Sparks (band)

Brothers Ron and Russell Mael grew up in Pacific Palisades, in west Los Angeles County, California,

{{cite web |title=Sparks |url=https://www.bbc.co.uk/scotland/music/connect/2008/artist/sparks/index.shtml|publisher=BBC Scotland |access-date=3 December 2021}}{{cite web |last=Phares |first=Heather |title=Biography |url=https://www.allmusic.com/artist/sparks-mn0000009084/biography |publisher=AllMusic |access-date=3 December 2021 |language=en}}{{Cite book |last=Larkin |first=Colin |author-link=Colin Larkin |title=The Encyclopedia of Popular Music |date= 2006 |publisher= Oxford University Press |isbn=978-019531373-4 |edition=4 |chapter=Sparks |doi=10.1093/acref/9780195313734.001.0001 |chapter-url=https://www.oxfordreference.com/display/10.1093/acref/9780195313734.001.0001/acref-9780195313734-e-26463}}

during the "Golden Age" of the L.A. club scene, when the Doors, the Standells, and Love played the Whisky a Go Go on Sunset Strip{{cite news| last= Hodgkinson| first= Will | author-link=Will Hodgkinson | title=Home Entertainment – Sparks | publisher=The Guardian |date= October 31, 2002 | url=http://arts.guardian.co.uk/fridayreview/story/0,,823087,00.html |url-status=live |archive-url=https://web.archive.org/web/20140910024155/https://www.theguardian.com/culture/2002/nov/01/artsfeatures6 |archive-date= September 10, 2014 |access-date=2006-04-13}} and the Beach Boys played in the late afternoon at Teen-Age Fair at Pickwick Recreation Center{{cite web |title=Pickwick Gardens (Pickwick Recreation Center, formerly, Gay's Pickwick Swim Park) |url=https://pickwickgardens.com/ |access-date=2 December 2021 |archive-url=https://web.archive.org/web/20020305202735/http://www.pickwickgardens.com/ |archive-date=March 5, 2002 |location=Burbank, California |url-status=usurped}} in Burbank, California.{{cite news |last1= Rudolph |first1=Joyce |title=Pickwick owners seek help with history |url= https://www.latimes.com/socal/burbank-leader/news/tn-blr-xpm-2004-09-22-export2795-story.html |access-date=2 December 2021 |newspaper=Burbank Leader |date=22 September 2004}}{{cite web |last=Murphy |first=Jim |title=The Beach Boys' Personal Appearances, 1961–1963 |url= https://becomingthebeachboys.com/the-beach-boys-personal-appearances-1961-1963/ |website= Becoming The Beach Boys |access-date=2 December 2021 |archive-url=https://web.archive.org/web/20210227062213/https://becomingthebeachboys.com/the-beach-boys-personal-appearances-1961-1963/ |archive-date= February 27, 2021 |date=25 August 2020 |quote=April 5, 1963 Friday; Second Annual Teen-Age Fair; Pickwick Recreation Center; 921–1001 Riverside Drive, Burbank, CA, 5:30 p.m. |url-status= live}}

Both Ron and Russell Mael are seen in the audience during the Ronettes' section of the concert film The Big T.N.T. Show, filmed in 1965.{{Cite news |last=Scott |first=John L. |date=1965-12-01 |title= Performers Rock, Audience Rolls at Pop-Folk Concert |page=89 |newspaper=Los Angeles Times |url=https://www.newspapers.com/article/the-los-angeles-times-the-big-tnt-show/135371357/ |access-date=2023-11-18}} Both attended University of California, Los Angeles (UCLA)., Ron studied cinema and graphic art, and Russell studied theatre arts and filmmaking. Detesting the folk music scene, which they considered "cerebral and sedate and we had no time for that", they developed a particular taste in English bands of the time such as The Who, Pink Floyd, The Kinks and The Move, which led to their description of themselves as "Anglophiles".

Their very first recordings were made under the name Urban Renewal Project on January 14, 1967, at the Fidelity Recording Studios in Hollywood. Four tracks were recorded with married couple Fred and Ronna Frank, who were close friends of the Maels. Other members of the band were 16-year old drummer Raymond Clayton and 22-year old Harold Zellman on bass guitar. Ron was considered the lead guitarist and Russell was the singer. He also played the tambourine and harmonica. The songs were pressed on two acetates and have never been released, apart from the track "Computer Girl", which was featured on a CD included with the Japanese semi-biography from 2006 and more widely released on the Past Tense greatest hits album in 2019. The other three tracks are: "The Windmill", "A Quick Thought" and "As You Like It". Of all four songs, "Computer Girl" is the least traditional. Russell plays pan flute on "A Quick Thought".{{Cite AV media notes|last=Wright |first=Edgar |author-link=Edgar Wright |title=The Sparks Brothers |type=Blu-ray notes |year=2023}}

Forming Halfnelson, named after a wrestling hold, in 1968, they soon came to the attention of producer Todd Rundgren, at whose urging Albert Grossman signed the band to his Bearsville record label. Their debut album was released on Bearsville Records in 1971 with the line-up consisting of college friend Earle Mankey on guitar, Mankey's brother James on bass, Harley Feinstein on drums and Rundgren producing. It sold poorly. The Whole Burbank Catalog, a 1972 Warner Brothers $2, 2-LP loss leader sampler included, "Biology II".{{cite web |title=Vinyl Album: Various Artists - The Whole Burbank Catalog (1972) |url=http://www.45worlds.com/vinyl/album/pro512 |website=45worlds |access-date=2 December 2021}}{{cite web |title=Warner Brothers 'Loss Leaders' That Feature Todd Rundgren |url=http://trconnection.com/trconn.php/article=lossleaders.art |website= trconnection.com | publisher= The Todd Rundgren Connection |access-date=2 December 2021}} After renaming themselves Sparks in 1972, a play on the Marx Brothers,{{cite web|title= Sparkography | website= allsparks.com| publisher = Sparks |url=http://allsparks.com/sparkography/|access-date= 2006-04-15|archive-date= 2016-06-18|archive-url=https://web.archive.org/web/20160618004711/http://allsparks.com/sparkography/| url-status=dead}} the album was re-released by Bearsville Records in 1972 as Sparks. The re-issued debut spawned the minor regional hit "Wonder Girl".

Their follow-up album, A Woofer in Tweeter's Clothing, led to a tour of the United Kingdom, including a residency at the Marquee Club in London,{{rp|63}}{{Cite web| url=http://www.queenconcerts.com/detail/live/37/queen-live-20-12-1972-the-marquee-club-london-uk.html| title=Concert: Queen live at The Marquee Club, London, UK |date=20 December 1972|website= queenconcerts.com| publisher =| accessdate =}} These London appearances helped them to secure a significant cult following.

{{Clear}}

File:Sparks - TopPop 1974 07.png, May 17, 1974. Left to right: Ian Hampton, Russell Mael, Ron Mael, Adrian Fisher, Norman "Dinky" Diamond]]

Relocating to England in 1973 with a new manager, John Hewlett, founder of John's Children,{{cite web | last=Welch | first=Chris | date=April 13, 1974 | title=Bright Sparks | work=Melody Maker | url= http://www.loadofold.com/boots/bright_sparks.html | access-date= 2006-04-13 | url-status=dead | archive-url=https://web.archive.org/web/20060221080616/http://www.loadofold.com/boots/bright_sparks.html | archive-date= 2006-02-21 }} and a deal from Island Records, thanks in part to the exposure garnered by their BBC Two Whistle Test performance,{{rp|63}} they placed an ad in music weekly Melody Maker ("Wanted bass player for Sparks. Must be beard free and exciting"){{cite magazine| date=August 2003|title=Hello, Goodbye 77 – Martin Gordon and Sparks|magazine=Mojo |volume=117}} and through this hired Martin Gordon. With Adrian Fisher on guitar and Norman "Dinky" Diamond on drums, in the midst of power cuts and a threatened vinyl shortage,{{cite news | newspaper=The Scotsman |title=Sparks of a revolution |url=http://living.scotsman.com/music.cfm?id=1882202005/ |archive-url=https://web.archive.org/web/20071020194554/http://living.scotsman.com/music.cfm?id=1882202005%2F |archive-date= 2007-10-20 |access-date=2006-04-18 |url-status=dead |last=Synnot |first=Siobhan |date=September 3, 2005}} they recorded their breakthrough album Kimono My House in 1974, scoring a No. 2 hit with the single "This Town Ain't Big Enough for Both of Us".

Sparks became a UK teen sensation appearing on the cover of Melody Maker, Record Mirror and countless other pop magazines in the UK and Europe. Hits such as "This Town Ain't Big Enough for Both of Us", "Amateur Hour" and "Never Turn Your Back on Mother Earth" led to many appearances on the BBC's flagship music show Top of the Pops. Russell's hyperactive movements were in sharp contrast to the keyboard-bound, soberly dressed Ron's expressionless squint and Charlie Chaplin-esque moustache.

