Peter Gabriel (1980 album)

When writing the album, Gabriel developed a "rhythm first" approach when writing and demoing songs for the album on an 8-track system. Synthesizer player Larry Fast introduced him to the PAiA "Programmable Drum Set", which offered full programmability, allowing Gabriel to program his own drum rhythms to build songs around during the writing process.{{cite magazine|title=Blueprints For Activity|first=Richard|last=Elen|date=December 1979|magazine=Sound International|pages=23–31}} He later bought a Roland CR-78 drum machine as well for use on the album: he felt the CR-78 sounded better but was less programmable than the PAiA drum machine.

Peter Gabriel hired his former bandmate in Genesis drummer Phil Collins for the recording sessions along with another drummer, Jerry Marotta. He gave them one specific demand. "Artists given complete freedom die a horrible death", he explained to Mark Blake. "So, when you tell them what they can't do, they get creative and say, 'Oh yes I can,' which is why I banned cymbals. Phil was cool about it. [Marotta] did object and it took him a while to settle in. It's like being right-handed and having to learn to write with your left."{{cite magazine |last=Blake |first=Mark |author-link=Mark Blake (writer) |title=Cash for questions: Peter Gabriel |magazine=Q |issue=305 |pages=44–46 |date=December 2011}}

File:Phil Collins.jpg bandmate Phil Collins helped create the gated reverb sound on "Intruder".]]

Collins played on several of the album's tracks. "Intruder" has been cited as the first prominent use of a gated reverb sound. The distinctive sound was identified via experiments by producer Steve Lillywhite, Collins and staff engineer Hugh Padgham, in response to Gabriel's request that Collins and Marotta not use cymbals during the album's sessions.{{cite magazine |last=Flans |first=Robyn |title=Classic Tracks: Phil Collins' "In the Air Tonight" |url=http://mixonline.com/mag/audio_phil_collins_air/index.html |url-status=dead |magazine=Mix |date=1 May 2005 |access-date=12 November 2020 |archive-url=https://web.archive.org/web/20070317065230/http://mixonline.com/mag/audio_phil_collins_air/index.html |archive-date=17 March 2007}}

Lillywhite explained: Gabriel "didn't want to use cymbals and I had been really experimenting with this ambience thing which actually started with [drummer] Kenny Morris with the first [Siouxsie and the] Banshees' album. When you listen, you can hear elements of this gated room sound, big compressed room sound that I did on the Banshees". "Padgham was my engineer when we did the Peter Gabriel album [...] but I had been pushing and experimenting before with, like the Psychedelic Furs", on "Sister Europe", [...] "all done before the Peter Gabriel album".{{cite web|url=https://www.youtube.com/watch?v=ZJ-7lHtCLcU&t=1824s |title=Steve Lillywhite : The John Robb interview|publisher=John Robb channel on YouTube|date=2022-08-14|access-date=2022-08-21|time=30:24|quote=I suppose the Peter Gabriel was that because he didn't want to use cymbals and I had been really experimenting with this ambience thing which actually started with Kenny Morris with the first [Siouxsie and the] Banshees' album. When you listen, you can hear elements of this gated room sound, big compressed room sound that I did on the Banshees. [...] Hugh Padgham was my engineer when we did the Peter Gabriel album which is where it first really showed its head in that form but I had been pushing and experimenting before with, like the Psychedelic Furs. You listen to "Sister Europe" by Psychedelic Furs [...], all done before the Peter Gabriel album. [...] At least, my claim has some roots from before it happened. Hugh Padgham was just a staff engineer. He could have done it any time before he worked with me but he didn't.}} So significant and influential was the sound that it has been claimed by Gabriel, Padgham, Collins, and Lillywhite. It was cited by Public Image Ltd as an influence on the sound of their third studio album The Flowers of Romance (1981),{{cite web |last=M |first=Scott |title=Nick Launay interview |url=http://www.fodderstompf.com/INTERVIEWS/nick.html |website=Fodderstompf |publisher=F&F Publishing |date=February 2003 |access-date=24 February 2007}} whose engineer, Nick Launay, was in turn employed by Collins to assist with his debut studio album, Face Value (1981). The album was also one of the first to use the Fairlight CMI sampling synthesizer: it provides subtle sampled sounds on the album, such as those audible on "Start".{{cite magazine|title=Synergy's "Games": Making The Moves|first=Larry|last=Fast|author-link=Larry Fast|date=January 1980|magazine=Polyphony|page=17}}[https://www.outofphase.fr/en/audio-fairlight-en/ Fairlight Audio: Peter Gabriel]

File:Robert Fripp 2.jpg's guitar parts raised concerns that they were uncommercial.]]

