Digital Domain

{{Short description|American visual effects and computer animation company}}

{{About|the VFX company|the audio mastering studio, Digital Domain Mastering|Bob Katz|digital domain, as opposed to analogue domain|digital (disambiguation){{!}}digital}}

{{Multiple_issues|

{{Advert|date=March 2020}}

{{COI|date=August 2018}}

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{{Infobox company

| name = Digital Domain

| logo = Digital Domain logo.svg

| type = Private

| key_people = Daniel Seah (CEO)

| industry = Motion picture

| products =

| services = {{unbulleted list|Visual effects|Animation|Virtual actor}}

| owner = Digital Domain Holdings Limited

| num_employees =

| homepage = {{URL|https://digitaldomain.com}}

| foundation = {{Start date and age|1993}}

| founders = James Cameron
Scott Ross
Stan Winston

| location =

| location_city = Playa Vista, Los Angeles, California

| location_country = United States

}}

Digital Domain (also known as Digital Domain Media Group or DDMG) is an American visual effects, computer animation and digital production company headquartered in Playa Vista, Los Angeles, California.

Digital Domain produced visual effects and animation for more than 500 films, including Dante's Peak, Titanic, Apollo 13, What Dreams May Come, The Fifth Element, Armageddon, Star Trek: Nemesis and The Day After Tomorrow.

The company is known for creating digital imagery for future films, episodics, advertising and games, and virtual and immersive experiences from its nine locations across North America and Asia in Los Angeles, Vancouver, Montreal, Hyderabad, Luxembourg, Beijing, Shanghai, Shenzhen, and Hong Kong.{{Cite web |date=2018-04-17 |title=About {{!}} Digital Domain |url=https://digitaldomain.com/about/ |access-date=2024-03-14 |language=en-US}}

History

The company was founded by film director James Cameron, Stan Winston and Scott Ross in 1993. They began producing visual effects and animation in 1993 with its first three films, True Lies, Interview with the Vampire, and Color of Night, being released in 1994.

File:ASW Fake FA37 2.jpg: the fictional F/A-37 Talon on {{USS|Abraham Lincoln|CVN-72|6}}.]]

= Early 2000s =

In October 2002, Digital Domain launched a wholly owned subsidiary, D2 Software, Inc., to market and distribute its Academy Award-winning compositing software, Nuke.{{cite web|title=Digital Domain launches D2 Software, Inc.|date=9 October 2002 |url=http://www.fxguide.com/featured/Digital_Domain_Launches_D2_Software_Inc/|publisher=FX Guide|access-date=25 May 2013}}

In 2002–2003, Digital Domain co-produced its first feature film, Secondhand Lions, written and directed by Tim McCanlies and starring Michael Caine, Robert Duvall, Haley Joel Osment, and Kyra Sedgwick.{{cite web|title=Expanding Horizons for Digital Domain and Stan Winston|url=http://www.awn.com/articles/expanding-horizons-digital-domain-and-stan-winston|publisher=Animation World Network|access-date=25 May 2013}}{{cite web|title=Secondhand Lions|url=https://www.imdb.com/title/tt0327137/fullcredits?ref_=tt_ov_st_sm#cast|publisher=IMDb.com|access-date=25 May 2013}}

The founders were known for feuding, principally due to internal conflicts over the film Titanic.{{Citation needed|date=January 2024}} Founder Scott Ross announced plans to raise $100 million in financing to become more active as a production company.{{cite news|title=Sinking Ship | work=Forbes | url=https://www.forbes.com/forbes/2005/1114/161.html | date=14 November 2005 | first=Seth | last=Lubove}} This plan never materialized, forcing management to seek a buyer of the company.

= 2006–present =

In May 2006, Digital Domain was purchased by an affiliate of Wyndcrest Holdings, LLC, a private holding company. Wyndcrest's principals then included founder John Textor, director Michael Bay, former Microsoft executive Carl Stork and former NFL player and sports television commentator Dan Marino.{{cite web|url=http://www.cgw.com/Press-Center/News/2006/Digital-Domain-Hires-Three-Creative-Senior-Execu.aspx|title=Digital Domain Hires Three Creative Senior Executives from Visual Effects Industry|date=2006-09-21|publisher=Computer Graphics World|access-date=2011-05-30}} The buyers purchased the company for an estimated $35 million. Textor and Bay would become co-chairman of Digital Domain and Stork was named CEO.

In 2007, Wyndcrest also acquired The Foundry which was tasked with taking over the development of Nuke. The Foundry was subject to a management buy-out in 2009.{{cite web|url=http://www.ft.com/cms/s/0/94359572-4fcc-11de-a692-00144feabdc0.html|archive-url=https://ghostarchive.org/archive/20221210221232/https://www.ft.com/content/94359572-4fcc-11de-a692-00144feabdc0|archive-date=December 10, 2022|url-access=subscription|title=The Foundry returns to former management|last=Palmer|first=Maija|date=June 3, 2009|access-date=October 3, 2012|url-status=live}}

In 2011, Digital Domain Media Group entered into the film production business with a major investment into the feature film Ender's Game, which was a co-production with OddLot Entertainment and Summit Entertainment. The film was released November 1, 2013.{{cite news|last=Cieply|first=Michael|title=A Movie Mogul Rising (Jan. 14, 2013)|url=https://www.nytimes.com/2013/01/15/business/media/enders-game-is-a-bet-for-gigi-pritzkers-oddlot-entertainment.html?pagewanted=all&_r=0|work=The New York Times|access-date=25 May 2013|date=January 14, 2013}}

In November 2011, DDMG took the company public through an initial public offering (IPO), and the company was listed on the NYSE under the symbol DDMG, achieving a market valuation of more than $400 million.{{cite web|url=http://www.nasdaq.com/markets/ipos/company/digital-domain-media-group-inc-828382-67152 |title=Digital Domain Media Group IPO|date=October 23, 2012|access-date=October 23, 2012}}

In 2012, subsidiary Digital Domain created a virtual likeness of the late rap star Tupac Shakur for Dr. Dre's and Snoop Dogg's show at the Coachella Valley Music and Arts Festival. The performance earned Textor's studio the Titanium Award at the 59th annual Cannes Lions International Festival of Creativity.{{cite web |author=Richard Verrier |date=2012-06-25 |title='Virtual 2Pac' image wins award for Digital Domain |url=https://www.latimes.com/entertainment/envelope/la-xpm-2012-jun-25-la-et-ct-digital-domain-tupac-20120625-story.html |access-date=2021-08-11 |website=Los Angeles Times}}{{cite web |author=Kaitlyn Tiffany |date=2018-10-23 |title=No industry is weirder than the dead celebrity hologram industry |url=https://www.vox.com/the-goods/2018/10/23/18010274/amy-winehouse-hologram-tour-controversy-technology |access-date=2021-08-11 |website=vox.com |publisher=Vox}} Digital Domain also announced that the company would create virtual Elvis Presley in partnership with CORE Media Group.{{cite web|url=http://www.businessweek.com/articles/2012-04-16/how-tupac-became-a-hologram-plus-is-elvis-next|archive-url=https://web.archive.org/web/20120419122904/http://www.businessweek.com/articles/2012-04-16/how-tupac-became-a-hologram-plus-is-elvis-next|url-status=dead|archive-date=April 19, 2012|title=How Tupac Became a Hologram: Is Elvis Next|date=April 16, 2012|first=Claire|last=Suddath|access-date=April 16, 2012}}