Gordon and Fisher were later replaced by Trevor White and Ian Hampton. In 1975, the revised band returned to the US to tour supporting the Kimono and Propaganda albums which had gained strong cult attention in New York City, Cleveland, Chicago, San Francisco and Los Angeles primarily from FM radio play and a national TV appearance on Don Kirshner's Rock Concert. Flo & Eddie were the supporting act. Influential 1970s progressive FM radio station powerhouse WMMS in Cleveland and its famed DJs such as Kid Leo initially championed the band in America. Sparks also performed on American Bandstand in 1975 with host Dick Clark mugging with Ron and on countless other TV shows in the US and abroad post-1977.

The follow-up albums, Propaganda and Indiscreet, the latter produced by Tony Visconti, were similarly successful and produced the hit singles "Looks, Looks, Looks", "Never Turn Your Back on Mother Earth" and "Something for the Girl with Everything".

The Maels returned home to Los Angeles in 1976. Concerned that their music may have become stale, they adopted a more "American" sound and recorded Big Beat with Rupert Holmes and Jeffrey Lesser on production, which they followed with Introducing Sparks. Both albums were mostly recorded with session musicians. This new "West Coast sound" yielded such songs as "Nothing to Do", "Everybody's Stupid", and "Throw Her Away (and Get a New One)". In 1976, Sparks made one of their first forays into the movie business, making a cameo appearance in the disaster-suspense film Rollercoaster, after Kiss turned down the roles.{{cite magazine | last= Black| first= Johnny | title=Sparks Interview |date=September 2006|magazine= Mojo Magazine |volume=154}} They performed the songs "Fill 'Er Up" and "Big Boy".

By 1977 the brothers found themselves at a crossroads. They had cut ties with Hewlett and had grown tired of recording within a traditional rock band framework. In a conversation with a German journalist, they expressed their admiration for Giorgio Moroder, a pioneer of electronic disco and pop music. Moroder happened to be a friend of the journalist, and she was able to connect the brothers with the Italian producer, who produced their next album, No. 1 in Heaven. More electronic and synthesizer-based than their previous efforts, the album would redefine Sparks' sound and challenge the concept of what is meant by a band,{{rp|65-66}} and it also became a major influence on emerging electronic pop artists. It spawned two singles in the top-fifteen UK chart: "The Number One Song in Heaven" and "Beat The Clock". The follow-up album in 1980, Terminal Jive, had a hit single in France, "When I'm with You" ,which led to the Maels staying in the country for a year promoting the album,{{rp|66}} during which Russell became conversationally fluent in French. The single also hit the Top 20 in Australia, reaching No.{{nbsp}}14. In 1981, Belgian synth pop group Telex enlisted Sparks to help write the lyrics for their third album, Sex.

Finding the electronic equipment that they had adopted for their new sound too cumbersome for touring, the band returned to the more conventional band format for their next three releases, although they did not eschew synthesizers entirely: Whomp That Sucker, Angst in My Pants (two tracks from which appear later in the 1983 movie Valley Girl),{{cite web|url= https://www.imdb.com/title/tt0086525/soundtrack|title=Valley Girl (1983): Soundtracks| website=IMDb.com|access-date=18 August 2015}} and In Outer Space. They broke into the US singles chart once more, reaching No. 49 with "Cool Places" from 1983's In Outer Space. The track was a collaboration with the Go-Go's rhythm guitarist and backing vocalist Jane Wiedlin (a dedicated fan of the band who at one time ran her own Sparks fan club), and its success was in part thanks to Los Angeles' KROQ-FM radio station, which hailed them as local heroes. In 1984, the Maels wrote and performed several original songs on the soundtrack for the black comedy teen film Bad Manners (a.k.a. Growing Pains), including the film's title song, "Bad Manners".{{cite web|url=https://www.amazon.co.uk/Bad-Manners-DVD-Martin-Mull/dp/B0001E5U4G/|title=Bad Manners – Region 2 DVD|date=16 February 2004|website=Amazon.co.uk}} In 1989, they scored a hit single in France and in Europe with "Singing in the Shower", sung in duet with Rita Mitsouko: the single was produced by Tony Visconti.

Beginning in the late 1980s, Sparks attempted to make the Japanese manga Mai, the Psychic Girl into a musical, with interest from Tim Burton and Carolco Pictures,{{cite news|last=Carr|first=Jay|title=Batman to battle DeVito's Penguin|work=The Boston Globe|date=1991-03-03}} who purchased the film rights in August 1991. Carolco hoped Burton would start production in 1992, but he chose to work on The Nightmare Before Christmas and Ed Wood for Touchstone Pictures.{{cite news|last=Yang|first=Jeff|url=http://www.sfgate.com/cgi-bin/article.cgi?f=/g/a/2009/08/06/apop080609.DTL|title=The Pokémon generation grows up|work=San Francisco Chronicle|date= 2009-08-06| access-date= 2010-11-06}} The option on the film rights eventually expired, and Burton dropped out.{{cite news |last=Galliano|first=Joseph|url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/classical/article6895801.ece|archive-url=https://web.archive.org/web/20110615085000/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/classical/article6895801.ece|url-status= dead|archive-date=June 15, 2011 |title=Striking Sparks with Bergman|work=The Sunday Times|date= 2009-10-30|access-date=2010-11-06}} Francis Ford Coppola later developed the property in the late 1990s. In June 2000, Sony Pictures Entertainment started on a different project with Kirk Wong attached to direct.{{cite news|last=Harris|first= Dana|url=https://variety.com/2000/film/news/wong-to-helm-spe-s-psychic-1117782459/| title=Wong to helm SPE's 'Psychic'|work=Variety| date=2000-06-11|access-date=2010-10-26}} By February 2001, a script had been written by Lisa Addario and Joey Syracuse for Sony's Columbia Pictures.{{cite news|last1=Brodesser|first1=Claude|last2=Dunkley|first2=Cathy|url=https://variety.com/2001/film/news/u-opens-its-heart-to-addario-syracuse-spec-1117794526/|title=U opens its heart to Addario, Syracuse spec|work= Variety |date=2001-02-18|access-date= 2010-10-26}} The release of The Seduction of Ingmar Bergman, a radio musical by Sparks, in August 2009, was informed by the six years the band spent trying to get their Mai, the Psychic Girl produced. The album generated new interest, and gained a "second wind", vocalist Russell Mael explained. "The music is all ready and we are hoping that this still might see the light of day." On May 18, 2010, Burton expressed renewed interest in adapting the property.{{cite web|url=https://screenrant.com/tim-burton-mai-psychic-girl-ross-60405/|title=Tim Burton Directing 'Mai, the Psychic Girl'?|last=Miller|first=Ross|website=Screen Rant|date=2010-05-18|access-date=2014-03-14}}

In 1993, Ron and Russell returned with the non-album single "National Crime Awareness Week", their first release since the 1988 album Interior Design. The song was produced by the Scottish dance band Finitribe, and its' techno-styled production served as a taster for the duo's new direction during this era. In 1994, the Maels released Gratuitous Sax & Senseless Violins, providing the hit singles "When Do I Get to Sing 'My Way'" and "When I Kiss You (I Hear Charlie Parker Playing)". In Germany, "When Do I Get to Sing 'My Way{{'"}} was the No. 1 airplay song for 1994 as well as being hailed critically for its poignant lyrics and touching melody. The band toured in support of the album with percussionist Christi Haydon playing drums. Haydon also appeared in the videos for "When Do I Get to Sing 'My Way'" and "When I Kiss You (I Hear Charlie Parker Playing)", which were both directed by Sophie Muller.

1997 saw the release of Plagiarism, an album of cover versions of their own songs featuring collaborations with Faith No More, Erasure and Jimmy Somerville. Half of the album was recorded by Tony Visconti in London with the other half recorded by the brothers in their own purpose-built studio in LA, surrounded by busts of Elvis Presley. In 1998 they recorded the soundtrack for the action film Knock Off, starring Jean-Claude Van Damme, directed by the acclaimed Hong Kong-based producer/director Tsui Hark (who had appeared on his own tribute song by the band on the album Gratuitous Sax and Senseless Violins).

Balls, released in 2000, again put the band in a context of electronic instrumentation with some of Ron's most striking and perceptive lyrics. With the release of Balls the band toured the UK, Germany, Japan and Australia.

After Balls, the band resurfaced in 2002 with the release of an album described as what they called their "genre-defining opus" – Lil' Beethoven, featuring quasi-classical arrangements of strings and choirs. Lil' Beethoven led to renewed interest in the band. Record Collector magazine named the album as one of its "Best New Albums of 2002", describing it as "...{{nbsp}}possibly the most exciting and interesting release ever from such a long-established act"{{cite magazine|title=Best New Albums of 2002|date=January 2003|magazine=Record Collector|volume=281}} and later in 2003 saying "...{{nbsp}}it really does feel like one of the best albums ever recorded."{{rp|62}} A UK and European tour had the band playing the entire album each night in the first half of the show, with fan favourites making up the second. The line-up now included former Faith No More guitarist Dean Menta in addition to Tammy Glover on drums. Long-time fan Morrissey invited Sparks to perform at the 2004 Meltdown Festival, of which he was curator. They performed their breakthrough Kimono My House album, followed by Lil Beethoven, both in their entirety. Also in this period, the duo appeared in the music video for the Darkness' Justin Hawkins's cover of "This Town Ain't Big Enough for Both of Us", in which Ron and Russell play the referee and MC at a darts match between Hawkins and darts champion Phil Taylor. This version of "This Town" reached No.{{nbsp}}6 in the UK charts. Sparks would later release Lil' Beethoven{{'}}s closing track "Suburban Homeboy" as a single.

