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Wikipedia:WikiProject Film/Core

{{Wikipedia:WikiProject Film/Tab header}}

{{Wikipedia:WikiProject Film/Sidebar}}{{Shortcut|WP:FILM/CORE|WP:FILMCORE}}

The purpose of the grouping is to identify a sizeable number of articles within the scope of this WikiProject which could be considered integral and essential to an encyclopedia, and to especially encourage editors to focus particularly on these articles for bringing up to featured status.

Background

The project banner originally incorporated an "Importance" parameter that was optional for use in conjunction with quality assessments. While Importance was integrated into the WP 1.0 general assessments, there were several prominent WikiProjects which rejected the use of it for various reasons. Even the name was somewhat misleading, because the intended usage was for the WikiProjects to rank the article by their project priority. Therefore, it has been used with conflicting purposes to either identify the "general" importance of an article's subject or the priority of the article in relation to a WikiProject's goals.

In the case of certain fields like Mathematics, it is usually possible to come to a general and objective agreement as to the importance of mathematical concepts in relation to the entire field of Math. In these projects, importance/priority is somewhat straightforward and provides a logical hierarchy of topics within the project scope. Unfortunately, for WP Films, the vast majority of our articles happen to cover creative endeavors – individual films or film characters. Consequently, it is much more difficult to quantify how a film relates to the entire field, and since the judgments are fairly subjective, any given set of individuals will reach widely varying assessments.

Unsurprisingly, the usage of this parameter in WP Films led to several dilemmas. First of all, there were a substantial number of films which were assessed as "Top" importance by individual editors who were great fans of those films. While everyone's opinion of which films deserve this are different, it is generally acknowledged that too many films have been rated "Top" importance in this manner. Second, there are some editors who, fairly or not, judge a film to be less distinguished within the larger scheme, and thus rate particular films as "Low" or "No" importance. In this case, while most editors agree that the vast majority of our film articles should be on the lower end of the importance spectrum, it is difficult to agree which films deserve this assessment. However, while many editors are willing to turn a blind eye to films that they believe have been "overrated" to Top importance, assessing an article as Low or No importance is more often the source of disagreement, edit warring, and occasionally heated arguments. Third, a rough analysis of our statistics (as of January 2008) shows that the collective total of Top, High, and Mid importance articles amounts to less than 10% of our articles, and more than half have no importance assessment whatsoever. Lastly, there is no evidence whatsoever that editors are attracted to an article on the basis of its rated importance.

Given these factors, it was discussed by some of the more active editors that a multi-tiered priority scale was inefficient, making too much work and creating groupings such as Mid and Low importance which were not very useful within themselves. Among the conclusions was that it would make more sense to have a "core=yes" parameter which would only be applied to a small fraction of the articles, leaving the rest of the articles at a "normal" priority – essentially, scrapping the importance parameter altogether. Additionally, in order to maintain as objective a core list as possible and avoid undue individual editor influence, it is suggested that the core should be drawn from some form of aggregate lists and try to cover several different interests (namely, popularity and critical opinion, and a wide spectrum of years and countries). The list would also be kept to a relative minimum of several hundred articles, much like the general Wikipedia core.

Inclusion formula

  • Critical opinion – [http://www.theyshootpictures.com/gf1000.htm They Shoot Pictures Don't They metalist] – Top 250; compiled from thousands of ballots placed in film polls over the years.
  • Regional and national task forces – Each task force (including any future ones) will receive an additional 10 slots for Core. In the case of national cinemas, the next-highest picks from the TSPDT metalists will be taken first. (National task forces with less than ten films on the metalist will have their remaining slots held until a method of determining those picks can be decided.)
  • Genre task forces – each genre task force's ten slots will be taken from the top ten films of the IMDb genre lists which aren't already included on the Core list.
  • General task forces – For the task forces which don't cover film titles, the ten will represent the most basic and influential topics covered by the task force.

Future revision

The Core list would be updated once a year, following the annual adjustment of the critical metalist. (This tends to occur in December or January.) The only exception shall be to add slots for new task forces. The list should be kept generally static so as to allow editors to focus on and develop off of a consistent set of articles. Because the Core was chosen from choosing lists rather than films, requests to include or exclude individual films should not be made. Suggestions regarding different lists are welcome, however.

Core list

Article numbering is for counting purposes only and does not reflect any ranking within this list.

class="wikitable sortable"

