Digital Domain
{{Short description|American visual effects and computer animation company}}
{{About|the VFX company|the audio mastering studio, Digital Domain Mastering|Bob Katz|digital domain, as opposed to analogue domain|digital (disambiguation){{!}}digital}}
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{{Infobox company
| name = Digital Domain
| logo = Digital Domain logo.svg
| type = Private
| key_people = Daniel Seah (CEO)
| industry = Motion picture
| products =
| services = {{unbulleted list|Visual effects|Animation|Virtual actor}}
| owner = Digital Domain Holdings Limited
| num_employees =
| homepage = {{URL|https://digitaldomain.com}}
| foundation = {{Start date and age|1993}}
| founders = James Cameron
Scott Ross
Stan Winston
| location =
| location_city = Playa Vista, Los Angeles, California
| location_country = United States
}}
Digital Domain (also known as Digital Domain Media Group or DDMG) is an American visual effects, computer animation and digital production company headquartered in Playa Vista, Los Angeles, California.
Digital Domain produced visual effects and animation for more than 500 films, including Dante's Peak, Titanic, Apollo 13, What Dreams May Come, The Fifth Element, Armageddon, Star Trek: Nemesis and The Day After Tomorrow.
The company is known for creating digital imagery for future films, episodics, advertising and games, and virtual and immersive experiences from its nine locations across North America and Asia in Los Angeles, Vancouver, Montreal, Hyderabad, Luxembourg, Beijing, Shanghai, Shenzhen, and Hong Kong.{{Cite web |date=2018-04-17 |title=About {{!}} Digital Domain |url=https://digitaldomain.com/about/ |access-date=2024-03-14 |language=en-US}}
History
The company was founded by film director James Cameron, Stan Winston and Scott Ross in 1993. They began producing visual effects and animation in 1993 with its first three films, True Lies, Interview with the Vampire, and Color of Night, being released in 1994.
File:ASW Fake FA37 2.jpg: the fictional F/A-37 Talon on {{USS|Abraham Lincoln|CVN-72|6}}.]]
= Early 2000s =
In October 2002, Digital Domain launched a wholly owned subsidiary, D2 Software, Inc., to market and distribute its Academy Award-winning compositing software, Nuke.{{cite web|title=Digital Domain launches D2 Software, Inc.|date=9 October 2002 |url=http://www.fxguide.com/featured/Digital_Domain_Launches_D2_Software_Inc/|publisher=FX Guide|access-date=25 May 2013}}
In 2002–2003, Digital Domain co-produced its first feature film, Secondhand Lions, written and directed by Tim McCanlies and starring Michael Caine, Robert Duvall, Haley Joel Osment, and Kyra Sedgwick.{{cite web|title=Expanding Horizons for Digital Domain and Stan Winston|url=http://www.awn.com/articles/expanding-horizons-digital-domain-and-stan-winston|publisher=Animation World Network|access-date=25 May 2013}}{{cite web|title=Secondhand Lions|url=https://www.imdb.com/title/tt0327137/fullcredits?ref_=tt_ov_st_sm#cast|publisher=IMDb.com|access-date=25 May 2013}}
The founders were known for feuding, principally due to internal conflicts over the film Titanic.{{Citation needed|date=January 2024}} Founder Scott Ross announced plans to raise $100 million in financing to become more active as a production company.{{cite news|title=Sinking Ship | work=Forbes | url=https://www.forbes.com/forbes/2005/1114/161.html | date=14 November 2005 | first=Seth | last=Lubove}} This plan never materialized, forcing management to seek a buyer of the company.
= 2006–present =
In May 2006, Digital Domain was purchased by an affiliate of Wyndcrest Holdings, LLC, a private holding company. Wyndcrest's principals then included founder John Textor, director Michael Bay, former Microsoft executive Carl Stork and former NFL player and sports television commentator Dan Marino.{{cite web|url=http://www.cgw.com/Press-Center/News/2006/Digital-Domain-Hires-Three-Creative-Senior-Execu.aspx|title=Digital Domain Hires Three Creative Senior Executives from Visual Effects Industry|date=2006-09-21|publisher=Computer Graphics World|access-date=2011-05-30}} The buyers purchased the company for an estimated $35 million. Textor and Bay would become co-chairman of Digital Domain and Stork was named CEO.