February 2006 saw the release of Hello Young Lovers, their twentieth studio album.{{cite news| newspaper=The Scotsman |title=Thirty chord wonders |url=http://living.scotsman.com/index.cfm?id=68772006/ |archive-url= https://web.archive.org/web/20071020194547/http://living.scotsman.com/index.cfm?id=68772006%2F |archive-date= 2007-10-20 |access-date= 2006-04-13 |url-status=dead |date=January 15, 2006}} The album is regarded as carrying on where Lil' Beethoven left off, being described as "...{{nbsp}}cynical, intelligent and very, very funny",{{cite web|title=Sparks, Hello Young Lovers| publisher= BBC| url= https://www.bbc.co.uk/music/classicpop/reviews/sparks_hello.shtml|url-status= dead| archive-url= https://web.archive.org/web/20060207033253/http://www.bbc.co.uk/music/classicpop/reviews/sparks_hello.shtml| archive-date= 7 February 2006| access-date=22 September 2015 |last=Jones |first=Chris |date=February 7, 2006}} it has met with considerable acclaim.{{cite journal|first=Paul|last=Lester|title=Flashes of Greatness [Hello Young Lovers 4 out of 5 star Review|journal= Uncut| date=March 2006}}{{cite journal|first=Simon|last=Hayes Budgren|title=Hello Young Lovers review [9 out of 10] |journal= NME |date=4 February 2006 }} Sparks led off the album with the striking tune that the BBC deemed its title, "Dick Around", too provocative to play. The song is a multi-section, multi-mood, highly layered track that many felt should have been a UK smash hit had the BBC not misinterpreted the title of the song as being other than it was.

The brothers were dismissive of the latest trends in popular music at this time, seeing most contemporary bands as lacking musical ambition and experimental drive.{{cite magazine| magazine=Billboard |title= Sparks Steers Clear of Convention on New CD |url=https://www.billboard.com/articles/news/61158/sparks-steers-clear-of-convention-on-new-cd|access-date=2006-04-13 |date=October 10, 2005}}{{cite web | last= McNair |first= James | title=Sparks: Creating mischief again with their latest album | date=February 22, 2006 |newspaper=The Independent |url= http://enjoyment.independent.co.uk/music/features/article347014.ece/|archive-url=https://web.archive.org/web/20070124130940/http://enjoyment.independent.co.uk/music/features/article347014.ece/|archive-date=2007-01-24 | url-status= dead | access-date=2006-04-18}} Indeed, the predictable trends in much of modern rock served as inspiration for Hello Young Lovers. However, they have expressed admiration for Eminem and Morrissey.

The pair appeared in the season 6 finale of the US TV series Gilmore Girls, performing "Perfume" from the album Hello Young Lovers. They released a live DVD of a September 2006 show at The Forum as well as a long-awaited CD release of their previously unavailable 1977 album Introducing Sparks. "Perfume" was also featured in a Dolce & Gabbana TV commercial in 2009.{{cite web|title= Dolce & Gabbana TV commercial|via = YouTube |url=https://www.youtube.com/watch?v=Jr_G2DOD5zk| access-date= 2009-12-08}}

On May 12, 2008, Sparks released the single "Good Morning", taken from the album Exotic Creatures of the Deep.

May and June 2008 saw the 21-night "Sparks Spectacular" in London, where they played each of their albums in chronological order during the first twenty nights and premiered their new album on the twenty-first concert on June 13, 2008.{{cite web|url= http://www.side-line.com/news_comments.php?id=27328_0_2_0_C |title=Sparks to play an album a night in London |website= Side-line |access-date= 2009-06-30 |url-status=dead |archive-url=https://web.archive.org/web/20081223024602/http://www.side-line.com/news_comments.php?id=27328_0_2_0_C |archive-date=December 23, 2008 |date=November 23, 2007}} Each night, they performed an album in its entirety followed by a rare track—many of the songs had never been performed live before. The band asked their fans to visit their website and vote for the track that they'd most like to hear the band perform during the second half of the 21st concert after the premiere of Exotic Creatures of the Deep, though Russell admitted that he and Ron would probably influence the poll a little.

Fans who bought a "Golden Ticket" (which allowed entry into all 21 gigs) also received a poster signed by the band and a CD single, "Islington N1". The title is a reference to the postal address of the venue for the first 20 gigs. "Islington N1" was later made available in the box set edition of their New Music For Amnesiacs career-spanning box set.

In 2009 the band played two consecutive nights at The Forum in London on 20 and 21 March. They played Exotic Creatures of the Deep in its entirety at both gigs, followed by Kimono My House in its entirety on the first night and No.{{nbsp}}1 in Heaven in its entirety on the second night.

On February14, 2009, Sparks performed the same show before a sold-out hometown crowd at Royce Hall in Los Angeles at UCLA, the alma mater of the Mael Brothers.

Ron and Russell appeared as interview subjects in the 2009 documentary The Magnificent Tati, discussing their involvement during the early 1980s in Confusion, a proposed Jacques Tati movie for which a screenplay was written but never shot (due to Tati's death).

{{main|The Seduction of Ingmar Bergman}}

The band premiered the radio musical The Seduction of Ingmar Bergman,{{cite news|url=http://sverigesradio.se/sida/gruppsida.aspx?programid=2938&grupp=21081&artikel=3030210|title=Sparks 'The Seduction Of Ingmar Bergman' – world premiere at the Radio Theatre|date=13 August 2009|access-date=18 August 2015| language = sv| newspaper=Sveriges Radio|first=Eva|last=Sahlin|url-status=dead|archive-url=https://web.archive.org/web/20160108224702/http://sverigesradio.se/sida/gruppsida.aspx?programid=2938&grupp=21081&artikel=3030210|archive-date=January 8, 2016}} in August 2009. Commissioned by Swedish public radio (SR), it featured the Mael brothers themselves along with Swedish actors Elin Klinga and Jonas Malmsjö, both of whom worked with Bergman in his lifetime. The musical, partly in English, partly in Swedish, tells the story of Bergman's relocation to Hollywood after his breakthrough with Smiles of a Summer Night (1956), and the surreal and discomforting encounter with the movie capital. The UK's BBC Radio 6 Music held a similar event in London two months later whereby the musical was played in its entirety before a live audience at the BBC Broadcasting House in London and later to be broadcast with a Q&A with the Maels.

In June 2011, as part of the Los Angeles Film Festival, Sparks presented the World Premiere live performance of The Seduction of Ingmar Bergman at the John Anson Ford Amphitheatre in Hollywood. Canadian film director Guy Maddin provided directions based on the screenplay, with Ron and Russell reprising their recorded roles on stage. The role of Ingmar Bergman was performed by Finnish movie actor Peter Franzén, and American actress Ann Magnuson portrayed Greta Garbo. The group showcased at the film festival in an attempt to raise funding for a feature film version.{{Cite magazine|url= https://www.filmthreat.com/festivals/35045/ |title=2011 Los Angeles Film Festival Announces First Round of Film Selections |last=Bell |first=Mark |date=2011-05-03 |magazine=Film Threat |access-date= 2011-05-07 |url-status=dead |archive-url=https://web.archive.org/web/20110506100011/http://www.filmthreat.com/festivals/35045/ |archive-date=2011-05-06 }}{{Cite web|url= http://www.nj.com/entertainment/music/index.ssf/2011/04/groundbreaking_rock_band_spark.html|title=Groundbreaking rock band Sparks remains influential, 40 years after debut album|last=Rose|first=Lisa|date=2011-04-29|publisher=NJ.com|access-date=2011-05-11}}

Since 2011, the band have been pursuing the idea of turning The Seduction of Ingmar Bergman into a feature film. Originally envisaged as a live-action film, in 2017, the Mael Brothers announced they were taking a new direction and developing Bergman as an animated feature film with director Joseph Wallace, who created the music video for their track "Edith Piaf (Said It Better Than Me)".{{cite magazine|url=https://www.thelineofbestfit.com/features/interviews/sparks-interview |title= Joyous nonsense and sly jokes: Sparks on new album Hippopotamus and upcoming musical film |magazine= The Line of Best Fit |date=2017-09-16 |access-date=2019-10-03 |last=Read-Challen |first=Robin}} As of 2024 no film version of the musical has been made.

In 2010, Sparks remixed Yoko Ono's song "Give Me Something". In July they contributed a remix of sorts to singer Katie Melua's single, A Happy Place, calling it Sparks VS. Melua. September 2 marked the debut of the new theme songs that Ron and Russell had composed and recorded for NPR radio's Bookworm show, broadcast in Los Angeles on station KCRW. The two songs, titled "Where Would We Be Without Books?" and "I Am A Bookworm", were commissioned by show host and Sparks fan Michael Silverblatt as the first new theme songs for the programme in 21 years.