|+Core film list for WikiProject Film

scope="col" align="left"|#

!scope="col" align="left"|Title

!scope="col" align="left"|Director

!scope="col" align="left"|Year

!scope="col" align="left"|Source

!scope="col" align="left"|Class

001

|scope="row"|Citizen Kane

|Orson Welles

|1941

|TSPDT

|{{Sort|A|{{GA-Class}}}}

002

|scope="row"|Vertigo

|Alfred Hitchcock

|1958

|TSPDT

|{{B-Class}}

003

|scope="row"|2001: A Space Odyssey

|Stanley Kubrick

|1968

|TSPDT

|{{Sort|A|{{GA-Class}}}}

004

|scope="row"|Tokyo Story

|Yasujiro Ozu

|1953

|TSPDT

|{{B-Class}}

005

|scope="row"|The Rules of the Game

|Jean Renoir

|1939

|TSPDT

|{{Sort|A|{{GA-Class}}}}

006

|scope="row"|8½

|Federico Fellini

|1963

|TSPDT

|{{C-Class}}

007

|scope="row"|The Godfather

|Francis Ford Coppola

|1972

|TSPDT

|{{Sort|A|{{GA-Class}}}}

008

|scope="row"|Sunrise: A Song of Two Humans

|F. W. Murnau

|1927

|TSPDT

|{{C-Class}}

009

|scope="row"|Seven Samurai

|Akira Kurosawa

|1954

|TSPDT

|{{C-Class}}

010

|scope="row"|The Searchers

|John Ford

|1956

|TSPDT

|{{C-Class}}

011

|scope="row"|Battleship Potemkin

|Sergei Eisenstein

|1925

|TSPDT

|{{C-Class}}

012

|scope="row"|Apocalypse Now

|Francis Ford Coppola

|1979

|TSPDT

|{{C-Class}}

013

|scope="row"|Bicycle Thieves

|Vittorio De Sica

|1948

|TSPDT

|{{C-Class}}

014

|scope="row"|Breathless

|Jean-Luc Godard

|1960

|TSPDT

|{{C-Class}}

015

|scope="row"|The Passion of Joan of Arc

|Carl Theodor Dreyer

|1928

|TSPDT

|{{C-Class}}

016

|scope="row"|Singin' in the Rain

|Stanley Donen and Gene Kelly

|1952

|TSPDT

|{{C-Class}}

017

|scope="row"|L'Atalante

|Jean Vigo

|1934

|TSPDT

|{{B-Class}}

018

|scope="row"|Man with a Movie Camera

|Dziga Vertov

|1929

|TSPDT

|{{C-Class}}

019

|scope="row"|Taxi Driver

|Martin Scorsese

|1976

|TSPDT

|{{B-Class}}

020

|scope="row"|Rashomon

|Akira Kurosawa

|1950

|TSPDT

|{{C-Class}}

021

|scope="row"|The Godfather Part II

|Francis Ford Coppola

|1974

|TSPDT

|{{C-Class}}

022

|scope="row"|Raging Bull

|Martin Scorsese

|1980

|TSPDT

|{{B-Class}}

023

|scope="row"|Persona

|Ingmar Bergman

|1966

|TSPDT

|{{Sort|A|{{GA-Class}}}}

024

|scope="row"|Lawrence of Arabia

|David Lean

|1962

|TSPDT

|{{C-Class}}

025

|scope="row"|The 400 Blows

|François Truffaut

|1959

|TSPDT

|{{Start-Class}}

026

|scope="row"|Andrei Rublev

|Andrei Tarkovsky

|1966

|TSPDT

|{{Sort|A|{{GA-Class}}}}

027

|scope="row"|Mirror

|Andrei Tarkovsky

|1975

|TSPDT

|{{C-Class}}

028

|scope="row"|City Lights

|Charlie Chaplin

|1931

|TSPDT

|{{Sort|A|{{GA-Class}}}}

029

|scope="row"|Psycho

|Alfred Hitchcock

|1960

|TSPDT

|{{Sort|A|{{GA-Class}}}}

030

|scope="row"|La Dolce Vita

|Federico Fellini

|1960

|TSPDT

|{{C-Class}}

031

|scope="row"|L'Avventura

|Michelangelo Antonioni

|1960

|TSPDT

|{{B-Class}}

032

|scope="row"|Some Like It Hot

|Billy Wilder

|1959

|TSPDT

|{{C-Class}}

033

|scope="row"|Ordet

|Carl Theodor Dreyer

|1955

|TSPDT

|{{C-Class}}

034

|scope="row"|Touch of Evil

|Orson Welles

|1958

|TSPDT

|{{C-Class}}

035

|scope="row"|The General

|Buster Keaton and Clyde Bruckman

|1926

|TSPDT

|{{C-Class}}

036

|scope="row"|Au Hasard Balthazar

|Robert Bresson

|1966

|TSPDT

|{{Start-Class}}

037

|scope="row"|Blade Runner

|Ridley Scott

|1982

|TSPDT

|{{Sort|!|{{FA-Class}}}}

038

|scope="row"|Contempt

|Jean-Luc Godard

|1963

|TSPDT

|{{Start-Class}}

039

|scope="row"|Casablanca

|Michael Curtiz

|1942

|TSPDT

|{{Sort|!|{{FA-Class}}}}

040

|scope="row"|Sunset Boulevard

|Billy Wilder

|1950

|TSPDT

|{{B-Class}}

041

|scope="row"|Metropolis

|Fritz Lang

|1926

|TSPDT

|{{B-Class}}

042

|scope="row"|La Grande Illusion

|Jean Renoir

|1937

|TSPDT

|{{C-Class}}

043

|scope="row"|The Night of the Hunter

|Charles Laughton

|1955

|TSPDT

|{{C-Class}}

044

|scope="row"|Modern Times

|Charlie Chaplin

|1936

|TSPDT

|{{C-Class}}

045

|scope="row"|Rear Window

|Alfred Hitchcock

|1954

|TSPDT

|{{C-Class}}

046

|scope="row"|Playtime

|Jacques Tati

|1967

|TSPDT

|{{C-Class}}

047

|scope="row"|The Third Man

|Carol Reed

|1949

|TSPDT

|{{C-Class}}

048

|scope="row"|M

|Fritz Lang

|1931

|TSPDT

|{{C-Class}}

049

|scope="row"|Shoah

|Claude Lanzmann

|1985

|TSPDT

|{{C-Class}}

050

|scope="row"|Barry Lyndon

|Stanley Kubrick

|1975

|TSPDT

|{{C-Class}}

051

|scope="row"|Fanny and Alexander

|Ingmar Bergman

|1982

|TSPDT

|{{Sort|A|{{GA-Class}}}}

052

|scope="row"|Dr. Strangelove

|Stanley Kubrick

|1964

|TSPDT

|{{C-Class}}

053

|scope="row"|Chinatown

|Roman Polanski

|1974

|TSPDT

|{{C-Class}}

054

|scope="row"|Stalker

|Andrei Tarkovsky

|1979

|TSPDT

|{{C-Class}}

055

|scope="row"|In the Mood for Love

|Wong Kar-wai

|2000

|TSPDT

|{{C-Class}}

056

|scope="row"|Children of Paradise

|Marcel Carné

|1945

|TSPDT

|{{C-Class}}

057

|scope="row"|The Apartment

|Billy Wilder

|1960

|TSPDT

|{{C-Class}}

058

|scope="row"|Ugetsu

|Kenji Mizoguchi

|1953

|TSPDT

|{{C-Class}}

059

|scope="row"|Pather Panchali

|Satyajit Ray

|1955

|TSPDT

|{{Sort|!|{{FA-Class}}}}

060

|scope="row"|The Battle of Algiers

|Gillo Pontecorvo

|1965

|TSPDT

|{{C-Class}}

061

|scope="row"|Once Upon a Time in the West

|Sergio Leone

|1968

|TSPDT

|{{C-Class}}

062

|scope="row"|Late Spring

|Yasujiro Ozu

|1949

|TSPDT

|{{B-Class}}

063

|scope="row"|North by Northwest

|Alfred Hitchcock

|1959

|TSPDT

|{{C-Class}}

064

|scope="row"|The Leopard

|Luchino Visconti

|1963

|TSPDT

|{{Start-Class}}

065

|scope="row"|Wild Strawberries

|Ingmar Bergman

|1957

|TSPDT

|{{Start-Class}}

066

|scope="row"|Mulholland Drive

|David Lynch

|2001

|TSPDT

|{{Sort|!|{{FA-Class}}}}

067

|scope="row"|La Strada

|Federico Fellini

|1954

|TSPDT

|{{Sort|A|{{GA-Class}}}}

068

|scope="row"|The Gold Rush

|Charlie Chaplin

|1925

|TSPDT

|{{C-Class}}

069

|scope="row"|Rio Bravo

|Howard Hawks

|1959

|TSPDT

|{{C-Class}}

070

|scope="row"|Pierrot le Fou

|Jean-Luc Godard

|1965

|TSPDT

|{{Start-Class}}

071

|scope="row"|The Wild Bunch

|Sam Peckinpah

|1969

|TSPDT

|{{Sort|A|{{GA-Class}}}}

072

|scope="row"|The Seventh Seal

|Ingmar Bergman

|1957

|TSPDT

|{{B-Class}}

073

|scope="row"|Gertrud

|Carl Theodor Dreyer

|1964

|TSPDT

|{{Start-Class}}

074

|scope="row"|Viridiana

|Luis Buñuel

|1961

|TSPDT

|{{Start-Class}}

075

|scope="row"|Pickpocket

|Robert Bresson

|1959

|TSPDT

|{{Start-Class}}

076

|scope="row"|Amarcord

|Federico Fellini

|1973

|TSPDT

|{{Start-Class}}

077

|scope="row"|Journey to Italy

|Roberto Rossellini

|1953

|TSPDT

|{{Start-Class}}

078

|scope="row"|Blue Velvet

|David Lynch

|1986

|TSPDT

|{{Sort|A|{{GA-Class}}}}

079

|scope="row"|The Conformist

|Bernardo Bertolucci

|1969

|TSPDT

|{{C-Class}}

080

|scope="row"|Jules and Jim

|François Truffaut

|1962

|TSPDT

|{{Start-Class}}

081

|scope="row"|Close-Up

|Abbas Kiarostami

|1989

|TSPDT

|{{Start-Class}}

082

|scope="row"|Nashville

|Robert Altman

|1975

|TSPDT

|{{C-Class}}

083

|scope="row"|Last Year at Marienbad

|Alain Resnais

|1961

|TSPDT

|{{C-Class}}

084

|scope="row"|Goodfellas

|Martin Scorsese

|1990

|TSPDT

|{{C-Class}}

085

|scope="row"|Sans Soleil

|Chris Marker

|1983

|TSPDT

|{{Start-Class}}

086

|scope="row"|The Magnificent Ambersons

|Orson Welles

|1942

|TSPDT

|{{C-Class}}

087

|scope="row"|It's a Wonderful Life

|Frank Capra

|1946

|TSPDT

|{{B-Class}}

088

|scope="row"|A Man Escaped

|Robert Bresson

|1956

|TSPDT

|{{Start-Class}}

089

|scope="row"|A Brighter Summer Day

|Edward Yang

|1991

|TSPDT

|{{Start-class}}

090

|scope="row"|Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles

|Chantal Akerman

|1975

|TSPDT

|{{Start-Class}}

091

|scope="row"|Sátántangó

|Béla Tarr

|1994

|TSPDT

|{{Start-Class}}

092

|scope="row"|A Clockwork Orange

|Stanley Kubrick

|1971

|TSPDT

|{{C-Class}}

093

|scope="row"|Sansho the Bailiff

|Kenji Mizoguchi

|1954

|TSPDT

|{{Start-Class}}

094

|scope="row"|Aguirre, the Wrath of God

|Werner Herzog

|1972

|TSPDT

|{{B-Class}}

095

|scope="row"|Pulp Fiction

|Quentin Tarantino

|1994

|TSPDT

|{{B-Class}}

096

|scope="row"|Intolerance

|D. W. Griffith

|1916

|TSPDT

|{{C-Class}}

097

|scope="row"|The Man Who Shot Liberty Valance

|John Ford

|1962

|TSPDT

|{{C-Class}}

098

|scope="row"|La Jetée

|Chris Marker

|1962

|TSPDT

|{{Start-Class}}

099

|scope="row"|Annie Hall

|Woody Allen

|1977

|TSPDT

|{{Sort|A|{{GA-Class}}}}

100

|scope="row"|Greed

|Erich von Stroheim

|1924

|TSPDT

|{{Sort|!|{{FA-Class}}}}

101

|scope="row"|Gone with the Wind

|Victor Fleming

|1939

|TSPDT

|{{Sort|A|{{GA-Class}}}}

102

|scope="row"|Jaws

|Steven Spielberg

|1975

|TSPDT

|{{Sort|!|{{FA-Class}}}}

103

|scope="row"|L'Eclisse

|Michelangelo Antonioni

|1962

|TSPDT

|{{Start-Class}}

104

|scope="row"|The Wizard of Oz

|Victor Fleming

|1939

|TSPDT

|{{C-Class}}

105

|scope="row"|The Shining

|Stanley Kubrick

|1980

|TSPDT

|{{B-Class}}

106

|scope="row"|Histoire(s) du cinéma

|Jean-Luc Godard

|1988–1998

|TSPDT

|{{Start-Class}}

107

|scope="row"|Blowup

|Michelangelo Antonioni

|1966

|TSPDT

|{{C-Class}}

108

|scope="row"|The Mother and the Whore

|Jean Eustache

|1973

|TSPDT

|{{C-Class}}

109

|scope="row"|Bringing Up Baby

|Howard Hawks

|1938

|TSPDT

|{{Sort|A|{{GA-Class}}}}

110

|scope="row"|To Be or Not to Be

|Ernst Lubitsch

|1942

|TSPDT

|{{C-Class}}

111

|scope="row"|Star Wars Episode IV: A New Hope

|George Lucas

|1977

|TSPDT

|{{B-Class}}

112

|scope="row"|Sherlock Jr.