"I Don't Remember" had been performed on Gabriel's 1978 tour for his second studio album.{{cite AV media |url-status = dead |archive-url = https://web.archive.org/web/20140630094502/http://www.youtube.com/watch?v=otiHcmbk01w |archive-date= 30 June 2014| url = https://www.youtube.com/watch?v=otiHcmbk01w |title = YouTube, a Google company |website=YouTube}}{{cbignore}} An earlier studio version was to be the A-side of the first 7" single released in advance of the album by Charisma in Europe and Japan, but a Charisma executive thought Robert Fripp's guitar solos were not radio-friendly.{{Cite news |last=Clarke |first=Steve |date=20 January 1979 |title=The Technology |url=https://thegenesisarchive.co.uk/interview-pg-the-technology-of-being-gabriel-20th-january/ |access-date=16 March 2024 |work=New Musical Express |page=22 |via=The Genesis Archive}} This earlier version wound up as the B-side of the advance "Games Without Frontiers" single instead in those territories. It was included on the B-sides-and-rarities compilation Flotsam And Jetsam, released in 2019. The album version of this song appeared as the A-side of a 12" single in the United States and Canada.{{Cite book |last=Scarfe |first=Graeme |title=Peter Gabriel: Every Album, Every Song |publisher=SonicBond |year=2021 |isbn=978-1-78952-138-2 |location=United Kingdom |pages=25, 132}} Lillywhite contacted Dave Gregory to overdub some guitars on "I Don't Remember" and "Family Snapshot". On his way to the recording studio, Gregory encountered problems with his vehicle, which delayed his arrival by over 90 minutes. Gregory retuned his guitar on "I Don't Remember" to play open chords on the verses as he believed that this technique would provide the dynamics on the downbeat that he was seeking. When Gabriel was demonstrating the chord progression for "Family Snapshot", he had accidentally played Gregory an earlier version that had been recorded in a different key.{{cite AV media |url=https://www.youtube.com/watch?v=pLjxdVTjeJY |title=XTC guitarist Dave Gregory on Peter Gabriel's Melt album, Steve Lillywhite, and Top of the Pops|date=30 October 2023 |medium=Interview |language=en-US |access-date=7 March 2025 |url-status=live |archive-url=https://ghostarchive.org/varchive/pLjxdVTjeJY |archive-date=7 March 2025 |via=YouTube |people=Liam Hair, David Gregory}}{{cbignore}}

Paul Weller, who was recording with his band the Jam in a nearby studio, contributed guitar to "And Through the Wire". Gabriel had previously said of the Jam, "I like them a lot. They're one of the new groups who have written the best songs. They're really very good."Best magazine, May 1978; translated in Gabriel fanzine White Shadow (#1, pp 16) by editor Fred Tomsett He believed Weller's intense guitar style was ideal for the track.

Commenting on his lyrics, Gabriel jokingly summarised the album's themes as "the history of a decaying mind". He added: "State of mind was definitely an area of interest at the time of writing it, but I never really set out with a concept. It was merely different songs, which perhaps have fitted into one particular slant." Of "No Self Control", he said: "That's something which I've observed in myself and in other people… In a state of depression, you have to turn on the radio, or switch on the television, go to the fridge and eat, and sleeping is difficult."Capital Radio interview with Nicky Horne, broadcast 16 March 1980; transcribed in Gabriel fanzine White Shadow (issue 1, p. 9) by editor Fred Tomsett

