:Haruki Murakami
{{Short description|Japanese writer (born 1949)}}
{{Use mdy dates|date=January 2025}}
{{Infobox writer
| name = Haruki Murakami
{{nobold|村上 春樹}}
| image = Conversatorio Haruki Murakami (12 de 12) (45747009452) (cropped).jpg
| caption = Murakami in 2018
| image_size =
| pseudonym =
| birth_date = {{Birth date and age|1949|1|12|mf=y}}
| birth_place = Fushimi-ku, Kyoto, Japan{{Efn|Japan was under the Allied occupation at the time of Murakami's birth.}}
| death_date =
| death_place =
| alma_mater = Waseda University (BA)
| occupation = {{hlist|Novelist|short-story writer|essayist|translator}}
| period = Contemporary
| years_active =
| genres = {{hlist|Fiction|Bildungsroman|picaresque}}
| subject =
| movement = {{hlist|Surrealism|magical realism|postmodernism|realism}}
| language = Japanese
| website = {{URL|www.harukimurakami.com}}
| signature = Haruki Murakami signature.svg
| notableworks = {{Plainlist|
- Norwegian Wood (1987)
- The Wind-Up Bird Chronicle (1994–95)
- Kafka on the Shore (2002)
- 1Q84 (2010)
- Men Without Women (2014)
}}
}}
{{Nihongo|Haruki Murakami|村上 春樹|Murakami Haruki|extra=born January 12, 1949{{cite news|url= https://www.upi.com/Top_News/2021/01/12/UPI-Almanac-for-Tuesday-Jan-12-2021/5231610417906/|title= UPI Almanac for Tuesday, Jan. 12, 2021|work= United Press International | date= January 12, 2021|accessdate=February 27, 2021 | archive-date= January 29, 2021|archive-url= https://web.archive.org/web/20210129023331/https://www.upi.com/Top_News/2021/01/12/UPI-Almanac-for-Tuesday-Jan-12-2021/5231610417906/|url-status=live|quote = … author Haruki Murakami in 1949 (age 72)}}}} is a Japanese writer. His novels, essays, and short stories have been best-sellers in Japan and internationally, with his work translated into 50 languagesCurtis Brown (2014), [http://www.curtisbrown.co.uk/haruki-marukami-now-available-in-50-languages/ "Haruki Murakami now available in 50 languages"] {{Webarchive|url=https://web.archive.org/web/20150215045111/http://www.curtisbrown.co.uk/haruki-marukami-now-available-in-50-languages |date=February 15, 2015 }}, curtisbrown.co.uk, February 27, 2014: "Following a recent Malay deal Haruki Marukami's work is now available in 50 languages worldwide." and having sold millions of copies outside Japan.{{cite web|author=Maiko, Hisada|url=http://www.cc.kyoto-su.ac.jp/information/famous/murakamih.html |title=Murakami Haruki|work=Kyoto Sangyo University|date=November 1995|access-date=April 24, 2008 |archive-url = https://web.archive.org/web/20080523150906/http://www.cc.kyoto-su.ac.jp/information/famous/murakamih.html |archive-date =May 23, 2008}}McCurry, Justin, [https://www.theguardian.com/books/2015/jan/16/haruki-murakami-agony-uncle-fans-online-questions "Secrets and advice: Haruki Murakami posts first responses in agony uncle role"] {{Webarchive|url=https://web.archive.org/web/20161014185647/https://www.theguardian.com/books/2015/jan/16/haruki-murakami-agony-uncle-fans-online-questions |date=October 14, 2016 }}, The Guardian, January 16, 2015. He has received numerous awards for his work, including the Gunzo Prize for New Writers, the World Fantasy Award, the Tanizaki Prize, Yomiuri Prize for Literature, the Frank O'Connor International Short Story Award, the Noma Literary Prize, the Franz Kafka Prize, the Kiriyama Prize for Fiction, the Goodreads Choice Awards for Best Fiction, the Jerusalem Prize, and the Princess of Asturias Awards.{{cite news |title=Japan's Murakami wins Kafka prize |url=https://www.cbc.ca/news/entertainment/japan-s-murakami-wins-kafka-prize-1.619450 |access-date=September 12, 2020 |work=CBC |date=October 30, 2006 |archive-date=October 23, 2022 |archive-url=https://web.archive.org/web/20221023213230/https://www.cbc.ca/news/entertainment/japan-s-murakami-wins-kafka-prize-1.619450 |url-status=live }}{{cite news |last1=Kelleher |first1=Olivia |title=Frank O'Connor short story award goes to Japanese author |url=https://www.irishtimes.com/news/frank-o-connor-short-story-award-goes-to-japanese-author-1.1006945 |access-date=September 12, 2020 |work=Irish Times |date=September 25, 2006 |archive-date=October 24, 2022 |archive-url=https://web.archive.org/web/20221024043427/https://www.irishtimes.com/news/frank-o-connor-short-story-award-goes-to-japanese-author-1.1006945 |url-status=live }}{{cite news |last1=Flood |first1=Alison |title=Murakami defies protests to accept Jerusalem prize |url=https://www.theguardian.com/books/2009/feb/16/haruki-murakami-jerusalem-prize |access-date=September 12, 2020 |work=The Guardian |date=February 16, 2009 |archive-date=May 24, 2023 |archive-url=https://web.archive.org/web/20230524223255/https://www.theguardian.com/books/2009/feb/16/haruki-murakami-jerusalem-prize |url-status=live }}{{cite news |last1=Ciaran |first1=Giles |title=Bestselling Japanese author Haruki Murakami wins Spanish Asturias prize for literature |url=https://www.independent.co.uk/news/haruki-murakami-ap-spanish-japanese-madrid-b2344878.html |access-date=September 12, 2020 |work=The Independent |date=May 24, 2023 |archive-date=June 3, 2023 |archive-url=https://web.archive.org/web/20230603075818/https://www.independent.co.uk/news/haruki-murakami-ap-spanish-japanese-madrid-b2344878.html |url-status=live }}
Growing up in Ashiya, near Kobe before moving to Tokyo to attend Waseda University, he published his first novel Hear the Wind Sing (1979) after working as the owner of a small jazz bar for seven years.{{Cite web|title=Author|url=https://www.harukimurakami.com/author/|access-date=June 17, 2021|website=Haruki Murakami|language=en-US|archive-date=July 2, 2023|archive-url=https://web.archive.org/web/20230702095622/https://www.harukimurakami.com/author/|url-status=live}} His notable works include the novels Norwegian Wood (1987), The Wind-Up Bird Chronicle (1994–95), Kafka on the Shore (2002) and 1Q84 (2009–10); the last was ranked as the best work of Japan's Heisei era (1989–2019) by the national newspaper Asahi Shimbun{{'s}} survey of literary experts.{{Cite web|last=|first=|date=January 11, 2021|title=The best Japanese work of fiction published in Japanese during Japan's Heisei era was 'IQ84' by Haruki Murakami|url=https://www.redcircleauthors.com/factbook/the-best-japanese-work-of-fiction-published-in-japanese-during-japans-heisei-era-was-iq84-by-haruki-murakami/|access-date=January 11, 2021|website=Red Circle Authors|archive-date=January 28, 2023|archive-url=https://web.archive.org/web/20230128064406/https://www.redcircleauthors.com/factbook/the-best-japanese-work-of-fiction-published-in-japanese-during-japans-heisei-era-was-iq84-by-haruki-murakami/|url-status=live}} His work spans genres including science fiction, fantasy, and crime fiction, and has become known for his use of magical realist elements.{{Cite magazine|last=Oates|first=Joyce Carol|title=Science Fiction Doesn't Have to Be Dystopian|url=https://www.newyorker.com/magazine/2019/05/13/science-fiction-doesnt-have-to-be-dystopian|access-date=June 17, 2021|magazine=The New Yorker|date=May 2, 2019|language=en-US|archive-date=June 28, 2023|archive-url=https://web.archive.org/web/20230628160456/https://www.newyorker.com/magazine/2019/05/13/science-fiction-doesnt-have-to-be-dystopian|url-status=live}}{{Cite journal|last1=Jamshidian|first1=Sahar|last2=Pirnajmuddin|first2=Hossein|date=January 1, 2014|title=Dancing with shadows: Haruki Murakami's dance dance dance|url=https://www.researchgate.net/publication/305158673|volume=21|number=1|journal=Kemanusiaan|pages=41–51}} His official website cites Raymond Chandler, Kurt Vonnegut and Richard Brautigan as key inspirations to his work, while Murakami himself has named Kazuo Ishiguro, Cormac McCarthy, and Dag Solstad as his favorite contemporary writers.{{Cite web|date=September 13, 2014|title=Haruki Murakami: 'I'm an outcast of the Japanese literary world'|url=http://www.theguardian.com/books/2014/sep/13/haruki-murakami-interview-colorless-tsukur-tazaki-and-his-years-of-pilgrimage|access-date=June 17, 2021|website=the Guardian|language=en|archive-date=April 21, 2023|archive-url=https://web.archive.org/web/20230421205844/https://www.theguardian.com/books/2014/sep/13/haruki-murakami-interview-colorless-tsukur-tazaki-and-his-years-of-pilgrimage|url-status=live}} Murakami has also published five short story collections, including First Person Singular (2020),{{Cite web |last=Mayer |first=Petra |date=April 6, 2021 |title=Haruki Murakami: 'I've Had All Sorts Of Strange Experiences In My Life' |url=https://www.npr.org/2021/04/06/984447978/haruki-murakami-ive-had-all-sorts-of-strange-experiences-in-my-life |access-date=September 30, 2023 |website=NPR |archive-date=September 30, 2023 |archive-url=https://web.archive.org/web/20230930072532/https://www.npr.org/2021/04/06/984447978/haruki-murakami-ive-had-all-sorts-of-strange-experiences-in-my-life |url-status=live }} and non-fiction works including Underground (1997), an oral history of the Tokyo subway sarin attack, and What I Talk About When I Talk About Running (2007), a memoir about his experience as a long-distance runner.{{Cite web|last=Mambrol|first=Nasrullah|date=April 8, 2019|title=Analysis of Haruki Murakami's Novels|url=https://literariness.org/2019/04/08/analysis-of-haruki-murakamis-novels/|access-date=June 17, 2021|website=Literary Theory and Criticism|language=en-US|archive-date=June 15, 2023|archive-url=https://web.archive.org/web/20230615024213/https://literariness.org/2019/04/08/analysis-of-haruki-murakamis-novels/|url-status=live}}
His fiction has polarized literary critics and the reading public. He has sometimes been criticised by Japan's literary establishment as un-Japanese, leading to Murakami's recalling that he was a "black sheep in the Japanese literary world".{{cite news |first=Steven |last=Poole |url=https://www.theguardian.com/books/2014/sep/13/haruki-murakami-interview-colorless-tsukur-tazaki-and-his-years-of-pilgrimage |title=Haruki Murakami: 'I'm an outcast of the Japanese literary world' |work=The Guardian |date=September 13, 2014 |location=London |quote=Murakami doesn't read many of his Japanese contemporaries. Does he feel detached from his home scene? "It's a touchy topic", he says, chuckling. "I'm a kind of outcast of the Japanese literary world. I have my own readers ... But critics, writers, many of them don't like me." Why is that? "I have no idea! I have been writing for 35 years and from the beginning up to now the situation's almost the same. I'm kind of an ugly duckling. Always the duckling, never the swan." |access-date=December 11, 2016 |archive-url=https://web.archive.org/web/20161222163648/https://www.theguardian.com/books/2014/sep/13/haruki-murakami-interview-colorless-tsukur-tazaki-and-his-years-of-pilgrimage |archive-date=December 22, 2016 |url-status=live }}{{Cite web|date=October 10, 2018|title=Haruki Murakami: 'You have to go through the darkness before you get to the light'|url=http://www.theguardian.com/books/2018/oct/11/haruki-murakami-interview-killing-commendatore|access-date=June 17, 2021|website=the Guardian|language=en|archive-date=June 28, 2023|archive-url=https://web.archive.org/web/20230628183549/https://www.theguardian.com/books/2018/oct/11/haruki-murakami-interview-killing-commendatore|url-status=live}} Meanwhile, Murakami has been described by Gary Fisketjon, the editor of Murakami's collection The Elephant Vanishes (1993), as a "truly extraordinary writer", while Steven Poole of The Guardian praised Murakami as "among the world's greatest living novelists" for his oeuvre.{{cite news|author=Poole, Steven|url=https://www.theguardian.com/Archive/Article/0,4273,4022565,00.html|title=Tunnel vision|work=The Guardian|date=May 27, 2000|access-date=April 24, 2009|location=London|archive-date=January 24, 2020|archive-url=https://web.archive.org/web/20200124055938/https://www.theguardian.com/books/2000/may/27/fiction.harukimurakami|url-status=live}}{{Cite web|title=Author's Desktop: Haruki Murakami|url=http://www.randomhouse.com/knopf/authors/murakami/desktop_8.html|access-date=June 17, 2021|website=www.randomhouse.com|archive-date=December 8, 2021|archive-url=https://web.archive.org/web/20211208011435/http://www.randomhouse.com/knopf/authors/murakami/desktop_8.html|url-status=live}}
Biography
Murakami was born in Kyoto, Japan, during the post-World War II baby boom and was raised in Nishinomiya, Ashiya and Kobe."Murakami Asahido", Shincho-sha,1984 He is an only child. His father was the son of a Buddhist priest,{{cite web|author=Tandon, Shaun|url=http://entertainment.iafrica.com/features/990664.htm|title=The loneliness of Haruki Murakami|work=iAfrica|date=March 27, 2006|access-date=April 24, 2008|archive-url=https://web.archive.org/web/20081223075738/http://entertainment.iafrica.com/features/990664.htm|archive-date=December 23, 2008|url-status=dead}} and his mother is the daughter of an Osaka merchant.{{cite book |last=Rubin |first=Jay |author-link=Jay Rubin |title=Haruki Murakami and the Music of Words |publisher=Harvill Press |year=2002 |page=14 |isbn=1-86046-986-8}} Both taught Japanese literature.{{cite news|author=Naparstek, Ben|url=http://www.theage.com.au/news/books/the-lone-wolf/2006/06/21/1150845234882.html|title=The lone wolf|work=The Age|date=June 24, 2006|access-date=April 24, 2008|location=Melbourne|archive-url=https://web.archive.org/web/20080523203946/http://www.theage.com.au/news/books/the-lone-wolf/2006/06/21/1150845234882.html|archive-date=May 23, 2008|url-status=live}} His father was involved in the Second Sino-Japanese War, and was deeply traumatized by it, which would, in turn, affect Murakami.{{Cite web|url=https://pandaily.com/japanese-writer-haruki-murakami-speaks-up-on-his-familys-involvement-in-the-sino-japanese-war/|title=Japanese Writer Haruki Murakami Speaks Up on His Family's Involvement in the Sino-Japanese War|last=Li|first=Gabriel|date=May 13, 2019|website=Pandaily|language=en-US|access-date=May 16, 2019|archive-date=December 21, 2019|archive-url=https://web.archive.org/web/20191221213044/https://pandaily.com/japanese-writer-haruki-murakami-speaks-up-on-his-familys-involvement-in-the-sino-japanese-war/|url-status=live}}