|Buster Keaton

|1924

|TSPDT

|{{C-Class}}

113

|scope="row"|Hiroshima mon amour

|Alain Resnais

|1959

|TSPDT

|{{C-Class}}

114

|scope="row"|Ikiru

|Akira Kurosawa

|1952

|TSPDT

|{{Start-Class}}

115

|scope="row"|Los Olvidados

|Luis Buñuel

|1950

|TSPDT

|{{Start-Class}}

116

|scope="row"|All About Eve

|Joseph Mankiewicz

|1950

|TSPDT

|{{C-Class}}

117

|scope="row"|Once Upon a Time in America

|Sergio Leone

|1984

|TSPDT

|{{C-Class}}

118

|scope="row"|My Life to Live

|Jean-Luc Godard

|1963

|TSPDT

|{{Start-Class}}

119

|scope="row"|Letter from an Unknown Woman

|Max Ophüls

|1948

|TSPDT

|{{Start-Class}}

120

|scope="row"|Manhattan

|Woody Allen

|1979

|TSPDT

|{{C-Class}}

121

|scope="row"|The Spirit of the Beehive

|Víctor Erice

|1973

|TSPDT

|{{Start-Class}}

122

|scope="row"|The Earrings of Madame de...

|Max Ophüls

|1953

|TSPDT

|{{Start-Class}}

123

|scope="row"|Yi Yi: A One and a Two

|Edward Yang

|2000

|TSPDT

|{{Start-class}}

124

|scope="row"|L'Age d'Or

|Luis Buñuel

|1930

|TSPDT

|{{Start-Class}}

125

|scope="row"|Un Chien Andalou

|Luis Buñuel

|1928

|TSPDT

|{{C-Class}}

126

|scope="row"|The Lady Eve

|Preston Sturges

|1941

|TSPDT

|{{C-Class}}

127

|scope="row"|Notorious

|Alfred Hitchcock

|1946

|TSPDT

|{{B-Class}}

128

|scope="row"|Nosferatu

|F. W. Murnau

|1922

|TSPDT

|{{C-Class}}

129

|scope="row"|Spring in a Small Town

|Fei Mu

|1948

|TSPDT

|{{Start-class}}

130

|scope="row"|Badlands

|Terrence Malick

|1973

|TSPDT

|{{Start-Class}}

131

|scope="row"|A Woman Under the Influence

|John Cassavetes

|1974

|TSPDT

|{{C-Class}}

132

|scope="row"|E.T. the Extra-Terrestrial

|Steven Spielberg

|1982

|TSPDT

|{{Sort|!|{{FA-Class}}}}

133

|scope="row"|Ali: Fear Eats the Soul

|Rainer Werner Fassbinder

|1974

|TSPDT

|{{Start-Class}}

134

|scope="row"|Rome, Open City

|Roberto Rossellini

|1945

|TSPDT

|{{C-Class}}

135

|scope="row"|A Matter of Life and Death

|Michael Powell and Emeric Pressburger

|1946

|TSPDT

|{{C-Class}}

136

|scope="row"|My Darling Clementine

|John Ford

|1946

|TSPDT

|{{Start-Class}}

137

|scope="row"|Come and See

|Elem Klimov

|1985

|TSPDT

|{{C-class}}

138

|scope="row"|Do the Right Thing

|Spike Lee

|1989

|TSPDT

|{{C-Class}}

139

|scope="row"|Days of Heaven

|Terrence Malick

|1978

|TSPDT

|{{B-Class}}

140

|scope="row"|One Flew Over the Cuckoo's Nest

|Miloš Forman

|1975

|TSPDT

|{{C-Class}}

141

|scope="row"|The Exterminating Angel

|Luis Buñuel

|1962

|TSPDT

|{{Start-Class}}

142

|scope="row"|Don't Look Now

|Nicolas Roeg

|1973

|TSPDT

|{{Sort|A|{{GA-Class}}}}

143

|scope="row"|The Life and Death of Colonel Blimp

|Michael Powell and Emeric Pressburger

|1943

|TSPDT

|{{C-Class}}

144

|scope="row"|The Good, the Bad and the Ugly

|Sergio Leone

|1966

|TSPDT

|{{B-Class}}

145

|scope="row"|Napoléon

|Abel Gance

|1927

|TSPDT

|{{B-Class}}

146

|scope="row"|Beau Travail

|Claire Denis

|1999

|TSPDT

|{{Start-Class}}

147

|scope="row"|Partie de campagne

|Jean Renoir

|1936

|TSPDT

|{{Start-Class}}

148

|scope="row"|Trouble in Paradise

|Ernst Lubitsch

|1932

|TSPDT

|{{Start-Class}}

149

|scope="row"|Stagecoach

|John Ford

|1939

|TSPDT

|{{C-Class}}

150

|scope="row"|A City of Sadness

|Hou Hsiao-Hsien

|1989

|TSPDT

|{{C-class}}

151

|scope="row"|King Kong

|Merian C. Cooper and Ernest Schoedsack

|1933

|TSPDT

|{{B-Class}}

152

|scope="row"|Duck Soup

|Leo McCarey

|1933

|TSPDT

|{{C-Class}}

153

|scope="row"|Double Indemnity

|Billy Wilder

|1944

|TSPDT

|{{B-Class}}

154

|scope="row"|His Girl Friday

|Howard Hawks

|1940

|TSPDT

|{{C-Class}}

155

|scope="row"|Brief Encounter

|David Lean

|1945

|TSPDT

|{{C-Class}}

156

|scope="row"|Alien

|Ridley Scott

|1979

|TSPDT

|{{Sort|A|{{GA-Class}}}}

157

|scope="row"|The Umbrellas of Cherbourg

|Jacques Demy

|1964

|TSPDT

|{{C-Class}}

158

|scope="row"|The Gospel According to St. Matthew

|Pier Paolo Pasolini

|1964

|TSPDT

|{{C-Class}}

159

|scope="row"|The Travelling Players

|Theo Angelopoulos

|1975

|TSPDT

|{{Start-Class}}

160

|scope="row"|On the Waterfront

|Elia Kazan

|1954

|TSPDT

|{{C-Class}}

161

|scope="row"|The Red Shoes

|Michael Powell and Emeric Pressburger

|1948

|TSPDT

|{{C-Class}}

162

|scope="row"|Night and Fog

|Alain Resnais

|1955

|TSPDT

|{{B-class}}

163

|scope="row"|The Discreet Charm of the Bourgeoisie

|Luis Buñuel

|1972

|TSPDT

|{{C-Class}}

164

|scope="row"|L'Argent

|Robert Bresson

|1983

|TSPDT

|{{Start-Class}}

165

|scope="row"|Nights of Cabiria

|Federico Fellini

|1957

|TSPDT

|{{C-Class}}

166

|scope="row"|The Last Laugh

|F. W. Murnau

|1924

|TSPDT

|{{Start-Class}}

167

|scope="row"|Ran

|Akira Kurosawa

|1985

|TSPDT

|{{C-Class}}

168

|scope="row"|The Grapes of Wrath

|John Ford

|1940

|TSPDT

|{{B-Class}}

169

|scope="row"|Vampyr

|Carl Theodor Dreyer

|1932

|TSPDT

|{{Sort|A|{{GA-Class}}}}

170

|scope="row"|Salò, or the 120 Days of Sodom

|Pier Paolo Pasolini

|1975

|TSPDT

|{{C-class}}

171

|scope="row"|Earth

|Alexander Dovzhenko

|1930

|TSPDT

|{{C-Class}}

172

|scope="row"|Mouchette

|Robert Bresson

|1967

|TSPDT

|{{Start-class}}

173

|scope="row"|The River

|Jean Renoir

|1951

|TSPDT

|{{Start-Class}}

174

|scope="row"|Nanook of the North

|Robert Flaherty

|1922

|TSPDT

|{{C-Class}}

175

|scope="row"|Black Narcissus

|Michael Powell and Emeric Pressburger

|1946

|TSPDT

|{{C-Class}}

176

|scope="row"|The Great Dictator

|Charlie Chaplin

|1940

|TSPDT

|{{C-Class}}

177

|scope="row"|The Conversation

|Francis Ford Coppola

|1974

|TSPDT

|{{C-Class}}

178

|scope="row"|Rosemary's Baby

|Roman Polanski

|1968

|TSPDT

|{{C-Class}}

179

|scope="row"|Out of the Past

|Jacques Tourneur

|1947

|TSPDT

|{{Start-Class}}

180

|scope="row"|Imitation of Life

|Douglas Sirk

|1959

|TSPDT

|{{C-Class}}

181

|scope="row"|Performance

|Nicolas Roeg and Donald Cammell

|1970

|TSPDT

|{{C-Class}}

182

|scope="row"|The Passenger

|Michelangelo Antonioni

|1975

|TSPDT

|{{Start-Class}}

183

|scope="row"|Umberto D.

