anne and Georges, who are retired music teachers with a daughter who lives abroad. Anne has a stroke that paralyses the right side of her body. The film is an international co-production among the French, German, and Austrian companies Les Films du Losange, X Filme Creative Pool, and Wega Film.
Amour premiered at the 2012 Cannes Film Festival,{{cite web |url=http://www.festival-cannes.fr/en/article/58878.html |title=2012 Official Selection |access-date=19 April 2012 |work=Cannes}}{{cite web |url=https://www.timeout.com/london/feature/2547/cannes-film-festival-2012-line-up-announced |title=Cannes Film Festival 2012 line-up announced |access-date=19 April 2012 |work=timeout |archive-url=https://web.archive.org/web/20120423162352/http://www.timeout.com/london/feature/2547/cannes-film-festival-2012-line-up-announced |archive-date=23 April 2012 |url-status=dead }} where it won the Palme d'Or, making Haneke the second filmmaker to win twice consecutively.{{Cite web |url=http://www.festival-cannes.fr/en/archives/2012/awardCompetition.html |title=Awards 2012 |access-date=27 May 2012 |work=Cannes}} The film garnered critical acclaim for its direction, screenplay, and the performances of Trintignant and Riva. It has been widely regarded by critics as one of the greatest films of the 21st century. Amour won the Academy Award for Best Foreign Language Film, in addition of four nominations (including Best Picture and Best Director) at the 85th Academy Awards, among numerous accolades.{{cite news |url=https://www.bbc.co.uk/news/entertainment-arts-20973004 |title=Oscars 2013: Full list of winners |access-date=25 February 2013 |work=BBC News |date=25 February 2013}}
Plot
After residents of a Paris apartment building complain of a smell coming from one of the apartments, the emergency services break down its door to find an elderly woman's corpse in the bedroom, adorned with cut flowers.
Several months before the opening scene, Anne and her husband Georges, both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break into their apartment. The next morning, while they are eating breakfast, Anne silently has a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but has no idea the stroke occurred. Georges is unable to persuade her to get medical attention until Anne finds she is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and reliant on a wheelchair. She makes Georges promise not to send her back to the hospital or to a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne, seemingly having attempted to commit suicide by falling from a window, tells Georges she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. But she soon has a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne.
Georges begins employing a nurse three days a week. Their daughter, Eva, wants her mother to go into care, but Georges says he will not break the promise he made to Anne. He employs a second nurse, but fires her after he discovers she is mistreating Anne.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As Anne closes her eyes, he quietly picks up a pillow and smothers her to death.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon that has flown in through the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out of the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room after wandering around the now-empty home.
Cast
- Jean-Louis Trintignant as Georges Laurent
- Emmanuelle Riva as Anne Laurent
- Isabelle Huppert as Eva Laurent
- Alexandre Tharaud as Alexandre
- William Shimell as Geoff
Background characters appeared in the film: Rita Blanco as a concierge and Ramón Agirre as a concierge's husband; Carole Franck and Dinara Droukarova as nurses; Laurent Capelluto and Jean-Michel Monroc as police officers; Suzanne Schmidt as one of the couple's neighbors; and Walid Afkir and Damien Jouillerot as paramedics.
Production
The film was produced for €7,290,000 through France's Les Films du Losange, Germany's X Filme Creative Pool and Austria's Wega Film.{{Cite web |last=Lemercier |first=Fabien |date=22 November 2010 |url=http://cineuropa.org/newsdetail.aspx?documentID=154401|title=Ile-de-France backs Haneke's Amour|work=Cineuropa|access-date=3 June 2011}}{{cite web |url=http://www.filmsdulosange.fr/inter/uk_amour.html |title=Love (Amour) |work=filmsdulosange.fr |publisher=Les Films du Losange |access-date=3 June 2011 |archive-url=https://web.archive.org/web/20110512050140/http://www.filmsdulosange.fr/inter/uk_amour.html |archive-date=12 May 2011 |url-status=dead }} It received co-production support from France 3 and €404,000 in support from the Île-de-France region. Further funding was granted by the Medienboard Berlin-Brandenburg in Germany and National Center of Cinematography and the moving image in France.{{cite web|url=http://screenbase.screendaily.com/films/1460|title=Amour|work=Screenbase|publisher=Screen International|access-date=3 June 2011|archive-date=18 May 2011|archive-url=https://web.archive.org/web/20110518102856/http://screenbase.screendaily.com/films/1460|url-status=dead}} Principal photography took place from 7 February to 1 April 2011.
