User:Pjoef/Sandbox/Arts

Hugh Cornwell's full discography, including his work with The Stranglers, can be found here {{cite web|author=Tony Kinson |url=http://www.hughcornwell.com/discography.html |title=Discography |publisher=Hugh Cornwell |date= |accessdate=2011-11-06}}

:For recordings made with the Stranglers, please see the Stranglers discography.

Solo studio albums

• Wolf (1988)
• Wired (1993)
• Guilty (1997)
• Hi Fi (2000)
• Footprints in the Desert (2002)
• Beyond Elysian Fields (2004)
• Hoover Dam (2008)

Other albums

• Nosferatu (1979) (with Robert Williams)
• CCW (1992) (with Roger Cook and Andy West)
• Black Hair Black Eyes Black Suit (US release of Guilty) (1999)
• First Bus To Babylon (1999) (US release of Wired)
• Sons of Shiva (2002) (with Sex W Johnston)
• Mayday (2002) (live album)
• In the Dock (2003) (acoustic album)
• Dirty Dozen (2006) (live album)
• People; Places; Pieces (2006) (live album)
• Acoustic Fields (2008) (acoustic album)

=The Damage Manual=

=The Damage Manual (album)=

infobox 2000

1. "King Mob" () – :
2. "Age of Urges" () – :
3. "Top Ten Severed" () – :
4. "Peep Show Ghosts" () – :
5. "Sunset Gun (303 Edit)" () – :
6. "Stateless (Delusional Mix)" () – :
7. "Expand" () – :
8. "Denial" () – :
9. "Broadcasting" () – :
10. "Sunset Gun (Fully Monty Sunny Orb Up Mix)" () – :
11. "Blame & Demand (Wobble-Laswell Hybrid Mix)" () – :
12. "Damage Addict (Laswell Mix)" () – :
13. "Stateless (Laswell Mix)" () – :

=Limited Edition=

infobox 2005

All songs written by Martin Atkins and Chris Connelly except were noted.

1. "Revenge Fiction" – :
2. "No Act of Grace" – :
3. "I Am War Again" – :
4. "Mad Dialect" – :
5. "Laugh Track" – :
6. "South Pole Fighters" – :
7. "Quiet Life" – :
8. "Driver Menace" – :
9. "Limited Edition" – :
10. "Expand (Can Remix)" (W Wardle, Geordie Walker, Connelly, Atkins, Lee Fraser) – :

=One=

infobox ep 2000

1. "Sunset Gun" (Martin Atkins, Chris Connelly, Geordie Walker, Jah Wobble) – 4:03
2. "Damage Addict" (Atkins, Connelly, Walker, Lee Fraser, Wobble) – 4:16
3. "Scissor Quickstep" (Atkins, Connelly, Walker, Wobble) – 3:30
4. "Blame and Demand" (Atkins, Connelly, Walker, Wobble) – 4:13
5. "Leave the Ground" (Atkins, Connelly, Walker, Wobble) – 4:23
6. "Bagman Damage" (Wobble) – 4:59
7. "M60 Dub" (Wobble) – 6:33

=East Meets East=

=Ferragosto=

• [http://italianculturalsociety.org/sevents.html FERRAGOSTO]

Feriae Augusti were originally the festive days lasting the entire month of August, in honor of the Emperor Augustus. During this period, the Romans honored their pagan deities and women made votive offerings in temples to ask for protection during childbirth. Participation in all festivities was open also to slaves.

Nowadays, Ferragosto comprises the holidays of mid August during which most Italians go on vacation.

----

• [http://www.myitalianfamily.com/email/040805-origins-ferragosto.html The Origin of Ferragosto]

Ferragosto is the most popular Italian festivity as well as one the most important Catholic recurring holidays. The Catholic Church celebrates the day the Virgin Mary was Assunta in Cielo, in other words transported directly to Heaven to be with her son and to look after those of us still here on Earth. The origin of Ferragosto is Pagan and it goes back before Christianity. Peasants in ancient times would rest during the month of August and celebrate the Goddess of all Harvestings in a ritual that would lead to pilgrimages to Her sanctuaries traditionally located in woods or on top of a mountain and offering her foods and prayers. Only in 18 BC the Roman Emperor Augustus (this name meaning "blessed by destiny, good luck") declared that all of the month of August would be dedicated to the Feriae Augusti, a series of festivals and celebrations; the most important was held on the 13th, and was dedicated to Diana, the Goddess who oversees the woods, the phases of the Moon, and Maternity. The celebrations used to take place in Diana's temple on the Aventino and it was one of the few occasions in which all the Romans from masters to slaves could walk and mix freely.

In addition to Diana, the Feriae Augusti were an occasion to celebrate Vortumnus, God of the Seasons and therefore of the ripening of crops, Conso, the God of the Harvest, and Opeconsiva, who personified the abundant harvest. In short, the Feriae were a celebration of abundance and fertility.

Only in the 18th century, Ferragosto became known as the day of the Ascension, and it became official only in 1950 with Pope Pius XII.

Among the traditional celebrations are:

Porto Santo Stefano (Grosseto): On August 15, there is a competition called "Palio Marinaro"; among fishermen divided in four teams representing the four main districts of the town of Porto Santo Stefano. This tradition originates from a legend that narrates about a fisherman's boat that was salvaged from the attacks of the Saracens by hiding in a small grotta (cave) which then became known as the "Grotta del Turco" (The Turk's Cave).

Castelbuono (Palermo): the history of the town is linked to the noble family of Ventimiglia. In 1316 they built a castle that was named after them (see picture below) and is still standing on a rock north of the main town. On August 15, the whole town gathers for the "Arruccata dei Ventimiglia"; locals dressed in ancient costumes create living paintings to evoke episodes of their history.

Like most religious holidays, Ferragosto provides families with an excellent excuse to gather and enjoy a fine meal, renewing the ties that bind the generations. Among the Italian most popular meals is the "Insalatona di Ferragosto" (Midsummer Salad):

(Ingredients: 4 chicken breasts - 1/2 Liter of milk - 1 large ripe tomato - 1 small ginger root - 1 1/2 tbsp butter - 300 grams of green salads - chives - vinegar - 1 tbsp soya sauce - salt)

Marinade the chicken breasts in the milk for 12 hours. Wash and strain the salad, dice the tomatoes, and slice the ginger finely. Remove the chicken from the milk, spread the breasts with butter and cook on a grill pan till tender. Place the salad and tomatoes in a salad bowl, and dress with 2 tbsp of vinegar and toss. Cut the chicken into fine strips and add to the salad, sprinkle with a tbsp of soya sauce, the ginger slivers and the chopped chives.

----

• [http://www.ocica.org/Archive/OCICA%20Ferragosto.pdf Origin and meaning of FERRAGOSTO (Feriae Augusti]

Ferragosto goes back further and has Pagan origins, which in this case are multiple. On the one hand, in 18 BC the Roman Emperor Augustus declared that all of the month of August would be dedicated to the Feriae Augusti, a series of festivals and celebrations; the most important was held on the 13th, and was dedicated to Diana, the Goddess whose task it was to oversee the woods, the phases of the Moon, and Maternity. The services, which were celebrated in Diana's temple on the Aventine, was one of the few occasions in which Romans from all walks of life, masters and slaves alike, mingled freely, and the women, who made offerings to the Goddess throughout the year in the hope that their labor would be safe and happy, offered prayers to Lucina, the guise Diana assumed when she was acting as protectoress of Labor.

In addition to Diana, the Feriae Augusti were an occasion to celebrate Vortumnus, God of the Seasons and therefore of the ripening of crops, Conso, the God of the Harvest, and Opeconsiva, who personified the abundant harvest. In short, the Feriae were a celebration of fertility and maternity; like many other Roman holidays they derived from the East, and in particular from the Syrian celebration of Atagartis, a Mother Goddess who oversaw both fertility and work in the fields. With the advent of Christianity people turned to the Virgin for help in these matters, and began celebrating Her in August in the church in Jerusalem that was said to be Her resting place; the custom spread through the rest of the Empire under Mauritius, in the late 500s.

It's important to note that this was just a celebration of Mary; the modern dogma that she was transported to Heaven on Ferragosto took hold in the 18th century, and was only formally proclaimed by Pope Pius XII in 1950.

----

The Italian Holiday Ferragosto - Sacred or Profane?

For the August holidays in Italy, culminating on the 15th with Ferragosto, are rooted in tradition as old as the Roman Empire itself.

Ferragosto is an Italian contraction of the Latin feriae augusti: literally, “Augustus’s holiday.” Proclaimed by Augustus (Julius Caesar’s nephew and heir, and the first Roman Emperor), the feriae augusti were originally a full month of continuous celebration later reduced to a single day in early, and subsequently mid, August. The feriae marked a period in Roman society in which the division of classes slackened, witnessing the rare social mingling of citizens and slaves.

All mundane enterprises ceased during these festivities. Romans feasted and honored diverse gods and goddesses, typically those associated with the harvest and the changing of seasons. For Roman women, the feriae augusti meant a time to worship the goddesses relevant to their own interests, deities such as Diana, the protectoress of youth and a goddess of childbirth (as Lucina, a guise of both Diana and Juno). Thus, in addition to its status as public holiday, in time Ferragosto also became associated with principally “female” matters—fertility, maternity, and children.

Such correlations help to explain how a pagan harvest festival, one already strongly linked to sacred female figures, evolved into a feast day for the Catholic Church’s most revered female figure, the Virgin Mary. For, as Catholic readers will surely remember, August 15 is also the Feast of the Assumption, known in Italy as La Festa dell’Assunta or L’Assunzione di Maria Vergine. One of the Church’s basic Marian dogmas, the Assumption refers to the moment Mary was taken up, or “assumed,” directly into heaven upon her death. Proclaimed official dogma by Pope Pius XII in 1950, it was assigned to August 15 on the liturgical calendar—and not by coincidence. Though unofficial, honoring Mary in August had been an established practice since the Middle Ages.