Murakami was heavily influenced in childhood by Western culture, particularly Russian music and literature. He grew up reading a wide range of works by European and American writers, such as Franz Kafka, Gustave Flaubert, Charles Dickens, Kurt Vonnegut, Fyodor Dostoyevsky, Richard Brautigan and Jack Kerouac.Williams, Richard, [https://www.theguardian.com/books/2003/may/17/fiction.harukimurakami "Marathon man"] {{Webarchive|url=https://web.archive.org/web/20170329234739/https://www.theguardian.com/books/2003/may/17/fiction.harukimurakami |date=March 29, 2017 }}, The Guardian, May 17, 2003. These Western influences distinguish Murakami from the majority of other Japanese writers.{{cite web|author=Gewertz, Ken|url=http://www.news.harvard.edu/gazette/2005/12.01/15-murakami.html|title=Murakami is explorer of imagination|work=Harvard Gazette|date=December 1, 2005|access-date=April 24, 2008|archive-url=https://web.archive.org/web/20080506055312/http://www.news.harvard.edu/gazette/2005/12.01/15-murakami.html|archive-date=May 6, 2008|url-status=dead}}
Murakami studied drama at Waseda University in Tokyo. His first job was at a record store. Shortly before finishing his studies, he opened a coffee house and jazz bar, Peter Cat, in Kokubunji, Tokyo, from 1974 to 1981.{{cite web |author=Nakanishi, Wendy Jones |url=http://www.japanesestudies.org.uk/discussionpapers/2006/Nakanishi2.html |title=Nihilism or Nonsense? The Postmodern Fiction of Martin Amis and Haruki Murakami |access-date=November 18, 2008 |work=Electronic Journal of Contemporary Japanese Studies |date=May 8, 2006 |archive-url=https://web.archive.org/web/20081223012413/http://www.japanesestudies.org.uk/discussionpapers/2006/Nakanishi2.html |archive-date=December 23, 2008 |url-status=live }}{{cite web|author=Goodwin, Liz C.|url=http://www.thecrimson.com/article.aspx?ref=509594|title=Translating Murakami|work=Harvard Crimson|date=November 3, 2005|access-date=April 24, 2008|archive-url=https://web.archive.org/web/20071031015414/http://www.thecrimson.com/article.aspx?ref=509594|archive-date=October 31, 2007|url-status=live}}
Murakami met Yoko Takahashi in Tokyo and they married straight out of university.{{cite web |last1=Brockes |first1=Emma |title=Haruki Murakami: 'I took a gamble and survived' |url=https://www.theguardian.com/books/2011/oct/14/haruki-murakami-1q84 |website=The Guardian |date=14 October 2011}} She ran the jazz bar with Murakami in Tokyo, having more business experience than he did when it first opened. The couple decided not to have children.{{cite news | url=https://www.telegraph.co.uk/culture/donotmigrate/3600566/Tales-of-the-unexpected.html | title=Tales of the unexpected | work=The Daily Telegraph | date=August 15, 2003 | access-date=July 9, 2008 | location=London | first=Mick | last=Brown | author-link=Mick Brown (journalist) | url-status=live | archive-url=https://web.archive.org/web/20031003110212/http://www.telegraph.co.uk/arts/main.jhtml?xml=%2Farts%2F2003%2F08%2F16%2Fbomura16.xml | archive-date=October 3, 2003 }}{{cite web|access-date=August 10, 2017|url=http://www.ft.com/cms/s/0/3b3cf834-089e-11db-b9b2-0000779e2340.html?ft_site=falcon&desktop=true#axzz4i2pzDZU2|title=The enemy within|website=Financial Times|date=July 1, 2006|location=Tokyo, Japan|url-status=dead|archive-url=https://archive.today/20170525003713/http://www.ft.com/cms/s/0/3b3cf834-089e-11db-b9b2-0000779e2340.html?ft_site=falcon&desktop=true%23axzz4i2pzDZU2|archive-date=May 25, 2017|first=Ben|last=Naparstek|author-link=Ben Naparstek}}
Murakami is an experienced marathon runner and triathlon enthusiast, though he did not start running until he was 33 years old, after he began as a way to stay healthy. On June 23, 1996, he completed his first ultramarathon, a 100 km race around Lake Saroma in Hokkaido, Japan.https://www.runnersworld.com/runners-stories/a20845602/im-a-runner-haruki-murakami/}{{cite news|url=https://www.theguardian.com/sport/2008/jul/27/athletics.harukimurakami|title=Nobody pounded the table anymore, nobody threw their cups|work=The Observer|date=July 27, 2008|access-date=July 27, 2008|location=London|archive-url=https://web.archive.org/web/20131215060130/http://www.theguardian.com/sport/2008/jul/27/athletics.harukimurakami|archive-date=December 15, 2013|url-status=live}} He discussed running and its effect on his creative life in a 2007 memoir, What I Talk About When I Talk About Running.{{cite news|author=Houpt, Simon|url=https://www.theglobeandmail.com/servlet/story/RTGAM.20080801.wmurakami02/BNStory/Entertainment/home|title=The loneliness of the long-distance writer|work=The Globe and Mail|date=August 1, 2008|access-date=December 10, 2008|location=Toronto|url-status=dead|archive-url=https://web.archive.org/web/20081222213437/http://www.theglobeandmail.com/servlet/story/RTGAM.20080801.wmurakami02/BNStory/Entertainment/home|archive-date=December 22, 2008}}
Writing career
=''Trilogy of the Rat''=
Murakami began to write fiction when he was 29.{{cite news|author=Murakami, Haruki|url=https://www.nytimes.com/2007/07/08/books/review/Murakami-t.html|title=Jazz Messenger|work=The New York Times|date=July 8, 2007|access-date=April 24, 2008|archive-url=https://web.archive.org/web/20110413143333/http://www.nytimes.com/2007/07/08/books/review/Murakami-t.html|archive-date=April 13, 2011|url-status=live}} "Before that," he said, "I didn't write anything. I was just one of those ordinary people. I was running a jazz club, and I didn't create anything at all."{{cite news|author=Murakami, Haruki|url=http://bombsite.com/issues/46/articles/1737|title=Interview with John Wesley Harding|work=BOMB Magazine|date=Winter 1994|access-date=May 4, 2012|archive-url=https://web.archive.org/web/20120526023506/http://bombsite.com/issues/46/articles/1737|archive-date=May 26, 2012|url-status=live}} He was inspired to write his first novel, Hear the Wind Sing (1979), while watching a baseball game.{{cite news|author=Phelan, Stephen|url=http://www.theage.com.au/news/Books/Dark-master-of-a-dream-world/2005/02/03/1107409993322.html|title=Dark master of a dream world|work=The Age|date=February 5, 2005|access-date=April 24, 2008|location=Melbourne|archive-url=https://web.archive.org/web/20080511183538/http://www.theage.com.au/news/Books/Dark-master-of-a-dream-world/2005/02/03/1107409993322.html|archive-date=May 11, 2008|url-status=live}} He described the moment he realized he could write as a "warm sensation" he could still feel in his heart.{{cite web|url=http://www.spiegel.de/international/world/spiegel-interview-with-haruki-murakami-when-i-run-i-am-in-a-peaceful-place-a-536608-druck.html|title= Interview with Haruki Murakami: 'When I Run I Am in a Peaceful Place' |first=Maik |last=Grossekathöfer|website=www.spiegel.de|publisher=Der Spiegel|access-date=June 5, 2018|archive-url=https://web.archive.org/web/20170705060530/http://www.spiegel.de/international/world/spiegel-interview-with-haruki-murakami-when-i-run-i-am-in-a-peaceful-place-a-536608-druck.html|archive-date=July 5, 2017|url-status=live}} He went home and began writing that night. Murakami worked on Hear the Wind Sing for ten months in very brief stretches, during nights, after working days at the bar.{{cite journal | url=http://www.theparisreview.org/interviews/2/the-art-of-fiction-no-182-haruki-murakami | title=Haruki Murakami, The Art of Fiction No. 182 | journal=The Paris Review | date=Summer 2004 | issue=170 | access-date=June 12, 2016 | first=John | last=Wray | archive-url=https://web.archive.org/web/20160531045815/http://www.theparisreview.org/interviews/2/the-art-of-fiction-no-182-haruki-murakami | archive-date=May 31, 2016 | url-status=live | df=mdy-all }} He completed the novel and sent it to the only literary contest that would accept a work of that length, winning first prize.
Murakami's initial success with Hear the Wind Sing encouraged him to continue writing. A year later, he published a sequel, Pinball, 1973. In 1981, he co-wrote a short story collection, Yume de Aimashou with author and future Earthbound/Mother creator Shigesato Itoi. In 1982, he published A Wild Sheep Chase, a critical success. Hear the Wind Sing, Pinball, 1973, and A Wild Sheep Chase form the Trilogy of the Rat (a sequel, Dance, Dance, Dance, was written later but is not considered part of the series), centered on the same unnamed narrator and his friend, "the Rat". The first two novels were not widely available in English translation outside Japan until 2015, although an English edition, translated by Alfred Birnbaum with extensive notes, had been published by Kodansha as part of a series intended for Japanese students of English. Murakami considers his first two novels to be "immature" and "flimsy", and has not been eager to have them translated into English. A Wild Sheep Chase, he says, was "the first book where I could feel a kind of sensation, the joy of telling a story. When you read a good story, you just keep reading. When I write a good story, I just keep writing."{{cite magazine | title=PW Interviews: Haruki Murakami | first=Elizabeth | last=Devereaux | date=September 21, 1991 | magazine=Publishers Weekly}}
=Wider recognition=
In 1985, Murakami wrote Hard-Boiled Wonderland and the End of the World, a dream-like fantasy that took the magical elements of his work to a new extreme. Murakami achieved a major breakthrough and national recognition in 1987 with the publication of Norwegian Wood, a nostalgic story of loss and sexuality. It sold millions of copies among young Japanese.{{Cite news|url=https://www.bbc.com/news/magazine-15316678|title=How did Murakami conquer the world?|last=Hegarty|first=Stephanie|date=October 17, 2011|work=BBC News|access-date=February 21, 2018|language=en-GB|archive-url=https://web.archive.org/web/20180417180004/http://www.bbc.com/news/magazine-15316678|archive-date=April 17, 2018|url-status=live}}
Norwegian Wood propelled the barely known Murakami into the spotlight. He was mobbed at airports and other public places, leading to his departure from Japan in 1986.{{cite journal | url=http://garev.uga.edu/ArchiveFiles/murakami.pdf | title='In Dreams Begins Responsibility': An Interview with Haruki Murakami | journal=The Georgia Review | date=2005 | pages=548–567 | volume=59 | access-date=June 11, 2016 | location=Georgia | first1=Jonathan | first2=Mitoko | last1=Ellis | last2=Hirabayashi | url-status=dead | archive-url=https://web.archive.org/web/20160816144823/http://garev.uga.edu/ArchiveFiles/murakami.pdf | archive-date=August 16, 2016 }} Murakami traveled through Europe, lived in the United States and currently resides in Oiso, Kanagawa, with an office in Tokyo.{{Cite news|url=https://www.nytimes.com/2011/10/23/magazine/the-fierce-imagination-of-haruki-murakami.html|title=The Fierce Imagination of Haruki Murakami|last=Anderson|first=Sam|date=October 21, 2011|work=The New York Times|access-date=February 21, 2018|language=en-US|issn=0362-4331|archive-url=https://web.archive.org/web/20180314100953/http://www.nytimes.com/2011/10/23/magazine/the-fierce-imagination-of-haruki-murakami.html|archive-date=March 14, 2018|url-status=live}}
Murakami was a writing fellow at Princeton University in Princeton, New Jersey, Tufts University in Medford, Massachusetts, and Harvard University in Cambridge, Massachusetts.{{cite magazine|url=https://www.newyorker.com/online/blogs/books/2013/05/murakami-running-boston-marathon-bombing.html|title=Boston, From One Citizen of the World Who Calls Himself a Runner|magazine=The New Yorker|date=May 3, 2013|access-date=May 3, 2013|location=New York|first=Haruki|last=Murakami|archive-url=https://web.archive.org/web/20130503221619/http://www.newyorker.com/online/blogs/books/2013/05/murakami-running-boston-marathon-bombing.html|archive-date=May 3, 2013|url-status=live}} During this time he wrote South of the Border, West of the Sun and The Wind-Up Bird Chronicle.
=From "detachment" to "commitment"=
The Wind-Up Bird Chronicle (1995) fuses the realistic and fantastic and contains elements of physical violence. It is also more socially conscious than his previous work, dealing in part with the difficult topic of war crimes in Manchukuo (Northeast China). The novel won the Yomiuri Prize, awarded by one of Murakami's harshest former critics, Kenzaburō Ōe, who himself won the Nobel Prize for Literature in 1994.{{cite web|url=http://www.japannewsreview.com/society/kansai/20070705page_id=344|title=Haruki Murakami congratulated on Nobel Prize – only, he hadn't won it|work=Japan News Review|date=July 5, 2007|access-date=April 24, 2008|url-status=dead|archive-url=https://web.archive.org/web/20080430051938/http://www.japannewsreview.com/society/kansai/20070705page_id=344|archive-date=April 30, 2008}}
The processing of collective trauma soon became an important theme in Murakami's writing, which had previously been more personal in nature. Murakami returned to Japan in the aftermath of the Kobe earthquake and the Aum Shinrikyo gas attack. He came to terms with these events with his first work of non-fiction, Underground, and the short story collection after the quake. Underground consists largely of interviews of victims of the gas attacks in the Tokyo subway system.
In 1996, in a conversation with the psychologist Hayao Kawai, Murakami explained that he changed his position from one of "detachment" to one of "commitment" after staying in the United States in the 1990s.{{Cite book |last=Murakami |first=Haruki |title=Haruki Murakami Goes to Meet Hayao Kawai |publisher=Daimon |pages=64}} He called The Wind-up Bird Chronicle a turning point in his career, marking this change in focus.
English translations of many of his short stories written between 1983 and 1990 have been collected in The Elephant Vanishes. Murakami has also translated many works of F. Scott Fitzgerald, Raymond Carver, Truman Capote, John Irving, and Paul Theroux, among others, into Japanese.