After 14 years, Jean-Louis Trintignant came back on screen for Haneke.[http://www.huffingtonpost.fr/2012/05/20/cannes-2012-amour-jean-louis-trintignant_n_1531078.html Cannes 2012, "Amour": le retour à la lumière de Jean-Louis Trintignant], Huffington Post in cooperation with Le Monde, 20 May 2012. Haneke had sent Trintignant the script, which had been written specifically for him.{{Cite news|url=https://www.nytimes.com/2012/11/04/movies/michael-haneke-directs-amour-with-jean-louis-trintignant.html |title=Michael Haneke Directs Amour, With Jean-Louis Trintignant |access-date=30 December 2012 |work=New York Times |first=Larry |last=Rohter |date=2 November 2012}} Trintignant said that he chooses which films he works in on the basis of the director, and said of Haneke that "he has the most complete mastery of the cinematic discipline, from technical aspects like sound and photography to the way he handles actors".
The film is based on a situation that happened in Haneke's family.{{Cite web |url=http://www.cornerhouse.org/film/film-news/article-the-curzon-interview-michael-haneke |title=Article The Curzon Interview: Michael Haneke |access-date=30 December 2012 |work=Curzon Cinema |archive-url=https://web.archive.org/web/20121128113938/http://www.cornerhouse.org/film/film-news/article-the-curzon-interview-michael-haneke |archive-date=28 November 2012 |url-status=dead }}{{cite news|url=http://blogs.villagevoice.com/runninscared/2012/12/michael_haneke.php|title=Michael Haneke on Amour: "When I Watched it with the Audience, They Gasped!"|last=Foundas|first=Scott|date=20 December 2012|newspaper=The Village Voice|access-date=12 January 2013}} The issue that interested him the most was how to manage the suffering of someone you love.
Haneke called the collaboration with Jean-Louis Trintignant and the subject of the film the motivation to make the film. The starting point for Haneke's reflections was the suicide of his 90-year-old aunt, who had raised him. According to Haneke, she had heavy rheumatism and lived her last years alone in her apartment because she did not want to be placed in a nursing home. She had even asked Haneke for euthanasia. According to Haneke, the main theme of his script is not old age and death, but "the question of how to deal with the suffering of a loved one".Liebe: Vorabdruck aus dem Buch 'Haneke über Haneke' – Gespräche mit Michel Cieutat und Philippe Rouyer. Berlin/Köln : Alexander Verlag, September 2012. 31 S. (Kindle Edition, 133 KiB)
Haneke dealt with the matter since 1992.[Abeltshauser, Thomas: "Ich laufe nicht mit der Palme auf dem Kopf herum" in welt.de, (from September 2012)] The work on the script was interrupted by a writer's block. Haneke normally wrote out the script exactly before the writing process. This time the end of the story was not clear to him. He began writing in the hope that this would occur to him at work, but this did not happen.[Huber, Christoph: Michael Haneke: "Bei mir ist der Schauspieler schon König!", diepresse.com, August 2012] "I have tormented myself terribly with the script and I was left with the impression that I have not succeeded in getting the hang of this topic", he said. At the same time the director realized that the Swiss-Canadian Léa Pool with La dernière fugue (2010) had created a similar story, about an old man who is taken care of by his wife. Therefore, he left the project in favor of another. He worked only sporadically on it, until his writer's block loosened and he could finish the script quickly. Haneke wrote it specifically for Trintignant, having already written the scripts for The Piano Teacher (2001) and Caché (2005) specifically for Isabelle Huppert and Daniel Auteuil. Haneke prefers this way of working, because in this way one "writes specifically something that fits to the advantages of each actor and helps to particularly work them out".["Ich habe keine Phantasie!", artechock.de, 31 May 2012]
Release
Artificial Eye acquired the distribution rights for the United Kingdom and by Sony Pictures Classics in the United States. It has been released on DVD, Blu-ray, and Digital mediums.{{Cite news|last=Kemp|first=Stuart|date=13 May 2011|url=https://www.hollywoodreporter.com/news/uks-artificial-eye-boards-michael-188228|title=U.K.'s Artificial Eye Boards Michael Haneke, Laurent Cantet Projects (Cannes)|work=The Hollywood Reporter|access-date=3 June 2011}}
{{Anchor|Reception}}
Reception