In 2015, the UFC hired Digital Domain to create a commercial series for their UFC 189 event.{{cite web|url=http://mmajunkie.com/2015/05/dana-white-wants-jose-aldo-vs-conor-mcgregor-to-be-everything-mayweather-vs-pacquiao-was-not|title=Dana White wants Aldo-McGregor to be 'everything Mayweather-Pacquiao was not'|date=May 22, 2015|first=Mike|last=Bohn|access-date=May 25, 2015}}

In 2016, the Pokémon Company hired Digital Domain to create the visual effects for their "Train On" Super Bowl ad, released to celebrate the Pokémon series' 20th anniversary.{{cite web|url=https://twitter.com/PLDHnet/status/694748819418796032|title=Twitter|date=February 2, 2016|access-date=February 2, 2016}}

In 2017, Voltron Chronicles, a VR game Digital Domain co-developed with Universal based on Netflix's Voltron Legendary Defender, went live. Fans can play this game on PSVR, Oculus Rift and HTC Vive for $15.{{cite web|title=There's a VR game to go with Netflix's new 'Voltron' series|date=30 August 2017 |url=https://www.engadget.com/2017/08/30/theres-a-vr-game-to-go-with-netflixs-new-voltron-series/|access-date=November 29, 2017}}

In 2018, Digital Domain celebrated its 25th anniversary while announcing the opening of its second Canadian studio in Montreal, Quebec.{{Cite web |last=Caranicas |first=Peter |date=2018-12-15 |title=Visual Effects Studio Digital Domain to Open New Location Studio in Montreal |url=https://variety.com/2018/artisans/news/avengers-infinity-war-visual-effects-studio-digital-domain-to-open-new-location-studio-in-montreal-1203090490/ |access-date=2024-03-15 |website=Variety |language=en-US}}

In 2019, Digital Domain Head of Software and virtual avatar DigiDoug presented a talk during TED2019 as the first digital human to give a TED Talk in real-time.{{Cite web |last=Domain |first=Digital |title=First Digital Human Gives Ted Talk In Real Time |url=https://www.prnewswire.com/news-releases/first-digital-human-gives-ted-talk-in-real-time-300848500.html |access-date=2024-03-15 |website=www.prnewswire.com |language=en}}

In 2020, Digital Domain introduced Masquerade 2.0, the next iteration of its in-house facial capture system, rebuilt from the ground up to bring feature film-quality characters to next-gen games, episodics and commercials.{{Cite web |title=Digital Domain Introduces Masquerade 2.0 Facial Capture System |url=https://www.awn.com/news/digital-domain-introduces-masquerade-20-facial-capture-system |access-date=2024-03-15 |website=Animation World Network |language=en}} Masquerade 2.0 uses the same tech that was utilized to create Thanos in Avengers: Infinity War and Avengers: Endgame. The development allows the technology to be applied to smaller projects, bringing the full depth and emotion of an actor’s performance to any screen.{{Cite web |date=2020-05-03 |title=Masquerade Offline Capture {{!}} Technology {{!}} Digital Domain |url=https://digitaldomain.com/technology/masquerade-offline-capture/ |access-date=2024-03-15 |language=en-US}}

In 2021, Digital Domain utilized its new proprietary face-swapping tool, Charlatan, to create a realistic hologram/digital human combination of Vince Lombardi for Super Bowl LV.{{Cite web |last=Miller2021-02-08T14:48:00+00:00 |first=Max |title=How the NFL created a digital Vince Lombardi for Superbowl LV |url=https://www.broadcastnow.co.uk/production/how-the-nfl-created-a-digital-vince-lombardi-for-superbowl-lv/5156926.article |access-date=2024-03-15 |website=Broadcast |language=en}}

In 2022, Digital Domain announced “Zoey,” the world’s most advanced autonomous virtual human.{{Cite web |date=2022-05-06 |title=Digital Domain Gives a Face to AI with ‘Zoey,’ the Most Advanced Autonomous Human Ever Created {{!}} {{!}} Digital Domain |url=https://digitaldomain.com/news/digital-domain-gives-a-face-to-ai-with-zoey-the-most-advanced-autonomous-human-ever-created/ |access-date=2024-03-15 |language=en-US}} Powered by machine learning and created using an advanced version of the technology and process that helped bring Thanos to the big screen, the photorealistic Zoey can engage in conversations with multiple participants at once, remember people, access the internet to answer questions and more, paving the way for the next step in the evolution of AI.

=Digital Humans Group=

The company has a sub-division called New Media Group, which is currently led by Hanno Basse, the Chief Technology Officer. This sub-division provides machine learning-based scanning and digitization services to create immersive experiences for any screen. The process involves two programs called Masquerade and Direct Drive, which use high-resolution scans and motion capture technology. The data generated by these programs can be mapped and animated to create compelling visual experiences.{{Cite web |date=2019-09-12 |title=Digital Humans Lab {{!}} Digital Domain |url=https://digitaldomain.com/digital-humans-lab/ |access-date=2024-03-14 |language=en-US}}

Financial difficulties

In 2009, Digital Domain parent company DDMG launched Tradition Studios in Florida to develop and produce original, family-oriented CGI-animated features. The studio moved on January 3, 2012, to a new {{convert|115,000|sqft|m2|adj=on}} facility in Port St. Lucie, built with the city's incentives.{{cite news |last=Erazo |first=Christin |date=December 29, 2011 |title=Digital Domain ready to open its dazzling Tradition Studios {{!}} Photo Gallery |url=http://www.tcpalm.com/news/2011/dec/29/digital-domain-ready-to-open-its-dazzling/ |access-date=December 30, 2011 |newspaper=TCPalm}} The studio attracted a number of creators, including Aaron Blaise, the director of Brother Bear, and Brad Lewis, co-director of Cars 2, who together were developing an animated feature film The Legend of Tembo for a planned 2014 release.{{cite news |last=Giardina |first=Carolyn |date=2011-06-29 |title='Cars 2' Co-Director Brad Lewis Joining Digital Domain's Animation Studio |url=https://www.hollywoodreporter.com/news/cars-2-director-brad-lewis-206886 |access-date=2011-06-29 |work=The Hollywood Reporter}}{{cite news |last=Giardina |first=Carolyn |date=2011-08-10 |title=Aaron Blaise and Chuck Williams will direct the film, currently in development. |url=https://www.hollywoodreporter.com/news/legend-tembo-be-tradition-studios-221461 |access-date=2011-08-11 |work=The Hollywood Reporter}}{{cite news |last=Howk |first=Alexi |date=2011-05-27 |title=Port St. Lucie's Digital Domain positioning itself to rival Disney, Pixar |url=http://www.tcpalm.com/news/2011/may/27/digital-domain-positioning-itself-to-rival-pixar/ |access-date=2011-06-29 |publisher=tcpalm.com}}{{cite news |last=Howk |first=Alexi |date=August 11, 2011 |title=Digital Domain's Tradition Studios' 1st feature film to debut fall 2014 {{!}} Exclusive 1st look |url=http://www.tcpalm.com/news/2011/aug/11/digital-domains-tradition-studios-announces-film/ |access-date=August 16, 2011 |newspaper=TCPalm}}