In 2007, Wyndcrest also acquired The Foundry which was tasked with taking over the development of Nuke. The Foundry was subject to a management buy-out in 2009.{{cite web|url=http://www.ft.com/cms/s/0/94359572-4fcc-11de-a692-00144feabdc0.html|archive-url=https://ghostarchive.org/archive/20221210221232/https://www.ft.com/content/94359572-4fcc-11de-a692-00144feabdc0|archive-date=December 10, 2022|url-access=subscription|title=The Foundry returns to former management|last=Palmer|first=Maija|date=June 3, 2009|access-date=October 3, 2012|url-status=live}}
In 2011, Digital Domain Media Group entered into the film production business with a major investment into the feature film Ender's Game, which was a co-production with OddLot Entertainment and Summit Entertainment. The film was released November 1, 2013.{{cite news|last=Cieply|first=Michael|title=A Movie Mogul Rising (Jan. 14, 2013)|url=https://www.nytimes.com/2013/01/15/business/media/enders-game-is-a-bet-for-gigi-pritzkers-oddlot-entertainment.html?pagewanted=all&_r=0|work=The New York Times|access-date=25 May 2013|date=January 14, 2013}}
In November 2011, DDMG took the company public through an initial public offering (IPO), and the company was listed on the NYSE under the symbol DDMG, achieving a market valuation of more than $400 million.{{cite web|url=http://www.nasdaq.com/markets/ipos/company/digital-domain-media-group-inc-828382-67152 |title=Digital Domain Media Group IPO|date=October 23, 2012|access-date=October 23, 2012}}
In 2012, subsidiary Digital Domain created a virtual likeness of the late rap star Tupac Shakur for Dr. Dre's and Snoop Dogg's show at the Coachella Valley Music and Arts Festival. The performance earned Textor's studio the Titanium Award at the 59th annual Cannes Lions International Festival of Creativity.{{cite web |author=Richard Verrier |date=2012-06-25 |title='Virtual 2Pac' image wins award for Digital Domain |url=https://www.latimes.com/entertainment/envelope/la-xpm-2012-jun-25-la-et-ct-digital-domain-tupac-20120625-story.html |access-date=2021-08-11 |website=Los Angeles Times}}{{cite web |author=Kaitlyn Tiffany |date=2018-10-23 |title=No industry is weirder than the dead celebrity hologram industry |url=https://www.vox.com/the-goods/2018/10/23/18010274/amy-winehouse-hologram-tour-controversy-technology |access-date=2021-08-11 |website=vox.com |publisher=Vox}} Digital Domain also announced that the company would create virtual Elvis Presley in partnership with CORE Media Group.{{cite web|url=http://www.businessweek.com/articles/2012-04-16/how-tupac-became-a-hologram-plus-is-elvis-next|archive-url=https://web.archive.org/web/20120419122904/http://www.businessweek.com/articles/2012-04-16/how-tupac-became-a-hologram-plus-is-elvis-next|url-status=dead|archive-date=April 19, 2012|title=How Tupac Became a Hologram: Is Elvis Next|date=April 16, 2012|first=Claire|last=Suddath|access-date=April 16, 2012}}
In 2015, the UFC hired Digital Domain to create a commercial series for their UFC 189 event.{{cite web|url=http://mmajunkie.com/2015/05/dana-white-wants-jose-aldo-vs-conor-mcgregor-to-be-everything-mayweather-vs-pacquiao-was-not|title=Dana White wants Aldo-McGregor to be 'everything Mayweather-Pacquiao was not'|date=May 22, 2015|first=Mike|last=Bohn|access-date=May 25, 2015}}
In 2016, the Pokémon Company hired Digital Domain to create the visual effects for their "Train On" Super Bowl ad, released to celebrate the Pokémon series' 20th anniversary.{{cite web|url=https://twitter.com/PLDHnet/status/694748819418796032|title=Twitter|date=February 2, 2016|access-date=February 2, 2016}}
In 2017, Voltron Chronicles, a VR game Digital Domain co-developed with Universal based on Netflix's Voltron Legendary Defender, went live. Fans can play this game on PSVR, Oculus Rift and HTC Vive for $15.{{cite web|title=There's a VR game to go with Netflix's new 'Voltron' series|date=30 August 2017 |url=https://www.engadget.com/2017/08/30/theres-a-vr-game-to-go-with-netflixs-new-voltron-series/|access-date=November 29, 2017}}
In 2018, Digital Domain celebrated its 25th anniversary while announcing the opening of its second Canadian studio in Montreal, Quebec.{{Cite web |last=Caranicas |first=Peter |date=2018-12-15 |title=Visual Effects Studio Digital Domain to Open New Location Studio in Montreal |url=https://variety.com/2018/artisans/news/avengers-infinity-war-visual-effects-studio-digital-domain-to-open-new-location-studio-in-montreal-1203090490/ |access-date=2024-03-15 |website=Variety |language=en-US}}
In 2019, Digital Domain Head of Software and virtual avatar DigiDoug presented a talk during TED2019 as the first digital human to give a TED Talk in real-time.{{Cite web |last=Domain |first=Digital |title=First Digital Human Gives Ted Talk In Real Time |url=https://www.prnewswire.com/news-releases/first-digital-human-gives-ted-talk-in-real-time-300848500.html |access-date=2024-03-15 |website=www.prnewswire.com |language=en}}
In 2020, Digital Domain introduced Masquerade 2.0, the next iteration of its in-house facial capture system, rebuilt from the ground up to bring feature film-quality characters to next-gen games, episodics and commercials.{{Cite web |title=Digital Domain Introduces Masquerade 2.0 Facial Capture System |url=https://www.awn.com/news/digital-domain-introduces-masquerade-20-facial-capture-system |access-date=2024-03-15 |website=Animation World Network |language=en}} Masquerade 2.0 uses the same tech that was utilized to create Thanos in Avengers: Infinity War and Avengers: Endgame. The development allows the technology to be applied to smaller projects, bringing the full depth and emotion of an actor’s performance to any screen.{{Cite web |date=2020-05-03 |title=Masquerade Offline Capture {{!}} Technology {{!}} Digital Domain |url=https://digitaldomain.com/technology/masquerade-offline-capture/ |access-date=2024-03-15 |language=en-US}}
In 2021, Digital Domain utilized its new proprietary face-swapping tool, Charlatan, to create a realistic hologram/digital human combination of Vince Lombardi for Super Bowl LV.{{Cite web |last=Miller2021-02-08T14:48:00+00:00 |first=Max |title=How the NFL created a digital Vince Lombardi for Superbowl LV |url=https://www.broadcastnow.co.uk/production/how-the-nfl-created-a-digital-vince-lombardi-for-superbowl-lv/5156926.article |access-date=2024-03-15 |website=Broadcast |language=en}}
In 2022, Digital Domain announced “Zoey,” the world’s most advanced autonomous virtual human.{{Cite web |date=2022-05-06 |title=Digital Domain Gives a Face to AI with ‘Zoey,’ the Most Advanced Autonomous Human Ever Created {{!}} {{!}} Digital Domain |url=https://digitaldomain.com/news/digital-domain-gives-a-face-to-ai-with-zoey-the-most-advanced-autonomous-human-ever-created/ |access-date=2024-03-15 |language=en-US}} Powered by machine learning and created using an advanced version of the technology and process that helped bring Thanos to the big screen, the photorealistic Zoey can engage in conversations with multiple participants at once, remember people, access the internet to answer questions and more, paving the way for the next step in the evolution of AI.