|Vittorio De Sica

|1952

|TSPDT

|{{Start-Class}}

184

|scope="row"|Sweet Smell of Success

|Alexander Mackendrick

|1957

|TSPDT

|{{Sort|A|{{GA-Class}}}}

185

|scope="row"|Paisan

|Roberto Rossellini

|1946

|TSPDT

|{{Start-Class}}

186

|scope="row"|The Best Years of Our Lives

|William Wyler

|1946

|TSPDT

|{{C-Class}}

187

|scope="row"|Le Samouraï

|Jean-Pierre Melville

|1967

|TSPDT

|{{Start-Class}}

188

|scope="row"|Chungking Express

|Wong Kar-wai

|1994

|TSPDT

|{{Start-class}}

189

|scope="row"|Celine and Julie Go Boating

|Jacques Rivette

|1974

|TSPDT

|{{Start-Class}}

190

|scope="row"|Rocco and His Brothers

|Luchino Visconti

|1960

|TSPDT

|{{C-Class}}

191

|scope="row"|The Color of Pomegranates

|Sergei Parajanov

|1968

|TSPDT

|{{Start-class}}

192

|scope="row"|The Cabinet of Dr. Caligari

|Robert Wiene

|1919

|TSPDT

|{{Sort|!|{{FA-Class}}}}

193

|scope="row"|Meet Me in St. Louis

|Vincente Minnelli

|1944

|TSPDT

|{{Start-Class}}

194

|scope="row"|Chimes at Midnight

|Orson Welles

|1966

|TSPDT

|{{Sort|A|{{GA-Class}}}}

195

|scope="row"|Ashes and Diamonds

|Andrzej Wajda

|1958

|TSPDT

|{{Sort|A|{{GA-Class}}}}

196

|scope="row"|Close Encounters of the Third Kind

|Steven Spielberg

|1977

|TSPDT

|{{Sort|A|{{GA-Class}}}}

197

|scope="row"|Cries and Whispers

|Ingmar Bergman

|1972

|TSPDT

|{{Sort|A|{{GA-Class}}}}

198

|scope="row"|The Deer Hunter

|Michael Cimino

|1978

|TSPDT

|{{B-Class}}

199

|scope="row"|Sullivan's Travels

|Preston Sturges

|1941

|TSPDT

|{{C-Class}}

200

|scope="row"|Kes

|Ken Loach

|1969

|TSPDT

|{{C-class}}

201

|scope="row"|McCabe & Mrs. Miller

|Robert Altman

|1971

|TSPDT

|{{Start-Class}}

202

|scope="row"|The Thin Blue Line

|Errol Morris

|1988

|TSPDT

|{{B-Class}}

203

|scope="row"|Diary of a Country Priest

|Robert Bresson

|1950

|TSPDT

|{{Start-Class}}

204

|scope="row"|The Birds

|Alfred Hitchcock

|1963

|TSPDT

|{{C-Class}}

205

|scope="row"|Solaris

|Andrei Tarkovsky

|1972

|TSPDT

|{{Sort|A|{{GA-Class}}}}

206

|scope="row"|Paths of Glory

|Stanley Kubrick

|1957

|TSPDT

|{{B-Class}}

207

|scope="row"|Meshes of the Afternoon

|Maya Deren and Alexander Hammid

|1943

|TSPDT

|{{Start-class}}

208

|scope="row"|Brazil

|Terry Gilliam

|1985

|TSPDT

|{{B-Class}}

209

|scope="row"|Kind Hearts and Coronets

|Robert Hamer

|1949

|TSPDT

|{{Start-Class}}

210

|scope="row"|Red River

|Howard Hawks

|1948

|TSPDT

|{{Start-Class}}

211

|scope="row"|The Band Wagon

|Vincente Minnelli

|1953

|TSPDT

|{{Start-Class}}

212

|scope="row"|Raiders of the Lost Ark

|Steven Spielberg

|1981

|TSPDT

|{{Sort|A|{{GA-Class}}}}

213

|scope="row"|Floating Clouds

|Mikio Naruse

|1955

|TSPDT

|{{Start-class}}

214

|scope="row"|Belle de jour

|Luis Buñuel

|1967

|TSPDT

|{{Start-Class}}

215

|scope="row"|Three Colours: Blue

|Krzysztof Kieślowski

|1993

|TSPDT

|{{C-class}}

216

|scope="row"|Wings of Desire

|Wim Wenders

|1987

|TSPDT

|{{Sort|A|{{GA-Class}}}}

217

|scope="row"|Ivan the Terrible, Part Two

|Sergei Eisenstein

|1958

|TSPDT

|{{C-Class}}

218

|scope="row"|The Big Lebowski

|Coen brothers

|1998

|TSPDT

|{{Sort|A|{{GA-Class}}}}

219

|scope="row"|Dekalog

|Krzysztof Kieślowski

|1988

|TSPDT

|{{C-Class}}

220

|scope="row"|Death in Venice

|Luchino Visconti

|1971

|TSPDT

|{{Start-Class}}

221

|scope="row"|Faces

|John Cassavetes

|1968

|TSPDT

|{{Start-class}}

222

|scope="row"|Mean Streets

|Martin Scorsese

|1973

|TSPDT

|{{Start-Class}}

223

|scope="row"|Spirited Away

|Hayao Miyazaki

|2001

|TSPDT

|{{Sort|A|{{GA-Class}}}}

224

|scope="row"|Two or Three Things I Know About Her

|Jean-Luc Godard

|1966

|TSPDT

|{{Start-Class}}

225

|scope="row"|The Texas Chain Saw Massacre

|Tobe Hooper

|1974

|TSPDT

|{{Sort|A|{{GA-Class}}}}

226

|scope="row"|The Thin Red Line

|Terrence Malick

|1998

|TSPDT

|{{Sort|A|{{GA-Class}}}}

227

|scope="row"|The Treasure of the Sierra Madre

|John Huston

|1948

|TSPDT

|{{Start-Class}}

228

|scope="row"|Breaking the Waves

|Lars von Trier

|1996

|TSPDT

|{{Start-class}}

229

|scope="row"|Touki Bouki

|Djibril Diop Mambéty

|1973

|TSPDT

|{{Start-class}}

230

|scope="row"|The Crowd

|King Vidor

|1928

|TSPDT

|{{Start-Class}}

231

|scope="row"|The Birth of a Nation

|D. W. Griffith

|1915

|TSPDT

|{{B-Class}}

232

|scope="row"|Bonnie and Clyde

|Arthur Penn

|1967

|TSPDT

|{{C-Class}}

233

|scope="row"|Wavelength

|Michael Snow

|1967

|TSPDT

|{{C-class}}

234

|scope="row"|Jalsaghar

|Satyajit Ray

|1958

|TSPDT

|{{Start-Class}}

235

|scope="row"|My Neighbor Totoro

|Hayao Miyazaki

|1988

|TSPDT

|{{B-class}}

236

|scope="row"|Zero for Conduct

|Jean Vigo

|1933

|TSPDT

|{{Start-Class}}

237

|scope="row"|F for Fake

|Orson Welles

|1974

|TSPDT

|{{Start-class}}

238

|scope="row"|The Quiet Man

|John Ford

|1952

|TSPDT

|{{Start-Class}}

239

|scope="row"|Underground

|Emir Kusturica

|1995

|TSPDT

|{{C-class}}

240

|scope="row"|Fargo

|Coen brothers

|1996

|TSPDT

|{{C-class}}

241

|scope="row"|Germany, Year Zero

|Roberto Rossellini

|1948

|TSPDT

|{{Start-Class}}

242

|scope="row"|Night of the Living Dead

|George Romero

|1968

|TSPDT

|{{B-Class}}

243

|scope="row"|Memories of Underdevelopment

|Tomás Gutiérrez Alea

|1968

|TSPDT

|{{C-class}}

244

|scope="row"|Ivan the Terrible, Part One

|Sergei Eisenstein

|1944

|TSPDT

|{{C-Class}}

245

|scope="row"|Eraserhead

|David Lynch

|1977

|TSPDT

|{{Sort|!|{{FA-Class}}}}

246

|scope="row"|Pandora's Box

|G. W. Pabst

|1928

|TSPDT

|{{C-Class}}

247

|scope="row"|Beauty and the Beast

|Jean Cocteau

|1946

|TSPDT

|{{Start-Class}}

248

|scope="row"|The Wages of Fear

|Henri-Georges Clouzot

|1952

|TSPDT

|{{Start-Class}}

249

|scope="row"|The World of Apu

|Satyajit Ray

|1959

|TSPDT

|{{Start-Class}}

250

|scope="row"|Crimes and Misdemeanors

|Woody Allen