In November 2011, DDMG completed a successful IPO capital raise for $40 million. Textor's Florida expansion plans did not overcome the continuing negative cash flow of Digital Domain's primary visual effects business. In the summer of 2011, Lydian Private Bank failed.{{Cite web |last=Ostrowski |first=Jeff |title=Palm Beach-based Lydian Private Bank fails |url=https://www.palmbeachpost.com/story/business/2011/08/19/palm-beach-based-lydian-private/7270058007/ |access-date=2024-01-24 |website=The Palm Beach Post |language=en-US}} As DDMG's principal lender and major shareholder, this had a major impact during the peak of DDMG's capital consumption. Lydian's sizable stake was sold to a hedge fund affiliated with Florida Power & Light which was then traded to hedge fund and lender Tenor Capital. Tenor Capital engaged in heavy short-selling of DDMG's publicly listed stock as a strategy to pull cash proceeds from the daily trading of DDMG stock. {{Citation needed|date=January 2024}}

Once considered critical funding for the future of DDMG, the IPO became the vehicle by which hedge funds could prevent the company from accessing capital while profiting from the decline in DDMG's stock price.{{cite web |last=Pfahler |first=Eric |date=September 8, 2013 |title=One year later — how Digital Domain collapsed and how John Textor hopes to regroup |url=http://www.tcpalm.com/news/2013/sep/08/digital_domain-collapse-john-textor/ |access-date=September 8, 2013}} Tenor became a stakeholder in DDMG in early May 2012, with DDMG stock price trading at an all-time high,{{cite web |title=Digital Domain Media (OTCPK: DDMGQ) |url=http://investing.money.msn.com/investments/charts?symbol=ddmgq#"zRange":"11","startDate":"2012-4-16","endDate":"2012-5-18","frequency":"d","chartStyle":"mountain","chartCursor":"1","scaleType":"0","yaxisAlign":"right","mode":"pan" |url-status=dead |archive-url=https://web.archive.org/web/20140226143131/http://investing.money.msn.com/investments/charts/?symbol=ddmgq#"zRange":"11","startDate":"2012-4-16","endDate":"2012-5-18","frequency":"d","chartStyle":"mountain","chartCursor":"1","scaleType":"0","yaxisAlign":"right","mode":"pan" |archive-date=2014-02-26 |access-date=2017-04-25 |website=MSN Money}} but DDMG would soon be unable to access the cash needed to fund its Venice operations and its Florida studio growth.{{cite web |last=Seymour |first=Mike |date=June 17, 2013 |title=John Textor and what really happened inside Digital Domain Media Group? |url=http://www.fxguide.com/featured/john-textor-and-what-really-happened-inside-digital-domain-media-group// |access-date=June 17, 2013}} Documents and emails demonstrate that Digital Domain senior management believed they had options to put cash into the company. However, Tenor Capital had significant weight as a chief lender and, according to Palm Beach Capital and the Tenor strategy, may have been shorting DDMG stock to profit from its failure.{{cite news |last=Kitchens |first=Susan |date=October 16, 2008 |title=The Convertible Arb Irony |url=https://www.forbes.com/2008/10/15/Industry-Insights-Hedge-Fund-Convertible-Short-Panel3.html |access-date=October 16, 2008 |work=Forbes}}

When a deal to fund the company failed on July 31, Tenor Capital cited a violation of a minimum cash covenant and demanded $51 million on August 20 as repayment for its $35 million loan made four months earlier. The lenders appointed Mike Katzenstein as interim chief operating officer of the company who acted without conferring with DDMG senior management, deciding to close the Florida studio, causing Chairman John Textor to submit a letter of resignation "in profound disagreement" with this decision.{{cite web |date=September 7, 2013 |title=John Textor Letter of Resignation |url=http://www.documentcloud.org/documents/779104-john-textor-letter-of-resignation.html#document/p6/a117033 |access-date=2017-05-01}}

On September 7, 2012, it was announced that all of DDMG's Port St. Lucie's operations—including Tradition Studios—were to be shut down, laying off nearly 300 newly trained and recruited employees.{{cite news |date=September 7, 2012 |title=Digital Domain Port St. Lucie facility closing: Nearly 300 employees laid off |url=http://www.wptv.com/dpp/news/region_st_lucie_county/port_st_lucie/reports-of-digital-domains-facility-in-port-st-lucie-closing |url-status=dead |archive-url=https://web.archive.org/web/20120910084321/http://www.wptv.com/dpp/news/region_st_lucie_county/port_st_lucie/reports-of-digital-domains-facility-in-port-st-lucie-closing |archive-date=September 10, 2012 |access-date=September 11, 2012 |work=WPTV News Channel 5 |location=Port St. Lucie, Florida|agency=WPTV}}

= Bankruptcy, financial restructuring, and lawsuits =

On September 11, 2012, Digital Domain Media Group Inc. filed for Chapter 11 bankruptcy protection after the company's hedge fund lenders alleged the company defaulted on a minimum cash covenant relating to a $35 million loan. DDMG's lenders proposed a deal to sell its operating businesses–Digital Domain and Mothership—to a private investment firm, Searchlight Capital Partners, for $15 million. At the public auction on September 21, 2012, Digital Domain's visual effects business and its principal animation feature film properties were instead acquired by a joint venture led by a leading DDMG shareholder Beijing Galloping Horse America, LLC in partnership with Reliance MediaWorks (USA) The sale was approved on September 24, 2012.{{cite news |last=Szalai |first=George |date=September 24, 2012 |title=China's Galloping Horse and India's Reliance MediaWorks Win Auction for Digital Domain |url=https://www.hollywoodreporter.com/news/digital-domain-auction-galloping%20horse-reliance-china-india-400103 |access-date=September 24, 2012 |work=The Hollywood Reporter}}

In July 2013, approximately nine months after Digital Domain filed for bankruptcy, the majority ownership was acquired by Hong Kong listed public company Sun Innovation. This acquisition placed an approximate $3.5 billion valuation on Digital Domain, with Reliance MediaWorks continuing to own the minority stake. Daniel Seah was appointed CEO.{{Cite news |date=July 27, 2013 |title=Digital Domain 3.0 Becomes Part of Sun Innovation |url=http://www.businesswire.com/news/home/20130726005913/en/Digital-Domain-3.0-Part-Sun-Innovation |access-date=November 11, 2013 |work=Press release |publisher=Digital Domain}} Seah spearheaded the bankruptcy acquisition and protection of Digital Domain by DDMG shareholder Beijing Galloping Horse America, LLC.