That the Catholic Church co-opted Ferragosto as it had done with other pagan festivals seems little disputed. History is full of shifts of this kind. Throughout the whole of Europe, firmly-rooted pagan traditions never really died out, but were absorbed rather into an ever-expanding Christian world. Many Christian saints, including Mary, came to bear symbolic resemblance to prior religious figures; and even the most desultory look at the roots of Christmas and Easter quickly reveals a strong connection to ancient pagan antecedents.

From her Greek and Roman predecessors, Mary inherited strong associations with fertility, purity, and maternal strength: Mary’s triumph over death, for instance, recalls the symbology of Ceres, who, as the goddess of corn, died each year come harvest time, but every Spring was re-sowed, reborn; The flowers said to have bloomed spontaneously at Mary’s tomb (usually roses or lilies) as angels conveyed her to heaven, parallel the grain, corn husks and other harvest flora that for ages had been associated of her forerunners; and, even today, Catholics pray to Mary for guidance and care in childbirth just as pagan women sought the aid of Juno, Roman goddess of marriage and childbirth.

What does all this mean to Italians today, if anything? In a culture where the line separating secular from religious is often blurred, the 15th of August represents an outright blind spot. While acknowledging regional differences (in the South, devotion to Mary is known to be much more rigorous), Ferragosto seems to me overwhelmingly laical in practice. The Italians I know all consider Ferragosto a day to “get away,” usually at the beach, perhaps a hike in the mountains or a leisurely lunch with family. It certainly is not a day spent closed inside a church. Yet, the dogma of the Assumption is fundamental to Roman Catholic belief, and one to be observed accordingly. So why aren’t the church pews as crowded as the seashores on this day? True to her dichotomous character, Italy offers no simple answers to questions of faith or tradition.

=Giffoni Film Festival=

• Berlin
• Cannes
• Cairo
• Karlovy Vary
• Locarno
• Mar del Plata
• Moscow
• Montreal
• San Sebastian
• Shanghai
• Tokyo
• Venice

• Chicago International Children's Film Festival
• New York International Children's Film Festival
• [http://www.giffoniff.it/en/pageview2.php?i=33 The Giffoni Film Festival history] Where the Giffoni Film Festival idea comes from

• [http://www.giffoniff.it/en/pageview2.php?i=272&sl=1 The 80s] The Giffoni Film Festival editions from 1980 to 1989

• [http://www.giffoniff.it/pageview2.php?i=290&sl=1 Anni '90] Le edizioni del Giffoni Film Festival dal 1990 al 1999. In Italian

• [http://www.giffoniff.it/pageview2.php?i=288&sl=1 Anni 2000] Le edizioni del Giffoni Film Festival dal 2000 al 2008. In Italian

• [http://www.giffoniff.it/en/pageview2.php?i=40 The Competitive Sections] A soul split in two parts: Elements and Generator

• [http://www.giffoniff.it/en/pageview2.php?i=281&sl=1 2004 Giffoni Film Festival] The winners of the 34th edition

• [http://www.giffoniff.it/en/pageview2.php?i=280&sl=1 2005 Giffoni Film Festival] The winners of the 35th edition

• [http://www.giffoniff.it/en/pageview2.php?i=279&sl=1 2006 Giffoni Film Festival] The winners of the 36th edition

• [http://www.giffoniff.it/en/pageview2.php?i=104&sl=1 2007 Giffoni Film Festival] The winners of the 37th edition

• [http://www.giffoniff.it/en/pageview2.php?i=103&sl=1 2008 Giffoni Film Festival] The winners of the 38th edition

What links here
as of March 26, 2009

• Batman (1966 film)
• The Black Balloon (film)
• The Climb (1999 film)
• Digging to China
• Don (Dutch film)
• Emporte-moi
• Goodbye, Mr. Chips (1969 film)
• Say a Little Prayer (film)
• The Tic Code

• Chicago International Children's Film Festival
• International Arts and Film Foundation

• Ralph Bakshi
• Jamie Bell
• Polly Draper
• Claudio Gubitosi
• John Hay (UK film director)
• Samira Makhmalbaf
• Leslie H. Martinson
• Farshid Mesghali
• Aldo Scavarda
• Anthony Way
• Michael Wolff

• François Truffaut Award
• List of awards and nominations received by Morten Harket

= Giotto di Bondone =

= Hate Dept. =

=Technical Difficulties (Hate Dept. album)=

{{Infobox album

| Name = Technical Difficulties

| Type = studio

| Artist = Hate Dept.

| Cover =

| Released = {{Start date|1999|06|01}}

| Recorded = 1998–1999 Front Page, Glendale; Westlake Audio, Hollywood; The Enterprise II, Burbank; The Laundry Room, San Clemente, Oasis Mastering, Studio City.

| Genre = Electronic, industrial

| Length = 43:25

| Label = Restless Records (01877-72959-2)

| Producer = Steven Seibold, Bill Kennedy, Jon St. James, Joe Chicarelli, Charles Hunt

| Last album = Omnipresent
(1996)

| This album = Technical Difficulties
(1999)

| Next album = DITCH
(2003)

| Misc = {{Singles

| Name = Technical Difficulties

| Type = studio

| single 1 = Release It

| single 1 date = {{Start date|1999|06|01}}

}}

}}

Technical Difficulties is the third studio album by synthesizer-laden post-punk band, Hate Dept.. The only single, "Release It", earned radio airplay in 50 North American markets, and peaked at number 40 of the Billboard's Hot Dance Music/Maxi-Singles Sales chart. The album was mixed by Steven Seibold, Bill Kennedy, Jon St. James, and Mon Agranat and recorded at Front Page Studios in Glendale, California, Westlake Recording Studios in West Hollywood, California, The Enterprise Studio II in Burbank, California, and at The Laundry Room in San Clemente, California, and then mastered by Eddy Schreyer at Oasis Mastering in Studio City, California. An almost complete promotional album with an additional intro as the opening track, a rough version of "Wait", and two different versions for "Release It", "Gone", and "Hit Back", was released in late 1998.

{{Album reviews

| rev1 = Allmusic

| rev1Score = {{Rating|3|5}}{{cite web |last=Huey |first=Steve |url={{Allmusic|class=album|id=technical-difficulties-r416383/review|pure_url=yes}} |title=Hate Dept - Technical Difficulties – Review |publisher=Allmusic |year=1999 }}

| rev2 = Alternative Press

| rev2Score = {{Rating|3|5}}{{cite journal |year=2011 |month=January |title=Absolute Dissent |journal=Alternative Press |publisher=Alternative Press Magazine |page=91 }}

| rev3 = Artistdirect

| rev3Score = {{Rating|4.5|5}}{{cite web |url=http://www.artistdirect.com/nad/store/artist/album/0,,7630795,00.html |title=Absolute Dissent by Killing Joke |work=Artists > Killing Joke > Albums |publisher=Artistdirect |accessdate=5 January 2011 }}

| rev4 = BBC Music

| rev4Score = (very favourable){{cite web |last=Doran |first=John |url=http://www.bbc.co.uk/music/reviews/rgpn |title=Review of Killing Joke - Absolute Dissent |work=BBC Review |publisher=BBC Music |date=21 September 2010 |accessdate=30 September 2010 }}

| rev5 = Canoe.ca

| rev5Score = {{Rating|4|5}}{{cite web |last=Sterdan |first=Darryl |coauthors=QMI Agency |url=http://www.jam.canoe.ca/Music/2010/10/22/15790561.html |title=This week's CD reviews |publisher=Canoe.ca |date=22 October 2010 |accessdate=24 October 2010 }}

| rev6 = Drowned in Sound

| rev6Score = {{Rating|8|10}}{{cite web |last=Gourlay |first=Dom |url=http://drownedinsound.com/releases/15694/reviews/4141096 |title=Killing Joke - Absolute Dissent |work=Releases |publisher=Drowned in Sound |date=29 September 2010 |accessdate=30 September 2010 }}

| rev7 = Dusted Magazine

| rev7Score = {{Rating|9|10}}{{cite web |last=Donnelly |first=Ben |url=http://www.dustedmagazine.com/reviews/6070 |title=Killing Joke - Absolute Dissent |work=Dusted Reviews |publisher=Dusted Magazine |date=15 November 2010 |month=November |accessdate=6 January 2011 }}

| rev8 = Exclaim!

| rev8Score = (favourable){{cite web |last=Wiebe |first=Laura |url=http://exclaim.ca/Reviews/Metal/killing_joke-absolute_dissent |title=Killing Joke - Absolute Dissent |work=Reviews – Metal |publisher=Exclaim! |year=2010 |month=November |accessdate=26 November 2010 }}

| rev9 = Kerrang!

| rev9Score = {{Rating|3|5}}{{cite journal |date=25 September 2010 |title=Absolute Dissent |journal=Kerrang! |publisher=Bauer Media Group |page=51 }}

| rev10 = Metal Storm

| rev10Score = {{Rating|8.5|10}}{{cite web |url=http://www.metalstorm.net/bands/album.php?album_id=42415 |title=Killing Joke - Absolute Dissent |publisher=Metal Storm |year=2010 |accessdate=26 November 2010 }}

| rev11 = Mojo

| rev11Score = {{Rating|4|5}}{{cite journal |date=19 November 2010 |title=Absolute Dissent |journal=Mojo |publisher=Bauer Media Group |page=106 }}

| rev12 = Now

| rev12Score = {{Rating|3|5}}{{cite journal |last=Keller |first=Jason |date=30 November 2010 |title=Absolute Dissent |journal=Now |publisher=NOW Communications |url=http://www.nowtoronto.com/music/discs.cfm?content=178044 }}

}}

Steve Huey of Allmusic wrote that .... |first= They may sound like an industrial band -- clanking drum machines, synthesizers, and loud, crusty guitars -- but Hate Dept. are alt-rockers at heart, emphasizing traditional song structure and punk lyrical attitude over sonic experimentation and abrasiveness. Technical Difficulties is arguably their most accessible release to date, featuring the strong single "Release It."

