Academy Award for Best Picture#1990s

{{short description|Annual award by the Academy of Motion Picture Arts and Sciences}}

{{Use mdy dates|date=May 2024}}

{{Infobox award

| name = Academy Award for Best Picture

| image = Sean Baker and Samantha Quan.jpg

| caption = The 2025 recipients: Sean Baker, Samantha Quan (pictured); and Alex Coco

| awarded_for = Best Motion Picture of the Year

| presenter = Academy of Motion Picture Arts and Sciences (AMPAS)

| country = United States

| year = {{start date and age|1929|5|16}} (for films released during the 1927/1928 film season)

| holder_label = Most recent winner

| holder = Anora (2024)

| website = {{official URL}}

}}

The Academy Award for Best Picture is one of the Academy Awards (also known as Oscars) presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) since the awards debuted in 1929. This award goes to the producers of the film and is the only category in which every member of the Academy is eligible to submit a nomination and vote on the final ballot.{{cite magazine|url=http://people.com/movies/how-oscar-nominations-work-inside-voting-system-academy-award/|title=How the Oscar Voting System Works|magazine=People.com|access-date=January 23, 2018|archive-date=January 24, 2018|archive-url=https://web.archive.org/web/20180124070525/http://people.com/movies/how-oscar-nominations-work-inside-voting-system-academy-award/|url-status=live}} The Best Picture category is traditionally the final award of the night and is widely considered the most prestigious honor of the ceremony.{{cite web|url=https://www.vox.com/culture/2017/2/27/14734370/oscars-la-la-land-best-picture-2017|title=Oscars 2017: La La Land didn't win Best Picture. But should it have?|date=February 27, 2017|publisher=Vox|access-date=January 23, 2018|archive-date=February 27, 2017|archive-url=https://web.archive.org/web/20170227051817/https://www.vox.com/culture/2017/2/27/14734370/oscars-la-la-land-best-picture-2017|url-status=live}}{{cite news|url=https://www.dailytelegraph.com.au/entertainment/awards/oscars/oscars-2017-moonlight-wins-best-picture-not-la-la-land-after-warren-beatty-gaffe/news-story/c05dda27f90acea2fc5557921728a887|title=Moonlight wins Best Picture, not La La Land, after Warren Beatty and Faye Dunaway gaffe|newspaper=The Daily Telegraph|access-date=January 23, 2018|archive-date=December 2, 2017|archive-url=https://web.archive.org/web/20171202184538/https://www.dailytelegraph.com.au/entertainment/awards/oscars/oscars-2017-moonlight-wins-best-picture-not-la-la-land-after-warren-beatty-gaffe/news-story/c05dda27f90acea2fc5557921728a887|url-status=live}}{{cite news|url=https://www.indiewire.com/2017/12/oscar-best-pictures-of-21st-century-ranked-best-worst-1201902864/|title=The Best Picture Winners of the 21st Century|work=Indiewire|access-date=January 23, 2018|archive-date=January 22, 2018|archive-url=https://web.archive.org/web/20180122054328/https://www.indiewire.com/2017/12/oscar-best-pictures-of-21st-century-ranked-best-worst-1201902864/|url-status=live}}

The Grand Staircase columns at the Dolby Theatre in Hollywood, where the Academy Awards ceremonies have been held since 2002, showcase every film that has won the Best Picture title since the award's inception.{{cite magazine|url=http://insidemovies.ew.com/2012/05/01/oscars-dolby-theater/|title=The Oscars home is now the Dolby Theatre|magazine=Entertainment Weekly|access-date=May 24, 2012|url-status=live|archive-url=https://web.archive.org/web/20120505044628/http://insidemovies.ew.com/2012/05/01/oscars-dolby-theater/|archive-date=May 5, 2012}} There have been 611 films nominated for Best Picture and 97 winners.{{cite web|url=http://awardsdatabase.oscars.org/ampas_awards/ |archive-url=https://archive.today/20120701144137/http://awardsdatabase.oscars.org/ampas_awards/ |url-status=dead |archive-date=July 1, 2012 |title=Academy Awards Database – Best Picture Winners and Nominees |publisher=Academy of Motion Picture Arts and Sciences |access-date=May 24, 2012 }}

History

=Category name changes=

At the 1st Academy Awards ceremony held in 1929 (for films made in 1927 and 1928), there were two categories of awards that were each considered the top award of the night: "Outstanding Picture" and "Unique and Artistic Picture", the former being won by the war epic Wings, and the latter by the art film Sunrise. Each award was intended to honor different and equally important aspects of superior filmmaking. In particular, The Jazz Singer was disqualified from both awards, since its use of synchronized sound made the film a sui generis item that would have unfairly competed against either category, and the Academy granted the film an honorary award instead.{{cite book | last1 = Block | first1 = Alex Ben | last2 = Wilson | first2 = Lucy Autrey | title = George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success | publisher = HarperCollins | location = New York | year = 2010 | isbn = 978-0-06-177889-6 | url = https://archive.org/details/georgelucassbloc00alex |pages=110–113}}

The following year, the Academy dropped the Unique and Artistic Picture award, deciding retroactively that the award won by Wings was the highest honor that could be awarded, and allowed synchronized sound films to compete for the award.{{cite web|url=https://www.tcm.com/tcmdb/title/326478/sunrise-a-song-of-two-humans#articles-reviews|title=Why SUNRISE: A SONG OF TWO HUMANS is Essential|publisher=Turner Classic Movies|access-date=May 24, 2012|url-status=live|archive-url=https://web.archive.org/web/20120405101632/http://www.tcm.com/tcmdb/title/326478/Sunrise-A-Song-of-Two-Humans/articles.html|archive-date=April 5, 2012}} Although the award kept the title Outstanding Picture for the next ceremony, the name underwent several changes over the years, as seen below. Since 1962, the award has been simply called Best Picture.

  • 1927/281928/29: Academy Award for Outstanding Picture
  • 1929/301940: Academy Award for Outstanding Production
  • 19411943: Academy Award for Outstanding Motion Picture
  • 19441961: Academy Award for Best Motion Picture
  • 1962–present: Academy Award for Best Picture

=Recipients=

Until 1950, this award was presented to a representative of the production company. That year the protocol was changed so that the award was presented to all credited producers. This rule was modified in 1999 to apply a maximum limit of three producers receiving the award, after the five producers of Shakespeare in Love had received the award.{{cite news|url=https://www.smh.com.au/news/Oscars-2005/Who-gets-the-Oscar/2005/02/03/1107409980177.html|title=Who gets the Oscar?|agency=Associated Press|date=February 4, 2005|work=Sydney Morning Herald|access-date=October 23, 2013|url-status=live|archive-url=https://web.archive.org/web/20150924194423/http://www.smh.com.au/news/Oscars-2005/Who-gets-the-Oscar/2005/02/03/1107409980177.html|archive-date=September 24, 2015}}{{cite news|url=http://news.bbc.co.uk/2/hi/entertainment/1408671.stm|title=Academy restricts Oscar winners|date=June 26, 2001|publisher=BBC|access-date=October 23, 2013|url-status=live|archive-url=https://web.archive.org/web/20131214183006/http://news.bbc.co.uk/2/hi/entertainment/1408671.stm|archive-date=December 14, 2013}}{{cite journal |last=McNary |first=Dave |date=January 21, 2008 |title=PGA avoids credit limit |journal=Variety |url=https://variety.com/2008/film/news/pga-avoids-credit-limit-1117979406/ |url-status=live |archive-url=https://web.archive.org/web/20131024204140/http://variety.com/2008/film/news/pga-avoids-credit-limit-1117979406/ |archive-date=October 24, 2013 }}

{{as of|2020}}, the "Special Rules for the Best Picture of the Year Award" limit recipients to those who meet two main requirements:{{cite web| url= https://www.oscars.org/sites/oscars/files/92aa_rules.pdf| title= 92ND ACADEMY AWARDS OF MERIT|publisher= Academy of Motion Picture Arts and Sciences | year= 2019 | access-date=April 26, 2020|page=23 | archive-url=https://web.archive.org/web/20190424163237/https://www.oscars.org/sites/oscars/files/92aa_rules.pdf | archive-date=April 24, 2019 | url-status=live }}

  • Those with screen credit of "producer" or "produced by", explicitly excluding those with the screen credit "executive producer, co-producer, associate producer, line producer, or produced in association with"
  • those three or fewer producers who have performed the major portion of the producing functions

The rules allow a {{lang|la|bona fide}} team of not more than two people to be considered a single "producer" if the two individuals have had an established producing partnership as determined by the Producers Guild of America Producing Partnership Panel. Final determination of the qualifying producer nominees for each nominated picture will be made by the Producers Branch Executive Committee, including the right to name any additional qualified producer as a nominee.

The Academy can make exceptions to the limit, as when Anthony Minghella and Sydney Pollack were posthumously included among the four producers nominated for The Reader.{{cite web|url=https://www.rottentomatoes.com/m/10009498-reader/news/1793050/academy_makes_exceptions_for_pollack_minghella/ |title=Academy Makes Exceptions for Pollack, Minghella Does this mean more Oscar sympathy for surprise nominee The Reader? |last=Yamato |first=Jen |date=January 27, 2009 |work=Rotten Tomatoes |access-date=October 18, 2013 |url-status=dead |archive-url=https://web.archive.org/web/20131027072805/http://www.rottentomatoes.com/m/10009498-reader/news/1793050/academy_makes_exceptions_for_pollack_minghella/ |archive-date=October 27, 2013}} {{as of|2014}} the Producers Branch Executive Committee determines such exceptions, noting they take place only in "rare and extraordinary circumstance[s]."

Steven Spielberg currently holds the record for most nominations at thirteen, winning one, while Kathleen Kennedy holds the record for most nominations without a win at eight. Sam Spiegel and Saul Zaentz tie for the most wins with three each. During the time when the Oscar was given to production companies instead, Metro-Goldwyn-Mayer received the most, with five wins and 40 nominations.

=Best Picture and Best Director=

The Academy Awards for Best Picture and Best Director have been closely linked throughout their history. Of the 97 films that have won Best Picture, 70 have also been awarded Best Director. Only six films have been awarded Best Picture without receiving a Best Director nomination: Wings directed by William A. Wellman (1927/28), Grand Hotel directed by Edmund Goulding (1931/32), Driving Miss Daisy directed by Bruce Beresford (1989), Argo directed by Ben Affleck (2012), Green Book directed by Peter Farrelly (2018), and CODA directed by Sian Heder (2021). The only two Best Director winners to win for films that did not receive a Best Picture nomination were during the early years of the awards: Lewis Milestone for Two Arabian Knights (1927/28), and Frank Lloyd for The Divine Lady (1928/29).{{cite web|url=http://www.filmsite.org/bestdirs1.html|title=Best Director Facts – Trivia (Part 2)|publisher=Filmsite|access-date=November 13, 2009|url-status=live|archive-url=https://web.archive.org/web/20090901210327/http://www.filmsite.org/bestdirs1.html|archive-date=September 1, 2009}}

=Nomination limit increased=

On June 24, 2009, the Academy of Motion Picture Arts and Sciences (AMPAS) announced that the number of films to be nominated in the Best Picture award category would increase from 5 to 10, starting with the 82nd Academy Awards (2009).{{cite news|author=Joyce Eng |title=Oscar Expands Best Picture Race to 10 Nominees |url=https://www.tvguide.com/Movie-News/Oscar-Expands-Best-1007223.aspx |archive-url=https://archive.today/20121208200429/http://www.tvguide.com/Movie-News/Oscar-Expands-Best-1007223.aspx |url-status=dead |archive-date=December 8, 2012 |work=TV Guide Online |date=June 24, 2009 |access-date=June 24, 2009 }} Although the Academy never officially said so, many commenters noted the expansion was likely in part a response to public criticism of The Dark Knight and WALL-E (both 2008) (and, in previous years, other blockbusters and popular films) not being nominated for Best Picture.{{Cite news|last=Buchanan|first=Kyle|date=January 22, 2020|title=10 Years Later, an Oscar Experiment That Actually Worked|language=en-US|work=The New York Times|url=https://www.nytimes.com/2020/01/22/movies/expanded-best-picture-oscar.html |archive-url=https://web.archive.org/web/20200122200021/https://www.nytimes.com/2020/01/22/movies/expanded-best-picture-oscar.html |archive-date=January 22, 2020 |url-access=subscription |url-status=live|access-date=June 5, 2020|issn=0362-4331}}{{Cite web|last=Rogers|first=Nathaniel|date=July 18, 2018|title=How a Dark Knight Best Picture snub forced the Oscars to change|url=https://www.polygon.com/2018/7/18/17585878/dark-knight-oscars-best-picture|access-date=June 5, 2020|website=Polygon|language=en|archive-date=July 18, 2018|archive-url=https://web.archive.org/web/20180718193222/https://www.polygon.com/2018/7/18/17585878/dark-knight-oscars-best-picture|url-status=live}}{{Cite web|last=Phipps|first=Keith|date=January 30, 2020|title=A Decade Ago, the Oscars Looked Down on Superhero Movies. Now One Might Win Best Picture.|url=https://www.theringer.com/movies/2020/1/30/21114274/superhero-movies-oscars-joker-dark-knight-black-panther|access-date=June 5, 2020|website=The Ringer|language=en|archive-date=January 31, 2020|archive-url=https://web.archive.org/web/20200131154326/https://www.theringer.com/movies/2020/1/30/21114274/superhero-movies-oscars-joker-dark-knight-black-panther|url-status=live}} Officially, the Academy said the rule change was a throwback to the Academy's early years in the 1930s and 1940s, when 8 to 12 films were nominated each year. "Having 10 Best Picture nominees is going to allow Academy voters to recognize and include some of the fantastic movies that often show up in the other Oscar categories but have been squeezed out of the race for the top prize," AMPAS President Sid Ganis said in a press conference. "I can't wait to see what that list of 10 looks like when the nominees are announced in February."