|1989

|TSPDT

|{{C-Class}}

251

|scope="row"|The Maltese Falcon

|John Huston

|1941

|TSPDT

|{{B-Class}}

252

|scope="row"|Freaks

|Tod Browning

|1932

|TSPDT

|{{Sort|A|{{GA-Class}}}}

253

|scope="row"|Werckmeister Harmonies

|Béla Tarr

|2000

|TSPDT

|{{Start-Class}}

254

|scope="row"|The Shop Around the Corner

|Ernst Lubitsch

|1940

|TSPDT

|{{Start-Class}}

255

|scope="row"|Johnny Guitar

|Nicholas Ray

|1954

|TSPDT

|{{C-Class}}

256

|scope="row"|Star Wars Episode V: The Empire Strikes Back

|Irvin Kershner

|1980

|TSPDT

|{{B-Class}}

257

|scope="row"|Schindler's List

|Steven Spielberg

|1993

|TSPDT

|{{Sort|A|{{GA-Class}}}}

258

|scope="row"|Black God, White Devil

|Glauber Rocha

|1964

|TSPDT

|{{Start-class}}

259

|scope="row"|Unforgiven

|Clint Eastwood

|1992

|TSPDT

|{{C-Class}}

260

|scope="row"|It Happened One Night

|Frank Capra

|1934

|TSPDT

|{{C-Class}}

261

|scope="row"|To Kill a Mockingbird

|Robert Mulligan

|1962

|TSPDT

|{{C-Class}}

262

|scope="row"|Love Streams

|John Cassavetes

|1984

|TSPDT

|{{Start-class}}

263

|scope="row"|The Last Picture Show

|Peter Bogdanovich

|1971

|TSPDT

|{{C-class}}

264

|scope="row"|Monsieur Verdoux

|Charlie Chaplin

|1947

|TSPDT

|{{Start-Class}}

265

|scope="row"|Harold and Maude

|Hal Ashby

|1971

|TSPDT

|{{C-class}}

266

|scope="row"|How Green Was My Valley

|John Ford

|1941

|TSPDT

|{{Start-class}}

267

|scope="row"|Killer of Sheep

|Charles Burnett

|1977

|TSPDT

|{{Start-class}}

268

|scope="row"|Don't Look Back

|D. A. Pennebaker

|1967

|TSPDT

|{{Start-class}}

269

|scope="row"|West Side Story

|Robert Wise

|1961

|TSPDT

|{{C-class}}

270

|scope="row"|Chelsea Girls

|Andy Warhol and Paul Morrissey

|1966

|TSPDT

|{{Start-class}}

271

|scope="row"|The Philadelphia Story

|George Cukor

|1940

|TSPDT

|{{C-Class}}

272

|scope="row"|Make Way for Tomorrow

|Leo McCarey

|1937

|TSPDT

|{{C-class}}

273

|scope="row"|Reservoir Dogs

|Quentin Tarantino

|1992

|TSPDT

|{{Sort|A|{{GA-Class}}}}

274

|scope="row"|Kiss Me Deadly

|Robert Aldrich

|1955

|TSPDT

|{{Start-class}}

275

|scope="row"|Marketa Lazarová

|František Vláčil

|1967

|TSPDT

|{{Start-class}}

276

|scope="row"|All That Heaven Allows

|Douglas Sirk

|1955

|TSPDT

|{{Start-class}}

277

|scope="row"|Snow White and the Seven Dwarfs

|David Hand

|1937

|TSPDT

|{{Sort|A|{{GA-Class}}}}

278

|scope="row"|Network

|Sidney Lumet

|1976

|TSPDT

|{{Start-class}}

279

|scope="row"|The Sorrow and the Pity

|Marcel Ophuls

|1969

|TSPDT

|{{Start-class}}

280

|scope="row"|Landscape in the Mist

|Theo Angelopoulos

|1988

|TSPDT

|{{Start-class}}

281

|scope="row"|Written on the Wind

|Douglas Sirk

|1956

|TSPDT

|{{C-Class}}

282

|scope="row"|Heat

|Michael Mann

|1996

|TSPDT

|{{C-class}}

283

|scope="row"|The Kid

|Charlie Chaplin

|1921

|TSPDT

|{{Start-class}}

284

|scope="row"|The Killing of a Chinese Bookie

|John Cassavetes

|1976

|TSPDT

|{{Start-class}}

285

|scope="row"|Magnolia

|Paul Thomas Anderson

|1999

|TSPDT

|{{B-class}}

286

|scope="row"|Dawn of the Dead

|George A. Romero

|1978

|TSPDT

|{{B-class}}

287

|scope="row"|The King of Comedy

|Martin Scorsese

|1983

|TSPDT

|{{C-class}}

288

|scope="row"|Marnie

|Alfred Hitchcock

|1964

|TSPDT

|{{C-class}}

289

|scope="row"|Back to the Future

|Robert Zemeckis

|1985

|TSPDT

|{{Sort|A|{{GA-Class}}}}

290

|scope="row"|The Matrix

|The Wachowski Brothers

|1999

|TSPDT

|{{B-class}}

291

|scope="row"|This Is Spinal Tap

|Rob Reiner

|1984

|TSPDT

|{{C-class}}

292

|scope="row"|Army of Shadows

|Jean-Pierre Melville

|1969

|TSPDT

|{{Start-class}}

293

|scope="row"|Bride of Frankenstein

|James Whale

|1935

|TSPDT

|{{Sort|!|{{FA-Class}}}}

294

|scope="row"|Monsieur Hulot's Holiday

|Jacques Tati

|1953

|TSPDT

|{{Start-Class}}

295

|scope="row"|Dog Day Afternoon

|Sidney Lumet

|1975

|TSPDT

|{{C-class}}

296

|scope="row"|The Green Ray

|Éric Rohmer

|1986

|TSPDT

|{{Start-class}}

297

|scope="row"|Eyes Without a Face

|Georges Franju

|1960

|TSPDT

|{{Sort|A|{{GA-Class}}}}

298

|scope="row"|Opening Night

|John Cassavetes

|1977

|TSPDT

|{{Start-class}}

299

|scope="row"|Paris, Texas

|Wim Wenders

|1984

|USA

|{{Start-class}}

300

|scope="row"|Only Angels Have Wings

|Howard Hawks

|1939

|USA

|{{Start-Class}}

301

|scope="row"|The Exorcist

|William Friedkin

|1973

|USA

|{{B-Class}}

302

|scope="row"|In a Lonely Place

|Nicholas Ray

|1950

|USA

|{{C-class}}

303

|scope="row"|Tabu

|F. W. Murnau

|1931

|USA

|{{C-Class}}

304

|scope="row"|The Graduate

|Mike Nichols

|1967

|USA

|{{C-Class}}

305

|scope="row"|Broken Blossoms

|D. W. Griffith

|1916

|USA

|{{C-Class}}

306

|scope="row"|Husbands

|John Cassavetes

|1970

|USA

|{{C-Class}}

307

|scope="row"|Groundhog Day

|Harold Ramis

|1993

|USA

|{{B-class}}

308

|scope="row"|The Big Sleep

|Howard Hawks

|1946

|USA

|{{C-class}}

309

|scope="row"|The Hour of the Furnaces

|Octavio Getino and Fernando Solanas

|1968

|Argentina

|{{Stub-class}}

310

|scope="row"|La Ciénaga

|Lucrecia Martel

|2001

|Argentina

|{{C-class}}

311

|scope="row"|The Piano

|Jane Campion

|1993

|Australia

|{{C-class}}

312

|scope="row"|Walkabout

|Nicolas Roeg

|1971

|Australia

|{{C-class}}

313

|scope="row"|Mad Max 2

|George Miller

|1981

|Australia

|{{C-class}}

314

|scope="row"|Picnic at Hanging Rock

|Peter Weir

|1975

|Australia

|{{C-class}}

315

|scope="row"|Distant Voices, Still Lives

|Terence Davies

|1988

|UK

|{{Start-class}}

316

|scope="row"|Listen to Britain

|Humphrey Jennings and Stewart McAllister

|1942

|UK

|{{C-class}}

317

|scope="row"|A Canterbury Tale

|Michael Powell and Emeric Pressburger

|1944

|UK

|{{Start-class}}

318

|scope="row"|Peeping Tom

|Michael Powell

|1960

|UK

|{{C-Class}}

319

|scope="row"|I Know Where I'm Going!