For the encore of what may have been the final live date ever in America for Faith No More on December 1 at the Hollywood Palladium in Los Angeles, Ron and Russell Mael were invited by Mike Patton and Co. to perform the Sparks' classic hit "This Town Ain't Big Enough for Both of Us". They reprised the song that also appears as a collaboration with Faith No More on Sparks' 1997 album Plagiarism and had also been released as a single.

In 2012 Ron and Russell collaborated with singer Gemma Ray who released a limited 12-inch single, "Gemma Ray Sings Sparks (with Sparks)", which included Ray's covers of Sparks "How Do I Get To Carnegie Hall" and "Eaten by the Monster of Love".{{cite web|url=https://www.youtube.com/watch?v=5nAUk87v9No|title=Gemma Ray sings Sparks (with Sparks) – How Do I Get To Carnegie Hall?|publisher=Bronze Rat Records |via= YouTube |date=3 Feb 2012|access-date=18 August 2015}}{{cite web|url=https://www.youtube.com/watch?v=zIRVI287UwQ| title= Eaten By the Monster of Love| date=3 December 2014|publisher=Pias UK Limited |via= YouTube}} In October, Ron and Russell performed for the first time ever as a duo, with no band. The 18-city European tour, Two Hands One Mouth, began in Lithuania and followed in Latvia, Finland, Norway, Sweden, Germany, Belgium, Ireland and finished with a sold-out show at the Barbican Centre in London. The tour then took the group to Japan and the US, including two performances at the Coachella Festival, with a show in Paris following in 2013 where they were joined on stage by Catherine Ringer from Les Rita Mitsouko to sing on their 1989 collaboration "Singing in The Shower". Recordings from the tour resulted in Sparks first live album, Two Hands, One Mouth: Live in Europe, which was released later in 2013. Ron and Russell continued touring in the duo format for a second round, titling the tour "The Revenge of Two Hands One Mouth", taking in dates in both North America and Europe, including Fun Fun Fun Fest in Austin, Texas, and three nights at Union Chapel in London, where Thurston Moore joined them to play guitar on "This Town Ain't Big Enough for Both of Us". Both "Two Hands One Mouth" and "The Revenge of Two Hands One Mouth" tours were critically well received.{{cite news|url=http://thequietus.com/articles/09080-sparks-live-review|title=LIVE REPORT: Sparks|first=Emily|last=Bick|newspaper=The Quietus|date=17 June 2012|access-date=18 August 2015}}{{cite web|url=http://spinningplatters.com/2013/04/22/show-review-sparks-two-hands-one-mouth-at-the-chapel-492013/| title=Fauxchella Review: Sparks: 'Two Hands, One Mouth' at The Chapel, 4/9/2013|first=Jonathan|last=Pirro|date=22 April 2013|access-date=18 August 2015|url-status=dead|archive-date=May 5, 2013|archive-url=https://web.archive.org/web/20130505011742/http://spinningplatters.com/2013/04/22/show-review-sparks-two-hands-one-mouth-at-the-chapel-492013/|publisher=Spinning Platters}}{{cite web|url=http://ravechild.co.uk/2013/12/04/live-review-sparks-at-the-arches-251113/|title=Live Review: Sparks at the Arches, 25/11/2013|date=4 December 2013|first=Max|last=Sefton|publisher=ravechild |access-date= 18 August 2015|archive-date=3 August 2020|archive-url=https://web.archive.org/web/20200803204350/http://ravechild.co.uk/2013/12/04/live-review-sparks-at-the-arches-251113/| url-status= dead}} In 2013, they contributed a song and brief voice part to the Guy Maddin movie The Forbidden Room.{{cite web|url= http://allsparks.com/sparks-release-the-final-derriere-a-song-of-anguish-bottoms-and-lobotomies-from-the-film-the-forbidden-film/|title= Sparks Release the Final Derriere |website= Allsparks.com| publisher= Sparks | access-date=8 September 2018}}

For the 40th anniversary of Kimono My House, the album was performed in its entirety, along with a greatest hits set, at the Barbican Centre in London on the 19th and 20th of December 2014, featuring backing performances from the 35-piece Heritage Orchestra.{{cite web|url=http://www.barbican.org.uk/music/event-detail.asp?ID=16809|title=Sparks perform Kimono My House with the Heritage Orchestra, conducted by Jules Buckley|access-date=18 August 2015|publisher=Barbican Centre| url-status= dead|archive-url=https://web.archive.org/web/20150923182641/http://www.barbican.org.uk/music/event-detail.asp?ID=16809|archive-date=23 September 2015}} Ron and Russell took the Kimono My House celebrations to Los Angeles as they performed the album on two consecutive nights with a 38-piece orchestra at the United Artists Theatre at Ace Hotel Los Angeles on 14th and 15th of February 2015. Both shows sold out and received glowing reviews.{{cite news|newspaper=Los Angeles Times|url= https://www.latimes.com/entertainment/music/posts/la-et-ms-sparks-franz-ferdinand-album-tour-20150216-story.html|title=Sparks, Franz Ferdinand to join forces for 2015 album, tour|first=Randy|last=Lewis|date=16 February 2015|access-date=18 August 2015}}{{cite news|newspaper=L.A. Record| url= http://larecord.com/photos/2015/02/17/photos-sparks-the-theatre-at-ace-hotel|title=Photos: Sparks @ The Theatre at Ace Hotel|date=17 February 2015|first=David|last=Valera|access-date=18 August 2015|archive-date=7 November 2021|archive-url=https://web.archive.org/web/20211107234020/https://larecord.com/photos/2015/02/17/photos-sparks-the-theatre-at-ace-hotel|url-status=dead}}{{cite magazine| magazine= Rockerzine|url=http://www.rockerzine.com/index.php/2015/02/sparks-kimono-my-house-live-with-orchestra-in-la/|title=Sparks: 'Kimono My House' live with Orchestra in LA!|first=Timothy|last=Sprague|date=February 15, 2015|access-date=18 August 2015}}{{cite news |work=LA Weekly |url=http://www.laweekly.com/music/sparks-rocked-a-38-piece-orchestra-at-the-ace-hotel-5389991 |title=Sparks Presented 'Kimono My House' at the Theatre at Ace Hotel (Concert Review) |first=Andy |last=Hermann |date=16 February 2015 |access-date=18 August 2015 |url-status=dead |archive-url=https://web.archive.org/web/20150217162117/http://www.laweekly.com/music/sparks-rocked-a-38-piece-orchestra-at-the-ace-hotel-5389991 |archive-date=February 17, 2015}} Alex Kapranos of Franz Ferdinand joined them onstage both nights for a duet with Russell on the song "When Do I Get to Sing 'My Way'".

Before Kapranos's appearance in Los Angeles, Sparks and Franz Ferdinand had been collaborating and in late 2014 had recorded an album together, produced by John Congleton. The supergroup, named FFS, was unveiled in March 2015 with a short teaser video of song "The Power Couple".{{cite web | url= https://pitchfork.com/news/58777-franz-ferdinand-and-sparks-form-supergroup-ffs/ | title=Franz Ferdinand and Sparks Form Supergroup FFS | website=Pitchfork | date=March 9, 2015 | access-date=March 9, 2015 | last=Goble| first= Corban}}{{youTube|eR1e-Pf9dX4|FFS – The Domino Effect}} An eponymous album was released in June 2015.{{cite web| url= https://music.apple.com/us/album/ffs/978830771 |title= Music – FFS by FFS| website=iTunes|date=5 June 2015|access-date=18 August 2015}} The album was promoted with appearances on BBC programme Later with Jools Holland and the Glastonbury Festival.{{cite web| url=https://www.bbc.co.uk/events/e84mxj/acts/a62n5v| title= Glastonbury – FFS (Franz Ferdinand & Sparks)|access-date=18 August 2015|publisher= BBC}}

File:SparksRoughTrade080917-10.jpg in September 2017]]

Sparks's 23rd studio album, Hippopotamus, was released in September 2017 to critical and commercial success,{{cite web |title= Hippopotamus by Sparks |url= https://www.metacritic.com/music/hippopotamus/sparks/critic-reviews |access-date= September 9, 2017 |website= Metacritic.com}} peaking at number 7 in the UK Albums Chart. A full band tour, starting in Copenhagen, was undertaken to support the record. In 2019, Sparks collaborated with and were featured on French artist Sebastian's song "Handcuffed to a Parking Meter" which is on his album Thirst.{{Cite web |date=5 September 2019 |title=SebastiAn Enlists Syd, Charlotte Gainsbourg, Sparks, and More for New Album Thirst |url=https://pitchfork.com/news/sebastian-enlists-syd-charlotte-gainsbourg-sparks-and-more-for-new-album-thirst/ |website=Pitchfork |last=Ruiz |first=Matthew Ismael |access-date=January 23, 2020}}