At the same time, the voting system was switched from first-past-the-post to instant runoff voting (also known as preferential voting).[https://www.huffingtonpost.com/rob-richie/poll-oscars-irv_b_824246.html Poll: Vote on the Oscars Like an Academy Member] {{webarchive|url=https://web.archive.org/web/20121112164350/http://www.huffingtonpost.com/rob-richie/poll-oscars-irv_b_824246.html |date=November 12, 2012 }}, Rob Richie, Huffington Post, February 16, 2011 In 2011, the Academy revised the rule again so that the number of films nominated was between 5 and 10; nominated films must earn either 5% of first-place rankings or 5% after an abbreviated variation of the single transferable vote nominating process.{{cite web|url=https://www.thewrap.com/awards/column-post/new-best-picture-rules-could-discard-hundreds-ballots-or-more-28412|title=New Best Picture Rules Could Discard Large Number of Oscar Ballots (Exclusive)|author=Steve Pond|date=June 22, 2011|publisher=The Wrap|access-date=January 19, 2014|url-status=live|archive-url=https://web.archive.org/web/20140304233702/http://www.thewrap.com/awards/column-post/new-best-picture-rules-could-discard-hundreds-ballots-or-more-28412|archive-date=March 4, 2014}} Bruce Davis, the Academy executive director at the time, said, "A Best Picture nomination should be an indication of extraordinary merit. If there are only eight pictures that truly earn that honor in a given year, we shouldn't feel an obligation to round out the number."{{cite web|url=https://deadline.com/2011/06/oscar-academy-builds-surprise-into-best-picture-race-140014/ |title=OSCAR SHOCKER! Academy Builds Surprise & Secrecy Into Best Picture Race: Now There Can Be Anywhere From 5 To 10 Nominees |author=Nikki Finke |date=June 14, 2011 |work=Deadline Hollywood |publisher=MMC |access-date=June 15, 2011 |archive-url=https://web.archive.org/web/20110723021022/http://www.deadline.com/2011/06/oscar-academy-builds-surprise-into-best-picture-race/ |archive-date=July 23, 2011 |url-status=live }} This system lasted until 2021, when the Academy reverted back to a set number of ten nominees from the 94th Academy Awards onward.{{cite web|url=https://deadline.com/2021/06/oscars-changes-rules-ten-best-picture-nominees-1234784121/|title=Oscars: Academy Sets Rules And Regulations For 94th Awards; 10 Best Picture Nominees, Plus Changes In Music And Sound Categories|author=Pete Hammond|work=Deadline Hollywood|date=June 30, 2021|access-date=January 13, 2021|archive-date=June 30, 2021|archive-url=https://web.archive.org/web/20210630180725/https://deadline.com/2021/06/oscars-changes-rules-ten-best-picture-nominees-1234784121/|url-status=live}}

=Language and country of origin=

Nineteen non-English language films have been nominated in the category: La Grande Illusion (French, 1938); Z (French, 1969); The Emigrants (Swedish, 1972); Cries and Whispers (Swedish, 1973); The Postman (Il Postino) (Italian/Spanish, 1995); Life Is Beautiful (Italian, 1998); Crouching Tiger, Hidden Dragon (Mandarin Chinese, 2000); Letters from Iwo Jima (Japanese, 2006, but ineligible for Best Foreign Language Film because it was an American production); Amour (French, 2012); Roma (Spanish/Mixtec, 2018); Parasite (Korean, 2019); Minari (Korean, 2020, but ineligible for Best International Feature Film because it was an American production);{{cite web|url=http://www.filmsite.org/bestpics1.html|title=Best Pictures – Facts & Trivia (part 2)|publisher=Filmsite.org|access-date=November 13, 2009|url-status=live|archive-url=https://web.archive.org/web/20100109122738/http://www.filmsite.org/bestpics1.html|archive-date=January 9, 2010}} Drive My Car (Japanese/Korean/Mandarin Chinese/German/Korean Sign Language, 2021), All Quiet on the Western Front (German, 2022), Anatomy of a Fall (French, 2023), Past Lives (Korean, 2023, but ineligible for Best International Feature Film because it was an American production), The Zone of Interest (German/Polish/Yiddish, 2023), Emilia Pérez (Spanish, 2024), and I'm Still Here (Portuguese, 2024). Parasite became the first film not in English to win Best Picture.{{Cite news|last=Shoard|first=Catherine|url=https://www.theguardian.com/film/2020/feb/10/parasite-first-foreign-language-film-to-win-best-picture-oscar|title=Parasite makes Oscars history as first foreign language film to win best picture|date=February 10, 2020|work=The Guardian|access-date=February 10, 2020|language=en-GB|issn=0261-3077|archive-date=March 23, 2023|archive-url=https://web.archive.org/web/20230323173436/https://www.theguardian.com/film/2020/feb/10/parasite-first-foreign-language-film-to-win-best-picture-oscar|url-status=live}}[https://www.latimes.com/entertainment-arts/movies/story/2021-03-15/2021-oscars-nominations-minari-everything-to-know "Everything to Know about Nominee 'Minari'"] {{Webarchive|url=https://web.archive.org/web/20220127070506/https://www.latimes.com/entertainment-arts/movies/story/2021-03-15/2021-oscars-nominations-minari-everything-to-know |date=January 27, 2022 }} (March 15, 2021). Los Angeles Times. Retrieved July 11, 2021.

Ten films wholly financed outside the United States have won Best Picture, eight of which were financed, in part or in whole, by the United Kingdom: Hamlet (1948), Tom Jones (1963), A Man for All Seasons (1966), Chariots of Fire (1981), Gandhi (1982), The Last Emperor (1987), Slumdog Millionaire (2008), and The King's Speech (2010). The ninth film, The Artist (2011), was financed in France, and the tenth film, Parasite (2019), was financed in South Korea.{{cite web|url=http://www.filmsite.org/bestpics2.html|title=Best Pictures – Genre Biases|publisher=Filmsite.org|access-date=November 13, 2009|url-status=live|archive-url=https://web.archive.org/web/20100110054846/http://www.filmsite.org/bestpics2.html|archive-date=January 10, 2010}}

=Rating=

Since 1968, most Best Picture winners have been rated R under the Motion Picture Association's rating system. Oliver! is the only G-rated film and Midnight Cowboy is the only X-rated film (what is categorized as an NC-17 film today), so far, to win Best Picture; they won in back-to-back years, 1968 and 1969. The latter has since been changed to an R rating. Eleven films have won with a PG rating: the first was Patton (1970) and the most recent was Driving Miss Daisy (1989). Eleven more films have won with a PG-13 rating (which was introduced in 1984): the first was The Last Emperor (1987) and the most recent was CODA (2021). For unrated films, A Room with a View (1985) is the first film to not be rated by the MPA and be nominated Best Picture, though no unrated films have won Best Picture.

=Genres and mediums=

{{More citations needed|date=September 2023}}

Three animated films have been nominated for Best Picture: Beauty and the Beast (1991), Up (2009), and Toy Story 3 (2010). The latter two were nominated after the Academy expanded the number of nominees, but none have won.

No comic book film has won, although three have been nominated: Skippy (1931), Black Panther (2018), and Joker (2019).{{Cite web |last=Bibbiani |first=William |date=January 20, 2023 |title=The First Best Picture Oscar Nominee Based On A Comic Was In 1931 |url=https://www.slashfilm.com/1174271/the-first-best-picture-oscar-nominee-based-on-a-comic-was-in-1931/ |access-date=September 12, 2023 |website=/Film |language=en-US |archive-date=June 14, 2023 |archive-url=https://web.archive.org/web/20230614174015/https://www.slashfilm.com/1174271/the-first-best-picture-oscar-nominee-based-on-a-comic-was-in-1931/ |url-status=live }}

Two fantasy films have won: The Lord of the Rings: The Return of the King (2003) and The Shape of Water (2017), although more have been nominated.

The Silence of the Lambs (1991) is the only horror/thriller film to win Best Picture. Six others have been nominated: The Exorcist (1973), Jaws (1975), The Sixth Sense (1999), Black Swan (2010), Get Out (2017), and The Substance (2024).

Several science-fiction films have been nominated for Best Picture, though Everything Everywhere All at Once (2022) was the first one to win.{{Cite web |last=Spry |first=Jeff |date=March 14, 2023 |title='Everything Everywhere All At Once' is now the most celebrated sci-fi film in Oscar history |url=https://www.space.com/everything-everywhere-all-at-once-most-celebrated-oscars-sci-fi-film |access-date=September 12, 2023 |website=Space.com |language=en |archive-date=September 23, 2023 |archive-url=https://web.archive.org/web/20230923013345/https://www.space.com/everything-everywhere-all-at-once-most-celebrated-oscars-sci-fi-film |url-status=live }}

Titanic (1997) is the only disaster film to win Best Picture, though other such films have been nominated, including Airport (1970) and The Towering Inferno (1974).

No documentary has been nominated for Best Picture, although Chang: A Drama of the Wilderness was nominated in the Unique and Artistic Picture category at the 1927/28 awards. A Best Documentary Feature category was introduced in 1941.

Several musical adaptations based on material previously filmed in non-musical form have won Best Picture, including Gigi, West Side Story, My Fair Lady, The Sound of Music, Oliver!, and Chicago.

Several epics or historical epic films have won Best Picture, including the first recipient Wings. Others include Cimarron, Cavalcade, Gone with the Wind, The Bridge on the River Kwai, Ben-Hur, Lawrence of Arabia, Patton, The Godfather, The Godfather Part II, Gandhi, The Last Emperor, Dances With Wolves, Schindler's List, Forrest Gump, Braveheart, The English Patient, Titanic, Gladiator, The Lord of the Rings: The Return of the King, and Oppenheimer.

=Sequel nominations and winners=

Ten films that were presented as direct sequels have been nominated for Best Picture: The Bells of St. Mary's (1945; the sequel to the 1944 winner, Going My Way), The Godfather Part II (1974), The Godfather Part III (1990), The Lord of the Rings: The Two Towers (2002), The Lord of the Rings: The Return of the King (2003), Toy Story 3 (2010), Mad Max: Fury Road (2015), Avatar: The Way of Water (2022), Top Gun: Maverick (2022), and Dune: Part Two (2024).

Toy Story 3, Mad Max: Fury Road, and Top Gun: Maverick are the only sequels to be nominated without any predecessors being nominated. The Godfather Part II and The Lord of the Rings: The Return of the King are the only sequels to have won the award, and their respective trilogies are the only series to have three films nominated. The Godfather series is the only film series with multiple Best Picture winners, with the first film winning the award for 1972 and the second film winning the award for 1974.

Another nominee, Broadway Melody of 1936, was a follow-up of sorts to previous winner The Broadway Melody, but beyond the title and some music, the two films have mutually independent stories. The Silence of the Lambs was adapted from the sequel novel to Red Dragon. The latter had been adapted for film as Manhunter by a different studio, and the two films have different casts and creative teams and were not presented as a series.{{Cite web |date=December 27, 2022 |title=The only sequels to have won Best Picture Oscars |url=https://faroutmagazine.co.uk/the-only-sequels-to-have-won-best-picture-oscars/ |access-date=January 22, 2023 |website=faroutmagazine.co.uk |language=en-US |archive-date=January 22, 2023 |archive-url=https://web.archive.org/web/20230122071930/https://faroutmagazine.co.uk/the-only-sequels-to-have-won-best-picture-oscars/ |url-status=live }} Conversely, 2024's Wicked uses iconography and characters who appeared in 1939's The Wizard of Oz and other Oz films, but is not a direct prequel to any film.

The Lion in Winter features Peter O'Toole as King Henry II, a role he had played previously in the film Becket, but The Lion in Winter is not a sequel to Becket. Similarly, The Queen features Michael Sheen as Tony Blair, a role he had played previously in the television film The Deal. Christine Langan, producer of both productions, described The Queen as not being a direct sequel, only that it reunited the same creative team.Wells, Matt (August 30, 2004). "[https://www.theguardian.com/uk/2004/aug/30/media.arts Helen Mirren poised for royal role] {{webarchive |url=https://web.archive.org/web/20160307163813/https://www.theguardian.com/uk/2004/aug/30/media.arts |date=7 March 2016 }}". Guardian Unlimited (Guardian News and Media). Retrieved on January 15, 2022.

Clint Eastwood's Letters from Iwo Jima was a companion piece to his film Flags of Our Fathers that was released earlier the same year. These two films depict the same battle from the different viewpoints of Japanese and United States military forces; the two films were shot back-to-back.

In addition, Black Panther is a continuation of the events that occurred in Captain America: Civil War and the Marvel Cinematic Universe.

=Remake nominations and winners=

Along similar lines to sequels, there have been few nominees and winners that are either remakes or adaptations of the same source materials or subjects.

Ben-Hur, which won Best Picture of 1959, is a remake of the 1925 silent film with a similar title and both were adapted from Lew Wallace's 1880 novel Ben-Hur: A Tale of the Christ. The Departed, which won Best Picture of 2006, is a remake of the 2002 Hong Kong film Infernal Affairs and is the first remake of a non-English language or international film to win.

Other nominees include 1963's Cleopatra about the titular last queen of Egypt following the 1934 version, 2018's A Star is Born following the 1937 film of the same name, and 2019's Little Women following the 1933 film of the same name with both being adaptations of the 1868 novel.{{Cite web|url=https://www.hollywoodreporter.com/movies/movie-news/greta-gerwigs-adaptation-brings-little-women-oscar-noms-tally-14-1268988/|title=Oscars: Greta Gerwig's Adaptation Brings 'Little Women' Noms Tally to 14|first1=Jordan|last1=Wilson|website=The Hollywood Reporter|date=January 13, 2020|access-date=March 26, 2022|archive-date=March 18, 2022|archive-url=https://web.archive.org/web/20220318173856/https://www.hollywoodreporter.com/movies/movie-news/greta-gerwigs-adaptation-brings-little-women-oscar-noms-tally-14-1268988/|url-status=live}} True Grit, which was nominated for Best Picture at the 83rd Academy Awards, is the second adaptation of Charles Portis's 1968 novel following the 1969 film of the same name.

Four of the nominees for the 94th ceremony were based on source material previously made into films: CODA, Dune, Nightmare Alley, and West Side Story. The 2021 version of West Side Story became the second adaptation of the same source material for a previous Best Picture winner to be nominated for the same award after 1962's Mutiny on the Bounty.{{Cite news|url=https://www.nytimes.com/2022/03/25/movies/oscars-best-picture-remakes.html|title=Four Best Picture Contenders Are Remakes. Does That Matter to Oscar Voters?|first=Ben|last=Zauzmer|newspaper=The New York Times|date=March 25, 2022|access-date=March 26, 2022|archive-date=March 26, 2022|archive-url=https://web.archive.org/web/20220326185243/https://www.nytimes.com/2022/03/25/movies/oscars-best-picture-remakes.html|url-status=live}} For that same ceremony, CODA became the second remake of a non-English-language or international film to win.

The 2022 German-language All Quiet on the Western Front is the second adaptation of the 1929 novel after the 1930 English-language film, and the third adaptation of the same source material of a previous Best Picture winner.{{Cite web |last=Wise |first=Damon |date=January 24, 2023 |title=Edward Berger's 'All Quiet On The Western Front' Continues Remarkable Awards-Season Run With Oscar Noms Haul |url=https://deadline.com/2023/01/2023-oscars-all-quiet-on-the-western-front-9-nominations-1235238643/ |access-date=January 25, 2023 |website=Deadline |language=en-US |archive-date=January 25, 2023 |archive-url=https://web.archive.org/web/20230125014030/https://deadline.com/2023/01/2023-oscars-all-quiet-on-the-western-front-9-nominations-1235238643/ |url-status=live }}

=Silent film winners=

File:Wings (1927).webm

At the 1st Academy Awards, the Best Picture award (then named "Academy Award for Outstanding Picture") was presented to the 1927 silent film Wings.

The Artist (2011) was the first essentially silent (with the exception of a single scene of dialogue, and a dream sequence with sound effects) film since Wings to win Best Picture. It was the first silent nominee since 1928's The Patriot and the first Best Picture winner to be produced entirely in black-and-white since 1960's The Apartment. (Schindler's List, the 1993 winner, was predominantly black-and-white but contains some color sequences.)

