User:Marc Kupper/sandbox2
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File:The Criterion Collection Logo.svg
The Criterion Collection is a video distribution company that sells "important classic and contemporary films" in "editions that offer the highest technical quality and award-winning, original supplements." Janus Films and the Voyager Company established The Criterion Collection in 1984 as a privately held company concentrating exclusively upon the North American home video market. Between 1984 and 1998, Criterion published home video releases in Laserdisc format, pioneering now-standard home video features such as letterboxing, audio commentary tracks, and other supplemental content. In 1998 Criterion shifted from Laserdiscs into the then-fledgling DVD market. All of Criterion's Laserdisc releases have since gone out of print. Criterion was slow to expand into high-definition releases, partly due to the HD format wars between Blu-ray and HD DVD. Once Blu-ray had emerged as the industry-standard high-definition home video format, Criterion expanded into releasing Blu-ray editions of select films from its collection. The company has also expanded into online distribution, through online video on demand rental services, first in partnership with MUBI (formerly known as The Auteurs), and recently with Hulu.
Aside from the core Criterion Collection catalog, the company has also released films through its Essential Art House, Ecxxxlipse, and Merchant Ivory Collection lines, as well as a few releases outside of any product line. Many of these releases have also been collected and sold in various box sets.
The Criterion Collection
| class="wikitable"
| — Film has not been released on that format or series n/a A release not assigned a catalog number † A DVD or Blu-ray release currently out of print – all Laserdisc editions are out of print. ‡ A DVD or Blu-ray release that has been announced but has not yet been released ‡ See Boxed sets section for a full listing of the titles included The "Art House" column denotes stand-alone releases of a film within the "Essential Art House" series. All catalog numbers except Laserdisc refer to the shared spine number assigned to all DVD, Though some Criterion DVD or Blu-ray releases may go out of print, the films may be re-released in |
| class="wikitable sortable"
! width=35| Spine ! width=35| LD ! width=200| Title ! width=200| Director ! width=35| Original release ! width=35 style="font-size:75%"| Blu-ray ! width=35 style="font-size:75%"| Art ! width=210 class="unsortable"| Box set availability |
| align=center
| style="background:Grey"|1† | 25 | align=left| Grand Illusion | align=left| Jean | Renoir | 1937 | — | yes | align=left| Essential Art House: Volume One |
| align=center
| 2 | 67 | align=left| Seven Samurai | align=left| Akira | Kurosawa | 1954 | yes | — | align=left| 25 Films by Akira Kurosawa |
| align=center
| 3 | 4 | align=left| {{sort|Lady Vanishes|The Lady Vanishes}}The Lady Vanishes[1] | align=left| Alfred | Hitchcock | 1938 | yes | — | align=left| Essential Art House (50-DVD set) |
| align=center
| 4 | 270 | align=left| Amarcord | align=left| Federico | Fellini | 1974 | yes | — | |
| align=center
| 5 | 173 | align=left| {{sort|400 Blows|The 400 Blows}} | align=left| Fran çois| Truffaut | 1959 | yes | yes | align=left| {{sort|Adventures of Antoine Doinel|The Adventures of Antoine Doinel}} (#185) |
| align=center
| 6 | 128 | align=left| Beauty and the Beast | align=left| Jean | Cocteau | 1946 | yes | yes | align=left| Essential Art House: Volume One |
| align=center
| 7 | 250 | align=left| {{sort|Night to Remember|A Night to Remember}} | align=left| Roy Ward| Baker | 1958 | yes | — | |
| align=center
| style="background:Grey"| 8† | 211 | align=left| {{sort|Killer|The Killer}} | align=left| John | Woo | 1989 | — | — | |
| align=center
| style="background:Grey"| 9† | 245 | align=left| Hard Boiled | align=left| John | Woo | 1992 | — | — | |
| align=center
| 10 | 351 | align=left| Walkabout | align=left| Nicolas | Roeg | 1971 | yes | — | |
| align=center
| 11 | 10 | align=left| {{sort|Seventh Seal|The Seventh Seal}} | align=left| Ingmar | Bergman | 1957 | yes | — | align=left| Ingmar Bergman: Four Masterworks |
| align=center
| style="background:Grey"| 12† | 238 | align=left| This Is Spinal Tap | align=left| Rob | Reiner | 1984 | — | — | |
| align=center
| style="background:Grey"| 13† | 192 | align=left| {{sort|Silence of the Lambs|The Silence of the Lambs}} | align=left| Jonathan | Demme | 1991 | — | — | |
| align=center
| 14 | 176 | align=left| Samurai I: Musashi Miyamoto | align=left| Hiroshi | Inagaki | 1954 | yes | — | align=left| The Samurai Trilogy |
| align=center
| 15 | 177 | align=left| Samurai II: Duel at Ichijoji Temple | align=left| Hiroshi | Inagaki | 1955 | yes | — | align=left| The Samurai Trilogy |
| align=center
| 16 | 178 | align=left| Samurai III: Duel at Ganryu Island | align=left| Hiroshi | Inagaki | 1956 | yes | — | align=left| The Samurai Trilogy |
| align=center
| 17 | 209 | align=left| {{sort|Salo, or the 120 Days of Sodom|Salò, or the 120 Days of Sodom}} | align=left| Pier Paolo| Pasolini | 1975 | yes | — | |
| align=center
| 18 | 77 | align=left| {{sort|Naked Kiss|The Naked Kiss}} | align=left| Samuel | Fuller | 1964 | yes | — | |
| align=center
| 19 | 15 | align=left| Shock Corridor | align=left| Samuel | Fuller | 1963 | yes | — | |
| align=center
| style="background:Grey"| 20† | 241 | align=left| Sid and Nancy | align=left| Alex | Cox | 1986 | — | — | |
| align=center
| style="background:Grey"| 21† | 305 | align=left| Dead Ringers | align=left| David | Cronenberg | 1988 | — | — | |
| align=center
| 22 | 116 | align=left| Summertime | align=left| David | Lean | 1955 | — | — | align=left| Essential Art House (50-DVD set) |
| align=center
| style="background:Grey"| 23† | 198 | align=left| RoboCop | align=left| Paul | Verhoeven | 1987 | — | — | |
| align=center
| 24 | 382 | align=left| High and Low | align=left| Akira |Kurosawa |
| 1963
| yes
| —
| align=left| 25 Films by Akira Kurosawa
|-align=center
| style="background:Grey"|25†
| 274
| align=left| Alphaville
| align=left| Jean -Luc| Godard
| 1965
| —
| —
|
|-align=center
| style="background:Grey"|26†
| 331
| align=left| {{sort|Long Good Friday|The Long Good Friday}}
| align=left| John |Mackenzie|John Mackenzie (director)}}
| 1980
| —
| —
|
|-align=center
| style="background:Grey"| 27†
| 288
| align=left| Flesh for Frankenstein
| align=left| Paul | Morrissey
| 1973
| —
| —
|
|-align=center
| style="background:Grey"| 28†
| 287
| align=left| Blood for Dracula
| align=left| Paul | Morrissey
| 1974
| —
| —
|
|-align=center
| 29
| 383
| align=left| Picnic at Hanging Rock
| align=left| Peter | Weir
| 1975
| —
| —
|
|-align=center
| 30
| 356
| align=left| M
| align=left| Fritz | Lang
| 1931
| yes
| —
| align=left| Essential Art House (50-DVD set)
|-align=center
| 31
| 262
| align=left| Great Expectations
| align=left| David | Lean
| 1946
| —
| —
| align=left| Great Adaptations
|-align=center
| 32
| 267
| align=left| Oliver Twist
| align=left| David | Lean
| 1948
| —
| —
| align=left| Great Adaptations
|-align=center
| 33
| —
| align=left| Nanook of the North
| align=left| Robert |Flaherty|Robert J. Flaherty
| 1922
| —
| —
|
|-align=center
| 34
| 222
| align=left| Andrei Rublev
| align=left| Andrei | Tarkovsky
| 1969
| —
| —
|
|-align=center
| 35
| 138
| align=left| {{sort|Diabolique|Diabolique}}
| align=left| Henri -Georges| Clouzot
| 1954
| yes
| —
|
|-align=center
| 36
| 127
| align=left| {{sort|Wages of Fear|The Wages of Fear}}
| align=left| Henri -Georges| Clouzot
| 1953
| yes
| —
| align=left| Essential Art House (50-DVD set)
|-align=center
| style="background:Grey"|37†
| 354
| align=left| Time Bandits
| align=left| Terry | Gilliam
| 1981
| —
| —
|
|-align=center
| 38
| 361
| align=left| Branded to Kill
| align=left| Seijun | Suzuki
| 1967
| yes
| —
|
|-align=center
| 39
| 362
| align=left| Tokyo Drifter
| align=left| Seijun | Suzuki
| 1966
| yes
| —
|
|-align=center
| 40
| 384
| align=left| Armageddon
| align=left| Michael | Bay
| 1998
| —
| —
|
|-align=center
| 41
| 258
| align=left| Henry V
| align=left| Laurence | Olivier
| 1944
| —
| —
| align=left| Olivier’s Shakespeare
|-align=center
| 42
| —
| align=left| Fishing with John
| align=left| John | Lurie
| 1992
| —
| —
|
|-align=center
| 43
| 185
| align=left| Lord of the Flies
| align=left| Peter | Brook
| 1963
| style="background:#8DEEEE"| Yes‡
| yes
| align=left| Great Adaptations
Essential Art House: Volume One
|-align=center
| 44
| 249
| align=left| {{sort|Red Shoes|The Red Shoes}}
| align=left| Michael |Powell|Michael Powell (director)}}
Emeric Pressburger
| 1948
| yes
| —
|
|-align=center
| 45
| —
| align=left| Taste of Cherry
| align=left| Abbas | Kiarostami
| 1997
| —
| —
|
|-align=center
| 46
| —
| align=left| {{sort|Most Dangerous Game|The Most Dangerous Game}}
| align=left| Ernest B.| Schoedsack
Irving Pichel
| 1932
| —
| —
| align=left| Great Adaptations
|-align=center
| 47
| —
| align=left| Insomnia
| align=left| Erik |Skjoldbjæ rg
| 1997
| —
| —
|
|-align=center
| 48
| 13
13A
| align=left| Black Orpheus
| align=left| Marcel | Camus
| 1959
| yes
| yes
| align=left| Essential Art House: Volume Two
Essential Art House (50-DVD set)
|-align=center
| style="background:Grey"| 49†
| —
| align=left| Nights of Cabiria
| align=left| Federico | Fellini
| 1957
| —
| —
|
|-align=center
| 50
| —
| align=left| And the Ship Sails On
| align=left| Federico | Fellini
| 1984
| —
| —
|
|-align=center
| 51
| 196
373
| align=left| Brazil
| align=left| Terry | Gilliam
| 1985
| yes
| —
|
|-align=center
| 52
| 105
| align=left| Yojimbo
| align=left| Akira |Kurosawa|}}
| 1961
| yes
| —
| align=left| Yojimbo / Sanjuro
25 Films by Akira Kurosawa
|-align=center
| 53
| 218
| align=left| Sanjuro
| align=left| Akira | Kurosawa
| 1962
| yes
| —
| align=left| Yojimbo / Sanjuro
25 Films by Akira Kurosawa
|-align=center
| 54
| —
| align=left| For All Mankind
| align=left| Al | Reinert
| 1989
| yes
| —
|
|-align=center
| style="background:Grey"| 55†
| 357
| align=left| {{sort|Unbearable Lightness of Being|The Unbearable Lightness of Being}}
| align=left| Philip | Kaufman
| 1988
| —
| —
|
|-align=center
| 56
| 3
| align=left| {{sort|39 Steps|The 39 Steps}}
| align=left| Alfred | Hitchcock
| 1935
| yes
| yes
| align=left| Essential Art House: Volume Four
Essential Art House (50-DVD set)
|-align=center
| 57
| —
| align=left| Charade
| align=left| Stanley | Donen
| 1963
| yes
| —
|
|-align=center
| style="background:Grey"|58†
| 156
| align=left| Peeping Tom
| align=left| Michael |Powell|Michael Powell (director)}}
| 1960
| —
| —
|
|-align=center
| 59
| 359
| align=left| {{sort|Night Porter|The Night Porter}}
| align=left| Liliana | Cavani
| 1974
| —
| —
|
|-align=center
| 60
| 255
| align=left| Autumn Sonata
| align=left| Ingmar | Bergman
| 1978
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| 61
| 353
| align=left| Monty Python's Life of Brian
| align=left| Terry | Jones
| 1979
| —
| —
|
|-align=center
| 62
| —
| align=left| {{sort|Passion of Joan of Arc|The Passion of Joan of Arc}}
| align=left| Carl Theodor| Dreyer
| 1928
| —
| —
|
|-align=center
| 63
| —
| align=left| Carnival of Souls
| align=left| Herk | Harvey
| 1962
| —
| —
|
|-align=center
| style="background:Grey"| 64†
| 5
| align=left| {{sort|Third Man|The Third Man}}
| align=left| Carol | Reed
| 1949
| style="background:Grey"| Yes†
| —
| align=left| 10 Years of Rialto Pictures
Essential Art House (50-DVD set)
|-align=center
| 65
| —
| align=left| Rushmore
| align=left| Wes | Anderson
| 1998
| yes
| —
|
|-align=center
| style="background:Grey"|66†
| —
| align=left| {{sort|Orphic Trilogy|The Orphic Trilogy}}
| align=left| Jean | Cocteau
| 1930–1959
| —
| —
|
|-align=center
| style="background:Grey"|67†
| 289
| align=left| {{sort|Blood of a Poet|The Blood of a Poet}}
| align=left| Jean | Cocteau
| 1930
| —
| —
| align=left| The Orphic Trilogy (#66)
|-align=center
| 68
| —
| align=left| Orpheus
| align=left| Jean | Cocteau
| 1949
| yes
| —
| align=left| The Orphic Trilogy (#66)
|-align=center
| style="background:Grey"|69†
| —
| align=left| Testament of Orpheus
| align=left| Jean | Cocteau
| 1959
| —
| —
| align=left| The Orphic Trilogy (#66)
|-align=center
| 70
| 352
| align=left| {{sort|Last Temptation of Christ|The Last Temptation of Christ}}
| align=left| Martin | Scorsese
| 1988
| yes
| —
|
|-align=center
| 71
| 273
| align=left| {{sort|Magic Flute|The Magic Flute}}
| align=left| Ingmar | Bergman
| 1975
| —
| —
|
|-align=center
| 72
| —
| align=left| {{sort|Million|Le Million}}
| align=left| Ren é| Clair
| 1931
| —
| —
|
|-align=center
| 73
| 364
| align=left| {{sort|Cleo from 5 to 7|Cléo from 5 to 7}}
| align=left| Agn ès| Varda
| 1962
| —
| —
| align=left| 4 by Agnès Varda (#418)
|-align=center
| 74
| 363
| align=left| Vagabond
| align=left| Agn ès| Varda
| 1985
| —
| —
| align=left| 4 by Agnès Varda (#418)
|-align=center
| 75
| 360
| align=left| Chasing Amy
| align=left| Kevin | Smith
| 1997
| —
| —
|
|-align=center
| 76
| 248
| align=left| Brief Encounter
| align=left| David | Lean
| 1945
| yes
| yes
| align=left| Essential Art House: Volume Five
Essential Art House (50-DVD set)
David Lean Directs Noël Coward (#603)
|-align=center
| 77
| —
| align=left| And God Created Woman
| align=left| Roger | Vadim
| 1956
| —
| —
|
|-align=center
| style="background:Grey"| 78†
| —
| align=left| {{sort|Bank Dick|The Bank Dick}}
| align=left| Edward |Cline|Edward F. Cline
| 1940
| —
| —
|
|-align=center
| style="background:Grey"| 79†
| —
| align=left| W. C. Fields—Six Short Films
| align=left| Monte | Brice
Clyde Bruckman
Edwin Middleton
Leslie Pearce
Arthur Ripley
| 1915–1933
| —
| —
|
|-align=center
| 80
| —
| align=left| {{sort|Element of Crime|The Element of Crime}}
| align=left| Lars von| Trier
| 1984
| —
| —
|
|-align=center
| style="background:Grey"| 81†
| 279
| align=left| Variety Lights
| align=left| Federico | Fellini
Alberto Lattuada
| 1950
| —
| yes
| align=left| Essential Art House: Volume Three
|-align=center
| 82
| 296
| align=left| Hamlet
| align=left| Laurence | Olivier
| 1948
| —
| —
| align=left| Oliver's Shakespeare
|-align=center
| style="background:Grey"| 83†
| 147
| align=left| {{sort|Harder They Come|The Harder They Come}}
| align=left| Perry | Henzell
| 1973
| —
| —
|
|-align=center
| 84
| 368
| align=left| Good Morning
| align=left| Yasujir ō| Ozu
| 1959
| —
| —
|
|-align=center
| style="background:Grey"|85†
| 33
| align=left| Pygmalion
| align=left| Anthony | Asquith
Leslie Howard
| 1938
| —
| style="background:Grey"| Yes†
| align=left| Essential Art House: Volume Two
Essential Art House (50-DVD set)
|-align=center
| style="background:Goldenrod"|86‡
| —
| align=left| Eisenstein: The Sound Years
| align=left| Sergei | Eisenstein
| 1938–1958
| —
| —
|
|-align=center
| 87
| —
| align=left| Alexander Nevsky
| align=left| Sergei | Eisenstein
| 1938
| —
| —
| align=left| Eisenstein: The Sound Years (#86)
Essential Art House (50-DVD set)
|-align=center
| 88
| —
| align=left| Ivan the Terrible, Part II
| align=left| Sergei | Eisenstein
| 1958
| —
| —
| align=left| Eisenstein: The Sound Years (#86)
Essential Art House (50-DVD set)
|-align=center
| 89
| —
| align=left| Sisters
| align=left| Brian |De Palma
| 1973
| —
| —
|
|-align=center
| 90
| 119
| align=left| Kwaidan
| align=left| Masaki | Kobayashi
| 1965
| —
| —
|
|-align=center
| 91
| 65
| align=left| {{sort|Blob|The Blob}}
| align=left| Irvin S.|Yeaworth|Irvin Yeaworth
| 1958
| yes
| —
|
|-align=center
| 92
| —
| align=left| Fiend Without a Face
| align=left| Arthur | Crabtree
| 1958
| —
| —
|
|-align=center
| 93
| 38
| align=left| Black Narcissus
| align=left| Michael |Powell|Michael Powell (director)}}
Emeric Pressburger
| 1947
| yes
| —
|
|-align=center
| 94
| 37
| align=left| I Know Where I'm Going!