File:Sparks in 2023.jpg

The band's first album of the 2020s, A Steady Drip, Drip, Drip, was released in digital form in May 2020, with the physical release pushed back to July due to the COVID-19 pandemic. The album was preceded by singles "Self-Effacing", and "I'm Toast" in February and March, respectively.{{cite web|first=Brenna |last=Ehrlich |url=https://www.rollingstone.com/music/music-news/sparks-im-toast-965964/|title= Sparks Channel Our Collective Angst on 'I'm Toast'|publisher= | work = Rolling Stone| date=12 March 2020|access-date= 25 March 2020}} Like its predecessor Hippopotamus, it entered the UK Albums Chart at number 7 and garnered universal critical acclaim.{{cite web |title=A Steady Drip, Drip, Drip by Sparks |url=https://www.metacritic.com/music/a-steady-drip-drip-drip/sparks |access-date=May 28, 2020 |website= Metacritic.com}} Coinciding with the physical release of the album, an official music video for the song "The Existential Threat" premiered on YouTube, the animation created by English freelance animator and composer Cyriak Harris.{{cite AV media |people=Cyriak (animator, director), Sparks (composers) |date= 3 July 2020 |title= Sparks – The Existential Threat (Official Video) |via= YouTube |url=https://www.youtube.com/watch?v=dLxPIOxgkM0 |access-date=24 July 2020}}{{cite news |last1=Berkowitz |first1=Joe |title=This music-video ode to apocalyptic anxiety will give you the catharsis you crave |url=https://www.fastcompany.com/90525190/this-music-video-ode-to-apocalyptic-anxiety-will-give-you-the-catharsis-you-crave |access-date=24 July 2020 |work=Fast Company |date=7 July 2020 |language=en-us}}{{cite web |last=Milligan |first=Kaitlin |title=Sparks Teams Up Animator Cyriak for New Video |url=https://www.broadwayworld.com/bwwmusic/article/Sparks-Teams-Up-Animator-Cyriak-for-New-Video-20200706 |access-date=24 July 2020 |publisher=BroadwayWorld |date=6 July 2020 |language=en-us}} The band then collaborated with Todd Rundgren on the single "Your Fandango", 50 years after he produced their debut album.{{cite magazine |magazine= Exclaim! |url=https://exclaim.ca/music/article/sparks_and_todd_rundgren_team_up_for_their_first_new_song_in_50_years|title=Sparks and Todd Rundgren Team Up for Their First New Song in 50 Years|last=Thiessen|first=Brock|date=22 April 2021| accessdate =May 12, 2025}}

Sparks were involved in two 2021 film releases, as screenwriters and composers for the musical Annette, directed by Leos Carax and starring Adam Driver and Marion Cotillard; and in The Sparks Brothers, a documentary about their career directed by Edgar Wright. Annette premiered at the 2021 Cannes Film Festival and was in competition for the Palme d'Or.{{cite web |url=https://www.france24.com/en/live-news/20210706-sparks-fly-as-musical-film-annette-geeks-out-cannes |title=Sparks fly as musical film 'Annette' geeks out Cannes |work= france24.com| publisher = Agence France-Presse |date=July 6, 2021 |access-date=July 6, 2021 |language=en-US}} The leading track "So May We Start" was accompanied by a video featuring the band with Driver and Cotillard,{{Cite web |date= 2021-07-13 |title=New Mix: Courtney Barnett, Ben Gibbard And Tycho, Sparks, More |url= https://text.npr.org/1015356094 |access-date=2021-07-13 |publisher=NPR |last=Boilen |first=Bob}} and the Annette soundtrack was released on Sony.

In February 2022 Sparks played two sold-out shows at the Walt Disney Concert Hall, their first full concerts since 2018 following postponements of tour dates throughout 2020 and 2021.{{cite web|url=http://allsparks.com/#tour |title=Sparks on Tour| website= Allsparks.com |access-date=20 July 2021}} Variety lauded the first concert as "a rousingly celebratory homecoming".{{cite magazine|url= https://variety.com/2022/music/news/sparks-walt-disney-concert-hall-review-1235175240/|title=Sparks Asks ‘So May We Start?’ in a Disney Hall Gig That Shows How Far They Are From Finished: Concert Review|date=9 February 2022|magazine=Variety|access-date=22 February 2022|last=Willman|first=Chris}} North American and European spring tours followed, then festival dates in the US{{Cite web |title=This Ain't No Picnic |url=https://thisaintnopicnic.com/ |access-date=2022-11-06 |website= thisaintnopicnic.com}} and at Summer Sonic Festival in Japan. The Maels performed at the 2022 César Awards (France's national film award ceremony), and they received a César for best original music for Annette.

File:Cate Blanchett in 2023.jpg

In November 2022, Focus Features announced they would be producing a new musical, X-Crucior to be written and produced by the Mael brothers.{{cite web |title=Focus Features Developing 'X Crucior' Musical Epic from Ron Mael and Russell Mael of the band Sparks |url=https://www.focusfeatures.com/news/x-crucior-musical_development-announcement |website=Focus Features |access-date=4 November 2022 |url-status=dead |archive-url=https://web.archive.org/web/20221103233435/https://www.focusfeatures.com/news/x-crucior-musical_development-announcement |archive-date=November 3, 2022 |date=November 3, 2022}} Their next studio album, The Girl Is Crying in Her Latte, and a world tour were confirmed for 2023.{{Cite web |last=Grobar |first= Matt |date=2022-11-03 |title='X Crucior' Musical From Sparks Duo Ron & Russell Mael In Works At Focus Features |url= https://deadline.com/2022/11/sparks-duo-ron-russell-mael-developing-musical-x-crucior-at-focus-1235162734/ |access-date= 2022-11-07 |website=Deadline |language=en-US}} Sparks re-signed to Island Records in January 2023. The album's lead single, "The Girl Is Crying in Her Latte", features a music video released on March 3 with actress Cate Blanchett dancing to the song. Latte was the best selling physical album in the UK on the week of release,{{Cite web |title=Official Physical Albums Chart, 2 June - 8 June 2023 |url=https://www.officialcharts.com/charts/physical-albums-chart/20230602/2/ |publisher=Official Charts Company}} and the tour supporting it included some remarkable firsts for the band: Two shows at the Royal Albert Hall, Glastonbury Festival (featuring Cate Blanchett), the Hollywood Bowl with They Might Be Giants, and the Sydney Opera House.

Social media posts in September 2024 had the brothers posing with film director John Woo,{{Cite tweet |user=SparksOfficial | title = Legendary filmmaker John Woo + Sparks = ???? |number= 1831736280407056767 | date= September 5, 2024| access-date=April 15, 2025}} teasing a collaboration, with the hashtag #xcrucior. Woo's Instagram account also posted the photo with hints at a "new project" and commented "maybe not action" (the genre he is most famous for working in). Woo has wanted to direct a musical for a long time, and shares a love of French cinema with the Maels (particularly The Umbrellas Of Cherbourg). On September 9 he confirmed working on a "half-musical" with Sparks.{{Cite magazine |date= 2024-09-09 |title=John Woo's Next Film Is 'A Half-Musical' With Sparks: 'My First Movie Where I Don't Need A Stuntman' |url=https://www.empireonline.com/movies/news/john-woo-half-musical-sparks-exclusive/ |access-date= 2024-09-09 |magazine=Empire |language=en |last=Travis |first=Ben}}

On October 17, 2024, Sparks received the honor of Outstanding Contribution to Music at the 2024 AIM Independent Music Awards, where they announced that they had signed to Transgressive Records for the release of their album Mad!.{{Cite magazine |title=Neneh Cherry, Sparks & Jorja Smith Among Winners at 2024 AIM Awards |url= https://www.billboard.com/pro/aim-awards-2024-winners-list-jorja-smith-neneh-cherry-sparks/ |magazine=Billboard |access-date= 2024-10-18 |last=Smirke |first=Richard |date=October 17, 2024}}

Sparks is regarded as an art pop band.{{Cite web|url=https://www.nme.com/music-interviews/sparks-interview-russell-mael-adam-driver-steady-drip-2020-2669658|title=Sparks tell us about working with Adam Driver and 'coming from a different realm of pop' |website=NME|first=Gary|last=Ryan|date=19 May 2020|access-date=14 September 2020}}{{Cite web|url=https://thevinylfactory.com/features/beyond-bowie-the-mutating-art-pop-of-sparks-in-10-records/|title=Beyond Bowie: The mutating art-pop of Sparks in 10 records|publisher=The Vinyl Factory|date=17 November 2015|access-date=14 September 2020|last=Aston|first=Martin}}{{Cite news|url=https://www.islingtongazette.co.uk/entertainment/music/album-review-sparks-a-steady-drip-drip-drip-1-6722530|title=Album review: Sparks – A Steady Drip, Drip, Drip|first=Stephen|last=Moore|newspaper=Islington Gazette|access-date=14 September 2020|archive-date=25 September 2020|archive-url=https://web.archive.org/web/20200925211944/https://www.islingtongazette.co.uk/entertainment/music/album-review-sparks-a-steady-drip-drip-drip-1-6722530|url-status=dead|date=June 30, 2020}}{{Cite magazine|url=https://www.popmatters.com/sparks-steady-drip-drip-drip-2645935072.html?rebelltitem=1#rebelltitem1?rebelltitem=1|title=Sparks Still Ignite with 'A Steady Drip, Drip, Drip'|date=8 May 2020|magazine=PopMatters|access-date=14 September 2020|last=Blum|first=Jordan}}{{Cite web|url=http://www.theguardian.com/music/2015/jun/11/franz-and-sparks-this-town-is-big-enough-for-both-of-us|title=Franz and Sparks: this town is big enough for both of us|date=11 June 2015|website=The Guardian|access-date=14 September 2020|last=Lester|first=Paul}}{{Cite magazine|url=https://www.uncut.co.uk/reviews/album/sparks-a-steady-drip-drip-drip-126795/|title=Sparks – A Steady Drip, Drip, Drip|magazine=Uncut|date=29 May 2020|access-date=14 September 2020|last=Anderson|first=Jason}}