=Version availability=

No Best Picture winner has been lost, though a few such as All Quiet on the Western Front and Lawrence of Arabia exist only in a form altered from their original, award-winning release form. This has usually been due to editing for reissue (and subsequently partly restored by archivists). Other winners and nominees, such as Tom Jones (prior to its 2018 reissues by The Criterion Collection and the British Film Institute) and Star Wars, are widely available only in subsequently altered versions. The Broadway Melody originally had some sequences photographed in two-color Technicolor. This footage survives only in black and white.{{cite web |url=http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=3068 |title=The Broadway Melody |website=AFI Catalog of Feature Films |publisher=American Film Institute |access-date=July 7, 2014 |quote="The Technicolor footage for this sequence has since been lost, and only a black-and-white version is now available." |url-status=live |archive-url=https://web.archive.org/web/20140714220955/http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=3068 |archive-date=July 14, 2014 }}

The 1928 film The Patriot is the only Best Picture nominee that is lost (about one-third is extant).{{cite web|url=http://www.oscars.org/mostwanted/ |archive-url=https://web.archive.org/web/20121001033156/http://www.oscars.org/mostwanted/ |url-status=dead |archive-date=October 1, 2012 |title=Oscar's Most Wanted |publisher=Academy of Motion Picture Arts and Sciences |access-date=May 24, 2012}} The Racket, also from 1928, was believed lost for many years until a print was found in Howard Hughes' archives. It has since been restored and shown on Turner Classic Movies.{{cite web|url=http://www.silentera.com/PSFL/data/R/Racket1928.html|title=The Racket – Progressive Silent Film List|publisher=Silent Era|access-date=May 24, 2012|url-status=live|archive-url=https://web.archive.org/web/20120331231944/http://www.silentera.com/PSFL/data/R/Racket1928.html|archive-date=March 31, 2012}} The only surviving complete prints of 1931's East Lynne and 1934's The White Parade exist within the UCLA film archive.{{cite web|url=https://www.tcm.com/tcmdb/title/73829/east-lynne#trivia|title=East Lynne Trivia|publisher=Turner Classic Movies|access-date=May 24, 2012|url-status=live|archive-url=https://web.archive.org/web/20131215055955/http://www.tcm.com/tcmdb/title/73829/East-Lynne/trivia.html|archive-date=December 15, 2013}}

=Diversity standards=

The Academy has established a set of "representation and inclusion standards", called Academy Aperture 2025, which a film will be required to satisfy in order to compete in the Best Picture category, starting with the 96th Academy Awards for films released in 2023.{{cite web |date=August 2022 |title=Representation and Inclusion Standards |url=https://www.oscars.org/awards/representation-and-inclusion-standards |url-status=live |archive-url=https://web.archive.org/web/20230215073102/https://www.oscars.org/awards/representation-and-inclusion-standards |archive-date=February 15, 2023 |access-date=February 15, 2023 |website=Oscars.org}}[https://www.npr.org/sections/live-updates-protests-for-racial-justice/2020/09/08/910928503/new-diversity-standards-for-best-picture-oscar-nominees-starting-in-2024 New Diversity Standards For Best Picture Oscar Nominees, Starting In 2024] {{Webarchive|url=https://web.archive.org/web/20240204135656/https://www.npr.org/sections/live-updates-protests-for-racial-justice/2020/09/08/910928503/new-diversity-standards-for-best-picture-oscar-nominees-starting-in-2024 |date=February 4, 2024 }}, NPR, September 8, 2020 There are four general standards, of which a film must satisfy two to be considered for Best Picture: (a) on-screen representation, themes and narratives; (b) creative leadership and project team; (c) industry access and opportunities; and (d) audience development. As explained by Vox, the standards "basically break down into two big buckets: standards promoting more inclusive representation and standards promoting more inclusive employment".{{cite web |last1=Wilkinson |first1=Alissa |date=September 9, 2020 |title=The Oscars' new rules for Best Picture nominees, explained |url=https://www.vox.com/culture/2020/9/9/21429083/oscars-best-picture-rules-diversity-inclusion |url-status=live |archive-url=https://web.archive.org/web/20230215073105/https://www.vox.com/culture/2020/9/9/21429083/oscars-best-picture-rules-diversity-inclusion |archive-date=February 15, 2023 |access-date=February 15, 2023 |website=Vox}} The standards are intended to provide greater opportunities for employment, in cast, crew, studio apprenticeships and internships, and development, marketing, publicity, and distribution executives, among underrepresented racial and ethnic groups, women, LGBTQ+ people, and persons with cognitive or physical disabilities, or who are deaf or hard of hearing.[https://deadline.com/2021/02/coming-soon-film-academys-inclusion-standards-form-1234697847/ Coming Soon: The Film Academy’s “Inclusion Standards” Form] {{Webarchive|url=https://web.archive.org/web/20230702065127/https://deadline.com/2021/02/coming-soon-film-academys-inclusion-standards-form-1234697847/ |date=July 2, 2023 }}, Deadline Hollywood, February 22, 2021

For the 94th and 95th Academy Awards (films released in 2021 and 2022), filmmakers were required to submit a confidential Academy Inclusion Standards form to be considered for Best Picture but were not required to fulfill the standards. These standards will only apply to the Best Picture category and do not affect a film's eligibility in other Oscar categories.

=2016 ceremony mistake=

At the 89th Academy Awards on February 26, 2017, presenter Faye Dunaway read La La Land as the winner of the award. However, she and Warren Beatty had mistakenly been given the duplicate envelope for the "Best Actress in a Leading Role" award, which Emma Stone had won for her role in La La Land. While accepting the award, La La Land producer Jordan Horowitz, who was given the correct envelope, realized the mistake and announced that Moonlight had won the award.{{cite web|url=https://abcnews.go.com/Entertainment/moonlight-wins-best-picture-mistake-presenter-warren-beatty/story?id=45769592|title='Moonlight' wins best picture after 'La La Land' mistakenly announced|last2=Edison Hayden|last1=Rothman|first2=Michael|first1=Michael|date=February 27, 2017|work=ABC News|access-date=February 27, 2017|url-status=live|archive-url=https://web.archive.org/web/20170227052424/http://abcnews.go.com/Entertainment/moonlight-wins-best-picture-mistake-presenter-warren-beatty/story?id=45769592|archive-date=February 27, 2017}}

Criticisms and controversies

= ''High Noon'' and ''The Greatest Show on Earth'' =

{{Further information|The Greatest Show on Earth (film)#Oscar controversy}}

Retrospectively, The Greatest Show on Earth has been considered by some to be one of the worst Best Picture winners in history.{{cite web |last=WENN |date=February 25, 2005 |title=Mel Gibson's "Braveheart" Voted Worst Oscar Winner |url=http://www.hollywood.com/news/Mel_Gibsons_Braveheart_Voted_Worst_Oscar_Winner/2435436 |access-date=December 28, 2024 |archive-date=February 3, 2013 |archive-url=https://web.archive.org/web/20130203230603/http://www.hollywood.com/news/Mel_Gibsons_Braveheart_Voted_Worst_Oscar_Winner/2435436 |url-status=live }}

= Diversity criticisms =

{{Further information|Brokeback Mountain#Best Picture controversy|Crash (2004 film)#Oscar controversy|Green Book (film)#Criticism from Shirley's relatives}}

In general, the awardees of that category have been criticized for disproportionately recognizing films about white men over those of women or non-white people.{{cite web |title=The 2015 Oscar nominations in two words: 'Racist,' 'Sexist' |website=Los Angeles Daily News |date=January 15, 2015 |url=http://www.dailynews.com/events/20150115/the-2015-oscar-nominations-in-two-words-racist-sexist |access-date=December 28, 2024 |archive-date=August 18, 2016 |archive-url=https://web.archive.org/web/20160818185239/http://www.dailynews.com/events/20150115/the-2015-oscar-nominations-in-two-words-racist-sexist |url-status=live }}

== Accusations of race relations and homophobia ==

In opposition, the Academy's decision to favor Best Picture winning films with depiction of race relations among people of color (most primarily Driving Miss Daisy, Crash and Green Book) was heavily criticized; all winners labeled are directed by white filmmakers. This led to significant backlash over racism against the Academy.{{Cite web |last=Sharf |first=Zack |date=2023-03-10 |title=21 Controversial Oscar Winners: Why 'Green Book,' 'Bohemian Rhapsody' and More Ignited Backlash |url=https://variety.com/lists/oscars-controversial-winners/driving-miss-daisy-2/ |access-date=2025-03-25 |website=Variety |language=en-US}}

In 2005, Brokeback Mountain losing the Best Picture to Crash was heavily criticized, with some critics such as Kenneth Turan accusing the Academy members of homophobia and benefitting from making a non-groundbreaking choice in Crash,{{cite news |last=Turan |first=Kenneth |date=March 5, 2006 |title=Breaking no ground: Why 'Crash' won, why 'Brokeback' lost and how the Academy chose to play it safe |url=http://theenvelope.latimes.com/awards/oscars/env-turan5mar05,0,5359042.story |url-status=dead |archive-url=https://web.archive.org/web/20060326203621/http://theenvelope.latimes.com/awards/oscars/env-turan5mar05%2C0%2C5359042.story |archive-date=March 26, 2006 |access-date=May 23, 2009 |work=Los Angeles Times |authorlink=Kenneth Turan}}{{cite news |date=April 16, 2009 |title=Maybe Crash's upset at the Oscars shouldn't have been such a surprise? |url=http://goldderby.latimes.com/awards_goldderby/2009/04/maybe-crashs-upset-at-the-oscars-shouldnt-have-been-such-a-surprise.html |url-status=dead |archive-url=https://web.archive.org/web/20120113010233/http://goldderby.latimes.com/awards_goldderby/2009/04/maybe-crashs-upset-at-the-oscars-shouldnt-have-been-such-a-surprise.html |archive-date=January 13, 2012 |access-date=May 23, 2009 |work=Los Angeles Times}} considered as one of the most notable Oscars upsets.{{Cite web |last1=Horn |first1=John |last2=King |first2=Susan |date=March 6, 2006 |title='Crash' Named Best Picture in Upset Over 'Brokeback' |url=https://www.latimes.com/archives/la-xpm-2006-mar-06-et-oscarmain6-story.html |url-status=live |archive-url=https://web.archive.org/web/20220328053830/https://www.latimes.com/archives/la-xpm-2006-mar-06-et-oscarmain6-story.html |archive-date=March 28, 2022 |access-date=January 16, 2023 |website=Los Angeles Times |language=en-US}}{{Cite web |last=Zauzmer |first=Ben |date=April 23, 2021 |title=The Math Behind Oscars' Biggest Best Picture Upsets Ever |url=https://www.hollywoodreporter.com/news/general-news/oscar-upsets-biggest-ever-4171178/ |url-status=live |archive-url=https://web.archive.org/web/20230117004824/https://www.hollywoodreporter.com/news/general-news/oscar-upsets-biggest-ever-4171178/ |archive-date=January 17, 2023 |access-date=January 16, 2023 |website=The Hollywood Reporter |language=en-US}}{{Cite web |last=Bleiler |first=David |date=March 10, 2006 |title=Did Homophobia Steal 'Brokeback' Oscar? |url=http://articles.philly.com/2006-03-10/news/25415538_1_british-film-awards-10-best-lists-directors-guild |url-status=dead |archive-url=https://web.archive.org/web/20151003220456/http://articles.philly.com/2006-03-10/news/25415538_1_british-film-awards-10-best-lists-directors-guild |archive-date=October 3, 2015 |access-date=September 30, 2020 |website=Philly}} After announcing the award, presenter Jack Nicholson was caught on camera mouthing the word "whoa" out of apparent surprise at the result.{{Cite web |date=March 31, 2011 |title=Crash Wins Best Picture: 2006 Oscars |url=https://www.youtube.com/watch?v=tfQs7WbVse8 |url-status=live |archive-url=https://web.archive.org/web/20230818162327/https://www.youtube.com/watch?v=tfQs7WbVse8 |archive-date=August 18, 2023 |access-date=August 15, 2023 |website=YouTube}} The film's use of moral quandary as a storytelling medium was widely reported as ironic, since many saw it as the "safe" alternative to Brokeback Mountain, which is about a gay relationship (the other nominees, Good Night, and Good Luck, Capote, and Munich also tackle heavy subjects of McCarthyism, homosexuality, and terrorism, respectively).{{Cite magazine |last=Sullivan |first=Kevin P. |date=March 2, 2018 |title=Why 'Crash' beat 'Brokeback Mountain' for Best Picture |url=https://ew.com/oscars/2018/03/02/crash-brokeback-mountain-best-picture-oscars/ |url-status=live |archive-url=https://web.archive.org/web/20230112213819/https://ew.com/oscars/2018/03/02/crash-brokeback-mountain-best-picture-oscars/ |archive-date=January 12, 2023 |access-date=January 12, 2023 |magazine=Entertainment Weekly |language=en}}

Though there have been exceptions like Barry Jenkins's Moonlight, films like Precious and Get Out have been seen as potentially being shut out of the Best Picture race because of older and white Academy voters choosing not to see them.{{cite news |last=Buchanan |first=Kyle |author2=Stacey Wilson Hunt |author3=Chris Lee |date=Feb 2018 |title=We Polled New Oscar Voters: How Are They Changing the Way the Academy Thinks? |url=http://www.vulture.com/2018/02/how-new-oscar-voters-are-changing-the-way-the-academy-thinks.html |access-date=January 9, 2020 |work=Vulture}} From 2018 onwards, the Academy made an effort to add more younger, female, non-white and non-American voters, and to create a non-voting "emeritus" status for people who had not worked in the film industry after a certain length of time, in order to diversify and rejuvenate their voter bloc.

= ''Saving Private Ryan'' and ''Shakespeare in Love'' =

{{Further information|Saving Private Ryan#Accolades|Shakespeare in Love#Oscar controversy}}

File:Harvey_Weinstein_Césars_2014_(cropped)_(centered).jpg

Saving Private Ryan was immediately pegged as a favorite for the category by many members and fans of Spielberg's films, but it lost to Shakespeare in Love. The Academy's decision was widely criticized.{{cite magazine |author=Susman, Gary |date=February 20, 2013 |title=Oscar Robbery: 10 Controversial Best Picture Races |url=https://entertainment.time.com/2013/02/20/oscar-robbery-10-controversial-best-picture-races/slide/1999-saving-private-ryan-vs-shakespeare-in-love/ |access-date=May 21, 2015 |magazine=Time}}{{cite web |last=Hyman |first=Nick |date=February 22, 2011 |title=The Least Deserving Best Picture Winners Since 1990 |url=https://www.metacritic.com/feature/least-deserving-oscar-winners-and-snubs |access-date=May 21, 2015 |website=Metacritic |archive-date=March 23, 2015 |archive-url=https://web.archive.org/web/20150323191647/http://www.metacritic.com/feature/least-deserving-oscar-winners-and-snubs |url-status=dead }}{{Cite magazine |last=Dockterman |first=Eliana |title=The 12 Most Controversial Best Picture Oscar Winners of All Time |url=https://time.com/4239180/oscars-best-picture-controversy/ |access-date=2020-02-12 |magazine=Time |language=en-us}} The choice was seen as one of the biggest upsets in the awards history, and led to DreamWorks executives (including Terry Press) and many industry pundits accusing Miramax Films and one of the Shakespeare in Love producers, Harvey Weinstein, of winning due to their award campaign's negative messaging against Saving Private Ryan rather than their own film's merits. Press stated that Weinstein and Miramax "tried to get everybody to believe that Saving Private Ryan was all in the first 15 minutes".{{Cite web |last=Weinstein |first=Harvey |date=2017-02-26 |title=Harvey Weinstein On Oscar Races & The Truth Behind 'Shakespeare In Love' Vs 'Saving Private Ryan' |url=https://deadline.com/2017/02/harvey-weinstein-oscar-lion-shakespeare-in-love-saving-private-ryan-warren-beatty-1201999291/ |access-date=2020-02-10 |website=Deadline |language=en |archive-date=December 28, 2024 |archive-url=https://web.archive.org/web/20241228120252/https://deadline.com/2017/02/harvey-weinstein-oscar-lion-shakespeare-in-love-saving-private-ryan-warren-beatty-1201999291/ |url-status=live }}{{Cite magazine |last=Keegan |first=Rebecca |date=8 December 2017 |title=Shakespeare in Love and Harvey Weinstein's Dark Oscar Victory |url=https://www.vanityfair.com/hollywood/2017/12/shakespeare-in-love-and-harvey-weinsteins-dark-oscar-victory |access-date=2020-02-10 |magazine=Vanity Fair |language=en |archive-date=June 1, 2023 |archive-url=https://web.archive.org/web/20230601180729/https://www.vanityfair.com/hollywood/2017/12/shakespeare-in-love-and-harvey-weinsteins-dark-oscar-victory |url-status=live }}

= Animated films in Best Picture category =

File:Annie_Awards_Jeffrey_Katzenberg.jpg being nominated in the Best Picture category.]]