|Michael Powell and Emeric Pressburger

|1945

|UK

|{{Start-class}}

320

|scope="row"|The Bridge on the River Kwai

|David Lean

|1957

|UK

|{{C-Class}}

321

|scope="row"|if....

|Lindsay Anderson

|1968

|UK

|{{C-Class}}

322

|scope="row"|Man of Aran

|Robert J. Flaherty

|1934

|UK

|{{Start-class}}

323

|scope="row"|The Innocents

|Jack Clayton

|1961

|UK

|{{Start-class}}

324

|scope="row"|Monty Python's Life of Brian

|Terry Jones

|1979

|UK

|{{B-class}}

325

|scope="row"|Videodrome

|David Cronenberg

|1983

|Canada

|{{C-class}}

326

|scope="row"|La Région Centrale

|Michael Snow

|1971

|Canada

|{{Start-class}}

327

|scope="row"|Dead Ringers

|David Cronenberg

|1988

|Canada

|{{Start-class}}

328

|scope="row"|The Hart of London

|Jack Chambers

|1970

|Canada

|{{Stub-class}}

329

|scope="row"|Crash

|David Cronenberg

|1996

|Canada

|{{C-class}}

330

|scope="row"|Exotica

|Atom Egoyan

|1994

|Canada

|{{Start-class}}

331

|scope="row"|A Touch of Zen

|King Hu

|1971

|China

|{{Start-class}}

332

|scope="row"|The Time to Live and the Time to Die

|Hou Hsiao-Hsien

|1985

|China

|{{Start-class}}

333

|scope="row"|The Puppetmaster

|Hou Hsiao-Hsien

|1993

|China

|{{C-class}}

334

|scope="row"|Days of Being Wild

|Wong Kar-wai

|1990

|China

|{{Start-class}}

335

|scope="row"|Happy Together

|Wong Kar-wai

|1997

|China

|{{C-class}}

336

|scope="row"|Tie Xi Qu: West of the Tracks

|Wang Bing

|2003

|China

|{{Stub-class}}

337

|scope="row"|Crouching Tiger, Hidden Dragon

|Ang Lee

|2000

|China

|{{C-class}}

338

|scope="row"|Yellow Earth

|Chen Kaige

|1984

|China

|{{Start-class}}

339

|scope="row"|Flowers of Shanghai

|Hou Hsiao-Hsien

|1998

|China

|{{Start-class}}

340

|scope="row"|Farewell My Concubine

|Chen Kaige

|1993

|China

|{{C-class}}

341

|scope="row"|Three Colors: Red

|Krzysztof Kieślowski

|1994

|France

|{{Start-class}}

342

|scope="row"|My Night at Maud's

|Éric Rohmer

|1969

|France

|{{Start-class}}

343

|scope="row"|A Trip to the Moon

|Georges Méliès

|1902

|France

|{{Sort|A|{{GA-Class}}}}

344

|scope="row"|The Sacrifice

|Andrei Tarkovsky

|1986

|France

|{{Start-class}}

345

|scope="row"|Out 1

|Jacques Rivette

|1971

|France

|{{Start-class}}

346

|scope="row"|The Double Life of Véronique

|Krzysztof Kieślowski

|1991

|France

|{{C-class}}

347

|scope="row"|Orpheus

|Jean Cocteau

|1950

|France

|{{Start-Class}}

348

|scope="row"|Lola Montès

|Max Ophüls

|1955

|France

|{{Start-class}}

349

|scope="row"|Red Desert

|Michelangelo Antonioni

|1964

|France

|{{Start-class}}

350

|scope="row"|Weekend

|Jean-Luc Godard

|1967

|France

|{{Start-Class}}

351

|scope="row"|Berlin Alexanderplatz

|Rainer Werner Fassbinder

|1980

|Germany

|{{Start-Class}}

352

|scope="row"|Kings of the Road

|Wim Wenders

|1976

|Germany

|{{Start-class}}

353

|scope="row"|In a Year of 13 Moons

|Rainer Werner Fassbinder

|1978

|Germany

|{{Start-class}}

354

|scope="row"|Triumph of the Will

|Leni Riefenstahl

|1935

|Germany

|{{C-class}}

355

|scope="row"|Fitzcarraldo

|Werner Herzog

|1982

|Germany

|{{C-class}}

356

|scope="row"|The Enigma of Kaspar Hauser

|Werner Herzog

|1974

|Germany

|{{Start-class}}

357

|scope="row"|Dr. Mabuse the Gambler

|Fritz Lang

|1922

|Germany

|{{Start-class}}

358

|scope="row"|The Blue Angel

|Josef von Sternberg

|1930

|Germany

|{{C-class}}

359

|scope="row"|Faust

|F. W. Murnau

|1926

|Germany

|{{C-class}}

360

|scope="row"|Alice in the Cities

|Wim Wenders

|1974

|Germany

|{{Start-class}}

361

|scope="row"|Meghe Dhaka Tara

|Ritwik Ghatak

|1960

|India

|{{C-class}}

362

|scope="row"|Pyaasa

|Guru Dutt

|1957

|India

|{{Start-class}}

363

|scope="row"|Charulata

|Satyajit Ray

|1964

|India

|{{C-class}}

364

|scope="row"|Aparajito

|Satyajit Ray

|1956

|India

|{{C-class}}

365

|scope="row"|Subarnarekha

|Ritwik Ghatak

|1965

|India

|{{Start-class}}

366

|scope="row"|Kaagaz Ke Phool

|Guru Dutt

|1959

|India

|{{Start-class}}

367

|scope="row"|Pakeezah

|Kamal Amrohi

|1972

|India

|{{Start-class}}

368

|scope="row"|La Notte

|Michelangelo Antonioni

|1961

|Italy

|{{Start-Class}}

369

|scope="row"|Cinema Paradiso

|Giuseppe Tornatore

|1988

|Italy

|{{C-Class}}

370

|scope="row"|Nostalghia

|Andrei Tarkovsky

|1983

|Italy

|{{Start-class}}

371

|scope="row"|1900

|Bernardo Bertolucci

|1976

|Italy

|{{Start-class}}

372

|scope="row"|Salvatore Giuliano

|Francesco Rosi

|1962

|Italy

|{{Start-class}}

373

|scope="row"|Stromboli

|Roberto Rossellini

|1950

|Italy

|{{Start-class}}

374

|scope="row"|The Tree of Wooden Clogs

|Ermanno Olmi

|1978

|Italy

|{{Start-class}}

375

|scope="row"|The Flowers of St. Francis

|Roberto Rossellini

|1950

|Italy

|{{Start-class}}

376

|scope="row"|Miracle in Milan

|Vittorio de Sica

|1951

|Italy

|{{C-class}}

377

|scope="row"|Fellini Satyricon

|Federico Fellini

|1969

|Italy

|{{C-class}}

378

|scope="row"|An Autumn Afternoon

|Yasujiro Ozu

|1962

|Japan

|{{Start-class}}

379

|scope="row"|The Life of Oharu

|Kenji Mizoguchi

|1952

|Japan

|{{Start-class}}

380

|scope="row"|Throne of Blood

|Akira Kurosawa

|1957

|Japan

|{{C-Class}}

381

|scope="row"|The Story of the Last Chrysanthemums

|Kenji Mizoguchi

|1939

|Japan

|{{Start-class}}

382

|scope="row"|In the Realm of the Senses

|Nagisa Oshima

|1976

|Japan

|{{Start-class}}

383

|scope="row"|I Was Born, But...