;Standard edition

{{Track listing

| total_length = 43:25

| all_writing = Steven Seibold

| title1 = Superdrama

| length1 = 4:16

| title2 = Coming Down

| length2 = 4:30

| title3 = Wait

| length3 = 4:31

| title4 = Anger Impulse

| length4 = 3:56

| title5 = Little Let Down

| length5 = 3:23

| title6 = Release It

| length6 = 3:29

| title7 = Gone

| length7 = 3:58

| title8 = Hit Back

| length8 = 4:23

| title9 = Leaving

| length9 = 5:01

| title10 = Fireflies

| length10 = 4:09

| title11 = Seedling

| length11 = 4:12

| title12 = Fiend

| length12 = 3:37

}}

{{Col-begin}}

{{Col-break}}

;Line-up

• Steven Seibold – vocals
• Mark Greco – guitar, vocals
• Jeff Smith – synthesizer, vocals
• Charles "Sponge" Hunt – drums, vocals

;Guest musicians

• Tracey Hooker – trumpet on track #3 "Wait"
• Royden Vigilance – additional vocals on track #3 "Wait"

{{Col-break}}

;Production

• Steven Seibold – producer, programmer, and mixing
• Eddy Schreyer – mastering
• Bill Kennedy – mixing, and additional producer on tracks #7 "Gone", and 8 "Hit Back"
• Jon St. James – mixing, and additional producer on track #3 "Wait"
• Mon Agranat – mixing
• The Gerrixx – graphic design, photography
• Dustin Moore – photography
• Jenessa – photography
• Joe Chicarelli – additional producer on tracks #1 "Superdrama", and #4 "Anger Impulse"
• Charles Hunt – additional producer on track #2 "Coming Down"

{{col-end}}

{{Reflist|colwidth=30em}}

{{Refbegin}}

• {{Discogs master |159213 |Technical Difficulties |type=album }}
• {{Discogs release |97217 |Technical Difficulties |type=album }}
• {{Discogs release |913022 |Technical Difficulties (Mastered - Almost Complete) |type=album }}

{{Refend}}

=Jimi Hendrix=

=Jimi Hendrix discography=

=Jimi Hendrix posthumous discography=

= Billie Holiday =

=The Complete Decca Recordings=

Billie Holiday: The Complete Original American Decca Recordings is a box set two-disc compilation of the complete known studio master recordings, plus alternate takes, of Billie Holiday during the time period indicated, released in 1991 on GRP, GRP 26012. The box includes 50 tracks, a 78 page booklet with extensive photos, a song list, discography, essays by Milt Gabler, Toots Camarata, and Steven Lasker.

=Holy City Zoo=

The highly anticipated Mob Research's album, Holy City Zoo, has be released on Code7 in the U.K. and Echozone Records in the rest of Europe and on May 22. An U.S. release will be announced soon.

The band — featuring the late Paul Raven (Killing Joke, Ministry, Prong) on bass, Mark Gemini Thwaite (The Mission UK, Tricky, Peter Murphy) on guitar, Kory Clarke (Warrior Soul, Trouble) on vocals and Nick Lucero (Queens of the Stone Age, Peter Murphy) on drums — has also lauched its official web site at [www.mobresearchinc.com www.mobresearchinc.com].

"Holy City Zoo" was produced by Mark Thwaite and mixed by Tim Palmer (H.I.M., Pearl Jam, Ozzy Osbourne, The Missin UK) with additional mixing by Hilton Thiessen and Maor Appelbaum, who mastered albums by Yngwie Malmsteen, Halford, Fight, F5, Therion and Treponem Pal (Paul Raven's last recording before he died). The CD features 10 songs plus seven bonus remixes by SinDaddy, Elektrofish, DJ Rob (Sanctuary Radio) and Metalamorphosis.

1. "Tribe" – 3:42
2. "Holy City Zoo" – 4:06
3. "New Paradigm" – 4:55
4. "Wambulance" – 3:07
5. "Manufactured Terror" – 3:52
6. "Skull and Bones" – 4:30
7. "Sky God Worshippers" – 4:26
8. "The New Religion" – 3:33
9. "This One's for You" – 4:00
10. "Atmosphere" – 3:15

;Bonus Tracks

11. "Tribe" (Blueblood Warpaint Remix) – 4:32
12. "Wambulance" (Terminator Remix) – 5:18
13. "Holy City Zoo" (Elektrofish Remix) – 4:34
14. "This One's for You" (Programmist Remix) – 3:42
15. "Tribe" (Elektrofish Remix) – 3:41
16. "Manufactured Terror" (DJ Rob Remix) – 3:58
17. "Skull and Bones" (SinDaddy Remix) – 4:49

=Dick Hyde (musician)=

• {{Find sources 2|Hyde|Dick|Richard|Slyde||Slide|trombone|free=yes}}

=IS (Infinity of Sound)=

• http://www.facebook.com/pages/Infinity-of-Sound/119743711381220?v=info

Genre: New-Age, Korea Traditional Music

Members:

• Jin-Ah Kim (gayageum)
• Sun-Ah Kim (geomungo)
• Min-Ah Kim (haegeum)

Hometown: SOUTH, KOREA

Record label: MUSICWELL

About:

Twitter @InfinityofSound

Youtube.com/InfinityofSound

http://3isfan.com/

Website:

http://3isfan.com

http://www.youtube.com/InfinityofSound

http://www.facebook.com/pages/Infinity-of-Sound

http://twitter.com/InfinityofSound

Genre:

New-Age Korea Traditional Music

Members:

Kim Jin-Ah(Gayageum)

Kim Sun-Ah(Geomungo)

Kim Min-Ah(Haegeum)

Hometown:

SOUTH, KOREA

Record label:

Musicwell

About:

Twitter @InfinityofSound

Youtube.com/InfinityofSound

http://3isfan.com/

• http://www.youtube.com/InfinityofSound

Infobox

• Genre: Fusion, Pop
• Location Seoul, ??, KR
• Label Musicwell
• Type Indie
• [http://www.myspace.com/3is3]

This is a trio attending the Graduate School of the Korean National University of Arts. The sisters ― Kim Jin-ah, who plays the Gayageum ; Sun-ah, the geomungo ; and Min-ah, haegeum ― have performed their music both at home and abroad. In its debut album, “Step One,” the group showed the essence of traditional music mixing the acoustic sounds of the instruments with their own vocals. But in the recent album “In Dreams Volume 1,” they have attempted to blend in electronic sounds. Notably, the band has recently released an album featuring the title track “Mouana” in collaboration with France-based Cameroonian band Erik Aliana & Korongo Jam. Using two guitars, gayageum, geomungo, haegeum and an African folk drum, Udu, the song is marked by the powerful vocals of Erik Aliana and good harmony of IS. The two groups first met in 2007 at Japan’s World Music Festival. They performed on a different stage but they were attracted by each other’s music. After that, the Cameroonian band visited Korea in 2008 to take part in the Nangye Traditional Music Festival and perform together with IS for the song “Mouana.”

• Kim Jin-Ah (Gayageum), Kim Sun-Ah (Geomungo), Kim Min-Ah (Haegeum).
• kayagum (zither), yanggum (dulcimer) and haegum (fiddle)

Thirteen Indian acts converged in Singapore recently to participate in the Sutasi Song Contest and Talent Search – a reality TV show to track down Asia’s finest bands, solo artistes and songwriters. The Indian acts were part of 42 artistes chosen from a regional playoff within South-East Asia, North-East Asia and South Asia. Out of these, 12 finalists.{{Sfn|Bhowmik|2008}}

In 2009 the trio participated to the international music competition program for bands and singer/songwriters, airing throughout Asia, called "Sutasi."{{Sfn|Cashmere|2009}}

Korean Kayagǔm Sanjo: A Traditional Instrumental Genre

SOAS Musicology series

Authors Keith Howard, Chaesuk Lee, Chae-suk Yi, Nicholas Casswell

Publisher Ashgate, 2008

{{ISBN|0754663620}}, 9780754663621

...ensambles emerged, among them Yeoul, Gaya Beauty, IS (Infinity of Sound) and the family ensamble Lee Rang (comprising Mun Chaesuk and her two daughters. Ensambkes call for new creativity from composers and arrangers, typicalli packaging the result as "kugak fusions". They typically simplify ornamentation techniques, creating harmonic, easy-listening repertory that is the scourge of many traditional... p. 39

"Milion Roses" = Soviet 1981 song composed by Soviet composer and piano player Raimonds Pauls ... featured in Korean Kdrama I am legend

;Step One by IS INFINITY OF SOUND

Three young singing sisters who also play traditional instruments. Their voices are pretty much pop sounding, while the Kim sisters also play kayagum (zither), yanggum (dulcimer) and haegum (fiddle). The excellent Wong Il (Puri) plays the piri (oboe) and various percussion, and there's also accordion and piano (from Peter Schindler). The music has an experimental edge to it, with hip-hop rhythm and repetitive string phrases. A welcome new direction for Korean music.11 tracks including Spring, used in a Korean drama.{{Sfn|The Chosun Ilbo|2010}}

IS (Infinity of Sound), a band known for using Korean traditional instruments to play modern music, is releasing its second mini album, "In Dreams Volume 2."{{Sfn|The Chosun Ilbo|2010}}

The versatile triplets Kim Jin-ah, who plays gayageum, Sun-ah, geomungo, and Min-ah, haegeum, are all graduate students at Korea National University of Arts, and also appeared in the film Antique (film)Antique (a 2008 South Korean film based on Fumi Yoshinaga's manga Antique Bakery) and TV dramas Goong S and Moon River.{{Sfn|The Chosun Ilbo|2010}}

The new album leans more toward trendy music, interpreting Korean traditional music in a pop style.{{Sfn|The Chosun Ilbo|2010}}

• http://www.last.fm/music/Infinity+of+Sound

• http://www.screened.com/sun-ah-kim/14-883290/
• http://www.screened.com/min-ah-kim/14-883291/
• http://www.screened.com/jin-ah-kim/14-883289/

• Film 2008 Antique High school girl trio
• TV 2007 The Legend of Hyang-dan Singing trio

• [http://exploreindie.blogspot.com/2010/12/infinity-of-sound-south-korea.html Infinity of Sound (South Korea)]

Infinity of Sound (South Korea)

IS (Infinity of Sound) is a Korean trio blurring the boundaries between Korean traditional, electronic music, pop, and fusion.