The category of Best Animated Feature was created for the 74th Academy Awards to ensure the recognition of animated films; prior to its creation, the only animated film ever nominated for Best Picture was 1991's Beauty and the Beast. However, the award has since received criticism on the grounds that it discourages animated films from being eligible to win Best Picture. While the Academy rules allow for a film to be nominated in both categories,{{cite web |title=Rule Seven: Special Rules for the Animated Feature Film Award |url=http://www.oscars.org/awards/academyawards/rules/rule07.html |url-status=dead |archive-url=https://web.archive.org/web/20110605174517/http://www.oscars.org/awards/academyawards/rules/rule07.html |archive-date=June 5, 2011 |access-date=April 26, 2011 |publisher=Academy of Motion Picture Arts and Sciences}} only two animated films (Up and Toy Story 3) have been nominated for Best Picture since the creation of the two categories.

A prominent example was the 2001 film Shrek; DreamWorks and producer Jeffrey Katzenberg campaigned heavily for the film to be awarded Best Picture, but it was not nominated in the category despite receiving nominations for a Golden Globe for Best Musical or Comedy, PGA Award for Best Theatrical Motion Picture, BAFTA Award for Best Film, and Critics' Choice Awards for Best Picture (and was the first animated film nominated in the latter three categories).{{cite web |date=February 7, 2017 |title=15 Amazing Animated Movies That Were Snubbed By The Oscars |url=http://screenrant.com/academy-awards-best-animated-movies-biggest-oscar-snubs/?view=all |url-status=live |archive-url=https://web.archive.org/web/20170404131022/http://screenrant.com/academy-awards-best-animated-movies-biggest-oscar-snubs/?view=all |archive-date=April 4, 2017 |access-date=April 4, 2017 |website=Screen Rant}}{{cite news |date=December 20, 2001 |title=Golden Globes: 2002 winners in full |url=http://news.bbc.co.uk/2/hi/entertainment/1721758.stm |url-status=live |archive-url=https://web.archive.org/web/20131215050207/http://news.bbc.co.uk/2/hi/entertainment/1721758.stm |archive-date=December 15, 2013 |access-date=October 10, 2013 |work=BBC News}}{{Cite web |title=Golden Globes |url=https://www.goldenglobes.com/film/shrek |url-status=live |archive-url=https://web.archive.org/web/20210122190646/https://www.goldenglobes.com/film/shrek |archive-date=January 22, 2021 |access-date=December 16, 2020}} Similarly, the 2008 film WALL-E received many accolades and garnered speculation that it might be nominated for Best Picture, but it was instead nominated for six categories, tying with Beauty and the Beast as the most nominated animated films in Oscar history, and won the award for Best Animated Feature Film.{{cite web |title=The 2008 Top Tens |url=http://www.moviecitynews.com/awards/2009/top_ten/00scoreboard.htm |archive-url=https://web.archive.org/web/20090531131508/http://www.moviecitynews.com/awards/2009/top_ten/00scoreboard.htm |archive-date=May 31, 2009 |access-date=May 27, 2009}}{{cite news |last=Keegan Winters |first=Rebecca |date=July 7, 2008 |title=Can WALL-E Win Best Picture? |url=http://content.time.com/time/arts/article/0,8599,1820824,00.html |url-status=live |archive-url=https://web.archive.org/web/20140413132749/http://content.time.com/time/arts/article/0,8599,1820824,00.html |archive-date=April 13, 2014 |access-date=April 9, 2014 |newspaper=Time}}{{cite news |last=Bandyk |first=Matthew |date=January 22, 2009 |title=Academy Awards Controversy: Wall-E Gets Snubbed For Best Picture Oscar |url=http://money.usnews.com/money/blogs/risky-business/2009/01/22/academy-awards-controversy-wall-e-gets-snubbed-for-best-picture-oscar |url-status=dead |archive-url=https://web.archive.org/web/20110717180938/http://money.usnews.com/money/blogs/risky-business/2009/01/22/academy-awards-controversy-wall-e-gets-snubbed-for-best-picture-oscar |archive-date=July 17, 2011 |access-date=April 9, 2014 |newspaper=US News}}{{cite news |last=Breznican |first=Anthony |date=July 2, 2008 |title=Is the best-picture Oscar within WALL-E's reach? |url=http://usatoday30.usatoday.com/life/movies/news/2008-07-01-wall-e-oscar_N.htm |url-status=live |archive-url=https://web.archive.org/web/20210125030613/https://usatoday30.usatoday.com/life/movies/news/2008-07-01-wall-e-oscar_N.htm |archive-date=January 25, 2021 |access-date=April 9, 2014 |newspaper=USA Today}} Other animated films that garnered Best Picture speculation but were ultimately not nominated include Guillermo del Toro's Pinocchio,{{Cite web |last=Kruske |first=Kyle |date=2023-01-05 |title=Every Animated Film Nominated for Best Picture (and a Few that Should've Been) |url=https://movieweb.com/every-animated-film-nominated-for-best-picture/ |access-date=2024-07-09 |website=MovieWeb |language=en |archive-date=March 11, 2024 |archive-url=https://web.archive.org/web/20240311162954/https://movieweb.com/every-animated-film-nominated-for-best-picture/ |url-status=live }} The Boy and the Heron,{{Cite web |title=The Boy And The Heron & Suzume Eligible For Best Picture Category In Oscars 2024 |url=https://www.imdb.com/news/ni64393210/ |access-date=2024-07-09 |website=IMDb |language=en-US}} and Spider-Man: Across the Spider-Verse{{Cite web |last=Davis |first=Clayton |date=2023-06-02 |title=Why 'Across the Spider-Verse,' 'The Dark Knight' of Animated Films, Should Be a Best Picture Oscar Contender |url=https://variety.com/2023/film/awards/spider-man-across-the-spider-verse-best-picture-oscar-contender-1235631185/ |access-date=2024-07-09 |website=Variety |language=en-US |archive-date=December 28, 2024 |archive-url=https://web.archive.org/web/20241228120252/https://variety.com/2023/film/awards/spider-man-across-the-spider-verse-best-picture-oscar-contender-1235631185/ |url-status=live }} with the former two films winning Best Animated Feature Film at back-to-back ceremonies.

= ''Extremely Loud & Incredibly Close'' nomination =

{{Further information|Extremely Loud & Incredibly Close (film)#Best Picture nomination controversy}}

Critics and audiences criticized Extremely Loud & Incredibly Close's nomination for Best Picture, with some calling the film one of the worst Best Picture nominees ever.{{cite news |last=Brooks |first=Xan |date=February 23, 2012 |title=Oscars 2012: Is Extremely Loud and Incredibly Close the worst best picture nominee ever? | Film |url=https://www.theguardian.com/film/2012/feb/23/oscars-extremely-loud-incredibly-close |access-date=2012-07-07 |work=The Guardian |location=London |archive-date=October 22, 2014 |archive-url=https://web.archive.org/web/20141022165904/http://www.theguardian.com/film/2012/feb/23/oscars-extremely-loud-incredibly-close |url-status=live }} Chris Krapek of The Huffington Post wrote very negatively about the film's nomination, calling the film "not only the worst reviewed Best Picture nominee of the last 10 years, [but] easily the worst film of 2011".{{cite news |date=February 22, 2012 |title=Chris Krapek: Extremely Loud Oscar Angst |url=https://www.huffingtonpost.com/chris-krapek/extremely-loud-oscar-angs_b_1291485.html |access-date=2012-07-07 |publisher=Huffingtonpost.com |archive-date=September 13, 2016 |archive-url=https://web.archive.org/web/20160913200300/http://www.huffingtonpost.com/chris-krapek/extremely-loud-oscar-angs_b_1291485.html |url-status=live }} Paste Magazine's Adam Vitcavage called the film's consensus for a Best Picture nominee "certainly the worst for at least 28 years",{{cite web |date=2012-01-25 |title=Is Extremely Loud the Worst-Reviewed Oscar-Nominated Movie in History? |url=https://www.pastemagazine.com/articles/2012/01/examining-extremely-loud-and-incredibly-closes-osc.html |access-date=2012-07-07 |publisher=Pastemagazine.com |archive-date=March 22, 2023 |archive-url=https://web.archive.org/web/20230322223516/https://www.pastemagazine.com/articles/2012/01/examining-extremely-loud-and-incredibly-closes-osc.html |url-status=live }} and David Gritten of The Telegraph called the nomination "mysterious".{{cite news |last=Gritten |first=David |date=January 27, 2012 |title=Oscars 2012: The mystery of the ninth Oscar nomination for best film |url=https://www.telegraph.co.uk/culture/film/oscars/9042051/Oscars-2012-The-mystery-of-the-ninth-Oscar-nomination-for-best-film.html |access-date=2012-07-07 |work=The Daily Telegraph |location=London}}

= ''Emilia Pérez'' nomination =

The nomination of Emilia Pérez for Best Picture, among other categories, was heavily criticized. The main causes for criticism was that the film's trans representation was stereotypical and backwards,{{Cite web |last=GLAAD |date=2024-11-15 |title="Emilia Pérez" is Not Good Trans Representation {{!}} GLAAD |url=https://glaad.org/emilia-perez-is-not-good-trans-representation/ |access-date=2025-03-09 |website=glaad.org |language=en-US}} and its portrayal of Mexican culture being inaccurate, along with director Jacques Audiard's comments about the Spanish language being "a language of developing countries, it's a language of countries of few means, of poor people, of migrants."{{Cite web |last=|first= |title=Oscars 2025: The 'Emilia Pérez' controversy explained |url=https://abcnews.go.com/GMA/Culture/oscars-2025-emilia-perez-controversy-explained/story?id=119163111#:~:text=In%20November,%20GLAAD%20compiled%20commentary,step%20backward%20for%20trans%20representation.%22 |access-date=2025-03-09 |website=ABC News |language=en}}

Karla Sofía Gascón, who plays the titular role, accused the team of fellow Best Picture nominee I'm Still Here (as well as its lead, fellow Best Actress nominee Fernanda Torres) of running a smear campaign against her and Emilia Pérez,{{Cite magazine |last=Mier |first=Tomás |date=2025-01-30 |title=Karla Sofía Gascón Takes Back Claim That Fernanda Torres' Team Speaks 'Badly' About Her |url=https://www.rollingstone.com/tv-movies/tv-movie-news/karla-sofia-gascon-takes-back-claim-fernanda-torres-team-spoke-badly-about-her-1235250763/ |access-date=2025-03-31 |magazine=Rolling Stone |language=en-US}} which is explicitly against AMPAS' rules of campaigning.{{Cite web |last=Feinberg |first=Scott |date=2024-04-22 |title=Oscars: Film Academy Updates Rules and Campaign Protocols, Announces Changes to Special Awards |url=https://www.hollywoodreporter.com/movies/movie-news/oscars-2025-changes-rules-special-awards-campaigns-1235878854/ |access-date=2025-03-31 |website=The Hollywood Reporter |language=en-US}} The accusations were found to be baseless and itself perceived as an attempt to smear Torres' and I'm Still Here's reputation. As attention grew around Gascón, a series of tweets in which she made several bigoted comments, of racist and Islamophobic nature,{{Cite web |last=Vary |first=Adam B. |date=2025-01-30 |title='Emilia Pérez' Star Karla Sofía Gascón Under Fire Over Tweets About Muslims, George Floyd, Oscars Diversity |url=https://variety.com/2025/film/news/karla-sofia-gascon-tweets-muslims-george-floyd-backlash-emilia-perez-1236291448/ |access-date=2025-03-31 |website=Variety |language=en-US}} were unearthed by Canadian journalist Sarah Hagi.{{Cite web |last=Davis |first=Clayton |date=2025-02-01 |title=Journalist Who Uncovered Karla Sofía Gascón's Racist Tweets Explains Why She Looked for Them: 'I'm Not a Studio Plant' |url=https://variety.com/2025/film/awards/journalist-sarah-hagi-discovered-karla-sofia-gascon-tweets-1236293396/ |access-date=2025-03-31 |website=Variety |language=en-US}} The majority of Oscar pundits agreed that they marked the end of Emilia Pérez's, the year's most nominated picture, chances of winning Best Picture.{{Cite web |date=2025-02-01 |title=Will Emilia Pérez star Karla Sofía Gascón's offensive X posts derail the Oscar favourite's chances? |url=https://www.bbc.com/culture/article/20250131-will-offensive-x-posts-derail-an-oscars-favourite-emilia-perez |access-date=2025-03-31 |website=www.bbc.com |language=en-GB}}

Winners and nominees

In the list below, winners are listed first in the gold row, followed by the other nominees. Except for the early years (when the Academy used a non-calendar year), the year shown is the one in which the film first premiered in Los Angeles County, California; normally this is also the year of first release, but it may be the year after first release (as with Casablanca and, if the film-festival premiere is considered, Crash and The Hurt Locker). This is also the year before the ceremony at which the award is given; for example, a film exhibited theatrically during 2005 was eligible for consideration for the 2005 Best Picture Oscar, awarded in 2006. The number of the ceremony (1st, 2nd, etc.) appears in parentheses after the awards year, linked to the article on that ceremony. Each individual entry shows the title followed by nominee.

Until 1950, the Best Picture award was given to the production company; from 1951 on, it has gone to the producer or producers. The Academy used the producer credits of the Producers Guild of America (PGA) until 1998, when all five producers of Shakespeare in Love made speeches after its win. A three-producer limit has been applied some years since. There was controversy over the exclusion of some PGA-credited producers of Crash and Little Miss Sunshine. The Academy can make exceptions to the limit, as when Anthony Minghella and Sydney Pollack were posthumously among the four nominated for The Reader. However, now any number of producers on a film can be nominated for Best Picture, should they be deemed eligible.

For the first ceremony, three films were nominated for the award. For the following three years, five films were nominated for the award. This was expanded to eight in 1933, to ten in 1934, and to twelve in 1935, before being dropped back to ten in 1937. In 1945, it was further reduced to five. This number remained until 2009, when the limit was raised to ten; it was adjusted from 2011 to 2020 to vary between five and ten, but has been a full ten since 2022.

For the first six ceremonies, the eligibility period spanned two calendar years. For example, the 2nd Academy Awards presented on April 3, 1930, recognized films that were released between August 1, 1928, and July 31, 1929. Starting with the 7th Academy Awards, held in 1935, the period of eligibility became the full previous calendar year from January 1 to December 31. This has been the rule every year since except 2020, when the end date was extended to February 28, 2021, due to the COVID-19 pandemic, and 2021, which was correspondingly limited to March 1 to December 31.