|Yasujiro Ozu

|1932

|Japan

|{{Start-class}}

384

|scope="row"|High and Low

|Akira Kurosawa

|1963

|Japan

|{{B-class}}

385

|scope="row"|Yojimbo

|Akira Kurosawa

|1961

|Japan

|{{Start-class}}

386

|scope="row"|The Woman in the Dunes

|Hiroshi Teshigahara

|1964

|Japan

|{{Start-class}}

387

|scope="row"|Kagemusha

|Akira Kurosawa

|1980

|Japan

|{{Start-class}}

388

|scope="row"|Oldboy

|Park Chan-wook

|2003

|Korea

|{{B-class}}

389

|scope="row"|Memories of Murder

|Bong Joon-ho

|2003

|Korea

|{{Start-class}}

390

|scope="row"|Él

|Luis Buñuel

|1953

|Mexico

|{{Start-class}}

391

|scope="row"|The Holy Mountain

|Alejandro Jodorowsky

|1973

|Mexico

|{{Start-class}}

392

|scope="row"|Nazarín

|Luis Buñuel

|1959

|Mexico

|{{Start-class}}

393

|scope="row"|Simon of the Desert

|Luis Buñuel

|1965

|Mexico

|{{Start-class}}

394

|scope="row"|El Topo

|Alejandro Jodorowsky

|1970

|Mexico

|{{Start-class}}

395

|scope="row"|Silent Light

|Carlos Reygadas

|2007

|Mexico

|{{Start-class}}

396

|scope="row"|Amores perros

|Alejandro González Iñárritu

|2000

|Mexico

|{{Start-class}}

397

|scope="row"|The Criminal Life of Archibaldo de la Cruz

|Luis Buñuel

|1955

|Mexico

|{{Start-class}}

398

|scope="row"|Y Tu Mamá También

|Alfonso Cuarón

|2001

|Mexico

|{{C-class}}

399

|scope="row"|An Angel at My Table

|Jane Campion

|1990

|New Zealand

|{{Start-Class}}

400

|scope="row"|The Lord of the Rings: The Fellowship of the Ring

|Peter Jackson

|2001

|New Zealand

|{{B-Class}}

401

|scope="row"|Day of Wrath

|Carl Theodor Dreyer

|1943

|Nordic

|{{Start-class}}

402

|scope="row"|Hour of the Wolf

|Ingmar Bergman

|1968

|Nordic

|{{Sort|A|{{GA-Class}}}}

403

|scope="row"|Scenes from a Marriage

|Ingmar Bergman

|1973

|Nordic

|{{Start-class}}

404

|scope="row"|Festen

|Thomas Vinterberg

|1998

|Nordic

|{{Start-class}}

405

|scope="row"|Winter Light

|Ingmar Bergman

|1962

|Nordic

|{{C-class}}

406

|scope="row"|Edvard Munch

|Peter Watkins

|1974

|Nordic

|{{Start-class}}

407

|scope="row"|The Silence

|Ingmar Bergman

|1963

|Nordic

|{{C-class}}

408

|scope="row"|My Life as a Dog

|Lasse Hallström

|1985

|Nordic

|{{Start-class}}

409

|scope="row"|The Idiots

|Lars von Trier

|1998

|Nordic

|{{Start-class}}

410

|scope="row"|Songs from the Second Floor

|Roy Andersson

|2000

|Nordic

|{{Start-class}}

411

|scope="row"|Where Is the Friend's Home?

|Abbas Kiarostami

|1987

|Persian

|{{Start-class}}

412

|scope="row"|Through the Olive Trees

|Abbas Kiarostami

|1994

|Persian

|{{Start-class}}

413

|scope="row"|The House Is Black

|Forough Farrokhzad

|1962

|Persian

|{{Stub-class}}

414

|scope="row"|Taste of Cherry

|Abbas Kiarostami

|1997

|Persian

|{{Start-class}}

415

|scope="row"|A Moment of Innocence

|Mohsen Makhmalbaf

|1996

|Persian

|{{Start-class}}

416

|scope="row"|Life, and Nothing More...