The album cover, inspired by the work of photographer Les Krims, shows an image of Gabriel in which the left side of his face appears to be melting. The effect was achieved by repeatedly taking his picture with a Polaroid SX-70 instant camera, then using various objects to smear and distort the pictures as they developed. These photos were taken in color, and the final distorted image was re-shot in black and white. Designer Storm Thorgerson said, "Peter himself joined with us at Hipgnosis in disfiguring himself by manipulating Polaroids as they 'developed' ... Peter impressed us greatly with his ability to appear in an unflattering way, preferring the theatrical or artistic to the cosmetic."Classic Rock 2010 calendar{{Cite web|url=http://realworldgalleries.com/melt/|title=Peter Gabriel 3 - Melt » Real World Galleries|website=realworldgalleries.com}}

Upon hearing mixes of session tapes in early 1980, Atlantic Records A&R executive John Kalodner deemed the album not commercial enough for release, and recommended Atlantic drop Gabriel from its roster. "Atlantic Records didn't want to put it out at all", Gabriel told Mark Blake. "Ahmet Ertegun said, 'What do people in America care about this guy in South Africa?' and 'Has Peter been in a mental hospital?' because there was this very weird track called 'Lead a Normal Life'. They thought I'd had a breakdown and recorded a piece of crap ... I thought I'd really found myself on that record, and then someone just squashes it. I went through some primordial rejection issues." As a result of the rejection, the release was pushed back from its original intended February 1980 release date so a new US deal could be secured with Mercury Records before releasing the album worldwide.[https://thegenesisarchive.co.uk/16/ Genesis Information Issue 16 (July 1980) page 7]

The album was Gabriel's first and only release for Mercury Records in the United States, having been rejected by Atlantic Records, which had handled US distribution for Gabriel's first two solo studio albums and his last two studio albums with Genesis. It was a commercial success, becoming his first to top the UK charts as well as reach No. 22 on the US Billboard chart, his highest position there to date. In addition, the single "Games Without Frontiers" became his biggest hit to that point, charting at No. 4 UK. After all the trouble incurred when Atlantic dropped the album, Gabriel stated that he felt vindicated by the public's reaction.{{cite web |title=Peter Gabriel interviewed 1980 |url=https://www.youtube.com/watch?v=_y6wlNFFKug |website=YouTube |access-date=November 24, 2024}}

By the time the album was released by Mercury several months later, Kalodner – now working for the newly formed Geffen Records label and having realised his mistake – arranged for Geffen to pursue Gabriel as one of its first artist signings.{{cite book |last1=Wade |first1=Dorothy |last2=Picardie |first2=Justine |author2-link=Justine Picardie |title=Music Man: Ahmet Ertegun, Atlantic Records, and the Triumph of Rock 'n' Roll |publisher=W. W. Norton & Company |year=1990 |pages=247–249 |isbn=0-393-02635-3}} Geffen (at the time distributed by Atlantic sister label Warner Bros. Records) reissued the album in 1983, after Mercury's rights to it lapsed, and marketed it in the United States until 2010, when Gabriel's back catalogue was reissued independently by Real World Records. Coincidentally, Mercury is now a sister label to Geffen after Mercury's parent PolyGram merged with Geffen's parent Universal Music Group in 1999.

The studio album came out as a self-titled album in the UK on 30 May 1980 on Charisma Records. A German-language version of the album, titled Ein deutsches Album (A German Album), was released simultaneously.

The album was remastered, along with most of Gabriel's catalogue, in 2002.

{{Album ratings

| rev1 = AllMusic

| rev1score = {{Rating|5|5}}{{cite web |url=http://www.allmusic.com/album/peter-gabriel-3-mw0000190091 |title=Peter Gabriel [3] – Peter Gabriel |publisher=AllMusic |access-date=25 July 2011 |last=Erlewine |first=Stephen Thomas |author-link=Stephen Thomas Erlewine}}