The band consists of triplet sisters Kim Jin Ah (playing gayageum - a 12-stringed Korean arfa), Sun Ah (geomungo - a six-stringed Korean arfa), and Min Ah (haegeum - a two-stringed fiddle)

The 24-year-old girls are no amateurs, they graduated with honours from Korean University of Arts in 2007 and each have a Master’s Degree. They grasped media’s attention even before releasing their first album “Step One” because of their cameo roles as musicians of the royal court in Korean drama “Princess Hours”, as well as their pop song covers.

Their debut album is something along the lines of “Korean traditional music meets contemporary vocal”. In the second album, “In Dreams Vol 1”, the trio started to blend in electronic sounds. Their latest album, “In Dreams Vol 2” (aka, “Moana”) is a collaboration project with French artists Erik Aliana & Korogo Jam and introduces African rhythms.

IS (Infinity of Sound), a band known for using Korean traditional instruments to play modern music, is releasing its second mini album, "In Dreams Volume 2."{{Sfn|The Chosun Ilbo|2010}}

The versatile triplets Kim Jin-ah, who plays gayageum, Sun-ah, geomungo, and Min-ah, haegeum, are all graduate students at Korea National University of the Arts, and also appeared in the film "Antique" and TV drama "Moon River."{{Sfn|The Chosun Ilbo|2010}}

The new album leans more toward trendy music, interpreting Korean traditional music in a pop style.{{Sfn|The Chosun Ilbo|2010}}

IS (Infinity of Sound)

KIM Jin-a, KIM Seon-a, KIM Min-a (Bachelor of Traditional Arts in Instrumental Music/2007)

IS is a fusion music group created by triplets Jin-a Kim (playing gayageum), Seon-a Kim (geomungo), Min-a Kim (haegeum). They graduated and started to take graduate programs in the School together in 2007. Before the release of a debut album, they became known to the public by appearing in cameo roles as musicians of the royal court in "Princess Hours S", a popular TV drama series in Korea.{{Sfn|K'ARTS - Outstanding Alumni}}

Korea National University of Arts

• Jin-Ah Kim – gayageum, lead and backing vocals
• Sun-Ah Kim – geomungo, lead and backing vocals
• Min-Ah Kim – haegeum, lead and backing vocals

• 2007 Step One
• :(featuring Wong Il (Puri) and Peter Schindler; released by Seoul on 6 March 2007)

• 2009 In Dreams Volume 1
• :(released by Musicwell on 18 June 2009)
• 2010 In Dreams Volume 2
• :(featuring Erik Aliana & Korogo Jam; released by Musicwell on 8 December 2010)

• 200x "First Signle"

{{reflist|colwidth=24em}}

;Books

{{Refbegin}}

{{Refend}}

;Films and documentaries

{{Refbegin}}

{{Refend}}

;News, magazines, journals and papers

{{Refbegin}}

• {{cite news |ref={{SfnRef|Bhowmik|2008}} |last=Bhowmik |first=Aveek |date=30 October 2008 |title=Digging for rock status in Asia |newspaper=DNA (Daily News & Analysis) |location=India |publisher=Diligent Media Corporation Ltd. |isbn= |issn= |oclc= |pmid= |pmd= |bibcode= |doi= |id= |url=http://www.dnaindia.com/entertainment/report_digging-for-rock-status-in-asia_1202079 |accessdate=25 November 2011 }}
• {{cite news |ref={{SfnRef|Cashmere|2009}} |last=Cashmere |first=Paul |date=14 August 2009 |title=Biuret Wins Sutasi Talent Quest |newspaper=Undercover.fm |location= |publisher=Undercover |isbn= |issn= |oclc= |pmid= |pmd= |bibcode= |doi= |id= |url=http://www.undercover.fm/news/8904-biuret-wins-sutasi-talent-quest |accessdate=25 November 2011 }}
• {{cite news |ref={{SfnRef|The Chosun Ilbo|2010}} |date=8 December 2010 |title=Triplet Band IS Releases 2nd Album |newspaper=The Chosun Ilbo (English Edition) |location=South Korea |publisher=Chosun.com |isbn= |issn= |oclc= |pmid= |pmd= |bibcode= |doi= |id= |url=http://english.chosun.com/site/data/html_dir/2010/12/08/2010120800620.html |accessdate=25 November 2011 }}

{{Refend}}

;Web resources

{{Refbegin}}

• {{cite web |ref={{SfnRef|K'ARTS - Outstanding Alumni}} |url=http://eng.karts.ac.kr:81/karts/main/html.jsp?c_no=003011005 |title=Outstanding Alumni |publisher=Korea National University of Arts |location=Seoul, South Korea |format=JSP |accessdate=26 November 2011 }}

{{Refend}}

{{Ref begin}}

• {{Official website|http://3isfan.com}}
• {{YouTube|u=InfinityofSound|Infinity of Sound}}
• [https://myspace.com/3is3 Infinity of Sound] on Myspace
• {{Twitter|InfinityofSound|Infinity of Sound}}
• {{facebook|id=infinityofsound|name=Infinity of Sound}}
• [http://rateyourmusic.com/artist/infinity_of_sound Infinity of Sound] at Rate Your Music (empty 2011-06-19)
• {{Allmusic |id= |label=Infinity of Sound }} (not present 2011-06-19)
• {{Discogs artist|xxxxx|Infinity of Sound}} (not present 2011-06-19)

{{Ref end}}

= MMXII (album) =

• {{Find sources 2|MMXII|Killing Joke|-wikipedia|free=yes}}
• {{Find sources 3|"Killing Joke"+"MMXII"+2012-wikipedia}}

=Paul Raven=

=KJ Alchemy: The Remixes=

Alchemy - The Remixes RDT15932212 (1996)

1. "Requiem (A Floating Leaf Always Reaches the Sea Mix)" – 10:24
2. "4 Stations of the Sun (Hallucinogen Mix)" – 7:25
3. "Pandemonium (The Dragonfly Mix)" – 6:12
4. "Drug (Black Sun Mix)" – 6:05
5. "Millennium (Back to Orion Mix)" – 6:47
6. "Exorcism (The Bretonic Revenge - Total Eclipse Remix Edit)" – 6:11
7. "Pandemonium (A Thread of Steel in the Suspension Bridge of Time Mix)" – 9:08
8. "Democracy (Russian Tundra Mix)" – 17:46

=Killing Joke discography=

• [http://www.irishcharts.ie/search/placement IE]

Title: LOVE LIKE BLOOD

Artist: KILLING JOKE

Label: EG-POLYDOR

Date of entry: 17.02.1985

Highest Placement: 30

Weeks in the Charts: 1

• [http://charts.org.nz/showinterpret.asp?interpret=Killing+Joke NZ]

KILLING JOKE IN NEW ZEALAND CHARTS

Singles

Title Entry Peak weeks

Love Like Blood 05/05/1985 6 12

Kings And Queens 21/07/1985 43 2

Adorations 05/10/1986 34 3

[http://www.everyhit.co.uk/searchsec.php UK Top 40 Hit Database] everyHit.com.

Position Artist Title Format Date Details

39 Killing Joke Killing Joke Album Oct 1980

12 Killing Joke Revelations Album May 1982

29 Killing Joke Fire Dances Album Jul 1983

16 Killing Joke Love Like Blood Single Feb 1985

11 Killing Joke Night Time Album Mar 1985

34 Killing Joke Millennium Single May 1994

28 Killing Joke Pandemonium Single Jul 1994

16 Killing Joke Pandemonium Album Aug 1994

39 Killing Joke Democracy Single Mar 1996

25 Killing Joke Loose Cannon Single Jul 2003

[http://www.chartstats.com/artistinfo.php?id=3458 CHARTSTATS]

Follow The Leaders Follow The Leaders 23/05/1981 55 60 5

Empire Song Empire Song 20/03/1982 43 52 4

Birds Of A Feather 30/10/1982 64 67 2

Let's All Go (To The Fire Dances) Let's All Go (To The Fire Dances) 25/06/1983 51 57 3

Me Or You Me Or You 15/10/1983 57 67 2

Eighties Eighties 07/04/1984 60 62 5

A New Day A New Day 21/07/1984 56 64 3

Love Like Blood Love Like Blood 02/02/1985 16 33 9

Kings And Queens Kings And Queens 30/03/1985 58 66 3

Adorations Adorations 16/08/1986 42 57 7

Sanity Sanity 18/10/1986 70 74 2

America 30/04/1988 77 79 3

My Love Of This Land 23/07/1988 89 95
2

Millennium Millennium 07/05/1994 34 38 2

The Pandemonium Single The Pandemonium Single 16/07/1994 28 51 3

Jana 04/02/1995 54 54 1

Democracy 23/03/1996 39 39 1

Loose Cannon Loose Cannon 26/07/2003 25 37 2

Hosannas From The Basements Of Hell Hosannas From The Basements Of Hell 01/04/2006 72 72 1

Albums

Album First Seen Highest position Avg Position No. weeks Graph Key

[Killing Joke - Killing Joke] Killing Joke 25/10/1980 39 48 5

[Killing Joke - What'S This For] What'S This For 20/06/1981 42 51 4

[Killing Joke - Revelations] Revelations 08/05/1982 12 56 6

[Killing Joke - Ha - Killing Joke Live] Ha - Killing Joke Live 27/11/1982 66 67 2

[Killing Joke - Fire Dances] Fire Dances 23/07/1983 29 56 3

[Killing Joke - Night Time] Night Time 09/03/1985 11 46 9

Brighter Than A Thousand Suns 22/11/1986 54 54 1

[Killing Joke - Outside The Gate] Outside The Gate 09/07/1988 92 92 1

[Killing Joke - Pandemonium] Pandemonium 06/08/1994 16 37 3

[Killing Joke - Democracy] Democracy 13/04/1996 71 71 1

• [http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:0ifuxqe5ldse~T51 Billboard Singles]

Year Single Chart Peak

1980 Change/Requiem Dance Music/Club Play Singles 43

1980 Psyche Dance Music/Club Play Singles 50

1981 Follow The Leader Dance Music/Club Play Singles 25

Chart information courtesy of Billboard.com © 2006 VNU eMedia, Inc. All rights reserved.