Murakami took an active role in translation of his work into English, encouraging "adaptations" of his texts to American reality rather than direct translation. Some of his works that appeared in German turned out to be translations from English rather than Japanese (South of the Border, West of the Sun, 2000; The Wind-Up Bird Chronicle, 2000s), encouraged by Murakami himself. Both were later re-translated from Japanese.{{cite web|url=http://www.nippon.com/en/column/g00144/|title=Orchestrating Translations: The Case of Murakami Haruki|last=Hijiya-Kirschnereit|first=Irmela|date=January 10, 2014|publisher=Nippon Communications Foundation|access-date=January 13, 2014|archive-url=https://web.archive.org/web/20140413093822/http://www.nippon.com/en/column/g00144/|archive-date=April 13, 2014|url-status=live}}
=Since 1999=
Sputnik Sweetheart was first published in 1999, followed by Kafka on the Shore in 2002, with the English translation following in 2005. Kafka on the Shore won the World Fantasy Award in 2006.{{cite web|author=World Fantasy Convention|year=2010|title=Award Winners and Nominees|url=http://www.worldfantasy.org/awards/awardslist.html/|access-date=February 4, 2011|archive-url=https://web.archive.org/web/20101201074405/http://worldfantasy.org/awards/awardslist.html|archive-date=December 1, 2010|url-status=dead}} The English version of his novel After Dark was released in May 2007. It was chosen by The New York Times as a "notable book of the year".{{Cite news|url=https://www.nytimes.com/2007/12/02/books/review/notable-books-2007.html|title=100 Notable Books of the Year – 2007|date=December 2, 2007|work=The New York Times|access-date=February 25, 2018|language=en-US|issn=0362-4331|archive-url=https://web.archive.org/web/20090411144025/http://www.nytimes.com/2007/12/02/books/review/notable-books-2007.html|archive-date=April 11, 2009|url-status=live}} In late 2005, Murakami published a collection of short stories titled Tōkyō Kitanshū, or 東京奇譚集, which translates loosely as "Mysteries of Tokyo". A collection of the English versions of twenty-four short stories, titled Blind Willow, Sleeping Woman, was published in August 2006. This collection includes both older works from the 1980s as well as some of Murakami's more recent short stories, including all five that appear in Tōkyō Kitanshū.
In 2002, Murakami published the anthology Birthday Stories, which collects short stories on the theme of birthdays. It includes work by Russell Banks, Ethan Canin, Raymond Carver, David Foster Wallace, Denis Johnson, Claire Keegan, Andrea Lee, Daniel Lyons, Lynda Sexson, Paul Theroux, and William Trevor, as well as a story by Murakami himself. What I Talk About When I Talk About Running, a memoir about his experience as a marathon runner and a triathlete, was published in Japan in 2007,{{cite web|url=http://www.abc.net.au/news/stories/2008/04/09/2211935.htm|title=Haruki Murakami hard at work on 'horror' novel|work=ABC News|date=April 9, 2008|access-date=April 24, 2008|archive-url=https://web.archive.org/web/20080413023550/http://www.abc.net.au/news/stories/2008/04/09/2211935.htm|archive-date=April 13, 2008|url-status=dead}} with English translations released in the UK and the US in 2008. The title is a play on that of Raymond Carver's short story collection What We Talk About When We Talk About Love.{{cite news |author=Alastair Campbell |url=https://www.theguardian.com/books/2008/jul/26/sportandleisure |title=Review: What I Talk About When I Talk About Running by Haruki Murakami |work=The Guardian |date=July 26, 2008 |access-date=December 5, 2011 |location=London |archive-url=https://web.archive.org/web/20131205031053/http://www.theguardian.com/books/2008/jul/26/sportandleisure |archive-date=December 5, 2013 |url-status=live }}
In 2004, Murakami was interviewed by John Wray for the 182nd installment of The Paris Review{{'s}} "The Art of Fiction" interview series. Recorded over the course of two afternoons, the interview addressed the change in tone and style of his more recent works at the time—such as after the quake—his myriad of Western influences ranging from Fyodor Dostoevsky to John Irving, and his collaborative process with the many translators he has worked with over the course of his career.
Shinchosha Publishing published Murakami's novel 1Q84 in Japan on May 29, 2009. 1Q84 is pronounced "ichi kyū hachi yon", the same as 1984, as 9 is also pronounced "kyū" in Japanese.{{cite web|url=http://www.meanjin.com.au/spike-the-meanjin-blog/post/murakami-round-up-ichi-kyu-hachi-yon/|title=Murakami round-up: ichi kyu hachi yon|work=Meanjin|date=August 6, 2009|access-date=July 4, 2009|url-status=dead|archive-url=https://web.archive.org/web/20091014141137/http://meanjin.com.au/spike-the-meanjin-blog/post/murakami-round-up-ichi-kyu-hachi-yon/|archive-date=October 14, 2009}} The book was longlisted for the Man Asian Literary Prize in 2011. However, after the 2012 anti-Japanese demonstrations in China, Murakami's books were removed from sale there, along with those of other Japanese authors.{{cite web |url=http://ajw.asahi.com/article/asia/china/AJ201209220047 |title=Japan-related books disappear in Beijing; Chinese demand pay hikes from Japanese employers |work=Asahi shimbun |date=September 22, 2012 |access-date=September 23, 2012 |url-status=dead |archive-url=https://web.archive.org/web/20120924080418/http://ajw.asahi.com/article/asia/china/AJ201209220047 |archive-date=September 24, 2012 }}{{cite web |url=http://english.ruvr.ru/2012_09_28/What-is-behind-the-anti-Japanese-protests-in-China/ |archive-url=https://archive.today/20130417184358/http://english.ruvr.ru/2012_09_28/What-is-behind-the-anti-Japanese-protests-in-China/ |url-status=dead |archive-date=April 17, 2013 |title=What is behind the anti-Japanese protests in China? |publisher=Voice of Russia |date=September 28, 2012 |access-date=September 29, 2012 }} Murakami criticized the China–Japan political territorial dispute, characterizing the overwrought nationalistic response as "cheap liquor" which politicians were giving to the public.{{cite web |url=http://www.hindustantimes.com/Books/Chunk-HT-UI-BooksSectionPage-LiteraryBuzz/Author-Murakami-wades-into-Japan-China-island-row/Article1-937028.aspx |title=Author Murakami wades into Japan-China island row |work=AFP |publisher=Hindustan Times |date=September 28, 2012 |access-date=September 29, 2012 |url-status=dead |archive-url=https://web.archive.org/web/20120928224206/http://www.hindustantimes.com/Books/Chunk-HT-UI-BooksSectionPage-LiteraryBuzz/Author-Murakami-wades-into-Japan-China-island-row/Article1-937028.aspx |archive-date=September 28, 2012 }} In April 2013, he published his novel Colorless Tsukuru Tazaki and His Years of Pilgrimage. It became an international bestseller but received mixed reviews.{{cite web |url=https://www.theguardian.com/books/2014/aug/06/colorless-tsukuru-tazaki-years-pilgimage-haruki-murakami-review |author=Lawson, Mark |author-link=Mark Lawson|title=Colorless Tsukuru Tazaki and His Years of Pilgrimage by Haruki Murakami – review |work=The Guardian |date=August 6, 2014 |access-date=April 2, 2016 |archive-url=https://web.archive.org/web/20160405131832/http://www.theguardian.com/books/2014/aug/06/colorless-tsukuru-tazaki-years-pilgimage-haruki-murakami-review |archive-date=April 5, 2016 |url-status=live }}{{cite news|author=Smith, Patti|url=https://www.nytimes.com/2014/08/10/books/review/haruki-murakamis-colorless-tsukuru-tazaki-and-his-years-of-pilgrimage.html?_r=0|title=Deep Chords: Haruki Murakami's 'Colorless Tsukuru Tazaki and His Years of Pilgrimage'|work=The New York Times|date=August 10, 2014|access-date=April 2, 2016|archive-url=https://web.archive.org/web/20160414013214/http://www.nytimes.com/2014/08/10/books/review/haruki-murakamis-colorless-tsukuru-tazaki-and-his-years-of-pilgrimage.html?_r=0|archive-date=April 14, 2016|url-status=live}}
In 2015, Switch Publishing published Murakami's essay collection Novelist as a Vocation in Japan, featuring insights and commentaries on Murakami's life and career. The essay collection was later translated into English by Philip Gabriel and Ted Goossen and released by Alfred A. Knopf on November 8, 2022.{{Cite web |title=Novelist as a Vocation by Haruki Murakami: 9781101974537 {{!}} PenguinRandomHouse.com: Books |url=https://www.penguinrandomhouse.com/books/547926/novelist-as-a-vocation-by-haruki-murakami/ |access-date=July 12, 2024 |website=PenguinRandomhouse.com |language=en-US}}
Killing Commendatore (Kishidanchō-goroshi) was published in Japan on February 24, 2017, and in the US in October 2018. The novel is about an unnamed portrait painter who stumbles upon an unknown painting, titled Killing Commendatore, after assuming residence in its creator's former abode. Since its publication, the novel has caused controversy in Hong Kong and was labeled under "Class II – indecent" in Hong Kong.{{Cite news|url=http://www.theguardian.com/books/2018/jul/25/haruki-murakami-novel-indecent-hong-kong-censors-killing-commendatore|title=Haruki Murakami's new novel declared 'indecent' by Hong Kong censors|first=Alison|last=Flood|date=July 25, 2018|newspaper=The Guardian|access-date=May 7, 2021|archive-date=June 28, 2023|archive-url=https://web.archive.org/web/20230628202005/https://www.theguardian.com/books/2018/jul/25/haruki-murakami-novel-indecent-hong-kong-censors-killing-commendatore|url-status=live}} This classification led to mass amounts of censorship.{{citation needed|date=October 2018}} The publisher must not distribute the book to people under the age of 18, and must have a warning label printed on the cover.
Murakami's most recent novel The City and Its Uncertain Walls was published by Shinchosha in Japan on April 13, 2023.{{Cite web |date=April 13, 2023 |title=In new book, Murakami explores walled city and shadows |url=https://apnews.com/article/japan-haruki-murakami-novel-c5d357d30ae29aed39e105252d780282 |access-date=October 1, 2023 |website=AP News |language=en |archive-date=September 30, 2023 |archive-url=https://web.archive.org/web/20230930052547/https://apnews.com/article/japan-haruki-murakami-novel-c5d357d30ae29aed39e105252d780282 |url-status=live }}{{Cite news |date=April 21, 2023 |title=Haruki Murakami: Readers drawn to enigmatic appeal of Japanese author |language=en-GB |work=BBC News |url=https://www.bbc.com/news/world-asia-65259722 |access-date=October 1, 2023 |archive-date=October 5, 2023 |archive-url=https://web.archive.org/web/20231005093617/https://www.bbc.com/news/world-asia-65259722 |url-status=live }} His first novel in six years, it is 1,200-pages long and is set in a "soul-stirring, 100% pure Murakami world" that involves "a story that had long been sealed".{{cite news|last=Yamaguchi|first=Mari|date=March 1, 2023|title=Murakami's 1st novel in 6 years to hit stores in April|url=https://apnews.com/article/japan-haruki-murakami-new-novel-title-f1e9dcdc806827b83d6b7df5f3f1945c|work=Associated Press|access-date=March 15, 2023|archive-date=March 22, 2023|archive-url=https://web.archive.org/web/20230322172906/https://apnews.com/article/japan-haruki-murakami-new-novel-title-f1e9dcdc806827b83d6b7df5f3f1945c|url-status=live}} In promoting his latest book, Murakami stated that he believed that the pandemic and the ongoing Russian invasion of Ukraine have created walls that divide people, fueling fear and skepticism instead of mutual trust.{{Cite news |first=Mari |last=Yamaguchi |url=https://apnews.com/article/haruki-murakami-novel-uncertain-walls-ukraine-dbeb1bd5a3806a8218d9d13cb0a849ff |title=Author Haruki Murakami says pandemic, war in Ukraine create walls that divide people |date=June 7, 2023 |publisher=AP News |access-date=June 7, 2023 |archive-date=June 7, 2023 |archive-url=https://web.archive.org/web/20230607114152/https://apnews.com/article/haruki-murakami-novel-uncertain-walls-ukraine-dbeb1bd5a3806a8218d9d13cb0a849ff |url-status=live }} The novel is based on a 1980 novella written by Murakami, which he says he was never satisfied with.{{Cite news |last=Self |first=John |date=November 23, 2024 |title=Haruki Murakami: ‘My books have been criticised so much over the years, I don’t pay much attention’ |url=https://www.theguardian.com/books/2024/nov/23/haruki-murakami-my-books-have-been-criticised-so-much-over-the-years-i-dont-pay-much-attention |access-date=December 10, 2024 |work=The Guardian |language=en-GB |issn=0261-3077}} In an interview with The Guardian, Murakami states, "The situation of the town surrounded by walls was also a metaphor of the worldwide lockdown. How is it possible for both extreme isolation and warm feelings of empathy to coexist?"{{Cite news |last=Self |first=John |date=November 23, 2024 |title=Haruki Murakami: ‘My books have been criticised so much over the years, I don’t pay much attention’ |url=https://www.theguardian.com/books/2024/nov/23/haruki-murakami-my-books-have-been-criticised-so-much-over-the-years-i-dont-pay-much-attention |access-date=December 10, 2024 |work=The Guardian |language=en-GB |issn=0261-3077}}
In July 2024, The New Yorker published Murakami's short story "Kaho", in which a man goes on a blind date with a woman named Kaho and ends it with an insult, which is also the first line of the story.{{Cite news |last=Treisman |first=Deborah |date=July 1, 2024 |title=Haruki Murakami on Raising Questions |url=https://www.newyorker.com/books/this-week-in-fiction/haruki-murakami-07-08-24 |work=The New Yorker |issn=0028-792X |access-date=July 14, 2024 |language=en-US}}
Writing style
Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I-novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. Also notable is Murakami's unique humor, as seen in his 2000 short story collection After the Quake. In the story "Superfrog Saves Tokyo", the protagonist is confronted with a six-foot-tall frog that talks about the destruction of Tokyo over a cup of tea. In spite of the story's sober tone, Murakami feels the reader should be entertained once the seriousness of a subject has been broached.{{Citation needed|date=September 2014}} Another notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake. He has further compared the process of writing to movies: "That is one of the joys of writing fiction—I'm making my own film made just for myself."{{Cite web|last=Rapold|first=Nicolas|date=November 25, 2021|title=Haruki Murakami and the Challenge of Adapting His Tales for Film|url=https://www.nytimes.com/2021/11/25/movies/haruki-murakami-drive-my-car-ryusuke-hamaguchi.html|access-date=November 29, 2021|website=The New York Times|language=en-US|archive-date=June 12, 2023|archive-url=https://web.archive.org/web/20230612215859/https://www.nytimes.com/2021/11/25/movies/haruki-murakami-drive-my-car-ryusuke-hamaguchi.html|url-status=live}}
Murakami's writing is often described as magical realism with surreal elements.{{cite web|url=https://www.liverpool.ac.uk/english/community/blog/posts/murakamis-magical-realism/ |title=Murakami’s Magical Realism: Entering Different Realms |author=Castle, Mitzi |publisher=University of Liverpool }} His novels are described as being acted experiences rather than linear stories, with characters doing things without reasoning or explanation. Murakami himself however does not consider his writing to be surrealistic or magical realism: "I simply write the stories that I want to write, and in a style that suits me. When I write fiction, the story sort of moves on ahead naturally, like flowing water following the lay of the land. All I'm doing is putting this flow into words, as faithfully as I can."{{cite web|url=https://www.npr.org/2024/11/11/nx-s1-5184497/haruki-murakami-interview-new-novel-the-city-and-its-uncertain-walls |title=It was 'great relief' for Haruki Murakami to finish his latest novel |author=Limbong, Andrew |date=11 November 2024 |publisher=npr.org }}
Many of his novels have themes and titles that evoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' 1957 B-side song,Slocombe, Will (2004), [https://docs.lib.purdue.edu/clcweb/vol6/iss2/6/ "Haruki Murakami and the Ethics of Translation"] {{Webarchive|url=https://web.archive.org/web/20160919234444/https://docs.lib.purdue.edu/clcweb/vol6/iss2/6/ |date=September 19, 2016 }} (doi: 10.7771/1481-4374.1232), CLCWeb: Comparative Literature and Culture (ISSN 1481-4374), Purdue University Press, Vol. 6, Nr. 2, p. 5.Chozick, Matthew Richard (2008), "De-Exoticizing Haruki Murakami's Reception" (doi: 10.1353/cls.0.0012), Comparative Literature Studies (ISSN 0010-4132), Pennsylvania State University Press, Vol. 45, Nr. 1, p. 67. although it is often thought it was titled after the Beach Boys' 1964 tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border").{{cite encyclopedia|author=Chozick, Matthew|url=http://www.litencyc.com/php/sworks.php?rec=true&UID=12512|title=The Wind-Up Bird Chronicle|encyclopedia=The Literary Encyclopedia|date=August 29, 2007|access-date=April 24, 2008|archive-url=https://web.archive.org/web/20080131050242/http://www.litencyc.com/php/sworks.php?rec=true&UID=12512|archive-date=January 31, 2008|url-status=live}}
Some analyses see aspects of shamanism in his writing. In a 2000 article, Susan Fisher connected Shinto or Japanese shamanism with some elements of The Wind-Up Bird Chronicle,Fisher, Susan (2000). "An Allegory of Return: Murakami Haruki's the Wind-up Bird Chronicle" ([https://www.jstor.org/discover/10.2307/40247241?uid=3738032&uid=2&uid=4&sid=21104204005317 JSTOR]), Comparative Literature Studies, Vol. 37, No. 2 (2000), pp. 155–170. such as a descent into a dry well. At an October 2013 symposium held at the University of Hawaii,[http://www.hawaii.edu/calendar/manoa/2013/10/31/22467.html?et_id=29748 "Traveling Texts: Reading Haruki Murakami Across East Asia"] {{Webarchive|url=https://web.archive.org/web/20140812214756/http://www.hawaii.edu/calendar/manoa/2013/10/31/22467.html?et_id=29748 |date=August 12, 2014 }} at University of Hawai'i, Mānoa. associate professor of Japanese Nobuko Ochner opined "there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism"{{cite web |url=http://ajw.asahi.com/article/special/HARUKI_MURAKAMI/AJ201312150006 |title=Haruki Murakami's themes of disaffected youth resonate with his East Asian fans |work=Asahi Shimbun AJW |date=December 15, 2013 |access-date=August 12, 2014 |url-status=dead |archive-url=https://web.archive.org/web/20140808043831/http://ajw.asahi.com/article/special/HARUKI_MURAKAMI/AJ201312150006 |archive-date=August 8, 2014 }} in Murakami's works.