Since 2023, the category's winners and nominees from the 1927/28 and 1928/29 ceremonies have entered the public domain.{{cite web| title=Preserved Projects| url=http://www.oscars.org/academy-film-archive/preserved-projects?title=wings&filmmaker=&category=All&collection=All| website=Academy Film Archive| access-date=January 12, 2025| archive-date=October 6, 2022| archive-url=https://web.archive.org/web/20221006204939/https://www.oscars.org/academy-film-archive/preserved-projects?title=wings&filmmaker=&category=All&collection=All| url-status=live}}

{{legend|#FAEB86|indicates the winner}}

=1920s=

{{sticky header}}

class="wikitable sortable sticky-header" style="font-size:1.00em; line-height:1.5em;"
bgcolor="#bebebe"

! width="5%"| Year of Film Release

! width="40%"| Film

! width="55%"| Film Studio

style="background:#FAEB86"

! rowspan="3" |1927/28
{{small|(1st)}}

| Wings

| Famous Players–Lasky (Lucien Hubbard, Jesse L. Lasky, B.P. Schulberg, & Adolph Zukor, producers)

style="background:#eee;"

| 7th Heaven

| Fox (William Fox, producer)

The Racket

| The Caddo Company (Howard Hughes, producer)

rowspan="6" style="text-align:center" |1928/29
{{small|(2nd)}}
{{efn|The 2nd Academy Awards is unique in being the only occasion where there were no official nominees. Subsequent research by AMPAS has resulted in a list of {{lang|la|de facto}} nominees, based on records of which films were evaluated by the judges at the time.}}
style="background:#FAEB86"

| The Broadway Melody

| Metro-Goldwyn-Mayer (Irving Thalberg & Lawrence Weingarten, producers)

Alibi

| Feature Productions (Roland West, producer)

style="background:#eee;"

| The Hollywood Revue

| Metro-Goldwyn-Mayer (Irving Thalberg & Harry Rapf, producers)

In Old Arizona

| Fox (Winfield Sheehan, producer)

style="background:#eee;"

| The Patriot

| Paramount Famous Lasky

=1930s=

{{sticky header}}

class="wikitable sortable sticky-header" style="font-size:1.00em; line-height:1.5em;"
bgcolor="#bebebe"

! width="5%"| Year of Film Release

! width="40%"| Film

! width="55%"| Film Studio/Producer(s)

style="background:#FAEB86"

! rowspan="5" |1929/30
{{small|(3rd)}}

| All Quiet on the Western Front

| Universal (Carl Laemmle Jr., producer)

The Big House

| Cosmopolitan (Irving Thalberg, producer)

style="background:#eee;"

| Disraeli

| Warner Bros. (Jack L. Warner & Darryl F. Zanuck, producers)

The Divorcee

| Metro-Goldwyn-Mayer (Robert Z. Leonard, producer)

style="background:#eee;"

| The Love Parade

| Paramount Famous Lasky (Ernst Lubitsch, producer)

rowspan="6" style="text-align:center" |1930/31
{{small|(4th)}}
style="background:#FAEB86"

| Cimarron

| RKO Radio (William LeBaron, producer)

East Lynne

| Fox

style="background:#eee;"

| The Front Page

| The Caddo Company (Howard Hughes & Lewis Milestone, producers)

Skippy

| Paramount Publix (Jesse L. Lasky, B.P. Schulberg, & Adolph Zukor, producers)

style="background:#eee;"

| Trader Horn

| Metro-Goldwyn-Mayer (Irving Thalberg, producer)

style="background:#FAEB86"

! rowspan="8" |1931/32
{{small|(5th)}}

| Grand Hotel

| Metro-Goldwyn-Mayer (Irving Thalberg, producer)

Arrowsmith

| Samuel Goldwyn Productions (Samuel Goldwyn, producer)

style="background:#eee;"

| Bad Girl

| Fox

The Champ

| Metro-Goldwyn-Mayer (King Vidor, producer)

style="background:#eee;"

| Five Star Final

| First National (Hal B. Wallis, producer)

One Hour with You

| Paramount Publix (Ernst Lubitsch, producer)

style="background:#eee;"

| Shanghai Express

| Paramount Publix (Adolph Zukor, producer)

The Smiling Lieutenant

| Paramount Publix (Ernst Lubitsch, producer)

rowspan="11" style="text-align:center" |1932/33
{{small|(6th)}}
{{efn|The Academy also announced that A Farewell to Arms came in second, and Little Women third.}}
style="background:#FAEB86"

| Cavalcade

| Fox (Frank Lloyd & Winfield Sheehan, producers)

42nd Street

| Warner Bros.

style="background:#eee;"

| A Farewell to Arms

| Paramount

I Am a Fugitive from a Chain Gang

| Warner Bros.

style="background:#eee;"

| Lady for a Day

| Columbia

Little Women

| RKO Radio

style="background:#eee;"

| The Private Life of Henry VIII

| London Films

She Done Him Wrong

| Paramount

style="background:#eee;"

| Smilin' Through

| Metro-Goldwyn-Mayer

State Fair

| Fox

rowspan="13" style="text-align:center" |1934
{{small|(7th)}}
{{efn|The Academy also announced that The Barretts of Wimpole Street came in second, and The House of Rothschild third.}}
style="background:#FAEB86"

| It Happened One Night

| Columbia (Frank Capra & Harry Cohn, producer)

The Barretts of Wimpole Street

| Metro-Goldwyn-Mayer

style="background:#eee;"

| Cleopatra

| Paramount

Flirtation Walk

| First National

style="background:#eee;"

| The Gay Divorcee

| RKO Radio

Here Comes the Navy

| Warner Bros.

style="background:#eee;"

| The House of Rothschild

| 20th Century

Imitation of Life

| Universal

style="background:#eee;"

| One Night of Love

| Columbia

The Thin Man

| Metro-Goldwyn-Mayer

style="background:#eee;"

| Viva Villa!

| Metro-Goldwyn-Mayer

The White Parade

| Jesse L. Lasky (production company)

rowspan="13" style="text-align:center" |1935
{{small|(8th)}}
{{efn|The Academy also announced that The Informer came in second, and Captain Blood third.}}
style="background:#FAEB86"

| Mutiny on the Bounty

| Metro-Goldwyn-Mayer (Frank Lloyd & Irving Thalberg, producers)

Alice Adams

| RKO Radio

style="background:#eee;"

| Broadway Melody of 1936

| Metro-Goldwyn-Mayer

Captain Blood

| Cosmopolitan

style="background:#eee;"

| David Copperfield

| Metro-Goldwyn-Mayer

The Informer

| RKO Radio

style="background:#eee;"

| The Lives of a Bengal Lancer

| Paramount

A Midsummer Night's Dream

| Warner Bros.

style="background:#eee;"

| Les Misérables

| 20th Century

Naughty Marietta

| Metro-Goldwyn-Mayer

style="background:#eee;"

| Ruggles of Red Gap

| Paramount

Top Hat

| RKO Radio

rowspan="11" style="text-align:center" |1936
{{small|(9th)}}
style="background:#FAEB86"

| The Great Ziegfeld

| Metro-Goldwyn-Mayer (Hunt Stromberg, producer)

Anthony Adverse

| Warner Bros.

style="background:#eee;"

| Dodsworth

| Samuel Goldwyn Productions (Samuel Goldwyn, producer)

Libeled Lady

| Metro-Goldwyn-Mayer

style="background:#eee;"

| Mr. Deeds Goes to Town

| Columbia

Romeo and Juliet

| Metro-Goldwyn-Mayer

style="background:#eee;"

| San Francisco

| Metro-Goldwyn-Mayer

The Story of Louis Pasteur

| Cosmopolitan

style="background:#eee;"

| A Tale of Two Cities

| Metro-Goldwyn-Mayer

Three Smart Girls

| Universal

rowspan="11" style="text-align:center" |1937
{{small|(10th)}}
style="background:#FAEB86"

| The Life of Emile Zola

| Warner Bros. (Henry Blanke, producer)

The Awful Truth

| Columbia

style="background:#eee;"

| Captains Courageous

| Metro-Goldwyn-Mayer

Dead End

| Samuel Goldwyn Productions (Samuel Goldwyn, producer)

style="background:#eee;"

| The Good Earth

| Metro-Goldwyn-Mayer

In Old Chicago

| 20th Century-Fox

style="background:#eee;"

| Lost Horizon

| Columbia

One Hundred Men and a Girl

| Universal

style="background:#eee;"

| Stage Door

| RKO Radio

A Star Is Born

| Selznick International Pictures

rowspan="11" style="text-align:center" |1938
{{small|(11th)}}
style="background:#FAEB86"

| You Can't Take It with You

| Columbia (Frank Capra, producer)

The Adventures of Robin Hood

| Warner Bros.-First National

style="background:#eee;"

| Alexander's Ragtime Band

| 20th Century-Fox

Boys Town

| Metro-Goldwyn-Mayer

style="background:#eee;"

| The Citadel

| Metro-Goldwyn-Mayer

Four Daughters

| Warner Bros.-First National

style="background:#eee;"

| Grand Illusion

| Réalisation d'art Cinématographique

Jezebel

| Warner Bros.

style="background:#eee;"

| Pygmalion

| Metro-Goldwyn-Mayer

Test Pilot

| Metro-Goldwyn-Mayer

rowspan="11" style="text-align:center" |1939
{{small|(12th)}}
style="background:#FAEB86"

| Gone with the Wind

| Selznick International Pictures (David O. Selznick, producer)

Dark Victory

| Warner Bros.-First National

style="background:#eee;"

| Goodbye, Mr. Chips

| Metro-Goldwyn-Mayer

Love Affair

| RKO Radio

style="background:#eee;"

| Mr. Smith Goes to Washington

| Columbia

Ninotchka

| Metro-Goldwyn-Mayer

style="background:#eee;"

| Of Mice and Men

| Hal Roach (production company)

Stagecoach

| Walter Wanger (production company)

style="background:#eee;"

| The Wizard of Oz

| Metro-Goldwyn-Mayer

Wuthering Heights

| Samuel Goldwyn Productions

=1940s=

{{sticky header}}

class="wikitable sortable sticky-header" style="font-size:1.00em; line-height:1.5em;"
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! width="5%" | Year of Film Release

! width="40%" | Film

! width="55%" | Film Studio

style="background:#FAEB86"

! rowspan="10" |1940
{{small|(13th)}}

| Rebecca

| Selznick International Pictures (David O. Selznick, producer)

All This, and Heaven Too

| Warner Bros.

style="background:#eee;"

| Foreign Correspondent

| Walter Wanger (production company)

The Grapes of Wrath

| 20th Century-Fox

style="background:#eee;"

| The Great Dictator

| Charles Chaplin Productions

Kitty Foyle

| RKO Radio

style="background:#eee;"

| The Letter

| Warner Bros.

The Long Voyage Home

| Argosy-Wanger

style="background:#eee;"

| Our Town

| Sol Lesser (production company)

The Philadelphia Story

| Metro-Goldwyn-Mayer

rowspan="11" style="text-align:center" |1941
{{small|(14th)}}
style="background:#FAEB86"

| How Green Was My Valley

| 20th Century-Fox (Darryl F. Zanuck, producer)

Blossoms in the Dust

| Metro-Goldwyn-Mayer

style="background:#eee;"

| Citizen Kane

| Mercury

Here Comes Mr. Jordan

| Columbia

style="background:#eee;"

| Hold Back the Dawn

| Paramount

The Little Foxes

| Samuel Goldwyn Productions (Samuel Goldwyn, producer)

style="background:#eee;"

| The Maltese Falcon

| Warner Bros.

One Foot in Heaven

| Warner Bros.

style="background:#eee;"

| Sergeant York

| Warner Bros.

Suspicion

| RKO Radio

rowspan="11" style="text-align:center" |1942
{{small|(15th)}}
style="background:#FAEB86"

| Mrs. Miniver

| Metro-Goldwyn-Mayer (Sidney Franklin, producer)

49th ParallelListed in AMPAS records under the title [https://awardsdatabase.oscars.org/search/getresults?query=%7B%22FilmTitle%22%3A%22the%20invaders%22%2C%22Sort%22%3A%222-Film%20Title-Alpha%22%2C%22AwardShowNumberFrom%22%3A0%2C%22AwardShowNumberTo%22%3A0%2C%22Search%22%3A30%7D The Invaders] {{Webarchive|url=https://web.archive.org/web/20220925053302/https://awardsdatabase.oscars.org/search/getresults?query=%7B%22FilmTitle%22:%22the%20invaders%22,%22Sort%22:%222-Film%20Title-Alpha%22,%22AwardShowNumberFrom%22:0,%22AwardShowNumberTo%22:0,%22Search%22:30%7D |date=September 25, 2022 }}.

| Ortus

style="background:#eee;"

| Kings Row

| Warner Bros.

The Magnificent Ambersons

| Mercury

style="background:#eee;"

| The Pied Piper

| 20th Century-Fox

The Pride of the Yankees

| Samuel Goldwyn Productions (Samuel Goldwyn, producer)

style="background:#eee;"

| Random Harvest

| Metro-Goldwyn-Mayer

The Talk of the Town

| Columbia

style="background:#eee;"

| Wake Island

| Paramount

Yankee Doodle Dandy

| Warner Bros.

rowspan="11" style="text-align:center" |1943
{{small|(16th)}}
style="background:#FAEB86"

| Casablanca

| Warner Bros. (Hal B. Wallis, producer)

For Whom the Bell Tolls

| Paramount

style="background:#eee;"

| Heaven Can Wait

| 20th Century-Fox

The Human Comedy

| Metro-Goldwyn-Mayer

style="background:#eee;"

| In Which We Serve

| Two Cities Films

Madame Curie

| Metro-Goldwyn-Mayer

style="background:#eee;"

| The More the Merrier

| Columbia

The Ox-Bow Incident

| 20th Century-Fox

style="background:#eee;"

| The Song of Bernadette

| 20th Century-Fox

Watch on the Rhine

| Warner Bros.

rowspan="6" style="text-align:center" |1944
{{small|(17th)}}
style="background:#FAEB86"

| Going My Way

| Paramount (Leo McCarey, producer)

Double Indemnity

| Paramount

style="background:#eee;"

| Gaslight

| Metro-Goldwyn-Mayer

Since You Went Away

| Selznick International Pictures (David O. Selznick, producer)

style="background:#eee;"

| Wilson

| 20th Century-Fox

rowspan="6" style="text-align:center" |1945
{{small|(18th)}}
style="background:#FAEB86"

| The Lost Weekend

| Paramount (Charles Brackett, producer)

Anchors Aweigh

| Metro-Goldwyn-Mayer

style="background:#eee;"

| The Bells of St. Mary's

| Rainbow Productions

Mildred Pierce

| Warner Bros.

style="background:#eee;"

| Spellbound

| Selznick International Pictures (David O. Selznick, producer)

rowspan="6" style="text-align:center" |1946
{{small|(19th)}}
style="background:#FAEB86"

| The Best Years of Our Lives

| Samuel Goldwyn Productions (Samuel Goldwyn, producer)

Henry V

| Two Cities Films

style="background:#eee;"

| It's a Wonderful Life

| Liberty Films

The Razor's Edge

| 20th Century-Fox

style="background:#eee;"

| The Yearling

| Metro-Goldwyn-Mayer

rowspan="6" style="text-align:center" |1947
{{small|(20th)}}
style="background:#FAEB86"

| Gentleman's Agreement

| 20th Century-Fox (Darryl F. Zanuck, producer)

The Bishop's Wife

| Samuel Goldwyn Productions (Samuel Goldwyn, producer)

style="background:#eee;"

| Crossfire

| RKO Radio

Great Expectations

| J. Arthur Rank-Cineguild

style="background:#eee;"

| Miracle on 34th Street

| 20th Century-Fox

rowspan="6" style="text-align:center" |1948
{{small|(21st)}}
style="background:#FAEB86"

| Hamlet

| J. Arthur Rank-Two Cities Films (Laurence Olivier, producer)

Johnny Belinda

| Warner Bros.

style="background:#eee;"

| The Red Shoes

| J. Arthur Rank-Archers

The Snake Pit

| 20th Century-Fox

style="background:#eee;"

| The Treasure of the Sierra Madre

| Warner Bros.

rowspan="6" style="text-align:center" |1949
{{small|(22nd)}}
style="background:#FAEB86"

| All the King's Men

| Columbia (Robert Rossen, producer)

Battleground

| Metro-Goldwyn-Mayer

style="background:#eee;"

| The Heiress

| Paramount

A Letter to Three Wives

| 20th Century-Fox

style="background:#eee;"

| Twelve O'Clock High

| 20th Century-Fox

=1950s=

{{sticky header}}

class="wikitable sortable sticky-header" style="font-size:1.00em; line-height:1.5em;"
bgcolor="#bebebe"

! width="5%"| Year of Film Release

! width="40%"| Film

! width="55%"| Film Studio/Producer(s)

style="background:#FAEB86"