=Digital Humans Group=
The company has a sub-division called New Media Group, which is currently led by Hanno Basse, the Chief Technology Officer. This sub-division provides machine learning-based scanning and digitization services to create immersive experiences for any screen. The process involves two programs called Masquerade and Direct Drive, which use high-resolution scans and motion capture technology. The data generated by these programs can be mapped and animated to create compelling visual experiences.{{Cite web |date=2019-09-12 |title=Digital Humans Lab {{!}} Digital Domain |url=https://digitaldomain.com/digital-humans-lab/ |access-date=2024-03-14 |language=en-US}}
Financial difficulties
In 2009, Digital Domain parent company DDMG launched Tradition Studios in Florida to develop and produce original, family-oriented CGI-animated features. The studio moved on January 3, 2012, to a new {{convert|115,000|sqft|m2|adj=on}} facility in Port St. Lucie, built with the city's incentives.{{cite news |last=Erazo |first=Christin |date=December 29, 2011 |title=Digital Domain ready to open its dazzling Tradition Studios {{!}} Photo Gallery |url=http://www.tcpalm.com/news/2011/dec/29/digital-domain-ready-to-open-its-dazzling/ |access-date=December 30, 2011 |newspaper=TCPalm}} The studio attracted a number of creators, including Aaron Blaise, the director of Brother Bear, and Brad Lewis, co-director of Cars 2, who together were developing an animated feature film The Legend of Tembo for a planned 2014 release.{{cite news |last=Giardina |first=Carolyn |date=2011-06-29 |title='Cars 2' Co-Director Brad Lewis Joining Digital Domain's Animation Studio |url=https://www.hollywoodreporter.com/news/cars-2-director-brad-lewis-206886 |access-date=2011-06-29 |work=The Hollywood Reporter}}{{cite news |last=Giardina |first=Carolyn |date=2011-08-10 |title=Aaron Blaise and Chuck Williams will direct the film, currently in development. |url=https://www.hollywoodreporter.com/news/legend-tembo-be-tradition-studios-221461 |access-date=2011-08-11 |work=The Hollywood Reporter}}{{cite news |last=Howk |first=Alexi |date=2011-05-27 |title=Port St. Lucie's Digital Domain positioning itself to rival Disney, Pixar |url=http://www.tcpalm.com/news/2011/may/27/digital-domain-positioning-itself-to-rival-pixar/ |access-date=2011-06-29 |publisher=tcpalm.com}}{{cite news |last=Howk |first=Alexi |date=August 11, 2011 |title=Digital Domain's Tradition Studios' 1st feature film to debut fall 2014 {{!}} Exclusive 1st look |url=http://www.tcpalm.com/news/2011/aug/11/digital-domains-tradition-studios-announces-film/ |access-date=August 16, 2011 |newspaper=TCPalm}}
In November 2011, DDMG completed a successful IPO capital raise for $40 million. Textor's Florida expansion plans did not overcome the continuing negative cash flow of Digital Domain's primary visual effects business. In the summer of 2011, Lydian Private Bank failed.{{Cite web |last=Ostrowski |first=Jeff |title=Palm Beach-based Lydian Private Bank fails |url=https://www.palmbeachpost.com/story/business/2011/08/19/palm-beach-based-lydian-private/7270058007/ |access-date=2024-01-24 |website=The Palm Beach Post |language=en-US}} As DDMG's principal lender and major shareholder, this had a major impact during the peak of DDMG's capital consumption. Lydian's sizable stake was sold to a hedge fund affiliated with Florida Power & Light which was then traded to hedge fund and lender Tenor Capital. Tenor Capital engaged in heavy short-selling of DDMG's publicly listed stock as a strategy to pull cash proceeds from the daily trading of DDMG stock. {{Citation needed|date=January 2024}}
Once considered critical funding for the future of DDMG, the IPO became the vehicle by which hedge funds could prevent the company from accessing capital while profiting from the decline in DDMG's stock price.{{cite web |last=Pfahler |first=Eric |date=September 8, 2013 |title=One year later — how Digital Domain collapsed and how John Textor hopes to regroup |url=http://www.tcpalm.com/news/2013/sep/08/digital_domain-collapse-john-textor/ |access-date=September 8, 2013}} Tenor became a stakeholder in DDMG in early May 2012, with DDMG stock price trading at an all-time high,{{cite web |title=Digital Domain Media (OTCPK: DDMGQ) |url=http://investing.money.msn.com/investments/charts?symbol=ddmgq#"zRange":"11","startDate":"2012-4-16","endDate":"2012-5-18","frequency":"d","chartStyle":"mountain","chartCursor":"1","scaleType":"0","yaxisAlign":"right","mode":"pan" |url-status=dead |archive-url=https://web.archive.org/web/20140226143131/http://investing.money.msn.com/investments/charts/?symbol=ddmgq#"zRange":"11","startDate":"2012-4-16","endDate":"2012-5-18","frequency":"d","chartStyle":"mountain","chartCursor":"1","scaleType":"0","yaxisAlign":"right","mode":"pan" |archive-date=2014-02-26 |access-date=2017-04-25 |website=MSN Money}} but DDMG would soon be unable to access the cash needed to fund its Venice operations and its Florida studio growth.{{cite web |last=Seymour |first=Mike |date=June 17, 2013 |title=John Textor and what really happened inside Digital Domain Media Group? |url=http://www.fxguide.com/featured/john-textor-and-what-really-happened-inside-digital-domain-media-group// |access-date=June 17, 2013}} Documents and emails demonstrate that Digital Domain senior management believed they had options to put cash into the company. However, Tenor Capital had significant weight as a chief lender and, according to Palm Beach Capital and the Tenor strategy, may have been shorting DDMG stock to profit from its failure.{{cite news |last=Kitchens |first=Susan |date=October 16, 2008 |title=The Convertible Arb Irony |url=https://www.forbes.com/2008/10/15/Industry-Insights-Hedge-Fund-Convertible-Short-Panel3.html |access-date=October 16, 2008 |work=Forbes}}