| align=left| Michael |Powell|Michael Powell (director)}}
Emeric Pressburger
| 1945
| —
| —
|
|-align=center
| 95
| —
| align=left| All That Heaven Allows
| align=left| Douglas | Sirk
| 1955
| —
| —
|
|-align=center
| 96
| —
| align=left| Written on the Wind
| align=left| Douglas | Sirk
| 1956
| —
| —
|
|-align=center
| 97
| 266
| align=left| Do the Right Thing
| align=left| Spike | Lee
| 1989
| —
| —
|
|-align=center
| 98
| 62
228
| align=left| {{sort|Avventura|L'Avventura}}
| align=left| Michelangelo | Antonioni
| 1960
| —
| —
| align=left| Essential Art House (50-DVD set)
|-align=center
| 99
| —
| align=left| Gimme Shelter
| align=left| Albert |Maysles|Albert and David Maysles
David Maysles
Charlotte Zwerin
| 1970
| yes
| —
|
|-align=center
| 100
| —
| align=left| Beastie Boys Video Anthology
| align=left| David |Perez|David Perez Shadi
Ari Marcopoulos
Nathanial Hörnblowér
Spike Jonze
Adam Bernstein
Evan Bernard
Tamra Davis
| 2000
| —
| —
|
|-align=center
| 101
| 207
| align=left| Cries and Whispers
| align=left| Ingmar | Bergman
| 1972
| —
| —
|
|-align=center
| style="background:Grey"| 102†
| —
| align=left| {{sort|Discreet Charm of the Bourgeoisie|The Discreet Charm of the Bourgeoisie}}
| align=left| Luis |Buñ uel
| 1972
| —
| —
| align=left| 10 Years of Rialto Pictures
|-align=center
| 103
| —
| align=left| {{sort|Lady Eve|The Lady Eve}}
| align=left| Preston | Sturges
| 1941
| —
| —
|
|-align=center
| 104
| 367
| align=left| Double Suicide
| align=left| Masahiro | Shinoda
| 1969
| —
| —
|
|-align=center
| 105
| 155
| align=left| Spartacus
| align=left| Stanley | Kubrick
| 1960
| —
| —
|
|-align=center
| style="background:Grey"|106†
| 275
| align=left| Coup de Torchon
| align=left| Bertrand | Tavernier
| 1981
| —
| —
|
|-align=center
| style="background:Grey"|107†
| 347
| align=left| Mona Lisa
| align=left| Neil | Jordan
| 1986
| —
| —
|
|-align=center
| 108
| 334
| align=left| {{sort|Rock|The Rock}}
| align=left| Michael | Bay
| 1996
| —
| —
|
|-align=center
| 109
| —
| align=left| {{sort|Scarlet Empress|The Scarlet Empress}}
| align=left| Josef von| Sternberg
| 1934
| —
| —
|
|-align=center
| style="background:Grey"|110†
| 21
| align=left| Monsieur Hulot's Holiday
| align=left| Jacques | Tati
| 1953
| —
| —
| align=left| Essential Art House (50-DVD set)
|-align=center
| style="background:Grey"|111†
| 101
| align=left| Mon Oncle
| align=left| Jacques | Tati
| 1958
| —
| —
|
|-align=center
| style="background:Grey"|112†
| —
| align=left| Playtime
| align=left| Jacques | Tati
| 1967
| style="background:Grey"| Yes†
| —
|
|-align=center
| 113
| 321
| align=left| Big Deal on Madonna Street
| align=left| Mario | Monicelli
| 1958
| —
| —
|
|-align=center
| 114
| —
| align=left| My Man Godfrey
| align=left| Gregory |La Cava
| 1936
| —
| —
|
|-align=center
| 115
| —
| align=left| Rififi
| align=left| Jules | Dassin
| 1955
| —
| —
| align=left| 10 Years of Rialto Pictures
|-align=center
| 116
| 11
232
| align=left| {{sort|Hidden Fortress|The Hidden Fortress}}
| align=left| Akira | Kurosawa
| 1958
| —
| yes
| align=left| 25 Films by Akira Kurosawa
Essential Art House: Volume One
|-align=center
| style="background:Grey"| 117†
| —
| align=left| Diary of a Chambermaid
| align=left| Luis |Buñ uel
| 1964
| —
| —
|
|-align=center
| 118
| —
| align=left| Sullivan's Travels
| align=left| Preston | Sturges
| 1942
| —
| —
|
|-align=center
| style="background:Grey"|119†
| 339
| align=left| Withnail and I
| align=left| Bruce | Robinson
| 1986
| —
| —
|
|-align=center
| style="background:Grey"|120†
| 340
| align=left| How to Get Ahead in Advertising
| align=left| Bruce | Robinson
| 1988
| —
| —
|
|-align=center
| style="background:Grey"| 121†
| —
| align=left| Billy Liar
| align=left| John | Schlesinger
| 1963
| —
| —
| align=left| 10 Years of Rialto Pictures
|-align=center
| 122
| —
| align=left| Salesman
| align=left|David |Maysles|Albert and David Maysles
Albert Maysles
Charlotte Zwerin
| 1968
| —
| —
|
|-align=center
| 123
| —
| align=left| Grey Gardens
| align=left| David |Maysles|Albert and David Maysles
Albert Maysles
Muffie Meyer
Susan Froemke
Ellen Hovde
| 1976
| —
| —
| align=left| Grey Gardens / The Beales of Grey Gardens
|-align=center
| 124
| —
| align=left| Carl Theodor Dreyer Box Set
| align=left| Carl Theodor| Dreyer
Torben Skjodt Jensen
| 1943–1995
| —
| —
|
|-align=center
| 125
| —
| align=left| Day of Wrath
| align=left| Carl Theodor| Dreyer
| 1943
| —
| —
| align=left| Carl Theodor Dreyer Box Set (#124)
|-align=center
| 126
| —
| align=left| Ordet
| align=left| Carl Theodor| Dreyer
| 1955
| —
| —
| align=left| Carl Theodor Dreyer Box Set (#124)
|-align=center
| 127
| —
| align=left| Gertrud
| align=left| Carl Theodor| Dreyer
| 1964
| —
| —
| align=left| Carl Theodor Dreyer Box Set (#124)
|-align=center
| 128
| —
| align=left| Carl Th. Dreyer: My Metier
| align=left| Torben Skjodt| Jensen
| 1995
| —
| —
| align=left| Carl Theodor Dreyer Box Set (#124)
|-align=center
| style="background:Grey"|129†
| —
| align=left| Le Trou
| align=left| Jacques | Becker
| 1960
| —
| —
|
|-align=center
| 130
| —
| align=left| {{sort|Shop on Main Street|The Shop on Main Street}}
| align=left| Elmar | Klos
Ján Kadár
| 1965
| —
| —
|
|-align=center
| 131
| —
| align=left| Closely Watched Trains
| align=left| Ji ří| Menzel
| 1966
| —
| —
|
|-align=center
| 132
| —
| align=left| {{sort|Ruling Class|The Ruling Class}}
| align=left| Peter | Medak
| 1972
| —
| —
|
|-align=center
| 133
| —
| align=left| {{sort|Vanishing|The Vanishing}}
| align=left| George | Sluizer
| 1988
| —
| —
|
|-align=center
| 134
| —
| align=left| {{sort|Haxan|Häxan: Witchcraft Through the Ages}}
| align=left| Benjamin | Christensen
| 1922
| —
| —
| align=left| Essential Art House (50-DVD set)
|-align=center
| style="background:Grey"| 135†
| 98
98A
| align=left| Rebecca
| align=left| Alfred | Hitchcock
| 1940
| —
| —
|
|-align=center
| style="background:Grey"| 136†
| —
| align=left| Spellbound
| align=left| Alfred | Hitchcock
| 1946
| —
| —
|
|-align=center
| style="background:Grey"| 137†
| 100
100A
| align=left| Notorious
| align=left| Alfred | Hitchcock
| 1946
| —
| —
|
|-align=center
| 138
| 49
| align=left| Rashomon
| align=left| Akira | Kurosawa
| 1950
| yes
| yes
| align=left| 25 Films by Akira Kurosawa
Essential Art House: Volume One
Essential Art House (50-DVD set)
|-align=center
| 139
| 85
| align=left| Wild Strawberries
| align=left| Ingmar | Bergman
| 1957
| style="background:#8DEEEE"| Yes‡
| yes
| align=left| Ingmar Bergman: Four Masterworks
Essential Art House (50-DVD set)
|-align=center
| 140
| 71
| align=left| 8½
| align=left| Federico | Fellini
| 1963
| yes
| yes
| align=left| Essential Art House: Volume Five
|-align=center
| 141
| 84
| align=left| Children of Paradise
| align=left| Marcel |Carné}}
| 1945
| yes
| —
|
|-align=center
| 142
| —
| align=left| {{sort|Last Wave|The Last Wave}}
| align=left| Peter | Weir
| 1977
| —
| —
|
|-align=center
| style="background:Grey"| 143†
| 113
| align=left| That Obscure Object of Desire
| align=left| Luis |Buñ uel
| 1977
| —
| —
|
|-align=center
| 144
| —
| align=left| Loves of a Blonde
| align=left| Milo š| Forman
| 1965
| —
| yes
| align=left| Essential Art House: Volume Five
Essential Art House (50-DVD set)
|-align=center
| 145
| —
| align=left| {{sort|Firemen's Ball|The Fireman's Ball}}
| align=left| Milo š| Forman
| 1967
| —
| —
|
|-align=center
| 146
| —
| align=left| {{sort|Cranes Are Flying|The Cranes Are Flying}}
| align=left| Mikhail | Kalatozov
| 1957
| —
| —
|
|-align=center
| 147
| —
| align=left| In the Mood for Love
| align=left| Wong |Kar- wai
| 2000
| yes
| —
|
|-align=center
| 148
| —
| align=left| Ballad of a Soldier
| align=left| Grigori | Chukhrai
| 1959
| —
| —
| align=left| Essential Art House (50-DVD set)
|-align=center
| 149
| —
| align=left| Juliet of the Spirits
| align=left| Federico | Fellini
| 1965
| —
| —
|
|-align=center
| style="background:Grey"| 150†
| —
| align=left| Bob le flambeur
| align=left| Jean -Pierre| Melville
| 1956
| —
| —
|
|-align=center
| 151
| —
| align=left| Traffic
| align=left| Steven | Soderbergh
| 2000
| yes
| —
|
|-align=center
| 152
| —
| align=left| George Washington
| align=left| David Gordon| Green
| 2000
| —
| —
|
|-align=center
| 153
| —
| align=left| General Idi Amin Dada
| align=left| Barbet | Schroeder
| 1974
| —
| —
|
|-align=center
| 154
| 42
292
| align=left| {{sort|Horse's Mouth|The Horse's Mouth}}
| align=left| Ronald | Neame
| 1958
| —
| —
|
|-align=center
| style="background:Grey"| 155†
| 117
| align=left| Tokyo Olympiad
| align=left| Kon | Ichikawa
| 1965
| —
| —
|
|-align=center
| 156
| —
| align=left| Hearts and Minds
| align=left| Peter |Davis|Peter Davis (director)}}
| 1974
| —
| —
|
|-align=center
| 157
| —
| align=left| {{sort|Royal Tenenbaums|The Royal Tenenbaums}}
| align=left| Wes | Anderson
| 2001
| yes
| —
|
|-align=center
| 158
| 265
| align=left| {{sort|Importance of Being Earnest|The Importance of Being Earnest}}
| align=left| Anthony | Asquith
| 1952
| —
| —
| align=left| Essential Art House (50-DVD set)
|-align=center
| 159
| 82
| align=left| Red Beard
| align=left| Akira | Kurosawa
| 1965
| —
| —
| align=left| 25 Films by Akira Kurosawa
|-align=center
| 160
| —
| align=left| {{sort|A nous la liberte|À Nous la Liberté}}
| align=left| Ren é| Clair
| 1931
| —
| —
|
|-align=center
| 161
| —
| align=left| Under the Roofs of Paris
| align=left| Ren é| Clair
| 1930
| —
| —
|
|-align=center
| 162
| —
| align=left| Ratcatcher
| align=left| Lynne | Ramsay
| 1999
| —
| —
|
|-align=center
| 163
| —
| align=left| Hopscotch
| align=left| Ronald | Neame
| 1980
| —
| —
|
|-align=center
| 164
| —
| align=left| Solaris
| align=left| Andrei | Tarkovsky
| 1972
| yes
| —
|
|-align=center
| 165
| 215
| align=left| Man Bites Dog
| align=left| R émy| Belvaux
André Bonzel
Benoît Poelvoorde
| 1992
| —
| —
|
|-align=center
| 166
| —
| align=left| Down by Law
| align=left| Jim | Jarmusch
| 1986
| yes
| —
|
|-align=center
| 167
| —
| align=left| {{sort|Complete Monterey Pop Festival|The Complete Monterey Pop Festival}}
| align=left| D . A.| Pennebaker
| 1967 & 1986
| yes
| —
|
|-align=center
| 168
| 43
| align=left| Monterey Pop
| align=left| D . A.| Pennebaker
| 1967
| yes
| —
| align=left| The Complete Monterey Pop Festival (#167)
|-align=center
| 169
| —
| align=left| Jimi Plays Monterey & Shake! Otis at Monterey
| align=left| D . A.| Pennebaker
| 1986
| yes
| —
| align=left| The Complete Monterey Pop Festival (#167)
|-align=center
| 170
| —
| align=left| Trouble in Paradise
| align=left| Ernst | Lubitsch
| 1932
| —
| —
|
|-align=center
| style="background:Grey"| 171†
| —
| align=left| Contempt
| align=left| Jean -Luc| Godard
| 1963
| —
| —
|
|-align=center
| 172
| —
| align=left| {{sort|Pepe le Moko|Pépé le Moko}}
| align=left| Julien | Duvivier
| 1936
| —
| —
| align=left| Essential Art House (50-DVD set)
|-align=center
| 173
| 37
| align=left| {{sort|Life and Death of Colonel Blimp|The Life and Death of Colonel Blimp}}
| align=left| Michael |Powell|Michael Powell (director)}}
Emeric Pressburger
| 1943
| yes
| yes
| align=left| Essential Art House: Volume Two
Essential Art House (50-DVD set)
|-align=center
| 174
| —
| align=left| Band of Outsiders
| align=left| Jean -Luc| Godard
| 1964
| yes
| —
| align=left| 10 Years of Rialto Pictures
|-align=center
| 175
| —
| align=left| Fear and Loathing in Las Vegas
| align=left| Terry | Gilliam
| 1998
| yes
| —
|
|-align=center
| 176
| —
| align=left| {{sort|Killers|The Killers}} (3 adaptations)
| align=left| Robert | Siodmak
Andrei Tarkovsky
Don Siegel
| 1946–1964
| —
| —
|
|-align=center
| 177
| —
| align=left| {{sort|Lost Honour of Katharina Blum|The Lost Honor of Katharina Blum}}
| align=left| Margarethe von| Trotta
Volker Schlöndorff
| 1975
| —
| —
|
|-align=center
| 178
| —
| align=left| My Life as a Dog
| align=left| Lasse |Hallströ m
| 1985
| yes
| —
|
|-align=center
| 179
| —
| align=left| I Am Curious... Box Set
| align=left| Vilgot |Sjö man
| 1967
| —
| —
|
|-align=center
| 180
| —
| align=left| I Am Curious (Yellow)
| align=left| Vilgot |Sjö man
| 1967
| —
| —
| align=left| I Am Curious... Box Set (#179)
|-align=center
| 181
| —
| align=left| I Am Curious (Blue)
| align=left| Vilgot |Sjö man
| 1967
| —
| —
| align=left| I Am Curious... Box Set (#179)
|-align=center
| style="background:Grey"| 182†
| —
| align=left| Straw Dogs
| align=left| Sam | Peckinpah
| 1971
| —
| —
|
|-align=center
| 183
| —
| align=left| {{sort|Dames du Bois de Boulogne|Les Dames du Bois de Boulogne}}
| align=left| Robert | Bresson
| 1945
| —
| —
|
|-align=center
| 184
| —
| align=left| by Brakhage: an Anthology
| align=left| Stan | Brakhage
| 1954–2001
| yes
| —
| align=left| By Brakhage: An Anthology, Volumes One and Two (#518)Brakhage[IV]
|-align=center
| 185
| —
| align=left| {{sort|Adventures of Antoine Doinel|The Adventures of Antoine Doinel}}
| align=left| Fran çois| Truffaut
| 1959–1979
| —
| —
|
|-align=center
| 186
| —
| align=left| Stolen Kisses
| align=left| Fran çois| Truffaut
| 1968
| —
| —
| align=left| The Adventures of Antoine Doinel (#185)
|-align=center
| 187
| —
| align=left| Bed and Board
| align=left| Fran çois| Truffaut
| 1970
| —
| —
| align=left| The Adventures of Antoine Doinel (#185)
|-align=center
| 188
| —
| align=left| Love on the Run
| align=left| Fran çois| Truffaut
| 1979
| —
| —
| align=left| The Adventures of Antoine Doinel (#185)
|-align=center
| style="background:Grey"|189†
| —
| align=left| {{sort|White Sheik|The White Sheik}}
| align=left| Federico | Fellini
| 1952
| —
| —
|
|-align=center
| 190
| 106
239
| align=left| Throne of Blood
| align=left| Akira | Kurosawa
| 1957
| —
| yes
| align=left| Essential Art House: Volume Four
|-align=center
| 191
| —
| align=left| Jubilee
| align=left| Derek | Jarman
| 1978
| —
| —
|
|-align=center
| 192
| —
| align=left| Coup de Grâce
| align=left| Volker |Schlö ndorff
| 1976
| —
| —
|
|-align=center
| style="background:Grey"|193†
| —
| align=left| Quai des Orfèvres
| align=left| Henri -Georges| Clouzot
| 1947
| —
| —
|
|-align=center
| 194
| —
| align=left| {{sort|Posto|Il Posto}}
| align=left| Ermanno | Olmi
| 1961
| —
| —
|
|-align=center
| 195
| —
| align=left| {{sort|Fiances|I Fidanzati}}
| align=left| Ermanno | Olmi
| 1962
| —
| —
|
|-align=center
| 196
| —
| align=left| Hiroshima mon amour
| align=left| Alain | Resnais
| 1959
| —
| —
|
|-align=center
| 197
| —
| align=left| Night and Fog
| align=left| Alain | Resnais
| 1955
| —
| —
|
|-align=center
| 198
| —
| align=left| Ali: Fear Eats the Soul
| align=left| Rainer Werner| Fassbinder
| 1974
| —
| —
|
|-align=center
| 199
| —
| align=left| Schizopolis
| align=left| Steven | Soderbergh
| 1996
| —
| —
|
|-align=center
| 200
| —
| align=left| {{sort|Honeymoon Killers|The Honeymoon Killers}}
| align=left| Leonard | Kastle
| 1970
| —
| —
|
|-align=center
| 201
| 107
| align=left| Umberto D.