Their musical style has varied dramatically with Russell Mael's distinctive wide-ranging voice (in particular his far-reaching falsetto) and Ron Mael's intricate and rhythmic keyboard playing style is the common thread throughout their fifty-year career. In its review of Kimono My House, NME described Russell's falsetto as a "stratospheric blend of Marc Bolan and Tiny Tim".{{cite journal|first=Ian |last=Mac Donald |title=Kimono My House [album review]|journal= New Musical Express|date= 18 May 1974}} In the beginning, they attempted to emulate the sound of their English idols, such as the Who, Syd Barrett-era Pink Floyd and the Kinks, sometimes even pretending to be an English band while on the LA club circuit. They relocated to England during the glam rock era where, despite cutting an odd figure on this scene, they found success with their polished brand of intricate pop tunes and convoluted lyrics. Early albums such as Kimono My House combined glam rock with elements of bubblegum pop and baroque music. By the second half of the decade, they were concerned that the sound they had developed while based in England was in danger of becoming stale; they returned to LA, determined to adopt a more "West Coast" sound. This they achieved with producer Rupert Holmes on Big Beat and (sans Holmes) on Introducing Sparks.

The band were not satisfied with the results, which they felt lacked personality, perhaps because of the reliance on session musicians. This led to the most dramatic change of style the band would attempt, when they teamed up with Giorgio Moroder, dropped the rock-group format altogether and produced the disco record No.{{nbsp}}1 in Heaven which relied on synthesizers.{{cite web|url=https://www.allmusic.com/album/no-1-in-heaven-mw0000454176|title=No. 1 in Heaven – Sparks – Songs, Reviews, Credits, Awards|website=AllMusic|first=John|last=Bush|access-date=18 August 2015}} This album is regarded as a landmark in the development of electronic music and greatly influenced bands which would emerge in the following years.{{rp|65-66}} They soon returned to a more traditional line-up, which remained until 1988's Interior Design. There then followed a long hiatus until 1994's Gratuitous Sax & Senseless Violins, which was a foray into the techno dance world, which they had helped to spawn back in the late 1970s.{{cite web|title=Sparks |publisher=Music.com |url=http://www.music.com/group/sparks/1/ |access-date=2006-04-18 |url-status=dead |archive-url=https://web.archive.org/web/20060128095916/http://www.music.com/group/sparks/1/ |archive-date=2006-01-28 |date=June 18, 2004 |last=Ankeny |first=Jason}}

In 2002, the band switched to a classically influenced art pop{{cite magazine|url=https://www.popmatters.com/expect-the-unexpected-a-conversation-with-sparks-2495382062.html|title=Expect the Unexpected: A Conversation with Sparks|date=13 September 2017|access-date=22 November 2017|last=Paul |first=John |magazine=PopMatters}} style with the release of their album Lil' Beethoven, replacing the beat-driven synth-pop of their previous albums with complex orchestral arrangements. The band acknowledged this change in style on the album's opening track "The Rhythm Thief".{{cite news|newspaper=PopMatters|url=https://www.popmatters.com/review/175937-sparks-new-music-for-amnesiacs-the-ultimate-collection/|title=Sparks: New Music for Amnesiacs, the Ultimate Collection|first=Zachary|last=Houle|date=24 October 2013|access-date=18 August 2015 |url-status=dead |archive-url=https://web.archive.org/web/20131027052649/https://www.popmatters.com/review/175937-sparks-new-music-for-amnesiacs-the-ultimate-collection/ |archive-date=October 27, 2013}}

Lyrically, the band's style has been described as coming from "the school of Cole Porter, favouring caustic wit over trivial personal problems,{{nbsp}}... achingly clever lyrics seesaw between superficial gloss, profound sentiment and the incomprehensibly bizarre". Repeated lyrical motifs have become a distinct feature on recent albums. On "My Baby's Taking Me Home" of Lil' Beethoven (2002), the song title is repeated 104 times, with no other words used, other than a spoken interlude.{{rp|62}} Similarly, on the same album, "Your Call Is Very Important To Us", uses a corporation style call-hold message: "Your call is very important to us. Please hold" which is then sung with some additional words: "At first she said your call is very important to us, then she said please, please hold." The only other lyrics in the song are "Red light", "Green light", "I'm Getting Mixed Signals" and "Sorry, I'm Going To Have To Put You Back On Hold". These elements are layered with a simple piano line to create a highly textured effect.{{cite web|title=Hello Young Lovers review |website=Stylus |url=http://www.stylusmagazine.com/review.php?ID=3781 |access-date=2006-04-25 |url-status=dead |archive-url=https://web.archive.org/web/20060329183846/http://www.stylusmagazine.com/review.php?ID=3781 |archive-date=2006-03-29 |last=O'Reilly |first=Fergal |date=February 14, 2006}}

The vocal sound on the single "This Town Ain't Big Enough for Both of Us" was criticised as "stylised". This may be because the song was written without any regard for the vocal style of Russell Mael. Ron Mael has explained:

"This Town Ain't Big Enough for Both of Us" was written in A, and by God, it'll be sung in A. I just feel that if you're coming up with most of the music, then you have an idea where it's going to go. And no singer is gonna get in my way.

Russell Mael has claimed in reply:

When he wrote "This Town Ain't Big Enough for Both of Us", Ron could only play it in that key. It was so much work to transpose the song and one of us had to budge, so I made the adjustment to fit in. My voice ain't a "rock" voice. It's not soulful, in the traditional rock way; It's not about "guts". It's untrained, unschooled, I never questioned why I was singing high. It just happened, dictated by the songs. Ron has always written Sparks' lyrics and never transposed them into a rock key for me to sing. He always packed each line with words and I had to sing them as they were.The Word, No. 36, February 2006.

Sparks has influenced many later genres including synth-pop, new wave, post-punk, and alternative rock, influencing a wide range of singers and bands including Joy Division, New Order, Depeche Mode, The Smiths, Siouxsie and the Banshees, Sonic Youth, They Might Be Giants, and Björk.{{Cite web |title=Spar`ks: The greatest band you've never heard of |url=https://www.bbc.com/culture/article/20210804-sparks-the-greatest-band-youve-never-heard-of |access-date=2025-01-10 |publisher=BBC |date=5 August 2021 |language=en-GB |last=D'Silva |first=Beverley}}

Steve Jones of the Sex Pistols said that he constantly listened to Kimono My House back in 1974 at Paul Cook's room. "We'd sit in his bedroom for hours listening to them".{{cite book |last=Jones |first=Steve |author-link=Steve Jones (musician)|title=Lonely Boy: Tales from a Sex Pistol |date=2017 |publisher=Da Capo Press |isbn=978-0306824814|quote=The first Be-Bop Deluxe album, Axe Victim, and Sparks' Kimono My House were both big albums for me and Cookie – We'd sit in his bedroom for hours listening to them. I didn't know this at the time, but Sparks were one of those bands who had to come over to the UK because no one in America got them. It's funny how that works – you couldn't necessarily guess the people it would happen to from their music}} Joy Division cited "Number One Song in Heaven" as a primary influence during the recording of "Love Will Tear Us Apart". Joy Division's drummer Stephen Morris stated: "When we were doing 'Love Will Tear Us Apart', there were two records we were into: Frank Sinatra's Greatest Hits and Number One Song in Heaven by Sparks. That was the beginning of getting interested in Giorgio Moroder".{{cite book |author=Reynolds, Simon |title=Totally Wired: Post-Punk Interviews and Overviews |publisher=Faber and Faber |year=2009 |isbn=978-0571235490}} Peter Hook of New Order cited Moroder's production on "The Number One Song in Heaven" as a major influence when his band changed musical style to produce electro/dance-rock songs like "Temptation" in 1982. New Order also delivered an extended live version of "When I'm With You" that same year in Milan.{{cite book|first=Peter |last=Hook |author-link=Peter Hook |title=Substance: Inside New Order |publisher=Simon & Schuster |year=2007}}{{refn|name=Hook|group=notes|In his autobiography, Peter Hook relates a New Order concert in Milan in 1982 where they did a cover of the 1979 Sparks track, "When I'm With You". Hook also wrote that New Order's "Temptation" and "Hurt" were inspired in part by Giorgio Moroder's "production on the wonderful Sparks track 'Number One Song in Heaven{{' "}}.}} When they started playing music, singer Dave Gahan{{cite magazine |url=http://www.sacreddm.net/1980s/lkn051281/page1.htm |title=Collect-a-Page: Dave |access-date=2017-05-04 |url-status=bot: unknown |archive-url=https://web.archive.org/web/20081127211058/http://www.sacreddm.net/1980s/lkn051281/page1.htm |archive-date=27 November 2008 |magazine=Look-In |date=December 5, 1981}} and composer Martin Gore{{cite magazine |url=http://www.sacreddm.net/1980s/lkn121281/page1.htm |title=Collect-a-Page: Martin |access-date=2017-05-04 |url-status=bot: unknown |archive-url=https://web.archive.org/web/20081127211401/http://www.sacreddm.net/1980s/lkn121281/page1.htm |archive-date=27 November 2008 |magazine=Look-In |date=December 12, 1981}} of Depeche Mode cited them as one of their favorite bands. Gore also later covered "Never Turn Your Back on Mother Earth" on his Counterfeit EP in 1989. Other early electronic acts like the Human League,Easlea, Daryl (2009). "In an interview recently, the Human League cited that record as the thing that got them excited and focused on what they were doing." and Erasure,{{cite web |url=http://www.thewigfitsallheads.com/erasure_interview.html |title=Interview: Erasure's Vince Clarke |publisher=The Wig Fits All Heads |first=Dagmar |last=Patterson |date=15 July 2007 |access-date=1 August 2017 |url-status=dead |archive-url=https://web.archive.org/web/20080209132828/http://www.thewigfitsallheads.com/erasure_interview.html |archive-date=February 9, 2008 |quote=The first record I bought was 'This Town Ain’t Big Enough For Both of Us' by Sparks. ... I played it over and over and over again. }} also mentioned the group. Nick Rhodes of Duran Duran stated about "This Town ain't{{nbsp}}...": "There was something about them that was very different. I was immediately fascinated with that song."Easlea, Daryl (2009).