! rowspan="5" |1950
{{small|(23rd)}}

| All About Eve

| 20th Century-Fox (Darryl F. Zanuck, producer)

Born Yesterday

| Columbia

style="background:#eee;"

| Father of the Bride

| Metro-Goldwyn-Mayer

King Solomon's Mines

| Metro-Goldwyn-Mayer

style="background:#eee;"

| Sunset Boulevard

| Paramount

rowspan="6" style="text-align:center" |1951
{{small|(24th)}}
style="background:#FAEB86"

| An American in Paris

| Arthur Freed

Decision Before Dawn

| Anatole Litvak and Frank McCarthy

style="background:#eee;"

| A Place in the Sun

| George Stevens

Quo Vadis

| Sam Zimbalist

style="background:#eee;"

| A Streetcar Named Desire

| Charles K. Feldman

rowspan="6" style="text-align:center" |1952
{{small|(25th)}}
style="background:#FAEB86"

| The Greatest Show on Earth

| Cecil B. DeMille

High Noon

| Stanley Kramer

style="background:#eee;"

| Ivanhoe

| Pandro S. Berman

Moulin Rouge

| John and James Woolf

style="background:#eee;"

| The Quiet Man

| John Ford and Merian C. Cooper

rowspan="6" style="text-align:center" |1953
{{small|(26th)}}
style="background:#FAEB86"

| From Here to Eternity

| Buddy Adler

Julius Caesar

| John Houseman

style="background:#eee;"

| The Robe

| Frank Ross

Roman Holiday

| William Wyler

style="background:#eee;"

| Shane

| George Stevens

rowspan="6" style="text-align:center" |1954
{{small|(27th)}}
style="background:#FAEB86"

| On the Waterfront

| Sam Spiegel

The Caine Mutiny

| Stanley Kramer

style="background:#eee;"

| The Country Girl

| William Perlberg

Seven Brides for Seven Brothers

| Jack Cummings

style="background:#eee;"

| Three Coins in the Fountain

| Sol C. Siegel

rowspan="6" style="text-align:center" |1955
{{small|(28th)}}
style="background:#FAEB86"

| Marty

| Harold Hecht

Love Is a Many-Splendored Thing

| Buddy Adler

style="background:#eee;"

| Mister Roberts

| Leland Hayward

Picnic

| Fred Kohlmar

style="background:#eee;"

| The Rose Tattoo

| Hal B. Wallis

rowspan="6" style="text-align:center" |1956
{{small|(29th)}}
style="background:#FAEB86"

| Around the World in 80 Days

| Michael Todd

Friendly Persuasion

| William Wyler

style="background:#eee;"

| Giant

| George Stevens and Henry Ginsberg

The King and I

| Charles Brackett

style="background:#eee;"

| The Ten Commandments

| Cecil B. DeMille

rowspan="6" style="text-align:center" |1957
{{small|(30th)}}
style="background:#FAEB86"

| The Bridge on the River Kwai

| Sam Spiegel

12 Angry Men

| Henry Fonda and Reginald Rose

style="background:#eee;"

| Peyton Place

| Jerry Wald

Sayonara

| William Goetz

style="background:#eee;"

| Witness for the Prosecution

| Arthur Hornblow Jr.

rowspan="6" style="text-align:center" |1958
{{small|(31st)}}
style="background:#FAEB86"

| Gigi

| Arthur Freed

Auntie Mame

| Jack L. Warner

style="background:#eee;"

| Cat on a Hot Tin Roof

| Lawrence Weingarten

The Defiant Ones

| Stanley Kramer

style="background:#eee;"

| Separate Tables

| Harold Hecht

rowspan="6" style="text-align:center" |1959
{{small|(32nd)}}
style="background:#FAEB86"

| Ben-Hur

| Sam Zimbalist

Anatomy of a Murder

| Otto Preminger

style="background:#eee;"

| The Diary of Anne Frank

| George Stevens

The Nun's Story

| Henry Blanke

style="background:#eee;"

| Room at the Top

| John Woolf and James Woolf

=1960s=

{{sticky header}}

class="wikitable sortable sticky-header" style="font-size:1.00em; line-height:1.5em;"
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! width="5%"| Year of Film Release

! width="40%"| Film

! width="55%"| Producer(s)

style="background:#FAEB86"

! rowspan="5" |1960
{{small|(33rd)}}

| The Apartment

| Billy Wilder

The Alamo

| John Wayne

style="background:#eee;"

| Elmer Gantry

| Bernard Smith

Sons and Lovers

| Jerry Wald

style="background:#eee;"

| The Sundowners

| Fred Zinnemann

rowspan="6" style="text-align:center" |1961
{{small|(34th)}}
style="background:#FAEB86"

| West Side Story

| Robert Wise

Fanny

| Joshua Logan

style="background:#eee;"

| The Guns of Navarone

| Carl Foreman

The Hustler

| Robert Rossen

style="background:#eee;"

| Judgment at Nuremberg

| Stanley Kramer

rowspan="6" style="text-align:center" |1962
{{small|(35th)}}
style="background:#FAEB86"

| Lawrence of Arabia

| Sam Spiegel

The Longest Day

| Darryl F. Zanuck

style="background:#eee;"

| The Music Man

| Morton DaCosta

Mutiny on the Bounty

| Aaron Rosenberg

style="background:#eee;"

| To Kill a Mockingbird

| Alan J. Pakula

rowspan="6" style="text-align:center" |1963
{{small|(36th)}}
style="background:#FAEB86"

| Tom Jones

| Tony Richardson

America America

| Elia Kazan

style="background:#eee;"

| Cleopatra

| Walter Wanger

How the West Was Won

| Bernard Smith

style="background:#eee;"

| Lilies of the Field

| Ralph Nelson

rowspan="6" style="text-align:center" |1964
{{small|(37th)}}
style="background:#FAEB86"

| My Fair Lady

| Jack L. Warner

Becket

| Hal B. Wallis

style="background:#eee;"

| Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

| Stanley Kubrick

Mary Poppins

| Walt Disney and Bill Walsh

style="background:#eee;"

| Zorba the Greek

| Michael Cacoyannis

rowspan="6" style="text-align:center" |1965
{{small|(38th)}}
style="background:#FAEB86"

| The Sound of Music

| Robert Wise

Darling

| Joseph Janni

style="background:#eee;"

| Doctor Zhivago

| Carlo Ponti

Ship of Fools

| Stanley Kramer

style="background:#eee;"

| A Thousand Clowns

| Fred Coe

rowspan="6" style="text-align:center" |1966
{{small|(39th)}}
style="background:#FAEB86"

| A Man for All Seasons

| Fred Zinnemann

Alfie

| Lewis Gilbert

style="background:#eee;"

| The Russians Are Coming, the Russians Are Coming

| Norman Jewison

The Sand Pebbles

| Robert Wise

style="background:#eee;"

| Who's Afraid of Virginia Woolf?

| Ernest Lehman

rowspan="6" style="text-align:center" |1967
{{small|(40th)}}
style="background:#FAEB86"

| In the Heat of the Night

| Walter Mirisch

Bonnie and Clyde

| Warren Beatty

style="background:#eee;"

| Doctor Dolittle

| Arthur P. Jacobs

The Graduate

| Lawrence Turman

style="background:#eee;"

| Guess Who's Coming to Dinner

| Stanley Kramer

rowspan="6" style="text-align:center" |1968
{{small|(41st)}}
style="background:#FAEB86"

| Oliver!

| John Woolf

Funny Girl

| Ray Stark

style="background:#eee;"

| The Lion in Winter

| Martin Poll

Rachel, Rachel

| Paul Newman

style="background:#eee;"

| Romeo and Juliet

| Anthony Havelock-Allan and John Brabourne

rowspan="6" style="text-align:center" |1969
{{small|(42nd)}}
style="background:#FAEB86"

| Midnight Cowboy

| Jerome Hellman

Anne of the Thousand Days

| Hal B. Wallis

style="background:#eee;"

| Butch Cassidy and the Sundance Kid

| John Foreman

Hello, Dolly!

| Ernest Lehman

style="background:#eee;"

| Z

| Jacques Perrin and Ahmed Rachedi

=1970s=

{{sticky header}}

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! width="5%"| Year of Film Release

! width="40%"| Film

! width="55%"| Producer(s)

style="background:#FAEB86"

! rowspan="5" |1970
{{small|(43rd)}}

| Patton

| Frank McCarthy

Airport

| Ross Hunter

style="background:#eee;"

| Five Easy Pieces

| Bob Rafelson and Richard Wechsler

Love Story

| Howard G. Minsky

style="background:#eee;"

| M*A*S*H

| Ingo Preminger

rowspan="6" style="text-align:center" |1971
{{small|(44th)}}
style="background:#FAEB86"

| The French Connection

| Philip D'Antoni

A Clockwork Orange

| Stanley Kubrick

style="background:#eee;"

| Fiddler on the Roof

| Norman Jewison

The Last Picture Show

| Stephen J. Friedman

style="background:#eee;"

| Nicholas and Alexandra

| Sam Spiegel

rowspan="6" style="text-align:center" |1972
{{small|(45th)}}
style="background:#FAEB86"

| The Godfather

| Albert S. Ruddy

Cabaret

| Cy Feuer

style="background:#eee;"

| Deliverance

| John Boorman

The Emigrants

| Bengt Forslund

style="background:#eee;"

| Sounder

| Robert B. Radnitz

rowspan="6" style="text-align:center" |1973
{{small|(46th)}}
style="background:#FAEB86"

| The Sting

| Tony Bill, Michael Phillips, and Julia Phillips

American Graffiti

| Francis Ford Coppola and Gary Kurtz

style="background:#eee;"

| Cries and Whispers

| Ingmar Bergman

The Exorcist

| William Peter Blatty

style="background:#eee;"

| A Touch of Class

| Melvin Frank

rowspan="6" style="text-align:center" |1974
{{small|(47th)}}
style="background:#FAEB86"

| The Godfather Part II

| Francis Ford Coppola, Gray Frederickson, and Fred Roos

Chinatown

| Robert Evans

style="background:#eee;"

| The Conversation

| Francis Ford Coppola

Lenny

| Marvin Worth

style="background:#eee;"

| The Towering Inferno

| Irwin Allen

rowspan="6" style="text-align:center" |1975
{{small|(48th)}}
style="background:#FAEB86"

| One Flew Over the Cuckoo's Nest

| Michael Douglas and Saul Zaentz

Barry Lyndon

| Stanley Kubrick

style="background:#eee;"

| Dog Day Afternoon

| Martin Bregman and Martin Elfand

Jaws

| Richard D. Zanuck and David Brown

style="background:#eee;"

| Nashville

| Robert Altman

rowspan="6" style="text-align:center" |1976
{{small|(49th)}}
style="background:#FAEB86"

| Rocky

| Irwin Winkler and Robert Chartoff

All the President's Men

| Walter Coblenz

style="background:#eee;"

| Bound for Glory

| Robert F. Blumofe and Harold Leventhal

Network

| Howard Gottfried

style="background:#eee;"

| Taxi Driver

| Michael Phillips and Julia Phillips

rowspan="6" style="text-align:center" |1977
{{small|(50th)}}
style="background:#FAEB86"

| Annie Hall

| Charles H. Joffe

The Goodbye Girl

| Ray Stark

style="background:#eee;"

| Julia

| Richard Roth

Star Wars

| Gary Kurtz

style="background:#eee;"

| The Turning Point

| Herbert Ross and Arthur Laurents

rowspan="6" style="text-align:center" |1978
{{small|(51st)}}
style="background:#FAEB86"

| The Deer Hunter

| Barry Spikings, Michael Deeley, Michael Cimino, and John Peverall

Coming Home

| Jerome Hellman

style="background:#eee;"

| Heaven Can Wait

| Warren Beatty

Midnight Express

| Alan Marshall and David Puttnam

style="background:#eee;"

| An Unmarried Woman

| Paul Mazursky and Anthony Ray

rowspan="6" style="text-align:center" |1979
{{small|(52nd)}}
style="background:#FAEB86"

| Kramer vs. Kramer

| Stanley R. Jaffe

All That Jazz

| Robert Alan Aurthur

style="background:#eee;"

| Apocalypse Now

| Francis Ford Coppola, Fred Roos, Gray Frederickson, and Tom Sternberg

Breaking Away

| Peter Yates

style="background:#eee;"

| Norma Rae

| Tamara Asseyev and Alex Rose

=1980s=

{{sticky header}}

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! width="5%"| Year of Film Release

! width="40%"| Film

! width="55%"| Producer(s)

style="background:#FAEB86"

! rowspan="5" |1980
{{small|(53rd)}}

| Ordinary People

| Ronald L. Schwary

Coal Miner's Daughter

| Bernard Schwartz

style="background:#eee;"

| The Elephant Man

| Jonathan Sanger

Raging Bull

| Irwin Winkler and Robert Chartoff

style="background:#eee;"

| Tess

| Claude Berri and Timothy Burrill

rowspan="6" style="text-align:center" |1981
{{small|(54th)}}
style="background:#FAEB86"Chariots of Fire

| David Puttnam

Atlantic City

| Denis Héroux

style="background:#eee;"

| On Golden Pond

| Bruce Gilbert

Raiders of the Lost Ark

| Frank Marshall

style="background:#eee;"

| Reds

| Warren Beatty

rowspan="6" style="text-align:center" |1982
{{small|(55th)}}
style="background:#FAEB86"

| Gandhi

| Richard Attenborough

E.T. the Extra-Terrestrial

| Steven Spielberg and Kathleen Kennedy

style="background:#eee;"

| Missing

| Edward Lewis and Mildred Lewis

Tootsie

| Sydney Pollack and Dick Richards

style="background:#eee;"

| The Verdict

| Richard D. Zanuck and David Brown

rowspan="6" style="text-align:center" |1983
{{small|(56th)}}
style="background:#FAEB86"

| Terms of Endearment

| James L. Brooks

The Big Chill

| Michael Shamberg

style="background:#eee;"

| The Dresser

| Peter Yates

The Right Stuff

| Irwin Winkler and Robert Chartoff

style="background:#eee;"

| Tender Mercies

| Philip S. Hobel

rowspan="6" style="text-align:center" |1984
{{small|(57th)}}
style="background:#FAEB86"

| Amadeus

| Saul Zaentz

The Killing Fields

| David Puttnam

style="background:#eee;"

| A Passage to India

| John Brabourne and Richard B. Goodwin

Places in the Heart

| Arlene Donovan

style="background:#eee;"

| A Soldier's Story

| Norman Jewison, Ronald L. Schwary, and Patrick Palmer

rowspan="6" style="text-align:center" |1985
{{small|(58th)}}
style="background:#FAEB86"

| Out of Africa

| Sydney Pollack

The Color Purple

| Steven Spielberg, Kathleen Kennedy, Frank Marshall, and Quincy Jones

style="background:#eee;"

| Kiss of the Spider Woman

| David Weisman

Prizzi's Honor

| John Foreman

style="background:#eee;"

| Witness

| Edward S. Feldman

rowspan="6" style="text-align:center" |1986
{{small|(59th)}}
style="background:#FAEB86"

| Platoon

| Arnold Kopelson

Children of a Lesser God

| Burt Sugarman and Patrick J. Palmer

style="background:#eee;"

| Hannah and Her Sisters

| Robert Greenhut

The Mission

| Fernando Ghia and David Puttnam

style="background:#eee;"

| A Room with a View

| Ismail Merchant

rowspan="6" style="text-align:center" |1987
{{small|(60th)}}
style="background:#FAEB86"

| The Last Emperor

| Jeremy Thomas

Broadcast News

| James L. Brooks

style="background:#eee;"

| Fatal Attraction

| Stanley R. Jaffe and Sherry Lansing

Hope and Glory

| John Boorman

style="background:#eee;"

| Moonstruck

| Patrick J. Palmer and Norman Jewison

rowspan="6" style="text-align:center" |1988
{{small|(61st)}}
style="background:#FAEB86"

| Rain Man

| Mark Johnson

The Accidental Tourist

| Lawrence Kasdan, Charles Okun, and Michael Grillo

style="background:#eee;"

| Dangerous Liaisons

| Norma Heyman and Hank Moonjean

Mississippi Burning

| Frederick Zollo and Robert F. Colesberry

style="background:#eee;"

| Working Girl

| Douglas Wick

rowspan="6" style="text-align:center" |1989
{{small|(62nd)}}
style="background:#FAEB86"

| Driving Miss Daisy

| Richard D. Zanuck and Lili Fini Zanuck

Born on the Fourth of July

| A. Kitman Ho and Oliver Stone

style="background:#eee;"

| Dead Poets Society

| Steven Haft, Paul Junger Witt, and Tony Thomas

Field of Dreams

| Lawrence Gordon and Charles Gordon

style="background:#eee;"

| My Left Foot

| Noel Pearson

=1990s=

{{sticky header}}

class="wikitable sortable sticky-header" style="font-size:1.00em; line-height:1.5em;"
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! width="5%" | Year of Film Release