The bankruptcy and financial restructuring of Digital Domain triggered a number of lawsuits naming John Textor, former Apple CEO John Sculley and the entire Board of Directors, the auditors and others involved in the business and in the IPO offering.{{cite web |date=20 September 2012 |title=Berman DeValerio Files Securities Class Action Lawsuit against Former Executives and Directors of Digital Domain Media Group, Inc. |url=http://www.businesswire.com/news/home/20120920006639/en/Berman-DeValerio-Files-Securities-Class-Action-Lawsuit |access-date=25 May 2013 |work=Business Wire}}{{cite web |last=Howk, Scripps Treasure Coast Newspapers |first=Alexi |title=Digital Domain lawsuits: Three suits accuse Digital Domain of lying about financial status |url=http://www.wptv.com/dpp/news/region_st_lucie_county/port_st_lucie/digital-domain-lawsuits-three-suits-accuse-digital-domain-of-lying-about-financial-status |url-status=dead |archive-url=https://web.archive.org/web/20131111221738/http://www.wptv.com/dpp/news/region_st_lucie_county/port_st_lucie/digital-domain-lawsuits-three-suits-accuse-digital-domain-of-lying-about-financial-status |archive-date=11 November 2013 |access-date=25 May 2013 |publisher=WPTV.com}}{{cite news |title=Securities Class Action Lawsuit Filed Against Digital Domain Media Group, Inc.; Shareholders With Large Losses Encouraged to Contact Holzer Holzer & Fistel, LLC Regarding November 19th Lead Plaintiff Deadline |url=https://finance.yahoo.com/news/securities-class-action-lawsuit-filed-170823170.html |access-date=25 May 2013 |work=Yahoo! Finance}}{{cite magazine |title=Former Digital Domain CEO & Auditors Sued For Fraud By Investors |url=https://deadline.com/2013/05/digital-domain-ceo-auditors-sued-fraud-lawsuit-james-cameron-505591/ |access-date=25 May 2013 |magazine=Deadline Hollywood}}

In February 2015, the Supreme Court of New York and the Inspector General of the State of Florida cleared Textor of any financial wrongdoing,{{cite web |author= |date=2021-08-21 |title=Supreme Court of New York Terminates Lawsuit against John Textor |url=https://www.prweb.com/releases/supreme_court_of_new_york_terminates_lawsuit_against_john_textor/prweb12531982.htm |access-date=2021-08-11 |website=PRWeb |publisher=Cision PR Web }}{{cite report |url=https://www.flgov.com/wp-content/uploads/2013/03/report.pdf |title=Review of the Economic Incentive Award to Digital Domain Media Group |author= |date= |publisher=Executive Office of the Governor |page=2 |docket=2013-11 |author-link= |access-date=2021-08-11}} and The Athletic reported that he had received a settlement from the hedge fund that caused the collapse.{{cite web |author=Matt Slater |date=2021-07-10 |title=Crystal Palace takeover: Benfica arrests cast doubt over Textor's partnership plans |url=https://theathletic.com/2699565/2021/07/10/crystal-palace-takeover-benfica-arrests-cast-doubt-over-textors-partnership-plans/ |access-date=2021-08-11 |website=theathletic.com |publisher=The Athletic}}{{Cite web |last=Tiffany |first=Kaitlyn |date=2018-10-23 |title=Amy Winehouse is going on tour: The dead celebrity hologram industry, explained |url=https://www.vox.com/the-goods/2018/10/23/18010274/amy-winehouse-hologram-tour-controversy-technology |access-date=2022-04-15 |website=Vox |language=en}}

Palm Beach Capital, the largest investor in DDMG, identified hedge funds, Tenor Capital et al., as the primary cause of the company's difficulties. Palm Beach Capital cited unlawful finance penalties and possible illegal short selling strategies designed to damage the company's public stock price.{{cite web |title=Dow Jones & Co. : Digital Domain Investor Palm Beach Capital Sues Over $25M Fee |url=http://pevc.dowjones.com/Article?an=DJFLBO0020121130e8buncoit&cid=32135011&ctype=ts&pid=15&ReturnUrl=http%3a%2f%2fpevc.dowjones.com%2fArticle%3fan%3dDJFLBO0020121130e8buncoit%26cid%3d32135011%26ctype%3dts%26pid%3d15 |access-date=2013-09-27 |archive-date=2013-11-11 |archive-url=https://web.archive.org/web/20131111222528/http://pevc.dowjones.com/Article?an=DJFLBO0020121130e8buncoit&cid=32135011&ctype=ts&pid=15&ReturnUrl=http%3a%2f%2fpevc.dowjones.com%2fArticle%3fan%3dDJFLBO0020121130e8buncoit%26cid%3d32135011%26ctype%3dts%26pid%3d15 |url-status=dead }}{{cite news |date=2012-10-30 |title=Motion seeks to limit how much Digital Domain lenders should be paid back |url=http://www.tcpalm.com/news/2012/oct/30/no-headline---tc_sl_ddmg/ |publisher=The Stuart News and TC Palm}} Ultimately, the hedge fund lenders agreed to settle outstanding claims by the DDMG parties through a May 2016 settlement agreement awarding $8.5 million to former CEO John Textor and $3 million each to the city of Port Saint Lucie and the state of Florida.{{Cite web|url=https://www.tcpalm.com/story/news/local/shaping-our-future/property-values/2016/05/24/port-st-lucie-state-each-gets-3-million-in-digital-domain-settlement-textor-to-get-85-million/89393494/|title=Port St. Lucie, state each gets $3 million in Digital Domain settlement; Textor to get $8.5 million|first=Nicole|last=Rodriguez|website=Treasure Coast}} The settlement also assigned all technology assets of Digital Domain's Florida studio.

Filmography

= Films - 1990s =

class="wikitable mw-collapsible"

!Year

!Films

!Director(s)

!Studio(s) and distributor(s)