When a deal to fund the company failed on July 31, Tenor Capital cited a violation of a minimum cash covenant and demanded $51 million on August 20 as repayment for its $35 million loan made four months earlier. The lenders appointed Mike Katzenstein as interim chief operating officer of the company who acted without conferring with DDMG senior management, deciding to close the Florida studio, causing Chairman John Textor to submit a letter of resignation "in profound disagreement" with this decision.{{cite web |date=September 7, 2013 |title=John Textor Letter of Resignation |url=http://www.documentcloud.org/documents/779104-john-textor-letter-of-resignation.html#document/p6/a117033 |access-date=2017-05-01}}
On September 7, 2012, it was announced that all of DDMG's Port St. Lucie's operations—including Tradition Studios—were to be shut down, laying off nearly 300 newly trained and recruited employees.{{cite news |date=September 7, 2012 |title=Digital Domain Port St. Lucie facility closing: Nearly 300 employees laid off |url=http://www.wptv.com/dpp/news/region_st_lucie_county/port_st_lucie/reports-of-digital-domains-facility-in-port-st-lucie-closing |url-status=dead |archive-url=https://web.archive.org/web/20120910084321/http://www.wptv.com/dpp/news/region_st_lucie_county/port_st_lucie/reports-of-digital-domains-facility-in-port-st-lucie-closing |archive-date=September 10, 2012 |access-date=September 11, 2012 |work=WPTV News Channel 5 |location=Port St. Lucie, Florida|agency=WPTV}}
= Bankruptcy, financial restructuring, and lawsuits =
On September 11, 2012, Digital Domain Media Group Inc. filed for Chapter 11 bankruptcy protection after the company's hedge fund lenders alleged the company defaulted on a minimum cash covenant relating to a $35 million loan. DDMG's lenders proposed a deal to sell its operating businesses–Digital Domain and Mothership—to a private investment firm, Searchlight Capital Partners, for $15 million. At the public auction on September 21, 2012, Digital Domain's visual effects business and its principal animation feature film properties were instead acquired by a joint venture led by a leading DDMG shareholder Beijing Galloping Horse America, LLC in partnership with Reliance MediaWorks (USA) The sale was approved on September 24, 2012.{{cite news |last=Szalai |first=George |date=September 24, 2012 |title=China's Galloping Horse and India's Reliance MediaWorks Win Auction for Digital Domain |url=https://www.hollywoodreporter.com/news/digital-domain-auction-galloping%20horse-reliance-china-india-400103 |access-date=September 24, 2012 |work=The Hollywood Reporter}}
In July 2013, approximately nine months after Digital Domain filed for bankruptcy, the majority ownership was acquired by Hong Kong listed public company Sun Innovation. This acquisition placed an approximate $3.5 billion valuation on Digital Domain, with Reliance MediaWorks continuing to own the minority stake. Daniel Seah was appointed CEO.{{Cite news |date=July 27, 2013 |title=Digital Domain 3.0 Becomes Part of Sun Innovation |url=http://www.businesswire.com/news/home/20130726005913/en/Digital-Domain-3.0-Part-Sun-Innovation |access-date=November 11, 2013 |work=Press release |publisher=Digital Domain}} Seah spearheaded the bankruptcy acquisition and protection of Digital Domain by DDMG shareholder Beijing Galloping Horse America, LLC.
The bankruptcy and financial restructuring of Digital Domain triggered a number of lawsuits naming John Textor, former Apple CEO John Sculley and the entire Board of Directors, the auditors and others involved in the business and in the IPO offering.{{cite web |date=20 September 2012 |title=Berman DeValerio Files Securities Class Action Lawsuit against Former Executives and Directors of Digital Domain Media Group, Inc. |url=http://www.businesswire.com/news/home/20120920006639/en/Berman-DeValerio-Files-Securities-Class-Action-Lawsuit |access-date=25 May 2013 |work=Business Wire}}{{cite web |last=Howk, Scripps Treasure Coast Newspapers |first=Alexi |title=Digital Domain lawsuits: Three suits accuse Digital Domain of lying about financial status |url=http://www.wptv.com/dpp/news/region_st_lucie_county/port_st_lucie/digital-domain-lawsuits-three-suits-accuse-digital-domain-of-lying-about-financial-status |url-status=dead |archive-url=https://web.archive.org/web/20131111221738/http://www.wptv.com/dpp/news/region_st_lucie_county/port_st_lucie/digital-domain-lawsuits-three-suits-accuse-digital-domain-of-lying-about-financial-status |archive-date=11 November 2013 |access-date=25 May 2013 |publisher=WPTV.com}}{{cite news |title=Securities Class Action Lawsuit Filed Against Digital Domain Media Group, Inc.; Shareholders With Large Losses Encouraged to Contact Holzer Holzer & Fistel, LLC Regarding November 19th Lead Plaintiff Deadline |url=https://finance.yahoo.com/news/securities-class-action-lawsuit-filed-170823170.html |access-date=25 May 2013 |work=Yahoo! Finance}}{{cite magazine |title=Former Digital Domain CEO & Auditors Sued For Fraud By Investors |url=https://deadline.com/2013/05/digital-domain-ceo-auditors-sued-fraud-lawsuit-james-cameron-505591/ |access-date=25 May 2013 |magazine=Deadline Hollywood}}