Sparks have also been name-checked by indie pop band the Smiths. Their singer Morrissey named Kimono My House as one of "his favourite LPs of all time".{{cite web |url=http://thequietus.com/articles/04797-morrissey-s-supreme-13-favourite-albums?page=9 |title=Morrissey Reveals His Favourite LPs Of All Time |website=The Quietus |date=13 August 2010 |access-date=1 August 2017 |url-status=dead}} Smiths' guitarist and composer Johnny Marr said: "There's nothing better than commerciality crossed with an interesting mind" and named "This Town Ain't Big Enough for the Both of Us" as an instance,{{cite web |first=Rhys |last=Buchanan |url=http://theknowmagazine.com/johnny-marr-in-depth-interview/ |title=Johnny Marr: In depth interview |date=16 December 2016 |access-date=1 August 2017 |archive-date=12 August 2017 |archive-url=https://web.archive.org/web/20170812055542/http://theknowmagazine.com/johnny-marr-in-depth-interview/ |url-status=dead |website=The Know}} qualifying it as one of these "Trojan singles".{{cite news |url=https://www.theguardian.com/music/2013/jun/30/johnny-marr-soundtrack-of-my-life|title=Johnny Marr: soundtrack of my life |newspaper=The Guardian |date=30 June 2003 |first=Craig |last=McLean |access-date=1 August 2017}} Siouxsie and the Banshees recorded a version of the first Sparks' success as the opening song of their covers album Through the Looking Glass. Thurston Moore of Sonic Youth also included the Sparks' song "Equator" in his list of all-time favorite songs.{{cite magazine|first= Ben |last= Kaye |title= Here are Thurston Moore's favorite songs of all time |magazine= Consequence of Sound |date= 17 January 2014 |access-date= 21 July 2017 |url= https://consequence.net/2014/01/here-are-thurston-moores-favorite-songs-of-all-time/}} Joey Ramone also mentioned his liking for their records,Easlea, Daryl (2009). "Nothing to do", the song that so inspired Joey Ramone, with its Beatles-like build-up
{{cite web |url=https://twitter.com/sparksofficial/status/1375145542242562048?lang=fr |archive-url=https://archive.today/20210708115528/https://twitter.com/sparksofficial/status/1375145542242562048?lang=fr |url-status=dead |archive-date=2021-07-08 |title=Russell with Joey Ramone while recording backing vocals for the Ramones album 'Pleasant Dreams,' 1981. |publisher=Sparks official website|date=2 March 2021 |access-date=2 July 2021}} as did later the group They Might Be Giants.{{cite magazine|first=Erick |last=Mertz|url=http://www.beardedmagazine.com/index.php/features/article/interview-they-might-be-giants |title=Interview: They Might Be Giants |date=14 May 2015 |access-date=1 August 2017|magazine=Bearded Magazine}} Devo's singer Mark Mothersbaugh described himself as a big "Ron Mael fan" and of his look: "it was so not rock n' roll, in an unexpected way, that you just couldn't help but think that there was something there". He also listened to Kimono my House during his formative years.{{cite magazine|first=Richard |last=Henderson|url=https://www.thewire.co.uk/in-writing/interviews/mark-mothersbaugh-unedited-transcript|title=Mark Mothersbaugh Unedited Transcript|magazine=The Wire|date=May 2009|access-date=7 July 2021 |issue=303}}

Björk talked about Kimono my House as one of the records that changed her life. "[Sparks] were exotic ... [they] were the most refreshing thing in my life" when she was eight.{{cite magazine |first=Martin |last=Aston |title=Rebellious Jukebox |magazine=Melody Maker |date=10 July 1993}} "I loved the way Russell Mael sung like a geisha, and that they were into wearing geisha clothes, as I was really into Japanese people".{{cite journal |title=Björk Guðmundsdóttir's Record Collection|journal=Q |date=October 1993}} Faith No More also mentioned the group and their performances. Their keyboard player Roddy Bottum said: "I saw Sparks play on American Bandstand in 1975. My sister and I went out and immediately bought Indiscreet. In 2004, Franz Ferdinand singer Alex Kapranos published an article in the NME titled, "why I love the Sparks". He said about their music: "It's only after a few listens you really can get into it ... Then you really fall in love and bands change your life. Now I can't imagine life without them."Easlea, Daryl (2009). "Franz Ferdinand had erupted in early 2004 ... Alex Kapranos, their lead singer, did a piece in the NME entitled why I love the Sparks. "It's only after a few listens you really can get into it [...] Then you really fall in love and bands change your life. Now I can't imagine life without them." John Frusciante of Red Hot Chili Peppers said that he used to listen to Kimono My House and Propaganda for Adrian Fisher's guitar playing adding, "I'm sure that it is Ron Mael who told him what to play".{{cite news |first=Tore S |last=Borjesson |url=http://www.aftonbladet.se/nojesbladet/musik/article10360246.ab |title=The real-life frontman of the Red Hots |newspaper=Aftonbladet |date=25 April 2003 |access-date= 2 July 2015 |language=sv}}

Other notable acts that have mentioned Sparks include Ween,{{cite web| first=Lisa |last=Rose |url=http://www.nj.com/entertainment/music/index.ssf/2010/09/ween_singer-guitarist_talks_ab.html |title=Ween singer-guitarist talks about the offbeat alt-rock band's evolution |publisher=NJ.com |date=2010-09-12 |access-date=2011-07-09}} Will Sheff of Okkervil River,{{cite web |last=Sheff |first=Will |title=First Song of the Month: Sparks 'Tryouts for the Human Race' (and 'The Number One Song in Heaven')|url=http://www.willsheff.com/first-song-of-the-month-sparks-tryouts-for-the-human-race-and-the-number-one-song-in-heaven/|archive-url=https://web.archive.org/web/20130930002947/http://www.willsheff.com/first-song-of-the-month-sparks-tryouts-for-the-human-race-and-the-number-one-song-in-heaven/|url-status=usurped|archive-date=September 30, 2013|website=Willsheff.com|access-date=3 July 2013|date=July 1, 2013}} Mark Burgess of the Chameleons,{{cite book|title=View From a Hill (autobiography)|first=Mark |last=Burgess|publisher=Mittens On Publishing|date=2014|isbn=978-0957427013}} and Cait Brennan.{{cite web |first=Syung Myung |last=Me |last2=Kittysneezes |url=http://kittysneezes.com/2011/01/20/review-sparks-in-outer-space-771/ |title=Review: Sparks In Outer Space |website=Kittysneezes.com |date=2011-01-20 |access-date=2013-02-21 |archive-date=2013-11-17 |archive-url=https://web.archive.org/web/20131117001928/http://kittysneezes.com/2011/01/20/review-sparks-in-outer-space-771/ |url-status=dead }} Electronic band Justice hailed the group saying: "this is ... something we like in music, this kind of epic feeling, ... and we were really inspired by bands like Sparks ... who have this really operatic sound".{{cite web|author=Berger, Arion|url=https://www.washingtonpost.com/express/wp/2007/08/22/daft_punks_justice/ |title=Daft Punks: Justice|website=The Washington Post |date=21 August 2007 |access-date=2 October 2017}} In 2012, synth-pop duo Spray released the song "Sparks Called and They Want Their Ideas Back".