!Budget

!Gross

colspan="1" rowspan="3" |1994

|Color of Night

|Richard Rush

|{{Unbulleted list|Hollywood Pictures}}

|$40 million

|$46.7 million

True Lies

|James Cameron

|{{Unbulleted list|20th Century Fox|Lightstorm Entertainment}}

|$100–120 million

|$378.9 million

Interview with the Vampire

|Neil Jordan

|{{Unbulleted list|Warner Bros. Pictures}}

|$60 million

|$223.7 million

rowspan="2" |1995

|Apollo 13

|Ron Howard

|Universal Pictures
Imagine Entertainment

|$52 million

|$355.2 million

Strange Days

|Kathryn Bigelow

|{{Unbulleted list|Lightstorm Entertainment|20th Century Fox}}

|$42 million

|$17 million

colspan="1" rowspan="3" |1996

|Sgt. Bilko

|Jonathan Lynn

|Universal Pictures
Imagine Entertainment

|$39 million

|$7 million

Chain Reaction

|Andrew Davis

|20th Century Fox

|$50 million

|$60.2 million

The Island of Dr. Moreau

|John Frankenheimer

|New Line Cinema

|$40 million

|$49.6 million

colspan="1" rowspan="5" |1997

|Dante's Peak

|Roger Donaldson

|Universal Pictures

|$116 million

|$178.1 million

The Fifth Element

|Luc Besson

|Gaumont

|$90 million

|$263.9 million

Red Corner

|Jon Avnet

|Metro-Goldwyn-Mayer

|$48 million

|$22 million

Titanic

|James Cameron

|Paramount Pictures
20th Century Fox
Lightstorm Entertainment

|$200 million

|$2.264 billion

Kundun

|Martin Scorsese

|Touchstone Pictures

|$28 million

|$5.7 million

colspan="1" rowspan="2" |1998

|Armageddon

|Michael Bay

|Touchstone Pictures
Jerry Bruckheimer Films

|$140 million

|$553.7 million

What Dreams May Come

|Vincent Ward

|Polygram Filmed Entertainment

|$85‒90 million

|$75.4 million

colspan="1" rowspan="3" |1999

|EDtv

|Ron Howard

|Universal Pictures
Imagine Entertainment

|$80 million

|$35.2 million

Lake Placid

|Steve Miner

|rowspan="2" |20th Century Fox

|$27–35 million

|$56.9 million

Fight Club

|David Fincher

|$63–65 million

|$101.2 million

= Films - 2000s =

class="wikitable mw-collapsible"

!Year

!Films

!Director(s)

!Studio(s) and distributor(s)

!Budget

!Gross

colspan="1" rowspan="6" |2000

|Supernova

|Walter Hill
Uncredited:
Jack Sholder
Francis Ford Coppola

|Metro-Goldwyn-Mayer

|$60–90 million

|$14.8 million

Rules of Engagement

|William Friedkin

|Paramount Pictures

|$60 million

|$71.7 million

O Brother, Where Art Thou?

|Joel and Ethan Coen

|Touchstone Pictures
Universal Pictures
StudioCanal

|$26 million

|$71.9 million

X-Men

|Bryan Singer

|20th Century Fox

|$75 million

|$296.3 million

Red Planet

|Antony Hoffman

|Warner Bros. Pictures

|$80 million

|$33.5 million

How the Grinch Stole Christmas

|Ron Howard

|Universal Pictures
Imagine Entertainment

|$123 million

|$345.8 million

rowspan="3" |2001

|The Lord of the Rings: The Fellowship of the Ring

|Peter Jackson

|New Line Cinema

|$93 million

|$898.2 million

Vanilla Sky

|Cameron Crowe

|Paramount Pictures
Summit Entertainment

|$68 million

|$203.4 million

A Beautiful Mind

|Ron Howard

|Universal Pictures
DreamWorks Pictures
Imagine Entertainment

|$58 million

|$316.8 million

rowspan="5" |2002

|We Were Soldiers

|Randall Wallace

|Paramount Pictures

|$75 million

|$115.4 million

The Time Machine

|Simon Wells

|DreamWorks Pictures
Warner Bros. Pictures

|$80 million

|$123.7 million

xXx

|Rob Cohen

|Revolution Studios

|$88.3 million

|$277.4 million

Adaptation

|Spike Jonze

|Columbia Pictures

|$19 million

|$32.8 million

Star Trek: Nemesis

|Stuart Baird

|Paramount Pictures

|$60 million

|$67.3 million

rowspan="7" |2003

|Daredevil

|Mark Steven Johnson

|20th Century Fox

|$78 million

|$179.2 million

Willard

|Glen Morgan

|New Line Cinema

|TBA

|$8.5 million

The Italian Job

|F. Gary Gray

|Paramount Pictures

|$60 million

|$176.1 million

Secondhand Lions

|Tim McCanlies

|New Line Cinema

|$30 million

|$48.3 million

Looney Tunes: Back in Action

|Joe Dante

|Warner Bros. Pictures

|$80 million

|$68.5 million

The Missing

|Ron Howard

|Columbia Pictures
Revolution Studios
Imagine Entertainment

|$60 million

|$38.4 million

Peter Pan

|P.J. Hogan

|Universal Pictures
Columbia Pictures
Revolution Studios

|$130 million

|$122 million

rowspan="3" |2004

|The Day After Tomorrow

|Roland Emmerich

|20th Century Fox
Lionsgate

|$125 million

|$552.6 million

I, Robot

|Alex Proyas

|rowspan="2" |20th Century Fox

|$120 million

|$353.1 million

Flight of the Phoenix

|John Moore

|$45-75 million

|$34.5 million

rowspan="5" |2005

|Cinderella Man

|Ron Howard

|Universal Pictures
Touchstone Pictures
Miramax Films
Imagine Entertainment

|$88 million

|$108.5 million

Dark Water

|Walter Salles

|Touchstone Pictures

|TBA

|$44.4–49.5 million

Charlie and the Chocolate Factory

|Tim Burton

|Warner Bros. Pictures

|$150 million

|$475.8 million

Stealth

|Rob Cohen

|Columbia Pictures

|$135 million

|$79.3 million

Æon Flux

|Karyn Kusama

|Paramount Pictures
Lakeshore Entertainment

|$55-62 million

|$52.3 million

rowspan="6" |2006

|My Super Ex-Girlfriend

|Ivan Reitman

|20th Century Fox

|$30 million

|$61.1 million

Zoom

|Peter Hewitt

|Columbia Pictures
Revolution Studios

|$75.6 million

|$12.5 million

The Texas Chainsaw Massacre: The Beginning

|Johnathan Liebesman

|New Line Cinema

|$16 million

|$51.8 million

Flags of Our Fathers

| rowspan="2" |Clint Eastwood

| rowspan="2" |DreamWorks Pictures
Warner Bros. Pictures
Paramount Pictures
Amblin Entertainment