| align=left| Vittorio |De Sica
| 1952
| yes
| —
|
|-align=center
| 202
| —
| align=left| Indiscretion of an American Wife
| align=left| Vittorio |De Sica
| 1953
| —
| —
|
|-align=center
| style="background:Grey"|203†
| —
| align=left| {{sort|BRD Trilogy|The BRD Trilogy}}
| align=left| Rainer Werner| Fassbinder
| 1978–1981
| —
| —
|
|-align=center
| style="background:Grey"|204†
| —
| align=left| {{sort|Marriage of Maria Braun|The Marriage of Maria Braun}}
| align=left| Rainer Werner| Fassbinder
| 1978
| —
| —
| align=left| The BRD Trilogy (#203)
|-align=center
| style="background:Grey"|205†
| —
| align=left| Veronika Voss
| align=left| Rainer Werner| Fassbinder
| 1982
| —
| —
| align=left| The BRD Trilogy (#203)
|-align=center
| style="background:Grey"|206†
| —
| align=left| Lola
| align=left| Rainer Werner| Fassbinder
| 1981
| —
| —
| align=left| The BRD Trilogy (#203)
|-align=center
| 207
| —
| align=left| {{sort|Pornographers|The Pornographers}}
| align=left| Shohei | Imamura
| 1966
| —
| —
|
|-align=center
| 208
| —
| align=left| {{sort|Film Trilogy by Ingmar Bergman|A Film Trilogy by Ingmar Bergman}}
| align=left| Ingmar | Bergman
| 1961–1963
| —
| —
|
|-align=center
| 209
| 246
| align=left| Through a Glass Darkly
| align=left| Ingmar | Bergman
| 1961
| —
| —
| align=left| A Film Trilogy by Ingmar Bergman (#208)
|-align=center
| 210
| 254
| align=left| Winter Light
| align=left| Ingmar | Bergman
| 1962
| —
| —
| align=left| A Film Trilogy by Ingmar Bergman (#208)
|-align=center
| 211
| 166
| align=left|{{sort|Silence|The Silence}}
| align=left|Ingmar | Bergman
| 1963
| —
| —
| align=left| A Film Trilogy by Ingmar Bergman (#208)
|-align=center
| 212
| —
| align=left|Ingmar Bergman Makes a Movie
| align=left|Vilgot |Sjö man
| 1962
| —
| —
| align=left| A Film Trilogy by Ingmar Bergman (#208)
|-align=center
| 213
| 190
| align=left|Richard III
| align=left|Laurence | Olivier
| 1955
| yes
| yes
| align=left| Oliver's Shakespeare
Essential Art House: Volume Three
Essential Art House (50-DVD set)
|-align=center
| 214
| 126
| align=left|{{sort|Devil and Daniel Webster|The Devil and Daniel Webster}}
| align=left|William | Dieterle
| 1941
| —
| —
|
|-align=center
| 215
| 134
| align=left|Knife in the Water
| align=left|Roman | Polanski
| 1962
| —
| yes
| align=left| Essential Art House: Volume One
Essential Art House (50-DVD set)
|-align=center
| 216
| 50
50A
| align=left|{{sort|Rules of the Game|The Rules of the Game}}
| align=left|Jean | Renoir
| 1939
| yes
| —
| align=left| Essential Art House (50-DVD set)
|-align=center
| 217
| —
| align=left|Tokyo Story
| align=left|Yasujir ō| Ozu
| 1953
| —
| —
|
|-align=center
| style="background:Grey"|218†
| —
| align=left|{{sort|Cercle rouge|Le Cercle rouge}}
| align=left|Jean -Pierre| Melville
| 1970
| style="background:Grey"| Yes†
| —
|
|-align=center
| 219
| 29
| align=left|{{sort|Strada|La Strada}}
| align=left|Federico | Fellini
| 1954
| —
| yes
| align=left| Essential Art House: Volume Two
Essential Art House (50-DVD set)
|-align=center
| 220
| —
| align=left|Naked Lunch
| align=left|David | Cronenberg
| 1991
| yes
| —
|
|-align=center
| 221
| 114
| align=left|Ikiru
| align=left|Akira | Kurosawa
| 1952
| —
| yes
| align=left| 25 Films by Akira Kurosawa
Essential Art House: Volume Two
Essential Art House (50-DVD set)
|-align=center
| style="background:Grey"|222 †
| —
| align=left|Diary of a Country Priest
| align=left|Robert | Bresson
| 1951
| —
| —
|
|-align=center
| 223
| —
| align=left|{{sort|Maitresse|Maîtresse}}
| align=left|Barbet | Schroeder
| 1973
| —
| —
|
|-align=center
| 224
| —
| align=left|Pickup on South Street
| align=left|Samuel | Fuller
| 1953
| —
| —
|
|-align=center
| 225
| 41
| align=left|Tunes of Glory
| align=left|Ronald | Neame
| 1960
| —
| —
|
|-align=center
| 226
| 369
| align=left|Onibaba
| align=left|Kaneto | Shindo
| 1964
| —
| —
|
|-align=center
| style="background:Grey"|227†
| —
| align=left|{{sort|Corbeau|Le Corbeau}}
| align=left|Henri -Georges| Clouzot
| 1943
| —
| —
|
|-align=center
| 228
| —
| align=left|Salvatore Giuliano
| align=left|Francesco | Rosi
| 1961
| —
| —
|
|-align=center
| 229
| 293
| align=left|Scenes from a Marriage
| align=left|Ingmar | Bergman
| 1973
| —
| —
|
|-align=center
| 230
| —
| align=left|3 Women
| align=left|Robert | Altman
| 1977
| yes
| —
|
|-align=center
| 231
| —
| align=left|{{sort|Testament of Dr. Mabuse|The Testament of Dr. Mabuse}}
| align=left|Fritz | Lang
| 1933
| —
| —
|
|-align=center
| 232
| 76Floating Weeds[I]
| align=left|{{sort|Story of Floating Weeds|A Story of Floating Weeds}} / Floating Weeds
| align=left|Yasujir ō| Ozu
| 1934 & 1959
| —
| yes Floating Weeds[I]
| align=left| Essential Art House: Volume FiveFloating Weeds[I]
Essential Art House (50-DVD set)
|-align=center
| 233
| 370
| align=left|Stray Dog
| align=left|Akira | Kurosawa
| 1949
| —
| —
| align=left| 25 Films by Akira Kurosawa
|-align=center
| 234
| —
| align=left|{{sort|Tin Drum|The Tin Drum}}
| align=left|Volker |Schlö ndorff
| 1979
| yes
| —
|
|-align=center
| 235
| —
| align=left|{{sort|Leopard|The Leopard}}
| align=left|Luchino | Visconti
| 1963
| yes
| —
|
|-align=center
| 236
| —
| align=left|Mamma Roma
| align=left|Pier Paolo| Pasolini
| 1962
| —
| —
|
|-align=center
| 237
| 86
| align=left|Smiles of a Summer Night
| align=left|Ingmar | Bergman
| 1955
| yes
| —
| align=left| Ingmar Bergman: Four Masterworks
|-align=center
| style="background:Grey"| 238†
| —
| align=left|{{sort|Woman Is a Woman|A Woman Is a Woman}}
| align=left|Jean -Luc| Godard
| 1961
| —
| —
|
|-align=center
| 239
| —
| align=left| {{sort|Lower Depths|The Lower Depths}} (2 adaptations)
| align=left| Jean | Renoir
Akira Kurosawa
| 1936 & 1957
| —
| —
| align=left| 25 Films by Akira KurosawaLower Depths[II]
|-align=center
| 240
| 332
| align=left|Early Summer
| align=left|Yasujir ō| Ozu
| 1951
| —
| —
|
|-align=center
| 241
| —
| align=left|Stage and Spectacle: Three Films by Jean Renoir
| align=left|Jean | Renoir
| 1953–1956
| —
| —
|
|-align=center
| 242
| 162
| align=left|{{sort|Golden Coach|The Golden Coach}}
| align=left|Jean | Renoir
| 1953
| —
| —
| align=left| Stage and Spectacle: Three Films by Jean Renoir (#241)
|-align=center
| 243
| 163
| align=left|French Cancan
| align=left|Jean | Renoir
| 1955
| —
| —
| align=left| Stage and Spectacle: Three Films by Jean Renoir (#241)
|-align=center
| 244
| —
| align=left|Elena and Her Men
| align=left|Jean | Renoir
| 1956
| —
| —
| align=left| Stage and Spectacle: Three Films by Jean Renoir (#241)
|-align=center
| style="background:Grey"|245†
| —
| align=left|Port of Shadows
| align=left|Marcel |Carné}}
| 1938
| —
| —
|
|-align=center
| 246
| —
| align=left|I vitelloni
| align=left|Federico | Fellini
| 1953
| —
| —
|
|-align=center
| 247
| —
| align=left|Slacker
| align=left|Richard | Linklater
| 1991
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| 248
| —
| align=left|Videodrome
| align=left|David | Cronenberg
| 1983
| yes
| —
|
|-align=center
| 249
| —
| align=left|{{sort|Battle of Algiers|The Battle of Algiers}}
| align=left|Gillo | Pontecorvo
| 1966
| yes
| —
|
|-align=center
| 250
| —
| align=left|John Cassavetes: Five Films
| align=left|John | Cassavetes
Charles Kiselyak
| 1959–2000
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| 251
| —
| align=left|Shadows
| align=left|John | Cassavetes
| 1959
| style="background:#8DEEEE"| Yes‡
| —
| align=left| John Cassavetes: Five Films (#250)
|-align=center
| 252
| —
| align=left|Faces
| align=left|John | Cassavetes
| 1968
| style="background:#8DEEEE"| Yes‡
| —
| align=left| John Cassavetes: Five Films (#250)
|-align=center
| 253
| —
| align=left|{{sort|Woman Under the Influence|A Woman Under the Influence}}
| align=left|John | Cassavetes
| 1974
| style="background:#8DEEEE"| Yes‡
| —
| align=left| John Cassavetes: Five Films (#250)
|-align=center
| 254
| —
| align=left|{{sort|Killing of a Chinese Bookie|The Killing of a Chinese Bookie}}
| align=left|John | Cassavetes
| 1976
| style="background:#8DEEEE"| Yes‡
| —
| align=left| John Cassavetes: Five Films (#250)
|-align=center
| 255
| —
| align=left|Opening Night
| align=left|John | Cassavetes
| 1977
| style="background:#8DEEEE"| Yes‡
| —
| align=left| John Cassavetes: Five Films (#250)
|-align=center
| 256
| —
| align=left|{{sort|Constant Forge|A Constant Forge}}
| align=left|Charles | Kiselyak
| 2000
| style="background:#8DEEEE"| Yes‡
| —
| align=left| John Cassavetes: Five Films (#250)
|-align=center
| 257
| 161
| align=left|Secret Honor
| align=left|Robert | Altman
| 1984
| —
| —
|
|-align=center
| 258
| —
| align=left|Tanner '88
| align=left|Robert | Altman
| 1988
| —
| —
|
|-align=center
| 259
| —
| align=left|Fat Girl
| align=left|Catherine | Breillat
| 2001
| yes
| —
|
|-align=center
| 260
| —
| align=left|Eyes Without a Face
| align=left|Georges | Franju
| 1960
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| 261
| —
| align=left|Fanny and Alexander Box Set
| align=left|Ingmar | Bergman
| 1982
| yes
| —
|
|-align=center
| 262
| —
| align=left|Fanny and Alexander — The Television Version
| align=left|Ingmar | Bergman
| 1982
| yes
| —
| align=left| Fanny and Alexander Box Set (#261)
|-align=center
| 263
| —
| align=left|Fanny and Alexander — The Theatrical Version
| align=left|Ingmar | Bergman
| 1982
| yes
| —
| align=left| Fanny and Alexander Box Set (#261)
|-align=center
| 264
| —
| align=left|{{sort|Making of Fanny and Alexander|The Making of Fanny and Alexander}}
| align=left|Ingmar | Bergman
| 1982
| yes
| —
| align=left| Fanny and Alexander Box Set (#261)
|-align=center
| 265
| 231
| align=left|Short Cuts
| align=left|Robert | Altman
| 1993
| —
| —
|
|-align=center
| 266
| 152
| align=left|{{sort|King of Kings|The King of Kings}}
| align=left|Cecil B.| DeMille
| 1927
| —
| —
|
|-align=center
| 267
| —
| align=left|Kagemusha
| align=left|Akira | Kurosawa
| 1980
| yes
| —
| align=left| 25 Films by Akira Kurosawa
|-align=center
| 268
| —
| align=left|Youth of the Beast
| align=left|Seijun | Suzuki
| 1963
| —
| —
|
|-align=center
| 269
| —
| align=left|Fighting Elegy
| align=left|Seijun | Suzuki
| 1966
| —
| —
|
|-align=center
| 270
| —
| align=left|Casque d'or
| align=left|Jacques | Becker
| 1952
| —
| —
|
|-align=center
| style="background:Grey"| 271†
| —
| align=left|Touchez pas au grisbi
| align=left|Jacques | Becker
| 1954
| —
| —
| align=left| 10 Years of Rialto Pictures
|-align=center
| 272
| —
| align=left|{{sort|Commare secca|La commare secca}}
| align=left|Bernardo | Bertolucci
| 1962
| —
| —
|
|-align=center
| 273
| —
| align=left|Thieves' Highway
| align=left|Jules | Dassin
| 1949
| —
| —
|
|-align=center
| 274
| —
| align=left|Night and the City
| align=left|Jules | Dassin
| 1950
| —
| —
|
|-align=center
| 275
| —
| align=left|Tout Va Bien
| align=left|Jean -Luc| Godard
Jean-Pierre Gorin
| 1972
| —
| —
|
|-align=center
| 276
| 70
| align=left|{{sort|River|The River}}
| align=left|Jean | Renoir
| 1951
| —
| —
|
|-align=center
| 277
| —
| align=left|My Own Private Idaho
| align=left|Gus |Van Sant
| 1991
| —
| —
|
|-align=center
| 278
| —
| align=left|Eclipse
| align=left|Michelangelo | Antonioni
| 1962
| —
| —
|
|-align=center
| 279
| —
| align=left|Young Törless
| align=left|Volker |Schlö ndorff
| 1966
| —
| —
|
|-align=center
| 280
| 294
| align=left|{{sort|Sword of Doom|The Sword of Doom}}
| align=left|Kihachi | Okamoto
| 1966
| —
| —
|
|-align=center
| 281
| 165
| align=left|Jules and Jim
| align=left|Fran çois| Truffaut
| 1962
| —
| yes
| align=left| Essential Art House (50-DVD set)
|-align=center
| 282
| —
| align=left|Andrzej Wajda: Three War Films
| align=left|Andrzej | Wajda
| 1955–1958
| —
| —
|
|-align=center
| 283
| —
| align=left|{{sort|Generation|A Generation}}
| align=left|Andrzej | Wajda
| 1955
| —
| —
| align=left| Andrzej Wajda: Three War Films (#282)
|-align=center
| 284
| —
| align=left|Kanał
| align=left|Andrzej | Wajda
| 1957
| —
| —
| align=left| Andrzej Wajda: Three War Films (#282)
|-align=center
| 285
| 242
| align=left|Ashes and Diamonds
| align=left|Andrzej | Wajda
| 1958
| —
| yes
| align=left| Andrzej Wajda: Three War Films (#282)
Essential Art House: Volume Three
Essential Art House (50-DVD set)
|-align=center
| 286
| —
| align=left|Divorce Italian Style
| align=left|Pietro | Germi
| 1961
| —
| —
|
|-align=center
| 287
| —
| align=left|Burden of Dreams
| align=left|Les | Blank
| 1982
| —
| —
|
|-align=center
| 288
| 260
| align=left|F for Fake
| align=left|Orson | Welles
| 1975
| —
| —
|
|-align=center
| 289
| —
| align=left|Hoop Dreams
| align=left|Steve |James|Steve James (producer)}}
| 1994
| —
| —
|
|-align=center
| style="background:Grey"| 290†
| —
| align=left|{{sort|Phantom of Liberty|The Phantom of Liberty}}
| align=left|Luis |Buñ uel
| 1974
| —
| —
|
|-align=center
| 291
| —
| align=left|Heaven Can Wait
| align=left|Ernst | Lubitsch
| 1943
| —
| —
|
|-align=center
| 292
| —
| align=left|Unfaithfully Yours
| align=left|Preston | Sturges
| 1948
| —
| —
|
|-align=center
| 293
| —
| align=left|{{sort|Flowers of St. Francis|The Flowers of St. Francis}}
| align=left|Roberto |Rossellini|}}
| 1950
| —
| —
|
|-align=center
| 294
| —
| align=left|{{sort|Browning Version|The Browning Version}}
| align=left|Anthony | Asquith
| 1951
| —
| —
|
|-align=center
| 295
| —
| align=left|Crazed Fruit
| align=left|K ō| Nakahira
| 1956
| —
| —
|
|-align=center
| 296
| —
| align=left|Le notti bianche
| align=left|Luchino | Visconti
| 1957
| —
| —
|
|-align=center
| 297
| —
| align=left|Au Hasard Balthazar
| align=left|Robert | Bresson
| 1966
| —
| —
| align=left| 10 Years of Rialto Pictures
|-align=center
| 298
| —
| align=left|Gate of Flesh
| align=left|Seijun | Suzuki
| 1964
| —
| —
|
|-align=center
| 299
| —
| align=left|Story of a Prostitute
| align=left|Seijun | Suzuki
| 1965
| —
| —
|
|-align=center
| 300
| —
| align=left|{{sort|Life Aquatic with Steve Zissou|The Life Aquatic with Steve Zissou}}
| align=left|Wes | Anderson
| 2004
| —
| —
|
|-align=center
| 301
| —
| align=left|{{sort|Angel at My Table|An Angel at My Table}}
| align=left|Jane | Campion
| 1990
| —
| —
|
|-align=center
| 302
| —
| align=left|Harakiri
| align=left|Masaki | Kobayashi
| 1962
| yes
| —
|
|-align=center
| 303
| —
| align=left|Bad Timing
| align=left|Nicolas | Roeg
| 1980
| —
| —
|
|-align=center
| style="background:Grey"| 304†
| 169
| align=left|{{sort|Man Who Fell to Earth|The Man Who Fell to Earth}}
| align=left|Nicolas | Roeg
| 1976
| style="background:Grey"| Yes†
| —
|
|-align=center
| 305
| —
| align=left|Boudu Saved from Drowning
| align=left|Jean | Renoir
| 1932
| —
| —
|
|-align=center
| 306
| —
| align=left|{{sort|Samourai|Le Samouraï}}
| align=left|Jean -Pierre| Melville
| 1967
| —
| —
|
|-align=center
| 307
| 234
| align=left|Naked
| align=left|Mike | Leigh
| 1993
| yes
| —
|
|-align=center
| 308
| —
| align=left|Masculin Féminin
| align=left|Jean -Luc| Godard
| 1966
| —
| —
|
|-align=center
| 309
| 174
| align=left|Ugetsu
| align=left|Kenji | Mizoguchi
| 1953
| —
| —
| align=left| Essential Art House (50-DVD set)
|-align=center
| 310
| —
| align=left|Samurai Rebellion
| align=left|Masaki | Kobayashi
| 1967
| —
| —
| align=left| Rebel Samurai: Sixties Swordplay Classics
|-align=center
| 311
| —
| align=left|Sword of the Beast
| align=left|Hideo | Gosha
| 1965
| —
| —
| align=left| Rebel Samurai: Sixties Swordplay Classics
|-align=center
| 312
| —
| align=left|Samurai Spy
| align=left|Masahiro | Shinoda
| 1965
| —
| —
| align=left| Rebel Samurai: Sixties Swordplay Classics
|-align=center
| 313
| —
| align=left|Kill!