• "Nervous System" (December 1979)
• "Wardance" / "Pѕyche" (March 1980)
• "Requiem" / "Change" (October 1980)
• "Follow the Leaders" / "Tension" (May 1981) – UK #55
• "Empire Song" / "Brilliant" (March 1982) – UK #43
• "Chop-Chop" / "Good Samaritan" (June 1982)
• "Birds of a Feather" / "Sun Goes Down" / "Flock the B side" (October 1982) – UK #64
• "Let's All Go (to the Fire Dances)" / "Dominator" (June 1983) – UK #51
• "Me or You" / "Wilful Days" (October 1983) – UK #57
• "Eighties" / "Eighties Common Mix" (April 1984) – UK #60
• "A New Day" / "Dance Day" (July 1984) – UK #56
• "Love Like Blood" / "Blue Feather" (February 1985) – UK #16, Germany #24, Ireland #30, NL #8
• "Kings and Queens" / "The Madding Crowd" (March 1985) – UK #58
• "Adorations" / "Exile" (August 1986) – UK #42
• "Sanity" / "Goodbye to the Village" (October 1986) – UK #70
• "America" / "Jihad" (April 1988) – UK #77
• "My Love of this Land" / "Darkness Before Dawn" (July 1988) – UK #89
• "Money Is Not Our God" (1991)
• "Change: The Youth Mixes CD" (1992)
• "Exorcism" (1994)
• "Millennium" (May 1994) – UK #34
• "Pandemonium" (July 1994) – UK #28
• "Pandemonium in Dub" (July 1994)
• "Jana" CDs (February 1995) – UK #54
• "Jana" / "Millennium" (1995)
• "Democracy" (March 1996) – UK #39
• "Democracy dif. Mix" (March 1996)
• "Love Like Blood/Intellect" (March 1998)
• "Loose Cannon" 12" (July 2003) – UK #25
• "Seeing Red" (2003)
• "Hosannas from the Basements of Hell" / "Afterburner" / "Universe B" (April 2006) – UK #74
• "Hosannas from the Basements of Hell" / "Afterburner (Alternate Vers.)" (April 2006)

=King Crimson=

=The Brondesbury Tapes=

The Brondesbury Tapes (1968) (Greatest Hits)

• Artist: Giles Giles & Fripp
• Label: VOICEPRINT UK
• Album The Brondesbury Tapes (1968)
• Type Compilation
• Genre Pop/Rock, Art Rock, Prog-Rock
• DPCI: 244-10-2806
• ASIN: B002TLWT8O
• Catalog #: 11866162

Considering that Giles, Giles & Fripp's original album sold about 500 copies, the very existence of this 70-minute CD is a source of astonishment as well as delight. Comprised of privately made tapes of the legendary progressive/pop/rock trio -- all home recordings, on a Revox stereo reel-to-reel recorder, that made lots of use of overdubbing -- this CD shows Robert Fripp, Peter Giles, and Michael Giles (along with Julie Dyble and Ian McDonald) at their most experimental. Virtually all of what ended up on The Cheerful Insanity of Giles, Giles & Fripp seems to have started life here, before they ever got into Decca's studios, so this is a chance to hear some of their released music as works-in-progress, most notably Robert Fripp's "Suite No. 1" (which was later transmuted into "Prelude: Song of the Gulls" from Islands), and an early Fripp guitar piece, "Tremelo Study in A Major." King Crimson completists will also be overjoyed to find the GG&F rendition of "I Talk to the Wind" (two different takes of it, in fact) in its original version, sung by Julie Dyble, which appeared on the double LP Young Person's Guide to King Crimson, finally turning up on CD on this disc. Also present on this CD is another lost early link in Crimson's subsequent output, "Why Don't You Just Drop In," which evolved through several intermediate stages into "The Letters" on Islands; and a portion of Fripp's "Passages of Time" ended up in the bridge of "Peace--A Theme" from In the Wake of Poseidon. Dyble turns up on vocals along with Ian McDonald (who plays sax, flute, and keyboards, as well as singing) on "Make It Today," a smooth piece of progressive pop-jazz (complete with a McDonald sax solo) that sounds as though it could have come from Judith Durham of the Seekers in a light moment. McDonald is all over these tapes, playing flute on an outtake of "Digging My Lawn" and saxes and piano elsewhere. Not all of it is great music -- "Plastic Pennies" is pure (albeit pleasant) pop, worthy of the Seekers -- but the raw talent is impressive. Additionally, listening to these tapes, one gets the sense that Giles, Giles, Fripp & McDonald, whatever they called themselves, could have made it, at least as far as the jazz clubs in England, without ever becoming what we later knew as King Crimson. There's also a pleasant bonus for fans of Peter Sinfield, whose "Under the Sky" (later a centerpiece of his solo album), turns up here in its ethereal original version, sung by Dyble. There is distortion on a few tracks, but most of what's here displays amazingly good quality for home demos dating back more than 30 years. Bruce Eder, All Music Guide{{cite web|last=Eder |first=Bruce |url=http://allmusic.com/cg/amg.dll?p=amg&sql=10:fvftxqr0ldke |title=((( The Brondesbury Tapes (1968) > Overview ))) |publisher=allmusic |date= |accessdate=2011-11-06}}

1. "Hypocrite" (Giles) – 3:41
2. "Digging My Lawn [A]" (Giles) – 1:58
3. "Tremelo Study in a Major (Spanish Suite)" – 1:41
4. "Newly Weds" (Giles) – 1:52
5. "Suite No. 1" (Fripp) – 5:34
6. "Scrivens" (Giles) – 2:15
7. "Make It Today [A]" (McDonald, Sinfield) – 3:26
8. "Digging My Lawn" (Giles) – 1:55
9. "Why Don't You Just Drop In [I]" (Fripp) – 3:40
10. "I Talk to the Wind [1]" (McDonald, Sinfield) – 3:17
11. "Under the Sky" (McDonald, Sinfield) – 3:53
12. "Plastic Pennies" (Fripp) – 2:18
13. "Passages of Time" (Fripp) – 3:32
14. "Under the Sky" (McDonald, Sinfield) – 2:49
15. "Murder" (Giles) – 2:41
16. "I Talk to the Wind" (McDonald, Sinfield) – 3:15
17. "Erudite Eyes" (Fripp) – 6:46
18. "Make It Today [B]" (McDonald, Sinfield) – 4:46
19. "Wonderland" (Fripp) – 6:08
20. "Why Don't You Just Drop In [II]" (Fripp) – 3:42
21. "She Is Loaded" (Giles) – 3:12

• 2001 CD Voiceprint Records 235
• 2002 CD Mister E 1
• 2009 LP Vinyl Lovers 900693

• Giles
• Giles
• Fripp

;Additional Artists

• Ian McDonald (Vocals)
• Peter Giles (Vocals)
• Michael Giles (Vocals)
• Judy Dyble (Vocals)

=King Crimson discography=

=Jo Jo in the Stars=

• List of film festivals in Europe
• List of international animation festivals
• [http://studioaka.squarespace.com/awards/2006/5/16/jo-jo-in-the-stars-awards.html JO JO IN THE STARS Awards]
• [http://www.shortoftheweek.com/2009/04/13/jojo-in-the-stars/ Jojo in the Stars ‹ Short of the Week]
• [http://www.youtube.com/watch?v=irm6E_UbaZA Jo Jo in the Stars] at YouTube

----

She'd been running the show for as long as anyone

could remember,

parading her collection of monsters and misfits for

all to see.

They'd come in their thousands, hungry for

a glimpse of Mdme Pica's brood.

And he'd be there too,

night after night.

Only he'd come for Jo Jo ...

----

The rain fell for ten long years, and with

each passing year the crowds dwindled

until her cavernous halls stood almost empty.

What was once shocking no longer amused.

Some new horror was needed to

draw them in once more.

Someone — or something...