Amour met with widespread acclaim from critics. Review aggregation website Rotten Tomatoes gives the film a score of 93% based on 223 reviews, with an average rating of 8.7/10. The website's critical consensus reads: "With towering performances and an unflinching script from Michael Haneke, Amour represents an honest, heartwrenching depiction of deep love and responsibility."{{cite web |url= https://www.rottentomatoes.com/m/amour_2013 |title=Amour (2012) | work= Rotten Tomatoes | publisher = Fandango Media |access-date=11 October 2020}} Metacritic gives the film a weighted average rating of 95 out of 100, based on reviews from 44 critics, indicating "universal acclaim".{{cite web |url= https://www.metacritic.com/movie/amour/critic-reviews|title=Amour Reviews | work = Metacritic | publisher = CBS Interactive |access-date=27 November 2012}}
Writing for The Guardian after the Cannes screening, Peter Bradshaw said "this is film-making at the highest pitch of intelligence and insight", naming it the best film of 2012.{{cite news|last=Bradshaw |first=Peter |title=Cannes 2012: Amour – review |url= https://www.theguardian.com/film/2012/may/20/amour-haneke-film-review |work=The Guardian|access-date=21 November 2012|date=20 May 2012 |location=London}} Jamie Graham of Total Film gave Amour 5 stars out of 5, stating "far from being a cold, scientific study from a filmmaker frequently accused of placing a pane of glass between his work and his viewers, this sensitive film emerges heartfelt and humane."{{cite web|last=Graham|first=Jamie|title=Amour review|url=http://www.totalfilm.com/reviews/cinema/amour|publisher= Future Publishing | work= Total Film|access-date=19 November 2012|date=26 October 2012}} Dave Calhoun of Time Out London also gave the film 5 out of 5 stars, stating "Amour is devastatingly original and unflinching in the way it examines the effect of love on death, and vice versa".{{cite web|last=Calhoun |first=Dave |title=Amour review|date=13 November 2012 |url= https://www.timeout.com/film/reviews/91577/amour.html |publisher=Time Out |access-date=21 November 2012}} Calling Amour the best film of 2012, critic A. O. Scott of The New York Times said that "months after its debut at Cannes this film already feels permanent."{{cite news|last=Scott|first=A. O.|title=25 Favorites From A Year When 10 Aren't Enough|url=https://www.nytimes.com/2012/12/16/movies/a-o-scotts-25-best-films-of-2012.html|work=The New York Times|access-date=14 December 2012|date=14 December 2012}} Writing in The Times, critic Manohla Dargis hailed the film as "a masterpiece about life, death and everything in between."{{cite news|last=Dargis|first=Manohla|title=Étude on Aging, Its Graces, Its Indignities|url=https://movies.nytimes.com/2012/12/19/movies/michael-hanekes-amour-with-jean-louis-trintignant.html|work=The New York Times|access-date=18 December 2012|date=18 December 2012}} The newspaper flagged the film as a critics' pick. The Wall Street Journal{{'s}} film critic Joe Morgenstern wrote of Amour: "Mr. Haneke's film, exquisitely photographed by Darius Khondji, has won all sorts of prizes all over the world, and no wonder; the performances alone set it off as a welcoming masterpiece."{{cite news|last=Morgenstern|first=Joe|title=Luminous, Loving 'Amour'|url=https://www.wsj.com/articles/SB10001424127887324461604578191313755066222|newspaper=The Wall Street Journal|access-date=20 December 2012 |date=20 December 2012}} The Chicago Sun-Times gave the film four stars out of four.{{cite web|title=Amour|url=https://www.rogerebert.com/reviews/amour-2013|website=Roger Ebert|date=9 January 2013}} In 2024, Looper ranked it eighth on its list of the "50 Best PG-13 Movies of All Time", writing that the film "shatters your heart while reminding one of the kind of love that makes it possible to not lose all hope in the middle of life's miseries. This is one film that's as certain to impress on an emotional level as a technical one."{{cite web | url=https://www.looper.com/806086/best-pg-13-movies-of-all-time-ranked/ | title=50 Best PG-13 Movies Of All Time Ranked | website=Looper | date=October 14, 2024 }}
Among the few negative reviews, Calum Marsh of the Slant Magazine gave the film 2 out of 4 stars and indicated that the film "isn't the work of a newly moral or humanistic filmmaker, but another ruse by the same unscrupulous showman whose funny games have been beguiling us for years", adding that "Haneke's gaze, trained from an unbridgeable remove, carries no inflection of empathy; his style is too frigid, his investment too remote, for the world of these characters to open up before us, for their pain to ever feel like something more than functional."{{cite magazine|url=https://www.slantmagazine.com/film/review/amour/6577|title=Amour|last=Marsh|first=Calum|date=2 October 2012|magazine=Slant Magazine|access-date=11 January 2013}}
=Box office=
The film earned $6,739,492 in the U.S.{{cite web|url=https://www.boxofficemojo.com/movies/?id=amour.htm|title=Amour (2012) - Box Office Mojo}} It grossed $36,784,044 worldwide{{cite web|url=https://www.the-numbers.com/movie/Amour|title=Amour (2012) - Financial Information|access-date=24 June 2023}} on an $8.9 million budget.