| align=left|Kihachi | Okamoto
| 1968
| —
| —
| align=left| Rebel Samurai: Sixties Swordplay Classics
|-align=center
| 314
| —
| align=left|Pickpocket
| align=left|Robert | Bresson
| 1959
| —
| —
|
|-align=center
| 315
| 43
| align=left|Shoot the Piano Player
| align=left|Fran çois| Truffaut
| 1960
| —
| —
|
|-align=center
| style="background:Grey"|316†
| —
| align=left|Ran
| align=left|Akira | Kurosawa
| 1985
| —
| —
|
|-align=center
| style="background:Grey"|317†
| 157
| align=left|{{sort|Tales of Hoffmann|The Tales of Hoffmann}}
| align=left|Michael |Powell|Michael Powell (director)}}
Emeric Pressburger
| 1951
| —
| style="background:Grey"| Yes†
| align=left| Essential Art House: Volume Four
|-align=center
| style="background:Grey"|318†
| 30
| align=left|Forbidden Games
| align=left|Ren é|Clé ment
| 1951
| —
| style="background:Grey"| Yes†
| align=left| Essential Art House: Volume Three
Essential Art House (50-DVD set)
|-align=center
| 319
| 371
| align=left|{{sort|Bad Sleep Well|The Bad Sleep Well}}
| align=left|Akira | Kurosawa
| 1960
| —
| —
| align=left| 25 Films by Akira Kurosawa
|-align=center
| 320
| —
| align=left|Young Mr. Lincoln
| align=left|John | Ford
| 1939
| —
| —
|
|-align=center
| 321
| 277
| align=left|{{sort|Virgin Spring|The Virgin Spring}}
| align=left|Ingmar | Bergman
| 1960
| —
| —
| align=left| Ingmar Bergman: Four Masterworks
Essential Art House (50-DVD set)
|-align=center
| 322
| 121
| align=left|{{sort|Complete Mr. Arkadin|The Complete Mr. Arkadin}}
| align=left|Orson | Welles
| 1955
| —
| —
|
|-align=center
| 323
| —
| align=left|{{sort|Children Are Watching Us|The Children Are Watching Us}}
| align=left|Vittorio |De Sica
| 1944
| —
| —
|
|-align=center
| 324
| —
| align=left|{{sort|Bete humaine|La Bête humaine}}
| align=left|Jean | Renoir
| 1938
| —
| —
|
|-align=center
| style="background:Grey"|325†
| —
| align=left|Kind Hearts and Coronets
| align=left|Robert | Hamer
| 1949
| —
| —
| align=left| Essential Art House (50-DVD set)
|-align=center
| 326
| —
| align=left|Metropolitan
| align=left|Whit | Stillman
| 1990
| yes
| —
|
|-align=center
| 327
| —
| align=left|3 Films by Louis Malle
| align=left|Louis | Malle
| 1990
| —
| —
|
|-align=center
| 328
| —
| align=left|Murmur of the Heart
| align=left|Louis | Malle
| 1972
| —
| —
| align=left| 3 Films by Louis Malle (#327)
|-align=center
| 329
| —
| align=left|Lacombe, Lucien
| align=left|Louis | Malle
| 1974
| —
| —
| align=left| 3 Films by Louis Malle (#327)
|-align=center
| 330
| —
| align=left|Au revoir les enfants
| align=left|Louis | Malle
| 1987
| yes
| —
| align=left| 3 Films by Louis Malle (#327)
|-align=center
| 331
| —
| align=left|Late Spring
| align=left|Yasujir ō| Ozu
| 1949
| yes
| —
|
|-align=center
| 332
| —
| align=left|Viridiana
| align=left|Luis |Buñ uel
| 1961
| —
| —
| align=left| Essential Art House (50-DVD set)
|-align=center
| 333
| —
| align=left|Fists in the Pocket
| align=left|Marco | Bellocchio
| 1961
| —
| —
| align=left| Essential Art House (50-DVD set)
|-align=center
| 334
| —
| align=left|Harlan County, USA
| align=left|Barbara | Kopple
| 1976
| —
| —
|
|-align=center
| 335
| —
| align=left|Elevator to the Gallows
| align=left|Louis | Malle
| 1957
| —
| —
|
|-align=center
| 336
| —
| align=left|Dazed and Confused
| align=left|Richard | Linklater
| 1993
| yes
| —
|
|-align=center
| 337
| —
| align=left|{{sort|A nos amours|À Nos Amours}}
| align=left|Maurice | Pialat
| 1983
| —
| —
|
|-align=center
| 338
| —
| align=left|Equinox
| align=left|Jack |Woods|Jack Woods (editor)}}
| 1970
| —
| —
|
|-align=center
| 339
| —
| align=left|Yi Yi
| align=left|Edward | Yang
| 2000
| yes
| —
|
|-align=center
| 340
| —
| align=left|Koko: A Talking Gorilla
| align=left|Barbet | Schroeder
| 1978
| —
| —
|
|-align=center
| 341
| —
| align=left|{{sort|Canterbury Tale|A Canterbury Tale}}
| align=left|Michael |Powell|Michael Powell (director)}}
Emeric Pressburger
| 1944
| —
| —
|
|-align=center
| 342
| —
| align=left|Six Moral Tales
| align=left|{{sortname|Éric| Rohmer}}
| 1963–1972
| —
| —
|
|-align=center
| 343
| —
| align=left|{{sort|Bakery Girl of Monceau|The Bakery Girl of Monceau}}
| align=left|{{sortname|Éric| Rohmer}}
| 1963
| —
| —
| align=left| Six Moral Tales (#342)
|-align=center
| 344
| —
| align=left|Suzanne's Career
| align=left|{{sortname|Éric| Rohmer}}
| 1963
| —
| —
| align=left| Six Moral Tales (#342)
|-align=center
| 345
| —
| align=left|My Night at Maud's
| align=left|{{sortname|Éric| Rohmer}}
| 1969
| —
| —
| align=left| Six Moral Tales (#342)
|-align=center
| 346
| —
| align=left|{{sort|Collectionneuse|La collectionneuse}}
| align=left|{{sortname|Éric| Rohmer}}
| 1967
| —
| —
| align=left| Six Moral Tales (#342)
|-align=center
| 347
| —
| align=left|Claire's Knee
| align=left|{{sortname|Éric| Rohmer}}
| 1970
| —
| —
| align=left| Six Moral Tales (#342)
|-align=center
| 348
| —
| align=left|Love in the Afternoon
| align=left|{{sortname|Éric| Rohmer}}
| 1972
| —
| —
| align=left| Six Moral Tales (#342)
|-align=center
| 349
| —
| align=left|Kicking and Screaming
| align=left|Noah | Baumbach
| 1995
| —
| —
|
|-align=center
| 350
| —
| align=left|Seduced and Abandoned
| align=left|Pietro | Germi
| 1964
| —
| —
|
|-align=center
| 351
| —
| align=left|{{sort|Spirit of the Beehive|The Spirit of the Beehive}}
| align=left|V íctor| Erice
| 1973
| —
| —
| align=left| Essential Art House (50-DVD set)
|-align=center
| 352
| —
| align=left|Jigoku
| align=left|Nobuo | Nakagawa
| 1960
| —
| —
|
|-align=center
| 353
| —
| align=left|{{sort|Solo son tu pareja|Sólo Con Tu Pareja}}
| align=left|Alfonso |Cuaró n
| 1991
| —
| —
|
|-align=center
| 354
| —
| align=left|Clean, Shaven
| align=left|Lodge | Kerrigan
| 1994
| —
| —
|
|-align=center
| 355
| —
| align=left|Hands Over the City
| align=left|Francesco | Rosi
| 1963
| —
| —
|
|-align=center
| 356
| —
| align=left|Sweetie
| align=left|Jane | Campion
| 1989
| yes
| —
|
|-align=center
| style="background:Grey"|357†
| 164
| align=left|{{sort|Fallen Idol|The Fallen Idol}}
| align=left|Carol | Reed
| 1948
| —
| —
| align=left| Essential Art House (50-DVD set)
|-align=center
| 358
| —
| align=left|Pandora's Box
| align=left|Georg Wilhelm| Pabst
| 1929
| —
| —
| align=left| Essential Art House (50-DVD set)
|-align=center
| 359
| —
| align=left|{{sort|Double Life of Veronique|The Double Life of Véronique}}
| align=left|Krzysztof |Kieś lowski
| 1991
| yes
| —
|
|-align=center
| 360
| —
| align=left|Symbiopsychotaxiplasm: Two Takes
| align=left|William | Greaves
| 1968
| —
| —
|
|-align=center
| 361
| —
| align=left|{{sort|Beales of Grey Gardens|The Beales of Grey Gardens}}
| align=left|Albert |Maysles|Albert and David Maysles
David Maysles
| 2006
| —
| —
| align=left| Grey Gardens / The Beales of Grey Gardens
|-align=center
| 362
| —
| align=left|Border Radio
| align=left|Allison | Anders
Dean Lent
Kurt Voss
| 1987
| —
| —
|
|-align=center
| 363
| —
| align=left|Mouchette
| align=left|Robert | Bresson
| 1967
| —
| —
|
|-align=center
| 364
| —
| align=left|Monsters and Madmen
| align=left|Spencer Gordon| Bennet
Robert Day
| 1958–1959
| —
| —
|
|-align=center
| 365
| —
| align=left|First Man into Space
| align=left|Robert |Day|Robert Day (director)}}
| 1959
| —
| —
| align=left| Monsters and Madmen (#364)
|-align=center
| 366
| —
| align=left|{{sort|Atomic Submarine|The Atomic Submarine}}
| align=left|Spencer Gordon| Bennet
| 1959
| —
| —
| align=left| Monsters and Madmen (#364)
|-align=center
| 367
| —
| align=left|{{sort|Haunted Strangler|The Haunted Strangler}}
| align=left|Robert |Day|Robert Day (director)}}
| 1958
| —
| —
| align=left| Monsters and Madmen (#364)
|-align=center
| 368
| —
| align=left|Corridors of Blood
| align=left|Robert |Day|Robert Day (director)}}
| 1959
| —
| —
| align=left| Monsters and Madmen (#364)
|-align=center
| style="background:Goldenrod"|369‡
| —
| align=left|Paul Robeson: Portraits of an Artist
| align=left|Dudley | Murphy
Saul J. Turell
Oscar Micheaux
Kenneth Macpherson
Zoltan Korda
Thornton Freeland
Pen Tennyson
Leo Hurwitz
Paul Strand
| 1925–1979
| —
| —
|
|-align=center
| 370
| 202
| align=left|{{sort|Emperor Jones|The Emperor Jones}}
| align=left|Dudley | Murphy
| 1933
| —
| —
| align=left| Paul Robeson: Portraits of an Artist (#369)
|-align=center
| 371
| —
| align=left|Body and Soul
| align=left|Oscar | Micheaux
| 1925
| —
| —
| align=left| Paul Robeson: Portraits of an Artist (#369)
|-align=center
| 372
| —
| align=left|Sanders of the River
| align=left|Zoltan | Korda
| 1935
| —
| —
| align=left| Paul Robeson: Portraits of an Artist (#369)
|-align=center
| 373
| —
| align=left|{{sort|Proud Valley|The Proud Valley}}
| align=left|Pen | Tennyson
| 1940
| —
| —
| align=left| Paul Robeson: Portraits of an Artist (#369)
|-align=center
| 374
| —
| align=left|Bicycle Thieves
| align=left|Vittorio |De Sica
| 1948
| —
| —
|
|-align=center
| 375
| 170
| align=left|Green for Danger
| align=left|Sidney | Gilliat
| 1946
| —
| —
|
|-align=center
| 376
| 130
| align=left|49th Parallel
| align=left|Michael |Powell|Michael Powell (director)}}
Emeric Pressburger
| 1941
| —
| —
|
|-align=center
| 377
| —
| align=left|When a Woman Ascends the Stairs
| align=left|Mikio | Naruse
| 1960
| —
| —
|
|-align=center
| 378
| 276
| align=left|Fires on the Plain
| align=left|Kon | Ichikawa
| 1959
| —
| —
| align=left| Essential Art House (50-DVD set)
|-align=center
| 379
| 171
| align=left|{{sort|Burmese Harp|The Burmese Harp}}
| align=left|Kon | Ichikawa
| 1956
| —
| —
|
|-align=center
| 380
| —
| align=left|{{sort|Naked City|The Naked City}}
| align=left|Jules | Dassin
| 1948
| —
| —
|
|-align=center
| 381
| —
| align=left|{{sort|Haine|La Haine}}
| align=left|Mathieu | Kassovitz
| 1995
| yes
| —
|
|-align=center
| 382
| —
| align=left|Overlord
| align=left|Stuart | Cooper
| 1975
| —
| —
|
|-align=center
| 383
| —
| align=left|Brute Force
| align=left|Jules | Dassin
| 1947
| —
| —
|
|-align=center
| 384
| 34
| align=left|Vengeance Is Mine
| align=left|Shohei | Imamura
| 1979
| —
| —
|
|-align=center
| style="background:Grey"|385†
| —
| align=left|Army of Shadows
| align=left|Jean -Pierre| Melville
| 1969
| style="background:Grey"| Yes†
| —
| align=left| 10 Years of Rialto Pictures
|-align=center
| 386
| 223
| align=left|Sansho the Bailiff
| align=left|Kenji | Mizoguchi
| 1954
| yes
| —
|
|-align=center
| 387
| —
| align=left|{{sort|Jetee|La Jetée}} / Sans Soleil
| align=left|Chris | Marker
| 1962 & 1983
| yes
| —
|
|-align=center
| 388
| —
| align=left|{{sort|Two of Us|The Two of Us}}
| align=left|Claude | Berri
| 1967
| —
| —
|
|-align=center
| 389
| —
| align=left|W.R.: Mysteries of the Organism
| align=left|Du šan| Makavejev
| 1971
| —
| —
|
|-align=center
| 390
| —
| align=left|Sweet Movie
| align=left|Du šan| Makavejev
| 1974
| —
| —
|
|-align=center
| 391
| —
| align=left|If....