In February 2015, the Supreme Court of New York and the Inspector General of the State of Florida cleared Textor of any financial wrongdoing,{{cite web |author= |date=2021-08-21 |title=Supreme Court of New York Terminates Lawsuit against John Textor |url=https://www.prweb.com/releases/supreme_court_of_new_york_terminates_lawsuit_against_john_textor/prweb12531982.htm |access-date=2021-08-11 |website=PRWeb |publisher=Cision PR Web }}{{cite report |url=https://www.flgov.com/wp-content/uploads/2013/03/report.pdf |title=Review of the Economic Incentive Award to Digital Domain Media Group |author= |date= |publisher=Executive Office of the Governor |page=2 |docket=2013-11 |author-link= |access-date=2021-08-11}} and The Athletic reported that he had received a settlement from the hedge fund that caused the collapse.{{cite web |author=Matt Slater |date=2021-07-10 |title=Crystal Palace takeover: Benfica arrests cast doubt over Textor's partnership plans |url=https://theathletic.com/2699565/2021/07/10/crystal-palace-takeover-benfica-arrests-cast-doubt-over-textors-partnership-plans/ |access-date=2021-08-11 |website=theathletic.com |publisher=The Athletic}}{{Cite web |last=Tiffany |first=Kaitlyn |date=2018-10-23 |title=Amy Winehouse is going on tour: The dead celebrity hologram industry, explained |url=https://www.vox.com/the-goods/2018/10/23/18010274/amy-winehouse-hologram-tour-controversy-technology |access-date=2022-04-15 |website=Vox |language=en}}
Palm Beach Capital, the largest investor in DDMG, identified hedge funds, Tenor Capital et al., as the primary cause of the company's difficulties. Palm Beach Capital cited unlawful finance penalties and possible illegal short selling strategies designed to damage the company's public stock price.{{cite web |title=Dow Jones & Co. : Digital Domain Investor Palm Beach Capital Sues Over $25M Fee |url=http://pevc.dowjones.com/Article?an=DJFLBO0020121130e8buncoit&cid=32135011&ctype=ts&pid=15&ReturnUrl=http%3a%2f%2fpevc.dowjones.com%2fArticle%3fan%3dDJFLBO0020121130e8buncoit%26cid%3d32135011%26ctype%3dts%26pid%3d15 |access-date=2013-09-27 |archive-date=2013-11-11 |archive-url=https://web.archive.org/web/20131111222528/http://pevc.dowjones.com/Article?an=DJFLBO0020121130e8buncoit&cid=32135011&ctype=ts&pid=15&ReturnUrl=http%3a%2f%2fpevc.dowjones.com%2fArticle%3fan%3dDJFLBO0020121130e8buncoit%26cid%3d32135011%26ctype%3dts%26pid%3d15 |url-status=dead }}{{cite news |date=2012-10-30 |title=Motion seeks to limit how much Digital Domain lenders should be paid back |url=http://www.tcpalm.com/news/2012/oct/30/no-headline---tc_sl_ddmg/ |publisher=The Stuart News and TC Palm}} Ultimately, the hedge fund lenders agreed to settle outstanding claims by the DDMG parties through a May 2016 settlement agreement awarding $8.5 million to former CEO John Textor and $3 million each to the city of Port Saint Lucie and the state of Florida.{{Cite web|url=https://www.tcpalm.com/story/news/local/shaping-our-future/property-values/2016/05/24/port-st-lucie-state-each-gets-3-million-in-digital-domain-settlement-textor-to-get-85-million/89393494/|title=Port St. Lucie, state each gets $3 million in Digital Domain settlement; Textor to get $8.5 million|first=Nicole|last=Rodriguez|website=Treasure Coast}} The settlement also assigned all technology assets of Digital Domain's Florida studio.
Filmography
= Films - 1990s =
class="wikitable mw-collapsible"
!Year !Films !Director(s) !Studio(s) and distributor(s) !Budget !Gross |
colspan="1" rowspan="3" |1994
|{{Unbulleted list|Hollywood Pictures}} |$40 million |$46.7 million |
True Lies
|{{Unbulleted list|20th Century Fox|Lightstorm Entertainment}} |$100–120 million |$378.9 million |
Interview with the Vampire
|{{Unbulleted list|Warner Bros. Pictures}} |$60 million |$223.7 million |
rowspan="2" |1995
|Universal Pictures |$52 million |$355.2 million |
Strange Days
|{{Unbulleted list|Lightstorm Entertainment|20th Century Fox}} |$42 million |$17 million |
colspan="1" rowspan="3" |1996
|Universal Pictures |$39 million |$7 million |
Chain Reaction
|20th Century Fox |$50 million |$60.2 million |
The Island of Dr. Moreau
|New Line Cinema |$40 million |$49.6 million |
colspan="1" rowspan="5" |1997
|Universal Pictures |$116 million |$178.1 million |
The Fifth Element
|$90 million |$263.9 million |
Red Corner
|$48 million |$22 million |
Titanic
|James Cameron |Paramount Pictures |$200 million |$2.264 billion |
Kundun
|$28 million |$5.7 million |
colspan="1" rowspan="2" |1998
|Touchstone Pictures |$140 million |$553.7 million |
What Dreams May Come
|Polygram Filmed Entertainment |$85‒90 million |$75.4 million |
colspan="1" rowspan="3" |1999
|EDtv |Universal Pictures |$80 million |$35.2 million |
Lake Placid
|rowspan="2" |20th Century Fox |$27–35 million |$56.9 million |
Fight Club
|$63–65 million |$101.2 million |
= Films - 2000s =
class="wikitable mw-collapsible"
!Year !Films !Director(s) !Studio(s) and distributor(s) !Budget !Gross |
colspan="1" rowspan="6" |2000
|Walter Hill |$60–90 million |$14.8 million |
Rules of Engagement
|$60 million |$71.7 million |
O Brother, Where Art Thou?