|$90 million

|$65.9 million

Letters from Iwo Jima

|$19 million

|$68.7 million

The Nativity Story

|Catherine Hardwicke

|New Line Cinema

|$35 million

|$46.4 million

rowspan="8" |2007

|The Hitcher

|Dave Meyers

|Rogue Pictures

|$10 million

|$25.4 million

Zodiac

|David Fincher

|Paramount Pictures
Warner Bros. Pictures

|$65–85 million

|$84.7 million

Meet the Robinsons

|Stephen Anderson

|Walt Disney Pictures

|$150 million

|$169.3 million

Pirates of The Caribbean: At World's End

|Gore Verbinski

|Walt Disney Pictures
Jerry Bruckheimer Films

|$300 million

|$963.4 million

We Own the Night

|James Gray

|Columbia Pictures

|$21–28 million

|$55.3 million

Transformers

|Michael Bay

|DreamWorks Pictures
Paramount Pictures

|$150–200 million

|$709.7 million

The Seeker

|David L. Cunningham

|20th Century Fox

|$45 million

|$31.8 million

The Golden Compass

|Chris Weitz

|New Line Cinema

|$180 million

|$372.2 million

rowspan="5" |2008

|Jumper

|Doug Liman

|20th Century Fox

|$85 million

|$225.1 million

Speed Racer

|The Wachowskis

|Warner Bros. Pictures

|$120 million

|$93.9 million

The Mummy: Tomb of the Dragon Emperor

|Rob Cohen

|Universal Pictures

|$145 million

|$403.4 million

Gran Torino

|Clint Eastwood

|Warner Bros. Pictures

|$25–33 million

|$270 million

The Curious Case of Benjamin Button

|David Fincher

|Paramount Pictures
Warner Bros. Pictures

|$150–167 million

|$335.8 million

rowspan="5" |2009

|Star Trek

|J.J. Abrams

|Paramount Pictures
Spyglass Entertainment

|$150 million

|$385.7 million

Night at the Museum: Battle of the Smithsonian

|Shawn Levy

|20th Century Fox

|$150 million

|$413.1 million

Transformers: Revenge of the Fallen

|Michael Bay

|DreamWorks Pictures
Paramount Pictures

|$200–210 million

|$836.5 million

G.I. Joe: The Rise of Cobra

|Stephen Sommers

|Paramount Pictures
Spyglass Entertainment

|$175 million

|$302.5 million

2012

|Roland Emmerich

|Columbia Pictures

|$200 million

|$791.2 million

= Films - 2010s =

class="wikitable mw-collapsible"

!Year

!Films

!Director(s)

!Studio(s) and distributor(s)

!Budget

!Gross

rowspan="3" |2010

|Percy Jackson & the Olympians: The Lightning Thief

|Chris Columbus

|rowspan="2" |20th Century Fox

|$95 million

|$226.4 million

The A-Team

|Joe Carnahan

|$100–110 million

|$177.2 million

Tron: Legacy

|Joseph Kosinski

|Walt Disney Pictures

|$170 million

|$400.1 million

rowspan="8" |2011

|Thor

|Kenneth Branagh

|Paramount Pictures
Marvel Studios

|$150 million

|$449.3 million

X-Men: First Class

|Matthew Vaughn

|20th Century Fox

|$140–160 million

|$353.6 million

Transformers: Dark of the Moon

|Michael Bay

|Paramount Pictures

|$195 million

|$1.124 billion

The Help

|Tate Taylor

|rowspan="3" |DreamWorks Pictures

|$25 million

|$216.6 million

Fright Night

|Craig Gillespie

|$30 million

|$41 million

Real Steel

|Shawn Levy

|$110 million

|$299.3 million

Killer Elite

|Gary McKendry

|Open Road Films

|$70 million

|$56.4 million

The Girl with the Dragon Tattoo

|David Fincher

|Columbia Pictures
Metro-Goldwyn-Mayer

|$90 million

|$239.3 million

rowspan="6" |2012

|Journey 2: The Mysterious Island

|Brad Peyton

|New Line Cinema

|$80 million

|$335 million

The Avengers

|Joss Whedon

|Marvel Studios
Paramount Pictures

|$220–225 million

|$1.519 billion

The Paperboy

|Lee Daniels

|Millennium Media

|$12.5 million

|$3.78 million

The Amazing Spider-Man

|Marc Webb

|Columbia Pictures

|$200–230 million

|$758 million

Rock of Ages

|Adam Shankman

|New Line Cinema

|$75 million

|$59.4 million

The Watch

|Akiva Schaffer

|20th Century Fox

|$68 million

|$68.3 million

rowspan="7" |2013

|Jack the Giant Slayer

|Bryan Singer

|New Line Cinema
Legendary Pictures

|$185–200 million

|$197 million

G.I. Joe: Retaliation

|Jon M. Chu

|Paramount Pictures
Metro-Goldwyn-Mayer
Skydance Media

|$130-155 million

|$375.7 million

Oblivion

|Joseph Kosinski

|Universal Pictures

|$120 million

|$287.9 million

Iron Man 3

|Shane Black

|Marvel Studios
Paramount Pictures

|$200 million

|$1.215 billion

Her

|Spike Jonze

|Warner Bros. Pictures
Annapurna Pictures

|$23 million

|$48.3 million

Ender's Game

|Gavin Hood

|Summit Entertainment

|$110–115 million

|$125.5 million

47 Ronin

|Carl Rinsch

|Universal Pictures

|$175–225 million

|$151.8 million

rowspan="6" |2014

|X-Men: Days of Future Past

|Bryan Singer

|20th Century Fox

|$200–205 million

|$746 million

Lost River

|Ryan Gosling

|Warner Bros. Pictures

|TBA

|$615,500

Maleficent

|Robert Stromberg

|Walt Disney Pictures

|$180–263 million

|$758.5 million

Into the Storm

|Steven Quale

|New Line Cinema

|$50 million

|$161.7 million

Gone Girl

|David Fincher

|rowspan="2" |20th Century Fox

|$61 million

|$369.3 million

Night at the Museum: Secret of the Tomb

|Shawn Levy

|$127 million

|$363.2 million

rowspan="4" |2015

|Blackhat

|Michael Mann

|Universal Pictures
Legendary Pictures

|$70 million

|$19.7 million

Furious 7

|James Wan

|Universal Pictures

|$190 million

|$1.515 billion

Pixels

|Chris Columbus

|Columbia Pictures

|$88–129 million

|$244.9 million

Eye in the Sky

|Gavin Hood

|Entertainment One

|$13 million

|$35.4 million

rowspan="11" |2016

|Deadpool

|Tim Miller

|20th Century Fox

|$58 million

|$782.8 million

Everybody Wants Some!!