In an October 2022 article for The Atlantic, Murakami clarified that nearly none of the characters in his work has been created based on individuals in real life, as many people alleged. He wrote: "I almost never decide in advance that I'll present a particular type of character. As I write, a kind of axis forms that makes possible the appearance of certain characters, and I go ahead and fit one detail after another into place, like iron scraps attaching to a magnet. And in this way an overall picture of a person materializes. Afterward I often think that certain details resemble those of a real person, but most of the process happens automatically. I think I almost unconsciously pull information and various fragments from the cabinets in my brain and then weave them together." Murakami named this process "the Automatic Dwarfs." He continued: "One of the things I most enjoy about writing novels is the sense that I can become anybody I want to be," noting that "Characters who are—in a literary sense—alive will eventually break free of the writer's control and begin to act independently."{{Cite web |last=Murakami |first=Haruki |date=October 24, 2022 |title=Where My Characters Come From |url=https://www.theatlantic.com/magazine/archive/2022/12/haruki-murakami-book-novelist-as-a-vocation/671845/ |access-date=October 1, 2023 |website=The Atlantic |language=en |archive-date=October 8, 2023 |archive-url=https://web.archive.org/web/20231008012355/https://www.theatlantic.com/magazine/archive/2022/12/haruki-murakami-book-novelist-as-a-vocation/671845/ |url-status=live }}
Recognition
=Prizes for books=
- 1979: Gunzo Award (best first novel) for Hear the Wind Sing
- 1982: Noma Literary Prize (best newcomer) for A Wild Sheep Chase
- 1985: Tanizaki Prize for Hard-Boiled Wonderland and the End of the World
- 1995: Yomiuri Prize (best novel) for The Wind-Up Bird Chronicle
- 1999: Kuwabara Takeo Prize for Underground
- 2006: World Fantasy Award (best novel) for Kafka on the Shore
- 2006: Frank O'Connor International Short Story Award for Blind Willow, Sleeping Woman
- 2016: Hans Christian Andersen Literature Award
- 2018: America Award in Literature for a lifetime contribution to international writing
- 2022: Prix mondial Cinco Del Duca for a lifetime of work constituting, in a literary form, a message of modern humanism
- 2023: Premio Princesa de Asturias de las Letras.
Murakami was also awarded the 2007 Kiriyama Prize for Fiction for his collection of short stories Blind Willow, Sleeping Woman, but according to the prize's official website, Murakami "declined to accept the award for reasons of personal principle".{{cite web|url=http://www.kiriyamaprize.org/winners/2007/index.shtml|title=2007 Kiriyama Price Winners|work=Pacific Rim Voices|year=2007|access-date=April 24, 2008|archive-url=https://web.archive.org/web/20080723215221/http://www.kiriyamaprize.org/winners/2007/index.shtml|archive-date=July 23, 2008|url-status=dead}}
=Personal prizes=
In 2006, Murakami became the sixth recipient of the Franz Kafka Prize.{{cite news|url=https://www.cbc.ca/news/entertainment/japan-s-murakami-wins-kafka-prize-1.619450|title=Japan's Murakami wins Kafka prize|work=CBC News|date=October 30, 2006|access-date=April 24, 2008|archive-url=https://web.archive.org/web/20081220072307/http://www.cbc.ca/arts/books/story/2006/10/30/kafka-award.html|archive-date=December 20, 2008|url-status=live}}
In January 2009, Murakami received the Jerusalem Prize, a biennial literary award given to writers whose work deals with themes of human freedom, society, politics, and government. There were protests in Japan and elsewhere against his attending the February award ceremony in Israel, including threats to boycott his work as a response against Israel's recent bombing of Gaza. Murakami chose to attend the ceremony, but gave a speech to the gathered Israeli dignitaries harshly criticizing Israeli policies.
{{cite news
|url = http://www.salon.com/books/feature/2009/02/20/haruki_murakami
|title = Haruki Murakami: The novelist in wartime
|work = Salon.com
|date = February 20, 2009
|access-date = September 17, 2011
|archive-url = https://web.archive.org/web/20110506003119/http://www.salon.com/books/feature/2009/02/20/haruki_murakami
|archive-date = May 6, 2011
|url-status = live
|df = mdy-all
}}
Murakami said, "Each of us possesses a tangible living soul. The system has no such thing. We must not allow the system to exploit us."
{{cite news |url = http://search.japantimes.co.jp/cgi-bin/nn20090217f2.html |title = Novelist Murakami accepts Israeli literary prize |work = The Japan Times |date = February 17, 2009 |access-date = April 10, 2009 |archive-url = https://web.archive.org/web/20090220162216/http://search.japantimes.co.jp/cgi-bin/nn20090217f2.html |archive-date = February 20, 2009 |url-status = live |df = mdy-all }}
The same year he was named Knight of the Order of Arts and Letters of Spain.{{Cite web |url=https://www.boe.es/boe/dias/2009/12/05/pdfs/BOE-A-2009-19665.pdf |title=Boletín Oficial del Estado |access-date=May 24, 2023 |archive-date=April 15, 2023 |archive-url=https://web.archive.org/web/20230415001641/https://www.boe.es/boe/dias/2009/12/05/pdfs/BOE-A-2009-19665.pdf |url-status=live }}
In 2011, Murakami donated his €80,000 winnings from the International Catalunya Prize (from the Generalitat de Catalunya) to the victims of the March 11 earthquake and tsunami, and to those affected by the Fukushima nuclear disaster. Accepting the award, he said in his speech that the situation at the Fukushima plant was "the second major nuclear disaster that the Japanese people have experienced ... however, this time it was not a bomb being dropped upon us, but a mistake committed by our very own hands". According to Murakami, the Japanese people should have rejected nuclear power after having "learned through the sacrifice of the hibakusha just how badly radiation leaves scars on the world and human wellbeing".{{cite news |url=https://www.theguardian.com/books/2011/jun/13/murakami-japan-nuclear-policy |title=Murakami laments Japan's nuclear policy |author=Flood, Alison |date=June 13, 2011 |work=The Guardian |location=London |access-date=December 11, 2016 |archive-url=https://web.archive.org/web/20170510203215/https://www.theguardian.com/books/2011/jun/13/murakami-japan-nuclear-policy |archive-date=May 10, 2017 |url-status=live }}
In recent years, Haruki Murakami has often been mentioned as a possible recipient of the Nobel Prize in Literature.{{cite magazine |url=https://www.newyorker.com/online/blogs/books/2012/10/the-harukists-disappointed.html |title=The Harukists, Disappointed |magazine=The New Yorker |author=Kelts, Roland |date=October 16, 2012 |access-date=October 17, 2012 |archive-url=https://web.archive.org/web/20121018185049/http://www.newyorker.com/online/blogs/books/2012/10/the-harukists-disappointed.html |archive-date=October 18, 2012 |url-status=live }} Nonetheless, since all nomination records are sealed for 50 years from the awarding of the prize, it is pure speculation.{{cite web|url=http://nobelprize.org/nomination/nomination_facts.html |title=Nomination Facts |publisher=Nobel Foundation |access-date=March 3, 2010 |archive-url=https://web.archive.org/web/20100109142845/http://nobelprize.org/nomination/nomination_facts.html |archive-date=January 9, 2010}} When asked about the possibility of being awarded the Nobel Prize, Murakami responded with a laugh saying "No, I don't want prizes. That means you're finished."
In October 2014, he was awarded the Welt-Literaturpreis.{{cite news |url=https://www.welt.de/kultur/literarischewelt/article132887543/Haruki-Murakami-erhaelt-Welt-Literaturpreis-2014.html |language=de |title=Haruki Murakami erhält "Welt"-Literaturpreis 2014 |newspaper=Die Welt |author=Kämmerlings, Richard |date=October 3, 2014 |access-date=October 13, 2014 |archive-url=https://web.archive.org/web/20141013102919/http://www.welt.de/kultur/literarischewelt/article132887543/Haruki-Murakami-erhaelt-Welt-Literaturpreis-2014.html |archive-date=October 13, 2014 |url-status=live}}
In April 2015, Murakami was named one of the Time 100 most influential people. In November 2016, he was awarded the Danish Hans Christian Andersen Literature Award, an award previously won by British author J. K. Rowling.{{cite web |url=http://www.dr.dk/nyheder/kultur/boeger/japansk-stjerneforfatter-faar-danmarks-stoerste-litteraturpris |title=Japansk stjerneforfatter får Danmarks største litteraturpris |first=Silas Bay |last=Nielsen |work=DR |date=November 17, 2015 |language=da |access-date=November 20, 2015 |archive-url=https://web.archive.org/web/20151121013222/http://www.dr.dk/nyheder/kultur/boeger/japansk-stjerneforfatter-faar-danmarks-stoerste-litteraturpris |archive-date=November 21, 2015 |url-status=live }}{{cite web |url=http://www.fyens.dk/kultur/Haruki-Murakami-faar-HCA-litteraturpris/artikel/2891308 |title=En halv million: Japansk succesforfatter får HCA-litteraturpris |work=fyens.dk |date=November 17, 2015 |language=da |access-date=November 20, 2015 |archive-url=https://web.archive.org/web/20151126085740/http://www.fyens.dk/kultur/Haruki-Murakami-faar-HCA-litteraturpris/artikel/2891308 |archive-date=November 26, 2015 |url-status=live }}{{cite web|url=http://cphpost.dk/news/odense-honours-haruki-murakami-with-hans-christian-andersen-award.html|title=Odense honours Haruki Murakami with Hans Christian Andersen award|work= The Copenhagen Post – Danish News in English|first=Kristina |last=Liebute|date=October 31, 2016|language=|access-date=October 10, 2017|archive-url=https://web.archive.org/web/20171009135558/http://cphpost.dk/news/odense-honours-haruki-murakami-with-hans-christian-andersen-award.html|archive-date=October 9, 2017|url-status=live}}
In 2018, he was nominated for the New Academy Prize in Literature.{{cite news|url=https://www.thelocal.se/20180829/four-writers-nominated-for-swedens-new-nobel-literature-prize-neil-gaiman-haruki-murakami-kim-thuy-maryse-conde|title=Four writers shortlisted for 'the new Nobel Literature Prize'|first=Emma|last=Löfgren|website=The Local|date=August 29, 2018|access-date=September 11, 2018|archive-url=https://web.archive.org/web/20180830210149/https://www.thelocal.se/20180829/four-writers-nominated-for-swedens-new-nobel-literature-prize-neil-gaiman-haruki-murakami-kim-thuy-maryse-conde|archive-date=August 30, 2018|url-status=live}} He requested that his nomination be withdrawn, saying he wanted to "concentrate on writing, away from media attention."{{cite news|url=https://www.japantimes.co.jp/news/2018/09/16/national/japans-haruki-murakami-withdraws-consideration-alternative-nobel-award/|title=Japan's Haruki Murakami withdraws from consideration for alternative Nobel award|agency=Reuters|newspaper=The Japan Times|date=September 16, 2018|access-date=September 18, 2018|archive-url=https://web.archive.org/web/20180917155944/https://www.japantimes.co.jp/news/2018/09/16/national/japans-haruki-murakami-withdraws-consideration-alternative-nobel-award/|archive-date=September 17, 2018|url-status=live}}
In 2023, he was awarded the Princess of Asturias Award for Literature.{{cite web|title=Haruki Murakami, Princess of Asturias Award for Literature 2023|publisher=Princess of Asturias Foundation|url=https://www.fpa.es/en/princess-of-asturias-awards/laureates/2023-haruki-murakami.html|access-date=May 24, 2023|archive-date=May 24, 2023|archive-url=https://web.archive.org/web/20230524141137/https://www.fpa.es/en/princess-of-asturias-awards/laureates/2023-haruki-murakami.html|url-status=live}}
In 2024, Murakami received the Golden Plate Award of the American Academy of Achievement{{cite web |title=Golden Plate Awardees of the American Academy of Achievement |url= https://achievement.org/our-history/golden-plate-awards/#the-arts |website=achievement.org |publisher=American Academy of Achievement}} and was elected as a Royal Society of Literature International Writer.{{cite web|url=https://bronasbooks.com/2024/12/10/royal-society-of-literature-international-writers-2024/|title=Royal Society of Literature International Writers 2024|date=10 December 2024|access-date=2 January 2025|website=bronasbooks.com}}
=Honorary degrees=
Murakami has received honorary degrees (Doctor of Letters) from the University of Liège (September 2007),{{cite web|url=http://www.presse.ulg.ac.be/communques_new/index.php?page=rentre06072007.html|title=Presse et Communication|work=Université de Liège|date=July 5, 2007|access-date=April 24, 2008}}{{Dead link|date=February 2023 |bot=InternetArchiveBot |fix-attempted=yes }} Princeton University (June 2008),{{cite web |last=Dienst |first=Karin |title=Princeton awards five honorary degrees |url=https://www.princeton.edu/main/news/archive/S21/25/15A07/index.xml?section=topstories |work=Princeton University |date=June 3, 2008 |access-date=June 5, 2008 |archive-url=https://web.archive.org/web/20080611002524/http://www.princeton.edu/main/news/archive/S21/25/15A07/index.xml?section=topstories |archive-date=June 11, 2008 |url-status=live }} Tufts University (May 2014),[http://commencement.tufts.edu/honorary-degree-recipients/honorary-degree-recipients-2014/ "Honorary Degree Recipients 2014"] {{Webarchive|url=https://web.archive.org/web/20140522012709/http://commencement.tufts.edu/honorary-degree-recipients/honorary-degree-recipients-2014/ |date=May 22, 2014 }} Tufts University, May 18, 2014, Yale University (May 2016),{{cite web |title="Honorary degrees awarded to nine outstanding individuals" |url=https://news.yale.edu/2016/05/22/honorary-degrees-awarded-nine-outstanding-individuals |work=Yale University |date=May 22, 2016 |access-date=March 20, 2023 |archive-date=July 4, 2017 |archive-url=https://web.archive.org/web/20170704131922/http://news.yale.edu/2016/05/22/honorary-degrees-awarded-nine-outstanding-individuals |url-status=live }} and University of Nova Gorica (2021).{{cite web |title=Honorary Titles and Recognitions |url=https://www.ung.si/en/university/honorary-degrees/ |access-date=February 5, 2024 }}