|Touchstone Pictures |$26 million |$71.9 million |
X-Men
|$75 million |$296.3 million |
Red Planet
|Antony Hoffman |$80 million |$33.5 million |
How the Grinch Stole Christmas
|Universal Pictures |$123 million |$345.8 million |
rowspan="3" |2001
|The Lord of the Rings: The Fellowship of the Ring |$93 million |$898.2 million |
Vanilla Sky
|Paramount Pictures |$68 million |$203.4 million |
A Beautiful Mind
|Universal Pictures |$58 million |$316.8 million |
rowspan="5" |2002
|$75 million |$115.4 million |
The Time Machine
|DreamWorks Pictures |$80 million |$123.7 million |
xXx
|$88.3 million |$277.4 million |
Adaptation
|$19 million |$32.8 million |
Star Trek: Nemesis
|Paramount Pictures |$60 million |$67.3 million |
rowspan="7" |2003
|20th Century Fox |$78 million |$179.2 million |
Willard
|New Line Cinema |TBA |$8.5 million |
The Italian Job
|$60 million |$176.1 million |
Secondhand Lions
|New Line Cinema |$30 million |$48.3 million |
Looney Tunes: Back in Action
|$80 million |$68.5 million |
The Missing
|Columbia Pictures |$60 million |$38.4 million |
Peter Pan
|Universal Pictures |$130 million |$122 million |
rowspan="3" |2004
|$125 million |$552.6 million |
I, Robot
|rowspan="2" |20th Century Fox |$120 million |$353.1 million |
Flight of the Phoenix
|$45-75 million |$34.5 million |
rowspan="5" |2005
|Universal Pictures |$88 million |$108.5 million |
Dark Water
|Touchstone Pictures |TBA |$44.4–49.5 million |
Charlie and the Chocolate Factory
|$150 million |$475.8 million |
Stealth
|Columbia Pictures |$135 million |$79.3 million |
Æon Flux
|Paramount Pictures |$55-62 million |$52.3 million |
rowspan="6" |2006
|$30 million |$61.1 million |
Zoom
|Columbia Pictures |$75.6 million |$12.5 million |
The Texas Chainsaw Massacre: The Beginning
|$16 million |$51.8 million |
Flags of Our Fathers
| rowspan="2" |Clint Eastwood | rowspan="2" |DreamWorks Pictures |$90 million |$65.9 million |
Letters from Iwo Jima
|$19 million |$68.7 million |
The Nativity Story
|New Line Cinema |$35 million |$46.4 million |
rowspan="8" |2007
|$10 million |$25.4 million |
Zodiac
|Paramount Pictures |$65–85 million |$84.7 million |
Meet the Robinsons
|$150 million |$169.3 million |
Pirates of The Caribbean: At World's End
|Walt Disney Pictures |$300 million |$963.4 million |
We Own the Night
|$21–28 million |$55.3 million |
Transformers
|DreamWorks Pictures |$150–200 million |$709.7 million |
The Seeker
|20th Century Fox |$45 million |$31.8 million |
The Golden Compass
|New Line Cinema |$180 million |$372.2 million |
rowspan="5" |2008
|20th Century Fox |$85 million |$225.1 million |
Speed Racer
|$120 million |$93.9 million |
The Mummy: Tomb of the Dragon Emperor
|$145 million |$403.4 million |
Gran Torino
|Warner Bros. Pictures |$25–33 million |$270 million |
The Curious Case of Benjamin Button
|Paramount Pictures |$150–167 million |$335.8 million |
rowspan="5" |2009
|Paramount Pictures |$150 million |$385.7 million |
Night at the Museum: Battle of the Smithsonian
|$150 million |$413.1 million |
Transformers: Revenge of the Fallen
|DreamWorks Pictures |$200–210 million |$836.5 million |
G.I. Joe: The Rise of Cobra
|Paramount Pictures |$175 million |$302.5 million |
2012
|Columbia Pictures |$200 million |$791.2 million |
= Films - 2010s =
class="wikitable mw-collapsible"
!Year !Films !Director(s) !Studio(s) and distributor(s) !Budget !Gross |
rowspan="3" |2010
|Percy Jackson & the Olympians: The Lightning Thief |rowspan="2" |20th Century Fox |$95 million |$226.4 million |
The A-Team
|$100–110 million |$177.2 million |
Tron: Legacy
|$170 million |$400.1 million |
rowspan="8" |2011
|Thor |Paramount Pictures |$150 million |$449.3 million |
X-Men: First Class
|20th Century Fox |$140–160 million |$353.6 million |
Transformers: Dark of the Moon
|Paramount Pictures |$195 million |$1.124 billion |
The Help
|rowspan="3" |DreamWorks Pictures |$25 million |$216.6 million |
Fright Night
|$30 million |$41 million |
Real Steel
|$110 million |$299.3 million |
Killer Elite
|$70 million |$56.4 million |
The Girl with the Dragon Tattoo
|Columbia Pictures |$90 million |$239.3 million |
rowspan="6" |2012
|Journey 2: The Mysterious Island |$80 million |$335 million |
The Avengers
|Marvel Studios |$220–225 million |$1.519 billion |
The Paperboy
|$12.5 million |$3.78 million |
The Amazing Spider-Man
|$200–230 million |$758 million |
Rock of Ages
|$75 million |$59.4 million |
The Watch
|20th Century Fox |$68 million |$68.3 million |
rowspan="7" |2013
|New Line Cinema |$185–200 million |$197 million |
G.I. Joe: Retaliation
|Paramount Pictures |$130-155 million |$375.7 million |
Oblivion
|$120 million |$287.9 million |
Iron Man 3
|Marvel Studios |$200 million |$1.215 billion |
Her
|Warner Bros. Pictures |$23 million |$48.3 million |
Ender's Game
|$110–115 million |$125.5 million |
47 Ronin
|Universal Pictures |$175–225 million |$151.8 million |
rowspan="6" |2014
|Bryan Singer |$200–205 million |$746 million |
Lost River
|TBA |$615,500 |
Maleficent
|$180–263 million |$758.5 million |
Into the Storm
|New Line Cinema |$50 million |$161.7 million |
Gone Girl
|rowspan="2" |20th Century Fox |$61 million |$369.3 million |
Night at the Museum: Secret of the Tomb
|$127 million |$363.2 million |
rowspan="4" |2015
|Universal Pictures |$70 million |$19.7 million |
Furious 7
|$190 million |$1.515 billion |
Pixels
|$88–129 million |$244.9 million |
Eye in the Sky
|$13 million |$35.4 million |
rowspan="11" |2016
|$58 million |$782.8 million |
Everybody Wants Some!!