| align=left|Lindsay | Anderson
| 1968
| yes
| —
|
|-align=center
| 392
| —
| align=left|Three Films by Hiroshi Teshigahara
| align=left|Hiroshi | Teshigahara
| 1962–1966
| —
| —
|
|-align=center
| 393
| —
| align=left|Pitfall
| align=left|Hiroshi | Teshigahara
| 1962
| —
| —
| align=left| Three Films by Hiroshi Teshigahara (#392)
|-align=center
| 394
| —
| align=left|{{sort|Woman in the Dunes|The Woman in the Dunes}}
| align=left|Hiroshi | Teshigahara
| 1964
| —
| —
| align=left| Three Films by Hiroshi Teshigahara (#392)
|-align=center
| 395
| —
| align=left|{{sort|Face of Another|The Face of Another}}
| align=left|Hiroshi | Teshigahara
| 1966
| —
| —
| align=left| Three Films by Hiroshi Teshigahara (#392)
|-align=center
| 396
| —
| align=left|Ace in the Hole
| align=left|Billy | Wilder
| 1951
| —
| —
|
|-align=center
| 397
| —
| align=left|Ivan's Childhood
| align=left|Andrei | Tarkovsky
| 1962
| yes
| —
|
|-align=center
| 398
| —
| align=left|{{sort|Enfants terribles|Les Enfants terribles}}
| align=left|Jean -Pierre| Melville
| 1950
| —
| —
|
|-align=center
| 399
| —
| align=left|House of Games
| align=left|David | Mamet
| 1987
| —
| —
|
|-align=center
| 400
| 307
| align=left|Stranger Than ParadiseStranger Than Paradise[2]
| align=left|Jim | Jarmusch
| 1984
| —
| —
|
|-align=center
| 401
| —
| align=left|Night on Earth
| align=left|Jim | Jarmusch
| 1991
| —
| —
|
|-align=center
| style="background:Grey"|402†
| —
| align=left|{{sort|Milky Way|The Milky Way}}
| align=left|Luis |Buñ uel
| 1969
| —
| —
|
|-align=center
| 403
| —
| align=left|{{sort|Cria cuervos|Cría cuervos}}
| align=left|Carlos | Saura
| 1976
| —
| —
|
|-align=center
| 404
| 184
| align=left|Robinson Crusoe on Mars
| align=left|Byron | Haskin
| 1964
| yes
| —
|
|-align=center
| 405
| 39
| align=left|{{sort|Threepenny Opera|The Threepenny Opera}}
| align=left|Georg Wilhelm| Pabst
| 1931
| —
| —
|
|-align=center
| 406
| —
| align=left|Martha Graham: Dance on Film
| align=left|Nathan | Kroll
| 1959
| —
| —
|
|-align=center
| 407
| —
| align=left|Mala Noche
| align=left|Gus |Van Sant
| 1985
| —
| —
|
|-align=center
| 408
| 153
| align=left|Breathless
| align=left|Jean -Luc| Godard
| 1960
| yes
| —
|
|-align=center
| 409
| —
| align=left|Days of Heaven
| align=left|Terrence |Malick|}}
| 1978
| yes
| —
|
|-align=center
| 410
| —
| align=left|Under the Volcano
| align=left|John | Huston
| 1984
| —
| —
|
|-align=center
| 411
| —
| align=left|Berlin Alexanderplatz
| align=left|Rainer Werner| Fassbinder
| 1980
| —
| —
|
|-align=center
| 412
| —
| align=left|Sawdust and Tinsel
| align=left|Ingmar | Bergman
| 1953
| —
| —
|
|-align=center
| 413
| —
| align=left|Drunken Angel
| align=left|Akira | Kurosawa
| 1948
| —
| —
| align=left| 25 Films by Akira Kurosawa
|-align=center
| 414
| —
| align=left|Two-Lane Blacktop
| align=left|Monte | Hellman
| 1971
| yes
| —
|
|-align=center
| 415
| —
| align=left|{{sort|Naked Prey|The Naked Prey}}
| align=left|Cornel | Wilde
| 1966
| —
| —
|
|-align=center
| 416
| —
| align=left|Miss Julie
| align=left|Alf |Sjö berg
| 1951
| —
| —
| align=left| Essential Art House (50-DVD set)
|-align=center
| 417
| 306
| align=left|This Sporting Life
| align=left|Lindsay | Anderson
| 1963
| —
| —
|
|-align=center
| 418
| —
| align=left|4 by Agnès Varda
| align=left|Agn ès| Varda
| 1956–1985
| —
| —
|
|-align=center
| 419
| —
| align=left|{{sort|Pointe Courte|La Pointe Courte}}
| align=left|Agn ès| Varda
| 1956
| —
| —
| align=left| 4 by Agnès Varda (#418)
|-align=center
| 420
| —
| align=left|Le Bonheur
| align=left|Agn ès| Varda
| 1965
| —
| —
| align=left| 4 by Agnès Varda (#418)
|-align=center
| style="background:Grey"|421†
| —
| align=left|Pierrot le Fou
| align=left|Jean -Luc| Godard
| 1965
| style="background:Grey"| Yes†
| —
|
|-align=center
| 422
| —
| align=left|{{sort|Last Emperor|The Last Emperor}}
| align=left|Bernardo | Bertolucci
| 1987
| yes
| —
|
|-align=center
| 423
| —
| align=left|Walker
| align=left|Alex | Cox
| 1987
| —
| —
|
|-align=center
| style="background:Grey"|424†
| —
| align=left|Mafioso
| align=left|Alberto | Lattuada
| 1962
| —
| —
| align=left| 10 Years of Rialto Pictures
|-align=center
| 425
| —
| align=left|Antonio Gaudi
| align=left|Hiroshi | Teshigahara
| 1984
| —
| —
|
|-align=center
| 426
| —
| align=left|{{sort|Ice Storm|The Ice Storm}}
| align=left|Ang | Lee
| 1997
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| 427
| —
| align=left|Death of a Cyclist
| align=left|Juan Antonio| Bardem
| 1955
| —
| —
|
|-align=center
| 428
| —
| align=left|Blast of Silence
| align=left|Allen | Baron
| 1961
| —
| —
|
|-align=center
| 429
| —
| align=left|{{sort|Lovers|The Lovers}}
| align=left|Louis | Malle
| 1958
| —
| —
|
|-align=center
| 430
| —
| align=left|{{sort|Fire Within|The Fire Within}}
| align=left|Louis | Malle
| 1963
| —
| —
|
|-align=center
| 431
| —
| align=left|{{sort|Thief of Bagdad|The Thief of Bagdad}}
| align=left|Ludwig |Berger|Ludwig Berger (director)}}
Michael Powell
Tim Whelan
| 1940
| —
| —
|
|-align=center
| 432
| —
| align=left|Mishima: A Life in Four Chapters
| align=left|Paul | Schrader
| 1985
| —
| —
|
|-align=center
| 433
| —
| align=left|Patriotism
| align=left|Domoto | Masaki
Yukio Mishima
| 1966
| —
| —
|
|-align=center
| 434
| —
| align=left|Classe tous risques
| align=left|Claude | Sautet
| 1960
| —
| —
|
|-align=center
| 435
| —
| align=left|{{sort|Furies|The Furies}}
| align=left|Anthony | Mann
| 1955
| —
| —
|
|-align=center
| 436
| —
| align=left|Before the Rain
| align=left|Mil čo|Manč evski
| 1994
| —
| —
|
|-align=center
| 437
| —
| align=left|Vampyr
| align=left|Carl Theodor| Dreyer
| 1932
| —
| —
|
|-align=center
| 438
| —
| align=left|Mon oncle Antoine
| align=left|Claude | Jutra
| 1971
| —
| —
|
|-align=center
| style="background:Grey"|439†
| —
| align=left|Trafic
| align=left|Jacques | Tati
| 1971
| —
| —
|
|-align=center
| 440
| —
| align=left|Brand upon the Brain!
| align=left|Guy | Maddin
| 2006
| —
| —
|
|-align=center
| style="background:Grey"|441†
| —
| align=left|{{sort|Small Back Room|The Small Back Room}}
| align=left|Michael |Powell|Michael Powell (director)}}
Emeric Pressburger
| 1949
| —
| —
|
|-align=center
| 442
| —
| align=left|Twenty-Four Eyes
| align=left|Keisuke | Kinoshita
| 1954
| —
| —
|
|-align=center
| 443
| 264
| align=left|{{sort|Ronde|La ronde}}
| align=left|Max |Ophü ls
| 1950
| —
| —
|
|-align=center
| 444
| —
| align=left|{{sort|Plaisir|Le Plaisir}}
| align=left|Max |Ophü ls
| 1952
| —
| —
|
|-align=center
| 445
| 302
| align=left|{{sort|Earrings of Madame de|The Earrings of Madame de...}}
| align=left|Max |Ophü ls
| 1953
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| 446
| —
| align=left|{{sort|Autumn Afternoon|An Autumn Afternoon}}
| align=left|Yasujir ō| Ozu
| 1962
| —
| —
|
|-align=center
| style="background:Grey"|447†
| —
| align=left|{{sort|Doulos|Le Doulos}}
| align=left|Jean -Pierre| Melville
| 1962
| —
| —
|
|-align=center
| 448
| —
| align=left|{{sort|Deuxieme souffle|Le deuxième souffle}}
| align=left|Jean -Pierre| Melville
| 1966
| —
| —
|
|-align=center
| 449
| —
| align=left|Missing
| align=left|Costa |Gavras|Costa- Gavras
| 1982
| —
| —
|
|-align=center
| 450
| —
| align=left|Bottle Rocket
| align=left|Wes | Anderson
| 1996
| yes
| —
|
|-align=center
| 451
| —
| align=left|Fanfan la Tulipe
| align=left|Christian |Jaque|Christian- Jaque
| 1952
| —
| —
|
|-align=center
| 452
| —
| align=left|{{sort|Spy Who Came in from the Cold|The Spy Who Came in from the Cold}}
| align=left|Martin | Ritt
| 1965
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:Grey"| 453†
| —
| align=left|Chungking Express
| align=left|Wong |Kar- wai
| 1994
| style="background:Grey"| Yes†
| —
|
|-align=center
| 454
| —
| align=left|Europa
| align=left|Lars von| Trier
| 1994
| —
| —
|
|-align=center
| 455
| —
| align=left|White Dog
| align=left|Samuel | Fuller
| 1982
| —
| —
|
|-align=center
| 456
| —
| align=left|{{sort|Taking of Power by Louis XIV|The Taking of Power by Louis XIV}}
| align=left|Roberto | Rossellini
| 1966
| —
| —
|
|-align=center
| 457
| —
| align=left|Magnificent Obsession
| align=left|Douglas | Sirk
| 1954
| —
| —
|
|-align=center
| 458
| —
| align=left|{{sort|Norte|El Norte}}
| align=left|Gregory | Nava
| 1983
| yes
| —
|
|-align=center
| 459
| —
| align=left|{{sort|Exterminating Angel|The Exterminating Angel}}
| align=left|Luis |Buñ uel
| 1962
| —
| —
|
|-align=center
| 460
| —
| align=left|Simon of the Desert
| align=left|Luis |Buñ uel
| 1965
| —
| —
|
|-align=center
| 461
| 259
| align=left|Hobson's Choice
| align=left|David | Lean
| 1954
| —
| —
|
|-align=center
| 462
| 158
| align=left|{{sort|Last Metro|The Last Metro}}
| align=left|Fran çois| Truffaut
| 1980
| yes
| —
|
|-align=center
| 463
| —
| align=left|Il Generale Della Rovere
| align=left|Roberto | Rossellini
| 1959
| —
| —
|
|-align=center
| 464
| —
| align=left|Danton
| align=left|Andrzej | Wajda
| 1983
| —
| —
|
|-align=center
| 465
| 291
| align=left|Dodes'ka-den
| align=left|Akira | Kurosawa
| 1970
| —
| —
| align=left| 25 Films by Akira Kurosawa
|-align=center
| 466
| —
| align=left|In the Realm of the Senses
| align=left|Nagisa | Oshima
| 1976
| yes
| —
|
|-align=center
| 467
| —
| align=left|Empire of Passion
| align=left|Nagisa | Oshima
| 1978
| —
| —
|
|-align=center
| 468
| —
| align=left|Science is Fiction: 23 Films by Jean Painlevé
| align=left|Jean |Painlevé}}
| 1925–1986
| —
| —
|
|-align=center
| 469
| —
| align=left|{{sort|Hit|The Hit}}
| align=left|Stephen | Frears
| 1984
| —
| —
|
|-align=center
| 470
| —
| align=left|Wise Blood
| align=left|John | Huston
| 1979
| —
| —
|
|-align=center
| 471
| —
| align=left|Pigs, Pimps & Prostitutes: 3 Films by Shohei Imamura
| align=left|Shohei | Imamura
| 1962–1964
| —
| —
|
|-align=center
| 472
| —
| align=left|Pigs and Battleships
| align=left|Shohei | Imamura
| 1962
| —
| —
| align=left| Pigs, Pimps & Prostitutes: 3 Films by Shohei Imamura (#471)
|-align=center
| 473
| —
| align=left|{{sort|Insect Woman|The Insect Woman}}
| align=left|Shohei | Imamura
| 1963
| —
| —
| align=left| Pigs, Pimps & Prostitutes: 3 Films by Shohei Imamura (#471)
|-align=center
| 474
| —
| align=left|Intentions of Murder
| align=left|Shohei | Imamura
| 1964
| —
| —
| align=left| Pigs, Pimps & Prostitutes: 3 Films by Shohei Imamura (#471)
|-align=center
| 475
| —
| align=left|{{sort|Friends of Eddie Coyle|The Friends of Eddie Coyle}}
| align=left|Peter | Yates
| 1973
| —
| —
|
|-align=center
| 476
| —
| align=left|{{sort|Curious Case of Benjamin Button|The Curious Case of Benjamin Button}}
| align=left|David | Fincher
| 2008
| yes
| —
|
|-align=center
| 477
| —
| align=left|Bergman Island
| align=left|Marie |Nyrerö d
| 2006
| yes Bergman Island[III]
| —
|
|-align=center
| style="background:Grey"|478†
| —
| align=left|Last Year at Marienbad
| align=left|Alain | Resnais
| 1961
| style="background:Grey"| Yes†
| —
|
|-align=center
| 479
| —
| align=left|My Dinner with André
| align=left|Louis | Malle
| 1981
| —
| —
|
|-align=center
| 480
| —
| align=left|{{sort|Human Condition|The Human Condition}}
| align=left|Masaki | Kobayashi
| 1959
| —
| —
|
|-align=center
| 481
| —
| align=left|Made in U.S.A.