| rev2 = Chicago Sun-Times

| rev2score = {{Rating|3.5|4}}{{cite news |url=https://www.highbeam.com/doc/1P2-4178134.html |title=A Solo Discography |newspaper=Chicago Sun-Times |date=4 July 1993 |access-date=2 November 2016 |last=DeRogatis |first=Jim |author-link=Jim DeRogatis |url-access=subscription |archive-url=https://web.archive.org/web/20181119063858/https://www.highbeam.com/doc/1P2-4178134.html |archive-date=19 November 2018 |url-status=dead}}

| rev3 = Christgau's Record Guide

| rev3score = B−{{cite book |chapter=Peter Gabriel: Peter Gabriel |chapter-url=http://www.robertchristgau.com/get_album.php?id=6879 |access-date=25 July 2011 |title=Christgau's Record Guide: The '80s |title-link=Christgau's Record Guide: The '80s |last=Christgau |first=Robert |author-link=Robert Christgau |publisher=Pantheon Books |year=1990 |isbn=0-679-73015-X}}

| rev4 = Classic Rock

| rev4score = 10/10{{cite magazine |url=https://www.loudersound.com/reviews/peter-gabriel-vinyl-reissues |title=Peter Gabriel: Vinyl Reissues |magazine=Classic Rock |date=2 October 2015 |access-date=12 November 2020 |last=Beaumont |first=Mark |author-link=Mark Beaumont (journalist)}}

| rev5 = Entertainment Weekly

| rev5score = A−{{cite magazine |title=Peter Gabriel: Peter Gabriel 1 / Peter Gabriel 2 / Peter Gabriel 3 / Security / Plays Live / Birdy / So / Passion / Us |magazine=Entertainment Weekly |date=12 July 2002 |last=Brunner |first=Rob |pages=84–85}}

| rev6 = Mojo

| rev6score = {{Rating|5|5}}{{cite magazine |title=Peter Gabriel: Peter Gabriel |magazine=Mojo |issue=264 |date=November 2015 |last=Easlea |first=Daryl |page=104}}

| rev7 = Q

| rev7score = {{Rating|4|5}}{{cite magazine |title=Peter Gabriel: Peter Gabriel 1: 'Car' / Peter Gabriel 2: 'Scratch' / Peter Gabriel 3: 'Melt' / Peter Gabriel 3: 'Ein Deutsches Album' / Peter Gabriel 4: 'Security' / Peter Gabriel 4: 'Deutsches Album' |magazine=Q |issue=352 |date=November 2015}}

| rev8 = Rolling Stone

| rev8score = {{Rating|4|5}}{{cite magazine |url=https://www.rollingstone.com/music/music-album-reviews/peter-gabriel-3-183261/ |title=Peter Gabriel [3] |magazine=Rolling Stone |date=26 July 2001 |orig-date=18 September 1980 |access-date=6 June 2012 |last=Marsh |first=Dave |author-link=Dave Marsh}}

| rev9 = The Rolling Stone Album Guide

| rev9score = {{Rating|4|5}}{{cite book |chapter=Peter Gabriel |last=Considine |first=J.D. |author-link=J. D. Considine |title=The New Rolling Stone Album Guide |title-link=The Rolling Stone Album Guide |editor1-last=Brackett |editor1-first=Nathan |editor1-link=Nathan Brackett |editor2-last=Hoard |editor2-first=Christian |editor2-link=Christian Hoard |publisher=Simon & Schuster |edition=4th |year=2004 |isbn=0-7432-0169-8 |pages=[https://archive.org/details/newrollingstonea00brac/page/319 319–20]}}

| rev10 = Uncut

| rev10score = 9/10{{cite magazine |title=Peter Gabriel: Peter Gabriel 1 ('Car') / Peter Gabriel 2 ('Scratch') / Peter Gabriel 3 ('Melt') / Peter Gabriel 4 ('Security') |magazine=Uncut |issue=222 |date=November 2015 |last=Thomson |first=Graeme |url=https://www.uncut.co.uk/reviews/peter-gabriel-the-first-four-solo-albums-remastered-71496/ |pages=88–89}}

}}

In his review for Rolling Stone, Dave Marsh described Peter Gabriel as "a tremendous record" that "sticks in the mind like the haunted heroes of the best film noirs".