Archives
{{Main page|Waseda International House of Literature}}
In 2018, Waseda University in Tokyo agreed to house the archives of Haruki Murakami, including his manuscripts, source documents, and music collection. Later in September 2021, architect Kengo Kuma announced the opening of the Waseda International House of Literature, a library dedicated entirely to Murakami's works at Waseda University, which would include more than 3,000 works by Murakami, including translations into more than 50 other languages.{{cite news |last1=Brandoli |first1=Lucia |title=Kengo Kuma's library devoted to Haruki Murakami opens in Tokyo |url=https://www.domusweb.it/en/news/2021/09/29/a-library-dedicated-to-haruki-murakami-opens-in-tokyo.html |access-date=September 30, 2021 |work=Domus Web |date=September 29, 2021 |archive-date=May 8, 2023 |archive-url=https://web.archive.org/web/20230508010924/https://www.domusweb.it/en/news/2021/09/29/a-library-dedicated-to-haruki-murakami-opens-in-tokyo.html |url-status=live }}
The library, officially known as the Waseda International House of Literature or the Haruki Murakami Library, opened on October 1, 2021. In addition to its vast collection of written material, the library also hosts a coffee shop run by Waseda University students—called Orange Cat, after Murakami's Peter Cat jazz bar from his twenties—in addition to a listening lounge where visitors can listen to records collected by Murakami himself.{{Cite news |last=Steen |first=Emma |date=October 22, 2021 |title=In photos: Tokyo’s new Haruki Murakami library at Waseda University is now open |url=https://www.timeout.com/tokyo/news/tokyo-is-getting-a-haruki-murakami-library-on-waseda-university-campus-091621 |access-date=July 12, 2024 |work=Time Out}}
Films and other adaptations
Murakami's first novel, Hear the Wind Sing (Kaze no uta o kike), was adapted by Japanese director Kazuki Ōmori. The film was released in 1981 and distributed by Art Theatre Guild.{{cite web|url=https://www.imdb.com/name/nm0648457|title=Kazuki Omori|work=Internet Movie Database|year=2008|access-date=December 10, 2008|archive-url=https://web.archive.org/web/20080113183008/http://www.imdb.com/name/nm0648457/|archive-date=January 13, 2008|url-status=live}} Naoto Yamakawa directed two short films, Attack on the Bakery (released in 1982) and A Girl, She is 100 Percent (released in 1983), based on Murakami's short stories "Bakery Attack" and "On Seeing the 100% Perfect Girl One Beautiful April Morning", respectively.{{cite web|url=https://www.imdb.com/title/tt0358002|title=Panya shugeki|work=Internet Movie Database|year=2008|access-date=December 10, 2008|archive-url=https://web.archive.org/web/20060618210006/http://www.imdb.com/title/tt0358002/|archive-date=June 18, 2006|url-status=live}} Japanese director Jun Ichikawa adapted Murakami's short story "Tony Takitani" into a 75-minute feature.{{cite news|author=Chonin, Neva|url=http://www.sfgate.com/cgi-bin/article.cgi?f=/chronicle/reviews/movies/TONYTAKITANI.DTL&type=movies|title=Love turns an artist's solitude into loneliness|work=San Francisco Chronicle|date=September 2, 2005|access-date=April 24, 2008|archive-url=https://web.archive.org/web/20081223012422/http://www.sfgate.com/cgi-bin/article.cgi?f=%2Fchronicle%2Freviews%2Fmovies%2FTONYTAKITANI.DTL&type=movies|archive-date=December 23, 2008|url-status=live}} The film played at various film festivals and was released in New York and Los Angeles on July 29, 2005. The original short story, translated into English by Jay Rubin, is available in the April 15, 2002, issue of The New Yorker, as a stand-alone book published by Cloverfield Press, and part of Blind Willow, Sleeping Woman by Knopf. In 1998, the German film The Polar Bear ({{langx|de|Der Eisbär}}), written and directed by Granz Henman, used elements of Murakami's short story "The Second Bakery Attack" in three intersecting story lines. "The Second Bakery Attack" was also adapted as a short film in 2010,
{{cite web|url=https://www.imdb.com/title/tt1698579/|title=The Second Bakery Attack|work=Internet Movie Database|year=2010|access-date=March 2, 2013|archive-url=https://web.archive.org/web/20130125171748/http://www.imdb.com/title/tt1698579/|archive-date=January 25, 2013|url-status=live}}
directed by Carlos Cuarón, starring Kirsten Dunst and as part of a segment in the South Korean omnibus film Acoustic.
Murakami's work was also adapted for the stage in a 2003 play entitled The Elephant Vanishes, co-produced by Britain's Complicite company and Japan's Setagaya Public Theatre. The production, directed by Simon McBurney, adapted three of Murakami's short stories and received acclaim for its unique blending of multimedia (video, music, and innovative sound design) with actor-driven physical theater (mime, dance, and even acrobatic wire work).{{cite news|author=Billington, Michael|author-link=Michael Billington (critic)|url=http://arts.guardian.co.uk/reviews/story/0,11712,987804,00.html|title=The Elephant Vanishes|newspaper=The Guardian|date=June 30, 2003|access-date=April 24, 2008|location=London|archive-url=https://web.archive.org/web/20080524021211/http://arts.guardian.co.uk/reviews/story/0,11712,987804,00.html|archive-date=May 24, 2008|url-status=live}} On tour, the play was performed in Japanese, with supertitle translations for European and American audiences.
Two stories from Murakami's book after the quake{{snd}}"Honey Pie" and "Superfrog Saves Tokyo"{{snd}}have been adapted for the stage and directed by Frank Galati. Entitled after the quake, the play was first performed at the Steppenwolf Theatre Company in association with La Jolla Playhouse, and opened on October 12, 2007, at Berkeley Repertory Theatre.{{cite web|url=http://www.berkeleyrep.org/season/0708/2099.asp|title=after the quake|work=Berkeley Repertory Theatre|year=2007|access-date=April 24, 2008|archive-url=https://web.archive.org/web/20080413044546/http://www.berkeleyrep.org/season/0708/2099.asp|archive-date=April 13, 2008|url-status=live}} In 2008, Galati also adapted and directed a theatrical version of Kafka on the Shore, which first ran at Chicago's Steppenwolf Theatre Company from September to November.{{cite web |last=Lavey |first=Martha |last2=Galati |first2=Frank |url=http://www.steppenwolf.org/watchlisten/backstage/detail.aspx?id=182|title=Artistic Director Interviews The Adapter/Director|publisher=Steppenwolf Theatre|year=2008|access-date=September 1, 2008|archive-url=https://web.archive.org/web/20080924131339/http://www.steppenwolf.org/watchlisten/backstage/detail.aspx?id=182|archive-date=September 24, 2008|url-status=dead}}
On Max Richter's 2006 album Songs from Before, Robert Wyatt reads passages from Murakami's novels. In 2007, Robert Logevall adapted "All God's Children Can Dance" into a film, with a soundtrack composed by American jam band Sound Tribe Sector 9. In 2008, Tom Flint adapted "On Seeing the 100% Perfect Girl One Beautiful April Morning" into a short film. The film was screened at the 2008 CON-CAN Movie Festival. The film was viewed, voted, and commented upon as part of the audience award for the movie festival.{{cite web|author=Flint, Tom|url=http://en.con-can.com/watch/preview.php?id=20085028|title=On Seeing The 100% Perfect Girl One Beautiful April Morning|work=CON-CAN Movie Festival|year=2008|access-date=July 9, 2008|url-status=dead|archive-url=https://web.archive.org/web/20080719134330/http://en.con-can.com/watch/preview.php?id=20085028|archive-date=July 19, 2008}}
It was announced in July 2008 that French-Vietnamese director Tran Anh Hung would direct an adaptation of Murakami's novel Norwegian Wood.Gray, Jason (2008). [http://www.screendaily.com/ScreenDailyArticle.aspx?intStoryID=40092&str Tran to adapt Norwegian Wood for Asmik Ace, Fuji TV] {{Webarchive|url=https://web.archive.org/web/20081219092859/http://www.screendaily.com/ScreenDailyArticle.aspx?intStoryID=40092&str |date=December 19, 2008 }}, Screen Daily.com article retrieved August 1, 2008. The film was released in Japan on December 11, 2010.{{cite web|url=http://www.nipponcinema.com/trailers/norwegian-wood-trailer|title=Nippon Cinema (Norwegian Wood Trailer)|access-date=December 22, 2010|work=2006–2010 Nippon Cinema|archive-url=https://web.archive.org/web/20110401024411/http://www.nipponcinema.com/trailers/norwegian-wood-trailer|archive-date=April 1, 2011|url-status=live}}
In 2010, Stephen Earnhart adapted The Wind-Up Bird Chronicle into a two-hour multimedia stage presentation. The show opened January 12, 2010, as part of the Public Theater's "Under the Radar" festival at the Ohio Theater in New York City,{{cite web |url=http://www.theatermania.com/off-off-broadway/shows/the-wind-up-bird-chronicle_161526/ |title=The Wind-Up Bird Chronicle |publisher=theatermania |access-date=December 28, 2013 |archive-url=https://web.archive.org/web/20140301172218/http://www.theatermania.com/off-off-broadway/shows/the-wind-up-bird-chronicle_161526/ |archive-date=March 1, 2014 |url-status=live }} presented in association with The Asia Society and the Baryshnikov Arts Center. The show had its world premiere at the Edinburgh International Festival on August 21, 2011.{{cite news|url=http://www.economist.com/node/21526780|title=Dreams within dreams: A haunting vision of Haruki Murakami's "The Wind-Up Bird Chronicle"|newspaper=The Economist|date=August 27, 2011|access-date=August 31, 2011|archive-url=https://web.archive.org/web/20110831143825/http://www.economist.com/node/21526780|archive-date=August 31, 2011|url-status=live}} The presentation incorporates live actors, video projection, traditional Japanese puppetry, and immersive soundscapes to render the surreal landscape of the original work.
In 2013, pianist Eunbi Kim debuted a performance piece, titled "Murakami Music: Stories of Loss and Nostalgia", drawn from excerpts of Murakami's work as part of her artist residency at The Cell Theatre in New York City. Excerpts included Reiko's monologue from Norwegian Wood (novel), as well as the self-titled song of Kafka on the Shore. The performance piece was acted by Laura Yumi Snell and directed by Kira Simring.{{Cite news |last=Brown |first=Steven |date=October 20, 2014 |title=Performing art: 'Murakami Music' |url=https://www.houstonchronicle.com/entertainment/arts-theater/article/Pianist-combines-excerpts-of-work-by-acclaimed-5835551.php#/0 |access-date=July 12, 2024 |work=Houston Chronicle}} From 2013 to 2014, Kim and Snell performed across the United States, notably with a premiere at Symphony Space and a showing at Georgetown University.{{Cite web |last=McDowell |first=Peter |date=October 8, 2014 |title=Pianist Eunbi Kim, Murakami Music: Stories of Loss and Nostalgia, November 1, 2014 |url=https://www.petermcdowell.com/pianist-eunbi-kim-murakami-music-stories-loss-nostalgia-november-1-2014/ |access-date=July 12, 2024 |website=Peter McDowell Arts Consulting |language=en-US}}{{Cite web |title=Friday Music Series |url=https://performingarts.georgetown.edu/fridaymusicseries/ |access-date=July 12, 2024 |website=Department of Performing Arts |language=en}}
Memoranda, a 2017 adventure video game, is based on various short stories from After the Quake, Blind Willow, Sleeping Woman, and The Elephant Vanishes, and features several Murakami characters, with Mizuki Ando as the protagonist.{{Cite web|title=Memoranda|date=January 25, 2017|url=https://www.gog.com/en/game/memoranda|publisher=Digital Dragon}}
In 2018, "Barn Burning" from Murakami's short story collection The Elephant Vanishes was adapted into a film titled Burning by director Lee Chang-dong.{{cite web|url=http://koreajoongangdaily.joins.com/news/article/article.aspx?aid=3047755|title=A Korean twist to a Murakami tale|website=Korea JoongAng Daily|date=May 4, 2018 |access-date=May 30, 2018|archive-url=https://web.archive.org/web/20180529152650/http://koreajoongangdaily.joins.com/news/article/Article.aspx?aid=3047755|archive-date=May 29, 2018|url-status=live}} The film was awarded the FIPRESCI International Critics’ Prize for best film, receiving the highest score to date.{{Cite news|url=http://www.koreaherald.com/view.php?ud=20180520000167|title='Burning' gets critics' approval with Fipresci prize at Cannes|last=Herald|first=The Korea|date=May 20, 2018|access-date=May 30, 2018|language=en|archive-url=https://web.archive.org/web/20180530052732/http://www.koreaherald.com/view.php?ud=20180520000167|archive-date=May 30, 2018|url-status=live}} It was also South Korea's submission for the Academy Award for Best International Feature Film in 2019.