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! width="55%" | Producer(s)

style="background:#FAEB86"

! rowspan="5" |1990
{{small|(63rd)}}

| Dances With Wolves

| Jim Wilson and Kevin Costner

Awakenings

| Walter Parkes and Lawrence Lasker

style="background:#eee;"

| Ghost

| Lisa Weinstein

The Godfather Part III

| Francis Ford Coppola

style="background:#eee;"

| Goodfellas

| Irwin Winkler

rowspan="6" style="text-align:center" |1991
{{small|(64th)}}
style="background:#FAEB86"

| The Silence of the Lambs

| Edward Saxon, Kenneth Utt, and Ron Bozman

Beauty and the Beast

| Don Hahn

style="background:#eee;"

| Bugsy

| Mark Johnson, Barry Levinson and Warren Beatty

JFK

| A. Kitman Ho and Oliver Stone

style="background:#eee;"

| The Prince of Tides

| Barbra Streisand and Andrew S. Karsch

rowspan="6" style="text-align:center" |1992
{{small|(65th)}}
style="background:#FAEB86"

| Unforgiven

| Clint Eastwood

The Crying Game

| Stephen Woolley

style="background:#eee;"

| A Few Good Men

| David Brown, Rob Reiner, and Andrew Scheinman

Howards End

| Ismail Merchant

style="background:#eee;"

| Scent of a Woman

| Martin Brest

rowspan="6" style="text-align:center" |1993
{{small|(66th)}}
style="background:#FAEB86"

| Schindler's List

| Steven Spielberg, Gerald R. Molen, and Branko Lustig

The Fugitive

| Arnold Kopelson

style="background:#eee;"

| In the Name of the Father

| Jim Sheridan

The Piano

| Jan Chapman

style="background:#eee;"

| The Remains of the Day

| Mike Nichols, John Calley, and Ismail Merchant

rowspan="6" style="text-align:center" |1994
{{small|(67th)}}
style="background:#FAEB86"

| Forrest Gump

| Wendy Finerman, Steve Tisch, and Steve Starkey

Four Weddings and a Funeral

| Duncan Kenworthy

style="background:#eee;"

| Pulp Fiction

| Lawrence Bender

Quiz Show

| Michael Jacobs, Julian Krainin, Michael Nozik, and Robert Redford

style="background:#eee;"

| The Shawshank Redemption

| Niki Marvin

rowspan="6" style="text-align:center" |1995
{{small|(68th)}}
style="background:#FAEB86"

| Braveheart

| Mel Gibson, Alan Ladd Jr., and Bruce Davey

Apollo 13

| Brian Grazer

style="background:#eee;"

| Babe

| Bill Miller, George Miller, and Doug Mitchell

The Postman (Il Postino)

| Mario Cecchi Gori, Vittorio Cecchi Gori, and Gaetano Daniele

style="background:#eee;"

| Sense and Sensibility

| Lindsay Doran

rowspan="6" style="text-align:center" |1996
{{small|(69th)}}
style="background:#FAEB86"

| The English Patient

| Saul Zaentz

Fargo

| Ethan Coen

style="background:#eee;"

| Jerry Maguire

| James L. Brooks, Laurence Mark, Richard Sakai, and Cameron Crowe

Secrets & Lies

| Simon Channing-Williams

style="background:#eee;"

| Shine

| Jane Scott

rowspan="6" style="text-align:center" |1997
{{small|(70th)}}
style="background:#FAEB86"

| Titanic

| James Cameron and Jon Landau

As Good as It Gets

| James L. Brooks, Bridget Johnson, and Kristi Zea

style="background:#eee;"

| The Full Monty

| Uberto Pasolini

Good Will Hunting

| Lawrence Bender

style="background:#eee;"

| L.A. Confidential

| Curtis Hanson, Arnon Milchan, and Michael Nathanson

rowspan="6" style="text-align:center" |1998
{{small|(71st)}}
style="background:#FAEB86"

| Shakespeare in Love

| David Parfitt, Donna Gigliotti, Harvey Weinstein, Edward Zwick, and Marc Norman

Elizabeth

| Alison Owen, Eric Fellner and Tim Bevan

style="background:#eee;"

| Life Is Beautiful

| Elda Ferri and Gianluigi Braschi

Saving Private Ryan

| Steven Spielberg, Ian Bryce, Mark Gordon, and Gary Levinsohn

style="background:#eee;"

| The Thin Red Line

| Robert Michael Geisler, John Roberdeau, and Grant Hill

rowspan="6" style="text-align:center" |1999
{{small|(72nd)}}
style="background:#FAEB86"

| American Beauty

| Bruce Cohen and Dan Jinks

The Cider House Rules

| Richard N. Gladstein

style="background:#eee;"

| The Green Mile

| Frank Darabont and David Valdes

The Insider

| Pieter Jan Brugge and Michael Mann

style="background:#eee;"

| The Sixth Sense

| Frank Marshall, Kathleen Kennedy, and Barry Mendel

=2000s=

{{sticky header}}

class="wikitable sortable sticky-header" style="font-size:1.00em; line-height:1.5em;"
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! width="5%"| Year of Film Release

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style="background:#FAEB86"

! rowspan="5" |2000
{{small|(73rd)}}

| Gladiator

| Douglas Wick, David Franzoni, and Branko Lustig

Chocolat

| David Brown, Kit Golden, and Leslie Holleran

style="background:#eee;"

| Crouching Tiger, Hidden Dragon

| William Kong, Hsu Li-kong, and Ang Lee

Erin Brockovich

| Danny DeVito, Michael Shamberg, and Stacey Sher

style="background:#eee;"

| Traffic

| Edward Zwick, Marshall Herskovitz, and Laura Bickford

rowspan="6" style="text-align:center" |2001
{{small|(74th)}}
style="background:#FAEB86"

| A Beautiful Mind

| Brian Grazer and Ron Howard

Gosford Park

| Robert Altman, Bob Balaban, and David Levy

style="background:#eee;"

| In the Bedroom

| Graham Leader, Ross Katz, and Todd Field

The Lord of the Rings: The Fellowship of the Ring

| Peter Jackson, Fran Walsh, and Barrie M. Osborne

style="background:#eee;"

| Moulin Rouge!

| Martin Brown, Baz Luhrmann, and Fred Baron

rowspan="6" style="text-align:center" |2002
{{small|(75th)}}
style="background:#FAEB86"

| Chicago

| Martin Richards

Gangs of New York

| Alberto Grimaldi and Harvey Weinstein

style="background:#eee;"

| The Hours

| Scott Rudin and Robert Fox

The Lord of the Rings: The Two Towers

| Barrie M. Osborne, Fran Walsh, and Peter Jackson

style="background:#eee;"

| The Pianist

| Roman Polanski, Robert Benmussa, and Alain Sarde

rowspan="6" style="text-align:center" |2003
{{small|(76th)}}
style="background:#FAEB86"

| The Lord of the Rings: The Return of the King

| Barrie M. Osborne, Peter Jackson, and Fran Walsh

Lost in Translation

| Ross Katz and Sofia Coppola

style="background:#eee;"

| Master and Commander: The Far Side of the World

| Samuel Goldwyn Jr., Peter Weir, and Duncan Henderson

Mystic River

| Robert Lorenz, Judie G. Hoyt, and Clint Eastwood

style="background:#eee;"

| Seabiscuit

| Kathleen Kennedy, Frank Marshall, and Gary Ross

rowspan="6" style="text-align:center" |2004
{{small|(77th)}}
style="background:#FAEB86"

| Million Dollar Baby

| Clint Eastwood, Albert S. Ruddy, and Tom Rosenberg

The Aviator

| Michael Mann and Graham King

style="background:#eee;"

| Finding Neverland

| Richard N. Gladstein and Nellie Bellflower

Ray

| Taylor Hackford, Stuart Benjamin, and Howard Baldwin

style="background:#eee;"

| Sideways

| Michael London

rowspan="6" style="text-align:center" |2005
{{small|(78th)}}
style="background:#FAEB86"

| Crash

| Paul Haggis and Cathy Schulman

Brokeback Mountain

| Diana Ossana and James Schamus

style="background:#eee;"

| Capote

| Caroline Baron, William Vince, and Michael Ohoven

Good Night, and Good Luck

| Grant Heslov

style="background:#eee;"

| Munich

| Steven Spielberg, Kathleen Kennedy, and Barry Mendel

rowspan="6" style="text-align:center" |2006
{{small|(79th)}}
style="background:#FAEB86"

| The Departed

| Graham King

Babel

| Alejandro González Iñárritu, Steve Golin, and Jon Kilik

style="background:#eee;"

| Letters from Iwo Jima

| Clint Eastwood, Steven Spielberg, and Robert Lorenz

Little Miss Sunshine

| David T. Friendly, Peter Saraf, and Marc Turtletaub

style="background:#eee;"

| The Queen

| Andy Harries, Christine Langan, and Tracey Seaward

rowspan="6" style="text-align:center" |2007
{{small|(80th)}}
style="background:#FAEB86"

| No Country for Old Men

| Scott Rudin, Joel Coen, and Ethan Coen

Atonement

| Tim Bevan, Eric Fellner, and Paul Webster

style="background:#eee;"

| Juno

| Lianne Halfon, Mason Novick, and Russell Smith

Michael Clayton

| Jennifer Fox, Kerry Orent, and Sydney Pollack

style="background:#eee;"

| There Will Be Blood

| Paul Thomas Anderson, Daniel Lupi, and JoAnne Sellar

rowspan="6" style="text-align:center" |2008
{{small|(81st)}}
style="background:#FAEB86"

| Slumdog Millionaire

| Christian Colson

The Curious Case of Benjamin Button

| Kathleen Kennedy, Frank Marshall, and Ceán Chaffin

style="background:#eee;"

| Frost/Nixon

| Ron Howard, Brian Grazer, and Eric Fellner

Milk

| Bruce Cohen and Dan Jinks

style="background:#eee;"

| The Reader

| Anthony Minghella, Sydney Pollack, Donna Gigliotti, and Redmond Morris

rowspan="11" style="text-align:center" |2009
{{small|(82nd)}}
style="background:#FAEB86"

| The Hurt Locker

| Kathryn Bigelow, Mark Boal, Nicolas Chartier, and Greg Shapiro

Avatar

| James Cameron and Jon Landau

style="background:#eee;"

| The Blind Side

| Gil Netter, Andrew A. Kosove, and Broderick Johnson

District 9

| Peter Jackson and Carolynne Cunningham

style="background:#eee;"

| An Education

| Finola Dwyer and Amanda Posey

Inglourious Basterds

| Lawrence Bender

style="background:#eee;"

| Precious: Based on the Novel "Push" by Sapphire

| Lee Daniels, Sarah Siegel-Magness, and Gary Magness

A Serious Man

| Joel Coen and Ethan Coen

style="background:#eee;"

| Up

| Jonas Rivera

Up in the Air

| Daniel Dubiecki, Ivan Reitman, and Jason Reitman

=2010s=

{{sticky header}}

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! width="5%"| Year of Film Release

! width="40%"| Film

! width="55%"| Producer(s)

style="background:#FAEB86"

! rowspan="10" |2010
{{small|(83rd)}}

| The King's Speech

| Iain Canning, Emile Sherman, and Gareth Unwin

Black Swan

| Scott Franklin, Mike Medavoy, and Brian Oliver

style="background:#eee;"

| The Fighter

| David Hoberman, Todd Lieberman, and Mark Wahlberg

Inception

| Christopher Nolan and Emma Thomas

style="background:#eee;"

| The Kids Are All Right

| Gary Gilbert, Jeffrey Levy-Hinte, and Celine Rattray

127 Hours

| Danny Boyle, John Smithson, and Christian Colson

style="background:#eee;"

| The Social Network

| Dana Brunetti, Ceán Chaffin, Michael De Luca, and Scott Rudin

Toy Story 3

| Darla K. Anderson

style="background:#eee;"

| True Grit

| Joel Coen, Ethan Coen, and Scott Rudin

Winter's Bone

| Alix Madigan and Anne Rosellini

rowspan="10" style="text-align:center" |2011
{{small|(84th)}}
style="background:#FAEB86"

| The Artist

| Thomas Langmann

The Descendants

| Jim Burke, Alexander Payne, and Jim Taylor

style="background:#eee;"

| Extremely Loud & Incredibly Close

| Scott Rudin

The Help

| Brunson Green, Chris Columbus, and Michael Barnathan

style="background:#eee;"

| Hugo

| Graham King and Martin Scorsese

Midnight in Paris

| Letty Aronson and Stephen Tenenbaum

style="background:#eee;"

| Moneyball

| Michael De Luca, Rachael Horovitz, and Brad Pitt

The Tree of Life

| Sarah Green, Bill Pohlad, Dede Gardner, and Grant Hill

style="background:#eee;"

| War Horse

| Steven Spielberg and Kathleen Kennedy

rowspan="10" style="text-align:center" |2012
{{small|(85th)}}
style="background:#FAEB86"

| Argo

| Grant Heslov, Ben Affleck, and George Clooney

Amour

| Margaret Menegoz, Stefan Arndt, Veit Heiduschka, and Michael Katz

style="background:#eee;"

| Beasts of the Southern Wild

| Dan Janvey, Josh Penn, and Michael Gottwald

Django Unchained

| Stacey Sher, Reginald Hudlin, and Pilar Savone

style="background:#eee;"

| Life of Pi

| Gil Netter, Ang Lee, and David Womark

Lincoln

| Steven Spielberg and Kathleen Kennedy

style="background:#eee;"

| Les Misérables

| Tim Bevan, Eric Fellner, Debra Hayward, and Cameron Mackintosh

Silver Linings Playbook

| Donna Gigliotti, Bruce Cohen, and Jonathan Gordon

style="background:#eee;"

| Zero Dark Thirty

| Mark Boal, Kathryn Bigelow, and Megan Ellison

rowspan="10" style="text-align:center" |2013
{{small|(86th)}}
style="background:#FAEB86"

| 12 Years a Slave

| Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueen, and Anthony Katagas

American Hustle

| Charles Roven, Richard Suckle, Megan Ellison, and Jonathan Gordon

style="background:#eee;"

| Captain Phillips

| Scott Rudin, Dana Brunetti, and Michael De Luca

Dallas Buyers Club

| Robbie Brenner and Rachel Winter

style="background:#eee;"

| Gravity

| Alfonso Cuarón and David Heyman

Her

| Megan Ellison, Spike Jonze, and Vincent Landay

style="background:#eee;"

| Nebraska

| Albert Berger and Ron Yerxa

Philomena

| Gabrielle Tana, Steve Coogan, and Tracey Seaward

style="background:#eee;"

| The Wolf of Wall Street

| Martin Scorsese, Leonardo DiCaprio, Joey McFarland, and Emma Tillinger Koskoff

rowspan="9" style="text-align:center" |2014
{{small|(87th)}}
style="background:#FAEB86"

| Birdman or (The Unexpected Virtue of Ignorance)

| Alejandro G. Iñárritu, John Lesher, and James W. Skotchdopole

American Sniper

| Clint Eastwood, Andrew Lazar, Robert Lorenz, Bradley Cooper, and Peter Morgan

style="background:#eee;"

| Boyhood

| Richard Linklater and Cathleen Sutherland

The Grand Budapest Hotel

| Wes Anderson, Scott Rudin, Steven Rales, and Jeremy Dawson

style="background:#eee;"

| The Imitation Game

| Nora Grossman, Ido Ostrowsky, and Teddy Schwarzman

Selma

| Christian Colson, Oprah Winfrey, Dede Gardner, and Jeremy Kleiner

style="background:#eee;"

| The Theory of Everything

| Tim Bevan, Eric Fellner, Lisa Bruce, and Anthony McCarten

Whiplash

| Jason Blum, Helen Estabrook, and David Lancaster

rowspan="9" style="text-align:center" |2015
{{small|(88th)}}
style="background:#FAEB86"

| Spotlight

| Blye Pagon Faust, Steve Golin, Nicole Rocklin, and Michael Sugar

The Big Short

| Dede Gardner, Jeremy Kleiner, and Brad Pitt

style="background:#eee;"

| Bridge of Spies

| Steven Spielberg, Marc Platt, and Kristie Macosko Krieger

Brooklyn

| Finola Dwyer and Amanda Posey

style="background:#eee;"

| Mad Max: Fury Road

| Doug Mitchell and George Miller

The Martian

| Simon Kinberg, Ridley Scott, Michael Schaefer, and Mark Huffam

style="background:#eee;"

| The Revenant

| Arnon Milchan, Steve Golin, Alejandro G. Iñárritu, Mary Parent, and Keith Redmon