|Richard Linklater

|Paramount Pictures
Annapurna Pictures

|$10 million

|$5.4 million

The Huntsmen: Winter's War

|Cedric Nicolas-Troyan

|Universal Pictures

|$115 million

|$165 million

The Jungle Book

|Jon Favreau

|Walt Disney Pictures

|$175–177 million

|$966.6 million

X-Men: Apocalypse

|Bryan Singer

|20th Century Fox

|$178 million

|$543.9 million

Popstar: Never Stop Never Stopping

|Akiva Schaffer
Jorma Taccone

|Universal Pictures

|$20 million

|$9.7 million

Independence Day: Resurgence

|Roland Emmerich

|20th Century Fox

|$165 million

|$389.7 million

Free State of Jones

|Gary Ross

|STX Entertainment

|$50 million

|$25 million

Suicide Squad

|David Ayer

|Warner Bros. Pictures
DC Films

|$175 million

|$749.2 million

All I See Is You

|Marc Forster

|Open Road Films

|$30 million

|$678,150

Passengers

|Morten Tyldum

|Columbia Pictures

|$110–150 million

|$303.1 million

rowspan="6" |2017

|Beauty and the Beast

|Bill Condon

|Walt Disney Pictures

|$160–255 million

|$1.266 billion

Power Rangers

|Dean Israelite

|Lionsgate

|$100‒105 million

|$142.5 million

The Fate of the Furious

|F. Gary Gray

|rowspan="2" |Universal Pictures

|$250–270 million

|$1.236 billion

The Mummy

|Alex Kurtzman

|$125–195 million

|$410 million

Spider-Man: Homecoming

|Jon Watts

|Columbia Pictures
Marvel Studios

|$175 million

|$880.2 million

Thor: Rangarok

|Taika Waititi

|rowspan="2" |Marvel Studios

|$180 million

|$865 million

rowspan="11" |2018

|Black Panther

|Ryan Coogler

|$200 million

|$1.349 billion

A Wrinkle in Time

|Ava DuVernay

|Walt Disney Pictures

|$100–130 million

|$133.2 million

Ready Player One

|Steven Spielberg

|Warner Bros. Pictures

|$155–175 million

|$607.9 million

Avengers: Infinity War

|Anthony and Joe Russo

|rowspan="2" |Marvel Studios

|$325–400 million

|$2.052 billion

Ant-Man and the Wasp

|Peyton Reed

|$130–195 million

|$622.7 million

Hidden Man

|Jiang Wen

|Gravity Pictures

|TBA

|$85 million

Shadow

|Zhang Yimou

|Tencent Pictures
Well Go USA Entertainment

|TBA

|$91.7 million

Aquaman

|James Wan

|Warner Bros. Pictures
DC Films

|$160–200 million

|$1.152 billion

Hello Mr. Billionaire

|Fei Yan
Damo Peng

|Alibaba Pictures

|rowspan="2" |TBA

|$367 million

Taxiwaala

|Rahul Sankrityan

|GA2 Pictures

|₹42 crore

2.0

|S. Shankar

|Lyca Productions
AA Films

|₹400–600 crore

|₹699.89 crore

rowspan="7" |2019

|NTR: Kathanayakudu

|Krish Jagarlamudi

|Vaaraahi Chalana Chitram

|₹50 crore

|₹32 crore

Captain Marvel

|Anna Boden and Ryan Fleck

|Marvel Studios

|$152–175 million

|$1.131 billion

The Curse of La Llorona

|Michael Chaves

|New Line Cinema

|$9 million

|$123.1 million

Shazam!

|David F. Sandberg

|New Line Cinema
DC Films

|$90–100 million

|$367.8 million

Avengers: Endgame

|Anthony and Joe Russo

|Marvel Studios

|$356–400 million

|$2.799 billion

Terminator: Dark Fate

|Tim Miller

|Paramount Pictures
20th Century Fox
Skydance Media
Tencent Pictures
Lightstorm Entertainment

|$185–196 million

|$261.1 million

Sye Raa Narasimha Reddy

|Surender Reddy

|Excel Entertainment
AA Films

|₹200–300 crore

|$34.2 million

= Films - 2020s =

class="wikitable mw-collapsible"

!Year

!Films

!Director(s)

!Studio(s) and distributor(s)

!Budget

!Gross

rowspan="4" |2020

|The Rescue

|Dante Lam

|Tencent Pictures
Bona Film Group

|$90 million

|$74.9 million

Sonic the Hedgehog

|Jeff Fowler

|Paramount Pictures

|$85–90 million

|$319.7 million

Stargirl

|Julia Hart

|Walt Disney Pictures

|TBA

|N/A

Children of the Corn

| Kurt Wimmer

|RLJE Films

|TBA

|$575,179

rowspan="8" |2021

|Chaos Walking

|Doug Liman

|Lionsgate

|$100–125 million

|$27.1 million

Black Widow

|Cate Shortland

|Marvel Studios

|$288.5 million

|$379.8 million

After Yang

|Kogonada

|A24
Showtime

|$9–20 million

|$729,254

Free Guy

|Shawn Levy

|20th Century Studios

|$100–125 million

|$331.5 million

Shang-Chi and the Legend of the Ten Rings

|Destin Daniel Cretton

|Marvel Studios

|$150–200 million

|$432.2 million

Dune

|Denis Villeneuve

|Warner Bros. Pictures
Legendary Pictures

|$165 million

|$434.8 million

West Side Story

|Steven Spielberg

|20th Century Studios
Amblin Entertainment

|$100 million

|$76 million

Spider-Man: No Way Home

|Jon Watts

|Columbia Pictures
Marvel Studios

|$200 million

|$1.922 billion

rowspan="9" |2022

|The Adam Project

|Shawn Levy

|Netflix
Skydance Media

|$116 million

|TBA

Morbius

|Daniel Espinosa

|Columbia Pictures

|$75–83 million

|$167.5 million

RRR

|S. S. Rajamouli

|DVV Entertainments
Pen Studios

|₹400 crore

|₹1,387.26 crore

Fantastic Beasts: The Secrets of Dumbledore

|David Yates

|Warner Bros. Pictures

|$200 million

|$407.2 million

Doctor Strange and the Multiverse of Madness

|Sam Raimi

|Marvel Studios

|$294.5 million

|$955.8 million

Thirteen Lives

|Ron Howard

|Metro-Goldwyn-Mayer
Amazon Studios
Imagine Entertainment

|$55 million

|N/A

Black Adam

|Jaume Collet-Serra

|New Line Cinema
DC Films

|$190–260 million

|$393.5 million

Black Panther: Wakanda Forever

|Ryan Coogler

|Marvel Studios

|$200–250 million

|$859.2 million

Ordinary Hero

| Tony Chan

| Alibaba Pictures

|TBA

|N/A

rowspan="7" |2023

|Ant-Man and the Wasp: Quantumania

|Peyton Reed

|Marvel Studios

|$276—327 million

|$476.1 million

The Mother

|Niki Caro

|rowspan="3" |Netflix

|rowspan="2" |TBA

|rowspan="2" |N/A

Extraction 2

|Sam Hargrave

Hidden Strike

|Scott Waugh

|$80 million

|$917,381

Agent

|Surendra Reddy

|B4U Films

|₹85 crores

|₹8.5 crore

Ponniyin Selvan: II

|Mani Ratnam

|Madras Talkies
Lyca Productions
Red Giant Movies

|$63 million

|₹350 crore

Blue Beetle

|Angel Manuel Soto

|Warner Bros. Pictures
DC Studios

|$104–125 million

|$130.8 million

rowspan="5" |2024

| Madame Web

|S. J. Clarkson

|Columbia Pictures

|$80–100 million

|$91 million

Dune: Part Two

|Denis Villeneuve

|Warner Bros. Pictures
Legendary Pictures

|$190 million

|$711.8 million

Kalki 2898 AD

| Nag Ashwin

| AA Films

|

|

Devara: Part 1

| Koratala Siva

|N. T. R. Arts

|₹300 crore

|TBA

Venom: The Last Dance

| Kelly Marcel

|Columbia Pictures

|$110 million

|TBA

rowspan="3" | 2025

| Creation of the Gods II: Demon Force

| Wuershan

| CMC Pictures

|

|

Captain America: Brave New World

| Julius Onah

| Marvel Studios

| $180 million

| TBA

A Minecraft Movie

| Jared Hess

| Warner Bros. Pictures

| $150 million

| TBA

= Films - Upcoming =

class="wikitable mw-collapsible"

!Year

!Films

!Director(s)

!Studio(s) and distributor(s)

!Budget

!Gross

rowspan="2" | 2025

| Thunderbolts*

| Jake Schreier

| rowspan="2" | Marvel Studios

| TBA

| TBA

The Fantastic Four: First Steps

| Matt Shakman

| TBA

| TBA

Television series

class="wikitable"

! Year(s)

! Title

! Network

!Ref.