| align=left|Jean -Luc| Godard
| 1966
| —
| —
|
|-align=center
| 482
| —
| align=left|2 or 3 Things I Know About Her
| align=left|Jean -Luc| Godard
| 1967
| —
| —
|
|-align=center
| 483
| 212
| align=left|Repulsion
| align=left|Roman | Polanski
| 1965
| yes
| —
|
|-align=center
| 484
| —
| align=left|Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles
| align=left|Chantal | Akerman
| 1975
| —
| —
|
|-align=center
| 485
| —
| align=left|{{sort|Last Days of Disco|The Last Days of Disco}}
| align=left|Whit | Stillman
| 1998
| yes
| —
|
|-align=center
| 486
| —
| align=left|Homicide
| align=left|David | Mamet
| 1991
| —
| —
|
|-align=center
| 487
| —
| align=left|That Hamilton Woman
| align=left|Alexander | Korda
| 1941
| —
| —
|
|-align=center
| 488†
| —
| align=left|Howards End
| align=left|James |Ivory|James Ivory (director)}}
| 1992
| yes
| —
|
|-align=center
| 489
| —
| align=left|Monsoon Wedding
| align=left|Mira | Nair
| 2001
| yes
| —
|
|-align=center
| 490
| —
| align=left|Wings of Desire
| align=left|Wim | Wenders
| 1987
| yes
| —
|
|-align=center
| 491
| 342
| align=left|Z
| align=left|Costa |Gavras|Costa- Gavras
| 1969
| —
| —
|
|-align=center
| 492
| —
| align=left|{{sort|Christmas Tale|A Christmas Tale}}
| align=left|Arnaud | Desplechin
| 2008
| yes
| —
|
|-align=center
| 493
| —
| align=left|Gomorrah
| align=left|Matteo | Garrone
| 2008
| yes
| —
|
|-align=center
| 494
| —
| align=left|Downhill Racer
| align=left|Michael |Ritchie|Michael Ritchie (film director)}}
| 1969
| —
| —
|
|-align=center
| style="background:Goldenrod"|495‡
| —
| align=left|{{sort|Golden Age of Television|The Golden Age of Television}}
| align=left|Delbert | Mann
Fielder Cook
Alex Segal
Daniel Petrie
Cordelia Stone
Ralph Nelson
John Frankenheimer
| 1953–1958
| —
| —
|
|-align=center
| 496
| —
| align=left| Che
| align=left| Steven | Soderbergh
| 2008
| yes
| —
|
|-align=center
| 497
| 257
| align=left| Rome, Open City
| align=left| Roberto | Rossellini
| 1945
| —
| —
| align=left| Roberto Rossellini's War Trilogy (#500)
|-align=center
| 498
| —
| align=left| Paisà
| align=left| Roberto | Rossellini
| 1946
| —
| —
| align=left|Roberto Rossellini's War Trilogy (#500)
|-align=center
| 499
| —
| align=left| Germany, Year Zero
| align=left| Roberto | Rossellini
| 1948
| —
| —
| align=left| Roberto Rossellini's War Trilogy (#500)
|-align=center
| 500
| —
| align=left| Roberto Rossellini's War Trilogy
| align=left| Roberto | Rossellini
| 1945–1948
| —
| —
|
|-align=center
| 501
| —
| align=left| Paris, Texas
| align=left|Wim | Wenders
| 1984
| yes
| —
|
|-align=center
| 502
| —
| align=left| Revanche
| align=left|G ötz| Spielmann
| 2008
| yes
| —
|
|-align=center
| 503
| 12
12A
| align=left|Lola Montès
| align=left|Max |Ophü ls
| 1955
| yes
| —
|
|-align=center
| 504
| —
| align=left| Hunger
| align=left|Steve |McQueen|Steve McQueen (artist)}}
| 2008
| yes
| —
|
|-align=center
| 505
| —
| align=left| Make Way for Tomorrow
| align=left|Leo | McCarey
| 1937
| —
| —
|
|-align=center
| 506
| —
| align=left| Dillinger Is Dead
| align=left|Marco | Ferreri
| 1969
| —
| —
|
|-align=center
| 507
| —
| align=left| Bigger Than Life
| align=left|Nicholas | Ray
| 1956
| yes
| —
|
|-align=center
| 508
| —
| align=left| Letters From Fontainhas: Three Films by Pedro Costa
| align=left|Pedro | Costa
| 1997–2006
| —
| —
|
|-align=center
| 509
| —
| align=left| Ossos
| align=left|Pedro | Costa
| 1997
| —
| —
| align=left| Letters From Fontainhas: Three Films by Pedro Costa (#508)
|-align=center
| 510
| —
| align=left| In Vanda's Room
| align=left|Pedro | Costa
| 2000
| —
| —
| align=left| Letters From Fontainhas: Three Films by Pedro Costa (#508)
|-align=center
| 511
| —
| align=left| Colossal Youth
| align=left|Pedro | Costa
| 2006
| —
| —
| align=left| Letters From Fontainhas: Three Films by Pedro Costa (#508)
|-align=center
| 512
| 345
| align=left| Vivre sa vie
| align=left|Jean -Luc| Godard
| 1962
| yes
| —
|
|-align=center
| 513
| —
| align=left| Summer Hours
| align=left|Olivier | Assayas
| 2008
| yes
| —
|
|-align=center
| 514
| —
| align=left| Ride with the Devil
| align=left|Ang | Lee
| 1999
| yes
| —
|
|-align=center
| 515
| —
| align=left| {{sort|Fugitive Kind|The Fugitive Kind}}
| align=left|Sidney | Lumet
| 1959
| —
| —
|
|-align=center
| 516
| —
| align=left| Stagecoach
| align=left|John | Ford
| 1939
| yes
| —
|
|-align=center
| 517
| —
| align=left| By Brakhage: An Anthology, Volume Two
| align=left| Stan | Brakhage
| 1953–2003
| —
| —
| align=left| By Brakhage: An Anthology, Volumes One and Two (#518)Brakhage[IV]
|-align=center
| 518
| —
| align=left| By Brakhage: An Anthology, Volumes One and Two
| align=left| Stan | Brakhage
| 1953–2003
| yesBrakhage[IV]
| —
|
|-align=center
| 519
| —
| align=left| Close-Up
| align=left|Abbas | Kiarostami
| 1990
| yes
| —
|
|-align=center
| 520
| —
| align=left| Everlasting Moments
| align=left|Jan | Troell
| 2008
| yes
| —
|
|-align=center
| 521
| —
| align=left| Mystery Train
| align=left|Jim | Jarmusch
| 1989
| yes
| —
|
|-align=center
| 522
| —
| align=left| Red Desert
| align=left|Michelangelo | Antonioni
| 1964
| yes
| —
|
|-align=center
| 523
| —
| align=left| Night Train to Munich
| align=left|Carol | Reed
| 1940
| —
| —
|
|-align=center
| 524
| —
| align=left| Two Films by Yasujiro Ozu
| align=left|Yasujir ō| Ozu
| 1936 & 1942
| —
| —
|
|-align=center
| 525
| —
| align=left| {{sort|Only Son|The Only Son}}
| align=left|Yasujir ō| Ozu
| 1936
| —
| —
| align=left| Two Films by Yasujiro Ozu (#524)
|-align=center
| 526
| —
| align=left| There Was a Father
| align=left|Yasujir ō| Ozu
| 1942
| —
| —
| align=left| Two Films by Yasujiro Ozu (#524)
|-align=center
| 527
| —
| align=left| {{sort|Secret of the Grain|The Secret of the Grain}}
| align=left|Abdellatif | Kechiche
| 2007
| yes
| —
|
|-align=center
| 528
| —
| align=left| Three Silent Classics by Josef von Sternberg
| align=left|Josef |von Sternberg
| 1927 & 1928
| —
| —
|
|-align=center
| 529
| —
| align=left| Underworld
| align=left|Josef |von Sternberg
| 1927
| —
| —
| align=left| Three Silent Classics by Josef von Sternberg (#528)
|-align=center
| 530
| —
| align=left| {{sort|Last Command|The Last Command}}
| align=left|Josef |von Sternberg
| 1928
| —
| —
| align=left| Three Silent Classics by Josef von Sternberg (#528)
|-align=center
| 531
| —
| align=left| {{sort|Docks of New York|The Docks of New York}}
| align=left|Josef |von Sternberg
| 1928
| —
| —
| align=left| Three Silent Classics by Josef von Sternberg (#528)
|-align=center
| 532
| —
| align=left| Louie Bluie
| align=left|Terry | Zwigoff
| 1985
| —
| —
|
|-align=center
| 533
| —
| align=left| Crumb
| align=left|Terry | Zwigoff
| 1995
| yes
| —
|
|-align=center
| 534
| —
| align=left| {{sort|Enfance Nue|L'Enfance Nue}}
| align=left|Maurice | Pialat
| 1968
| —
| —
|
|-align=center
| 535
| —
| align=left| Merry Christmas, Mr. Lawrence
| align=left|Nagisa | Oshima
| 1983
| yes
| —
|
|-align=center
| 536
| —
| align=left| {{sort|Thin Red Line|The Thin Red Line}}
| align=left|Terrence | Malick
| 1998
| yes
| —
|
|-align=center
| 537
| 303
| align=left| {{sort|Magician|The Magician}}
| align=left|Ingmar | Bergman
| 1958
| yes
| —
|
|-align=center
| 538
| 57
| align=left| Paths of Glory
| align=left|Stanley | Kubrick
| 1957
| yes
| —
|
|-align=center
| 539
| —
| align=left| House
| align=left|Nobuhiko | Obayashi
| 1977
| yes
| —
|
|-align=center
| 540
| —
| align=left| {{sort|Darjeeling Limited|The Darjeeling Limited}}
| align=left|Wes | Anderson
| 2007
| yes
| —
|
|-align=center
| 541
| 28
| align=left| {{sort|Night of the Hunter|The Night of the Hunter}}
| align=left|Charles | Laughton
| 1955
| yes
| —
|
|-align=center
| 542
| —
| align=left| Antichrist
| align=left|Lars von| Trier
| 2009
| yes
| —
|
|-align=center
| 543
| —
| align=left| Modern Times
| align=left|Charlie | Chaplin
| 1936
| yes
| —
|
|-align=center
| 544
| —
| align=left| Head
| align=left|Bob | Rafelson
| 1968
| yes
| —
| align=left|America Lost and Found: The BBS Story
|-align=center
| 545
| —
| align=left| Easy Rider
| align=left|Dennis | Hopper
| 1969
| yes
| —
| align=left|America Lost and Found: The BBS Story
|-align=center
| 546
| 81
| align=left| Five Easy Pieces
| align=left|Bob | Rafelson
| 1970
| yes
| —
| align=left|America Lost and Found: The BBS Story
|-align=center
| 547
| —
| align=left| Drive, He Said
| align=left|Jack | Nicholson
| 1971
| yes
| —
| align=left|America Lost and Found: The BBS Story
|-align=center
| 548
| —
| align=left| {{sort|Safe Place|A Safe Place}}
| align=left|Henry | Jaglom
| 1971
| yes
| —
| align=left|America Lost and Found: The BBS Story
|-align=center
| 549
| 139
| align=left| {{sort|Last Picture Show|The Last Picture Show}}
| align=left|Peter | Bogdanovich
| 1971
| yes
| —
| align=left|America Lost and Found: The BBS Story
|-align=center
| 550
| —
| align=left| {{sort|King of Marvin Gardens|The King of Marvin Gardens}}
| align=left|Bob | Rafelson
| 1972
| yes
| —
| align=left|America Lost and Found: The BBS Story
|-align=center
| 551
| —
| align=left| Cronos
| align=left|Guillermo |del Toro
| 1993
| yes
| —
|
|-align=center
| 552
| —
| align=left| Broadcast News
| align=left|James L. | Brooks
| 1987
| yes
| —
|
|-align=center
| 553
| —
| align=left| Fish Tank
| align=left|Andrea | Arnold
| 2009
| yes
| —
|
|-align=center
| 554
| —
| align=left| Still Walking
| align=left|Hirokazu | Koreeda
| 2008
| yes
| —
|
|-align=center
| 555
| —
| align=left| Sweet Smell of Success
| align=left|Alexander | Mackendrick
| 1957
| yes
| —
|
|-align=center
| 556
| —
| align=left| Senso
| align=left|Luchino | Visconti
| 1954
| yes
| —
|
|-align=center
| 557
| —
| align=left| {{sort|Times of Harvey Milk|The Times of Harvey Milk}}
| align=left|Robert | Epstein
| 1984
| yes
| —
|
|-align=center
| 558
| —
| align=left| Topsy-Turvy
| align=left|Mike | Leigh
| 1999
| yes
| —
|
|-align=center
| 559
| —
| align=left| {{sort|Mikado|The Mikado}}
| align=left|Victor | Schertzinger
| 1939
| yes
| —
|
|-align=center
| 560
| —
| align=left| White Material
| align=left|Claire | Denis
| 2009
| yes
| —
|
|-align=center
| 561
| —
| align=left| Kes
| align=left|Ken | Loach
| 1969
| yes
| —
|
|-align=center
| 562
| —
| align=left| Blow Out
| align=left|Brian |De Palma
| 1981
| yes
| —
|
|-align=center
| 563
| —
| align=left| Something Wild
| align=left|Jonathan | Demme
| 1986
| yes
| —
|
|-align=center
| 564
| —
| align=left| Pale Flower
| align=left|Masahiro | Shinoda
| 1964
| yes
| —
|
|-align=center
| 565
| —
| align=left| {{sort|Great Dictator|The Great Dictator}}
| align=left|Charlie | Chaplin
| 1940
| yes
| —
|
|-align=center
| 566
| —
| align=left| Insignificance
| align=left|Nicolas | Roeg
| 1985
| yes
| —
|
|-align=center
| 567
| 195
| align=left| {{sort|Makioka Sisters|The Makioka Sisters}}
| align=left|Kon | Ichikawa
| 1983
| yes
| —
|
|-align=center
| 568
| —
| align=left| Kiss Me Deadly
| align=left|Robert | Aldrich
| 1955
| yes
| —
|
|-align=center
| 569
| —
| align=left| People on Sunday
| align=left|Robert | Siodmak
Edgar G. Ulmer
| 1930
| yes
| —
|
|-align=center
| 570
| —
| align=left| Zazie dans le Métro
| align=left|Louis | Malle
| 1960
| yes
| —
|
|-align=center
| 571
| —
| align=left| Black Moon
| align=left|Louis | Malle
| 1975
| yes
| —
|
|-align=center
| style="background:Grey"|572†
| —
| align=left| Léon Morin, Priest
| align=left|Jean -Pierre| Melville
| 1961
| style="background:Grey"| Yes†
| —
|
|-align=center
| 573
| —
| align=left| {{sort|Music Room|The Music Room}}
| align=left|Satyajit | Ray
| 1958
| yes
| —
|
|-align=center
| 574
| —
| align=left| Life During Wartime
| align=left|Todd | Solondz
| 2010
| yes
| —
|
|-align=center
| 575
| —
| align=left| {{sort|Killing|The Killing}}The Killing[3]
| align=left|Stanley | Kubrick
| 1956
| yes
| —
|
|-align=center
| 576
| —
| align=left| Secret Sunshine
| align=left|Lee |Chang- dong
| 2007
| yes
| —
|
|-align=center
| 577
| —
| align=left| Cul-de-sac
| align=left|Roman | Polanski
| 1966
| yes
| —
|
|-align=center
| style="background:Goldenrod"|578‡
| —
| align=left| {{sort|Complete Jean Vigo|The Complete Jean Vigo}}
| align=left|Jean | Vigo
| 1930–1934
| yes
| —
|
|-align=center
| 579
| —
| align=left| {{sort|Phantom Carriage|The Phantom Carriage}}
| align=left|Victor |Sjöströ m
| 1920
| yes
| —
|
|-align=center
| 580
| —
| align=left| {{sort|Beau Serge|Le Beau Serge}}
| align=left|Claude | Chabrol
| 1958
| yes
| —
|
|-align=center
| 581
| —
| align=left| {{sort|Cousins|Les Cousins}}
| align=left|Claude | Chabrol
| 1959
| yes
| —
|
|-align=center
| 582
| —
| align=left| Carlos
| align=left|Olivier | Assayas
| 2010
| yes
| —
|
|-align=center
| 583
| —
| align=left| {{sort|Four Feathers|The Four Feathers}}
| align=left|Zoltan | Korda
| 1939
| yes
| —
|
|-align=center
| 584
| —
| align=left| Kuroneko
| align=left|Kaneto | Shindo
| 1968
| yes
| —
|
|-align=center
| 585
| —
| align=left| Identification of a Woman
| align=left|Michelangelo | Antonioni
| 1982
| yes
| —
|
|-align=center
| 586
| —
| align=left| Island of Lost Souls
| align=left|Erle C.| Kenton
| 1932
| yes
| —
|
|-align=center
| 587
| —
| align=left| {{sort|Three Colors Trilogy|The Three Colors trilogy}}
| align=left|Krzysztof |Kieś lowski
| 1993 & 1994
| yes
| —
|
|-align=center
| 588
| —
| align=left| Three Colors: Blue
| align=left|Krzysztof |Kieś lowski
| 1993
| yes
| —
|
|-align=center
| 589
| —
| align=left| Three Colors: White
| align=left|Krzysztof |Kieś lowski
| 1993
| yes
| —
|
|-align=center
| 590
| —
| align=left| Three Colors: Red
| align=left|Krzysztof |Kieś lowski
| 1994
| yes
| —
|
|-align=center
| 591
| 27
| align=left| 12 Angry Men12 Angry Men[4]
| align=left|Sidney | Lumet
| 1957
| yes
| —
|
|-align=center
| 592
| —
| align=left| Design for Living
| align=left|Ernst | Lubitsch
| 1933
| yes
| —
|
|-align=center
| 593
| 290
| align=left| Belle de Jour
| align=left|Luis |Buñ uel
| 1967
| yes
| —
|
|-align=center
| 594
| —
| align=left| GodzillaGodzilla[5]
| align=left|Ishir ō| Honda
| 1954
| yes
| —
|
|-align=center
| 595
| —
| align=left| {{sort|Moment of Truth|The Moment of Truth}}
| align=left|Francesco | Rosi
| 1965
| yes
| —
|
|-align=center
| 596
| —
| align=left| Three Outlaw Samurai
| align=left|Hideo | Gosha
| 1964
| yes
| —
|
|-align=center
| 597
| —
| align=left| Tiny Furniture
| align=left|Lena | Dunham
| 2010
| yes
| —
|
|-align=center
| 598
| —
| align=left| World On a Wire
| align=left|Rainer Werner| Fassbinder
| 1973
| yes
| —
|
|-align=center
| 599
| —
| align=left| Vanya on 42nd Street
| align=left|Louis | Malle
| 1994
| yes
| —
|
|-align=center
| 600
| —
| align=left| Anatomy of a Murder
| align=left|Otto | Preminger
| 1959
| yes
| —
|
|-align=center
| 601
| —
| align=left| Letter Never Sent
| align=left|Mikhail | Kalatozov
| 1959
| yes
| —
|
|-align=center
| 602
| —
| align=left| {{sort|War Room|The War Room}}
| align=left|D . A.| Pennebaker
Chris Hegedus
| 1993
| yes
| —
|
|-align=center
| 603
| —
| align=left| David Lean Directs Noël Coward
| align=left|David | Lean
Noël Coward
| 1942–1945
| yes
| —
|
|-align=center
| 604
| —
| align=left|In Which We Serve
| align=left|David | Lean
Noël Coward
| 1942
| yes
| —
| align=left| David Lean Directs Noël Coward (#603)
|-align=center
| 605
| —
| align=left|This Happy Breed
| align=left|David | Lean
| 1944
| yes
| —
| align=left|David Lean Directs Noël Coward (#603)
|-align=center
| 606
| —
| align=left|Blithe Spirit
| align=left|David | Lean
| 1945
| yes
| —
| align=left|David Lean Directs Noël Coward (#603)
|-align=center
| 607
| —
| align=left| {{sort|Hollis Frampton Odyssey|A Hollis Frampton Odyssey}}
| align=left|Hollis | Frampton
| 1966–1970
| yes
| —
|
|-align=center
| 608
| —
| align=left|Harold and Maude
| align=left|Hal | Ashby
| 1971
| yes
| —
|
|-align=center
| 609
| —
| align=left|¡Alambrista!