A film based on the short story "Drive My Car" premiered at the 2021 Cannes Film Festival, where it won Best Screenplay, the FIPRESCI Prize, and the Prize of the Ecumenical Jury.{{cite web |url=https://hk.asiatatler.com/life/cannes-2021-list-winners |title=Cannes Film Festival 2021: Full Winners List |work=Asia Tatler |date=July 18, 2021 |access-date=October 7, 2021 |archive-date=July 17, 2021 |archive-url=https://web.archive.org/web/20210717204206/https://hk.asiatatler.com/life/cannes-2021-list-winners |url-status=live }} The film went on to win the Academy Award for Best International Feature and received three other nominations: Best Picture, Best Director, and Best Adapted Screenplay.{{Cite web|title=2022|url=https://www.oscars.org/oscars/ceremonies/2022|access-date=February 20, 2022|website=Oscars.org {{!}} Academy of Motion Picture Arts and Sciences|language=en|archive-date=March 25, 2022|archive-url=https://web.archive.org/web/20220325152056/https://www.oscars.org/oscars/ceremonies/2022|url-status=live}} Directed by Ryusuke Hamaguchi, it also takes inspiration from Chekhov's play Uncle Vanya as well as "Scheherazade" and "Kino," two other stories in the collection Men Without Women.{{cite news|url=https://www.hollywoodreporter.com/movies/movie-news/cannes-2021-japan-ryusuke-hamaguchi-murakami-1234978601/|title=Cannes: Japan's Ryusuke Hamaguchi on Adapting Murakami for 'Drive My Car' and Vehicles as Confession Booths
|last=Brzeski|first=Patrick|date=July 8, 2021|work=The Hollywood Reporter|access-date=October 7, 2021|archive-url=https://web.archive.org/web/20210709061019/https://www.hollywoodreporter.com/movies/movie-news/cannes-2021-japan-ryusuke-hamaguchi-murakami-1234978601/|archive-date=July 9, 2021|url-status=live}}
In 2022, director Pierre Földes adapted six short stories from Murakami's books After the Quake, Blind Willow, Sleeping Woman and The Elephant Vanishes into an animated feature film. The film, titled Blind Willow, Sleeping Woman, is an international co-production of Canada, France, Luxembourg and the Netherlands.Wendy Ide, [https://www.screendaily.com/reviews/blind-willow-sleeping-woman-annecy-review/5171611.article "‘Blind Willow, Sleeping Woman’: Annecy Review"] {{Webarchive|url=https://web.archive.org/web/20230308062321/https://www.screendaily.com/reviews/blind-willow-sleeping-woman-annecy-review/5171611.article |date=March 8, 2023 }}. Screen Daily, June 16, 2022. The film premiered in the feature film competition at the 2022 Annecy International Animation Film Festival,John Hopewell, [https://variety.com/2022/film/news/annecy-spider-verse-puss-in-boots-1235255987/ "Annecy Gets ‘Pinocchio,’ ‘Spider-Verse,’ ‘Puss in Boots’ Footage and ‘Lightyear,’ and Unveils Festival Lineup"] {{Webarchive|url=https://web.archive.org/web/20220531005505/https://variety.com/2022/film/news/annecy-spider-verse-puss-in-boots-1235255987/ |date=May 31, 2022 }}. Variety, May 2, 2022. where it was awarded a Jury Distinction.Valerie Complex, [https://deadline.com/2022/06/little-nicholas-happy-as-can-be-takes-top-honor-1235048317/ "‘Little Nicholas – Happy As Can Be’ Takes Top Honor At Annecy International Animation Film Festival"] {{Webarchive|url=https://web.archive.org/web/20230602095624/https://deadline.com/2022/06/little-nicholas-happy-as-can-be-takes-top-honor-1235048317/ |date=June 2, 2023 }}. Deadline Hollywood, June 18, 2022.
In 2022, Confessions of a Shinagawa Monkey was translated into Yorùbá by Nigerian linguist Kola Tubosun, making it the first time a Murakami story would be translated into an African language.{{Cite web |title=Kola Tubosun Translates Haruki Murakami's Story into Yoruba |url=https://brittlepaper.com/2022/07/kola-tubosun-translates-haruki-murakamis-story-into-yoruba/ |access-date=December 14, 2022 |website=brittlepaper.com |archive-date=December 14, 2022 |archive-url=https://web.archive.org/web/20221214044413/https://brittlepaper.com/2022/07/kola-tubosun-translates-haruki-murakamis-story-into-yoruba/ |url-status=live }}
In 2023, Jean-Christophe Deveney began adapting nine of Murakami's short stories into a three-volume original English-language manga series illustrated by PGML and published by Tuttle Publishing.{{Cite web|last1=Murakami|first1=Haruki|last2=Deveney|first2=Jean-Christophe|date=2023|title=Haruki Murakami Manga Stories|url=https://www.amazon.com/dp/B0CKBYBC2Q|publisher=Tuttle Publishing}} The first and second volumes of Haruki Murakami Manga Stories adapt Super-Frog Saves Tokyo, The Seventh Man, Birthday Girl, Where I'm Likely to Find It, The Second Bakery Attack, Samsa in Love, and Thailand, while the upcoming final volume will adapt Scheherezade and Sleep.
Personal life
After receiving the Gunzo Award for his 1979 literary work Hear the Wind Sing, Murakami did not aspire to meet other writers.{{citation needed|date=September 2014}} Aside from Sarah Lawrence's Mary Morris, whom he briefly mentions in his memoir What I Talk About When I Talk About Running alongside Joyce Carol Oates and Toni Morrison, Murakami was never a part of a community of writers, his reason being that he was a loner and was never fond of groups, schools, and literary circles. When working on a book, Murakami states that he relies on his wife, who is always his first reader. While he never acquainted himself with many writers, among the contemporary writers, he enjoys the work of Kazuo Ishiguro, Cormac McCarthy, Lee Child and Dag Solstad.{{cite web|url=https://www.theguardian.com/books/2014/sep/13/haruki-murakami-interview-colorless-tsukur-tazaki-and-his-years-of-pilgrimage|title=Haruki Murakami: 'I'm an outcast of the Japanese literary world'|last=Poole|first=Steven|date=September 13, 2014|website=the Guardian|language=en|access-date=June 5, 2018|archive-url=https://web.archive.org/web/20180621115849/https://www.theguardian.com/books/2014/sep/13/haruki-murakami-interview-colorless-tsukur-tazaki-and-his-years-of-pilgrimage|archive-date=June 21, 2018|url-status=live}} While he does not read much contemporary Japanese literature, Murakami enjoys the works of Ryū Murakami and Banana Yoshimoto.
Murakami enjoys baseball and describes himself as a fan of the Tokyo Yakult Swallows. In his 2015 essay for Literary Hub "The Moment I Became a Novelist", Murakami describes how attending a Swallow's game in Jingu Stadium in 1978 led to a personal epiphany in which he decided to write his first novel.{{Cite web |last=Murakami |first=Haruki |date=June 25, 2015 |title=The moment I became a novelist |url=https://lithub.com/haruki-murakami-the-moment-i-became-a-novelist/ |access-date=April 13, 2022 |archive-date=April 13, 2022 |archive-url=https://web.archive.org/web/20220413084131/https://lithub.com/haruki-murakami-the-moment-i-became-a-novelist/ |url-status=live }}
Haruki Murakami is a fan of crime novels. During his high school days while living in Kōbe, he would buy paperbacks from second hand book stores and learned to read English. The first book that he read in English was The Name is Archer, written by Ross Macdonald in 1955. Other writers he was interested in included Leo Tolstoy and Fyodor Dostoyevsky.
Murakami also has a passion for listening to music, especially classical and jazz. When he was around 15, he began to develop an interest in jazz after attending an Art Blakey and the Jazz Messengers concert in Kobe.Murakami, Haruki, [https://www.nytimes.com/2007/07/08/books/review/Murakami-t.html "Jazz Messenger"] {{Webarchive|url=https://web.archive.org/web/20170304172352/http://www.nytimes.com/2007/07/08/books/review/Murakami-t.html |date=March 4, 2017 }}, The New York Times, July 8, 2007. He later opened the Peter Cat, a coffeehouse and jazz bar. Murakami has said that music, like writing, is a mental journey. At one time he aspired to be a musician, but because he could not play instruments well he decided to become a writer instead.
In an interview with The Guardian, Murakami stated his belief that his surreal books appeal to people especially in times of turmoil and political chaos.{{cite web|url=https://www.theguardian.com/books/2018/oct/11/haruki-murakami-interview-killing-commendatore|title=Haruki Murakami: 'You have to go through the darkness before you get to the light'|last=Burkeman|first=Oliver|date=October 10, 2018|website=the Guardian|language=en|access-date=October 11, 2018|archive-url=https://web.archive.org/web/20181011003713/https://www.theguardian.com/books/2018/oct/11/haruki-murakami-interview-killing-commendatore|archive-date=October 11, 2018|url-status=live}} He stated that "I was so popular in the 1990s in Russia, at the time they were changing from the Soviet Union – there was big confusion, and people in confusion like my books" and "In Germany, when the Berlin Wall fell down, there was confusion – and people liked my books."
Political views
Murakami told The New York Times Magazine in 2011, "I think of myself as a political person, but I don't state my political messages to anybody."{{Cite news |last=Anderson |first=Sam |date=October 21, 2011 |title=The Fierce Imagination of Haruki Murakami |language=en-US |work=The New York Times Magazine |url=https://www.nytimes.com/2011/10/23/magazine/the-fierce-imagination-of-haruki-murakami.html |access-date=July 17, 2022 |issn=0362-4331 |archive-date=April 15, 2020 |archive-url=https://web.archive.org/web/20200415091833/https://www.nytimes.com/2011/10/23/magazine/the-fierce-imagination-of-haruki-murakami.html |url-status=live }} Comparing himself to George Orwell, he views himself as standing "against the system." In 2009, whilst accepting an award in Israel, he expressed his political views as:
If there is a hard, high wall and an egg that breaks against it, no matter how right the wall or how wrong the egg, I will stand on the side of the egg. Why? Because each of us is an egg, a unique soul enclosed in a fragile egg. Each of us is confronting a high wall. The high wall is the system which forces us to do the things we would not ordinarily see fit to do as individuals.{{Cite web |last=Flood |first=Alison |date=2009-02-16 |title=Murakami defies protests to accept Jerusalem prize |url=http://www.theguardian.com/books/2009/feb/16/haruki-murakami-jerusalem-prize |access-date=2022-07-17 |website=The Guardian |language=en |archive-date=July 17, 2022 |archive-url=https://web.archive.org/web/20220717091916/https://www.theguardian.com/books/2009/feb/16/haruki-murakami-jerusalem-prize |url-status=live }}
Murakami stated that it is natural for China and the Koreas to continue to feel resentment towards Japan for its wartime aggressions. "Fundamentally, Japanese people tend not to have an idea that they were also assailants, and the tendency is getting clearer," he said.{{cite web| title = Murakami chides Japan for ignoring role in WWII, Fukushima disaster| url = http://www.japantimes.co.jp/news/2014/11/04/national/media-national/murakami-chides-japan-for-ignoring-role-in-wwii-fukushima-disaster/ | work = The Japan Times| access-date = March 7, 2017| archive-url = https://web.archive.org/web/20170306035333/http://www.japantimes.co.jp/news/2014/11/04/national/media-national/murakami-chides-japan-for-ignoring-role-in-wwii-fukushima-disaster/ | archive-date = March 6, 2017| url-status = live}}{{cite web|url=https://www.businessinsider.com/afp-murakami-says-japan-ignoring-wwii-fukushima-role-report-2014-11|title=Murakami says Japan ignoring WWII, Fukushima role|work=Business Insider|quote=Murakami, one of Japan's best known writers who has repeatedly been tipped as a future Nobel Literature laureate, said that it was natural for China and the Koreas to continue to feel resentment towards Japan for its wartime aggressions.|access-date=March 4, 2020|archive-date=March 4, 2020|archive-url=https://web.archive.org/web/20200304031225/https://www.businessinsider.com/afp-murakami-says-japan-ignoring-wwii-fukushima-role-report-2014-11|url-status=dead}} In another interview, Murakami stated: "The issue of historical understanding carries great significance, and I believe it is important that Japan makes straightforward apologies. I think that is all Japan can do – apologise until the countries say: 'We don't necessarily get over it completely, but you have apologised enough. Alright, let's leave it now.'"{{cite web| title = Japan must apologise for WWII until it is forgiven: novelist Haruki Murakami| url = http://www.straitstimes.com/asia/east-asia/japan-must-apologise-for-wwii-until-it-is-forgiven-novelist-haruki-murakami| work = The Straits Times| date = April 17, 2015| quote = Murakami, one of Japan's best known writers who has repeatedly been tipped as a future Nobel Literature laureate, has often chided his country for shirking responsibility for its World War II aggression.| access-date = March 8, 2017| archive-url = https://web.archive.org/web/20170307124332/http://www.straitstimes.com/asia/east-asia/japan-must-apologise-for-wwii-until-it-is-forgiven-novelist-haruki-murakami| archive-date = March 7, 2017| url-status = live| df = mdy-all}}