=Miriam Makeba=

• http://badgals-radio.com/rip-miriam-makeba-goodbye-mama-afrika-we-shall-surely-miss-you/
• http://www.capetownmagazine.com/news/Rest-in-Peace-Miriam-Makeba/10_22_9608

• Alejo Vintrob – drums, percussions and tuba
• Guillermo Pesoa – piano, accordion, harmonica and vocals
• Juan Pablo Fernández – guitar, armonica and vocals
• Rodrigo Guerra – double bass, tuba, trombone, hand saw and vocals
• Santiago Pedroncini – guitar, banjo, trumpet and mandolin

• Tarde (1994)
• Nuestros años felices (1996)
• ¿Qué sois ahora? (1998)
• Pequeña Orquesta Reincidentes (2000)
• Mi suerte (2001)
• Miguita de pan (2003)
• Traje (OuiOui Records 2005)
• Capricho (OuiOui Records 2007)

• [http://www.reincidentes.com.ar/ Official website]
• [http://www.rock.com.ar/bios/0/286.shtml Pequeña Orquesta Reincidentes at Rock.com.ar]
• [http://www.myspace.com/pequenaorquestareincidentes Pequeña Orquesta Reincidentes at MySpace]
• [http://www.facebook.com/pages/Pequena-Orquesta-Reincidentes/61069146720#!/pages/Pequena-Orquesta-Reincidentes/61069146720?v=info Pequeña Orquesta Reincidentes on Facebook (Info page)]
• [http://www.ouioui-records.com/pagina/bandas/bandas.php?banda=por Pequeña Orquesta Reincidentes on Oui Oui Records website]

=Ettore Petrolini=

=Albert Plà=

• Albert Plà
• [http://es.wikipedia.org/wiki/Albert_Pla es.wikipedia...Albert Pla]
• [http://it.wikipedia.org/wiki/Albert_Plà it.wikipedia...Albert Plà]

• Ho sento molt (PDI 1989)
• Aquí s'acaba el que es donava (PDI 1990)
• Una MM... lligada amb un cordill (2 CD - PDI 1991)
• No sólo de rumba vive el hombre (BMG Ariola 1992)
• Supone Fonollosa (BMG Ariola 1995)
• Veintegenarios en Alburquerque (BMG Ariola 1997)
• Anem al llit (BMG Ariola 2002)
• Cançons d'amor i droga (2 CD - BMG Ariola 2003)
• Vida y milagros (CD + DVD en directo - BMG Ariola 2006)
• La diferencia (El Volcán Música 2008)

• [http://www.albertpla.com/ Web de Albert Plà]
• [http://www.rockmusic.org/AlbertPla 1997 Biografía, letras, entrevista]
• [http://www.bauleros.org/pla.html + 1997]
• [http://www.elmundo.es/magazine/num110/textos/ultima.html Entrevista 1999]
• [http://www.ricardoaguilera.com/entrevistas/entrevista15.html Entrevista 2002]
• [http://www.elperiodicodearagon.com/noticias/noticia.asp?pkid=255937 2006 El malo de la película]
• [http://www.tvsantcugat.cat/index.php?option=com_xevgfx&Itemid=30&func=detail&id=684 Concierto de presentación de su último disco]
• [http://www.calarumba.com/castellano/artistas.asp?id=12 Albert Plà en calarumba.com]

=Antonio Porta=

Antonio Porta born Leo Paolazzi (9 November 1935, Vicenza, Italy – 12 April 1989, Rome) was an Italian writer and poet.

Antonio Porta,

• [http://www.worldcat.org/search?q=au%3AAntonio+Porta&qt=hot_author Antonio Porta's books at WorldCat]

{{cite book

| last          = Porta
| first         = Antonio
| authorlink    = Antonio Porta (writer)
| coauthors     =
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}}

• Calendario, Schwartz, Milan, 1956, as Leo Paolazzi
• La palpebra rovesciata, Azimuth, Milan, 1960
• I novissimi, Edizioni de il verri, Milan, 1961
• Zero, edizione numerata, in proprio, Milan, 1963
• Aprire, poetry, Scheiwiller, Milan, 1964
• I rapporti, poetry, Feltrinelli, Milan, 1966
• Partita, novel, Feltrinelli, Milan, 1967
• Cara, poetry, Feltrinelli, Milan, 1969
• {{cite book

| last = Porta

| first = Antonio

| authorlink = Antonio Porta (writer)

| coauthors = Pasquale Verdicchio

| title = Metropolis

| accessdate = 2009-05-21

| edition = 1st English

| series = Green Integer, no. 25

| origyear = 1971

| year = 1999

| publisher = København

| location = Los Angeles

| isbn = 1892295121

| oclc = 42209887

| quote = Notes: Poetry book. Finalist at the Viareggio Literary Prize. Translated from the Italian by Pasquale Verdicchio.

}}

• Week-end, poetry, Cooperativa Scrittori, Rome 1974
• La presa di potere di Ivan lo sciocco, theatrical drama, Einaudi, Turin, 1974
• Quanto ho da dirvi, collection of poems 1958–1975, Feltrinelli, Milan, 1977
• Il re del magazzino, novel, Mondadori, Milan, 1978
• Pin Pidìn, today's poets for children (with Giovanni Raboni), Feltrinelli, Milan, 1978.
• Passi Passaggi, poetry, Mondadori, Milan, 1980 (Premio " Val di Comino ", finalist at the Premio D'Annunzio awards)
• Se fosse tutto un tradimento, short story, Guanda, Milan, 1981
• L'aria della fine, poetry, Lunarionuovo, Catania, 1982 (Premio Gandovere - Franciacorta)
• Emilio, short poem for children, Emme, Milan, 1982
• La poesia che dice no, television movie (RAI, Rai Tre, directed by Gianni Jannelli) La Spezia, 1983
• Invasioni, poetry, Mondadori, Milan, 1984 (Premio Viareggio, Premio Città di Latina)
• Nel fare poesia, anthology accompanied by notes about his working method, Sansoni, Florence, 1985
• La stangata persiana, theatrical drama, Corpo 10, Milan, 1985
• La festa del cavallo, theatrical drama, Corpo 10, Milan, 1986
• {{cite book

| last = Porta

| first = Antonio

| authorlink = Antonio Porta (writer)

| coauthors = Pasquale Verdicchio

| title = Passenger: selected poems, 1958-1979

| accessdate = 2009-05-21

| series = Picas series, no. 13

| origyear = 1986

| year = 2000

| publisher = Guernica

| location = Toronto; Buffalo

| isbn = 0920717640

| oclc = 45100695

| quote = Notes: Poetry book. Translated from the Italian by Pasquale Verdicchio. First published in a different version by Guernica Editions in 1986.

}}

• {{cite book

| last = Porta

| first = Antonio

| authorlink = Antonio Porta (writer)

| title = If you see a little bunch of migratory birds, the skylarks of the light

| year = 1986

| publisher = Red Hill Press

| location = San Francisco

| oclc = 70316973

| quote = Notes: Broadsides, poetry readings book. Printed on gray paper in two columns. Title from first line. Includes bibliographical information and schedule of readings by the poet. Publication date from dealer.

}}

• Melusina, una ballata e diario, Crocetti, Milan, 1987
• {{cite book

| last = Porta

| first = Antonio

| authorlink = Antonio Porta (writer)

| title = Kisses from another dream

| series = Pocket poets series, no. 44

| year = 1987

| publisher = City Lights Books

| location = San Francisco

| language = Italian and English

| isbn = 0872862062

| oclc = 15696389

| quote = Notes: Italian text, parallel English translation. "Except for a few letters omitted because of their obscure references, this collection reproduces Porta's L'aria della fine in its entirety". Translation of L'aria della fine (1982) translated by Anthony Molino.

}}

• Il giardiniere contro il becchino, Mondadori, Milan, 1988 (Premio Carducci, Premio Acireale, Premio Stefanile)
• Partorire in chiesa, short story, Libri Scheiwiller, Milan, 1990
• Il Progetto Infinito, edited by Giovanni Raboni, Quaderni Pier Paolo Pasolini, Roma, 1991 (distributed by Garzanti)
• {{cite book

| last = Porta

| first = Antonio

| authorlink = Antonio Porta (writer)

| title = The king of the storeroom

| year = 1992

| publisher = University Press of New England

| location = Hanover

| isbn = 081955247X

| oclc = 24952603

| quote = Notes: Fantastic fiction book; Translation of Il re del magazzino (1978) translated by Lawrence R. Smith.

}}

• Los(t) angeles, unedited novel, Vallecchi, Florence, 1996
• {{cite book

| last = Porta

| first = Antonio

| authorlink = Antonio Porta (writer)

| coauthors = Niva Lorenzini

| title = Poesie (1956-1988)

| accessdate = 2009-05-21

| edition = 1st Italian

| series = Oscar Poesia del Novecento, no. 14

| year = 1998

| publisher = Mondadori

| location = Milan

| language = Italian

| isbn = 8804455179

| oclc = 41628777

| quote = Notes: Poetry book. Edited by Niva Lorenzini. Introduction by Maurizio Cucchi.

| lastauthoramp = Oscar Poesia del Novecento

}}

• Yellow, unedited poems, edited by Niva Lorenzini, Mondadori, Milan, 2002

• Neoavanguardia

• [http://poesia.wikispaces.com/Devo+finire+un+sogno Video clip della poesia Devo finire un sogno su videopoesia]

=The Redskins=

=Neither Washington Nor Moscow=

{{Use British English|date=January 2011}}

{{Use dmy dates|date=January 2011}}

{{Infobox album

| Name = Neither Washington Nor Moscow

| Type = studio

| Artist = Redskins

| Cover =

| Released = {{Start date|1986|02|14|df=yes}}

| Recorded = 1984–1986 at Berry Street Studio and The Roundhouse, London

| Genre = Punk rock, rocksteady, soul

| Length = 45:18 (LP)
60:10 (CD)

| Label = Decca, London

| Producer = Chris Silagyi and Pat Foley

| Last album = Redskins
(1986)

| This album = Neither Washington Nor Moscow
(1986)

| Next album = Live
(1995)

| Misc =

{{Singles

| Name = Neither Washington Nor Moscow

| Type = studio

| single 1 = The Power Is Yours

| single 1 date = {{Start date|1986|02|04|df=yes}}"The Power Is Yours" / "Ninety Nine And A Half (Won't Do)" (Decca F3). Released February 1986. Highest chart position: No. 59.

| single 2 = It Can Be Done

| single 2 date = {{Start date|1986|05|04|df=yes}}"It Can Be Done" / "K.O!K.O!" (Decca F4). Released on 5 May 1986.