=Accolades=
{{Anchor|Awards}}
Amour received five nominations: Best Picture, Best Actress in a Leading Role (Riva), Best Original Screenplay (Haneke) and Best Director (Haneke).{{cite news |date=10 January 2013 |title=Oscars: Hollywood announces 85th Academy Award nominations |url=https://www.bbc.co.uk/news/entertainment-arts-20959604 |access-date=10 January 2013 |work=BBC News}} At 85, Riva is the oldest nominee for Best Actress in a Leading Role.{{cite news |title=Youngest v oldest actress vie for Oscar as Lincoln leads the pack |url=https://www.thetimes.com/article/youngest-v-oldest-actress-vie-for-oscar-as-lincoln-leads-the-pack-sw9wnnmfn5n |access-date=10 January 2013 |work=The Times}}{{cite news |last=Walker |first=Tim |date=10 January 2013 |title=Quvenzhané Wallis v Emmanuelle Riva: Best actress Oscar contested by oldest and youngest ever nominees |url=https://www.independent.co.uk/arts-entertainment/films/news/quvenzhan-wallis-v-emmanuelle-riva--best-actress-oscar-contested-by-oldest-and-youngest-ever-nominees-8446248.html |url-access=limited |url-status=live |archive-url=https://web.archive.org/web/20130113053637/http://www.independent.co.uk/arts-entertainment/films/news/quvenzhan-wallis-v-emmanuelle-riva--best-actress-oscar-contested-by-oldest-and-youngest-ever-nominees-8446248.html |archive-date=2013-01-13 |access-date=10 January 2013 |work=The Independent |location=London}} It won the Academy Award for Best Foreign Language Film.
At the 25th European Film Awards, Amour was nominated in six categories,{{cite news |date=5 November 2012 |title=Amour leads European Film Award nominations |url=https://www.bbc.co.uk/news/entertainment-arts-20203642 |access-date=4 November 2012 |work=BBC News}} winning in four, including Best Film and Best Director. At the 47th National Society of Film Critics Awards it won Best Film, Best Director and Best Actress.{{cite news |date=7 January 2013 |title=US critics reward Cannes favourite Amour |url=https://www.bbc.co.uk/news/entertainment-arts-20930807 |access-date=7 January 2013 |work=BBC News}} At the 66th British Academy Film Awards, it was nominated in four categories, winning for Best Leading Actress and Best Film Not in the English Language.{{cite news |title=Bafta awards 2013: Full list of nominees |url=https://www.bbc.co.uk/news/entertainment-arts-20955363 |access-date=8 January 2013 |work=BBC News}} Riva became the oldest person to win a BAFTA.{{cite news |last=Brown |first=Mark |date=10 February 2013 |title=Baftas: stars dress for show not snow as awards hail director Ben Affleck |url=https://www.theguardian.com/film/2013/feb/10/baftas-stars-ben-affleck |access-date=11 February 2013 |work=The Guardian |location=London}}{{cite news |date=11 February 2013 |title='Argo', Affleck take top prizes at BAFTAs |url=http://edition.cnn.com/2013/02/10/showbiz/bafta-awards/index.html |access-date=11 February 2013 |work=CNN}} At the 38th César Awards, it was nominated in ten categories,{{cite news |date=25 January 2013 |title=Amour among contenders for 2013 Cesar Awards |url=https://www.bbc.co.uk/news/entertainment-arts-21198923 |access-date=26 January 2013 |work=BBC News}} winning in five, including Best Film, Best Director, Best Actor and Best Actress.{{cite web |title=Michael Haneke film 'Amour' sweeps major César awards in Oscars warm-up |url=http://www.euronews.com/2013/02/23/michael-haneke-film-amour-sweeps-major-cesar-awards-in-oscars-warm-up/ |access-date=23 February 2013 |work=euronews}}{{cite web |date=22 February 2013 |title='Amour' sweeps France's César awards |url=http://www.france24.com/en/20130223-amour-wins-top-prize-frances-c%C3%A9sar-awards |access-date=23 February 2013 |work=France24}}
Legacy
Both Sight & Sound film magazine and Peter Bradshaw of The Guardian named Amour the third-best film of 2012.{{cite web |url=http://blogs.indiewire.com/theplaylist/paul-thomas-andersons-the-master-tops-sight-sounds-best-of-2012-20121201 |title=Paul Thomas Anderson's 'The Master' Tops Sight & Sound's Best Of 2012 |author=Kevin Jagernauth |date=1 December 2012 |access-date=1 December 2012 |archive-url=https://web.archive.org/web/20121203205058/http://blogs.indiewire.com/theplaylist/paul-thomas-andersons-the-master-tops-sight-sounds-best-of-2012-20121201 |archive-date=3 December 2012 |url-status=dead }}{{cite news |last=Bradshaw |first=Peter |title=The 10 best films of 2012, No 3 - Amour |url= https://www.theguardian.com/film/filmblog/2012/dec/12/best-films-amour-michael-haneke |work=The Guardian|access-date=12 December 2012 |date=12 December 2012 |location=London}}