|Abbas Kiarostami

|1991

|Persian

|{{Start-class}}

417

|scope="row"|A Separation

|Asghar Farhadi

|2011

|Persian

|{{C-class}}

418

|scope="row"|Tropical Malady

|Apichatpong Weerasethakul

|2004

|Southeast Asian

|{{Start-class}}

419

|scope="row"|Blissfully Yours

|Apichatpong Weerasethakul

|2002

|Southeast Asian

|{{Start-class}}

420

|scope="row"|Uncle Boonmee Who Can Recall His Past Lives

|Apichatpong Weerasethakul

|2010

|Southeast Asian

|{{Start-class}}

421

|scope="row"|Syndromes and a Century

|Apichatpong Weerasethakul

|2006

|Southeast Asian

|{{Start-class}}

422

|scope="row"|I Am Cuba

|Mikhail Kalatozov

|1964

|Soviet

|{{C-class}}

423

|scope="row"|Russian Ark

|Alexander Sokurov

|2002

|Soviet

|{{Start-class}}

424

|scope="row"|October: Ten Days That Shook the World

|Sergei Eisenstein

|1928

|Soviet

|{{Start-class}}

425

|scope="row"|Ivan's Childhood

|Andrei Tarkovsky

|1962

|Soviet

|{{Start-class}}

426

|scope="row"|Shadows of Forgotten Ancestors

|Sergei Parajanov

|1965

|Soviet

|{{Start-class}}

427

|scope="row"|Dersu Uzala

|Akira Kurosawa

|1975

|Soviet

|{{Start-class}}

428

|scope="row"|The Cranes Are Flying

|Mikhail Kalatozov

|1957

|Soviet

|{{Start-class}}

429

|scope="row"|Alexander Nevsky

|Sergei Eisenstein

|1938

|Soviet

|{{Start-Class}}

430

|scope="row"|Tale of Tales

|Yuriy Norshteyn

|1979

|Soviet

|{{Start-class}}

431

|scope="row"|Strike

|Sergei Eisenstein

|1925

|Soviet

|{{Start-class}}

432

|scope="row"|Not on Your Life

|Luis García Berlanga

|1963

|Spain

|{{Start-class}}

433

|scope="row"|All About My Mother

|Pedro Almodóvar

|1999

|Spain

|{{Start-class}}

434

|scope="row"|Land Without Bread

|Luis Buñuel

|1933

|Spain

|{{Start-class}}

435

|scope="row"|Dream of Light

|Víctor Erice

|1992

|Spain

|{{Stub-class}}

436

|scope="row"|Talk to Her

|Pedro Almodóvar

|2002

|Spain

|{{Start-class}}

437

|scope="row"|Plácido

|Luis García Berlanga

|1961

|Spain

|{{Stub-class}}

438

|scope="row"|Arrebato

|Iván Zulueta

|1980

|Spain

|{{Start-class}}

439

|scope="row"|The South

|Víctor Erice

|1983

|Spain

|{{Stub-class}}

440

|scope="row"|Pan's Labyrinth

|Guillermo del Toro

|2006

|Spain

|{{B-class}}

441

|scope="row"|The Lion King

|Roger Allers and Rob Minkoff

|1994

|Animated

|{{Sort|A|{{GA-Class}}}}

442

|scope="row"|Toy Story

|John Lasseter

|1995

|Animated

|{{Sort|A|{{GA-Class}}}}

443

|scope="row"|The Little Mermaid

|Ron Clements and John Musker

|1989

|Animated

|{{Sort|A|{{GA-Class}}}}

444

|scope="row"|Toy Story 2

|John Lasseter

|1999

|Animated

|{{Sort|A|{{GA-Class}}}}

445

|scope="row"|Who Framed Roger Rabbit

|Robert Zemeckis

|1988

|Animated

|{{Sort|A|{{GA-Class}}}}

446

|scope="row"|Fritz the Cat

|Ralph Bakshi

|1972

|Animated

|{{B-class}}

447

|scope="row"|Gertie the Dinosaur

|Winsor McCay

|1914

|Animated

|{{Sort|!|{{FA-Class}}}}

448

|scope="row"|The Land Before Time

|Don Bluth

|1988

|Animated

|{{C-class}}

449

|scope="row"|Frozen

|Chris Buck and Jennifer Lee

|2013

|Animated

|{{Sort|A|{{GA-Class}}}}

450

|scope="row"|Transformers

|Michael Bay

|2007

|Animated

|{{Sort|!|{{FA-Class}}}}

451

|scope="row"|Ben-Hur

|William Wyler

|1959

|Christian

|{{Sort|A|{{GA-Class}}}}

452

|scope="row"|The Chronicles of Narnia: Prince Caspian

|Andrew Adamson

|2008

|Christian

|{{Sort|A|{{GA-Class}}}}

453

|scope="row"|The Prince of Egypt

|Simon Wells and Brenda Chapman

|1998

|Christian

|{{Sort|A|{{GA-Class}}}}

454

|scope="row"|The Chronicles of Narnia: The Lion, the Witch and the Wardrobe

|Andrew Adamson

|2005

|Christian

|{{B-class}}

455

|scope="row"|The Sound of Music

|Robert Wise

|1965

|Christian

|{{B-class}}

456

|scope="row"|Chariots of Fire

|Hugh Hudson

|1981

|Christian

|{{B-class}}

457

|scope="row"|The Passion of the Christ

|Mel Gibson

|2004

|Christian

|{{B-class}}

458

|scope="row"|Tender Mercies

|Bruce Beresford

|1983

|Christian

|{{Sort|!|{{FA-Class}}}}

459

|scope="row"|The Blind Side

|John Lee Hancock

|2009

|Christian

|{{Start-class}}

460

|scope="row"|The Book of Eli

|Hughes brothers

|2010

|Christian

|{{C-class}}

461

|scope="row"|300

|Zack Snyder

|2007

|Comic Book

|{{Sort|!|{{FA-Class}}}}

462

|scope="row"|The Dark Knight

|Christopher Nolan

|2008

|Comic Book

|{{Sort|A|{{GA-Class}}}}

463

|scope="row"|Batman Begins

|Christopher Nolan

|2005

|Comic Book

|{{Sort|A|{{GA-Class}}}}

464

|scope="row"|Batman

|Tim Burton

|1989

|Comic Book

|{{Sort|A|{{GA-Class}}}}

465

|scope="row"|Iron Man 2

|Jon Favreau

|2010

|Comic Book

|{{Sort|A|{{GA-Class}}}}

466

|scope="row"|Spider-Man 3

|Sam Raimi

|2007

|Comic Book

|{{Sort|A|{{GA-Class}}}}

467

|scope="row"|X-Men Origins: Wolverine

|Gavin Hood

|2009

|Comic Book

|{{Sort|A|{{GA-Class}}}}

468

|scope="row"|Alien vs. Predator

|Paul W. S. Anderson

|2004

|Comic Book

|{{Sort|!|{{FA-Class}}}}

469

|scope="row"|V for Vendetta

|James McTeigue

|2006

|Comic Book

|{{Sort|A|{{GA-Class}}}}

470

|scope="row"|Watchmen

|Zack Snyder

|2009

|Comic Book

|{{Sort|A|{{GA-Class}}}}

471

|scope="row"|The Power of Nightmares

|Adam Curtis

|2004

|Documentary

|{{Sort|!|{{FA-Class}}}}

472

|scope="row"|The Revolution Will Not Be Televised

|Kim Bartley and Donnacha Ó Briain

|2003

|Documentary

|{{Sort|!|{{FA-Class}}}}

473

|scope="row"|Koyaanisqatsi

|Godfrey Reggio

|1982

|Documentary

|{{C-class}}

474

|scope="row"|Sicko

|Michael Moore

|2007

|Documentary

|{{B-class}}

475

|scope="row"|I'm Going to Tell You a Secret

|Jonas Åkerlund

|2005

|Documentary

|{{Sort|A|{{GA-Class}}}}

476

|scope="row"|Bowling for Columbine

|Michael Moore

|2002

|Documentary

|{{C-class}}

477

|scope="row"|Waltz with Bashir

|Ari Folman

|2008

|Documentary

|{{C-class}}

478

|scope="row"|Man on Wire

|James Marsh

|2008

|Documentary

|{{Start-class}}

479

|scope="row"|Grizzly Man

|Werner Herzog

|2005

|Documentary

|{{C-class}}

480

|scope="row"|March of the Penguins

|Luc Jacquet

|2005

|Documentary

|{{B-class}}

481

|scope="row"|The Cat and the Canary

|Paul Leni

|1927

|Silent

|{{Sort|!|{{FA-Class}}}}

482

|scope="row"|The Phantom of the Opera

|Rupert Julian

|1925

|Silent

|{{C-class}}

483

|scope="row"|Zapruder film

|Abraham Zapruder

|1963

|Silent

|{{B-class}}

484

|scope="row"|Saved from the Titanic

|Étienne Arnaud

|1912

|Silent

|{{Sort|A|{{GA-Class}}}}

485

|scope="row"|The Mountain Eagle

|Alfred Hitchcock

|1927

|Silent

|{{Sort|A|{{GA-Class}}}}

486

|scope="row"|Ben-Hur

|Fred Niblo

|1925

|Silent

|{{C-class}}

487

|scope="row"|L'Arrivée d'un train en gare de La Ciotat

|Auguste and Louis Lumière

|1895

|Silent

|{{C-class}}

488

|scope="row"|The Circus

|Charlie Chaplin

|1928

|Silent

|{{Start-class}}

489

|scope="row"|The Lodger: A Story of the London Fog

|Alfred Hitchcock

|1927

|Silent

|{{C-class}}

490

|scope="row"|Roundhay Garden Scene

|Louis Le Prince

|1888

|Silent

|{{Start-class}}

491

|scope="row"|Forrest Gump

|Robert Zemeckis

|1994

|War

|{{Sort|A|{{GA-Class}}}}

492

|scope="row"|Saving Private Ryan

|Steven Spielberg

|1998

|War

|{{Sort|A|{{GA-Class}}}}

493

|scope="row"|Gladiator

|Ridley Scott

|2000

|War

|{{Sort|A|{{GA-Class}}}}

494

|scope="row"|The Pianist

|Roman Polanski

|2002

|War

|{{C-class}}

495

|scope="row"|Braveheart

|Mel Gibson

|1995

|War

|{{B-class}}

496

|scope="row"|Inglourious Basterds

|Quentin Tarantino

|2009

|War

|{{Sort|A|{{GA-Class}}}}

497

|scope="row"|Full Metal Jacket

|Stanley Kubrick

|1987

|War

|{{B-class}}

498

|scope="row"|The Great Escape

|John Sturges

|1963

|War

|{{C-class}}

499

|scope="row"|Hotel Rwanda

|Terry George

|2004

|War

|{{C-class}}

500

|scope="row"|Platoon

|Oliver Stone

|1986

|War

|{{C-class}}

501

|Academy Awards

|

|

|Awards

|{{B-Class}}

502

|Golden Globe Award

|

|

|Awards

|{{Start-Class}}

503

|British Academy of Film and Television Arts

|

|

|Awards

|{{C-Class}}

504

|Palme d'Or

|

|

|Awards

|{{C-Class}}

505

|AVN Award

|

|

|Awards

|{{C-Class}}

506

|Academy of Motion Picture Arts and Sciences

|

|

|Awards

|{{Start-Class}}

507

|Saturn Award

|

|

|Awards

|{{Start-Class}}

508

|Young Artist Award

|

|

|Awards

|{{C-Class}}

509

|MTV Movie Awards

|

|

|Awards

|{{Start-Class}}

510

|Golden Lion

|

|

|Awards

|{{Start-Class}}

511

|Cannes Film Festival

|

|

|Festivals

|{{B-Class}}

512

|Sundance Film Festival

|

|

|Festivals

|{{Start-Class}}

513

|Berlin International Film Festival

|

|

|Festivals

|{{Start-Class}}

514

|Film festival

|

|

|Festivals

|{{C-Class}}

515

|Venice Film Festival

|

|

|Festivals

|{{Start-Class}}

516

|Toronto International Film Festival

|

|

|Festivals

|{{C-Class}}

517

|Tribeca Film Festival

|

|

|Festivals

|{{C-Class}}

518

|South by Southwest

|

|

|Festivals

|{{C-Class}}

519

|Karlovy Vary International Film Festival

|

|

|Festivals

|{{Start-Class}}

520

|Locarno International Film Festival

|

|

|Festivals

|{{Start-Class}}

521

|Film

|

|

|Filmmaking

|{{C-Class}}

522

|Animation

|

|

|Filmmaking

|{{C-Class}}

523

|Documentary film

|

|

|Filmmaking

|{{C-Class}}

524

|Silent film

|

|

|Filmmaking

|{{C-Class}}

525

|Film director

|

|

|Filmmaking

|{{Start-Class}}

526

|Short film

|

|

|Filmmaking

|{{C-Class}}

527

|Pornographic film

|

|

|Filmmaking

|{{C-Class}}

528

|Film producer

|

|

|Filmmaking

|{{Start-Class}}

529

|Screenwriter

|

|

|Filmmaking

|{{Start-Class}}

530

|Cinematography

|

|

|Filmmaking

|{{C-Class}}

Current status

{{Wikipedia:Version 1.0 Editorial Team/Core film articles by quality statistics}}

Assessment log

:The logs in this section are generated automatically (on a daily basis); please don't add entries to them by hand.

Unexpected changes, such as downgrading an article, or raising it more than two assessment classes at once, are shown in bold.

Wikipedia:Version 1.0 Editorial Team/Core film articles by quality log

Worklist

:The logs in this section are generated automatically (on a daily basis); please don't add entries to them by hand.

Wikipedia:Version 1.0 Editorial Team/Core film articles by quality

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