}}

}}

:{{Discogs release |921230 |Neither Washington Nor Moscow (London Records LP FLP 1) |type=album }}

Redskins, The* ‎– Neither Washington Nor Moscow
Label:
London Records – FLP 1
Format:
Vinyl, LP, Album
Country:
UK
Released:
1986
Genre:
Rock
Style:
Punk, Rocksteady
Tracklist Hide Credits▼
Neither Washington...
A1 		The Power Is Yours...
Mixed By – Steve Street*
A2 		Kick Over The Statues!
A3 		Go Get Organized!
Drums [Additional] – Gorman Mitriole Mixed By – Mark Dodson
A4 		It Can Be Done!
Mixed By – Mark Dodson
A5 		Keep On Keepin' On!
Producer – Nick Lowe
A6 		(Burn It Up) Bring It Down! (This Insane Thing)
Nor Moscow...
B1 		Hold On!
Mixed By – Steve Street*
B2 		Turnin' Loose (These Furious Flames)
Producer – Dennis Weinreich, Dick Cuthell
B3 		Take No Heroes!
Mixed By – Mark Dodson
B4 		The Crack
B5 		Let's Make It Work!
Vocals [Additional] – Bobby de Niro
B6 		Lean On Me!
Mixed By – Mark Dodson
B7 		'The Return Of The Modern Soul Classic'
Credits▼
Engineer – Rogers*, Hallesy*
Keyboards – Chris Dean (2), Chris Silagyi, Martin Hewes
Performer – Chris Dean (2), Martin Hewes, Paul Hookham
Producer – Chris Silagyi, Pat Foley
Saxophone [Baritone, Tenor, Alto, Soprano] – Ray Carless
Trombone, Other [Quarter Bottle] – Trevor Edwards
Trumpet, Flugelhorn – Kevin Robinson (4)

Notes▼

The inner sleeve finishes the sentence started by the title: "But International Socialism".

B4 is not credited on labels nor sleeves.

B7 is B6 continued.

:{{Discogs release |1498922 |Neither Washington Nor Moscow (London Records CD 828864-2) |type=album }}

Redskins ‎– Neither Washington Nor Moscow
Label:
London Records – 828864-2
Format:
CD, Album, Remastered
Country:
UK
Released:
1997
Genre:
Rock
Style:
Indie Rock
Tracklist Hide Credits▼
1 		The Power Is Yours 	2:09
2 		Kick Over The Statues! 	2:28
3 		Go Get Organized! 	3:57
4 		It Can Be Done! 	3:45
5 		Keep On Keepin' On! 	3:51
6 		Bring It Down! 	4:32
7 		Hold On! 	2:51
8 		Turnin' Loose 	3:44
9 		Take No Heroes! 	5:00
10 		Let's Make It Work! 	3:25
11 		Lean On Me! 	5:15
Bonus Tracks
12 		Keep On Keepin' On! (Ted De Bono 12" Mix) 	3:51
13 		16 Tons
Written-By – Merle Travis
5:14
14 		Reds Strike The Blues 	5:06
15 		99 And A Half (Won't Do)
Written-By – Footman*, Anderson*
3:26

Credits▼

Written-By – Chris Dean (2) (tracks: 1, 2, 7, 10 to 12), Moore* (tracks: 3, 5, 6, 8, 9, 14), Martin Hewes (tracks: 1, 10 to 12), Martin Bottomley* (tracks: 2 to 9, 14), Nick King (tracks: 2 to 9, 14), Paul Hookham (tracks: 1, 10)

Neither Washington Nor Moscow (full title: Neither Washington Nor Moscow... But International Socialism) is the first and last studio album by The Redskins.

The opening track, "The Power Is Yours", was previously released in February 1986 as the sixth Redskins single; while the final single from the album was remixed and released in May along with a promo video of the band busking at a James Brown performance. In total, 5 of the album's 11 tracks were released as singles.

{{cite web |archiveurl=http://web.archive.org/web/20091027123329/http://www.geocities.com/neither_washington_nor_moscow/about.html |archivedate=27 October 2009 |url=http://www.geocities.com/neither_washington_nor_moscow/about.html |deadurl=yes |title= Redskins (Band history) |author= |date= |website=Geocities.com |publisher=Archive.org |accessdate=30 October 2013}}

{{Album reviews

| rev1 = Allmusic

| rev1Score = {{Rating|4|5}}{{cite web |url={{Allmusic|class=album|id=neither-washington-nor-moscow-r223003|pure_url=yes}} |title=The Redskins - Neither Washington Nor Moscow – Overview |publisher=Allmusic |accessdate=26 November 2010 }}

}}

• WP:ALBUM/REVSIT

;Standard edition

Side A: Neither Washington...

1. "The Power Is Yours..." (Chris Dean, Martin Hewes, Paul Hookham) – 2:10
2. "Kick Over the Statues!" (Chris Dean, Martin Hewes,Martin Hewes as Martin Bottomley. Nick King) – 2:29
3. "Go Get Organized!" (Chris Dean,Chris Dean as Moore. Martin Hewes, Nick King) – 3:58
4. "It Can Be Done!" (Martin Hewes, Nick King) – 3:46
5. "Keep on Keepin' On!" (Chris Dean, Martin Hewes, Nick King) – 3:51
6. "(Burn It Up) Bring It Down! (This Insane Thing)" (Chris Dean, Martin Hewes, Nick King) – 4:35

Side B: Nor Moscow...

1. "Hold On!" (Chris Dean, Martin Hewes, Nick King) – 2:51
2. "Turnin' Loose (These Furious Flames)" (Chris Dean, Martin Hewes, Nick King) – 3:43
3. "The Crack" – 2:38
4. "Take No Heroes!" (Chris Dean, Martin Hewes, Nick King) – 5:05
5. "Let's Make It Work!" (Chris Dean, Martin Hewes, Paul Hookham) – 3:26
6. "Lean on Me!" (Chris Dean, Martin Hewes) – 5:15
7. "The Return of the Modern Soul Classic" – 1:31

;1996 Remastered CD

1. "The Power Is Yours" – 2:09
2. "Kick Over the Statues!" – 2:28
3. "Go Get Organized!" – 3:57
4. "It Can Be Done!" – 3:45
5. "Keep on Keepin' On!" – 3:51
6. "Bring It Down!" – 4:32
7. "Hold On!" – 2:51
8. "Turnin' Loose" – 3:44
9. "Take No Heroes!" – 5:00
10. "Let's Make It Work!" – 3:25
11. "Lean on Me!" – 5:15
12. "Keep on Keepin' On!" (Ted de Bono 12" Mix)" – 3:51
13. "16 Tons" (Merle Travis) – 5:14
14. "Reds Strike the Blues" – 5:06
15. "99 and a Half Won't Do" (Steve Cropper, Eddie Floyd, Wilson Pickett) – 3:26

{{Track listing

| all_writing = Redskins (Jaz Coleman, Paul Ferguson, Martin "Youth" Glover, and Kevin "Geordie" Walker)

| title1 = Neither Washington Nor Moscow

| length1 = 6:16

| title2 = The Great Cull

| length2 = 5:57

| title3 = Fresh Fever from the Skies

| length3 = 3:23

| title4 = In Excelsis

| length4 = 4:04

| title5 = European Super State

| length5 = 4:42

| title6 = This World Hell

| length6 = 5:27

| title7 = Endgame

| length7 = 4:42

| title8 = The Raven King

| length8 = 6:33

| title9 = Honour the Fire

| length9 = 5:50

| title10 = Depthcharge

| length10 = 4:17

| title11 = Here Comes the Singularity

| length11 = 5:04

| title12 = Ghosts of Ladbroke Grove

| length12 = 6:32

}}

{{Col-begin}}

{{Col-break}}

;Redskins

• Chris Dean - vocals, guitar, and keyboards
• Martin Hewes – bass guitar, backing vocals, and keyboards
• Nick King – drums

;The Redskins Brass

• Ray Carless – baritone sax, tenor sax, alto sax and soprano sax
• Kevin Robinson – trumpet and flugelhorn
• Trevor Edwards – trombone and quarter bottle

{{Col-break}}

;Guest musicians

• Chris Silagyi – keyboards
• Bobby de Niro – additional wocals on "Let's Make It Work!"
• Gorman Mitriole – additional drums on "Go Get Organized!"

;Production

• Chris Silagyi and Pat Foley – producers
• Rogers & Hallesy – engineering
• Steve Street – mixing on "The Power Is Yours..." and "Hold On!"
• Mark Dodson – mixing on "Go Get Organized!", "It Can Be Done!", "Take No Heroes!", and "Lean on Me!"