In January 2015, Murakami expressed support for same-sex marriage, which is not recognised in Japan, when responding to a reader's question about his stance on the issue.{{cite news |last1=Wee |first1=Darren |title=Haruki Murakami: I support gay marriage |url=https://www.gaystarnews.com/article/haruki-murakami-i-support-gay-marriage220115/ |access-date=August 21, 2022 |work=Gay Star News |date=January 22, 2015 |archive-date=August 18, 2022 |archive-url=https://web.archive.org/web/20220818131036/https://www.gaystarnews.com/article/haruki-murakami-i-support-gay-marriage220115/ |url-status=dead }}
In August 2021, during one of his radio shows, Murakami criticized prime minister Yoshihide Suga over the handling of the COVID-19 pandemic in Japan, suggesting Suga had ignored a surge in Covid cases and public concerns about the state of the pandemic. Murakami quoted Suga as saying "an exit is now in our sight after a long tunnel" and added, in criticism, that "If he really saw an exit, his eyes must be extremely good for his age. I'm of the same age as Mr. Suga, but I don't see any exit at all."{{cite news |last1=Yamaguchi |first1=Mari |title=Haruki Murakami Criticizes Japan's PM Over Pandemic Measures |url=https://www.bloomberg.com/news/articles/2021-08-30/author-murakami-criticizes-japan-pm-over-pandemic-measures |access-date=August 30, 2021 |work=Bloomberg |date=August 30, 2021 |archive-date=August 30, 2021 |archive-url=https://web.archive.org/web/20210830221015/https://www.bloomberg.com/news/articles/2021-08-30/author-murakami-criticizes-japan-pm-over-pandemic-measures |url-status=live }}{{cite news |last1=Chilton |first1=Louis |title=Haruki Murakami criticises Japanese prime minister's Covid response: 'He sees only what he wants to see' |url=https://www.independent.co.uk/arts-entertainment/books/news/haruki-murakami-covid-japan-b1911128.html |archive-url=https://ghostarchive.org/archive/20220509/https://www.independent.co.uk/arts-entertainment/books/news/haruki-murakami-covid-japan-b1911128.html |archive-date=May 9, 2022 |url-access=subscription |url-status=live |access-date=August 30, 2021 |work=The Independent |date=August 30, 2021}}
In 2022, during the Russian invasion of Ukraine, which was part of the larger Russian-Ukrainian war, Murakami called for peace. He prepared a special radio program calling for peace. Murakami featured there around ten musical pieces that encourage to end the war and "focus on the preciousness of life".{{Cite web |last=NEWS |first=KYODO |title=Author Haruki Murakami to call for peace in Ukraine |url=https://english.kyodonews.net/news/2022/03/80ff5ca8e968-author-haruki-murakami-to-call-for-peace-in-ukraine.html |access-date=March 18, 2022 |website=Kyodo News+ |archive-date=March 18, 2022 |archive-url=https://web.archive.org/web/20220318152705/https://english.kyodonews.net/news/2022/03/80ff5ca8e968-author-haruki-murakami-to-call-for-peace-in-ukraine.html |url-status=live }}{{Cite web |url=https://the-japan-news.com/news/article/0008366868 |access-date=March 18, 2022 |website=the-japan-news.com |title=Archived copy |archive-date=March 16, 2022 |archive-url=https://web.archive.org/web/20220316062538/https://the-japan-news.com/news/article/0008366868 |url-status=dead }}
Bibliography
This is an incomplete bibliography as not all works published by Murakami in Japanese have been translated into English.{{cite web |url=http://www.geocities.jp/yoshio_osakabe/Haruki/Source-Ex.html |title=Source |publisher=Geocities.jp |access-date=April 6, 2013 |archive-url=https://web.archive.org/web/20130116033633/http://www.geocities.jp/yoshio_osakabe/Haruki/Source-Ex.html |archive-date=January 16, 2013 |url-status=live }} Kanji titles are given with Hepburn romanization. (Original titles entirely in transcribed English are given as "katakana / romaji = English".){{bots|deny=Citation bot}}
=Novels=
class="sortable wikitable" |
colspan="2"|Original publication
! colspan="3"|English publication |
---|
scope="col" | Title
! scope="col" | Year ! scope="col" | Title ! scope="col" | Year ! scope="col" | Pages |
{{lang|ja|風の歌を聴け}} Kaze no uta o kike | 1979 | 1987/2015 | 130 |
{{lang|ja|1973年のピンボール}} 1973-nen no pinbōru | 1980 | 1985/2015 | 215 |
{{lang|ja|羊をめぐる冒険}} Hitsuji o meguru bōken | 1982 | 1989 | 353 |
{{lang|ja|世界の終りとハードボイルド・ワンダーランド}} Sekai no owari to Hādo-boirudo Wandārando | 1985 | Hard-Boiled Wonderland and the End of the World | 1991 | 400 |
{{lang|ja|ノルウェイの森}} Noruwei no mori | 1987 | 1989 (Birnbaum's translation); | 296 |
{{lang|ja|ダンス・ダンス・ダンス}} Dansu dansu dansu | 1988 | 1994 | 393 |
{{lang|ja|国境の南、太陽の西}} Kokkyō no minami, taiyō no nishi | 1992 | South of the Border, West of the Sun | 2000 | 190 |
{{lang|ja|ねじまき鳥クロニクル}} Nejimaki-dori kuronikuru | 1994–1995 | 1997 | 607 |
{{lang|ja|スプートニクの恋人}} Supūtoniku no koibito | 1999 | 2001 | 229 |
{{lang|ja|海辺のカフカ}} Umibe no Kafuka | 2002 | 2005 | 467 |
{{lang|ja|アフターダーク}} Afutā dāku | 2004 | 2007 | 191 |
1Q84 Ichi-kyū-hachi-yon | 2009–2010 | 1Q84 | 2011 | 925 |
{{lang|ja|色彩を持たない多崎つくると、彼の巡礼の年}} Shikisai o motanai Tazaki Tsukuru to, kare no junrei no toshi | 2013 | Colorless Tsukuru Tazaki and His Years of Pilgrimage | 2014 | 308 |
{{lang|ja|騎士団長殺し}} Kishidanchō-goroshi | 2017 | 2018 | 704 |
{{lang|ja|街とその不確かな壁}} Machi to sono futashika na kabe | 2023 | The City and Its Uncertain Walls{{cite web |url=https://www.amazon.com/City-Its-Uncertain-Walls-Novel/dp/0593801970/ |website=Amazon |title=The City and Its Uncertain Walls |access-date=June 25, 2024 }} | 2024 | 464 |
=Short stories=
==Collections==
==List of stories==
class="sortable wikitable" |
colspan="2"| Original publication
!colspan="2"| English publication |
---|
scope="col" | Year
! scope="col" | Title ! scope="col" | Title ! scope="col" | Collected/reprinted in |
rowspan="2"|1980
| {{lang|ja|中国行きのスロウ・ボート}} | "A Slow Boat to China" |
{{lang|ja|貧乏な叔母さんの話}} Binbō na obasan no hanashi | "A 'Poor Aunt' Story" [https://www.newyorker.com/archive/2001/12/03/011203fi_fiction (The New Yorker, December 3, 2001)] |
rowspan="6"|1981
| {{lang|ja|ニューヨーク炭鉱の悲劇}} | "New York Mining Disaster" [1990]A longer version of {{nihongo|"New York Mining Disaster"|ニューヨーク炭鉱の悲劇|Nyū Yōku tankō no higeki}} was first published in magazine in 1981, then a shorter revised version collected in 1990. (See also :ja:ニューヨーク炭鉱の悲劇 (村上春樹) in Japanese.) (The New Yorker, January 11, 1999) |
{{lang|ja|スパゲティーの年に}} Supagetī no toshi ni | "The Year of Spaghetti" (The New Yorker, November 21, 2005) | Blind Willow, Sleeping Woman {{cite journal |date=September 6, 2021 |title=The Year of Spaghetti |journal=The New Yorker |volume=97 |issue=27 |pages=26–27 |url=https://www.newyorker.com/magazine/2021/09/06/magazine20051121the-year-of-spaghetti }} |
{{lang|ja|四月のある晴れた朝に100パーセントの女の子に出会うことについて}} Shigatsu no aru hareta asa ni 100-paasento no onna no ko ni deau koto ni tsuite | "On Seeing the 100% Perfect Girl One Beautiful April Morning" |
{{lang|ja|かいつぶり}} Kaitsuburi | "Dabchick" | rowspan="2"|Blind Willow, Sleeping Woman |
{{lang|ja|カンガルー日和}} Kangarū biyori | "A Perfect Day for Kangaroos" |
{{lang|ja|カンガルー通信}} Kangarū tsūshin | "The Kangaroo Communiqué" | rowspan="2"|The Elephant Vanishes |
1982
| {{lang|ja|午後の最後の芝生}} | "The Last Lawn of the Afternoon" |
rowspan="5" |1983
| {{lang|ja|鏡}} | "The Mirror" | rowspan="3"|Blind Willow, Sleeping Woman |
{{lang|ja|とんがり焼の盛衰}} Tongari-yaki no seisui | "The Rise and Fall of Sharpie Cakes" |
{{lang|ja|螢}} Hotaru | "Firefly" |
{{lang|ja|納屋を焼く}} Naya o yaku | "Barn Burning" (The New Yorker, November 2, 1992) |
{{lang|ja|1963/1982年のイパネマ娘}} 1963/1982-nen no Ipanema-musume |"The 1963/1982 Girl from Ipanema" |The Penguin Book of Japanese Short Stories (2018) |
rowspan="4"|1984
| {{lang|ja|蟹}} (within {{lang|ja|野球場}}) | rowspan="3"|Blind Willow, Sleeping Woman |
{{lang|ja|嘔吐1979}} Ōto 1979 | "Nausea 1979" |
{{lang|ja|ハンティング・ナイフ}} Hantingu naifu = Hunting knife | "Hunting Knife" (The New Yorker, November 17, 2003) |
{{lang|ja|踊る小人}} Odoru kobito | "The Dancing Dwarf" | rowspan="9"|The Elephant Vanishes |
rowspan="4"|1985
| {{lang|ja|レーダーホーゼン}} | "Lederhosen" |
{{lang|ja|パン屋再襲撃}} Pan'ya saishūgeki |
{{lang|ja|象の消滅}} Zō no shōmetsu | "The Elephant Vanishes" (The New Yorker, November 18, 1991) |
{{lang|ja|ファミリー・アフェア}} Famirī afea = Family affair | "Family Affair" |
rowspan="2"|1986
| {{lang|ja|ローマ帝国の崩壊・一八八一年のインディアン蜂起・ヒットラーのポーランド侵入・そして強風世界}} | "The Fall of the Roman Empire, the 1881 Indian Uprising, Hitler's Invasion of Poland, and the Realm of Raging Winds" |
{{lang|ja|ねじまき鳥と火曜日の女たち}} Nejimaki-dori to kayōbi no onnatachi | "The Wind-up Bird And Tuesday's Women" (The New Yorker, November 26, 1990) |
rowspan="4"|1989
| {{lang|ja|眠り}} | "Sleep" (The New Yorker, March 30, 1992) |
{{lang|ja|TVピープル}} TV pīpuru = TV peopleThis story originally appeared in a magazine under the longer title {{lang|ja|TVピープルの逆襲}} (TV pīpuru no gyakushū, literally "The TV People Strike Back") but received this shorter final title for all further appearances. (See also :ja:TVピープル in Japanese.) | "TV People" (The New Yorker, September 10, 1990) |
{{lang|ja|飛行機―あるいは彼はいかにして詩を読むようにひとりごとを言ったか}} Hikōki: arui wa kare wa ika ni shite shi o yomu yō ni hitorigoto o itta ka | "Aeroplane: Or, How He Talked to Himself as if Reciting Poetry" [1987]An earlier version of "Aeroplane" was published in 1987, then this rewritten version published in 1989. (See also :ja:飛行機―あるいは彼はいかにして詩を読むようにひとりごとを言ったか in Japanese.) (The New Yorker, July 1, 2002) | rowspan="3"|Blind Willow, Sleeping Woman |
{{lang|ja|我らの時代のフォークロア―高度資本主義前史}} Warera no jidai no fōkuroa: kōdo shihonshugi zenshi | "A Folklore for My Generation: A Prehistory of Late-Stage Capitalism" |
1990
| {{lang|ja|トニー滝谷}} | "Tony Takitani" (The New Yorker, April 15, 2002) |
rowspan="5"|1991
| {{lang|ja|沈黙}} | "The Silence" | rowspan="3"|The Elephant Vanishes |
{{lang|ja|窓}} Mado | "A Window" [1982]An earlier version of {{nihongo|"A Window"|窓|Mado}} was first published in a magazine in 1982 under the title {{nihongo|"Do You Like Burt Bacharach?"|バート・バカラックはお好き?|Bāto Bakarakku wa o suki?}}, then this rewritten version was published in 1991. |
{{lang|ja|緑色の獣}} Midori-iro no kemono | "The Little Green Monster" |
{{lang|ja|氷男}} Kōri otoko | "The Ice Man" | rowspan="4"|Blind Willow, Sleeping Woman |
{{lang|ja|人喰い猫}} Hito-kui neko | "Man-Eating Cats" (The New Yorker, December 4, 2000) |
1995
| {{lang|ja|めくらやなぎと、眠る女}} | "Blind Willow, Sleeping Woman" [1983]"Blind Willow, Sleeping Woman" was first published in 1983 as a different version (whose title didn't bear a comma), then rewritten in 1995 (taking its final title). (See also the story's article :ja:めくらやなぎと眠る女 in Japanese.) |
1996
| {{lang|ja|七番目の男}} | "The Seventh Man" |
1997
|? |“Another Way To Die” |New Yorker,January 12,1997. Translated by Jay Rubin |
rowspan="5"|1999
| {{lang|ja|UFOが釧路に降りる}} | "UFO in Kushiro" (The New Yorker, March 19, 2001) | rowspan="6"|after the quake |
{{lang|ja|アイロンのある風景}} Airon no aru fūkei | "Landscape with Flatiron" |
{{lang|ja|神の子どもたちはみな踊る}} Kami no kodomotachi wa mina odoru | "All God's Children Can Dance" |
{{lang|ja|タイランド}} Tairando = Thailand | "Thailand" |
{{lang|ja|かえるくん、東京を救う}} Kaeru-kun, Tōkyō o sukuu | "Super-Frog Saves Tokyo" |
2000
| {{lang|ja|蜂蜜パイ}} | "Honey Pie" (The New Yorker, August 20, 2001) |
2002
| {{lang|ja|バースデイ・ガール}} | "Birthday Girl" | rowspan="6"|Blind Willow, Sleeping Woman |
rowspan="5"|2005
| {{lang|ja|偶然の旅人}} | "Chance Traveller" |
{{lang|ja|ハナレイ・ベイ}} Hanarei Bei = Hanalei Bay | "Hanalei Bay" |
{{lang|ja|どこであれそれが見つかりそうな場所で}} Doko de are sore ga mitsukarisō na basho de | "Where I'm Likely to Find It" (The New Yorker, May 2, 2005) |
{{lang|ja|日々移動する腎臓のかたちをした石}} Hibi idō suru jinzō no katachi o shita ishi | "The Kidney-Shaped Stone That Moves Every Day" |
{{lang|ja|品川猿}} Shinagawa saru | "A Shinagawa Monkey" (The New Yorker, February 13, 2006) |
2011
| {{Sdash}} | "Town of Cats" (Excerpt from 1Q84) (The New Yorker, September 5, 2011)Murakami, Haruki, [https://www.newyorker.com/fiction/features/2011/09/05/110905fi_fiction_murakami?currentPage=all "Town of Cats"] {{Webarchive|url=https://web.archive.org/web/20110927025109/http://www.newyorker.com/fiction/features/2011/09/05/110905fi_fiction_murakami?currentPage=all |date=September 27, 2011 }}, The New Yorker, September 5, 2011. | {{Sdash}} |
rowspan="3"| 2013
| {{Sdash}} | "A Walk to Kobe" (Granta, issue 124, Summer 2013)Murakami, Haruki, [http://www.granta.com/Archive/124/A-Walk-to-Kobe/1 "A Walk to Kobe"] {{webarchive|url=https://web.archive.org/web/20130911045640/http://www.granta.com/Archive/124/A-Walk-to-Kobe/1 |date=September 11, 2013 }}, Granta, issue 123, Summer 2013. | {{Sdash}} |