| align=left|Robert M.|Young|Robert M. Young (director)}}
| 1977
| yes
| —
|
|-align=center
| 610
| —
| align=left|{{sort|Organizer|The Organizer}}
| align=left|Mario | Monicelli
| 1963
| yes
| —
|
|-align=center
| 611
| —
| align=left|Being John Malkovich
| align=left|Spike | Jonze
| 1999
| yes
| —
|
|-align=center
| 612
| —
| align=left|Certified CopyCertified Copy[6]
| align=left|Abbas | Kiarostami
| 2010
| yes
| —
|
|-align=center
| 613
| —
| align=left|Summer Interlude
| align=left|Ingmar | Bergman
| 1951
| yes
| —
|
|-align=center
| 614
| —
| align=left|Summer with Monika
| align=left|Ingmar | Bergman
| 1953
| yes
| —
|
|-align=center
| 615
| —
| align=left|{{sort|Gold Rush|The Gold Rush}}
| align=left|Charlie | Chaplin
| 1925 & 1942
| yes
| —
|
|-align=center
| 616
| —
| align=left|Shallow Grave
| align=left|Danny | Boyle
| 1994
| yes
| —
|
|-align=center
| 617
| —
| align=left|And Everything Is Going Fine
| align=left|Steven | Soderbergh
| 2010
| yes
| —
|
|-align=center
| 618
| —
| align=left|Gray's Anatomy
| align=left|Steven | Soderbergh
| 1997
| yes
| —
|
|-align=center
| 619
| —
| align=left|{{sort|Havre|Le Havre}}
| align=left|Aki |Kaurismä ki
| 2011
| yes
| —
|
|-align=center
| 620
| —
| align=left|{{sort|Promesse|La Promesse}}
| align=left|Jean -Pierre|Dardenne|Dardenne brothers
Luc |Dardenne|Dardenne brothers
| 1996
| yes
| —
|
|-align=center
| 621
| —
| align=left|Rosetta
| align=left|Jean -Pierre|Dardenne|Dardenne brothers
Luc |Dardenne|Dardenne brothers
| 1999
| yes
| —
|
|-align=center
| 622
| —
| align=left|Weekend
| align=left|Andrew | Haigh
| 2011
| yes
| —
|
|-align=center
| 623
| —
| align=left|Lonesome
| align=left|Paul | Fejos
| 1928
| yes
| —
|
|-align=center
| 624
| —
| align=left|Quadrophenia
| align=left|Franc | Roddam
| 1979
| yes
| —
|
|-align=center
| 625
| —
| align=left|Eating Raoul
| align=left|Paul | Bartel
| 1982
| yes
| —
|
|-align=center
| 626
| —
| align=left|Les Visiteurs du Soir
| align=left|Marcel |Carné}}
| 1942
| yes
| —
|
|-align=center
| 627
| 365
| align=left| {{sort|Game|The Game}}
| align=left|David | Fincher
| 1997
| yes
| —
|
|-align=center
| 628
| —
| align=left| {{sort|Forgiveness of Blood|The Forgiveness of Blood}}
| align=left|Joshua | Marston
| 2011
| yes
| —
|
|-align=center
| 629
| 148
| align=left|Sunday Bloody Sunday
| align=left|John | Schlesinger
| 1971
| yes
| —
|
|-align=center
| 630
| —
| align=left|Rosemary's Baby
| align=left|Roman | Polanski
| 1968
| yes
| —
|
|-align=center
| 631
| —
| align=left|Trilogy of Life
| align=left|Pier Paolo| Pasolini
| 1971–1974
| yes
| —
|
|-align=center
| 632
| —
| align=left| {{sort|Decameron|The Decameron}}
| align=left|Pier Paolo| Pasolini
| 1971
| yes
| —
| align=left| Trilogy of Life (#631)
|-align=center
| 633
| —
| align=left| {{sort|Canterbury Tales|The Canterbury Tales}}
| align=left|Pier Paolo| Pasolini
| 1972
| yes
| —
| align=left| Trilogy of Life (#631)
|-align=center
| 634
| —
| align=left|Arabian Nights
| align=left|Pier Paolo| Pasolini
| 1974
| yes
| —
| align=left| Trilogy of Life (#631)
|-align=center
| 635
| —
| align=left|Weekend
| align=left|Jean -Luc| Godard
| 1967
| yes
| —
|
|-align=center
| 636
| —
| align=left|Heaven's Gate
| align=left|Michael | Cimino
| 1980
| yes
| —
|
|-align=center
| 637
| 324
| align=left|Purple Noon
| align=left|Ren é|Clé ment
| 1960
| yes
| —
|
|-align=center
| 638
| —
| align=left|Following
| align=left|Christopher | Nolan
| 1999
| yes
| —
|
|-align=center
| 639
| —
| align=left| The Qatsi Trilogy
| align=left|Godfrey | Reggio
| 1983–2002
| yes
| —
|
|-align=center
| 640
| —
| align=left|Koyaanisqatsi
| align=left|Godfrey | Reggio
| 1983
| yes
| —
| align=left| The Qatsi Trilogy (#639)
|-align=center
| 641
| —
| align=left|Powaqqatsi
| align=left|Godfrey | Reggio
| 1988
| yes
| —
| align=left| The Qatsi Trilogy (#639)
|-align=center
| 642
| —
| align=left|Naqoyqatsi
| align=left|Godfrey | Reggio
| 2002
| yes
| —
| align=left| The Qatsi Trilogy (#639)
|-align=center
| 643
| —
| align=left|The Man Who Knew Too Much
| align=left|Alfred | Hitchcock
| 1934
| yes
| —
|
|-align=center
| 644
| —
| align=left|Pina
| align=left|Wim | Wenders
| 2011
| yesPina[V]
| —
|
|-align=center
| 645
| —
| align=left|The Ballad of Narayama
| align=left|Keisuke | Kinoshita
| 1958
| yes
| —
|
|-align=center
| 646
| —
| align=left|The Kid with a Bike
| align=left|Jean -Pierre|Dardenne|Dardenne brothers
Luc |Dardenne|Dardenne brothers
| 2011
| yes
| —
|
|-align=center
| 647
| —
| align=left|On the Waterfront
| align=left|Elia | Kazan
| 1954
| yes
| —
|
|-align=center
| 648
| —
| align=left|Chronicle of a Summer
| align=left|Jean | Rouch
Edgar | Morin
| 1961
| yes
| —
|
|-align=center
| 649
| —
| align=left|Ministry of Fear
| align=left|Fritz | Lang
| 1944
| yes
| —
|
|-align=center
| 650
| —
| align=left|A Man Escaped
| align=left|Robert | Bresson
| 1956
| yes
| —
|
|-align=center
| 651
| —
| align=left|Badlands
| align=left|Terrence | Malick
| 1973
| yes
| —
|
|-align=center
| 652
| —
| align=left|Monsieur Verdoux
| align=left|Charlie | Chaplin
| 1947
| yes
| —
|
|-align=center
| 653
| —
| align=left|Gate of Hell
| align=left|Teinosuke | Kinugasa
| 1953
| yes
| —
|
|-align=center
| 654
| —
| align=left|Repo Man
| align=left|Alex | Cox
| 1984
| yes
| —
|
|-align=center
| 655
| —
| align=left|Pierre Étaix
| align=left|Pierre |É taix
| 1962–1971
| yes
| —
|
|-align=center
| 656
| —
| align=left|Jubal
| align=left|Delmer | Daves
| 1956
| yes
| —
|
|-align=center
| 657‡
| —
| align=left|3:10 to Yuma
| align=left|Delmer | Daves
| 1957
| yes
| —
|
|-align=center
| 658‡
| —
| align=left|Medium Cool
| align=left|Haskell | Wexler
| 1969
| yes
| —
|
|-align=center
| 659‡
| —
| align=left|Life Is Sweet
| align=left|Mike | Leigh
| 1990
| yes
| —
|
|-align=center
| 660
| —
| align=left|Things to Come
| align=left|William Cameron| Menzies
| 1936
| yes
| —
|
|-align=center
| 661‡
| —
| align=left|Marketa Lazarová
| align=left|Franti šek|Vláč il
| 1967
| yes
| —
|
|-align=center
| 662‡
| —
| align=left|Safety Last!
| align=left|Fred |Newmeyer|Fred C. Newmeyer
Sam Taylor
| 1923
| yes
| —
|
|-align=center
| style="background:#8DEEEE"| 663‡
| —
| align=left|Shoah
| align=left|Claude | Lanzmann
| 1985
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:#8DEEEE"| 664‡
| 329
| align=left|The Life of Oharu
| align=left|Kenji | Mizoguchi
| 1952
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:#8DEEEE"| 665‡
| —
| align=left|Babette's Feast
| align=left|Gabriel | Axel
| 1987
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:#8DEEEE"| 666‡
| —
| align=left|The Devil's Backbone
| align=left|Guillermo |del Toro
| 2001
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:#8DEEEE"| 667‡
| —
| align=left|Seconds
| align=left|John | Frankenheimer
| 1966
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:#8DEEEE"| 668‡
| —
| align=left|The Big City
| align=left|Satyajit | Ray
| 1963
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:#8DEEEE"| 669‡
| —
| align=left|Charulata
| align=left|Satyajit | Ray
| 1964
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:#8DEEEE"| 670‡
| —
| align=left|To Be or Not to Be
| align=left|Ernst | Lubitsch
| 1942
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:#8DEEEE"| 671‡
| 96
| align=left|La Cage aux Folles
| align=left|Edouard | Molinaro
| 1978
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:#8DEEEE"| 672‡
| —
| align=left|3 Films by Roberto Rossellini Starring Ingrid Bergman
| align=left|Roberto | Rossellini
| 1950–1954
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:#8DEEEE"| 673‡
| —
| align=left|Stromboli
| align=left|Roberto | Rossellini
| 1950
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:#8DEEEE"| 674‡
| —
| align=left|Europe '51
| align=left|Roberto | Rossellini
| 1952
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:#8DEEEE"| 675‡
| —
| align=left|Journey to Italy
| align=left|Roberto | Rossellini
| 1954
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:#8DEEEE"| 676‡
| —
| align=left|I Married a Witch
| align=left|Ren é| Clair
| 1942
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:#8DEEEE"| 677‡
| —
| align=left|The Uninvited
| align=left|Lewis | Allen
| 1944
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:#8DEEEE"| 678‡
| —
| align=left|La Notte
| align=left|Michelangelo | Antonioni
| 1961
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:#8DEEEE"| 679‡
| —
| align=left|Zatoichi: The Blind Swordsman
| align=left|Kenji | Misumi
Kazuo Mori
Tokuzô Tanaka
Kimiyoshi Yasuda
Kazuo Ikehiro
Akira Inoue
Satsuo Yamamoto
Shintaro Katsu
| 1962–1973
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:#8DEEEE"| 680‡
| —
| align=left|City Lights
| align=left|Charles | Chaplin
| 1931
| style="background:#8DEEEE"| Yes‡
| —
|
|-align=center
| style="background:#8DEEEE"| 681‡
| —
| align=left|Frances Ha
| align=left|Noah | Baumbach
| 2013
| style="background:#8DEEEE"| Yes‡
| —
|
|}
- Floating Weeds I Floating Weeds has been released on Laserdisc and the Essential Art House series, but A Story of Floating Weeds has not.
- Lower Depths II Akira Kurosawa's 1957 adaptation of The Lower Depths is included in the 25 Films by Akira Kurosawa box set, but Jean Renoir's 1936 adaptation is not.
- Bergman Island III Included as The Seventh Seal Blu-ray extra.
- Brakhage IV The By Brakhage: An Anthology Volumes One and Two box set has only been released on Blu-ray.
- Pina V The Pina Blu-ray release features both 2D and 3D versions.
= Additional feature films =
A related feature film (not a documentary related to the film's production or theme) is included as a bonus feature:
- The Lady Vanishes 1 Crook's Tour
- Stranger Than Paradise 2 Permanent Vacation
- The Killing 3 Killer's Kiss
- 12 Angry Men 4 Twelve Angry Men (1954)
- Godzilla 5 Godzilla, King of the Monsters!
- Certified Copy 6 The Report
=April Fool’s pranks=
- On April Fool's Day 2011, spine #573, which was not yet issued, was assigned to the 1984 cult movie C.H.U.D.
- On April Fool’s Day 2012, spine #620, which was not yet issued, was assigned to the 1990 movie Kindergarten Cop.
Essential Art House-only releases
:
| class="wikitable"
! width="550" colspan="2"| Legend |
| width="35" align="center"| —
|Film has not been released on that format or series |
| style="background:Grey" align="center"| †
|A DVD or Blu-ray release currently out of print |
| style="background:#8DEEEE" align="center"| ‡
|A DVD or Blu-ray release that has been announced but has not yet been released |
| colspan="2"| All catalog numbers except Laserdisc refer to the shared spine number assigned to all DVD, Blu-ray, Essential Art House, and online releases. |
| class="wikitable sortable"
! width=35| Spine ! width=35| LD ! width=200| Title ! width=200| Director ! width=35| Original release ! width=210 class="unsortable"| Box set availability |
| align=center
| style="background:Grey"| † | — | align=left| Last Holiday | align=left| Henry | Cass | 1950 | align=left| Essential Art House: Volume Three |
| align=center
| style="background:Grey"| † | — | align=left| Gervaise | align=left| Ren é|Clé ment | 1956 | align=left| Essential Art House: Volume Four |
| align=center
| style="background:Grey"| † | — | align=left| Mayerling | align=left| Anatole | Litvak | 1936 | align=left| Essential Art House: Volume Four |
| align=center
| style="background:Grey"| † | — | align=left| {{sort|Jour se leve|Le Jour Se Lève}} | align=left| Marcel |Carné}} | 1939 | align=left| Essential Art House: Volume Four |
| align=center
| 232 | 76 | align=left| Floating Weeds | align=left| Yasujir ō| Ozu | 1959 | align=left| Essential Art House: Volume Five |
| align=center
| — | — | align=left| Kapò | align=left| Gillo | Pontecorvo | 1959 | align=left| Essential Art House: Volume Five |
- Floating Weeds 2 V Floating Weeds was released by the Criterion Collection with A Story of Floating Weeds.
Merchant Ivory Collection
:
| class="wikitable"
! width="400" colspan="2"| Legend |
| width="35" align="center"| —
|Film has not been released on that format or series |
| align="center"| n/a
|A release not assigned a catalog number |
| class="wikitable sortable"
! width=35| Spine ! width=200| Title ! width=200| Director ! width=35| Original release ! width=35 style="font-size:75%"| Online |
| align=center
| n/a | align=left| {{sort|Ballad of the Sad Cafe|The Ballad of the Sad Café}} | align=left| Simon | Callow | 1991 | — |
| align=center
| n/a | align=left| Bombay Talkie | align=left| James |Ivory|James Ivory (director)}} | 1970 | yes |
| align=center
| n/a | align=left| {{sort|Bostonians|The Bostonians}} | align=left| James |Ivory|James Ivory (director)}} | 1984 | — |
| align=center
| n/a | align=left| {{sort|Courtesans of Bombay|The Courtesans of Bombay}} | align=left| Ismail | Merchant | 1983 | — |
| align=center
| n/a | align=left| {{sort|Deceivers|The Deceivers}} | align=left| Nicholas | Meyer | 1988 | — |
| align=center
| n/a | align=left| {{sort|Europeans|The Europeans}} | align=left| James |Ivory|James Ivory (director)}} | 1979 | — |
| align=center
| n/a | align=left| Heat and Dust | align=left| James |Ivory|James Ivory (director)}} | 1983 | yes |
| align=center
| n/a | align=left| {{sort|Householder|The Householder}} | align=left| James |Ivory|James Ivory (director)}} | 1963 | — |
| align=center
| n/a | align=left| Hullabaloo Over Georgie and Bonnie's Pictures | align=left| James |Ivory|James Ivory (director)}} | 1978 | — |
| align=center
| n/a | align=left| In Custody | align=left| Ismail | Merchant | 1993 | — |
| align=center
| n/a | align=left| Jane Austen in Manhattan | align=left| James |Ivory|James Ivory (director)}} | 1980 | — |
| align=center
| n/a | align=left| Maurice | align=left| James |Ivory|James Ivory (director)}} | 1987 | yes |
| align=center
| n/a | align=left| {{sort|Perfect Murder|The Perfect Murder}} | align=left| Zafar | Hai | 1988 | — |
| align=center
| n/a | align=left| Quartet | align=left| James |Ivory|James Ivory (director)}} | 1981 | yes |
| align=center
| n/a | align=left| Roseland | align=left| James |Ivory|James Ivory (director)}} | 1977 | — |
| align=center
| n/a | align=left| Savages | align=left| James |Ivory|James Ivory (director)}} | 1972 | — |
| align=center
| n/a | align=left| Shakespeare Wallah | align=left| James |Ivory|James Ivory (director)}} | 1965 | yes |
Other releases
:
| class="wikitable"
! width="400" colspan="2"| Legend |
| width="35" align="center"| —
|Film has not been released on that format or series |
| align="center"| n/a
|A release not assigned a catalog number |
| class="wikitable sortable"
! width=35| Spine ! width=35| LD ! width=200| Title ! width=200| Director ! width=35| Original release ! width=210 class="unsortable"| Boxed set availability |
| align=center
| n/a | n/a | align=left| {{sort|Red Balloon|The Red Balloon}} | align=left| Albert | Lamorisse | 1956 | align="left"| Three Children’s Classics from Janus Films |
| align=center
| n/a | n/a | align=left| White Mane | align=left| Albert | Lamorisse | 1953 | align="left"| Three Children’s Classics from Janus Films |
| align=center
| n/a | — | align=left| Paddle to the Sea | align=left| William |Mason|Bill Mason | 1969 | align="left"| Three Children’s Classics from Janus Films |
Boxed sets
=The Criterion Collection boxed sets=
:
| class="wikitable"
! width="400" colspan="2"| Legend |
| width="35" align="center"| —
|Film has not been released on that format or series |
| align="center"| n/a
|A release not assigned a catalog number |
| style="background:Grey" align="center"| †
|A box set release currently out of print. |
== Numbered ==
| class=wikitable |
| width="35"| Spine No. ! width="785"| Title ! width="35" style="font-size:75%"| Blu-ray |
|---|
| align="center"
| style="background:Grey"| 66† | The Orphic Trilogy |— |
| align="center"
| colspan="3"| {| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
The Blood of a Poet (Cocteau, 1930) |style="border:0px;" width="325"| Orpheus (Cocteau, 1949) |style="border:0px;" width="325"| Testament of Orpheus (Cocteau, 1959) |
|-align="center"
| 86
| Eisenstein: The Sound Years
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Alexander Nevsky (Eisenstein, 1946) |style="border:0px;" width="325"| Ivan the Terrible, Part I (Eisenstein, 1962)Ivan I[VI] |style="border:0px;" width="325"| Ivan the Terrible, Part II (Eisenstein, 1950) |
|-align="center"
| 124
| Carl Theodor Dreyer
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Day of Wrath (Dreyer, 1943) Ordet (Dreyer, 1955) |style="border:0px;" width="325"| Gertrud (Dreyer, 1964)
|style="border:0px;" width="325"| Carl Th. Dreyer—My Metier (Jensen, 1995)
|
|-align="center"
| 167
| The Complete Monterey Pop Festival
|yes
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Monterey Pop (Pennebaker, 1967)
|style="border:0px;" width="325"| Jimi Plays Monterey & Shake! Otis at Monterey (Pennebaker and Hegedus, 1986) |style="border:0px;" width="325"|
|
|-align="center"
| 176
| The Killers
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
The Killers (Siodmak, 1946)
|style="border:0px;" width="325"| The Killers (Siegel, 1964) |style="border:0px;" width="325"| The Killers (Tarkovsky, 1956)
|
|-align="center"
| 179
| I Am Curious...