2013–2020

| Agents of S.H.I.E.L.D.

| ABC

|

2015–2016

| Black Sails (seasons 2–3)

| Starz

|

2016–2020

| The Good Place

| NBC

|

rowspan="2" | 2017

| The Mist

| Spike

|

Outlander

| Starz

|

2018–2019

| A Series of Unfortunate Events (seasons 2–3)

| Netflix

|

2019–2020

| The Twilight Zone

| CBS All Access

|

2019–2021

| Lost In Space (seasons 2–3)

| Netflix

|

2020–present

| Chuggington: Tales from the Rails

| Disney Junior

|

2021

| WandaVision

| rowspan="3" |Disney+

|

rowspan="2" |2022

| Ms. Marvel

|

She-Hulk: Attorney at Law

|

2023

| Citadel

| Amazon Prime Video

|

2024

| Agatha All Along

| Disney+

|

Awards

= Film =

class="wikitable"

|+

!Year

!Award

!Title

!Result

!Ref.

1994

|Academy Award for Best Visual Effects

|True Lies

|Nominated

|

1995

|Academy Award for Best Visual Effects

|Apollo 13

|Nominated

|

1997

|Academy Award for Best Visual Effects

|Titanic

|Won

|

1998

|Academy Award for Best Visual Effects

|What Dreams May Come

|Won

|

2004

|Academy Award for Best Visual Effects

|I, Robot

|Nominated

|

2008

|Academy Award for Best Visual Effects

|The Curious Case of Benjamin Button

|Won

|{{cite news |last=Giardina |first=Carolyn |date=2009-02-23 |title='Benjamin Button' is VFX's Holy Grail |url=https://www.hollywoodreporter.com/news/benjamin-button-vfxs-holy-grail-79676 |access-date=2011-05-30 |work=The Hollywood Reporter}}

2011

|Academy Award for Best Visual Effects

|Real Steel

|Nominated

|

2011

|Academy Award for Best Visual Effects

|Transformers: Dark of the Moon

|Nominated

|

Digital Domain has also earned multiple British Academy (BAFTA) Awards for excellence in digital imagery and animation. {{Cite web |date=2018-05-07 |title=Awards {{!}} About {{!}} Digital Domain |url=https://digitaldomain.com/about/awards/ |access-date=2024-03-14 |language=en-US}}

= Design =

class="wikitable"

|+

!Year

!Award

!Recipients

!Title

!Ref.

1998

|Academy of Motion Picture Arts and Sciences (AMPAS) Scientific and Technical Achievement Award

|Dr. Douglas R. Roble

|Track (tracking software)

|{{cite web |last=(Recipient) Roble |first=Dr. Douglas R. |date=1999-02-27 |title=1998 Scientific and Technical Academy Awards: Technical Achievement Awards |url=http://www.oscars.org/scitech/1998/winners.html |archive-url=https://web.archive.org/web/20071208130140/http://www.oscars.org/scitech/1998/winners.html |archive-date=2007-12-08 |access-date=2011-05-30 |publisher=AMPAS}}

2001

|AMPAS Scientific and Technical Achievement Award

|Bill Spitzak, Paul Van Camp, Jonathan Egstad and Price Pethel

|Nuke (compositing software)

|{{cite web |last=(Recipients) Spitzak |first=Bill |author2=Paul Van Camp |author3=Jonathan Egstad |author4=and Price Pethel |date=2002-03-02 |title=2001 Scientific and Technical Academy Awards: Technical Achievement Awards |url=http://www.oscars.org/scitech/2001/winners.html |archive-url=https://web.archive.org/web/20080113143101/http://www.oscars.org/scitech/2001/winners.html |archive-date=2008-01-13 |access-date=2008-06-20 |publisher=AMPAS}}

2004

|AMPAS Scientific and Technical Achievement Award

|Alan Kapler

|Storm (volumetric renderer)

|{{cite web |last=(Recipient) Kapler |first=Alan |date=2005-02-12 |title=2004 Scientific and Technical Academy Awards: Technical Achievement Awards |url=http://www.oscars.org/scitech/2004/winners.html |archive-url=https://web.archive.org/web/20080213212607/http://www.oscars.org/scitech/2004/winners.html |archive-date=2008-02-13 |access-date=2008-06-20 |publisher=AMPAS}}

2007

|AMPAS Scientific and Technical Achievement Award

|Dr. Douglas R. Roble, Nafees Bin Zafar and Ryo Sakaguchi

|Storm (fluid simulation system)

|{{cite web |last=(Recipients) Roble |first=Dr. Douglas R. |author2=Nafees Bin Zafar |author3=and Ryo Sakaguchi |date=2008-02-09 |title=2007 Scientific and Technical Academy Awards: Scientific and Engineering Awards |url=http://www.oscars.org/scitech/2007/winners.html |archive-url=https://web.archive.org/web/20080422193305/http://www.oscars.org/scitech/2007/winners.html |archive-date=2008-04-22 |access-date=2008-06-20 |publisher=AMPAS}}

= Awards =

Digital Domain artists and technologists have been recognized with ten Academy Awards: three for Best Visual Effects (Titanic, What Dreams May Come, The Curious Case of Benjamin Button); and seven for Scientific and Technical Achievement for its proprietary technology such as Track (tracking software), for Nuke (compositing software), for Storm (volumetric renderer), and for its fluid simulation system.{{Cite web |date=2018-05-07 |title=Awards {{!}} About {{!}} Digital Domain |url=https://digitaldomain.com/about/awards/ |access-date=2024-03-15 |language=en-US}}

The company's work has been nominated for eleven Academy Awards for Best Visual Effects (Apollo 13, True Lies, I, Robot, Real Steel,Transformers: Dark of the Moon, Iron Man 3, X-Men: Days of Future Past, Avengers: Infinity War, Ready Player One,Spider-Man: No Way Home, and Free Guy). In addition, its excellence in digital imagery and animation has earned Digital Domain multiple British Academy (BAFTA) Awards.

Digital Domain's advertising division provides digital imagery and animation for television commercials, working with top commercial directors. To date, it has been awarded 21 Clio Awards, 25 AICP Awards, 15 Cannes Lion Awards and numerous other advertising honors. The advertising division has also produced multiple music videos working with artists (including The Rolling Stones, Faith Hill, Creed, Janet Jackson, Busta Rhymes, Björk, Celine Dion, Michael Jackson and Nine Inch Nails) which have earned Grammy and MTV "Music Video of the Year" Awards.{{cite web| title = Digital Domain Recruits ILM Trio | date = 2006-09-20 | publisher=VFXWorld | url=http://www.vfxworld.com/?atype=news&id=17991| access-date = 2008-06-20}}

See also

References

{{Reflist}}

Further reading

  • Bizony, Piers. (2001) Digital Domain: the leading edge of visual effects, London: Aurum Press. {{ISBN|1-85410-707-0}}