In 1980, Paul McCartney also gave a nod to the band in the music video for "Coming Up", in which he mimicked Ron Mael on keyboards.{{cite book |title=Conversations with McCartney |first=Paul |last=DuNoyer |publisher=Hodder & Stoughton |year=2015 |isbn=978-1473609013}}{{refn|name=Paul|group=notes|McCartney related that he liked shooting the clip of "Coming Up": "We got some very sophisticated computer system and I did the guy out of Sparks [Ron Mael], the keyboard played with a Hitler moustache".}}{{YouTube|g5nzLQ63c9E|Paul McCartney (1980) "Coming Up" (Official Music Video)}}

{{col-begin}}

{{col-2}}

;Current members

• Russell Mael – vocals {{small|(1968–present)}}
• Ron Mael – keyboards {{small|(1968–present)}}

;Current supporting musicians

• Steven Nistor – drums {{small|(2009–present)}}
• Evan Weiss – guitars, background vocals {{small|(2017–present)}}
• Eli Pearl – guitars, background vocals {{small|(2018–present)}}
• Tyler Parkford – keyboards, background vocals {{small|(touring, 2016–2022)}}
• Max Whipple – bass, background vocals {{Small|(2021–present)}}
• Patrick Kelly – bass, background vocals {{Small|(2020-present)}}
• Alex Casnoff – keyboards, background vocals {{Small|(2020-present)}}{{col-2}}

;Former members and supporting musicians

• Earle Mankey – guitar, vocals, background vocals {{small|(1968–1973)}}
• Jim Mankey – bass {{small|(1968–1973)}}
• Harley Feinstein – drums {{small|(1968–1973)}}
• Martin Gordon – bass {{small|(1973–1974)}}
• Adrian Fisher – guitar {{small|(1974, died 2000)}}
• Norman "Dinky" Diamond – drums, percussion {{small|(1973–1975, died 2004)}}
• Trevor White – guitar {{small|(1974–1975)}}
• Ian Hampton – bass {{small|(1974–1975)}}
• Sal Maida – bass {{small|(1976; died 2025)}}{{cite web | url=https://www.allaboutjazz.com/news/remembering-sal-maida-sam-farkas/ | title=Remembering Sal Maida, Sam Farkas | date=28 July 2010 |access-date=May 12, 2025 |last=DeLuke |first=R.J. |website=All About Jazz}}
• Jeffrey Salen – guitar, background vocals {{small|(1976)}}
• Mayo James McAllister - guitar {{small|(1976)}}
• Hilly Boy Michaels – drums {{small|(1976)}}
• Leslie Bohem – bass, background vocals {{small|(1981–1986)}}
• Bob Haag – guitar, background vocals {{small|(1981–1986)}}
• David Kendrick – drums {{small|(1981–1986)}}
• James Goodwin – synthesizers {{small|(1982–1983)}}
• Christi Haydon – drums, background vocals {{small|(1994–1995)}}
• Tammy Glover – drums, background vocals {{small|(1997–2009)}}
• Dean Menta – guitar {{small|(1997–2017)}}
• Jim Wilson – guitar, background vocals {{small|(2006–2009)}}
• Steven Shane McDonald – bass, background vocals {{small|(2006–2008)}}
• Josh Klinghoffer - guitar {{small|(2006–2008)}}
• Marcus Blake – bass, guitar, background vocals {{small|(2008–2009)}}{{col-end}}

{{#tag:timeline|

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bar:Jim2 text:Jim Wilson

bar:Evan text:Evan Weiss

bar:Eli text:Eli Pearl

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bar:Leslie text:Leslie Bohem

bar:Steven text:Steven Shane McDonald

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bar:Patrick text:Patrick Kelly

bar:Harley text:Harley Feinstein

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}}

{| class="wikitable sortable plainrowheaders"

|-

! scope="col" | Award

! scope="col" | Year

! scope="col" | Nominee(s)

! scope="col" | Category

! scope="col" | Result

! scope="col" class="unsortable"| {{Abbr|Ref.|References}}

|-

!scope="row"|Cannes Soundtrack Award

| 2021

| rowspan=4|Annette

| Best Composer

| {{won}}

| {{Cite web|url=https://www.imdb.com/title/tt6217926/awards/|title = Annette|website = IMDb}}

|-

!scope="row"|Florida Film Critics Circle

| 2021

| Best Score

| {{nom}}

| {{Cite web|url=http://www.floridafilmcritics.com/2021/12/17/2021-ffcc-nominations/|title = 2021 FFCC Nominations|publisher=Florida Film Critics Circle |date=December 17, 2021 |access-date=May 12, 2025}}

|-

!scope="row"|César Awards

| 2022

| Best Original Music

| {{won}}

| {{Cite web|url=https://deadline.com/2022/01/cesar-awards-nominations-2022-annette-titane-full-list-1234919968/|title = César Awards Nominations: 'Lost Illusions', 'Annette', 'Aline' Dominate; 'Titane' Shut Out of Best Film Race – Full List|website=Deadline|date = 26 January 2022 |access-date=May 12, 2025 |last=Tartaglione |first=Nancy}}

|-

!scope="row"|Lumière Awards

| 2022

| Best Music

| {{won}}

| {{Cite web|url=https://deadline.com/2022/01/happening-annette-win-frances-lumiere-awards-1234914288/|title = 'Happening' & 'Annette' Win Big at France's Lumiere Awards|website=Deadline Hollywood|date = 18 January 2022}}

|-

!scope="row"|Mojo Awards

| 2006

| Themselves

| Inspiration Award

| {{nom}}

| {{cite web|url=http://blog.mojo4music.com/honours2008/history2006.shtml|archive-url=https://archive.today/20120713211037/http://blog.mojo4music.com/honours2008/history2006.shtml|url-status=dead|archive-date=2012-07-13|title=The MOJO Honours List 2006|website=Archive.today|access-date=May 1, 2024}}

|-

!scope="row"|NME Awards

| 2022

| The Sparks Brothers

| Best Music Film

| {{won}}

| {{Cite web|url=https://www.nme.com/awards/nominees|title = BandLab NME Awards 2022: Nominees|website = NME}}

|-

!scope="row"|RSH-Gold Awards

| 1996

| Themselves

| Comeback of the Year

| {{won}}

| {{cite web | url=http://www.rsh-history.de/RSH-Gold-1996.htm | archive-url=https://web.archive.org/web/20150627112909/http://www.rsh-history.de/RSH-Gold-1996.htm | archive-date=2015-06-27 | title=RSH Gold '96 |publisher=RSH Gold|language=de |date=February 3, 1996 |last1=Köthe |first1=Carsten |last2=Zietlow |first2=Sonja |access-date=May 12, 2025}}

{{end}}

{{main|Sparks discography}}

{{div col}}

• Halfnelson (1971, reissued as Sparks, 1972)
• A Woofer in Tweeter's Clothing (1973)
• Kimono My House (1974)
• Propaganda (1974)
• Indiscreet (1975)
• Big Beat (1976)
• Introducing Sparks (1977)
• Nº 1 in Heaven (1979)
• Terminal Jive (1980)
• Whomp That Sucker (1981)
• Angst in My Pants (1982)
• In Outer Space (1983)
• Pulling Rabbits Out of a Hat (1984)
• Music That You Can Dance To (1986)
• Interior Design (1988)
• Gratuitous Sax & Senseless Violins (1994)
• Plagiarism (1997)
• Balls (2000)
• Lil' Beethoven (2002)
• Hello Young Lovers (2006)
• Exotic Creatures of the Deep (2008)
• The Seduction of Ingmar Bergman (2009)
• Hippopotamus (2017)
• A Steady Drip, Drip, Drip (2020)
• The Girl Is Crying in Her Latte (2023)
• Mad! (2025)

{{div col end}}

• FFS (2015) (with Franz Ferdinand as FFS)

• Annette (2021)
• The Sparks Brothers (2022)
• Annette – An Opera by Sparks (The Original 2013 Recordings) (2024)

{{reflist|group=notes}}

{{Reflist}}

• {{Cite book | last=Easlea | first=Daryl | year=2009 | title=Talent Is an Asset: The Story of Sparks | publisher=Omnibus Press | isbn=978-1-78038-150-3}}
• {{Cite book | last=Thompson | first=Dave|author-link1=Dave Thompson (author) | year=2009 | title=Sparks: No. 1 Songs in Heaven| publisher=Cherry Red Books|isbn=978-1-901447-46-0}}

• {{Official website|http://www.allsparks.com/}}
• {{Discogs artist|artist = Sparks|name=Sparks}}
• {{MusicBrainz artist | id = f319b57a-a494-40f6-a467-3d196d3484e6 | name = Sparks }}
• {{imdb name|2272165}}
• [http://www.fanmael.nl FanMael]

{{Sparks}}

{{César Award for Best Original Music}}

{{Lumière Award for Best Music}}

{{Authority control}}

{{DEFAULTSORT:Sparks}}

Category:1972 establishments in California

Category:American glam rock musical groups

Category:Island Records artists

Category:Musical groups established in 1972

Category:Musical groups from Los Angeles

Category:Sibling musical duos

Category:Art pop musicians

Category:American synth-pop groups

Category:Synth-pop new wave musical groups

Category:Columbia Records artists

Category:Virgin Records artists

Category:Elektra Records artists

Category:Gut Records artists

Category:Bertelsmann Music Group artists

Category:RCA Records artists

Category:Atlantic Records artists

Category:Bearsville Records artists

Category:In the Red artists

Category:American expatriates in the United Kingdom

Category:American expatriates in France