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
I Am Curious—Yellow (Sjöman, 1967) |style="border:0px;" width="325"| I Am Curious—Blue (Sjöman, 1967) |style="border:0px;" width="325"|
|
|-align="center"
| 185
| The Adventures of Antoine Doinel
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
The 400 Blows (Truffaut, 1959) Stolen Kisses (Truffaut, 1968) |style="border:0px;" width="325"| Bed and Board (Truffaut, 1970)
|style="border:0px;" width="325"| Love on the Run (Truffaut, 1979)
|
|-align="center"
| style="background:Grey"| 203†
| The BRD Trilogy
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
The Marriage of Maria Braun (Fassbinder, 1978) |style="border:0px;" width="325"| Lola (Fassbinder, 1981) |style="border:0px;" width="325"| Veronika Voss (Fassbinder, 1982) |
|-align="center"
| 208
| A Film Trilogy by Ingmar Bergman
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Through a Glass Darkly (Bergman, 1961) Winter Light (Bergman, 1962) |style="border:0px;" width="325"| The Silence (Bergman, 1963)
|style="border:0px;" width="325"| Ingmar Bergman Makes a Movie (Sjöman, 1962)
|
|-align="center"
| 241
| Stage and Spectacle: Three Films by Jean Renoir
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
The Golden Coach (Renoir, 1953) |style="border:0px;" width="325"| French Cancan (Renoir, 1955) |style="border:0px;" width="325"| Elena and Her Men (Renoir, 1956) |
|-align="center"
| 250
| John Cassavetes: Five Films
| yes
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Shadows (Cassavetes, 1959) Faces (Cassavetes, 1968) A Woman Under the Influence (Cassavetes, 1974) |style="border:0px;" width="325"| The Killing of a Chinese Bookie (Cassavetes, 1976) Opening Night (Cassavetes, 1976)
|style="border:0px;" width="325"| A Constant Forge (Kiselyak, 2000)
|
|-align="center"
| 261
| Fanny and Alexander Box Set
|yes
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Fanny and Alexander — The Theatrical Version (Bergman, 1982) |style="border:0px;" width="325"| Fanny and Alexander — The Television Version (Bergman, 1982) |style="border:0px;" width="325"| The Making of Fanny and Alexander (Bergman, 1982) |
|-align="center"
| 282
| Andrzej Wajda: Three War Films
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
A Generation (Wajda, 1955) |style="border:0px;" width="325"| Kanal (Wajda, 1957) |style="border:0px;" width="325"| Ashes and Diamonds (Wajda, 1958) |
|-align="center"
| 327
| 3 Films by Louis Malle
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Murmur of the Heart (Malle, 1972) |style="border:0px;" width="325"| Lacombe, Lucien (Malle, 1974) |style="border:0px;" width="325"| Au revoir les enfants (Malle, 1987) |
|-align="center"
| 342
| Six Moral Tales
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
The Bakery Girl of Monceau (Rohmer, 1963) Suzanne’s Career (Rohmer, 1963) |style="border:0px;" width="325"| La collectionneuse (Rohmer, 1967) My Night at Maud’s (Rohmer, 1969) |style="border:0px;" width="325"| Claire’s Knee (Rohmer, 1970) Love in the Afternoon (Rohmer, 1972) |
|-align="center"
| 364
| Monsters and Madmen
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
The Haunted Strangler (Day, 1958) The Atomic Submarine (Bennet, 1959) |style="border:0px;" width="325"| First Man into Space (Day, 1959)
|style="border:0px;" width="325"| Corridors of Blood (Day, 1959)
|
|-align="center"
| 369
| Paul Robeson: Portraits of the Artist
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Body and Soul (Micheaux, 1925) Borderline (Macpherson, 1930)Robeson[VII] The Emperor Jones (Murphy, 1933) |style="border:0px;" width="325"| Sanders of the River (Korda, 1935) Jericho (Freeland, 1937)Robeson[VI] The Proud Valley (Tennyson, 1940) |style="border:0px;" width="325"| Native Land (Hurwitz and Strand, 1942)Robeson[VI] Paul Robeson: Tribute to an Artist (Turell, 1979)Robeson[VI]
|
|-align="center"
| 392
| Three Films by Hiroshi Teshigahara
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Pitfall (Teshigahara, 1962) |style="border:0px;" width="325"| Woman in the Dunes (Teshigahara, 1964) |style="border:0px;" width="325"| The Face of Another (Teshigahara, 1966) |
|-align="center"
| 418
| 4 by Agnès Varda
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
La Pointe Courte (Varda, 1956) Cléo from 5 to 7 (Varda, 1962) |style="border:0px;" width="325"| Le bonheur (Varda, 1965)
|style="border:0px;" width="325"| Vagabond (Varda, 1985)
|
|-align="center"
| 471
| Pigs, Pimps & Prostitutes: 3 Films by Shohei Imamura
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Pigs and Battleships (Imamura, 1962) |style="border:0px;" width="325"| The Insect Woman (Imamura, 1963) |style="border:0px;" width="325"| Intentions of Murder (Imamura, 1964) |
|-align="center"
| 495
| The Golden Age of Television
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Marty (Mann, 1953) Patterns (Cook, 1955) No Time for Sergeants (Segal, 1955) |style="border:0px;" width="325"| A Wind from the South (Petrie and Stone, 1955) Bang the Drum Slowly (Segal, 1956) Requiem for a Heavyweight (Nelson, 1956) |style="border:0px;" width="325"| The Comedian (Frankenheimer, 1957) Days of Wine and Roses (Frankenheimer, 1958)
|
|-align="center"
| 500
| Roberto Rossellini’s War Trilogy
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Rome Open City (Rossellini, 1945) |style="border:0px;" width="325"| Paisan (Rossellini, 1946) |style="border:0px;" width="325"| Germany Year Zero (Rossellini, 1948) |
|-align="center"
| 508
| Letters from Fontainhas: Three Films by Pedro Costa
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Ossos (Costa, 1997) |style="border:0px;" width="325"| In Vanda's Room (Costa, 2000) |style="border:0px;" width="325"| Colossal Youth (Costa, 2006) |
|-align="center"
| 518
| By Brakhage: An Anthology, Volumes One and Two
|yes
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
By Brakhage: An Anthology (1954–2001) |style="border:0px;" width="325"| By Brakhage: An Anthology Volume Two (1953–2003) |style="border:0px;" width="325"|
|
|-align="center"
| align="center"| 528
| Three Silent Classics by Josef von Sternberg
|-
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Underworld (von Sternberg, 1927) |style="border:0px;" width="325"| The Last Command (von Sternberg, 1928) |style="border:0px;" width="325"| The Docks of New York (von Sternberg, 1928) |
|-align="center"
| align="center"| 578
| The Complete Jean Vigo
| yes
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="400"|
À propos de Nice (Vigo and Kaufman, 1930) |style="border:0px;" width="300"| Taris, roi de l'eau (Vigo, 1931) |style="border:0px;" width="300"| Zéro de conduite (Vigo, 1933) |style="border:0px;" width="300"| L'Atalante (Vigo, 1934)
|
|-align="center"
| align="center"| 603
| David Lean Directs Noël Coward
| yes
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Brief Encounter (Lean, 1945) |style="border:0px;" width="325"| In Which We Serve (Lean and Coward, 1942) |style="border:0px;" width="325"| This Happy Breed (Lean, 1944) |style="border:0px;" width="325"| Blithe Spirit (Lean, 1945)
|
|-align="center"
| align="center"| 631
| Trilogy of Life
| yes
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
The Decameron (Pasolini, 1971) |style="border:0px;" width="325"| The Canterbury Tales (Pasolini, 1972) |style="border:0px;" width="325"| Arabian Nights (Pasolini, 1974)
|
|-align="center"
| align="center"| 639
| The Qatsi Trilogy
| yes
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Koyaanisqatsi (Reggio, 1983) |style="border:0px;" width="325"| Powaqqatsi (Reggio, 1988) |style="border:0px;" width="325"| Naqoyqatsi (Reggio, 2002)
|
|-align="center"
| 655
| Pierre Étaix
|— yes
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
The Suitor (Étaix, 1963) Yoyo (Étaix, 1965) |style="border:0px;" width="325"| As Long As You've Got Your Health (Étaix, 1966) Le Grand Amour (Étaix, 1969) |style="border:0px;" width="325"| Land of Milk and Honey (Étaix, 1971) |
|}
- Ivan I VI Ivan the Terrible, Part I was released only in the Eisenstein: The Sound Years box set.
- Robeson VII Borderline, Jericho, Native Land, and Paul Robeson: Tribute to an Artist have been released only in the Paul Robeson: Tribute to an Artist box set.
==Unnumbered==
| class=wikitable |
| width="35"| Spine No. ! width="785"| Title ! width="35" style="font-size:75%"| Blu-ray |
|---|
| align="center"
| n/a | Yojimbo / Sanjuro Box Set |yes |
| align="center"
| colspan="3"| {| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Yojimbo (Kurosawa, 1961) |style="border:0px;" width="325"| Sanjuro (Kurosawa, 1962) |style="border:0px;" width="325"|
|
|-align="center"
| n/a
| Grey Gardens / The Beales of Grey Gardens Box Set
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Grey Gardens (Maysles, Maysles, Hovde, and Meyer, 1962) |style="border:0px;" width="325"| The Beales of Grey Gardens (Maysles and Maysles, 2006) |style="border:0px;" width="325"|
|
|-align="center"
| n/a
| The Samurai Trilogy
|yes
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Samurai I: Musashi Miyamoto (Inagaki, 1954) |style="border:0px;" width="325"| Samurai II: Duel at Ichijoji Temple (Inagaki, 1955) |style="border:0px;" width="325"| Samurai III: Duel at Ganryu Island (Inagaki, 1956) |
|-align="center"
| n/a
| Great Adaptations
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
The Most Dangerous Game (Schoedsack and Pichel, 1932) |style="border:0px;" width="325"| Great Expectations (Lean, 1946) Oliver Twist (Lean, 1956) |style="border:0px;" width="325"| Lord of the Flies (Brook, 1963)
|
|-align="center"
| n/a
| Rebel Samurai: Sixties Swordplay Classics
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Samurai Spy (Shinoda, 1965) Sword of the Beast (Gosha, 1965) |style="border:0px;" width="325"| Samurai Rebellion (Kobayashi, 1967)
|style="border:0px;" width="325"| Kill! (Okamoto, 1968)
|
|-align="center"
| n/a
| Ingmar Bergman: Four Masterworks
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Smiles of a Summer Night (Bergman, 1955) The Seventh Seal (Bergman, 1957) |style="border:0px;" width="325"| Wild Strawberries (Bergman, 1957)
|style="border:0px;" width="325"| The Virgin Spring (Bergman, 1960)
|
|-align="center"
| style="background:Grey"| n/a†
| Wrong Men & Notorious Women: Five Hitchcock Thrillers 1935-1946
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
The 39 Steps (Hitchcock, 1935) Spellbound (Hitchcock, 1945) |style="border:0px;" width="325"| The Lady Vanishes (Hitchcock, 1938) Notorious (Hitchcock, 1946)
|style="border:0px;" width="325"| Rebecca (Hitchcock, 1940)
|
|-align="center"
| align="center"| n/a
| Olivier's Shakespeare
|—
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Henry V (Olivier, 1944) Hamet (Olivier, 1948) |style="border:0px;" width="325"| Richard III (Olivier, 1955)
|
|-align="center"
| align="center"| n/a
| America Lost and Found: The BBS Story
|yes
|-align="center"
| colspan="3"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Easy Rider (Hopper, 1969) |style="border:0px;" width="325"| Five Easy Pieces (Rafelson, 1970) Drive, He Said (Nicholson, 1971)
|style="border:0px;" width="325"| A Safe Place (Jaglom, 1971) The Last Picture Show (Bogdanovich, 1971) The King of Marvin Gardens (Rafelson, 1972)
|
|}
=Essential Art House boxed sets=
:
| class="wikitable"
! width="550" colspan="2"| Legend |
| style="background:Grey" align="center"| †
|A DVD release currently out of print |
| width="35" style="background:#8DEEEE" align="center"| ‡
|A DVD release that has been announced but has not yet been released |
| class=wikitable |
| width="35"| Vol No. ! width="820"| Title |
|---|
| align="center"
| style="background:Grey"|1† | Essential Art House: Volume One |
| align="center"
| colspan="2"| {| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Beauty and the Beast (Cocteau, 1946) Grand Illusion (Renoir, 1937) |style="border:0px;" width="325"| Knife in the Water (Polanski, 1962) Lord of the Flies (Brook, 1963) |style="border:0px;" width="325"| Rashomon (Kurosawa, 1950) Wild Strawberries (Bergman, 1957) |
|-align="center"
| 2
| Essential Art House: Volume Two
|-align="center"
| colspan="2"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
The 400 Blows (Truffaut, 1959) Black Orpheus (Camus, 1959) Ikiru (Kurosawa, 1952) |style="border:0px;" width="325"| The Life and Death of Colonel Blimp (Powell and Pressburger, 1943) Pygmalion (Asquith and Howard, 1938) |style="border:0px;" width="325"| La Strada (Fellini, 1954) |
|-align="center"
| style="background:Grey"|3†
| Essential Art House: Volume Three
|-align="center"
| colspan="2"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Ashes and Diamonds (Wajda, 1958) Forbidden Games (Clément, 1952) |style="border:0px;" width="325"| The Hidden Fortress (Kurosawa, 1958) Last Holiday (Cass, 1950) |style="border:0px;" width="325"| Richard III (Olivier, 1955) Variety Lights (Fellini and Lattuada, 1950) |
|-align="center"
| style="background:Grey"|4†
| Essential Art House: Volume Four
|-align="center"
| colspan="2"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Gervaise (Clément, 1956) Le Jour se lève (Carné, 1939) Mayerling (Litvak, 1936) |style="border:0px;" width="325"| The Tales of Hoffmann (Powell and Pressburger, 1951) The 39 Steps (Hitchcock, 1935) |style="border:0px;" width="325"| Throne of Blood (Kurosawa, 1957)
|
|-align="center"
| n/a
| Essential Art House: 50 Years of Janus Films
|-align="center"
| colspan="2"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
The 39 Steps (Hitchcock, 1935) The 400 Blows (Truffaut, 1959) Alexander Nevsky (Eisenstein, 1938) Ashes and Diamonds (Wajda, 1958) Ballad of a Soldier (Chukhrai, 1959) Beauty and the Beast (Cocteau, 1946) Black Orpheus (Camus, 1959) Brief Encounter (Lean, 1945) The Fallen Idol (Reed, 1948) Fires on the Plain (Ichikawa, 1959) Fists in the Pocket (Bellocchio, 1965) Floating Weeds (Ozu, 1959) Forbidden Games (Clément, 1952) Grand Illusion (Renoir, 1937) Häxan (Christensen, 1922) Ikiru (Kurosawa, 1952) Il Posto (Olmi, 1961) |style="border:0px;" width="325"| The Importance of Being Earnest (Asquith, 1952) Ivan the Terrible, Part II (Eisenstein, 1958) Le Jour se lève (Carné, 1939) Jules and Jim (Truffaut, 1962) Kind Hearts and Coronets (Hamer, 1949) Knife in the Water (Polanski, 1962) The Lady Vanishes (Hitchcock, 1938) The Life and Death of Colonel Blimp (Powell and Pressburger, 1943) Loves of a Blonde (Forman, 1965) L'Avventura (Antonioni, 1960) M (Lang, 1931) Monsieur Hulot's Holiday (Tati, 1953) Miss Julie (Sjöberg, 1951) Pandora’s Box (Wilhelm Pabst, 1929) Pépé le Moko (Duvivier, 1937) Pygmalion (Asquith and Howard, 1938) |style="border:0px;" width="325"| Rashomon (Kurosawa, 1950) Richard III (Olivier, 1955) The Rules of the Game (Renoir, 1939) Seven Samurai (Kurosawa, 1954) The Seventh Seal (Bergman, 1957) The Spirit of the Beehive (Erice, 1973) La Strada (Fellini, 1954) Summertime (Lean, 1955) The Third Man (Reed, 1949) Three Documentaries (Turell, 1962)Three Documentaries[VIII] Ugetsu (Mizoguchi, 1953) Umberto D. (De Sica, 1952) The Virgin Spring (Bergman, 1960) Viridiana (Buñuel, 1961) The Wages of Fear (Clouzot, 1953) The White Sheik (Fellini, 1952) Wild Strawberries (Bergman, 1957)
|
|-align="center"
| 5
| Essential Art House: Volume Five
|-align="center"
| colspan="2"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Brief Encounter (Lean, 1945) 8½ (Fellini, 1963) |style="border:0px;" width="325"| Floating Weeds (Ozu, 1959) Jules and Jim (Truffaut, 1962) |style="border:0px;" width="325"| Kapò (Pontecorvo, 1959) Loves of a Blonde (Forman, 1965) |
|}
- Three Documentaries VIII Three Documentaries includes The Great Chase (1962), The Love Goddesses (1965), and Paul Robeson: Tribute to an Artist (1979) and was released only in the Essential Art House: 50 Years of Janus Films box set.
=Other boxed sets=
| class=wikitable |
| width="855"| Title |
|---|
| align="center"
| Three Children’s Classics from Janus Films |
| align="center"
| {| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
White Mane (Lamorisse, 1952) |style="border:0px;" width="325"| The Red Balloon (Lamorisse, 1956) |style="border:0px;" width="325"| Paddle to the Sea (Mason, 1966) |
|-align="center"
| 10 Years of Rialto Pictures
|-align="center"
|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
The Third Man (Reed, 1949) Touchez pas au grisbi (Becker, 1954) Rififi (Dassin, 1955) Billy Liar (Schlesinger, 1963) |style="border:0px;" width="325"| Band of Outsiders (Godard, 1964) Au hasard Balthazar (Bresson, 1966) Mafioso (Lattuada, 1962) Army of Shadows (Melville, 1969) |style="border:0px;" width="325"| The Discreet Charm of the Bourgeoisie (Buñuel, 1972) Murderous Maids (Denis, 2000)Murderous Maids[IX]
|
|-align="center"
| AK 100: 25 Films by Akira Kurosawa
|-align="center"
| colspan="2"|
| style="background:#F9F9F9" border="0" cellpadding="0" cellspacing="0" |
| style="border:0px;" width="325"|
Sanshiro Sugata (1943) The Most Beautiful (1944) Sanshiro Sugata Part II (1945) The Men Who Tread on the Tiger's Tail (1945) No Regrets for Our Youth (1946) One Wonderful Sunday (1947) Drunken Angel (1948) Stray Dog (1949) Scandal (1950) |style="border:0px;" width="325"| Rashomon (1950) The Idiot (1950) Ikiru (1952) Seven Samurai (1954) I Live in Fear (1955) Throne of Blood (1957) The Lower Depths (1957) The Hidden Fortress (1958)
|style="border:0px;" width="325"| The Bad Sleep Well (1960) Yojimbo (1961) Sanjuro (1962) High and Low (1963) Red Beard (1965) Dodes'ka-den (1970) Kagemusha (1980) Madadayo (1993)Madadayo[X]
|
|}
- Murderous Maids IX Murderous Maids was released only in the 10 Years of Rialto Pictures box set.
- Madadayo X Madadayo was released only in the AK 100: 25 Films by Akira Kurosawa box set.
In other media or brands
See also
References
;General
;Specific
External links
- [http://www.criterion.com/ Official website]
- [http://www.criterion.com/asp/browse.asp Official catalog]