|Paramount Pictures |$10 million |$5.4 million |
The Huntsmen: Winter's War
|$115 million |$165 million |
The Jungle Book
|$175–177 million |$966.6 million |
X-Men: Apocalypse
|20th Century Fox |$178 million |$543.9 million |
Popstar: Never Stop Never Stopping
|Universal Pictures |$20 million |$9.7 million |
Independence Day: Resurgence
|20th Century Fox |$165 million |$389.7 million |
Free State of Jones
|$50 million |$25 million |
Suicide Squad
|Warner Bros. Pictures |$175 million |$749.2 million |
All I See Is You
|$30 million |$678,150 |
Passengers
|$110–150 million |$303.1 million |
rowspan="6" |2017
|$160–255 million |$1.266 billion |
Power Rangers
|$100‒105 million |$142.5 million |
The Fate of the Furious
|rowspan="2" |Universal Pictures |$250–270 million |$1.236 billion |
The Mummy
|$125–195 million |$410 million |
Spider-Man: Homecoming
|Columbia Pictures |$175 million |$880.2 million |
Thor: Rangarok
|rowspan="2" |Marvel Studios |$180 million |$865 million |
rowspan="11" |2018
|$200 million |$1.349 billion |
A Wrinkle in Time
|Walt Disney Pictures |$100–130 million |$133.2 million |
Ready Player One
|$155–175 million |$607.9 million |
Avengers: Infinity War
|rowspan="2" |Marvel Studios |$325–400 million |$2.052 billion |
Ant-Man and the Wasp
|$130–195 million |$622.7 million |
Hidden Man
|Gravity Pictures |TBA |$85 million |
Shadow
|Tencent Pictures |TBA |$91.7 million |
Aquaman
|Warner Bros. Pictures |$160–200 million |$1.152 billion |
Hello Mr. Billionaire
|Fei Yan |rowspan="2" |TBA |$367 million |
Taxiwaala
|Rahul Sankrityan |₹42 crore |
2.0
|₹400–600 crore |₹699.89 crore |
rowspan="7" |2019
|₹50 crore |₹32 crore |
Captain Marvel
|Marvel Studios |$152–175 million |$1.131 billion |
The Curse of La Llorona
|$9 million |$123.1 million |
Shazam!
|New Line Cinema |$90–100 million |$367.8 million |
Avengers: Endgame
|Anthony and Joe Russo |Marvel Studios |$356–400 million |$2.799 billion |
Terminator: Dark Fate
|Paramount Pictures |$185–196 million |$261.1 million |
Sye Raa Narasimha Reddy
|₹200–300 crore |$34.2 million |
= Films - 2020s =
class="wikitable mw-collapsible"
!Year !Films !Director(s) !Studio(s) and distributor(s) !Budget !Gross |
rowspan="4" |2020
|Tencent Pictures |$90 million |$74.9 million |
Sonic the Hedgehog
|$85–90 million |$319.7 million |
Stargirl
|TBA |N/A |
Children of the Corn
|TBA |$575,179 |
rowspan="8" |2021
|$100–125 million |$27.1 million |
Black Widow
|$288.5 million |$379.8 million |
After Yang
|$9–20 million |$729,254 |
Free Guy
|$100–125 million |$331.5 million |
Shang-Chi and the Legend of the Ten Rings
|$150–200 million |$432.2 million |
Dune
|Warner Bros. Pictures |$165 million |$434.8 million |
West Side Story
|20th Century Studios |$100 million |$76 million |
Spider-Man: No Way Home
|Columbia Pictures |$200 million |$1.922 billion |
rowspan="9" |2022
|Shawn Levy |$116 million |TBA |
Morbius
|$75–83 million |$167.5 million |
RRR
|DVV Entertainments |₹400 crore |₹1,387.26 crore |
Fantastic Beasts: The Secrets of Dumbledore
|$200 million |$407.2 million |
Doctor Strange and the Multiverse of Madness
|Marvel Studios |$294.5 million |$955.8 million |
Thirteen Lives
|Metro-Goldwyn-Mayer |$55 million |N/A |
Black Adam
|$190–260 million |$393.5 million |
Black Panther: Wakanda Forever
|Marvel Studios |$200–250 million |$859.2 million |
Ordinary Hero
| Tony Chan |TBA |N/A |
rowspan="7" |2023
|Ant-Man and the Wasp: Quantumania |Marvel Studios |$276—327 million |$476.1 million |
The Mother
|rowspan="3" |Netflix |rowspan="2" |TBA |rowspan="2" |N/A |
Extraction 2 |
Hidden Strike
|$80 million |$917,381 |
Agent
|B4U Films |₹85 crores |₹8.5 crore |
Ponniyin Selvan: II
|Madras Talkies |$63 million |₹350 crore |
Blue Beetle
|Warner Bros. Pictures |$104–125 million |$130.8 million |
rowspan="5" |2024
|$80–100 million |$91 million |
Dune: Part Two
|Warner Bros. Pictures |$190 million |$711.8 million |
Kalki 2898 AD
| AA Films | | |
Devara: Part 1
|₹300 crore |TBA |
Venom: The Last Dance
|$110 million |TBA |
rowspan="3" | 2025
| Creation of the Gods II: Demon Force | Wuershan | CMC Pictures | | |
Captain America: Brave New World
| $180 million | TBA |
A Minecraft Movie
| $150 million | TBA |
= Films - Upcoming =
class="wikitable mw-collapsible"
!Year !Films !Director(s) !Studio(s) and distributor(s) !Budget !Gross |