In 1989, Peter Gabriel was ranked at No. 46 on Rolling Stone{{'}}s list of the 100 best albums of the 1980s.{{cite magazine |url=https://www.rollingstone.com/music/music-lists/100-best-albums-of-the-eighties-150477/peter-gabriel-peter-gabriel-67748/ |title=100 Best Albums of the Eighties |magazine=Rolling Stone |date=16 November 1989 |access-date=12 November 2020}} In 2000, Q placed the album at No. 53 on its list of the "100 Greatest British Albums Ever";{{cite magazine |title=The 100 Greatest British Albums Ever! – Peter Gabriel: Peter Gabriel |magazine=Q |issue=165 |date=June 2000 |page=70}} six years later, the magazine placed it at No. 29 on its list of the 40 best albums of the 1980s.{{cite magazine |title=40 Best Albums of the '80s |magazine=Q |issue=241 |date=August 2006}} In 2018, Pitchfork ranked Peter Gabriel at No. 125 on its revised and expanded list of the 200 best albums of the 1980s.{{cite web |url=https://pitchfork.com/features/lists-and-guides/the-200-best-albums-of-the-1980s/?page=4 |title=The 200 Best Albums of the 1980s |website=Pitchfork |date=10 September 2018 |access-date=11 August 2020 |page=4}} In 2020, Rolling Stone included this record in their "80 Greatest albums of 1980" list, praising Gabriel "for a haunting LP that touches on political assassinations ("Family Snapshot"), the futility of war ("Games Without Frontiers"), and the brutal murder of South African activist Steve Biko ("Biko"). He made more popular albums after this one, but never better ones."{{cite web|url= https://www.rollingstone.com/music/music-lists/best-albums-of-1980-1075743/|title=The 80 Greatest Albums of 1980 What came out of all this was, arguably, the greatest year for great albums ever|publisher=Rolling Stone|date=11 November 2020 |access-date=12 November 2020}}

{{track listing

| all_writing = Peter Gabriel

| headline = Side one

| title1 = Intruder

| length1 = 4:54

| title2 = No Self Control

| length2 = 3:55

| title3 = Start

| length3 = 1:21

| title4 = I Don't Remember

| length4 = 4:42

| title5 = Family Snapshot

| length5 = 4:28

| title6 = And Through the Wire

| length6 = 5:00

}}

{{track listing

| headline = Side two

| total_length =

| title1 = Games Without Frontiers

| length1 = 4:06

| title2 = Not One of Us

| length2 = 5:22

| title3 = Lead a Normal Life

| length3 = 4:14

| title4 = Biko

| length4 = 7:32

}}

Ein deutsches Album (English: A German Album), released in June 1980, is a German-language version of Peter Gabriel. Gabriel sang German vocals on top of the instrumental backing tracks. Two years later, Gabriel released Deutsches Album (1982), a significantly altered version of his fourth studio album Peter Gabriel (1982).{{cite book |last=Easlea |first=Daryl|title=Without Frontiers: The Life & Music of Peter Gabriel |year=2014 |publisher=Omnibus Press |location=14-15 Berners Street, London |isbn=978-0-85712-860-7 |page=28|url=https://archive.org/details/withoutfrontiers0000easl/page/228/mode/2up |access-date=11 January 2025 |via=The Internet Archive}} In February 1980, German-language versions of "Games Without Frontiers" and "Here Comes the Flood" were released as a single in Germany. German adaptation was done by Horst Königstein.{{cite web |url=http://www.45cat.com/record/6000449 |title=Peter Gabriel 45rpm Cat |work=45cat.com}}

All songs written by Peter Gabriel. "Texte" (lyrics) by Peter Gabriel translated by Horst Königstein.