{{lang|ja|恋するザムザ}} Koisuru zamuza |{{cite journal |author=Murakami, Haruki |others=Translated by Ted Goossen |date=October 28, 2013 |title=Samsa in Love |journal=The New Yorker |volume=89 |issue=34 |pages=60–69 |url=https://www.newyorker.com/magazine/2013/10/28/samsa-in-love }} | rowspan="5" |Men Without Women |
{{lang|ja|ドライブ・マイ・カー}} Doraibu mai kā |
rowspan="2"| 2014
| {{lang|ja|イエスタデイ}} | "Yesterday" (The New Yorker, June 9, 2014)Murakami, Haruki, [https://www.newyorker.com/fiction/features/2014/06/09/140609fi_fiction_murakami?currentPage=all "Yesterday"] {{Webarchive|url=https://web.archive.org/web/20140702081814/http://www.newyorker.com/fiction/features/2014/06/09/140609fi_fiction_murakami?currentPage=all |date=July 2, 2014 }}, The New Yorker, June 9, 2014. |
{{lang|ja|シェエラザード}} Sheerazādo | "Scheherazade" (The New Yorker, October 13, 2014)Murakami, Haruki, [https://www.newyorker.com/magazine/2014/10/13/scheherazade-3 "Scheherazade"] {{Webarchive|url=https://web.archive.org/web/20141018001739/http://www.newyorker.com/magazine/2014/10/13/scheherazade-3 |date=October 18, 2014 }}, The New Yorker, October 13, 2014. |
2015
| {{lang|ja|木野}} | "Kino" (The New Yorker, February 23, 2015)Murakami, Haruki, [https://www.newyorker.com/magazine/2015/02/23/kino?currentPage=all "Kino"] {{Webarchive|url=https://web.archive.org/web/20150217085636/http://www.newyorker.com/magazine/2015/02/23/kino?currentPage=all |date=February 17, 2015 }}, The New Yorker, February 23, 2015. |
rowspan="4" | 2018
| {{Sdash}} | "Wind Cave" (The New Yorker, September 3, 2018)Murakami, Haruki, [https://www.newyorker.com/magazine/2018/09/03/the-wind-cave] {{Webarchive|url=https://web.archive.org/web/20190121182311/https://www.newyorker.com/magazine/2018/09/03/the-wind-cave|date=January 21, 2019}}, The New Yorker, September 3, 2018. | {{Sdash}} |
{{lang|ja|クリーム}} Kurīmu (Bungakukai. July 2018.){{Cite web |date=June 30, 2020 |title=村上春樹さん6年ぶりの短篇小説集『一人称単数』の収録作が公開されました |url=https://books.bunshun.jp/articles/-/5608 |access-date=April 11, 2021 |website=books.bunshun.jp |language=ja |archive-date=November 15, 2021 |archive-url=https://web.archive.org/web/20211115223322/https://books.bunshun.jp/articles/-/5608 |url-status=live }} | "Cream" (The New Yorker, January 28, 2019)Murakami, Haruki, [https://www.newyorker.com/magazine/2019/01/28/cream] {{Webarchive|url=https://web.archive.org/web/20190206013704/https://www.newyorker.com/magazine/2019/01/28/cream|date=February 6, 2019}}, The New Yorker, January 28, 2019. | rowspan="8" |First Person Singular |
{{lang|ja|チャーリー・パーカー・プレイズ・ボサノヴァ}} Chārī Pākā Pureizu Bosanova (Bungakukai. July 2018.) | "Charlie Parker Plays Bossa Nova" (Granta 148, Summer 2019){{Cite magazine|url=https://granta.com/charlie-parker-plays-bossa-nova/|title=Charlie Parker Plays Bossa Nova|date=August 1, 2019|magazine=Granta Magazine|first=Haruki |last=Murakami|translator=Philip Gabriel|language=en-US|access-date=August 25, 2019|archive-date=September 23, 2020|archive-url=https://web.archive.org/web/20200923155144/https://granta.com/charlie-parker-plays-bossa-nova/|url-status=live}} |
{{lang|ja|石のまくらに}} Ishi no Makura ni (Bungakukai. July 2018.) | "On a Stone Pillow" |
rowspan="3" | 2019
| {{lang|ja|ウィズ・ザ・ビートルズ}} | "With the Beatles" (The New Yorker, February 17 and 24, 2020)Murakami, Haruki, [https://www.newyorker.com/magazine/2020/02/17/with-the-beatles "With the Beatles"]. {{Webarchive|url=https://web.archive.org/web/20200223163336/https://www.newyorker.com/magazine/2020/02/17/with-the-beatles|date=February 23, 2020}}, The New Yorker, February 17 & 24, 2020. |
{{lang|ja|ヤクルト・スワローズ詩集}} Yakuruto Suwarōzu Shishū (Bungakukai. August 2019.) | The Yakult Swallows Poetry Collection |
{{lang|ja|謝肉祭}} Shanikusai (Bungakukai. December 2019.) | "Carnaval" |
rowspan="3" | 2020
| {{lang|ja|品川猿の告白}} | "Confessions of a Shinagawa Monkey" (The New Yorker, June 8 and 15, 2020)Murakami, Haruki, [https://www.newyorker.com/magazine/2020/06/08/confessions-of-a-shinagawa-monkey]. {{Webarchive|url=https://web.archive.org/web/20200603032350/https://www.newyorker.com/magazine/2020/06/08/confessions-of-a-shinagawa-monkey|date=June 3, 2020}} {{cite magazine |date=June 2, 2020 |title=Confessions of a Shinagawa Monkey |url=https://www.newyorker.com/magazine/2020/06/08/confessions-of-a-shinagawa-monkey |url-status=live |archive-url=https://web.archive.org/web/20200604020908/https://www.newyorker.com/magazine/2020/06/08/confessions-of-a-shinagawa-monkey |archive-date=June 4, 2020 |access-date=June 6, 2020 |magazine=The New Yorker |language=en-US}}, The New Yorker, June 8 & 15, 2020. |
{{lang|ja|一人称単数}} Ichininshō Tansū | "First Person Singular" |
{{Sdash}}
| "The Kingdom That Failed" (The New Yorker, August 13, 2020)Murakami, Haruki, {{citation |title=The Kingdom That Failed |date=August 13, 2020 |magazine=The New Yorker |url=https://www.newyorker.com/books/flash-fiction/the-kingdom-that-failed |access-date=July 3, 2024}}, The New Yorker, August 13, 2020. |{{Sdash}} |
rowspan="1" | 2023
| {{Sdash}} | "My Cheesecake-Shaped Poverty" (The New Yorker, September 7, 2023)Murakami, Haruki, [https://www.newyorker.com/books/flash-fiction/my-cheesecake-shaped-poverty-haruki-murakami] {{Webarchive|url=https://web.archive.org/web/20230907191632/https://www.newyorker.com/books/flash-fiction/my-cheesecake-shaped-poverty-haruki-murakami|date=September 7, 2023}}, The New Yorker, September 7, 2023. |{{Sdash}} |
rowspan="1" | 2024
| {{Sdash}} | "Kaho" (The New Yorker, July 1, 2024)Murakami, Haruki, {{citation |title=Kaho |date=July 1, 2024 |magazine=The New Yorker |url=https://www.newyorker.com/magazine/2024/07/08/kaho-fiction-haruki-murakami |access-date=July 3, 2024}}, The New Yorker, July 1, 2024. |{{Sdash}} |
=Essays and nonfiction=
class="wikitable" | |
colspan="2"|English publication
! colspan="2"|Japanese publication | |
---|---|
scope="col" | Year
! scope="col" | Title ! scope="col" | Year ! scope="col" | Title | |
N/A
|Walk, Don't Run | 1981 |{{lang|ja|ウォーク・ドント・ラン : 村上龍 vs 村上春樹}} | |
N/A
|Rain, Burning Sun (Come Rain or Come Shine) | 1990 |{{lang|ja|雨天炎天}} | |
N/A
|Portrait in Jazz | 1997 |{{lang|ja|ポ-トレイト・イン・ジャズ}} | |
rowspan=2| 2000
|rowspan=2| Underground | 1997 |{{lang|ja|アンダーグラウンド}} | |
1998
| {{lang|ja|約束された場所で―underground 2}} | |
N/A
|Portrait in Jazz 2 | 2001 |{{lang|ja|ポ-トレイト・イン・ジャズ 2}} | |
2008
|What I Talk About When I Talk About Running | 2007 |{{lang|ja|走ることについて語るときに僕の語ること}} | |
N/A
|It Ain't Got that Swing (If It Don't Mean a Thing) | 2008 |{{lang|ja|意味がなければスイングはない}} | |
2016
|Absolutely on Music: Conversations | 2011 | 小澤征爾さんと、音楽について話をする | |
2016
|Haruki Murakami Goes to Meet Hayao Kawai | 1996 | 村上春樹、河合隼雄に会いにいく | |
N/A
|What Is There To Do In Laos? | 2015 |{{nihongo | ラオスにいったい何があるというんですか?|Raos ni ittai nani ga aru to iun desuka?}} |
2019
|Abandoning a Cat: Memories of my Father | 2019 |{{nihongo | 猫を棄てるー父親について語るとき|Neko o suteru chichioya ni tsuite kataru toki}} |
2021
| Murakami T: The T-shirts I Love |2020 |僕の愛したTシャツたち | |
2021
|{{cite journal |author=Murakami, Haruki |translator=Philip Gabriel |date=September 27, 2021 |title=Novelty T : an accidental collection |department=Showcase |journal=The New Yorker |volume=97 |issue=30 |pages=58–59 |url=https://www.newyorker.com/magazine/2021/09/27/an-accidental-collection }}Online version is titled "An accidental collection". | | | |
2022
|2015 |{{lang|ja|職業としての小説家}} |
=Other books=
———————
;Notes
{{reflist|30em|group=lower-alpha}}
=Murakami in popular culture and academia=
- In 2021, Tokyo's new Haruki Murakami library at Waseda University Steen, E. (October 17, 2022). Tokyo's new Haruki Murakami library at Waseda University is now open. Time Out Tokyo. https://www.timeout.com/tokyo/news/tokyo-is-getting-a-haruki-murakami-library-on-waseda-university-campus-091621 was opened featuring Murakami's impressive global archive.
- In 2022, In Statu Nascendi published a special edition [edited by Joseph Thomas Milburn and Piotr Pietrzak] on Haruki Murakami to deliberate on the special relation between philosophy and an acclaimed Japanese literary writer. They argue that Murakami himself has been reluctant to expound on any deeper meaning to be found in his stories. The answer can be found in the great interest in and diverse engagement of readers with Murakami's work.Pietrzak, P., Milburn, J. T., Abalos-Orendain, K. C. M., Dil, J., Wakatsuki, T., Strecher, M. C., Yama, M., De Boer, Y., Logan, A. A., Scammell, G., Niehei, C., Schiedges, O., Mori, M., Hansen, G. M., Atkins, M. T., Lawrence, K., & Siercks, E. (2022). In Statu Nascendi Vol. 5, No. 1 (2022) Journal of Political Philosophy and International Relations: Special Issue: The Work of Haruki Murakami: ibidem-Verlag.
By 2008, there were three non-fiction scholarly books in English about Murakami and his works. Timothy J. Van Compernolle of Amherst College wrote that the fact that many such books existed about "a living author in the relatively small field of Japanese literary studies in the English-speaking world is unprecedented."{{cite journal|last=Van Compernolle|first=Timothy J.|url=https://read.dukeupress.edu/comparative-literature/article-abstract/62/2/197/7682/The-Japanization-of-Modernity-Murakami-Haruki|title=The Japanization of Modernity: Murakami Haruki between Japan and the United States|journal=Comparative Literature|publisher=Duke University Press|year=2010|volume=62|issue=2|pages=197-199|jstor=40600367|doi=10.1215/00104124-2010-010}} - Cited: p. 197.
See also
{{Portalbar|Literature|Novels|Japan}}
References
{{Reflist|30em}}
Further reading
{{Library resources box|by=yes|onlinebooks=yes|viaf=108238901}}
- Pintor, Ivan (2007). "David Lynch y Haruki Murakami, la llama en el umbral". Casas, Quim. Universo Lynch. Madrid: Internacional Sitges Film Festival-Calamar. {{ISBN|84-96235-16-5}}.
- Rubin, Jay (2002). Haruki Murakami and the Music of Words. Harvill Press. {{ISBN|1-86046-952-3}}.
- Strecher, Matthew Carl (2001). Dances with Sheep: The Quest for Identity in the Fiction of Murakami Haruki. Michigan Monograph Series in Japanese Studies. Ann Arbor: Center for Japanese Studies, University of Michigan. {{Doi|10.3998/mpub.18278}}. {{ISBN|1-929280-07-6}}. {{JSTOR|10.3998/mpub.18278}}.
- Strecher, Matthew Carl (2002). The Wind-Up Bird Chronicle Readers Guide. Continuum Pubublishing Group. {{ISBN|0-8264-5239-6}}.
- Suter, Rebecca (2008). The Japanization of Modernity: Murakami Haruki Between Japan and the United States. Harvard University Asian Center. {{ISBN|978-0-674-02833-3}}.
External links
{{Commons category|Murakami Haruki}}
{{Wikiquote|Haruki Murakami}}
- [https://www.harukimurakami.com/ Haruki Murakami] at Random House
- [https://www.newyorker.com/contributors/haruki-murakami Haruki Murakami] at The New Yorker (online essays, stories, excerpts)
- [https://www.nytimes.com/2002/08/18/books/author-murakami.html Haruki Murakami] {{subscription}} at The New York Times (articles about, interviews with)
- [http://www.complete-review.com/authors/murakamh.htm Haruki Murakami] at Complete Review (international meta-reviews)
- {{IBList |type=author|id=58|name=Haruki Murakami}}
- [http://www.sf-encyclopedia.com/entry/murakami_haruki Haruki Murakami] at The Encyclopedia of Science Fiction
- {{ISFDB name|1863}}
; Interviews
- [http://www.salon.com/1997/12/16/int_2/ "Haruki Murakami: The Outsider"] (by Laura Miller and Don George), Salon, December 1997 (about Wind-Up Bird and Underground)
- [http://www.theparisreview.org/interviews/2/the-art-of-fiction-no-182-haruki-murakami "Haruki Murakami, The Art of Fiction No. 182"] (by John Wray), The Paris Review, Summer 2004
; Articles
- [https://web.archive.org/web/20070926054054/http://research.yale.edu/eastasianstudies/taiwan/fujii.pdf "The reception of Murakami Haruki in Taiwan"] (PDF), Yale University
- [https://www.bbc.co.uk/news/magazine-15316678 "Haruki Murakami: How a Japanese writer conquered the world"] (by Stephanie Hegarty), BBC News, October 17, 2011
- [http://www.publishersweekly.com/pw/by-topic/industry-news/tip-sheet/article/63604-the-10-best-haruki-murakami-books.html "The 10 Best Haruki Murakami Books"] (by Murakami scholar Matthew C. Strecher), Publishers Weekly, August 8, 2014
; Multimedia
- [http://www.psychologytoday.com/blog/the-literary-mind/201406/psychologically-minded-novelist-haruki-murakami-0 Video about Murakami's life and work] at Psychology Today{{'}}s blog The Literary Mind
{{Haruki Murakami}}
{{World Fantasy Award Best Novel 2000–2009}}
{{Princess of Asturias Award for Literature}}
{{Authority control}}
{{DEFAULTSORT:Murakami, Haruki}}
Category:20th-century Japanese essayists
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Category:Japanese male novelists
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Category:Jerusalem Prize recipients
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Category:Writers of historical fiction set in the modern age