rowspan="2" | 2025
| rowspan="2" | Marvel Studios | TBA | TBA |
The Fantastic Four: First Steps
| TBA | TBA |
Television series
class="wikitable"
! Year(s) ! Title ! Network !Ref. |
2013–2020
| ABC | |
2015–2016
| Black Sails (seasons 2–3) | Starz | |
2016–2020
| NBC | |
rowspan="2" | 2017
| The Mist | Spike | |
Outlander
| Starz | |
2018–2019
| A Series of Unfortunate Events (seasons 2–3) | Netflix | |
2019–2020
| |
2019–2021
| Lost In Space (seasons 2–3) | Netflix | |
2020–present
| Chuggington: Tales from the Rails | |
2021
| rowspan="3" |Disney+ | |
rowspan="2" |2022
| |
She-Hulk: Attorney at Law
| |
2023
| Citadel | |
2024
| Disney+ | |
Awards
= Film =
class="wikitable"
|+ !Year !Award !Title !Result !Ref. |
1994
|Academy Award for Best Visual Effects |Nominated | |
1995
|Academy Award for Best Visual Effects |Nominated | |
1997
|Academy Award for Best Visual Effects |Won | |
1998
|Academy Award for Best Visual Effects |Won | |
2004
|Academy Award for Best Visual Effects |Nominated | |
2008
|Academy Award for Best Visual Effects |The Curious Case of Benjamin Button |Won |{{cite news |last=Giardina |first=Carolyn |date=2009-02-23 |title='Benjamin Button' is VFX's Holy Grail |url=https://www.hollywoodreporter.com/news/benjamin-button-vfxs-holy-grail-79676 |access-date=2011-05-30 |work=The Hollywood Reporter}} |
2011
|Academy Award for Best Visual Effects |Nominated | |
2011
|Academy Award for Best Visual Effects |Transformers: Dark of the Moon |Nominated | |
Digital Domain has also earned multiple British Academy (BAFTA) Awards for excellence in digital imagery and animation. {{Cite web |date=2018-05-07 |title=Awards {{!}} About {{!}} Digital Domain |url=https://digitaldomain.com/about/awards/ |access-date=2024-03-14 |language=en-US}}
= Design =
= Awards =
Digital Domain artists and technologists have been recognized with ten Academy Awards: three for Best Visual Effects (Titanic, What Dreams May Come, The Curious Case of Benjamin Button); and seven for Scientific and Technical Achievement for its proprietary technology such as Track (tracking software), for Nuke (compositing software), for Storm (volumetric renderer), and for its fluid simulation system.{{Cite web |date=2018-05-07 |title=Awards {{!}} About {{!}} Digital Domain |url=https://digitaldomain.com/about/awards/ |access-date=2024-03-15 |language=en-US}}
The company's work has been nominated for eleven Academy Awards for Best Visual Effects (Apollo 13, True Lies, I, Robot, Real Steel,Transformers: Dark of the Moon, Iron Man 3, X-Men: Days of Future Past, Avengers: Infinity War, Ready Player One,Spider-Man: No Way Home, and Free Guy). In addition, its excellence in digital imagery and animation has earned Digital Domain multiple British Academy (BAFTA) Awards.
Digital Domain's advertising division provides digital imagery and animation for television commercials, working with top commercial directors. To date, it has been awarded 21 Clio Awards, 25 AICP Awards, 15 Cannes Lion Awards and numerous other advertising honors. The advertising division has also produced multiple music videos working with artists (including The Rolling Stones, Faith Hill, Creed, Janet Jackson, Busta Rhymes, Björk, Celine Dion, Michael Jackson and Nine Inch Nails) which have earned Grammy and MTV "Music Video of the Year" Awards.{{cite web| title = Digital Domain Recruits ILM Trio | date = 2006-09-20 | publisher=VFXWorld | url=http://www.vfxworld.com/?atype=news&id=17991| access-date = 2008-06-20}}
See also
References
{{Reflist}}
Further reading
- Bizony, Piers. (2001) Digital Domain: the leading edge of visual effects, London: Aurum Press. {{ISBN|1-85410-707-0}}
External links
- {{Official website|http://digitaldomain.com/}}
{{James Cameron}}
{{Stan Winston}}
{{Animation industry in the United States}}
{{Authority control}}
Category:1993 establishments in California
Category:American companies established in 1993
Category:American animation studios
Category:Best Visual Effects Academy Award winners
Category:Entertainment companies established in 1993
Category:Special effects companies
Category:Television and film post-production companies
Category:Visual effects companies
Category:Companies based in Los Angeles
Category:Companies that filed for Chapter 11 bankruptcy in 2012