Side one{{MusicBrainz release|mbid=fd523bae-f7a5-47cb-acbe-940f78cc9263|name=Ein deutsches Album}}

1. "Eindringling" – 5:00
2. "Keine Selbstkontrolle" – 4:00
3. "Frag mich nicht immer" – 6:04
4. * Combines the instrumental "Start" with the German version of "I Don't Remember".
5. "Schnappschuß (Ein Familienfoto)" – 4:26
6. "Und durch den Draht" – 4:28

Side two

1. "Spiel ohne Grenzen" – 4:07
2. "Du bist nicht wie wir" – 5:32
3. "Ein normales Leben" – 4:21
4. "Biko" – 8:55

Credits are adapted from Peter Gabriel liner notes.{{cite AV media notes|title=Peter Gabriel|others=Peter Gabriel|year=1980|publisher=Charisma Records|type=CD booklet}}

• Peter Gabriel – vocals, piano; synthesizer on "Start", "I Don't Remember", "Games Without Frontiers" and "Not One of Us"; drum pattern on "Biko"; backing vocals on "Intruder", "Family Snapshot" and "Not One of Us"; whistle on "Games Without Frontiers"
• Larry Fast – synthesizer on "Intruder", "No Self Control", "Start", "Games Without Frontiers" and "Biko"; processing on "No Self Control", "I Don't Remember" and "Not One of Us"; bagpipes on "Biko"
• David Rhodes – guitar on all tracks except "Start"; backing vocals on "Intruder", "I Don't Remember" and "Not One of Us"
• Robert Fripp – electric guitar on "No Self Control", "I Don't Remember" and "Not One of Us"
• Dave Gregory – electric guitar on "I Don't Remember" and "Family Snapshot"
• Paul Weller – electric guitar on "And Through the Wire"
• John Giblin – bass guitar on "No Self Control", "Family Snapshot", "And Through the Wire", "Games Without Frontiers" and "Not One of Us"
• Tony Levin – Chapman Stick on "I Don't Remember"
• Jerry Marotta – drums on "I Don't Remember", "Family Snapshot", "And Through the Wire", "Games Without Frontiers", "Not One of Us", "Lead a Normal Life" and "Biko"; percussion on "Games Without Frontiers" and "Not One of Us"
• Phil Collins – drums on "Intruder" and "No Self Control"; drum pattern on "Intruder"; snare on "Family Snapshot"; surdo on "Biko"
• Morris Pert – percussion on "Intruder", "No Self Control" and "Lead a Normal Life"
• Dick Morrissey – saxophone on "Start", "Family Snapshot", "No Self Control" and "Lead a Normal Life"
• Kate Bush – backing vocals on "No Self Control" and "Games Without Frontiers"
• Steve Lillywhite, Hugh Padgham – whistles on "Games Without Frontiers"
• Dave Ferguson – screeches on "Biko"

Production personnel

• Steve Lillywhite – producer
• Hugh Padgham – engineer

{{Certification Table Top}}

{{Certification Table Entry|type=album|relyear=1980|region=Australia|award=Gold|certyear=1982|certref=}}

{{Certification Table Entry|type=album|relyear=1980|region=Canada|artist=Peter Gabriel|title=Peter Gabriel|award=Platinum|number=2|certyear=1999}}

{{Certification Table Entry|type=album|relyear=1980|region=France|award=Gold|artist=Peter Gabriel|source=infodisc|accessdate=18 November 2021|certyear=1981}}

{{Certification Table Entry|type=album|relyear=1980|region=United Kingdom|artist=Peter Gabriel|title=Peter Gabriel Cds4019|award=Gold|certyear=1980|id=5079-3740-2}}

{{Certification Table Bottom }}

{{Reflist}}

• {{cite book|title=A Brief History of Album Covers|first=Jason|last=Draper|publisher=Flame Tree Publishing|location=London|year=2008|pages=212–213|isbn=9781847862112|oclc=227198538}}

• {{MusicBrainz release|mbid=cada5444-485b-4c79-bf1d-9ae805420c61|name=Peter Gabriel (Melt)}}
• {{discogs master|29662|name=Peter Gabriel (Melt)}}

{{Peter Gabriel}}

{{Authority control}}

Category:Peter Gabriel albums

Category:1980 albums

Category:Albums with cover art by Hipgnosis

Category:Albums produced by Steve Lillywhite

Category:Charisma Records albums

Category:Geffen Records albums

Category:Mercury Records albums