In 2016, Amour was named the 42nd-best film of the 21st century in a poll of 177 film critics from around the world.{{Cite web |date=23 August 2016 |title=The 21st Century's 100 greatest films |url=http://www.bbc.com/culture/story/20160819-the-21st-centurys-100-greatest-films |access-date=16 September 2016}} It was 69th on BBC's 2018 list of the 100 greatest foreign-language films as voted by 209 film critics from 43 countries.{{cite web |date=29 October 2018 |title=The 100 Greatest Foreign Language Films |url=https://www.bbc.com/culture/article/20181029-the-100-greatest-foreign-language-films |access-date=10 January 2021 |website=bbc}}
Indie Shorts Mag noted Amour
See also
References
{{Reflist|30em}}
External links
{{wikiquote}}
- {{Official website|http://www.sonyclassics.com/amour/}}
- {{IMDb title|1602620}}
- {{Mojo title|amour}}
- {{Metacritic film}}
- {{Rotten Tomatoes|771307454}}
{{Michael Haneke}}
{{Stefan Arndt}}
{{Navboxes
|title = Awards for Amour
|list =
{{AcademyAwardBestForeignLanguageFilm 2001–2020}}
{{AARP Movies for Grownups Award for Best Foreign Film}}
{{BAFTA Best Foreign Language Film}}
{{Boston Society of Film Critics Award for Best Foreign Language Film}}
{{Palme d'Or}}
{{César Award for Best Film}}
{{Chicago Film Critics Association Award for Best Foreign Language Film}}
{{Broadcast Film Critics Association Award for Best Foreign Language Film}}
{{Dallas–Fort Worth Film Critics Association Award for Best Foreign Language Film}}
{{David di Donatello for Best European Film}}
{{European Film Award for Best Film}}
{{Golden Globe Award for Best Foreign Language Film 2010–2029}}
{{Goya Award for Best European Film}}
{{Guldbagge Award Best Foreign Film}}
{{Independent Spirit Award for Best International Film}}
{{London Film Critics Circle Award for Film of the Year}}
{{Los Angeles Film Critics Association Award for Best Film}}
{{Lumières Award for Best Film}}
{{Mainichi Film Award for Foreign Film Best One Award}}
{{National Board of Review Award for Best Foreign Language Film}}
{{National Society of Film Critics Award for Best Film}}
{{New York Film Critics Circle Award for Best Foreign Language Film}}
{{Polish Academy Award for Best European Film}}
{{San Francisco Bay Area Film Critics Circle Award for Best Foreign Language Film}}
{{TFCA Award for Best Foreign Language Film}}
{{Washington D.C. Area Film Critics Association Award for Best Foreign Language Film}}
{{Austrian submission for Academy Awards}}
}}
{{Authority control}}
{{DEFAULTSORT:Amour}}
Category:2012 romantic drama films
Category:2010s French-language films
Category:Austrian romantic drama films
Category:BAFTA winners (films)
Category:Best Film César Award winners
Category:Best Film Lumières Award winners
Category:Best Foreign Film Guldbagge Award winners
Category:Best Foreign Language Film Academy Award winners
Category:Best Foreign Language Film BAFTA Award winners
Category:Best Foreign Language Film Golden Globe winners
Category:European Film Awards winners (films)
Category:Films about disability in France
Category:Films about uxoricide
Category:Films directed by Michael Haneke
Category:Films featuring a Best Actor César Award–winning performance
Category:Films featuring a Best Actor Lumières Award–winning performance
Category:Films featuring a Best Actress César Award–winning performance
Category:Films featuring a Best Actress Lumières Award–winning performance
Category:Films produced by Margaret Ménégoz
Category:Films produced by Stefan Arndt
Category:Films set in apartment buildings
Category:Films whose director won the Best Director César Award
Category:French romantic drama films
Category:French-language romantic drama films
Category:German romantic drama films
Category:Independent Spirit Award for Best Foreign Film winners
Category:Les Films du Losange films
Category:National Society of Film Critics Award for Best Film winners