• Mike Thorne – Producer
• Roger Wake – Digital Remastering
• Pat Foley – Producer
• Paul Hookham – Composer
• Merle Travis – Composer

{{col-end}}

• 1986 Neither Washington nor Moscow United Kingdom Vinyl LP Decca FLP1
• 1986 Neither Washington Nor Moscow (LP, Album) London Records FLP 1 UK 1986
• 1986 Neither Washington Nor Moscow (LP, Album) London Records 828 009-1 Germany 1986
• 1986 Neither Washington Nor Moscow (LP, Album) Decca, London Records FLP 1, 42282 80091 1986
• 1997 Neither Washington ... Nor Moscow (CD, Album, RM) London Records 828864-2 UK 1997
• 1997 Neither Washington Nor Moscow... [Bonus Tracks], [Remastered] United Kingdom CD London 828864-2

=Rondine al nido=

Albums with Complete Performances of the Work

Title Date

• Luciano Pavarotti in Concert 1987
• Carreras, Domingo and Pavarotti in Concert 1990
• Carreras, Domingo, Pavarotti in Concert 1990
• Carreras Domingo Pavarotti En Concierto 1990
• The Three Tenors in Concert 1990
• Popular Songs 1990
• Luciano Pavarotti in Concert 1991
• Live in Modena 1985 1993
• Pavarotti in Central Park 1993
• Pavarotti in Central Park [DVD Video] 1993
• Pavarotti: London Records Great Studio Recordings of his Central Park Program 1993
• Serenade: Lieder-Arien Recital 1993
• O Sole Mio: Greatest Hits 1994
• Gigli in Song 1995
• Beniamino Gigli: The Complete Victor Recordings, Vol. 2: 1926-28 1996
• Beniamino Gigli: In Opera And Song 1997
• Canzoni Italiane 1998
• Beniamino Gigli Interpreta...(Archivio della Romana da Salotto Italiana), Vol. 2 1999
• The Ultimate Opera Album 1999
• A Portrait of Pavarotti 2001
• Pavarotti Edition: Italian Popular Songs 2001
• Pavarotti Edition [Box Set] 2001
• Neapolitan Café 2001
• 6 Decades of Immortal Performances 2001
• Tenor's Favourite Songs 2001
• Neapolitan Café 2001
• Amore: Essential Romantic Collection 2001
• Camden and New York Recordings, 1926-27 2004
• Pavarotti: The Three Concerts [DVD Video] [Box Set] 2007
• Torna a Surriento: Neapolitan & Italian Songs 2004
• Italy: Greatest Hits 2005
• Favourite Flavours 2005
• Große Tenöre der Musikgeschichte, Vol. 2 2006
• Treasured Songs of Italy and Germany 2007
• The Original Three Tenors Concert [DVD Video] 2007
• Mamma 2007
• Pavarotti: The Studio Albums [Box Set] 2007
• In Concert 2007
• Luciano Pavarotti: In Memoriam [Box Set] 2007

• Leoncavallo, Curtis, Bixio and others
• His Greatest Hits on Radio
• Beniamino Gigli-Recital al Teatro Gran Rex di Buenos Aires
• Famous Italian Songs
• Gigli in Song
• 3 Historic Tenors in Concert
• L'Arte del Bel Canto
• Mamma
• Enzo De Muro Lomanto and his wife Toti Dal Monte
• Beniamino Gigli: Gigli Edition
• Lebendige Vergangenheit: Giuseppe Valdengo
• Greatest Hits
• Pavarotti Forever [DVD Video]
• Pavarotti a Modena

• GIGLI, Beniamino: Gigli Edition, Vol. 4: Camden and New York Recordings (1926–1927)
• GIGLI, Beniamino: Gigli Edition, Vol. 15: Carnegie Hall Farewell Recitals (1955)
• Vocal Concert: Gigli, Beniamino - TOSELLI, E. / CRESCENZO, V. de / DONAUDY, S. (Archivio della Romanza da Salotto Italiana, Vol. 2) (1926–1947)

=Gianni Sassi=

Gianni Sassi (1938–1993) was an Italian....

• [http://www.giannisassi.org Official website]

=Midori Seiler=

=Louis Satterfield=

name = The Phenix Horns

caption = The Phenix Horns starting second from left with Don Myrick on saxophone, Louis Satterfield on trombone, Michael Harris on trumpet and Rahmlee Michael Davis also on trumpet.

alias = EWF Horns

origin = Chicago, Illinois, United States

genre = Funk, jazz, pop, soul, R&B

Formed = 1976

label = ARC, Columbia

website = {{URL|http://www.thephenixhorns.com/}}

past_members =Don Myrick
Louis "Lui Lui" Satterfield
Rahmlee Michael Davis
Michael Harris

=William Shakespeare=

=Shakespeare's sonnets=

=Sonnet 37 of 154=

{{reflist|colwidth=30em}}

{{Wikisourcepar|Sonnet_37_(Shakespeare)}}

• [http://www.shakespeare-online.com/sonnets/37detail.html Paraphrase and analysis (Shakespeare-online)]

=Dmitri Shostakovich=

=Symphony No. 2 (Shostakovich)=

:Text by Alexander BezymenskyGergiev, Valery (6 December 2010). "[Mariinsky Orchestra, Symphonies Nos. 2 & 11, Shostakovich, Valery Gergiev". Saint Petersburg: Mariinsky (MAR0507)

{{Col-begin}}

{{Col-break}}

;Russian

Мы шли, мы просили работы и хлеба,

Сердца были сжаты тисками тоски.

Заводские трубы тянулися к небу,

Как руки, бессильные сжать кулаки.

Страшно было имя наших тенет:

Молчанье, страданье, гнет.

Но громче орудий ворвались в молчанье

Слова нашей скорби, слова наших мук.

О Ленин! Ты выковал волю страданья,

Ты выковал волю мозолистых рук.

Мы поняли, Ленин, что наша судьба

Носит имя: борьба.

Борьба! Ты вела нас к последнему бою.

Борьба! Ты дала нам победу Труда.

И этой победы над гнетом и тьмою

Никто не отнимет у нас никогда.

Пусть каждый в борьбе будет молод и храбр:

Ведь имя победы – Октябрь!

Октябрь! – это солнца желанного вестник.

Октябрь! – это воля восставших веков.

Октябрь! – это труд, это радость и песня.

Октябрь! – это счастье полей и станков.

Вот знамя, вот имя живых поколений:

Октябрь, Коммуна и Ленин.

{{Col-break}}

;English translation

We marched, we asked for work and bread.

Our hearts were gripped in a vice of anguish.

Factory chimneys towered up towards the sky

Like hands, powerless to clench a fist.

Terrible were the names of our shackles:

Silence, suffering, oppression.

But louder than gunfire there burst into the silence

Words of our torment, words of our suffering.

Oh, Lenin! You forged freedom through suffering,

You forged freedom from our toil-hardened hands.

We knew, Lenin, that our fate

Bears a name: Struggle.

Struggle! You led us to the final battle.

Struggle! You gave us the victory of Labour.

And this victory over oppression and darkness

None can ever take away from us!

Let all in the struggle be young and bold:

The name of this victory is October!

October! The messenger of the awaited dawn.

October! The freedom of rebellious ages.

October! Labour, joy and song.

October! Happiness in the fields and at the work benches,

This is the slogan and this is the name of living generations:

October, the Commune and Lenin.

{{col-end}}

{{Col-begin}}

{{Col-break}}

;Russian

Мы шли, мы просили работы и хлеба,

Сердца были сжаты тисками тоски.

Заводские трубы тянулися к небу,

Как руки, бессильные сжать кулаки.

Страшно было имя наших тенет:

Молчанье, страданье, гнет.

Но громче орудий ворвались в молчанье

Слова нашей скорби, слова наших мук.

О Ленин! Ты выковал волю страданья,

Ты выковал волю мозолистых рук.

Мы поняли, Ленин, что наша судьба

Носит имя: борьба.

Борьба! Ты вела нас к последнему бою.

Борьба! Ты дала нам победу Труда.

И этой победы над гнетом и тьмою

Никто не отнимет у нас никогда.

Пусть каждый в борьбе будет молод и храбр:

Ведь имя победы — Октябрь!

Октябрь! — это солнца желанного вестник.

Октябрь! — это воля восставших веков.

Октябрь! — это труд, это радость и песня.

Октябрь! — это счастье полей и станков.

Вот знамя, вот имя живых поколений:

Октябрь, Коммуна и Ленин.

{{Col-break}}

;English translation

We marched, we asked for work and bread.

Our hearts were gripped in a vice of anguish.

Factory chimneys towered up towards the sky

Like hands, powerless to clench a fist.

Terrible were the names of our shackles:

Silence, suffering, oppression.

But louder than gunfire there burst into the silence

Words of our torment, words of our suffering.

Oh, Lenin! You forged freedom through suffering,

You forged freedom from our toil-hardened hands.

We knew, Lenin, that our fate

Bears a name: Struggle.

Struggle! You led us to the final battle.

Struggle! You gave us the victory of Labour.

And this victory over oppression and darkness

None can ever take away from us!

Let all in the struggle be young and bold:

The name of this victory is October!

October! The messenger of the awaited dawn.

October! The freedom of rebellious ages.

October! Labour, joy and song.

October! Happiness in the fields and at the work benches,

This is the slogan and this is the name of living generations:

October, the Commune and Lenin.

We marched, we demanded work and bread.

Our hearts were heavy with sorrow.

The factory chimneys stretched up into the sky,

Like hands too weak to clench their fists.

Terrifying for us were the names of our hardships:

Silence, fear, oppression.

But our sorrows, like weapons, broke the silence,

The words of our grief, the words of our torment,

Oh, Lenin! You forged the spirit of our suffering,

The strength of our work-handed hands.

And we understood, Lenin, that our destiny would be:

Fight!

Fight! You led us onto the battlefield.

Fight! You told us of the trial we would face,

And that our triumph over oppression and darkness

Would be never taken away from us!

Would that everyone might be young and strong in the fight.

Our victory is called October.

October! This is the blazing ray of the sun!

October! This is the will of centuries of revolt!

October! This is work, this is joy and song!

October! This is eternal happiness!

There is the banner!

There is the symbol of our living generations!

October!

Communism!

And Lenin!

--google translator--

We walked, we asked for bread and work,

Hearts were compressed vice anguish.

Factory chimneys stretched to the sky

As the hands, impotent fists.

It was terrible to name our snares 9

Silence, Suffering, oppression.

But the loudest guns broke into the silence

Express our sorrow, the words of our suffering.

About Lenin! You forged the will of the suffering,

You forged the will of calloused hands.

We realized, Lenin, that our fate

Bears the name: the fight.

Fight! You led us to the final battle.

Fight! You gave us the victory of Labour.

And the victory over oppression and darkness

No one will take away from us than ever before.

Let everyone in the fight to be young and brave:

After all, the name of victory - October!

October! - The sun is desired messenger.

October! - It will rebel centuries.

October! - This work is a joy and song.