Room

| Ed Guiney

rowspan="10" style="text-align:center" |2016
{{small|(89th)}}
style="background:#FAEB86"

| Moonlight

| Adele Romanski, Dede Gardner, and Jeremy Kleiner

Arrival

| Shawn Levy, Dan Levine, Aaron Ryder, and David Linde

style="background:#eee;"

| Fences

| Scott Rudin, Denzel Washington, and Todd Black

Hacksaw Ridge

| Bill Mechanic and David Permut

style="background:#eee;"

| Hell or High Water

| Carla Hacken and Julie Yorn

Hidden Figures

| Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams, and Theodore Melfi

style="background:#eee;"

| La La Land

| Fred Berger, Jordan Horowitz, and Marc Platt

Lion

| Emile Sherman, Iain Canning, and Angie Fielder

style="background:#eee;"

| Manchester by the Sea

| Matt Damon, Kimberly Steward, Chris Moore, Lauren Beck, and Kevin J. Walsh

rowspan="10" style="text-align:center" |2017
{{small|(90th)}}
style="background:#FAEB86"

| The Shape of Water

| Guillermo del Toro and J. Miles Dale

Call Me by Your Name

| Peter Spears, Luca Guadagnino, Emilie Georges, and Marco Morabito

style="background:#eee;"

| Darkest Hour

| Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten, and Douglas Urbanski

Dunkirk

| Emma Thomas and Christopher Nolan

style="background:#eee;"

| Get Out

| Sean McKittrick, Jason Blum, Edward H. Hamm Jr., and Jordan Peele

Lady Bird

| Scott Rudin, Eli Bush, and Evelyn O'Neill

style="background:#eee;"

| Phantom Thread

| JoAnne Sellar, Paul Thomas Anderson, Megan Ellison, and Daniel Lupi

The Post

| Amy Pascal, Steven Spielberg, and Kristie Macosko Krieger

style="background:#eee;"

| Three Billboards Outside Ebbing, Missouri

| Graham Broadbent, Pete Czernin, and Martin McDonagh

rowspan="9" style="text-align:center" |2018
{{small|(91st)}}
style="background:#FAEB86"

| Green Book

| Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly, and Nick Vallelonga

Black Panther

| Kevin Feige

style="background:#eee;"

| BlacKkKlansman

| Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele, and Spike Lee

Bohemian Rhapsody

| Graham King

style="background:#eee;"

| The Favourite

| Ceci Dempsey, Ed Guiney, Lee Magiday, and Yorgos Lanthimos

Roma

| Gabriela Rodríguez and Alfonso Cuarón

style="background:#eee;"

| A Star Is Born

| Bill Gerber, Bradley Cooper, and Lynette Howell Taylor

Vice

| Dede Gardner, Jeremy Kleiner, Adam McKay, and Kevin Messick

style="background:#FAEB86"

! rowspan="9" |2019
{{small|(92nd)}}

| Parasite

| Kwak Sin-ae and Bong Joon-ho

Ford v Ferrari

| Peter Chernin, Jenno Topping, and James Mangold

style="background:#eee;"

| The Irishman

| Martin Scorsese, Robert De Niro, Jane Rosenthal, and Emma Tillinger Koskoff

Jojo Rabbit

| Carthew Neal, Taika Waititi, and Chelsea Winstanley

style="background:#eee;"

| Joker

| Todd Phillips, Bradley Cooper, and Emma Tillinger Koskoff

Little Women

| Amy Pascal

style="background:#eee;"

| Marriage Story

| Noah Baumbach and David Heyman

1917

| Sam Mendes, Pippa Harris, Jayne-Ann Tenggren, and Callum McDougall

style="background:#eee;"

| Once Upon a Time in Hollywood

| David Heyman, Shannon McIntosh, and Quentin Tarantino

=2020s=

{{sticky header}}

class="wikitable sortable sticky-header" style="font-size:1.00em; line-height:1.5em;"
bgcolor="#bebebe"

! width="2%"| Year of Film Release

! width="40%"| Film

! width="55%"| Producer(s)

style="background:#FAEB86"

! rowspan="8" |2020
(93rd)

| Nomadland

| Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey, and Chloé Zhao

The Father

| David Parfitt, Jean-Louis Livi, and Philippe Carcassonne

style="background:#eee;"

| Judas and the Black Messiah

| Shaka King, Charles D. King, and Ryan Coogler

Mank

| Ceán Chaffin, Eric Roth, and Douglas Urbanski

style="background:#eee;"

| Minari

| Christina Oh

Promising Young Woman

| Ben Browning, Ashley Fox, Emerald Fennell, and Josey McNamara

style="background:#eee;"

| Sound of Metal

| Bert Hamelinck and Sacha Ben Harroche

The Trial of the Chicago 7

| Marc Platt and Stuart M. Besser

style="background:#FAEB86"

! rowspan="10" |2021
(94th)

| CODA

| Philippe Rousselet, Fabrice Gianfermi, and Patrick Wachsberger

Belfast

| Laura Berwick, Kenneth Branagh, Becca Kovacik, and Tamar Thomas

style="background:#eee;"

| Don't Look Up

| Adam McKay and Kevin Messick

Drive My Car

| Teruhisa Yamamoto

style="background:#eee;"

| Dune

| Mary Parent, Denis Villeneuve, and Cale Boyter

King Richard

| Tim White, Trevor White, and Will Smith

style="background:#eee;"

| Licorice Pizza

| Sara Murphy, Adam Somner, and Paul Thomas Anderson

Nightmare Alley

| Guillermo del Toro, J. Miles Dale, and Bradley Cooper

style="background:#eee;"

| The Power of the Dog

| Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning, and Roger Frappier

West Side Story

| Steven Spielberg and Kristie Macosko Krieger

style="background:#FAEB86"

! rowspan="10" |2022
(95th)

| Everything Everywhere All at Once

| Daniel Kwan, Daniel Scheinert, and Jonathan Wang

All Quiet on the Western Front

| Malte Grunert

style="background:#eee;"

| Avatar: The Way of Water

| James Cameron and Jon Landau

The Banshees of Inisherin

| Graham Broadbent, Pete Czernin, and Martin McDonagh

style="background:#eee;"

| Elvis

| Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick, and Schuyler Weiss

The Fabelmans

| Kristie Macosko Krieger, Steven Spielberg, and Tony Kushner

style="background:#eee;"

| Tár

| Todd Field, Alexandra Milchan, and Scott Lambert

Top Gun: Maverick

| Tom Cruise, Christopher McQuarrie, David Ellison, and Jerry Bruckheimer

style="background:#eee;"

| Triangle of Sadness

| Erik Hemmendorff and Philippe Bober

Women Talking

| Dede Gardner, Jeremy Kleiner, and Frances McDormand

style="background:#FAEB86"

! rowspan="10" |2023
(96th)

| Oppenheimer

| Emma Thomas, Charles Roven, and Christopher Nolan

American Fiction

| Ben LeClair, Nikos Karamigios, Cord Jefferson, and Jermaine Johnson

style="background:#eee;"

| Anatomy of a Fall

| Marie-Ange Luciani and David Thion

Barbie

| David Heyman, Margot Robbie, Tom Ackerley, and Robbie Brenner

style="background:#eee;"

| The Holdovers

| Mark Johnson

Killers of the Flower Moon

| Dan Friedkin, Bradley Thomas, Martin Scorsese, and Daniel Lupi

style="background:#eee;"

| Maestro

| Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning, and Kristie Macosko Krieger

Past Lives

| David Hinojosa, Christine Vachon, and Pamela Koffler

style="background:#eee;"

| Poor Things

| Ed Guiney, Andrew Lowe, Yorgos Lanthimos, and Emma Stone

The Zone of Interest

| James Wilson

style="background:#FAEB86"

! rowspan="10" |2024
(97th)

| Anora

| Alex Coco, Samantha Quan, and Sean Baker

The Brutalist

| Nick Gordon, Brian Young, Andrew Morrison, D.J. Gugenheim, and Brady Corbet

style="background:#eee;"

| A Complete Unknown

| Fred Berger, James Mangold, and Alex Heineman

Conclave

| Tessa Ross, Juliette Howell, and Michael A. Jackman

style="background:#eee;"

| Dune: Part Two

| Mary Parent, Cale Boyter, Tanya Lapointe, and Denis Villeneuve

Emilia Pérez

| Pascal Caucheteux and Jacques Audiard

style="background:#eee;"

| I'm Still Here

| Maria Carlota Bruno and Rodrigo Teixeira

Nickel Boys

| Dede Gardner, Jeremy Kleiner, and Joslyn Barnes

style="background:#eee;"

| The Substance

| Coralie Fargeat, Tim Bevan, and Eric Fellner

Wicked

| Marc Platt

Individuals with multiple wins

{{col-begin}}

{{col-break}}

;3 wins

{{col-break}}

;2 wins

{{col-end}}

Individuals with multiple nominations

{{col-begin}}

{{col-break}}

;13 nominations{{cite web|url=http://awardsdatabase.oscars.org/Help/Statistics?file=Pic-Facts.pdf|title=BEST PICTURE FACTS: MOST NOMINATIONS AND AWARDS|access-date=January 13, 2020|publisher=oscars.org|archive-date=April 25, 2020|archive-url=https://web.archive.org/web/20200425112515/http://awardsdatabase.oscars.org/Help/Statistics?file=Pic-Facts.pdf|url-status=live}}{{Cite web |last=Tapp |first=Tom |date=February 8, 2022 |title=Steven Spielberg Receives Record 11th Producing Nomination & 8th Directing Nomination For 'West Side Story' |url=https://deadline.com/2022/02/best-director-oscar-steven-spielberg-eight-times-1234928428/ |website=Deadline Hollywood |access-date=February 8, 2022 |archive-date=March 7, 2022 |archive-url=https://web.archive.org/web/20220307112402/https://deadline.com/2022/02/best-director-oscar-steven-spielberg-eight-times-1234928428/ |url-status=live }}

;9 nominations

;8 nominations

;7 nominations

;6 nominations

;5 nominations

;4 nominations

{{col-break}}

;3 nominations

{{col-break}}

;2 nominations

{{col-end}}

Production companies and distributors with multiple nominations and wins

Columbia Pictures and United Artists have the most wins with 12, while 20th Century Studios has the most nominations with 64.

class="wikitable sortable plainrowheaders" style="text-align:center;"
scope="col" | Production company/distributor

! scope="col" | Nominations

! scope="col" | Wins

Columbia Pictures

| 56

| 12

United Artists

| 48

| 12

Paramount Pictures

| 22

| 11

Universal Pictures

| 37

| 10

Metro-Goldwyn-Mayer

| 40

| 9

Warner Bros. Pictures

| 28

| 9

20th Century Studios

| 64

| 8

Searchlight Pictures

|23

|5

Miramax Films

|21

|4

DreamWorks

|15

|4

Orion Pictures

|9

|4

Plan B Entertainment

| 9

| 3

Regency Enterprises

|8

|2

A24

| 8

| 2

The Weinstein Company

|6

|2

Selznick International Pictures

| 5

| 2

Neon

|4

|2

RKO Pictures

| 11

| 1

Samuel Goldwyn Productions

| 8

| 1

Lionsgate Films

|5

|1

Apple TV+

|3

|1{{cite news |url=https://sonycine.com/articles/shot-on-venice-apple-tv-s-coda-wins-academy-award-for-best-picture/ |title=Shot on VENICE: Apple TV's CODA Wins Academy Award for Best Picture |date=28 March 2022 |access-date=13 January 2025 |work=Sony Cine}}{{cite news |url=https://www.wired.com/story/oscars-streaming-services/ |title=Apple TV+ Just Won Best Picture. Everything Is Different Now |date=27 March 2022 |access-date=13 January 2025 |work=Wired.com |archive-date=January 8, 2025 |archive-url=https://web.archive.org/web/20250108183703/https://www.wired.com/story/oscars-streaming-services/ |url-status=live }}

J. Arthur Rank-Two Cities Films

| 3

| 1

New Line Cinema

| 3

| 1

Hear/Say Productions

|2

|1

Summit Entertainment

|2

|1

Focus Features

|19

|0

Netflix

| 10{{cite news |url=https://www.businessinsider.com/netflix-movies-nominated-for-best-picture-oscar-list-2022-2 |title=8 Netflix movies have been nominated for the best picture Oscar since the streamer broke into the race in 2018 |first=Travis |last=Clark |date=29 January 2023 |access-date=13 January 2025 |work=Business Insider |archive-date=January 9, 2025 |archive-url=https://web.archive.org/web/20250109205813/https://www.businessinsider.com/netflix-movies-nominated-for-best-picture-oscar-list-2022-2 |url-status=live }}{{cite news |url=https://screenrant.com/netflix-movies-oscars-best-picture-nominees-ranked/ |title=Netflix's 9 Best Picture Oscar Nominated Movies, Ranked Worst To Best |first=Ben |last=Protheroe |date=16 February 2024 |access-date=13 January 2025 |work=Screen Rant |archive-date=February 25, 2024 |archive-url=https://web.archive.org/web/20240225145557/https://screenrant.com/netflix-movies-oscars-best-picture-nominees-ranked/ |url-status=live }}

| 0

Sony Pictures Classics

| 9

| 0

Touchstone Pictures

|6

|0

Annapurna Pictures

|5

|0

Walt Disney Pictures

|4

|0

Cosmopolitan Productions

| 3

| 0

Amazon MGM Studios

| 3

| 0

Pixar Animation Studios

| 2

| 0

Hollywood Pictures

|2

|0

The Caddo Company

| 2

| 0

Walter Wanger Productions

| 2

| 0

Mercury

| 2

| 0

See also

Notes

{{notelist}}

References

{{reflist|30em}}